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43rd Annual Daytime Creative Arts Emmy Awards: Y&R, GH Score! The Bay, Andrews & Evans Take Top Honors!

Photo: NATAS/The Bay The Series

Friday night the 43rd annual Daytime Emmy ceremonies, which were held at the Westin Bonaventure Hotel in downtown Los Angeles,  kicked-off with the the creative arts awards honoring those behind the scenes in daytime programming as well as the digital drama series realm.

For the soaps, it was CBS’ The Young and the Restless that took home the most gold of the night with 5, followed closely by ABC’s General Hospital with 4.  And it was Gregori J. Martin’s The Bay, that took home the Emmy for the second year in a row for Outstanding Daytime Digital Drama Series.

In addition series leads, Mary Beth Evans (Sara) won in the Outstanding Actress category and her on-screen son, Kristos Andrews (Pete) took home the Outstanding Actor in a Daytime Digital Drama Series category.  In her 30-year acting career, this is Evans’ first win for her work in front of the camera.  She also won another Emmy last night as producer of The Bay.

Courtesy/GH

General Hospital’s casting director extraordinaire took home his eighth Emmy for his work getting the characters right in Port Charles in the Outstanding Casting for a Drama Series.   Days of our Lives executive producer, Ken Corday also took home some gold for his work in the Music Composition in a Daytime Drama Series category.

Bob Mauro, President, NATAS said in a statement following the ceremonies:  “Tonight’s gala is a tribute to the hundreds of nominees that work tirelessly behind the scenes to make Daytime television sparkle with the most sophisticated combination of genres and personalities on the planet. With over 1,400 in attendance, and our Lifetime Achievement honoree going to the vocal-magician, Frank Welker, it is a great evening for Daytime television!”

Here now are the winner’s in the daytime drama categories:

Outstanding Actress in a Digital Daytime Drama Series
Mary Beth Evans, as Sara
The Bay, thebaytheseries.com

Outstanding Actor in a Digital Daytime Drama Series
Kristos Andrews, as Peter Garrett
The Bay, thebaytheseries.com

Outstanding Digital Daytime Drama Series
The Bay, thebaytheseries.com

Outstanding Casting for a Drama Series
Mark Teschner
General Hospital, ABC

Outstanding Costume Design for a Drama Series
General Hospital, ABC

Outstanding Hairstyling for a Drama Series
The Young and the Restless, CBS

Outstanding Makeup for a Drama Series
The Young and the Restless, CBS

Outstanding Stunt Coordinating
Terry James, The Young and the Restless, CBS

Outstanding Art Direction/Set Decoration/Scenic Design for a Drama Series
The Young and the Restless, CBS

Outstanding Lighting Direction for a Drama Series
The Young and the Restless, CBS

Outstanding Technical Team for a Drama Series
General Hospital, ABC

Outstanding Multiple Camera Editing for a Drama Series
General Hospital, ABC

Outstanding Live and Direct to Tape Sound Mixing for a Drama Series
The Bold and the Beautiful, CBS

Outstanding Original Song – Drama
“Lost in Time” The Bold and the Beautiful, CBS

Outstanding Music Direction and Composition for a Drama Series
Days of our Lives, NBC

So, what did you think of the creative arts winners in the daytime drama categories at the 43rd annual Daytime Emmys? Comment below!

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Congratulations, Mark Teschner! I couldn’t agree more that he is an amazing casting director. He really hit the bullseye with the new Dillon & Kiki replacement. He found excellent child actors who could play young Patricia, Luke & Bobbie Spencer while holding their own against GH heavyweights Tony Geary & Laura Wright (talk about a risky episode). And, IMO, the additions of Curtis, Andre & Jordan have blended quite seamlessly into the cast. Incorporating established actors with new talent is not easy. Time and again, Teschner proves that he can spot the right person for the role.

nice read… Dillon and Kiki… are FAST becoming… my new fav…. couple

look what could be on the horizon…. Aaron (John DeLuca)… AND Kristina

Yikes …. LOL giddy

Dr. Kevin Collins and – Laura –

we know it’s going to happen….. Julian and Nina

it had better happen… Franco and Liz

my fervent WISH : Sabrina and Carlos

NICE EMMY WIN FOR : – OUTSTANDING CASTING FOR A DRAMA SERIES !

Even when casting is spot on, the writers need to take notice of an actor’s strengths. Teschner isn’t responsible for storylines. But, I do think he picks actors who can go a lot of different ways, giving the writers more to work with. He’s not perfect. Shari Belafonte is not the best replacement for Mayor Lomax IMO. Time has not smoothed over that portrayal. But, I’m convinced getting Rebecca Budig for Hayden Barnes resulted in a more complex character than they planned because she does sympathetic ambiguity so well.

Mark Teschner USED to be a great casting director–not so much in the last few years.

Outstanding Music Direction and Composition for a Drama Series
Days of our Lives, NBC

well…. heck

could this be Ken Corday actual contribution :

University of California, Santa Cruz in 1977; master’s degree in music composition

Yes, Ken Corday won an Emmy for Killing Will. THAT was the episode KC and his musical team submitted and won for!

This would have slipped under the radar, if Days facebook leaker hadn’t publicized it yesterday. Oops!

We now know that Ken Corday and his musical team created original music for Killing Will – and that Days paid for a real 43-piece orchestra to play it!

Now, put that together with the fact that Days decided NOT to pay for Will’s in-laws to attend his funeral, and you have an awkward fact for those who like to think that all the anti-gay messaging so evident in the Kill Will Daysaster was accidental:

Days paid for new and orchestra-played music to accompany the gruesome murder of their gay legacy maximally-back-burned character! And then they DIDN’T pay for his in-laws to attend his funeral.

Conclusion: they knew exactly what they were doing, and the anti-gay messaging was totally deliberate and planned. (This has of course been obvious to a great many from the beginning because of the sheer number of anti-gay and anti-gay family strikes since Corday employed Griffley. This latest revelation just adds another ugly fact to the gaynocide evidence pile).

As usual, Y & R and GH dominate, as it should be and as it will be on Sunday night!

when were the day time emmys held and what station are they on

this was the creative Arts… along with digital drama series

tomorrow Sunday… ( http://www.parachutetv.com ) @ 2:30 p.m… pacific standard time

PLEASE NOTE: We are excited to be live-streaming red carpet & behind the scenes coverage of the Daytime Emmy Awards.

We will NOT be covering the ceremony.

GO DAYS !

It will be broadcast on a local access channel out of Compton between the hours of 3:45 am to 4:00 am tomorrow morning.

They are on Sunday and are not being carried by any stn

Unfortunately the Daytime Emmys will not be shown live,either on tv,or online.

Yes that sucks royally and I hope that gets changed. I view these awards as our ‘reward f’or fans’ continued support and viewing of the soaps. It’s a major disappointment( to put it mildly) grrr not to see it aired anymore. Personally my position now is if it can’t be aired for the fans to see ,why should we care who wins what anymore?

” Kayla, KAYLA, KayLA ”

two years running…. isn’t she… GREAT

Congrats Ms. Evans

Congrats, to you, Mary Beth–YOU deserve it!

Yes but she didn’t win for portraying ‘ KAYLA KAYLA KAYLA’

Days Of Our Lives

Days of our Lives wins WGA Award for Daytime Drama Series

Sunday night, April 14th in concurrent ceremonies in Los Angeles and New York City, the Writers Guild of America is handing out their 76th annual WGA Awards in the fields of motion picture, television, news media, and radio/audio.

In the Daytime Drama category, Peacock’s Days of our Lives was the winner, taking home its fourth WGA Award in this category in a row.

The DAYS winning writing team consisted of Head Writer Ron Carlivati Creative Consultant Ryan Quan and Writers Sonja Alar, Jazmen Darnell Brown, Joanna Cohen, Carolyn Culliton, Richard Culliton, Cheryl Davis, Kirk Doering, Christopher Dunn, Jamey Giddens, David Kreizman, Henry Newman, Dave Ryan, and Katherine D. Schock.

Photo: JPI

The team from Days of our Lives bested the only other team in the category from General Hospital, which consisted of former GH head writers: Dan O’Connor, Chris Van Etten Writers Ashley Cook, Emily Culliton, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Shannon Peace, Stacey Pulwer, Dave Rupel, Lisa Seidman, and Scott Sickles.

Courtesy/Peacock

As previously reported, a show spokesperson for Days of our Lives shared that the episodes submitted for the competition were #14663, #14678 & #14679, and mostly centered around the death, and the funeral of Victor Kiriakis played by the late John Aniston.

This week, DAYS head scribe, Ron Carlivati, confirmed that, and told Michael Fairman TV on the decision of the scripts the team submitted: “I like to have some humor, but it was also the funeral, and then there was Sarah (Linsey Godfrey) giving birth, and then Vivian’s (Louise Sorel) crashing the reading of the will.”

You can follow along with the live updated list of all the winners from tonight’s WGA ceremonies here.

Michael Fairman TV will have more on DAYS WGA Award win as it becomes available.

So, what do you think of Days of our Lives winning the WGA Award writing award for a Daytime Drama series for the fourth year in a row? Comment below.

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Days Of Our Lives

Matthew Ashford and Melissa Reeves Talk Return to DAYS for Doug’s Funeral, Susan Seaforth Hayes, and Their Enduring Friendship

Last week, Days of our Lives celebrated the taping of their 15,000th episode which is tentatively scheduled to air on December 3rd. The story will feature emotional and heart-tugging scenes of Doug Williams funeral and honor his portrayer, the beloved Bill Hayes, who passed away on January 12th at the age of 98.

While the actors, producers, and crew took a lunch time break to pose for some pictures and speak with the press, they knew they would have to get back to taping the funeral, which was going to make it a tough day, but also cathartic for all who loved Bill Hayes.

Several returns have thus far been announced including; Melissa Reeves reprising her signature role of Jennifer Horton (a part she first played in 1985), and Matthew Ashford as Jack Deveraux. Reeves had last appeared on the show back in 2021, and she was replaced by Emmy-winner Cady McClain in her absence when Jennifer was in storylines. In real-life, Melissa had moved full-time to Tennessee along with her husband, Scott Reeves (ex-DAYS, GH, Y&R). Now, and as previously reported, Reeves will first appear back on DAYS for the Thanksgiving episodes with the Hortons.

Photo: JPI

Michael Fairman TV caught up with Matt and Melissa during the 15,000th episode celebration to get their take on: being back for these special episodes, how it has been working with and watching Susan Seaforth Hayes portray Julie’s grief over losing Doug, and how they have supported each other through the years. Check out what they shared below.

Melissa, you are back on the set of Days of our Lives for this very emotional and special moment in the series history. How does it feel?

MELISSA: Oh, my goodness. I am honored. I wouldn’t want to be anywhere else but to be here for Bill. He was like my real-life dance partner. He taught me how to ballroom dance. And to be here for Susan, of course, who’s just been our sweet hero this whole week. We’re just following her lead. She’s just been this incredibly strong example for us in the midst of this trial and season of her life. She is like just lifting us all up with her. It’s been incredible.

I was at Bill Hayes memorial service which was truly incredible and I know at the time you were in Tennessee. It was moving and celebratory of his life, all at the same time.

MELISSA: That’s all I have heard. I have to watch it on You Tube. They said it was just a real celebration of his life and I love that.

Photo: JPI

This must be difficult for Susan Seaforth Hayes depicting the death of Doug, when she is still grieving the loss of her beloved husband. (Susan pictured above with the returning Stephen Schnetzer who plays her on-screen brother, Steve Olson).

MELISSA: I’m sure Susan has those moments at home by herself, but she’s so good at being a leader and leading all of us. We’re following her, you know, and she’s like, “This is how I want to feel today.” And we’re just going along with her, you know? It’s so sweet.

Photo: JPI

How is it to see Matt Ashford again live and in-person?

MELISSA: You know, Matt and I can go years without talking, or seeing each other, and then the minute we see each other we’re chatting away.

MATT: Melissa was out on set doing a scene yesterday on the phone talking to a stage manager; as she was telling some really tough news on the phone. I’m like crying in the background, literally, I’m off-stage crying.

MELISSA: And then we get like back into normal life, and we’re like, okay, “What’s happening? What’s happening with this … or what’s happening with that?”

I had read, Melissa, that you were in touch with Matt about if there night be a possibility for you to reprise your role as Jennifer for these special episodes?

MELISSA: Yes. Well, Matt was like, “Hey! Would you want to come back? “And I was like, “Matt, you know, I would always come back. ”

MATT:  Every time I come here to Days of our Lives, they ask, “Where’s Missy? How’s Missy?” Everybody backstage says, “I miss her.” All of the crew is asking about her and saying, “It would be nice to see Missy. Nothing wrong with you Matt, but …”  They said, “Where is she?” I said, “She wants to come!”

Photo: JPI

There are some beautiful photos of Missy and Bill and Susan thorough the years that I found. It just reminded me of just the deep and entrenched history we all have had with the show, personally and professionally.

MATT: Missy is roughly the age where Francis Reid (ex-Alice Horton) was when she started the show, which is just crazy.

Photo: JPI

I’ve always said Missy was going to be the next generation Alice. Do you feel that Jennifer is the heir apparent matriarch of the Horton family?

MELISSA: Yes. I mean, this has been greatest blessing of my life, and that would be great. I told Ken Corday (executive producer, Days of our Lives) when I was 17 that this show would be my life. Ken always told me, “This is your home,” and I’ve always felt like that.

How have gotten through the scenes watching Susan Seaforth Hayes as Julie go through the loss of Doug?

MATT: Susan is bringing her best performance life for her and Bill. I mean, she’s a showbiz baby. She always has been one hundred percent, and she’s doing it for him, and this is who they’ve always been. So, you’re seeing this amazing performance colored by her life. She has her private life as Susan, but she has enough plugged into Julie that she’s done amazing work. The director, producers and writers are giving her room to live in these moments and it’s quite wonderful.

Photo: JPI

Have you already broken down in tears during the taping?

MELISSA: Yesterday, but today’s taping of the actual funeral I think they want us to try and be just more celebratory.

MATT: I mean, it is a beautiful long life for Bill Hayes and his character of Doug Williams, and so it will be about that. Then, you get a bunch of us together in the church pews, and there’s going to be hijinks.

MELISSA: We all have been through the waves of grief. You have that awful cry and then all of a sudden you feel okay.  There are those family situations we are portraying where you’re like, “What do we do? What do we do now? You know, no one knows what to do. But, it’s so sweet. I’m looking forward to seeing how the scenes all turn out.

So, are you glad that Matt and Melissa are back for the 15K episode and Doug’s funeral? From what we can tell, it’s going to be quite an emotional journey for Days of our Lives fans, and especially the performance of Susan Seaforth Hayes, 

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Days Of Our Lives

Ron Carlivati Talks on Decision to Make Days of our Lives 15000th Episode About Doug’s Funeral, and Previews Chances for WGA Award

This week, Days of our Lives celebrated the taping of their 15,000th episode. In of it itself, that is an incredible accomplishment for the long-running soap opera currently streaming on Peacock.

However, this on set gathering was a bit different. Though the show is celebrating their achievement, they are also in the middle of taping scenes surrounding the death and the funeral of Doug Williams, played by the late Bill Hayes, who passed away on January 12th of this year at the age of 98.

As previously revealed many longtime favorites are back to honor Bill and the character of Doug including: Gloria Loring (Liz), Melissa Reeves (Jennifer), Matthew Ashford (Jack), Maree Cheatham (Marie), Victoria Konefal (Ciara) and Stephen Schnetzer (Steve) to name but a few.

Photo: JPI

Michael Fairman TV was in attendance and spoke with Days of our Lives head writer, Ron Carlivati to gain some insight into how the 15,000 episode was crafted and the decision to honor the character of Doug Williams and Bill Hayes as its epicenter. In addition, Ron weighed-in on this Sunday’s April 14th WGA (Writers Guild of America) Awards, where he and his writing team are facing off with General Hospital for the daytime drama prize. Here’s what Ron shared below.

Was this your idea to make the 15,000th episode centered around Doug’s funeral and passing?

RON: It was. When you’re looking at it, and laying out the calendar for the whole year and you see 15,000 is coming up, we’re like, “What are we going to do?” And then, we got the news that Bill had passed away and something kind of clicked. I was like, “We should honor Doug on that show.” So then, we started to kind of build around that … when does he pass away? How does he pass away? Who could come back? You know, it’s a lot.  I’m very pleased with the returns that we got as there’s so much that you could do. We wanted everybody we could get. So, we put together a wish list and Janet Drucker (co-executive producer, Days of our Lives) made it happen.

Photo: JPI

You have Melissa Reeves back as Jennifer, when the role was last played by Cady McClain. What has it meant to have Missy back for these shows?

RON: It was so nice to see Missy Reeves. I think Cady has done such a good job, but on the 15,000th episode to see Missy as Jennifer, it’s a big deal. So having her was great, and overall, the milestone was a big undertaking, because you want to live up to it. You want the 15,000th episode to be good. Now, it has a lot of real emotion that you’re playing. because for the cast and the crew they’re honoring Bill Hayes just as much as we’re honoring Doug Williams.

Photo: JPI

Was it hard for you and the team to write this episode?

RON: Yes. I’ll tell you why it was hard to write.  When I wrote, for example, Asa’s (Phillip Carey) death on One Life to Live or Victor’s (John Aniston) on DAYS, Asa is a different type of character. Like, you could have characters going, “Oh! I’m glad he is dead.” You could have different points of view, but with Doug, you’re not having that. Every person loves this man. No one had a bad relationship with him. So, you’re challenge as a writer is how do you make it that not everybody’s saying the same thing and doing the same thing. And so, we tried to find ways to make the episode about all the familial relationships and yet, how do you make it about Doug and yet broaden the scope.

Photo: JPI

I had spoken to Susan Seaforth Hayes (Julie), a week after Bill’s memorial, for an interview. She said that she felt very fortunate that you did include her on discussions of how you would tackle Doug’s passing. How did that conversation go?

RON: First, I attended Bill’s funeral, which was incredible. I said to so many people it was an emotional service, but it was hard to be sad at this. The guy had an incredible life and it was an incredible celebration. And so, you’re sitting there watching this knowing that you now have to write something similar. And how do you write something that lives up to what you just witnessed? I wanted to talk to Susan to get her thoughts about, you know, how much do you want this to be about keeping Bill separate from Doug. How comfortable are you sharing your grief. She was incredible to talk to. It was a great chat.

You’re in the middle of taping these major scenes for the 15,000 episode to air in December. How do you think it’s going? Have you seen any of the scenes?

RON:  I haven’t seeing anything. I mean, we were still making changes to the script up till this morning!

Photo: JPI

The Writers Guild Awards are this Sunday, April 14th and once again this year there are two daytime drama nominees, General Hospital and Days of our Lives. How are you feeling about your chances this year?

RON: It is often just GH and us in the category. I’ve won three years in a row, so I’m kind of feeling like it’s their turn.

Photo: JPI

What episodes did you submit for contention? If I recall, they had to do with Victor’s memorial.

RON: The episodes we submitted were centered around Victor’s funeral. I think one has story with Vivian (Louise Sorel). We had some fun stuff, we had some emotional stuff at Victor’s death, and I am pretty sure that our submission was three episodes right around that time.

Did you make the decision to go with those episodes because there was a mix of humor and drama?

RON: I like to have some humor, but it was also the funeral, then there’s Sarah (Linsey Godfrey) giving birth, and then Vivian’s crashing the reading of the will. So, we had a lot of fun and it’s hard sometimes to pick three that tell a story, as opposed to submitting for the Daytime Emmys, where the writing team only submits two shows. So, we shall see how it goes on Sunday.

Courtesy/Peacock

So, are you looking forward to the emotional 15,000th episode of Days of our Lives? Do you think DAYS will take home the WGA writing award for daytime dramas for the 4th year in a row? Comment below.

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