Connect with us

Interviews

The Scott Clifton Interview – The Bold and the Beautiful

© JPI Studios

At his young age, Scott Clifton has become quite the accomplished actor and a daytime favorite, having now appeared on three top daytime soap operas; General Hospital as Dillon Quartermaine, One Life to Live as Schuyler Joplin, and now as Liam Cooper on The Bold and the Beautiful.  And, with four Daytime Emmy nominations under his belt – three for GH and one this past year for his work on OLTL – Clifton is creating another unique character over at B&B with a whole new set of dilemmas and problems!

A bit of the back-story: the versatile Clifton wasn’t off of our daytime screens for too long.  Once OLTL let him go, he was back in L.A. looking for work, and B&B head honcho, Brad Bell, had the good sense to hire him for the role of Bill Spencer Jr.’s son. (The one he never knew he had!) And while Liam came to town in search of his father, he soon stumbled onto computer intrigue (after all he is computer tech) that revealed the accidental sex romp of Brooke and Oliver!  And after a ‘who’s the daddy’ story somewhat in reverse, we all learned that Liam is the son of Bill Jr, and neither one is too pleased…and that’s putting it mildly!  Add to the mix the beautiful young Hope Logan, who has fallen for Liam’s quirky charms, and we could be seeing the emergence of the breakout character of the 2010 soap season, and perhaps a new set of star-crossed lovers.

As for Clifton himself, “talented,” “funny,” “articulate,” “intelligence abounds,” are just a few of the words On-Air On-Soaps would use to describe him in this brand new in-depth feature conducted recently in his dressing room at the set of CBS.  So how did he keep the secret storyline under wraps?  What is it like working with Don Diamont (Bill) as father and son?  What is Scott doing on YouTube?  And we find out, of all of his soap roles, which one is the most like him.  The answer may surprise you.  One of the true originals of daytime… here’s Scott!

MICHAEL:

How much did you actually know when we last spoke to each other around the Daytime Emmys, about the role of Liam?

SCOTT:

© JPI Studios

Around the Emmys, I was not allowed to talk about what I did know.  And there were three or so weeks at the set where I was not supposed to tell people there what I knew, and that was at Brad Bell’s request.  This is actually the first job and role that I booked where I did not know who the character was that I was going to be playing.  It was on my first day that they said, “Oh, by the way, your character is going to be called Liam.”  That was all I knew, and then I went up to Brad’s office.  He said, “What do you want to know?  Do you want to know everything?  Or, I could not tell you everything?”  I said, “Tell me, I want to know.” And that is when he said, “Well, your mom died of cancer, and long story short, you are Bill Spencer’s son.  So you are going to be working a lot with Don Diamont, and that is why we decided to make him Liam, short for William.”  So there was a period I knew about it, but I still did not tell people about that until it came out in the script.

MICHAEL:

So wait… when you took the job, were you taking the role “sight unseen” not knowing how it would be integral to the canvas of B&B?

SCOTT:

I should be clear, I auditioned like everybody else and it was not like it was a role that was just offered to me.  And it wasn’t until a few days before that I even knew that B&B was a half hour show!  I had been looking at YouTube for clips.  But you can’t tell from YouTube clips that it is a half hour show.  That made a big difference.  I noticed it right away when I got here.  Everyone was so relaxed and everybody is so nice to each other, and there is such a great vibe here. I think that has to do with that it is much easier to run a tight ship when you are shooting less material a day.  So everybody is kind of on their mark and so non-stressful. I was prepared for more stress, and so I was very pleasantly surprised.

MICHAEL:

It was a very big letdown when they let you go, and wrote you out at One Life to Live. Schuyler had such great material at the end and he had just been revealed to be Mitch Laurence’s son.  But in soap land, it almost always seems when they are ready to write you out, they hand you powerful scenes as your parting gift. (Laughs)

SCOTT:

Not everyone, so I am pretty lucky and grateful for that. They could have just let me fade out, and if it weren’t for One Life to Live, I might not have created enough buzz to audition for this.  So I kind of owe one to OLTL.

© JPI Studios

MICHAEL:

Do you think of B&B’s Liam as a computer nerd or geek?

SCOTT:

“Geek” is not the right word.  He is definitely not a stud. General Hospital’s, Dillon, was like this weird, quirky, punk kid, with rocker hair and chain length metal bracelets.  And then you’ve got Schuyler, who is wearing sweater vests, and comb-over hair and parted on the side.  Liam, I think, is the first character that is supposed to be closest to my maturity level.  He is just a young guy who has not gotten his life together yet, and he is still not a kid.  So, he is in this in-between stage, and now we get to discover who he really is.  This story arc is about discovering his identity, which I did not have the opportunity to do with Dillon or Schuyler’s story. This was a huge challenge for me, because sometimes when characters are introduced in a scene, it’s like, “Here’s this new character!”  With Schuyler, I had this huge teacher monologue, and with Dillon, I had these scenes with Tracy Quartermaine (Jane Eliot) bringing him into town.  Liam was like an extra for the first several episodes.  I think that was part of the plan.  You are not supposed to take note of him. And if you remember, they even had me with another guy who was an extra and we had the same amount of lines, which was really smart.  I would go on message boards and see what people were saying and there was no chatter about it at all, and that is what it should be.  Then slowly, I would read, “Who is that kid? And why is Justin talking to this kid?”  It was great, and slowly people started to notice Liam more. Then, some people thought he was really annoying and some people thought he was this punk. Now, Liam’s notoriety in the show has grown exponentially and I love that about him, but I had to work for that.  I thought it was a cool aspect of this.  I never really got an introduction and it sort of just grew.  The character is the same way. You learn a little bit about him, and then he claims Ridge is his father.  And believe me, his story is not complete yet, and there is still more to it.  What is interesting for me is that I don’t know everything either.  Granted, I knew Bill was going to be my Dad, but I did know what kind of person my mom was, and why they didn’t get together. This stuff came up later.  So, I could not make these bold choices and then find out a week later I was wrong when I would read my scripts. There was some treading water while I was waiting for the story to do its magic, and now it has, and it has been really a great story.

MICHAEL:

You seem to be working a lot of late!  Your story has finally picked up steam.  And what is great to see, in a show that has limited airtime for its characters, is that Brad is giving you a great opportunity to shine.

SCOTT:

I don’t think it’s going to stay like that, but I think for now it is true, because they had to establish a push between he and Bill.  I think that was really important.  I could not ask for better writing. There is going to be a lot of conflict, and what is really cool is there is such a dichotomy between Bill and Liam.  Bill has some things to teach Liam about manhood and being a leader, and being a presence, which Liam is not.  But maybe, Liam has something to teach Bill about ethics.  Eventually, if Liam gets to some place where there is a middle ground, because something has to give, there are huge divides between how Liam sees the world and Bill sees the world, and they are stuck together.  So I think that makes for even greater story.

MICHAEL:

© JPI Studios

Did Don Diamont know you were going to be his son from the beginning?

SCOTT:

I think Don knew, too.  I think he may have even said something to me when I first met him about it, and I didn’t catch it.  I know that he knew he was going to have a son before I was hired.  Don has been really, really, great and always really nice.

MICHAEL:

Don is one of the greatest guys and one of the greatest dads.

SCOTT:

In real life, Don sounds like a great father.  I think this story was important to him, and I get that sense.  The first time he clued me in on that, he walked over to me and whispered, “I am so glad it’s you.”  That was nice to hear him say.  He will tell me if I am doing a good job in a scene, and that feedback is really nice.  But I am not acting in a void, either.  I have to work with him, too.  What I do has to tell a story as well, and part of that story is his story.  I can’t just make any character choice I want that seems cool to me, because it has to be in relation to what is going on with Bill’s character.  So, if I am too challenging in a scene where he needs to be on top, I can’t do that.  And that burden is much more on me. The audience knows Bill’s character, they don’t know as much about Liam.  So I have to find the right way of doing it.

MICHAEL:

There had to be some inside jokes on the set, when the men who could have fathered you were wondering who was the poppa?

SCOTT:

That never really happened on set, just because the scripts were coming out about whose kid I really was.  I think I remember when there was a moment on the first day I was working with Ron Moss (Ridge).  And it was Ridge going, “Get out of my office!” And I was like, “But I am your son.”   And when we went to rehearse that scene and we got up on set, Ronn said to me, “You’re not really my son…. are you?”  And I said, “Nah, I don’t think I am.”

MICHAEL:

What about Winsor Harmon (Thorne)?  He had to be in on the shocker!

© JPI Studios

SCOTT:

Winsor knew all along that it was a red herring, and that was a cool thing to play.  The funniest thing happened shooting those scenes, and Winsor was so good.  He and Don were playing this yin and yang so well off of each other, especially in the hospital DNA scenes.  It made it really easy for me.  Liam wanted it to be Thorne!   What is also funny was on my first day, just because of my pathetic excuse for an iron-jaw beard, one of the make-up artists said to me, “I don’t know what you’re doing on the show, but you should play Bill’s son, because you have the same beard.”  And I was like “Guffaw-Guffaw.” (Laughs)

MICHAEL:

Liam was the vehicle that brought to the forefront, Brooke and Oliver’s sex mishap and exposed it!

SCOTT:

Indirectly, Liam brought out the Brooke and Oliver sexcapade, and because of Hope’s forgiveness of the whole situation, she allowed him to feel released from all of that. If Liam hadn’t screwed up and left the computer on, the truth would never have come out that way.  Well, it probably would have come out.  Who am I kidding? (Laughs)

MICHAEL:

You know that the infamous “Party Boink,” as we now lovingly call it, is one of my all-time my favorite story points!

SCOTT:

I know, mine, too.  My dad started watching the show, maybe five episodes before Oliver and Brooke have sex, and she takes her mask off and reveals herself to be Brooke.  And my dad called me and went, “Did you know that Oliver slept with Brooke?” And you got to know my dad; he is like a camping, fisherman, manly man, and yet he is like into this show, which is great!

MICHAEL:

It was one of the greatest cliffhangers in the history of soaps!

SCOTT:

It was shocking, and nobody saw that coming, and it was really cool.

MICHAEL:

© JPI Studios

How is working with new B&B producer, the legendary Ed Scott?

SCOTT:

It is really, really cool!  Ed comes down from the booth and is very hands on.  He is the first person I worked with in a very long time who gave me some feedback from time to time, because sometimes we are all, as actors, just feeling around in the dark.  And, Ed will come down and say, “Hey, you look like you are anticipating the end of the scene, and maybe you could let that surprise.”  Or, “We need you to be more hurt by that,” or whatever it may be.  You get the sense right away in the quality of the show, and he came right into his new job and knew what he wanted, and that is so nice for us.  Actually, it creates less work for me. (Laughs)  He is so approachable, too.

MICHAEL:

How is working with Kim Matula (Hope)?

SCOTT:

She is great, and is funny, too.  I cannot tell you how much I appreciate doing a scene with someone and you know going in it’s just going to feel like you are having a conversation, and that has a lot to do with her.  You know what she is really good at, that I am not good at?   It’s listening.  She can hear you in a scene as if it’s the first time she has ever heard that, even though we have rehearsed twenty times!  That is a really valuable quality to have.

MICHAEL:

So, Liam is really falling for her big time?  She is Miss Goodness!  Where is he coming from with this?  Does Hope represent something for him?

SCOTT:

Liam comes to this new strange foreign situation and everyone hates him. He can’t do anything right.  He thought he was a good guy, and then he started to question himself, and here is the one person he feels like he has trespassed against the most, and she is the first person to forgive him.  Not just forgive him, but also almost give him empathy.  That was a lifesaver and a really profound gift for him at that time, because he was feeling so low.  I think he does see Hope as this glimmering light that represents all things just and fair and good, and he has said lines to that affect.  He fell hard for what Hope represents, and you also start to learn a bit about Liam’s mom, and how she died of cancer.  He was raised by her, and there are scenes where Liam is talking about his mom and all the qualities he loved about his mom, and then you can see other scenes where he talks about all the qualities he loves about Hope… same qualities.  Maybe it’s a little bit of a “mommy” issue, but I also think Hope represents a big hole that Liam has in his heart.

MICHAEL:

© JPI Studios

If you were to think of a celebrity to play your mom, Kelly, who would you see cast in the role?

SCOTT:

We have had to use 8X10 glossies and there was a woman who was actually cast and is probably in her mid 40s to 50’s now. They used her as model, and they took all these retroactive images of when she was suppose to be a high fashion model.  So I already have an image of what this woman looked like.

MICHAEL:

Right, but who out there in primetime, daytime, feature film or the theatre, do you think would embody Liam’s mother?

SCOTT:

When I am picturing my mom, and I remembering things about her, I imagine a Meryl Streep type!  If you could imagine Meryl Streep in deathbed scenes, she still pulls off sensitivity and warmth.  

MICHAEL:

Would you love to work with Meryl Streep?  I know I would!  Sign me on!

SCOTT:

No, not ever.  Yes! God Yes! You don’t get better than that.

MICHAEL:

Scott, you have one of the most refreshing acting styles. It is not forced.  It’s a very realistic style, and it’s not “soapy”.  Do you realize that, and what you bring, as opposed to other guys acting in your age bracket?  You have something very unique!

SCOTT:

That is a wonderful, wonderful compliment.  I am aware of it, in so far as that is what I am going for.

MICHAEL:

© JPI Studios

So you’re not striving to be the leading man?

SCOTT:

No, and I disagree with that.  Just like in life, the world does not revolve around us.  I sometimes think a supporting role is infinitely more valuable than a leading role.  And, a submissive role is infinitely more valuable that a superior role.  I think I learned a lot about that from General Hospital. GH has a lot of static issues. You have Maurice Benard (Sonny) and people around Maurice and there is inferiority. There are two issues here; doing a scene as if it were taking place in real life, and then there is an understanding that every scene is not about us, or about making us look cool.  I think I almost feel a little more uncomfortable where I have to be in scenes as the leading man, or in charge, or sexy.

MICHAEL:

I recently interviewed One Life to Live’s Nicolas Robuck, who plays James Ford, and he was saying something very similar, that although his character is called upon to be tough and macho, it is easier for him to play the more emotional side of his character, and he is more comfortable with that aspect of the role.

SCOTT:

I know the feeling!  I am OK with feeling that way, because there are probably a lot of actors that don’t have that philosophy.  It works out very well for me, because those are shoes that somebody has to fill.  I will do that gladly, and I think that’s important.

MICHAEL:

I had the pleasure of briefly meeting your girlfriend, Nicole, at the whole Daytime Emmy shindigs and Red Carpets, etc.  How many years have you been together now?

SCOTT:

Almost four years.

MICHAEL:

How does she fair with you kissing other gals in your job as an actor on daytime?  Have you had “the talk”?  Most actors have to at some point discuss this with their significant others.

SCOTT:

© JPI Studios

There was a period where it made her uncomfortable.  I could not stress enough that I am not actually kissing somebody; it’s just that my lips happen to be touching their lips, and that is not me doing the kissing anyway, it’s Liam, or Schuyler, or it’s Dillon.  So there was a period where she would test me, and ask me all these questions like, “What if I decided I wanted to start acting, and I had a scene where I had to kiss a guy, would you feel jealous?”  And I thought, “Is this a trick?  Am I supposed to say yes?”  But I wound up saying no, because that is closer to the truth.  That is the answer that she hoped I would say, because if I would have said yes, than that means that I can empathize with feeling something. There were times where I would try to explain the difference between a stage kiss and a real kiss to her.  I would give her examples of guys I have seen screw this up where you see tongue.  Sometimes she will go, “Scott, show me a stage kiss!” (Laughs)

MICHAEL:

Since you have been here at B&B, have you heard from any one of your former castmates from OLTL?  Perhaps, Farah Fath (Gigi)?  You know the soap world has become so transient; everyone at one point seems to circulate to other soaps!

SCOTT:

Last night I was texting Farah, and I talked to Daphne Duplaix (Ex-Rachel).  I am facebook friends with Brett Claywell (Ex-Kyle) and Scott Evans (Ex-Fish).

MICHAEL:

How is Scott doing?  What is he up to these days?

SCOTT:

I think he is doing well.  All of his facebook posts are fitness oriented.  So I am not sure what is going on there, but I believe Scott is still out in New York.

MICHAEL:

How was Emmy night for you?  What happened when you heard your name was not called, but your then future castmate, Drew Tyler Bell’s (Ex-Thomas) name was, as the winner of Younger Actor?  It had to be awkward.

SCOTT:

© JPI Studios

It was awkward, nothing to do with Drew, but I had you and other journalists telling me I should win.  I was disappointed.  I think it came from worry, as I only have one year left in the Younger Actor category.

MICHAEL:

Right.  So you will soon be ineligible in this category after next year.  For your fans that will read this, explain how this Emmy eligibility process works?

SCOTT:

So how that works is; supporting actor is the most competitive area.  If you get nominated for supporting actor your odds are down to nothing, because there are so many great performances up against each other.  Younger Actor is a great category to get nominated in, and you have got good chances there. You have to be 25 years old or younger at the time you shot the scenes.  I am 25 now, and in a month I will be 26, and anything I shoot after that will not be eligible anymore.  However, this year is going to be really sticky for me, because I think the best work I have done so far this year was at the end of my run on One Life to Live.  But, by the time Emmys come around for next year, I will not have been on that show for a year and half. And, it’s a bit presumptuous for me to call over there and go, “Hey, can you guys pre-nominate me even though I have not been on the show?”  So there is that.  Now here at B&B, I don’t have much time left under the age guidelines, even though you are technically allowed to submit material from both shows you were on during the eligibility year, which can be tricky because you wind up splitting the vote.  I was aware of all this before the Emmys.  Once I got nominated I told everyone, “I know for a fact I am not going to win this, because I know what I submitted and it had to be before the good work I did.”  Those scenes were from 2009 and the good work was in 2010.  However, everyone and their mother were coming up to me saying, “We watched the tapes. We read the polls.”  I kept telling people please stop telling me this because it gets in your head and then you believe it and you get heartbroken, and it’s happened to me before.  And objectively speaking, Drew Tyler Bell deserved that Emmy because his performance was very well done.  All I can do is try not to screw it up this year!

MICHAEL:

All of a sudden, bam… here we all find you on You Tube!  You are sitting in front of your computer and video taping these amazing sequences where you are talking about some very “heady” subject matters.  Are you looking to do a host gig?  What is this project all about?

SCOTT:

courtesy/ABC

It’s not that I am petitioning for a job as a news anchor.  I grew up in a very secular household and not religious.  I am from Southern California, but I grew up in the San Fernando Valley.  And then, when I was around ten, we moved to a very religious community, an evangelical Christian community, and this is stuff I had not really thought about.  There are people who believe in heaven and hell, and I had a very vague understanding of religion.  But moving to this community, I was propositioned by many of my newfound Christian friends.  “Are you coming to Church with us? Why don’t you go to Church?  Have you read the bible or hadn’t you read the bible?”  I became this practice dummy for apologetics and evangelism, and being the only person I knew in my community or school who did not believe in religion.  It was a rude awakening.  These were beliefs that they were trying to get other people to believe, and with good reason.  I can’t blame anybody for that.  However, I started to see that these beliefs inform our politics, and they inform our relationships, and our ethics.  I mean, you have things like Proposition 8.  It became a bigger and bigger deal to me that there seems to be in America a social convention, where you can think anything about the world as long as it’s religious or spiritual in nature, it’s immune from scrutiny and criticism.  And that is kind of the rules.  I don’t believe you should keep your religion to yourself.  If you believe that is true, then you should be allowed to argue for that.  However, I deserve my right to question you.  I see that a lot of people do not think that is OK.  I found YouTube and I went, “My God!  There are Cat People and skaters falling off everything.”   Then I went, “Oh, my God. YouTube is the greatest thing.  I love watching people fall and kitties and watching people playing the piano!”  Then, I stumbled on to this little community on YouTube of critical thinkers and philosophers and people who were exchanging ideas. It was so refreshing, and I wanted in. There was this guy on a YouTube channel who posed a question, “Anybody who does not believe in God, where do your values come from and where do your morals come from?” And I made a video response to that, and that was my first YouTube video and everyone liked it, and nobody knew who I was.  In fact, I have 15,000 subscribers and most of them don’t even know what I do for a living.  I like that, because it’s about what I am saying and not who I am, and it snowballed.  You talk about religion and it forces you to think about big ideas like eternity, and that is why I named my channel Theoretical Bullshit. I know that YouTube has made me smarter just by having to think about my views and how to defend them.

MICHAEL:

Is there a rhythm or rhyme to when you post a new video?   I know when the Proposition 8 same-sex marriage ban was on the way to being overturned in California for a millisecond, that you very timely posted something on this.

SCOTT:

Most of the times I have a backlog of concepts.  But the Prop 8 thing was so contemporary for the time, because Judge Walker had just made that ruling.  And people were going, “Judge Walker made that ruling because he is gay.”  Or they were saying, it’s unconstitutional, and now we have got lobbyists from the bench.  I heard all this junk, and so that video needed to get done now.  There are a lot of videos like that.

MICHAEL:

Do you then see yourself being a motivational speaker, or a speaker who gets up and challenges ideology and religion?

SCOTT:

Yeah, I would love to do that.  I don’t get to just say what I want, as I work for a company and I have obligations, and so I can’t go around being disrespectful to everybody. However, with as much integrity and respect as possible, I would love any public opportunity to challenge conventional beliefs, especially ones religious in nature and especially ones that have affected my life.  Someday it would be great to write a book on that kind of thing.  I feel like I have something to say, and it’s not something everyone else is saying.

© JPI Studios

MICHAEL:

Back to B&B, do you have some favorite scenes thus far as Liam?

SCOTT:

I do, but I cannot tell you about them yet!  My favorite scene is with Hope and it was really recent.  It was just that Ed Scott let me be really weird and not cool in the scene. However, there has been some emotional stuff with Don Diamont that I am proud of, and objectively speaking those are my favorites.

MICHAEL:

You know what I have been thinking?  Something has to come up down the line where your father needs an organ donor and it’s up to you, as the son, to save his life, as you would be the match.  And, that would bond them and create a breakthrough in their relationship.  It’s the tried and true soap device 101 for familial situation like this.  However, I hope it does not go there, and become cliché.

SCOTT:

You know, Don talks about this where eventually Liam almost dies, or something like that, and where all of a sudden they realize it would be a loss if they did not have the other party in their life.  I think if that moment ever comes, that will be a nice moment for Liam and Bill.

MICHAEL:

So now, Liam is headed into a triangle or quadrangle with Hope, Oliver and Steffy all involved!

SCOTT:

And now they have the new Thomas! You know Adam Gregory (Thomas) and I both auditioned for Liam, and then it came down to both of us for the part.  But the irony is, Adam and I also were both up for 90210 and he beat me out for that part.  I am so glad he got hired on the show.

MICHAEL:

© JPI Studios

That’s right, he could be the real spoiler here, perhaps.  So what do you think is Liam’s dream job?  I am very confused as to what he wants to do, or be.

SCOTT:

I am confused, too.  Liam so far, as writ, has not expressed a career dream. Right now, he can imagine that he is going to try on what it will be like to work for Bill.  So we know that that is on the table.  Liam has an education in computer technology.  He is young and has slang, but not a Spinelli sort of geek from GH.  He is a very real proto-typical kid in his early twenties. And, to introduce a real kid like that to soapland is a really cool contrast.

MICHAEL:

Do you think we will learn even more into Bill Spencer and your mom’s past, and what happened there?

SCOTT:

We have done a lot of that… exploring what the real relationship was between Bill and the mom.  I think as we go we will learn even more, and the writing is really nice as clues are dropped like, “Handsome is as Handsome does.”  What does that mean?  It’s cool, and a reminder that there is more there than meets the eye.

MICHAEL:

B&B has such a talented cast.  Who else would you like to work with? Perhaps Sarah Brown (Aggie)?

SCOTT:

I would love to do scenes with Sarah. I would love to do scenes with Rick Hearst (Whip).  He is my boy and he is from General Hospital. I think I learned so much from him, Tyler Christopher (Nikolas, GH) and Maurice, when I was young and learning.  They influenced me the most.  And now to come back full circle, Rick would be real fun to work with, and Susan Flannery, (Stephanie) she was great to work with! I have been pretty lucky with the rest of the cast, who are great, great actors.

MICHAEL:

Ok Scott, so here is the big question.  Is this character of Liam more like you?  Or, is one of your other famous soap roles of Dillon, or Schuyler, the truer you?

© JPI Studios

SCOTT:

Yeah, and in retrospect, is the least like me.  Schuyler represents certain parts of me, but here is what I do.  When I have a new character that I have to play and I am reading the script, I am imagining someone other than me saying the lines; a friend, or someone I know.  I picture how those lines would come out from them.  So it’s all kind of mixed.  OLTL’s Schuyler was a mixture of one of my friends, and Guy Pierce in Memento.  Then, Dillon was a different one of my friends, plus my gay friend, plus somebody else. And then I sprinkle a little bit of me in there with every one of them. Now, if you took me and made me more immature, that would be Liam. So, I can just go on-set and act immature! (Laughs)

MICHAEL:

As we end our visit, what would you envision for Liam?  What can you see as his ultimate journey on B&B?

SCOTT:

I would like to see Liam struggle with and ultimately conquer the balance between leadership, like Bill has, and ethics that Bill does not have.  If Liam can find a way in his lifetime to reconcile, or on this show’s lifetime, (laughs) and he can find a way to reconcile those two, then I think he can become a wonderful man.

Click to comment
Advertisement

Leave a Reply

avatar
Michael Jenkins
Michael Jenkins

Great interview, by a great actor.

bottomchef
bottomchef

Conroy’s better than Clifton. Conroy’s more laid back and natural. But he can also be dramatic, like when Oliver confronted Liam abt Hope. Clifton’s acting was cringeworthy during the Bill/Liam arc. Their bickering was aiming for comedy, but it was very corny bec the acting from Diamont and CLifton were awful. It’s so typical of B&B that Liam’s search for his bio daddy was stretched out. While B&B had one of the few black chars, Marcus, search for his bio mommy on warp speed. Immediately, zillionaire Donna didn’t even think he was scamming her and already was saying “My baby!” And when his bio daddy arrived, he didn’t even question if Donna slept w/ other men. It almost felt like B&B couldn’t wait to wrap up Marcus’s storyline as quickly as they could. But Liam’s search lasted longer and involved more chars. Clifton made such odd acting choices and distracting facial expressions when Oliver confronted Liam. It’s almost like he was aiming for comedy, w/c was inappropriate for the context of the arc. Clifton’s Liam also acts overcaffeinated. It’s like he can’t stay still for a few seconds. It’s verging on screaming “Look at me! I’m acting!”. W/ nuThomas arriving and getting involved w/ Hope, it’s doubtful B&B will let 3 of their younger men go after Hope. So where does this leave Conroy? It would be a shame if B&B writes him out bec he can actually act. But it would be keeping w/ B&B’s track record. B&B shouldn’t have messed w/ Hope/Liam/Steffy. And after the party boink, the drama is already there w/ Hope and Oliver.

Christy
Christy

I rather enjoy the character of Liam. Particularly how he entered subtely and and I think his character is a refreshing change for the show. The actor Scott is great too. One day I actually paused the show to show my boyfriend, because I think they look alike. Needless to say, I think Scott is cute 🙂 I also think Scott seems very talented, smart, mature and down-to-earth. As per the show, I like Liam & Bill’s dynamic. At this point they accept each other but will definitely butt heads considering Liam was very distressed by what happened with Steffy’s presentation and Bill’s job is to cover (and initiate or at least become involved with) these situations. So that will be interesting for them as well as Liam and Hope. I also think that Hope has her hands full especially if the new Thomas is interested in her, too. So you know what the show needs? Another younger female actress to be a love interest for the emerging younger men in the show and guess what? Today is your lucky day, becuase you have a huge fan and volunteer right here 😉 Being a soap actor seems like so much fun! Best of luck!

Doe
Doe

I have seen Scott in all three roles of GH, OLTL, and now B&B. He has done major jobs on all of them. So, he is certainly employable by the best soaps for good reason. He can act! He can fit any role, I think because he is like Everyman. I just knew he would be Bill’s son, because Bill was too obvious in not wanting him and Thorne did. It was no surprise to me. He is very intelligent with various thoughts on life and religion. So it will be interesting to see if he takes those things further. This was a very good interview, Michael. I was really interested in learning more about Scott.

bottomchef
bottomchef

There were some comments from him that seemed like passive aggresive digs at GH (how static it is, inferiority to Maurice Bernard) and OLTL (pressure filled environment). Actors shouldn’t diss their former employers. And he seems to be the kind of actor who’s in it to play the awards show game. It’s really refreshing when actors don’t care abt that or stop submitting when they feel like they’ve had enough awards or don’t have the material. I disagree though that Clifton is a good addition to B&B. The cast is overbloated. They need to trim it instead of putting more people. The love/hate bickering between Liam and Bill was so forced and contrived. They were aiming for comedy but it was very corny and really cringeworthy. Also, they already had the good storyline w/ the party boink that they didn’t need to include Liam in there. Hope/Oliver will have this angsty rel bec of him sleeping w/ Brooke. The conflict is already there. Conroy has more chemistry w/ Matula and JMW. He’s more of the leading man kinda guy and it’s more believable for them to be battling for Oliver instead of for Liam. Now w/ Steffy declaring that she now likes Liam, the char is painted as a pathetic, desperate mess who loses credibility bec she only likes men to compete w/ Hope. Also, Conroy is the better actor. He’s more laid back and natural, but can also be dramatic when Oliver angrily told Liam that he stole Hope. Clifton’s eyes kept darting and he makes distracting facial expressions and odd acting choices. It’s like his definition of acting is not being able to stand still for a few seconds. Now w/ nuThomas set to become interested in Hope, where does that leave Conroy? It’s doubtful they’d have 3 of their younger men go after Hope. It would be a mistake for B&B to write Conroy off the show, however, I wouldn’t be surprised if they do that, given B&B’s track record.

mmc
mmc

It would be a terrible mistake for them to get rid of Zack Conroy.Not only is he one of the better actors on this show, but he’s so adorable as Oliver.Also I love to see Scott acting with Don Diamont.Don is Mr. Gorgeous..i love his character of Dollar Bill.I hope Scotts’ Liam character won’t be following in his fathers’ footsteps.No one but Don Diamont can play that “i do it my way” role!

denisefan
denisefan

Scott’s quirky movements and cadence are his own….not much acting there. At times, his delivery is forced and insincere….would love to see him create a character rather than repurpose himself for the show.

Glad to see that on a personal level he has challenged the false premises of modern, counterfeit Christian organizations. Ironically, his counterarguments run more parallel to Jesus’ castigations of the false church than he realizes.

Dean
Dean

Great interview! Scott is so awesome!

Bonnie Greenblatt
Bonnie Greenblatt

I think having Scott Clifton as Don Diamont adds some adventure and some reality to Bill’s father figure and it makes it more appetizing in a more challenging pursuance for boy get girl, boy loses girl, like father like son.

Keep Scott Clifton as Liam Spencer he is Awesome.

phyllis Mokate( South Africa)
phyllis Mokate( South Africa)

Like to see liam and Hope back together pls, they make a good young couple, I m hurting seing hope like this, she can not be hurt by her first lover no pls, if so she ll end ud like her mom trying to find true love.

Maureen
Maureen

Who is Scott Clifton married to

LILI
LILI

He is a great, sexy actor.

Days Of Our Lives

DAYS Alum Kevin Spirtas Chats On His Heart-Tugging Series ‘After Forever’ & Love and Life In Your 50s

Filling the void in the digital drama series arena, the eight episodes first season of After Forever (available on Amazon), tackles the journey of a two middle-aged gay men in their 50’s in a deep romantic relationship, and looks at it through its various stages of love, loss, and moving on with one’s life when suddenly your world is turned upside down, when one of them has died.

While the LGBT community has seen other love-centric and dramatic web series, none have really taken a deep dive into the difficulties of starting anew in your 50’s or even older.  Leave it to former Days of our Lives alum and Broadway producer, Kevin Spirtas (Ex-Craig Wesley), along with another DAYS alum, writer, Michael Slade, and the two put their shared experiences, and dramatic ideas into this emotional series, that is not limited to anyone who is gay, but touches on the universal themes that anyone may have, or will experience, at one time in their lives.

Spirtas, brought along with him none some notables for his passion project.  First, none other than former Prospect Park One Life to Live EP, Jennifer Pepperman, to bring his vision to life, and some amazing co-stars: Mitchell Anderson (Ex-Party Of Five), MIchael Urie (Ugly Betty), Cady Huffman (Ex-OLTL), Anita Gillette, Colleen Zenk (Ex-Barbara, ATWT) to  name just a few.

While the series bowed a little over a month ago, if you haven’t taken a look, check out our interview with Spirtas for some juicy insight into the making of and the construct of, After Forever.  Following that, check out the teaser for the series, and the video for the theme song, “My Forever” by Lio Nicol which becomes available tomorrow June 4th on Amazon and iTunes.

What was the genesis of the idea for the series?

Photo Credit/JPI Studios

KEVIN:  Patrika Darbo, came to New York close to 7 years ago. She had called me ahead of time, and said, “I was asked to present at the ISA Awards, and you’re coming with me.”  She was getting very involved in the world of the web series. I looked at this amazing presentation of content that was being shown at the ISA’s.  I was blown away. It was better than half the stuff on TV, theater, or film. At that point, I made a mad rush for a gentleman by the name of Sebastian La Cause.  Sebastian had won several awards that night and his material was so well presented, and beautifully shot, and his acting was very unique.

Sebastian La Cause was the star of the web series Hustling, right?

KEVIN:  Yes, it was Hustling, the first season.  I went up to him and I said, “I’m Kevin Spirtas. I’m an actor, I did a soap …”  He goes, “Kevin, I know who you are.” I was starstruck, and impressed, and inspired, because he is exactly the kind of person I want to work with.  He is talented, and creative and I want to work with those kind of people. I said to him, “If you do a second season, I’d love to be considered for anything you might be doing.”  Wouldn’t you know? He wrote me in. I fell in love with the story. I was very clear to me, that you have to start creating for yourself, because creating your own content in this industry now is king.  The third season of Hustling then crossed me over to appearing in Winterthorne.  That was also the first year that NATAS opened up the judging to the digital world.  I got nominated for an Emmy. It inspired me to start thinking about, ‘What do I know?  What do I have in my life that I feel is worth sharing and putting out there to help heal, or inspire?’  I had been producing in New York City for 3 years at this point.

Photo Credit/JPI Studios

It becomes every performer’s concern, as they get older, that they can still be considered for the roles they would like to play.  Sometimes, actors can grow into the types of roles, and sometimes they’ve expired past those types of roles. Was creating After Forever also a way to re-enter being part of the conversation?

KEVIN:  Well, I was hoping to write something for myself … because I just didn’t see the roles coming toward me anymore.  My name wasn’t on them as I imagined them or had seen them in the past. I was worried about that. I thought, “If I have a chance to keep working, I’ve got to keep current.”

And somehow, you and Michael Slade ran into each other, and thus, a collaboration began that would eventually turn into After Forever?

Courtesy/AfterForever

KEVIN:  Then, I ran into Michael Slade at a gym… I had never met him before, he was a writer on Days as I was leaving the show.  And I remember saying to myself, “wouldn’t it be great to work with somebody, and see what kind of story we could come up with?”  Unbeknownst to me, Michael, at that particular time in his life, was working on the very same type of story and idea about what it’s like to be who he is, at his age, where he’s at, and what he knows.  I pitched him this idea: “I think there’s some really funny ideas I could express to the world about my experience as a single gay man at this point.” He said, “Call me.” In short, he was living life as a single gay man, and I was living life as a single gay man, and that’s how After Forever was born.  Michael had the experience of losing his long-time partner of 25 years.  There’s a part in the story where Brian and Jason are going along and they have everything in their life that they could possibly want, and then they don’t, because Jason is diagnosed with cancer and it takes him away.

Do we see Jason die in this?

KEVIN:  You just might! … It’s how we incorporated him in the story…

Courtesy/AfterForever

After Forever bounces back and forth in time, obviously, that was part of the unique structure of the storytelling?

KEVIN:  It does do that.  It tells the story through a lot of present, and a lot of flashbacks.  There is also the present with Brian, and his memory of Jason. As Brian is going through the next chapter of his life as a single man, he has to look at his life and learn how to continue to love even though the person’s not there.  When someone dies, the love doesn’t die, the relationship doesn’t die, it keeps growing on a certain level. So, if he turns around, and he sees him, is it real? Is it him working it out in his own mind? It’s a tool to tell more story …

Tell me about casting Mitchell Anderson?  He had retired and moved to Atlanta, and he ends up playing the love of Brian’s life.

Courtesy/AfterForever

KEVIN:  When Michael and I were writing, we threw out, “Who do you think would play this part?”  One day, I just dropped the name “Mitchell Anderson” I said, “I just see him as Jason.” Michael said to me, “Kevin, he’s retired.”  I just knew Mitchell and I had great history in the business. We started off as actors together in class. He went one direction, I went another, then he left the business, but I just felt there was something about his persona – not to mention his talent – his unique humor, his sensibility, and style, so I said, “I think we should ask him.”  We did. Mitchell said, “Okay, Kevin. Let me read the script.” He called back immediately after receiving it, and said, “I would love to do this!” I have not stopped thanking him every day. He’s so good in it.

The main character of Brian goes on this journey: he meets other guys, some appear younger than others! (Laughs)

KEVIN:  It’s a year after Jason is gone, Brian is trying to settle into his new life, but he’s guilty that his partner has died.  He has sadness, grief, and so much love for Jason that he’s having trouble moving forward, and everyone is trying to push him forward.  Brian is not necessarily ready, but sometimes his body is ready, while emotionally, he’s not. It’s how we deal with all that navigation of seeing good-looking guys.  He meets a guy in the middle of the series, and it starts to open up the doors. That’s the beauty of what happens when he starts to let himself open up to the possibilities.  There are some great rollercoaster moments that you’ll see.

Would you do another season of After Forever?

KEVIN:  Oh, my God!  Michael and I have already started to script out seasons 2 and 3.

Courtesy/AfterForever

Middle-aged gay men do have it rough in the relationship department, if they’re not already partnered up by this point in their life.  Younger guys think they’re over the hill, older guys aren’t necessarily interested either, and unfortunately, the LGBTQ community is unforgiving to community if you’re not young and pretty, and not in your 20s or 30s. There aren’t a lot of LGBT-oriented shows out there like this.  On that level, I think the concept of the show is an important story to tell.

KEVIN:  We were absolutely committed to writing not just another gay story.  We’ve seen those. I think the beauty of After Forever is that it’s not just a gay story- even though it’s told through two gay men… but, it’s a story about love … it’s a story about loss.  Everyone is going to have to deal with this in their life.

Courtesy/AfterForever

Dealing with loss is part of the circle of life, whether it’s a parent, a child, a lover, a friend, or your longtime partner. Many in the LGBT community succumbed to AIDS in the ‘80s and ‘90s, which was a pivotal moment in the gay movement.

KEVIN:  We lost half of our community.  We lost half of our brothers. To jump back to that history with Mitchell, he and I had so many mutual friends who aren’t here anymore.  We would look at the scene that was at hand, take a breath, look at each other, and they’d say “action” and we’d step into these people. Yes, it’s gay themed, because it’s told by two leading male characters who are gay.  But, I have heard more people in the last two months since this has come out, who have not only stopped and said, “Thank you for writing such a wonderful story about love and loss, and new beginnings, but also, what it’s like to have to confront that loss.” They also went on to say, “For so many years, gay people have had to watch the heterosexual world. People are trying to fit themselves into our world now, into our story, and how they would feel navigating it.”

Michael Urie is in it too? And you have some pretty accomplished people in your cast.  

Courtesy/AfterForever

KEVIN:  Yes, there’s Michael Urie, Cady Huffman who sings in one of the episodes.  Tere is a scene in episode 3 that it still floors me, I can’t watch it without losing it.  Then, there’s Anita Gillette, Lenny Wolpe, David Dean Bottrell. Everyone is perfect, and everyone was able to show up, and everyone delivered a million percent.

What’s the response you’ve been getting from people who have watched After Forever?  You mentioned it’s been very positive.  

KEVIN:  Everyone has been touched.  The majority who have seen this, are just moved to tears and full of excitement.

I saw that Jennifer Pepperman, ex-executive producer of One Life to Live, directed your series.  What was it like working with Jen?

Courtesy/AfterForever

KEVIN:  We had a lot of people who we could have pulled from.  Jennifer came up in conversation, because she had sent Michael an invitation to go see her new short film that she had done with Austin Peck (Ex-Austin, Days) and his wife, Teri Conn (Ex-Katie, ATWT).  I said, “Maybe if I go see the show and I like it, I can introduced myself to Jennifer.”  I called him right after and I said, “If we don’t get her, we’re crazy!” She’s so good. What she did is perfection.  We shot the whole thing like a movie. It was shot in 12 days. She knew everything she wanted to do and it shows in the edit.  And, this extraordinarily, talented girl named Colleen Kwok, who was the director of photography. She’s the real thing. She got it.  She got the style we were going for immediately.

So, we want to tell people to binge watch the series on Amazon.

KEVIN:  Binge it, or make it last for 15 days…

How many hankies will I need for this? 10? 5?

Courtesy/AfterForever

KEVIN:  I say Kleenex is not included … Anybody who has ever loved, anybody who has ever lost, must see this show, because it unifies all of us, it shows us that we are the same.  It shows us that we still have love in our lives, regardless of if that person is gone, the relationship never ends, it never dies. That’s what people are getting from this.  That’s what people are taking away from it. You and I were raised with the symbols of a straight world and how we had to fit into that certain way of life. That’s changed now.  We have Will & Grace … we have RuPaul … all these great things that are illustrating our diversity.  Now, people are going, “it’s just a story being told.”

What was Mitchell’s reaction when he saw the final product?

KEVIN:  We saw it together…We just sat there and cried.  It’s hard. Especially, the first two episodes and the last two episodes.  We served it up, Michael, we served it up!

Courtesy/AfterForever

I think you spoke to a greater issue, as you move through this career, you have to remain relevant as things change.  So, you’ve dipped yourself into this pool and now you can do more.

KEVIN:  I hope so.  You and I talked about this along time ago, when I first started on Days Of Our Lives, it was still a different world.

It was so different back then.  Actors couldn’t be out. There was still that stigma that if the audience at home knew they were gay, they wouldn’t buy into what they were portraying.

KEVIN:  That’s where I kind of worked it out, because I didn’t pretend not to be me, I just wasn’t very open about everything in my life.  Not that I still am. There’s certain things that I don’t talk about, because it’s not relevant, or it’s no one’s business.

So, do you get the obligatory question, “What’s a guy like you doing being single”? (Laughs)

KEVIN:  Michael said to me one day, “How come a guy like you is single?”  I made a joke out of it and said, “Have you seen me eat? Come on!”

So, intrigued to check out After Forever? What do you think about its central theme looking at what happens when one loses their partner at middle-age and more?  Share your thoughts via the comment section below.

Continue Reading

General Hospital

GH’s Laura Wright and Wes Ramsey Talk Their Love Connection & The Demands Of Daytime

Photo Credit: JPI Studios

After presenting for the first time together, at the 45th Annual Daytime Emmys since they’ve been a couple, Laura Wright (Carly) and Wes Ramsey (Peter aka Henrik) of General Hospital have certainly been in the throes of a romantic, fun, and cherished relationship. The two former stars of Guiding Light reconnected last year at Emmy time. Now, sharing their over one year anniversary, Michael Fairman TV caught up with Laura and Wes to get some insight into what makes their relationship work amidst the hustle and bustle, and pace of both being on a network television daytime drama series, and with the pressures of Hollywood where often relationships between two actors seem to start hot and heavy but then fizzle out.

If you caught this week’s GH, you witnessed that the town of Port Charles has found out that Peter is the notorious Cesar Faison’s son, and the ramifications that will be felt for weeks and months and potentially years to come. Meanwhile, Carly is in all sorts of trouble, thanks to naughty Nelle (Chloe Lanier). Nelle is making Carly look awfully unstable and what happens next could change Carly’s life forever.

So, what do these two lovebirds have to say about their relationship and their passion for working on the soaps? Check out what they had to share below. 

Wes, you had met Laura originally years ago on Guiding Light.

Photo Credit: JPI Studios

Wes: Yes, 15 years ago in New York.

And what did you think of her then?

Wes: Well, I was smitten, but I had to keep it to myself.

You had to keep it under wraps, huh?

Wes: Yep!

Laura: I was married then.

Wes: She was pregnant with her second child.

Laura: And he’s a good Kentucky boy.

Photo Credit: JPI Studios

Wes: Uh-huh! But we would run lines in the green room and I would try very hard to make sure she didn’t catch me staring at her… too often. But we laughed, and had great conversation.

Laura: I would always say, “Wes, will you run lines with me?,” because I would want to run my lines.

Wes: We never had story together, but she always knew I was game to hang out with her for a moment.

It’s good when you’re in a relationship with someone and you can laugh with them. You seem to be able to do that a lot!

Photo Credit: JPI Studios

Laura: Oh, gosh. I think that’s all we do.

Wes: Yes, yes, yes, yes…

Laura: Like, we belly laugh. It gets to the point where people would think we were ridiculous. We’ll say things and just think it’s the funniest thing ever and people would be like, “You guys have a problem …” and we’re like, “Yeah.” (Laughs)

Laura, and then he comes back into your life years later…

Wes: That’s right, it was Emmy weekend 2017.

Laura: I totally was not expecting it at all. Even when I gave him my number I walked away going “huh…”

You mean you thought he wouldn’t call?

Laura: No, I didn’t feel that… because he hit on me hard. He’ll tell you that.

Wes: I still am hitting on her.

Laura: I remember I walked away quick after he got my number. I was like, “Oh, my God … I gotta go.”

Courtesy/Instagram

Wes: There was an assertiveness on my part that was for sure 15 years in the making. I did not expect to run into her. I also did not expect for her to tell me that she was recently single. In that split second, it was one of those, “stop the presses!” moments. Like, you need to give me your number, I’m taking you to dinner.

Laura: I go, “Oh, be quiet! Are you like, 32, because I can’t do that.” (Laughs)

Wes: And I said, “Far from it.”

Laura: He’s like, “I’m getting ready to be 40.” And I’m like, “I can do that!”

Then, on top of all of this, Wes, you land a primo role on General Hospital. That of Henrik aka Peter, Cesar Faison’s son.

Photo Credit: Courtesy/ABC

Wes: Yes, a dream come true.

Laura: I’m going to jump in and say it’s a role that he worked all on his own for. He had to screen test against 8 plus guys, 3 different auditions, 2 different days.

Wes: That’s true.

Laura: I can’t say strong enough that the best actor got the role. Meaning, Wesley is so talented and has the ability to give this character the depth, and emotion, and layers that it needs to tell the story that needs to be told. I just think he’s incredible.

So, did you know from the get-go who you were going to be playing?

Photo Credit: JPI Studios

Wes: I did not.

Laura: I did! (Laughs)

Wes: I’m thrilled that the writers have been giving me such incredible material to dive into.   Each month that goes by, it becomes more and more complex, and more and more layered and intense. I love the depth… I love the conflicts… I love the humanity… I love the desperation… I love the psychology behind it. It’s a very interesting story and a great journey to tell.

Laura: I was getting ready to say, where you mentally have to go to be the son of Faison and Anna Devane (Finola Hughes)! To blend that together is amazing. It’s incredible to watch.

You used to run lines together on Guiding Light. Do you run lines together now on GH? It’s like a full circle moment.

Laura: We do, and we carpool.

Photo Credit: JPI Studios

Wes: Something we were trying to manifest together. We thought it would be a lot of fun to work together one day.

Laura: The last week we worked, we didn’t. He worked all afternoon. I worked all morning. I was like, “Are they doing this on purpose?” I was so mad! I was like, “Why are you in the afternoon everyday?” (Laughs)

Wes: She lost her chauffeur. (Laughs)

Laura: I did! He always drives us to work. I also love when we both have afternoon calls, because we love having mornings together. So, I didn’t get my morning, nor did I have my chauffeur!

So, two actors can have a good relationship? You see so many Hollywood relationships with actors and they go bust. But that’s not always the case …

Wes: Oh, my God, yes.

Photo Credit: JPI Studios

Laura: I’m going to say this; I think I can see it being more difficult for daytime actors, because the work we do is so intense. I know the weeks he’s getting ready to go into, and I’m getting ready to go into. Where we go emotionally and psychologically to tell these stories, on the level that we tell them, as quick as we tell them, you kind of have to become really in a headspace. The fact that we can …

Wes: … the long hours …

Laura: Yes, and exhaustion! You really have to go, “Wow! It’s not about me right now. It’s about us individually as actors.” Thank God, we know the workload. I know what he’s getting ready to go through.

Wes: I have always had so much respect for Laura’s work. On Guiding Light, I’ve always been in awe of what she’s capable of doing. So, the level of respect is obviously there. But also, the understanding whatever it is that you need from a personal assistant in one moment… or a life partner in another moment … or a best friend in moment … or whatever it is in order to get through the day-to-day and the week-to-week, so we can do what we love to do. We know we’re very lucky to have the opportunity to do what we love.

Courtesy/welcometolaurasworld Instagram

Laura was such a great co-host on my Soap Nation Live! Daytime Emmy Nomination Specials, in particular when she talks about acting. It’s so rewarding to hear the other actors who are guests on the show listening to what Laura has to say about her craft and respecting the hell out of her.

Wes: Without a doubt. You can’t watch her work and not be in awe. It speaks for itself.

Laura: I just love the journey of going to the places that we go; to bleed for it.

Wes: Leave it all out on the floor.

Laura: I know that process. So, when I see another actor that’s bleeding, I just bow to them, because I know what it takes to go there. I know the work that Wesley does. When I see that he’s spent at the end of the day, I’m like, “Babe, I so get it.” So, I can see where it could be really difficult for people that haven’t been there, because it’s a lot of work and you’re spent. It’s hard! For us, that works.

What do you think of Laura and Wes’ love connection? What do you think of the latest developments for GH’s Carly and Henrik? Comment below.

Continue Reading

Interviews

EXCLUSIVE: 45th Annual Daytime Emmys Winners & Backstage Video Interviews!

Photo : MF Soaps Inc

The 45th Annual Daytime Emmys are in the record books.  And as previously reported, it was a big night for NBC’s Days of our Lives taking Outstanding Drama Series, Writing and Directing in a Drama Series Awards, plus top acting nods to James Reynolds (Abe) and Greg Vaughan (Eric).

Behind the scenes while the ceremony continued on-stage, and as the night’s big winners and several presenters were whisked away backstage following their victory, they took to the Winner’s Walk and chatted with Michael Fairman who got their reactions to winning the gold, or presenting important moments of the night during the live-stream broadcast.

From DAYS Deidre Hall (Marlena), Dr. Oz, The Ladies of The Talk, and GH’Chris Van Etten to DAYS head scribe Ron Carlivati, to Y&R’s actress winners: Eileen Davidson (Ashley) and Camryn Grimes (Mariah), and GH’s Chloe Lanier (Nelle, Vernee Watson (Stella) and more now you can watch the complete backstage series of conversations on The Michael Fairman Channel on You Tube.  Make sure to “subscribe” for these and more celebrity interviews.

After the jump, check out some of the winners and backstage interviews with Michael.  You can also go directly to the video you are looking to view, by clicking on the blue hyperlink on the interviewees name. (more…)

Continue Reading
Advertisement
Advertisement

Video du Jour

This week, Nick lost temporary custody of Christian leading to a defiant and emotional turn by Joshua Morrow (Nick) as he has to say farewell to the little boy he has come to love as his own son, and give him to his father, Victor, who wanted and was granted custody of the child. Watch the hankie-inducing moment! Leave A Comment

The Michael Channel

Recent Comments

  • Michael: “Rebecca: Try it again now, and let me know what you get. Thanks Michael
  • rebecca1: “Nope. Lol. Still dont have an edit option! I SEE IT!!!! JUST EDITED! Yay!!!! lol. I'll try again to see…
  • Michael: “Hello Shay: The new site is up-to-date in the world in which websites are now built. So for…
  • Michael: “Hi Rebecca: Please follow these steps: All users must enter their name and email before commenting. The system recognizes…
  • Deborah J Nash: “I guarantee if Steffy allows Bill to blackmail her and doesn't tell Liam I am DONE with B&B until I…
Advertisement

Power Performance

Joshua Morrow as Nick

The Young and the Restless

Airdate: 6-14-2018

Advertisement

Popular