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THE HILLARY B. SMITH INTERVIEW – ONE LIFE TO LIVE

This week on “One Live to Live”, fans have been witness to drama at its best, as Nora and Bo’s son is in a tragic car accident that leaves repercussions and a ripple effect across many lives of the citizens of Llanview.

It also affords long time viewers and new ones an opportunity to see one of daytime’s greatest actresses, Hillary B. Smith, as she takes front and center stage as a guilt-ridden mother dealing with her son Matthew’s paralysis, and seeking justice for those who caused it…which means her friend Marty’s son, Cole!

Many fans of the show are hoping the writers and producers may use this storyline as a vehicle for Nora and Bo to finally get back together. But will that happen? I chatted with Hillary about her current storyline, the upcoming return of Nathan Purdee as Hank Gannon, the
re-cast of her on-screen daughter Rachel,
and Nora losing every trial involving
Todd Manning!

Here’s Hillary…

hillarymain.jpgListen to the audio:

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MICHAEL:

There has just been a huge moment on-air, where Nora learns of the car crash involving Matthew. How is Nora going to hold up through all of this?

HILLARY:

I think how any parent would be. First, there is the “Oh my God”, and then there is “OK. Everything’s OK. We just have to go through this process. What do you mean he’s numb?” And then there’s thee “What? Cole was driving under the influence? What?” And then, there is the complete loss of control because it all could have been prevented. She goes through her own anger and blame. It’s so easy to blame Cole, but basically he was still living in her house, and she didn’t notice his drug problem. In the past, Nora had dealt with her own daughter Rachel’s drug use. So there is all this stuff going on with her.

MICHAEL:

Then she finds out the tragic news of Matthew’s condition.

oltl.jpgHILLARY:

Yes. Then she finds out he is paralyzed and it enrages her and intensifies her feeling of guilt, because she was not there for him. Every mother wants to protect her child; even if it isn’t something she had no control over. You feel guilty. You feel guilty when something goes wrong with your child and you could not have prevented it, even when you have a hand in it. The guilt is overwhelming, and it eats at her, and eats
at her until she finally
explodes and arrests Cole.

MICHAEL:

Nora is all about law and order and justice, so naturally she is going to go for the jugular in this case against Cole.

HILLARY:

She is all about law and order and justice, and what is right, and making sure he does not do it again, and she is enraged. She is going to throw the book at him and nail him to the wall. But at the same time, she has these scenes with Marty when she goes to arrest him and Marty says, “Well, he is not here,” and Nora says, “You’re hiding him!” Finally, it kind of comes out in these scenes with Marty, where she says, “You know, none of this would have happened if you would have just stayed dead.” And, that’s a moment where even Nora goes, “Are you hearing yourself and what you are saying?” She finally breaks down and has this complete meltdown and she says, “I am sorry. I did not mean that.” That is when she is realizing she feels guilty and responsible that she did not notice Cole was on drugs. But she has to arrest him.

bo_nora1.jpgMICHAEL:

Does Bo feel guilt, as well? Perhaps, for letting Matthew go to the dance even though he was grounded? It was so awful seeing the kids set Matthew up at the dance, too!

HILLARY:

When you have parents that are divorced, and something tragic happens to your child, the first thing you do is look at each other and go, “Ok, I heard that. Did you hear that?” And the next thing is you absorb it the way you absorb it, and you go through your own personal process. Then you come together as a process and you function as a team. I think Nora and Bo are still trying figure that dance out. For Bo’s part, letting him go to the dance does not have anything to do with drugs or knowing someone is on drugs.

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MICHAEL:

Eddie Alderson (Matthew) has been so great; do we need “hankies” for upcoming episodes? The last couple of days on the air shows, I have been so upset watching it. It’s heavy material and very sad!

HILLARY:

I think there are no heroes and many victims. Not only does Eddie do beautiful work, but also Brandon Buddy (Cole) is spectacular because of his guilt. This was just tragedy for everyone, and Matthew is paralyzed from the legs down, and is a paraplegic.

brandon_matthew.jpgMICHAEL:

Have the actors or the show’s producers guided Eddie into how to portray this type of story, when you have no use of your legs?

HILLARY:

Everyone has given Eddie exercises and hints telling him, “Eddie, You don’t know how much you use your legs and your feet, and nobody understands how much you use them, until you can’t. So here is what I want you to do. Sit in a bathtub and hold yourself by your arms and you will get the feeling of weightlessness in a pool. Also, make a decision as to where your paralysis comes from and really try to do things by isolating those muscles.” Eddie is an athlete, so he knows how to use his muscles and I have to say he is doing a great job!

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MICHAEL:

Who do you think Nora loves? Clint? Or, do you think there is still any chance for her and Bo?

HILLARY:

This is going to be very interesting, because when you are pulled into a tragedy like this, it pulls you in different directions and aligns you with the strangest bedfellows, as they may say. I think she loves Clint. I think she has had awakenings that the man she fell in love with is not there now, so she has had to say, “Wait a minute.” But, he is still good and kind to her and her son, and I think she loves him.

clint_bo_nora.jpgMICHAEL:

But, one would hope Nora and Bo would be drawn together because of the tragic circumstances surrounding their son.

HILLARY:

I think this whole situation, with Matthew and bringing Nora and Bo back together in this realm where nobody will understand what they go through except each other, will be very interesting to see what happens. It could make them fight, because when Nora and Bo thought Matthew was doing drugs, it put them at odds. Nora had dabbled and Bo hadn’t. It just pointed out the things they didn’t know about each other and set them at odds. So, when you get down to the basics, when something you love is going to be taken away you go primal. You don’t think in the terms of you did this, and you did that. And, I think whatever hurt came between Bo and Nora gets shelved. It just comes down to Matthew needs them and they need each other.

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MICHAEL:

Fans of Bo and Nora have been rooting for a long time to get them back together. I know I have!

HILLARY:

If there ever was a chance for them to get back together, I think this scenario would be the ideal way to do it. They are both so preoccupied with the hurt of what’s going on with their child that they can’t hang onto the pain they caused each other. So, if there was ever going to be a door open to that relationship, now would be interesting and now would be the time they would be most open to it.

MICHAEL:

Now I know Nathan Purdue (Hank) is coming back and a new recast for Nora’s daughter, Rachel!

nathan.jpgHILLARY:

Yes, Daphne Duplaix. I screen-tested with her.

MICHAEL:

And what did you think?

HILLARY:

All the actresses were beautiful, and they were all talented. I had a ‘sneaker’ for her and she was just right. She had Ellen Bethea’s (Ex-Rachel) earthiness, which is a very beautiful quality and a hard one to come by.

MICHAEL:

I loved Ellen!

HILLARY:

Well, Ellen Bethea was my Rachel, and Ellen had a very centered and grounded quality and a presence about her. Then I find out Daphne has three kids and “duh”, that’s why! So, now I understand why she’s got those qualities. She’s there and present, and there it is. I have to say, I have worked with her a couple of times and I have to say, “Wow. She is a pro!”

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MICHAEL:

Will you have story with Nathan?

HILLARY:

Nathan is Nora’s guy, and he is one of all the ex-husbands she stays in touch with. I am sure she scratched her head and said, “And Why?”

MICHAEL:

Remember, she’s Nora Hanen Gannon Buchanan Hanen… and wasn’t there a Colson thrown in there at one point? (He laughs)

HILLARY:

And who knows? Maybe we can add another Gannon or Buchanan to it!

MICHAEL:

hillaryda.jpgIs Hank coming back for Matthew?

HILLARY:

He comes back to help out, but he is a professor at Georgetown now. He is a very smart man!

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MICHAEL:

Now, let’s talk about all the court stuff against Todd! Nora can never win a case involving Todd!

HILLARY:

No, not ever. I love the writers; they gave me a nod in the script: “It doesn’t’ matter how or what evidence I have. He still walks away.” That was my favorite line. At least I got him to confess, which is one of the most important things.

MICHAEL:

How is doing the courtroom material after all these years and the legalese that comes with it?

HILLARY:

It’s not as much fun as being a defensive attorney because she is now the DA. When you are the prosecutor there is a modicum of just presenting the facts, and not to elaborate or embellish. I learned this in my little research, district attorneys are very dry because they don’t want to seem that they have to embellish facts. So they are usually just presenting the facts, and the colder and more straight-forward they are, the more powerful it tends to be. Defense Attorneys can be flamboyant: “If it doesn’t fit, you must acquit, “and all that type of stuff.

trevor.jpgMICHAEL:

How about the dynamics between you and Trevor St. John (Todd)?

HILLARY:

I enjoy working with Trevor. He can be unpredictable. But my work with Trevor… he makes me think and he makes me work at it. He makes me step back and watch a scene from different directions and then come back to it, and we had these in his jail cell. I basically try to get him to plead guilty for Marty’s sake. Trevor got me thinking about it in an exciting way, and he made it a much more exciting thing to play.

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MICHAEL:

Do you miss Catherine Hickland (Lindsay)?

HILLARY:

Oh, I miss my “puss, puss”…yes.

MICHAEL:

I have to say I miss some of the Lindsay/Nora scenes, such as fighting in a trash compactor!

HILLARY:

Not having her there has been sad for me personally, and I know it’s a loss for the show, for sure. I am just hoping at some point, it’s allowing for a good set-up for her to come back and it will be more powerful.

hickland_hillary.jpgMICHAEL:

How hilarious were the recent episodes where you and all the Buchanan’s got rip-roaring drunk when you realized David Vickers knew that he was a Buchanan, and was going to kick you out of your house that Asa left you?

HILLARY:

I loved the whole Buchanan scenes with David realizing he is a Buchanan. It was a blast! The funniest was this: “Alright now, who’s DNA and we believe in this guy, because?” Man, he is a bad DNA analyst, but it was Ron Carlivati’s (head writer, “OLTL”) nod to the 1968 storyline by having Rex put in there. Did you catch that?

MICHAEL:

Yes, I did.

HILLARY:

It was his little nod to Rex, as Bo, from the ‘Time travel’ piece.

MICHAEL:

You won a Daytime Emmy for Outstanding Lead Actress in 1994 for the amazing courtrooms scenes at Marty’s Rape Trial. As you look back, what moments or storyline are you most proud of?

HILLARY:

There are a couple of things, like the rape trial and we did that for six weeks and it was hard work. There were many nights I would stay in a hotel, near the studio rather than go home and take care of my little kids, and then have to be back at work in the morning. That was tough. It was a lot of work, and I was very pleased at how it came out. I loved the blind story, and believe it or not, I did not enjoy the coma, but I did enjoy the paralysis and the stroke. I tend to be a very technical actress, so to have my mind have to deal with technical aspects, really makes me happy. I liked playing the paralysis and the aftermath of it. But I did not get a chance to do it much.

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MICHAEL:

What can we say for One Life to Live fans to watch for in March with Nora?

hillarysmith.jpgHILLARY:

I think I would have to say watching a mother trying to be there for her son, and do her job, and face the realities and that juggling. That is what I am playing. This is a woman who the odds have turned against right now and she is trying to keep a modicum of normalcy in her life, for her son sake. She wants to make sure she is doing her job and doing it well, and catching herself when she finds herself getting emotionally involved and not being a proper DA. I think the uncovering of Matthew’s condition and how it happened, and then the aftermath of that is a great journey for me, but others have a journey. Marty has a journey. The kids have a journey. It’s a terrific story!

MICHAEL:

Finally, how is working with Susan Haskell (Marty) again after so many years?

HILLARY:

It’s like getting back in your comfortable shoes. It’s like, “Oh, yes.”

General Hospital

GH’s Finola Hughes Chats on Her Lead Actress Daytime Emmy Nomination, New Directions for Characters in Port Charles, and Anna’s Love Life

In four out of the last five years, General Hospital favorite, Finola Hughes (Anna Devane), has almost become a perennial nominee having once again scored a Daytime Emmy Nomination for Outstanding Performance by a Lead Actress for the upcoming 51st Annual Daytime Emmy Awards.

Hard to believe, but Hughes won her one and only Daytime Emmy back in 1991, and has amassed a total of 11 Emmy nominations during her enduring daytime drama career. As those who have watched GH know, throughout any calendar year, you can find numerous stellar performances by Finola that could be tops on any Emmy reel.

Michael Fairman TV chatted with Finola during the 10th annual Daytime Emmy Nominations Special to get her reaction to landing in the field of six fantastic women vying for gold, what scenes went on her now Emmy-nominated reel, what she thinks of how GH is shaking things up under new head writers, Patrick Mulcahey and Elizabeth Korte, and the future of Anna’s love life. Here’s what she shared below.

Photo: ABC

What scenes did you wind up submitting that landed you in the running for the Daytime Emmy in this year’s Lead Actress category?

FINOLA: The whole Charlotte (Scarlett Fernandez) shooting and the accident and that whole thing. Then, talking about that with Sonny (Maurice Benard), and then a bit of the breakup with Valentin (James Patrick Stuart), and then finding out that Valentin had lied.

Who helped you put the reel together?

FINOLA: One of our producers at GH, Michelle Henry. We have these amazing producers. They’re sort of the unsung heroes. They’re in the booth all day when we’re shooting. They do this wonderful thing where they earmark something, if they think that it’s been a good performance. So, they just have this sort of little list (that helps come Emmy time). So, that’s how that worked with Michelle.

Photo: ABC

Now you’ve had a string of recent Daytime Emmy nominations. Do you think GH is  writing more for your strengths in the last several years?

FINOLA:  Yes, and I think it’s become stronger recently. I think writers really take the lead sometimes from an actress or an actor who’s going through something or moving through something in their life. Maybe, that’s they were just seeing, you know, different layers and colors and so they started to write to that.  I’m not sure. It certainly felt like I’ve had some things (material) that resonated with me.

What I have loved about Anna is that she is very complex. She often wrestles with herself over her past as a double agent, or certain guilt that she carries around. It’s interesting when the lines are blurred for her and things get messy.

FINOLA:  I do well with complex and I like messy.

So, what do you think about the nominees in the Lead Actress category with you?

FINOLA:  They are great. I don’t know Annika Noelle (Hope, B&B) very well, but I hear she did wonderful work and she sent me a lovely message. Katherine Kelly Lang (Brooke, B&B) I obviously reached out to, Tamara Braun (Ava, DAYS) reached out to me, and Michelle Stafford (Phyllis, Y&R) and I just got on the phone last night and congratulated each other on our nominations, and of course, Cynthia (Watros) is here with me at GH.

Photo: JPI

You do like do like the fashion of it all for Emmy night, correct?

FINOLA: God, I I live for it. I’m as shallow as that. I might play some complex on television, but I’m that shallow in real life.

So, do you go by the trends of what to pick out to wear for a red carpet, or you just kind of go off what you think looks good on you?

FINOLA: I do like the trends. I really like the fact that the sleeve is having a big moment right now since the film Poor Things. It sent it into the stratosphere.

It’s been 33 years since you won your last Emmy. Do you think you’re a better actress now than when you were even 10 years ago?

FINOLA: I have no idea. It feels like a game of golf always for me, because get on set, like today, I was doing some work this morning and I just doubt myself.  I’m like, “Did I really bring it?” I do think I’m harder on myself now than I was when I was younger, because I really didn’t know what I was doing at all.  It’s a very hard question to answer. I feel like it’s different, but I’m constantly in battle with myself as to whether something works or not.

Photo: ABC


What are your thoughts then on being Emmy-nominated, at times, for more than three decades?

FINOLA: At this point in my life, I just find the whole thing encouraging and extraordinarily sort of affirming, and sweet and lovely. It’s extraordinary to even be acknowledged. That’s the truth.

Currently, on-air, Anna is taking a harder line with Sonny. There’s been a shift.

FINOLA:  Yes. That’s been really interesting. I was talking about this with Steve Burton (Jason), and we actually were working together today. We found like this level between the two of us when it comes to Sonny. It was just really like another whole level as to what I’m doing. I think what’s happened is people’s roles in Port Charles are becoming delineated, you know, where there’s less gray. It’s like we’re sort of moving into areas, right? All of us. That’s kind of great because then you’ve got the hospital, you’ve got the police station, you’ve got the mob, you’ve got the Quartermaines you’ve got Curtis’ nightclub, and so there’s these different areas. Then, your character becomes very specific.  I had those scenes with Genie Francis (Laura) that aired the other day, and it makes sense that we are sort of waking up because unfortunately Sonny’s going through something which we don’t know about, but he’s not behaving well. So, therefore we are like, “If he would do that, then we need to wake up to that Sonny has always been like that.” But, it’s not true. Sonny hasn’t always been like that. We still deal in the gray, because we are searching for the gray in ourselves, which is interesting. And then we have to make a decision, such as, “Where do you stand? Who are you actually?” I think posing those questions to the actual characters is kind of interesting.

Photo: ABC

Now, who’s going to be the man in Anna’s life?

FINOLA:  Well, I want to do some more stuff with James. Obviously, James and I text all the time about how we’re not working together. We all know what Valentin’s up to. However,  Anna doesn’t quite know.

I was originally thinking they might put John “Jagger” Cates (Adam Harrington) in a romance with Anna?

FINOLA: Oh, I know. I love Adam. He’s so wonderful, and so is Charles Mesure (Brennan). Obviously, Laura Wright (Carly) has been working with the two of them as well. They’re both looking like they are in love with Carly, so what can I do? I’ll just take the leftovers. However, I’m hoping that I get to play Valentin. The thing that’s interesting is that he’s a Cassadine. His father has now passed on, so he’s now at the front of the wagon of the Cassadines. It’s in his blood. So, I don’t know what they’ll do.

Photo: ABC

What was our family’s reaction when you told you are an Emmy nominee? 

FINOLA: We had just taped three days of a very big event on the show. I was really tired yesterday and I was sort of laying down pretending to take a nap, as I never can nap in the middle of a day. Then, Frank Valentini (EP, General Hospital) called me to say that, Cynthia Watros and myself, had been nominated for Lead Actress. So, I actually got up and I walked outside and my three kids were sort of wandering around doing kid teenage stuff. I sort of told each of them individually. I was like, “I got nominated.”  They actually said, “Congratulations!” So, I think it actually resonated through the haze of online extravaganzas that teens are looking at it.

Make sure to check out the 2024 Daytime Emmy Nominations Special from this past Friday night below, where several of this year’s Daytime Emmy nominees stopped by the Michael Fairman Channel to share their reactions and more on going for gold come June 7th.

Now let us know, are you happy Finola was nominated for Outstanding Performance by a Lead Actress in a Daytime Drama Series? Who do you hope Anna winds up with romantically down the line on GH under new head writers, Patrick Mulcahey and Elizabeth Korte? Share your thoughts in the comment section.

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Days Of Our Lives

Stephen Schnetzer Talks On His Return to Days of our Lives and Working with Susan Seaforth Hayes In Emotional Episodes

Who says you can’t go home again? In the case of Another World favorite, Stephen Schnetzer (ex-Cass Winthrop), he has proven that it is true, and you can go back to your soap roots and where it all started for you.

Last week on April 11th, Schnetzer, along with several other key returns were on set at Days of our Lives taping all-new episodes of the Peacock streaming soap opera, centering on the funeral of Doug Williams (the late Bill Hayes), and as part of the iconic soap opera’s 15,000th episode.

Stephen is reprising his first daytime role as Steve Olson, the brother of Julie Williams (Susan Seaforth Hayes). The last time Schnetzer appeared on a DAYS set was during his one and only run on the show from 1978 to 1980. Clearly, viewers will be in for some very emotional scenes when Steve returns to Salem to be there for his sister, Julie in her time of need. In real-life, Susan has been going through her own grief, having just lost Bill back on January 12th at the age of 98.

Photo: NBC

Michael Fairman TV caught up with Stephen during the 15K episode celebration ceremony, and during a break from taping the gut-wrenching funeral scenes, to get his thoughts on being part of these highly-anticipated moments that will air later this year in December. Here’s what he shared with us below.

What has this been like for you to work with Susan Seaforth Hayes after all of these years?

STEPHEN: She’s a dream and she’s so bright. We ran lines yesterday and we ended up just visiting for about 45 minutes and just catching up and telling tales about each other’s career. She even dropped off the autobiography that she and Bill did. And being back here at DAYS, every time I turn a corner, there’s another familiar face. When I was on the show 40 more years ago, a bunch of the guys, played softball on a team together. This is really a trip down memory lane as I knew it would be.

Photo: JPI

Taping Doug’s funeral must be a hard day for Susan. Are you checking in with her to help hold her up through this?

STEPHEN: I am and I’m checking in with Amy Shaughnessy (Susan’s assistant), and she’s holding her up more than anybody. We’re there for each other.

There will obviously be some major hankie-inducing moments when Steve comes back to Salem to console his sister.

STEPHEN: Oh, wait till you see it in December. It’s going to be great.

Were you surprised you got this call to come back to the show decades later?

STEPHEN: It was out of the blue! I was completely surprised. They should have called me decades ago! That’s what surprised me. When Another World went down, I thought I’d land somewhere else and it never happened. That was more of a surprise.

Photo: JPI

Cass is such an identifiable character for you. As well, you and Linda Dano (ex-Felicia Gallant) are so synonymous together as best friends Cass and Felicia from Another World. When fans heard you were reprising your role as Steve Olson on DAYS, they are now hoping there will be more of you on the show to come.

STEPHEN: Steven Olson is a real “Cassian “character. I cut my teeth on Steve Olson and that’s how Cass was introduced. He was kind of a roguish charmer. And then when the character stuck for Another World, they rehabilitated me, and turned me into one of the shows heroes. And that’s what would’ve happened if I stayed as Steve Olson probably. So, Steve is the ‘pre-Cass’, Cass.

Photo: JPI

As the story goes, you originally decided to leave Days of our Lives?

STEPHEN: I was never on contract. I was doing a day and a half a week and I got a Broadway play directed by Franco Zeffirelli starring Joan Plowright and Frank Finlay. I was able to it as I didn’t have to break a contract or anything. I cut loose and went back to New York for that.

How well did you get to know Bill Hayes during your first time around on DAYS?

STEPHEN: My first episode was with Bill and Susan, as her long lost brother coming into Salem. They were so good to me. They were so kind. I had been doing eight years of classical repertory theater, never been in front of a camera. I tell everybody, it took me longer than any other actor I’ve ever seen to get comfortable in front of a camera. And they were very supportive at that time in my career. Coming back to honor Bill now in 2024, and to be see Susan, I am just so happy to be here.

Looking forward to seeing the scenes between Stephen and Susan Seaforth Hayes come December and Doug’s funeral and surrounding episodes? Do you hope that DAYS might bring the character of Steve Olson back for a longer stay? Comment below.

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Days Of Our Lives

Matthew Ashford and Melissa Reeves Talk Return to DAYS for Doug’s Funeral, Susan Seaforth Hayes, and Their Enduring Friendship

Last week, Days of our Lives celebrated the taping of their 15,000th episode which is tentatively scheduled to air on December 3rd. The story will feature emotional and heart-tugging scenes of Doug Williams funeral and honor his portrayer, the beloved Bill Hayes, who passed away on January 12th at the age of 98.

While the actors, producers, and crew took a lunch time break to pose for some pictures and speak with the press, they knew they would have to get back to taping the funeral, which was going to make it a tough day, but also cathartic for all who loved Bill Hayes.

Several returns have thus far been announced including; Melissa Reeves reprising her signature role of Jennifer Horton (a part she first played in 1985), and Matthew Ashford as Jack Deveraux. Reeves had last appeared on the show back in 2021, and she was replaced by Emmy-winner Cady McClain in her absence when Jennifer was in storylines. In real-life, Melissa had moved full-time to Tennessee along with her husband, Scott Reeves (ex-DAYS, GH, Y&R). Now, and as previously reported, Reeves will first appear back on DAYS for the Thanksgiving episodes with the Hortons.

Photo: JPI

Michael Fairman TV caught up with Matt and Melissa during the 15,000th episode celebration to get their take on: being back for these special episodes, how it has been working with and watching Susan Seaforth Hayes portray Julie’s grief over losing Doug, and how they have supported each other through the years. Check out what they shared below.

Melissa, you are back on the set of Days of our Lives for this very emotional and special moment in the series history. How does it feel?

MELISSA: Oh, my goodness. I am honored. I wouldn’t want to be anywhere else but to be here for Bill. He was like my real-life dance partner. He taught me how to ballroom dance. And to be here for Susan, of course, who’s just been our sweet hero this whole week. We’re just following her lead. She’s just been this incredibly strong example for us in the midst of this trial and season of her life. She is like just lifting us all up with her. It’s been incredible.

I was at Bill Hayes memorial service which was truly incredible and I know at the time you were in Tennessee. It was moving and celebratory of his life, all at the same time.

MELISSA: That’s all I have heard. I have to watch it on You Tube. They said it was just a real celebration of his life and I love that.

Photo: JPI

This must be difficult for Susan Seaforth Hayes depicting the death of Doug, when she is still grieving the loss of her beloved husband. (Susan pictured above with the returning Stephen Schnetzer who plays her on-screen brother, Steve Olson).

MELISSA: I’m sure Susan has those moments at home by herself, but she’s so good at being a leader and leading all of us. We’re following her, you know, and she’s like, “This is how I want to feel today.” And we’re just going along with her, you know? It’s so sweet.

Photo: JPI

How is it to see Matt Ashford again live and in-person?

MELISSA: You know, Matt and I can go years without talking, or seeing each other, and then the minute we see each other we’re chatting away.

MATT: Melissa was out on set doing a scene yesterday on the phone talking to a stage manager; as she was telling some really tough news on the phone. I’m like crying in the background, literally, I’m off-stage crying.

MELISSA: And then we get like back into normal life, and we’re like, okay, “What’s happening? What’s happening with this … or what’s happening with that?”

I had read, Melissa, that you were in touch with Matt about if there night be a possibility for you to reprise your role as Jennifer for these special episodes?

MELISSA: Yes. Well, Matt was like, “Hey! Would you want to come back? “And I was like, “Matt, you know, I would always come back. ”

MATT:  Every time I come here to Days of our Lives, they ask, “Where’s Missy? How’s Missy?” Everybody backstage says, “I miss her.” All of the crew is asking about her and saying, “It would be nice to see Missy. Nothing wrong with you Matt, but …”  They said, “Where is she?” I said, “She wants to come!”

Photo: JPI

There are some beautiful photos of Missy and Bill and Susan thorough the years that I found. It just reminded me of just the deep and entrenched history we all have had with the show, personally and professionally.

MATT: Missy is roughly the age where Francis Reid (ex-Alice Horton) was when she started the show, which is just crazy.

Photo: JPI

I’ve always said Missy was going to be the next generation Alice. Do you feel that Jennifer is the heir apparent matriarch of the Horton family?

MELISSA: Yes. I mean, this has been greatest blessing of my life, and that would be great. I told Ken Corday (executive producer, Days of our Lives) when I was 17 that this show would be my life. Ken always told me, “This is your home,” and I’ve always felt like that.

How have gotten through the scenes watching Susan Seaforth Hayes as Julie go through the loss of Doug?

MATT: Susan is bringing her best performance life for her and Bill. I mean, she’s a showbiz baby. She always has been one hundred percent, and she’s doing it for him, and this is who they’ve always been. So, you’re seeing this amazing performance colored by her life. She has her private life as Susan, but she has enough plugged into Julie that she’s done amazing work. The director, producers and writers are giving her room to live in these moments and it’s quite wonderful.

Photo: JPI

Have you already broken down in tears during the taping?

MELISSA: Yesterday, but today’s taping of the actual funeral I think they want us to try and be just more celebratory.

MATT: I mean, it is a beautiful long life for Bill Hayes and his character of Doug Williams, and so it will be about that. Then, you get a bunch of us together in the church pews, and there’s going to be hijinks.

MELISSA: We all have been through the waves of grief. You have that awful cry and then all of a sudden you feel okay.  There are those family situations we are portraying where you’re like, “What do we do? What do we do now? You know, no one knows what to do. But, it’s so sweet. I’m looking forward to seeing how the scenes all turn out.

So, are you glad that Matt and Melissa are back for the 15K episode and Doug’s funeral? From what we can tell, it’s going to be quite an emotional journey for Days of our Lives fans, and especially the performance of Susan Seaforth Hayes, 

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