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DAYS Executive Producer Ken Corday Talks with SOD On: Cast Changes, Focus On Romance & Plans For 50th Anniversary!

Photo Credit: Kathy Hutchins

Photo Credit: Kathy Hutchins

In an in-depth interview in the latest issue of Soap Opera Digest on newsstands now, Editorial Director Stephanie Sloane chatted with Days of our Lives executive producer, Ken Corday on the big plans for DAYS 50th anniversary kicking off this fall.

Corday explains his decision to change head writers from Gary Tomlin and Chris Whitesell to Dena Higley and Josh Griffith, as well as the renewed focus on the fan favorite returns, storyline change-ups, cast shake-ups, and his plans to save the ratings struggle of the long-running NBC soap opera.

When discussing what was number one of his listed of changes that he wanted to implement, Corday related:  “I needed to, first of all, change the cast.  The cast on the show was no longer recognizable to me and those that were recognizable were doing nothing.  So we had to flip that. We had to jettison stories that were not going over well with the audience and we had to give characters on the show that were recognizable and powerful more story.”

Corday also confirmed that romance will be a main factor in the 50th anniversary and with the new writing regime relating: “Romance is the basis for where the story starts.  This is how Dena and Josh approach their storytelling with me and with the producers:  Who is the couple I want to die for here?  Who are the couples we want to root for? Let’s isolate three or four of them and build great story around their high, romantic stakes. Every one of their stories is based on romance.  And a little bit of psychosis, but that is also dramatic.”

Make sure to pick-up the latest edition of Soap Opera Digest on sale now to read the entire interview.

What do you think of Ken Corday’s comments on changing the cast, and what will happen in the romance department? Are you encouraged for the future of DAYS?  Share your thoughts below!

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I want to know about the shocking deaths! Who dies?

Also, the problem with the show is not always the characters, but what the writers do with the characters. When the writers have the characters do stupid stuff (i.e. Eve sleeps with JJ; Nicole and Sami and Abigail going from man to man), it takes some of the enjoyment out of watching the show. It is not the characters that iritate but what the writers have the characters doing. Some of their actions are over the top or immature. For long time characters what makes it especially irritating is knowing that by now they should have grown up enough to know better.

So if the writers stop making characters do stupid stuff, the show will be fine.

I’m sure Clydee will be killed off before the anniversary to make room for the vets. I will be soooo glad to see him gone!

It would seem to be “True” that heads roll during big anniversaries!

So the yearly edition of SOD’s Plan to Save Days is here.
It sounds good, but like I said, it’s not the first time.

I honestly think Mr Cordy abandoned the ship and it ran off course, then he finally noticed that and decided to get hands on again and make the changes needed to save the ship before it sank. Whether he would have done that if the 50th wasn’t on the horizon I don’t know, all I know, by the sounds of it, Days might become my favorite soap again come fall.

It is refreshing to know that he recognizes that the show, while still good, is nowhere near where it could and should be. Getting back to the show’s roots is exactly what is needed. We’ve suffered through too many years of watching these “B” and “C” characters and families. Focusing on the Horton, Brady, Dimera and Kiriakis family is a great start. I truly believe they need to alter their production schedule so when a story is not working, they can respond. Recording 5 or 6 months ahead of the airdate is detrimental. Also, a small change they could make that I personally feel would make a big difference to the viewer is updating the sets. The decor of the interior sets they use are totally outdated. Slap some paint on those walls and go to IKEA and get some tchotchke’s for the shelves. While I am on the topic of sets, the park has to go. It seems that almost every storyline involves meeting in the park. Enough with it. Bring back Salem Place or go to Horton Square for crying out loud. Nobody in America spends as much time in parks as the cast of Days of Our Lives does.

I agree about story happening in the park. So sickening! If I never see that park again, I’d be thrilled beyond words.

I agree, recording the show so far in advance is a HUGE hindrance! We have to suffer through months of what’s *not working* even after we’ve rejoiced that an actor/character has been let go. How did they ever get on this stupid schedule in the first place? Give everyone 3-4 months off and GET CURRENT!

And the sets…they are the absolute worst in ALL of television! When I started watching this show 3-4 years ago, I couldn’t get over how terrible and out-dated they were. And don’t even get me started on the wardrobe department! Do they even have a wardrobe or set design staff?

Newc11, I agree with what you’ve written; especially about the filming so far in advance and the sets. I started watching DOOL when I was in grammar school and then stopped when the show started looking cheap and the story lines bored me. I watch occasionally now, hoping that something will draw me back into to regular viewing and nothing does. The sense of family is not there for me anymore and the sets look so cheap they might as well just hang a curtain. I hope it improves and hooks me back in the coming months. DOOL has a special place in my heart and mind as a “memory”. I want it to be something actively “current”.

The thing they need to work on is the length in time between filming and airing. There is something wrong when General Hospital shoots 6-8 weeks ahead, and Days shoots 6-8 months ahead. A lot of the problems with these current storylines is that they can’t be corrected quickly because of the absurdly long gap in time before they can get any viewer reaction.

DAYS shoots five months ahead. The others shoot 2 months ahead. 3 months is not a big difference…and before someone says it wouldn’t take as long to make corrections with storylines if they weren’t so far ahead, then where are all the storyline corrections for the messes that the other soaps make?

I agree…the only way to correct a casting mistake or a storyline is to get insync with a 6-8 week advance schedule. I am so glad mr Corday finally listen to the fans to bring back fan favorites…so looking 4ward 2 it.

Actually, I believe the other shows shoot 4-5 WEEKS in advance, so that is a huge difference!

Yeah I know they say it helps with the budget but it’s not helping the show at all. Hell Eileen Davidson might return more as Kristen if they did that, she was burned out from the filming before.

I think by now DAYS is shooting 7-8 months ahead which is beyond ridiculous! But 7-8 months or 7-8 weeks wouldn’t change anything or save the show. For whatever reason, Corday has clearly ignored the viewers for the last couple of years.

Days lacks humour for starters…bring back Jack…have Jack and Jen be the next Tom and Alice but in a more comical way…tackle some real life subjects…maybe Caroline could be acting strange and hasnt allowed vistors to see her…the family worries her Alzheimers is progressing quickly but one day Roman visits he discovers Carolines apartment above the Brady pub is one big mess…Caroline is a hoarder…move forward away from the Eve/JJ/Paige…4EverDAYS mentioned Rafe’s father is also Paige’s daddy so lets move on to that…lets have Doug and Julie relive their first kiss…then have Lee Dumonde(Robin Strasser) show up and interupt Doug and Julie’s romantic moment in a short story arc…Lee is once again involved with Stephano and plots to run Kate out of town plus reveal Lee(i know people hate history changes but…) as the real birth mother of Peter and Kristen and Stephano really is their father!!! Stephan Schnetzer back as Julie’s brother Steve and the father of the new African American actress character who is joining Days…Steve is a con artists who attempts to romance Kate out of her money but actually ends up falling in love with her…Bring back the romance Days!!!

FINALLY, someone GETS it! ROMANCE is what we want to see, why oh why has it taken DAYS this long to figure that out? This is an audience full of WOMEN! Do they think we tune in to see who’s sleeping with who THIS week? Sure, some do, but most of us want at least ONE couple we can ROOT for! Eric&Nicole was that couple for me. I haven’t been watching much since their breakup, but I will tune in when the new writers’ stuff airs in August. I’m expecting a big turnaround from the depressing plots we’ve been getting lately.

There’s been a lot of Ericole in the last few weeks. If you didn’t see those episodes, you should.

Action adventure romance please!!

First, I want to start off that I have tremendous respect for Mr. Corday because I think it is phenomenal how he has kept the show going for 50 years despite many obstacles and challenges. I know there are armchair critics, but anyone who has ever run anything knows this is no small feat! Congrats and Kudos!

The basis for the soap opera genre is romance, and I am glad that he is going to make that the foundation of every storyline and then build the drama around that. The relationships pull you in, you become invested in the couples, and then you follow the storyline and drama that they are involved in. Good that they are going to focus on core couples, and go more in depth in the storyline instead two many storylines. It is fine to have a few subplots, but best to stay more focused or else the show starts to feel all over the place and you start to lose interest.

I am glad they are going to give the vets stronger storylines and some vets are coming back. I understand new characters have to and should be introduced to keep things new and fresh, but the vets should be the mainstain at least until the new people become the vets! 🙂 I really think they should go back to the formula and model that was used in the golden era of soaps. I understand that they have to stay contemporary, change a little, and try new things -loved the Sonny and Will storyline because it was a great contemporary romance. Many of us who watch the show like the nostalgia of the past, and that has been missing, so honestly I have not watched in months and months because I did not feel a connection or history with many of the characters or storylines. While Days is trying to gain a new audience they maybe losing a lot of people who could or would watch like me. I am glad Mr. Corday and company realizes this, and is returning to stronger romantic storylines for the vets. Look forward to seeing the comfort of the familiar again, so we recognize the show like sands through the hour glass!

I hate to be a spoil sport but I don’t think bringing back the vets is going to save Days. They tried it before during the last big anniversary celebration and what happened? After the Young and the Restless, Days has got to have the most veteran cast on daytime. Some of these cast members have been on the show for 20 or 30 years and the ratings still tanked. It doesn’t mean bringing back the vets wont provide a short term ratings fix but in the end its the writing and the willingness to take chances that will either save the ship or sink this show. Its clear Days has got to deal with its production issues and the long lead time before an episode is aired so that they can jettison bad story lines. But another key will be if the show can think out of the box and come up with creative story lines for the cast. My big fear is Days will try to recreate the 1980’s again and pretend that many of these actors are not in their 50’s and 60’s. My nightmare scenario is John and Marlena dealing with yet another evil, dastardly Stefano plot. I know mentioning age will upset some people but -time marches on and you cannot freeze the past like a dragonfly in amber. So if you don’t plan for Marlena and John to reunite why not have him date say Eve. They look well together and have a common interest in Teresa and Brady’s son. Eve is a strong enough character to give Marlena a run for the money. Or why not have Eric and NIcole marry. There is a big secret involving Nicole and Roman. Can you imagne how Marlena or Sammi would react if they knew the truth? I Nicole disappeared for a while what if there was a secret love child? Like I said think out of the box, more Joan Crawford, less James Bond and less of the DiMera crime syndicate..

Liz I totally agree with you. They have to have creative storylines not recycle old ones. . Bringing back vets is not enough. Also they have to have appropriate storylines for the vets since time has moved on.

Always loved our Patch man. Just hope these writers do him justice. Gary Tomlin treated beloved characters horribly in order to justify his onslaught of Passions people. Tomlin just has zero respect for the history and the theme of Days. I hope these writers get it right.

Looking at the cover — what about Mathew Ashford? We watched him die. Please don’t bring a dead Jack back!

…..but. Remember after EJ’s death they had that split second scene of someone injecting him with something? That has to go somewhere eventually.

Out of context….I think Nicole will be pregnant! Who’s the baby daddy? Eric or Daniel…hmmmm.
Such a cliché!

Well he is saying all the right things, and I hope they are true.

Unfortunately, their are so many things about this soap that have disappointing me for a lot of years now. Like the fact the show works over time on false red herrings and then goes nowhere with the actual story.

Plus I’m so sick of this particular soap working so hard to preach at me about characters, actions, consequences or lack there of. Can’t I just watch and enjoy? No, I have to watch cheating stories and then be lectured about how the one cheated on was truly to blame, cause god forbid some of these “perfect” characters take a the comeuppance.

Hopefully the new writers will turn this back into the soap I use to love. How many more months till they air……?

Please please bring Molly Burnett back; when Sammantha and EJ left she was the one thing that let me come back to watching show! How acting is impeccable and she makes you love her and what’s going on in her life! Please she 100 times better then Theresa poor poor acting. Don’t want to see another day with her!

I love days. But more than ever, when Marlena and John are happy together. Can’t she have some psychological input, for a recovering dope addict, or teenage bullies, or abusive parents, or deposed monarch? Especially important are the popular terms and definitions for the “nut-cakes” of the world. And touch on the well known facts of the day, ie: marajana cannot hurt you. It helps people deal with pain. Doctors and Nurses are hooked on perscription drugs. People don’t know how to stop a baby from crying. By the way I do. The point is, let her sit behind a desk once in a while listening to someone distressed and then she makes intelligent comments THAT help him.

Please bring back days of our lives nbc

Days Of Our Lives

Days of our Lives wins WGA Award for Daytime Drama Series

Sunday night, April 14th in concurrent ceremonies in Los Angeles and New York City, the Writers Guild of America is handing out their 76th annual WGA Awards in the fields of motion picture, television, news media, and radio/audio.

In the Daytime Drama category, Peacock’s Days of our Lives was the winner, taking home its fourth WGA Award in this category in a row.

The DAYS winning writing team consisted of Head Writer Ron Carlivati Creative Consultant Ryan Quan and Writers Sonja Alar, Jazmen Darnell Brown, Joanna Cohen, Carolyn Culliton, Richard Culliton, Cheryl Davis, Kirk Doering, Christopher Dunn, Jamey Giddens, David Kreizman, Henry Newman, Dave Ryan, and Katherine D. Schock.

Photo: JPI

The team from Days of our Lives bested the only other team in the category from General Hospital, which consisted of former GH head writers: Dan O’Connor, Chris Van Etten Writers Ashley Cook, Emily Culliton, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Shannon Peace, Stacey Pulwer, Dave Rupel, Lisa Seidman, and Scott Sickles.

Courtesy/Peacock

As previously reported, a show spokesperson for Days of our Lives shared that the episodes submitted for the competition were #14663, #14678 & #14679, and mostly centered around the death, and the funeral of Victor Kiriakis played by the late John Aniston.

This week, DAYS head scribe, Ron Carlivati, confirmed that, and told Michael Fairman TV on the decision of the scripts the team submitted: “I like to have some humor, but it was also the funeral, and then there was Sarah (Linsey Godfrey) giving birth, and then Vivian’s (Louise Sorel) crashing the reading of the will.”

You can follow along with the live updated list of all the winners from tonight’s WGA ceremonies here.

Michael Fairman TV will have more on DAYS WGA Award win as it becomes available.

So, what do you think of Days of our Lives winning the WGA Award writing award for a Daytime Drama series for the fourth year in a row? Comment below.

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Days Of Our Lives

Matthew Ashford and Melissa Reeves Talk Return to DAYS for Doug’s Funeral, Susan Seaforth Hayes, and Their Enduring Friendship

Last week, Days of our Lives celebrated the taping of their 15,000th episode which is tentatively scheduled to air on December 3rd. The story will feature emotional and heart-tugging scenes of Doug Williams funeral and honor his portrayer, the beloved Bill Hayes, who passed away on January 12th at the age of 98.

While the actors, producers, and crew took a lunch time break to pose for some pictures and speak with the press, they knew they would have to get back to taping the funeral, which was going to make it a tough day, but also cathartic for all who loved Bill Hayes.

Several returns have thus far been announced including; Melissa Reeves reprising her signature role of Jennifer Horton (a part she first played in 1985), and Matthew Ashford as Jack Deveraux. Reeves had last appeared on the show back in 2021, and she was replaced by Emmy-winner Cady McClain in her absence when Jennifer was in storylines. In real-life, Melissa had moved full-time to Tennessee along with her husband, Scott Reeves (ex-DAYS, GH, Y&R). Now, and as previously reported, Reeves will first appear back on DAYS for the Thanksgiving episodes with the Hortons.

Photo: JPI

Michael Fairman TV caught up with Matt and Melissa during the 15,000th episode celebration to get their take on: being back for these special episodes, how it has been working with and watching Susan Seaforth Hayes portray Julie’s grief over losing Doug, and how they have supported each other through the years. Check out what they shared below.

Melissa, you are back on the set of Days of our Lives for this very emotional and special moment in the series history. How does it feel?

MELISSA: Oh, my goodness. I am honored. I wouldn’t want to be anywhere else but to be here for Bill. He was like my real-life dance partner. He taught me how to ballroom dance. And to be here for Susan, of course, who’s just been our sweet hero this whole week. We’re just following her lead. She’s just been this incredibly strong example for us in the midst of this trial and season of her life. She is like just lifting us all up with her. It’s been incredible.

I was at Bill Hayes memorial service which was truly incredible and I know at the time you were in Tennessee. It was moving and celebratory of his life, all at the same time.

MELISSA: That’s all I have heard. I have to watch it on You Tube. They said it was just a real celebration of his life and I love that.

Photo: JPI

This must be difficult for Susan Seaforth Hayes depicting the death of Doug, when she is still grieving the loss of her beloved husband. (Susan pictured above with the returning Stephen Schnetzer who plays her on-screen brother, Steve Olson).

MELISSA: I’m sure Susan has those moments at home by herself, but she’s so good at being a leader and leading all of us. We’re following her, you know, and she’s like, “This is how I want to feel today.” And we’re just going along with her, you know? It’s so sweet.

Photo: JPI

How is it to see Matt Ashford again live and in-person?

MELISSA: You know, Matt and I can go years without talking, or seeing each other, and then the minute we see each other we’re chatting away.

MATT: Melissa was out on set doing a scene yesterday on the phone talking to a stage manager; as she was telling some really tough news on the phone. I’m like crying in the background, literally, I’m off-stage crying.

MELISSA: And then we get like back into normal life, and we’re like, okay, “What’s happening? What’s happening with this … or what’s happening with that?”

I had read, Melissa, that you were in touch with Matt about if there night be a possibility for you to reprise your role as Jennifer for these special episodes?

MELISSA: Yes. Well, Matt was like, “Hey! Would you want to come back? “And I was like, “Matt, you know, I would always come back. ”

MATT:  Every time I come here to Days of our Lives, they ask, “Where’s Missy? How’s Missy?” Everybody backstage says, “I miss her.” All of the crew is asking about her and saying, “It would be nice to see Missy. Nothing wrong with you Matt, but …”  They said, “Where is she?” I said, “She wants to come!”

Photo: JPI

There are some beautiful photos of Missy and Bill and Susan thorough the years that I found. It just reminded me of just the deep and entrenched history we all have had with the show, personally and professionally.

MATT: Missy is roughly the age where Francis Reid (ex-Alice Horton) was when she started the show, which is just crazy.

Photo: JPI

I’ve always said Missy was going to be the next generation Alice. Do you feel that Jennifer is the heir apparent matriarch of the Horton family?

MELISSA: Yes. I mean, this has been greatest blessing of my life, and that would be great. I told Ken Corday (executive producer, Days of our Lives) when I was 17 that this show would be my life. Ken always told me, “This is your home,” and I’ve always felt like that.

How have gotten through the scenes watching Susan Seaforth Hayes as Julie go through the loss of Doug?

MATT: Susan is bringing her best performance life for her and Bill. I mean, she’s a showbiz baby. She always has been one hundred percent, and she’s doing it for him, and this is who they’ve always been. So, you’re seeing this amazing performance colored by her life. She has her private life as Susan, but she has enough plugged into Julie that she’s done amazing work. The director, producers and writers are giving her room to live in these moments and it’s quite wonderful.

Photo: JPI

Have you already broken down in tears during the taping?

MELISSA: Yesterday, but today’s taping of the actual funeral I think they want us to try and be just more celebratory.

MATT: I mean, it is a beautiful long life for Bill Hayes and his character of Doug Williams, and so it will be about that. Then, you get a bunch of us together in the church pews, and there’s going to be hijinks.

MELISSA: We all have been through the waves of grief. You have that awful cry and then all of a sudden you feel okay.  There are those family situations we are portraying where you’re like, “What do we do? What do we do now? You know, no one knows what to do. But, it’s so sweet. I’m looking forward to seeing how the scenes all turn out.

So, are you glad that Matt and Melissa are back for the 15K episode and Doug’s funeral? From what we can tell, it’s going to be quite an emotional journey for Days of our Lives fans, and especially the performance of Susan Seaforth Hayes, 

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Days Of Our Lives

Ron Carlivati Talks on Decision to Make Days of our Lives 15000th Episode About Doug’s Funeral, and Previews Chances for WGA Award

This week, Days of our Lives celebrated the taping of their 15,000th episode. In of it itself, that is an incredible accomplishment for the long-running soap opera currently streaming on Peacock.

However, this on set gathering was a bit different. Though the show is celebrating their achievement, they are also in the middle of taping scenes surrounding the death and the funeral of Doug Williams, played by the late Bill Hayes, who passed away on January 12th of this year at the age of 98.

As previously revealed many longtime favorites are back to honor Bill and the character of Doug including: Gloria Loring (Liz), Melissa Reeves (Jennifer), Matthew Ashford (Jack), Maree Cheatham (Marie), Victoria Konefal (Ciara) and Stephen Schnetzer (Steve) to name but a few.

Photo: JPI

Michael Fairman TV was in attendance and spoke with Days of our Lives head writer, Ron Carlivati to gain some insight into how the 15,000 episode was crafted and the decision to honor the character of Doug Williams and Bill Hayes as its epicenter. In addition, Ron weighed-in on this Sunday’s April 14th WGA (Writers Guild of America) Awards, where he and his writing team are facing off with General Hospital for the daytime drama prize. Here’s what Ron shared below.

Was this your idea to make the 15,000th episode centered around Doug’s funeral and passing?

RON: It was. When you’re looking at it, and laying out the calendar for the whole year and you see 15,000 is coming up, we’re like, “What are we going to do?” And then, we got the news that Bill had passed away and something kind of clicked. I was like, “We should honor Doug on that show.” So then, we started to kind of build around that … when does he pass away? How does he pass away? Who could come back? You know, it’s a lot.  I’m very pleased with the returns that we got as there’s so much that you could do. We wanted everybody we could get. So, we put together a wish list and Janet Drucker (co-executive producer, Days of our Lives) made it happen.

Photo: JPI

You have Melissa Reeves back as Jennifer, when the role was last played by Cady McClain. What has it meant to have Missy back for these shows?

RON: It was so nice to see Missy Reeves. I think Cady has done such a good job, but on the 15,000th episode to see Missy as Jennifer, it’s a big deal. So having her was great, and overall, the milestone was a big undertaking, because you want to live up to it. You want the 15,000th episode to be good. Now, it has a lot of real emotion that you’re playing. because for the cast and the crew they’re honoring Bill Hayes just as much as we’re honoring Doug Williams.

Photo: JPI

Was it hard for you and the team to write this episode?

RON: Yes. I’ll tell you why it was hard to write.  When I wrote, for example, Asa’s (Phillip Carey) death on One Life to Live or Victor’s (John Aniston) on DAYS, Asa is a different type of character. Like, you could have characters going, “Oh! I’m glad he is dead.” You could have different points of view, but with Doug, you’re not having that. Every person loves this man. No one had a bad relationship with him. So, you’re challenge as a writer is how do you make it that not everybody’s saying the same thing and doing the same thing. And so, we tried to find ways to make the episode about all the familial relationships and yet, how do you make it about Doug and yet broaden the scope.

Photo: JPI

I had spoken to Susan Seaforth Hayes (Julie), a week after Bill’s memorial, for an interview. She said that she felt very fortunate that you did include her on discussions of how you would tackle Doug’s passing. How did that conversation go?

RON: First, I attended Bill’s funeral, which was incredible. I said to so many people it was an emotional service, but it was hard to be sad at this. The guy had an incredible life and it was an incredible celebration. And so, you’re sitting there watching this knowing that you now have to write something similar. And how do you write something that lives up to what you just witnessed? I wanted to talk to Susan to get her thoughts about, you know, how much do you want this to be about keeping Bill separate from Doug. How comfortable are you sharing your grief. She was incredible to talk to. It was a great chat.

You’re in the middle of taping these major scenes for the 15,000 episode to air in December. How do you think it’s going? Have you seen any of the scenes?

RON:  I haven’t seeing anything. I mean, we were still making changes to the script up till this morning!

Photo: JPI

The Writers Guild Awards are this Sunday, April 14th and once again this year there are two daytime drama nominees, General Hospital and Days of our Lives. How are you feeling about your chances this year?

RON: It is often just GH and us in the category. I’ve won three years in a row, so I’m kind of feeling like it’s their turn.

Photo: JPI

What episodes did you submit for contention? If I recall, they had to do with Victor’s memorial.

RON: The episodes we submitted were centered around Victor’s funeral. I think one has story with Vivian (Louise Sorel). We had some fun stuff, we had some emotional stuff at Victor’s death, and I am pretty sure that our submission was three episodes right around that time.

Did you make the decision to go with those episodes because there was a mix of humor and drama?

RON: I like to have some humor, but it was also the funeral, then there’s Sarah (Linsey Godfrey) giving birth, and then Vivian’s crashing the reading of the will. So, we had a lot of fun and it’s hard sometimes to pick three that tell a story, as opposed to submitting for the Daytime Emmys, where the writing team only submits two shows. So, we shall see how it goes on Sunday.

Courtesy/Peacock

So, are you looking forward to the emotional 15,000th episode of Days of our Lives? Do you think DAYS will take home the WGA writing award for daytime dramas for the 4th year in a row? Comment below.

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