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GH Nurses’ Ball 2019 Part One: Nina’s Red Carpet Arrival Commentary And Locking Eyes With Jax

On Friday’s first installment of the 2019 GH Nurses’ Ball episodes, it was red carpet time in Port Charles as all of the most famous and infamous residents got dressed to the nines and to impress.

This year, Nina Cassadine (Michelle Stafford) is back for her on-camera hosting duties covering the arrivals on the live-stream, but is joined by Crimson’s New York fashion editor, Sydney Val Jean played by guest star Chandra Wilson of Grey’s Anatomy.  And as you’d expect, these two fashionistas battle it out at times on the carpet for attention.

Throughout the arrivals, and through this episode, this one really belonged to the talents of Michelle Stafford, who through her comedic, romantic, and dramatic timing, made for some of the best moments.  In a surprise, when Nina begins to choke after interviewing Peter (Wes Ramsey), Maxie (Kirsten Storms) and Lulu (Emme Rylan),  she excuses herself and ends up outside where Jax (Ingo Rademacher) appears and offers her some champagne.  The two seem to be clearly smitten with each other! Nina accepts his drink, and thanks him, and then goes back inside to her hosting gig, while Jax looks very intrigued by Nina.  Previously, Nina gave a major kiss to Valentin (James Patrick Stuart) when he appeared on the red carpet.

Photo: ABC

Some of the more shocking …. or interesting red carpet arrivals included: Shiloh (Coby Ryan McLaughlin) showing up with Sam (Kelly Monaco) on his arm, and then getting into words with Sonny (Maurice Benard), who tells the cult leader that family means everything to him and that there is nothing he wouldn’t do for the people he loves.  Shiloh is convinced Kristina (Lexi Ainsworth) will come back to “Dawn of Day”.

When Anna (Finola Hughes) and Finn (Michael Easton) stroll down the red carpet, they get distracted when a dapper Robert Scorpio (Tristan Rogers) shows up, clearly intent on wooing back Anna, to which Anna looks caught by her feelings for both men while Finn is pissed at the game’s Robert is playing.  Later, Finn confronts Robert about his ring.

Photo: ABC

Everyone was shocked when Kevin Collins (Jon Lindstrom) showed up arm and arm with Ava Jerome (Maura West).  We later learn that this is an attempt to smoke out Ryan, who Ava believes will show his face at the ball.   Lucy (Lynn Herring), the hostess with the mostess, comes up with a plan to get Kevin away from Ava, not knowing they are not romantically together and tries to, perhaps, rekindle their romance up in a Metro Court hotel room.  Meanwhile, Scott (Kin Shriner) wants to get Ava away from Kevin, so he heads up to Lucy’s room with Ava to show her and to catch Kevin and Lucy together, but we don’t know what they saw when the door opened!

Photo: ABC

Meanwhile in Toronto, Canada, Curtis (Donnell Turner) and Laura (Genie Francis) come to realizing they have been tied up and there is a gas leak in the cabin.  Laura realizes Ryan is trying to kill her in an explosion just as he was supposed to have perished in at the fun house years ago.  It appears Ryan set a trap for Laura and Curtis and fled the scene.  The two extricate themselves before running from the cabin just as it blows up!

Back at the ball other notable couples have arrived from: Chase (Josh Swickard) and Willow (Katelyn MacMullen), to Michael (Chad Duell) and Sasha (Sofia Mattson), to Franco (Roger Howarth) and Liz (Rebecca Herbst), to the GH nurses crew.

Photo: ABC

The episode ends with an announcer telling all the guests to take their seats as its just about showtime!  And of note:  Is the opening title sequence music changed to a new theme for GH, or is it just for the Nurses’ Ball episodes? That’s one of the buzziest questions today.

So, what did you think of the red carpet arrivals?  Michelle Stafford’s performance?  Jax meeting Nina? What do you think will happen next with Ryan?  Comment below

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Interviews

Executive Producers David Michaels & David Parks Chat On The Moments That Made The 46th Annual Daytime Emmy Awards Ceremony

The 46th annual Daytime Emmy Awards are in the record books, and with it came surprising victories, emotional tearjerker moments, and a show that ended up with more heart than the fluff we often see within many entertainment award shows.

Michael Fairman TV chatted with Daytime Emmy show executive producers, David Michaels (who also serves as the SR. VP Daytime Emmy Awards for NATAS) and David Parks to gain some insight on how they pulled off some of the major moments of the evening including: a surprise appearance by Amy Poehler, Kathie Lee Gifford’s daytime TV send-off, Shemar Moore’s touching tribute to the late Kristoff St. John, and of course, that Emmy-winning acceptance speech from Jeopardy’s Alex Trebek, who is currently battling stage four pancreatic cancer.

On the soap opera side, there was the long overdue win by GH’s Maurice Benard (Sonny), former GH star Hayley Erin (Ex-Kiki) receiving her Younger Actress award from her idol, none other than Alex Trebek, and B&B’s Jacqueline MacInnes Wood (Steffy) receiving the Lead Actress trophy in a tough category of industry heavyweights.

In a year that was tumultuous for the producers and for NATAS with a threatened boycott by the network soaps, requests for more rule regulations and transparency, and the ongoing situation where the Daytime Emmys have not returned to be televised on cable or network TV, but have found success on streaming and social media platforms, we checked-in with Michaels and Parks for a Daytime Emmy post-mortem, and to get the lowdown of their thoughts on daytime’s biggest night of the year. Here’s what they shared.

Photo: NATAS/Getty

Let’s talk about some of the big moments that happened throughout the Emmy ceremony and how you pulled them off.  One, of course, is the Amy Poehler surprise as the presenter of the Lifetime Achievement Award to Judge Judy that nobody knew about.  How did you find out that Amy was a Judge Judy fan, and how did you keep her appearance a secret?

DAVID MICHAELS:  I want to just say that what a great job our co-host, Sheryl Underwood did in announcing it, because she saw the name on the teleprompter for the first time during the live show.  I was going to tell her that morning, but as she said, “If I was a bucket, I couldn’t hold water.”   So, very, very, very few people knew.   All through the scripts in the rundown, Amy was listed as “Presenter X.”   What happened was, the day after the press release about Judge Judy came out, Harlan Boll (NATAS publicist) forwarded me an email from a publicist that I didn’t know saying that he wanted to talk about his client presenting on the Emmys.   I called him, and he claimed to be Amy Poehler’s publicist, and I didn’t know him.  He said, “Amy Poehler is Judge Judy’s biggest fan.  She wants to present the award.”  The only stipulation is that it has to be a surprise.  Then, I went on IMDB-Pro, and checked him out, and he was indeed Amy’s publicist and for a lot of other celebrities, as well.   I called Judy’s people, and I said, “You’re not going to believe this,” and they went to Judy, and she just loved it.  I don’t even know why Amy wanted it to be a surprise, but we had to honor it.  It obviously would have done us more good pre-publicity-wise if it wasn’t a surprise, but we honored it.   We actually kept a secret in Hollywood!  I mean, David Parks knew, and maybe four other people.  I think that maybe what I am proudest of … keeping the secret.

Photo: NATAS

David Parks, did you think it would really happen?

DAVID PARKS:  You know, I am often a naysayer about things, but I actually did.  There was something legitimate about it once David vetted the manager.  There was really never any scare or anything that was like, “Oh, all of the sudden she’s busy.  All of the sudden she’s been offered this other thing.”   It was kind of like, it got arranged, and we didn’t have to do anything until that week, and then, we had to figure out the best place to drop her off and how to get Amy inside the venue with as few people as possible seeing her.   She could not have been nicer about it all too.  I mean, we got her to the closest spot, and nobody on my team knew.  Like David said, it was “Presenter X.”  Everybody kept asking.   I was like, “Not going to tell you.  Then, you don’t have to worry about keeping the secret.”

DAVID MICHAELS:  I was just very taken with how gentle and kind Amy was.  She looked me in the eye and actually thanked me for letting her do this.  She was so gracious and sweet.  The whole thing was just a great experience.

Courtesy/NATAS/Getty

Another memorable moment occurred at the end of the night, when Shemar Moore (Ex-Malcolm, Y&R and now S.W.A.T.) honored his dear friend and former on-screen Y&R brother, the late Kristoff St. John (Ex-Neil Winters) before announcing the winner in the Outstanding Drama Series category. Were you aware that Shemar was going to go off-script and talk about his love and respect for St. John?

DAVID MICHAELS:  Obviously, to this daytime community, Kristoff was very special.   I made him last in the In-Memoriam segment, which obviously was the most I could do as a producer, because there were over 30 other people who passed as well. Before he took the stage, Shemar came to the producers table and he said, “Are you sure?”  This was in regard to him saying a few words about Kristoff.  I said, “Shemar, as long as you say that you’re going off the script,” because he was.  There was nothing in the script.  I just said, “If you go out there and speak from the heart, I will have no problem with it, and I think that everybody will have no problem with it.”  He went out there, and he just killed it.  He was brilliant. I was sitting there at the producer’s table crying.  He destroyed me.  I think everybody really appreciated it, and I thought it was the perfect way to go into the final award.

DAVID PARKS:  I thought it was very genuine.  You can still feel his pain.

Photo Credit: JPI Studios

Next, you were able to get Kathie Lee Gifford to attend the Daytime Emmys to honor her.  How did that come together?  I assume she did not have a speech written when she addressed the crowd.  Kathie Lee is all about being “authentic”.

DAVID MICHAELS:  Correct, she actually had no speech written.  I saw her right before she went on, and she said, “Well, I’m not sure what I’m supposed to do.”  I said, “You’re supposed to go out there and be Kathie Lee.  You’re supposed to tell the community what you think of them.”  I also added, “I doubt this is the first time you’ve improvised,” and she laughed.  The result is what you saw, because she had not seen the tribute video before we played it, and the ladies of The Talk had actually asked to introduce Kathie Lee, because they adore her.

DAVID PARKS:  It really did come off well, because there was this concern about it not being a Lifetime Achievement Award(Not that she doesn’t deserve one, but that just wasn’t what it was this year.)  We were figuring out, how do you make this moment that is special without overshadowing the Lifetime Achievement Awards?  Kathie managed to do that.  I think it was her then winning in the Outstanding Informative Talk Show host category along with Hoda Kotb that really made it one of the most talked about moments of the show.

That award was positioned after Kathie Lee’s tribute, correct?

DAVID PARKS:  Yes, and on purpose, because in the case that she doesn’t win, you don’t want her out there kind of bumming out about it.  In all of these moments you have mentioned, the serendipity of it worked out really nicely for us.  Judy got honored, and unfortunately for her she didn’t win, but it didn’t destroy the moment.  In Kathie Lee’s case, it elevated the moment.

Courtesy/NATAS

Talking about serendipity, with Amy, Kathie Lee, Shemar, and Alex, it was almost like an organic perfect storm, and the next day people were talking about the Daytime Emmys in the mainstream press more than they had in recent years.

DAVID PARKS:  You picked up on this inclination that you have to fight sometimes to entertain, entertain, and entertain.  I think this year kind of proved that you don’t have to throw out the dog and pony show. It kind of works that you honor people, and they come out and they give these heartfelt speeches, and those mean more than those extra segments – whether it’s song or dance, or jokes, and you can tell the things that we cut out this year.  I think what it’s all about is …  getting awards, giving awards, and honoring people for their achievements.

How do you feel your co-hosts, Sheryl Underwood (The Talk) and Mario Lopez (EXTRA) did this year?  You seem to like this pairing as you have had them back multiple times now.

DAVID MICHAELS:  I thought it was Sheryl’s best year.  We didn’t give Sheryl big comedy moments, but everything she did felt so heartfelt and right.  They were there throughout the show.  They got their moments.  They got their beginning, middle, and they got their end.

DAVID PARKS:  I think as producers there was a little bit of a gift in watching what happened with the Oscars this year because it actually showed, (I mean, I’m sure it’s not what they wanted initially) not having a host kind of stream-lined that show.  People were like, “Yeah, the Oscars were pretty good this year.”  We talked about that a lot.  We don’t need to over think this.  It’s already been proven what happens if we don’t give as much to our hosts.

Photo: NATAS

Let’s talk about Alex Trebek.  That was such a huge moment when he accepted his award; winning Outstanding Game Show Host, and when he took the stage to present the Outstanding Younger Actress in a Drama Series award.  I heard he wasn’t not feeling well at all at the ceremonies, as we all knew he is battling stage four pancreatic cancer.

DAVID MICHAELS:  I know Alex pretty well.  So, I could tell he wasn’t feeling well; even though that wasn’t what he was putting forth.  It’s interesting though because Alex originally told us he wanted to stay backstage the whole time, but once he got to the ceremony that was not what he wanted to do.  So, Alex was in the audience, and he actually surprised me.  In a similar way to what I said to Shemar.  I said, “When Alex gets out there, he’s going to get a standing ovation,” which he did, and that was the moment when I said, “Alex, if you want to say something, go ahead,” and he didn’t.  I was shocked.  He just came out and presented the Younger Actress award.  So, if Alex had not won, he never would have said anything because that’s when he got the emotion in and all of that.  He definitely took a chance.

So, Alex presents ‘Younger Actress’ and made Hayley Erin’s (Ex-GH) life, because when I did my interview with her backstage, all she talked about is what this meant to have her idol, Alex Trebek hand her the award.  Talk about serendipity!  Now, when Alex accepted his award for Outstanding Game Show Host, did you have any idea what he was going to say, because coming out of the Emmys, people were buzzing about what he shared on-stage.

DAVID MICHAELS:  No, and quite honestly, I got scared when he started that speech when he was saying he didn’t want a sympathy vote, but that’s Alex.  He will totally bring it, and then turn it around.

Photo: NATAS

DAVID PARKS:  There was a side thing that you probably didn’t know about.  We got approached by a guy looking to buy fan tickets, but they had a group who needed ADA (Americans with Disabilities) seating.   It turned out be a group of cancer patients who were terminal.  The group was SayYEStoHOPE.org.  They weren’t asking for anything.  They just wanted to be able to sit together. So, we comped them all.  I’m at the red carpet, and this group is coming up the stairs, and one of the guys from the venue says to me, “This is the ‘Say Yes to Life’ group.”  So, I start talking to them, and one of the women just had chemo that day, and they were so excited to be at the Daytime Emmys, but what they were really excited about was to see Alex Trebek.  I wish there had been a way to either acknowledge them, or to let Alex know,  because they are big Daytime television fans,  but Alex meant so much to them in terms of being a cancer survivor, and a cancer patient, just like them.

Were you worried about Alex on Emmy night?

DAVID PARKS:  I thought he looked pretty good considering what I knew he had been going through.  It was actually this past week when I read about how on Jeopardy, he was doubled over in pain on the floor.

DAVID MICHAELS:  Yeah, if you saw that CBS Sunday Morning interview, it was pretty extreme, and they showed a clip from our show, by the way.  Similar to what David described with Judge Judy and Amy, Alex stood by the monitor to see if Jeopardy was going to win, which it didn’t, and Alex was just like, “Okay,” and off he went, and I got a big hug.  Just knowing him, I think he put out a lot of energy to be there, but I think he was glad to do it.

Courtesy/NATAS

Let’s move on to another amazing moment which was General Hospital’s Maurice Benard (Sonny) finally winning his second Daytime Emmy for Outstanding Lead Actor.  The crowd went crazy!  What did you think about how that happened . … and the fact that Maurice didn’t have a speech prepared?

DAVID MICHAELS:  I honestly believe Maurice that he didn’t think he was going to win.  It’s been many years since he had, and I also didn’t think that any of the other nominees could complain about losing an award to Maurice, because he’s the king.  He kept saying he couldn’t cry up there, and then, he cried up on-stage.  It really was about doing the Alzheimer’s storyline with Max Gail (Mike, GH) who totally reminds Maurice of his real father, and then, to have Max win as well, I just think it was a very emotional moment for him, and it was beautiful.

DAVID PARKS:  What impressed me is that often times you think actors should be so good at giving speeches, and they’re horrible at it because it’s not scripted.  So, when somebody does give one, and it’s really heartfelt and all of that, it’s really refreshing.  It’s kind of nice, especially on such a big award.

Photo: NATAS

DAVID MICHAELS:  In addition, Kyler Pettis (Ex-Theo, Days) win for Younger Actor in a Drama Series, was one of the most emotional things I have ever seen.  For years, I have been impressed with his portrayal of the high-functioning autistic young man.  It was always very moving to me.  If you watched the show and the close-up on him when they called his name, Kyler immediately was crying.  It really moved me.  I spoke to him the next day at The Talk, and he was completely blown away.  I just don’t think he thought this was going to happen.

What went into the decision to make the opening number “Sing!”?  Obviously, a big part of that was you were celebrating the 50th anniversary of Sesame Street.  And, I hear Mario Lopez’s son got to see the Muppets backstage, up close and personal?

DAVID MICHAELS: They always say don’t work with children and animals – but we did it – children – a dog – and two Muppets!  The dog – of course was Q-Tip – the shelter dog who came on with Lucky Dog’s Brandon McMillan. The kids were mostly from a community theatre production of MATILDA – and Joely Fisher connected us.  They included one of Joely’s daughters, Rebecca Romijn’s twins and Gary Busey’s son!  It was my concept and our musical director’s arrangement.  I thought it would be a great, positive way to start the evening.  It is always a joy to work with the Muppets – and Ryan and Leslie who do Elmo and Abby are amazing.  When Mario’s son, Nico, came in, I wanted to be careful to not shatter any illusions – so I took him over to the Muppets and he stared at them and he whispered to me: “Are they real”?  I said “Of course they are – just like you see them on TV.”  Nico says, “Can they talk?” I  say, “Of course they can.”  Then, Nico says, “Does someone have to help them talk?”  Now I am nervous and I pause, “Well … what do you think?”  He says, “I think they have some help”  Then,  he walked around back and saw the puppeteers.  The most adorable sweet child on the planet!

Photo: NATAS

There was a lot of behind the scenes drama and difficulties in the months prior to the Emmys; including the independent investigation, requests for more transparency in the awards system, the four soaps potentially boycotting, etc.  When you look back at what it took to get here, how do you feel about the outcome?

DAVID PARKS:  I’ve used this analogy a couple of times already, and I’m not a woman, but I think this is kind of what childbirth must be like.  The pain of it is so great that you think, “We can’t get through this,” and “Never again,” and afterwards, you see the baby, and all of the pain goes away.  You’re like, “Hey, we did it, and it worked.  It was really good.  It was enjoyable.”  I think, as a producer, you don’t really want people to know the difficulties.  If people understand the difficulties of getting to that night, you’ve probably done something wrong.  At the same time, I’m the last guy to crave attention, but for the people who were aware of the challenges that we had this year to see what we’ve pulled off, and when they say, “Holy cow.  Your set, your show, the smoothness…”  that is gratifying. You know, the stuff people are experiencing in the audience or the stuff that they see on the screen is what ultimately matters.  You learn from the mistakes, but at the end of the day, as long as that experience is good for the nominees, the winners, and the fans, that is what really counts.

People always want to know how it goes backstage with the handling of the envelopes.  Do you have it plotted out so that nobody except the accountants knows the winners until the big moment on-stage?  How does that work?

DAVID PARKS:  So, this year we actually had two accountants backstage.  The envelope went from the hand of the accountant to the hand of the stage manager, who then gave it to our trophy people, who give it to the presenter.  We had our fancy, new envelopes which everybody seemed to like, but literally, nobody on the staff even touched the envelopes this year.

Photo: NATAS

It seems like you have built-in a failsafe to minimize any potential complaints.

DAVID PARKS:  People always can, I guess.  It’s always been completely above board, but this year it was just even another step.  It’s important because the integrity of the awards is important.  I laugh a little bit, when somebody thinks they know if they are going to win or not because they’re trying to read something into the position of a camera in the audience.  We even added steps with how we shot it.  We told our cameramen, “Hold your shot for like 5 seconds after the announcement has been made.  So, even though your person isn’t getting up, we don’t want you to relax.”  We don’t want the person to think they’re not going to win.  The worst thing that will happen is somebody thinks they’re not going to win like a half a second before the announcement, it’s not a life-altering thing, but we still want to make the experience perfect for all nominees.

DAVID MICHAELS:  Our director Greg Gelfand, I think is the best in the business.  This is all a big pain in the butt for him.  He’s just trying to direct a show, but he was totally with us.  Greg said, “Okay, you’ve got it.”  The cameramen were great, and Greg was great.   Again, I’ll say for the 8 millionth time, I don’t know who is going to win.  It was very exciting and it was very surprising.

DAVID PARKS:  I always tell people that if anybody wanted to have proof that we don’t know in advance, all they have to do is watch David’s reaction at the producer’s table.  We find out at the same time as everybody else, and he’s like, “Oh, my God!  They won!?  That is an upset.  You don’t understand, Dave.  That is like an upset.”

Courtesy/NATAS

DAVID MICHAELS:  I know the soaps more than David does, but I’m like a little boy back there when I see who is winning.  I’m like, “Are you kidding me?” (Laughs)  The accountants sometimes will look at me like, “Did I do something wrong? (Laughs)  Look, there’s not much more we can do.  I was very proud.  I was very proud of the presenters, and I thought it was a great mix of all of the genres and the whole industry, and everybody was great in their own unique way.  There was some new blood at the show presenting and with the winners.

DAVID PARKS:  I have to interject my half into the little bit of love fest for David, because if there is one thing I think I hammered on David more than anything else this year was that we have to shorten the show.  The difference between three hours and three and a half hours or three hours and twenty minutes, is a huge difference.  I kept pushing David to simplify, to come up with simpler ways, or less verbose ways to do presentations, and he rose to the occasion, and before the show, he was like, “I’ve got to tell you, I don’t think I could have made this any shorter,” and I went through the script and there really was so little that could have been trimmed.  David really did a great job of answering the call and writing something that got us through a lot faster than last year.  We got a lot of comments after that said it didn’t feel like three hours.  Part of that was that it wasn’t three hours and thirty minutes.  It was actually three hours.

DAVID MICHAELS:   David Parks is the perfect foil for me and me for him.  Because we are so different, we don’t fight, but we will have words sometimes, and one of us will win, but it’s always the right decision.  One of the reasons I love working with him so much is that if he is giving me a hard time about something, there is a reason for it, and I have to really consider what he is saying.  I think that is a really healthy way to work.

Photo: JPI Studios

What would you like to see happen for the next Daytime Emmy Awards presentation?

DAVID MICHAELS:  I’d love for somebody to give us a million dollars so that we can do the most lavish show in the world.  I’d love to keep the heart going.   The one bad thing about finishing a good show is that you always take a breath and say, “Now … what do we do next time?”

DAVID PARKS:  For me, it’s that you always want to keep shows like this fresh.  It doesn’t always mean completely reinventing the wheel, but sometimes, you step back, and you think, “What can we do to freshen this up so that it’s not just a repeat?”  That can have to do with the set.   You just have to look at everything and also recognize that the best moments, as we learned this year, you can’t manufacture those.  They’re just going to happen organically.  So, you just have to create a show that allows those moments to happen, and like David said, money solves problems.  We will certainly be looking for additional sponsorship, and to build on the great ratings that we’ve had this year, and the fact that we have continued to build this event up over the years.

Courtesy/NATAS

Would you ever consider, or continue to try to get the ceremony back on TV, perhaps even on daytime television, if some network would offer you a spot to do it in?

DAVID MICHAELS:  There is nothing we wouldn’t consider.   Although I will say; that if the numbers are what we think they were this year, there were probably more than three times as many viewers as the last time we were on television.

DAVID PARKS:  I’ve always said that if they were to be on TV again, if they were to be on during the day, which is when our fans are watching TV anyway, it would make sense,  However, I have to say that I think the Daytime Emmys being at sort of the forefront of digital television puts us way out in front.  Eventually, this is how everybody is going to be watching TV.  It’s not going to be like, “Oh, we’re not on basic, terrestrial TV.”  It doesn’t matter.

DAVID MICHAELS:  You’ve got to realize that this audience is worldwide.  Being on television is not.  So, when you see that people are watching all over the world, that’s pretty amazing.

So, what did you think about what David & David shared about decisions made for the Emmy ceremony and the backstage tidbits?  How would you score this year’s Daytime Emmys? What was your favorite moment within it? Comment below.

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Breaking News

Ellen Pompeo Rips Into ‘The Bachelor’ Creator And Defends Kelly Ripa For Her Comments

Things just got juicy from daytime to primetime after Kelly Ripa let her thoughts be known about the current ‘Bachelorette’ Hannah Brown and the ‘Bachelor’ franchise during her morning show with Ryan Seacrest this week,

During a moment on the syndicated Live with Kelly and Ryan on Tuesday, Seacrest informed Ripa that the new ‘Bachelorette’ would be appearing on Thursday’s episode to which Ripa said: “You know how I feel about this show? It disgusts me. And I thought that I was disgusted because I couldn’t stand the idea of 25 exceptional women fighting over one ordinary fella, in my opinion. You know how we feel ladies! We are too special to be arguing over a guy.”  She also called the audience out for watching this “gross, gross, show.”

Following her sentiments, The Bachelor creator Mike Fleiss took to his Twitter account as did host and EP, Chris Harrison.  Fleiss said, “Easy, Kelly Ripa.  The Bachelor franchise pays for your salary.”  While Harrison tweeted: “Look out @KellyRipa⁩ is coming after you and your ‘disgusting’ Monday night habit.”

Next, none other than Grey’s Anatomy franchise star, Ellen Pompeo joined the fray.  She tweeted in defense of Ripa.  Pompeo wrote: “Okay @fleissmeister… that’s some handle bro! Your show does NOT pay @KellyRipa salary. Also we don’t attack successful women on our network and men certainly cannot take credit for their success. Don’t get me started on your show cuz I’m a savage….

And in the end on Thursday’s installment of the entertainment talk show, Hannah Brown made her guest appearance and she weighed-in on the situation expressing that she didn’t follow the franchise at first, but being on the show has changed her mind. Ripa maintained her disgust for the series.

Brown went on to say to Ripa: “Like you, I didn’t really follow the show, wasn’t a big fan, but being part of the show, it’s not women fighting against each other.  Some of my best friends came from the show and were really supportive.”

So what do you think about what Ripa, Pompeo, Brown, Harrison and Fleiss had to share with each other on their Twitter war? Comment below.

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GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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