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Peacock Hikes Subscription Rates for Fourth Time in Four Years; ‘Days of Our Lives’ Fans Sound Off

By Michael Fairman

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Photo: JPI

While recently the streaming service Peacock reported turning a profit for its first time since its infancy, now comes word that the company is raising their prices for all customers, and in some cases it stared today on August 18.

The news of the subscription rate increases marks the fourth time the NBCUniversal streaming platform has done so in four years.  So, on August 18, Peacock is increasing the prices for new or returning subscribers and customers, while current subscribers will see the rate increase on or after September 17 depending on their billing cycle when they initially signed up.

Here is the new pricing to follow along: Peacock Premium (which includes ads) will be $12.99/month, up two dollars from $10.99; Peacock Premium Plus will be $19.99/month, up three dollars increase from $16.99; and the Peacock Select tier (which includes current and past seasons of NBC and Bravo shows but excludes movies, live sports and Peacock originals) will increase a dollar from $7.99 to $8.99/month.

Photo: JPI

SUBSCRIBERS CONTINUE TO PAY MORE ACROSS THE STREAMER LANDSCAPE

It was back in June that the streamer reported that aid subscribers were up to 48 million adding a 2 million net gain during Q2 in of 2026. The subscription price hikes are rampant now in the entertainment streaming industry where over the last two years for example, Netflix, HBO Max, Apple TV, Paramount+ have all raised their fees to consumers.

Peacock’s tier-levels feature not only Days of Our Lives, but reality hits such as The Traitors and Love Island USA, Bravo series, and a vault of  Saturday Night Live, Law & Order, The Real Housewives franchise, and Below Deck episodes as well. Pecock Premium and Premium Plus subscribers have access to sports and live events, as well.

DAYS OF OUR LIVES SUBSCRIBERS HAD A FEW CHOICE WORDS FOR PEACOCK

As Days of Our Lives fans know, the soap opera moved from NBC to the streamer back in September of 2022 after 57 years on broadcast television. When the news hit X on the price increase, DAYS fans had a lot to say about it. Here are just a few of the comments below:

“I can’t believe Peacock and can’t come to a deal with Cordya to air old episodes of #Days. That alone would bring a ton of subscribers,” to If Peacock actually cared about #Days of Our Lives, gave the show the budget it needs for better sets, cameras, background actors and enough time to tell proper stories, I wouldn’t mind paying more. If the money actually showed on screen, the higher price would be worth it,” to “I  will continue to pay for a Peacock subscription as long as #Days is on it, but did we know there was another price increase coming?” and more.

So, what do you think of the new price hike increase to watch Days of Our Lives and your other favorite shows and events on Peacock? Let us know your thoughts in the comment section below.

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They keep hiking the subscription price up and honestly, it continues to not be worth it. If I am being honest, a lot of what’s on Peacock is more nostalgia than anything. Their original content is just not worth subscribing to.

Last edited 1 month ago by Scott (ATWT fan)

This is why I don’t subscribe to ANY of those services. I’m paying more than enough for my basic TV service.

I get peacock for free as a comcast subscriber (I’m sure there’s a hidden fee somewhere). But Days is absolutely the only thing I watch on it. In the current state Days is in I’d seriously have to consider if I wanted to pay for this dreck. The Hortons and Brady’s have practically disappeared and I don’t find the DiMera/Kiriakis show particularly thrilling… especially with the stories they’ve been telling over the last few years…

Not a good way to keep their customer fan base

They have to pay for the NBA and their other expensive sports deals. The problem with Peacock is they allow their non sports shows including their reality tv shows and Days look low rent. I bet they have high subscribers during the playing seasons and shed the subscribers when the sports season end and people cancel. Their original content shows looks like crap and are not appealing. For the eyes and loyalty Days brings them they deserve a bigger budget.

I don’t open the app on a frequent basis. It’s not as good as Netflix. And to only have it for occasionally viewing Days at 20.00 per month? I’m canceling.

Streaming is the new cable. Cut the cord and save? Hardly.

Walmart+ and Instacart subscribers get PeacockTV for free.

Streaming is the wave of the future for television particular shows that we love like soap operas game shows even dramas from primetime and comedy

I subscribe to all of the services. The only one I don’t have is Netflix any longer because I don’t watch anything on there. But from Hulu to Peacock to Paramount+ to Met Opera to Amazon. I have them all.

And I watch commercial free television because to me it’s not worth subscribing if you don’t have the commercial free versions of these in addition, I also have cable which gives free tears of Peacock with ads and that just won’t do for me

As I see it, this is my entertainment. I don’t do any other entertainment, so I’m gladly willing to pay for the service. I stay home. I watch my soaps and other game shows. I stay out of the streets and I feel much safer.

I was going to sign up for a Peacock membership to see Sydney Malekah, but it’s not worth it for $17 a month. That’s what happens when you let your bigger head do the thinking for you.

Days Of Our Lives

REPORT: ‘Days of our Lives’ Puts Four Actors On Contract

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Days of our Lives cast

Four cast members are officially on contract at Days of our Lives, according to the soap opera’s closing credits on Peacock and longtime Days expert and historian Jason 47.

Lauren Koslow (Kate), Sydney Malakeh (Sydney), Sal Stowers (Lani) and Jacob Martinez (Javi) are the names that appear in the closing credits in the contracted cast members section. Days of our Lives fans also note that the series tapes ten months in advance of streaming episodes.

As Days of our Lives fans know, Lauren Koslow has played Kate Roberts since 1996, and recently filled-in for Jess Walton in the role of Jill Abbott on The Young and the Restless when Walton was unable to travel from Oregon to Los Angeles during the specific tape dates. But now, Koslow has been re-upped to contract status as of the September 8 episode.

Photo: JPI

SIGNED, SEALED, DELIVERED

Sydney Malakeh is the newest member of the contract players when she debuted on contract status on the September 10th episode. Days fans first met Sami (Alison Sweeney) and EJ’s (Dan Feuerriegel) daughter in scenes in Monte Carlo around a gambling table.

As for Sal Stowers, the actress had been on contract from 2015-2022, then on recurring status with the soap, and would make appearances and limited runs since 2023. Soap fans first saw Sal as Cassandra Foster on Prospect Park’s revival of All My Children in 2013. Sal’s first new contracted episode was noted to be September 16.

Jacob Martinez, debuted on June 30 of this year as the successor to Al Calderon in the role of Javi Hernandez, and has now been bumped up to series regular as of the September 10 episode.

Photo: JPI

CREDITS

According to the referenced posting from Days of our Lives expert and historian Jason 47, he shared, “It took me four weeks to realize, but the same week that Sydney Malakeh (Sydney) debuted (9/7-9/11), “Days” also put Lauren Koslow (Kate), Jacob Richard Martinez (Javi) and Sal Stowers (Lani) on contract.”

Jason47 added, “This confirms the “errors” of Lani being listed in the credits the week of 9/7 but not appearing, and Kate and Javi appearing in the credits the week of 9/14 but not appearing. It also now makes sense why Javi and Sydney are being listed before Rafe and Philip in the credits.”

He also shared, “For the record, Lauren Koslow’s first date back on contract was 9/8, Jacob Richard Martinez was upped to contract on 9/10, Sydney Malakeh debuted on contract 9/10 and Sal Stowers’ first date back on contract was 9/16. The records will be fixed on the website in the coming days.”

So, glad to hear Lauren, Sydney, Sal and Jacob appear to be on contract with Days of our Lives (as of these episode airings)? Share your thoughts via the comment section below.

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Days Of Our Lives

‘Days of our Lives’ Leo Howard Joins Cast for ‘Yellowjackets’ Fourth and Final Season

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Leo Howard

Yellowjackets announced its full cast and new additions for its upcoming fourth and final season. None other than Days of our Lives favorite Leo Howard (Tate Black) will be featured in an exciting and undisclosed role on the Paramount+ streaming series.

Howard’s casting comes after he was one of four Days of our Lives cast members pink-slipped from the Peacock soap opera back in January of 2026. Due to Days of our Lives advanced tape to streaming episodes, Leo is also still appearing on the soap.

Viewers will need to tune-in to see how Tate, Holly (Ashley Puzemis), Johnny (Carson Boatman) and Chanel’s (Raven Bowens) storylines resolve before they all exit the canvas. No word on when Howard’s last DAYS episode airs as of yet.

Tate and Holly

Photo: JPI

YELLOWJACKETS CAST ADDITIONS FOR FINAL SEASON

The official Yellowjackets Instagram account welcomed a slew of new cast members for the upcoming fourth and final season which included Howard accompanying the post were, “The wilderness welcomes these new faces to the cast of #yellowjackets season 4.”

Leo joins Molly Ringwald, Eric Stoltz, June Squibb, Dulé Hill, Devon Sawa, Ken Marino, Aaron Staton, Cynthia Stevenson, Patricia De Leon, Noah Harpster, Sam Braun, and John Emmet Tracy for Yellowjackets final season which will premiere on November 22, 2026.

For those who may not be aware, Yellowjackets, was created by Ashley Lyle and Bart Nickerson, and follows a high school girls soccer team after its plane crashes in the remote northern wilderness. The series moves between the teenagers’ increasingly brutal fight for survival and the lives the survivors have attempted to rebuild nearly 25 years later, proving that what happened in the past is far from buried.

Back on August 20, Paramount+ revealed that Yellowjackets will conclude with season 4 offering up a chilling teaser with former MTV VJ, Kurt Loder seen as a newscaster announcing, “We are live with breaking news: The Wiskayok Yellowjackets have been found.” From there, the season will deal with the aftermath of the soccer team’s eventual rescue.

Michael Fairman TV will keep you posted when Howard’s first episode of Yellowjackets will stream on Paramount+.

Now let us know, glad to see Leo landing a role in Yellowjackets? Will you miss him on Days of our Lives? Share your thoughts via the comment section below.

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Beyond the Gates

Federal Film and TV Tax Credit Bill Hits Congress; Daytime Dramas Not Eligible

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Daytime Dramas and Congress

In an effort to bring back productions to the United States and offering incentives to keep them from going abroad, a bipartisan group of lawmakers in Congress has introduced proposed legislation to establish a federal film and television tax credit. It is being touted as a landmark moment for Hollywood Workers and small businesses.

The Motion Picture, Television, and Entertainment Revitalization Act, led by Rep. Laura Friedman (D-Calif.), Rep. Nathaniel Moran (R-Texas), Rep. Sanchez (D-Calif.) and Rep. Brian Jack (R-Ga.) in the House of Representatives, would establish a 20 percent base tax credit on labor expenses and a potential rebate of 30% if signed into law. Sen. Adam Schiff (D-Calif.) and Sen. Tim Scott (R-S.C.) are spearheading an identical bill in the Senate.

To be eligible, productions must have a minimum spend of $1 million (per film or per TV season), and at least 75% of production days must be in the U.S. For animation, 75% of the production cost must be in the U.S.

Beyond the Gates

Photo: CBS

SOAP OPERAS AND OTHER FORMS OF PROGRAMMING WILL NOT BE PART OF THE BILL

The federal incentive would be eligible to be stacked on top of individual state tax incentives, much like the current system in Canada and Australia. In the new bill, postproduction and special visual effects labor costs can be counted as eligible expenses.

However, the lawmakers proposed bill does not include the following type of shows: Daytime dramas, porn, commercials, talk shows, interview shows, game shows, award shows, news programming, live sports, corporate/industrial videos, and social media videos,

TV AND FILM PROJECTS THAT ARE ELIGIBLE HOPE TO BRING BUSINESS AND JOBS BACK TO THE U.S.

The federal film and television tax credit will be available for: films, TV shows – scripted and unscripted (4-episode minimum), TV pilots, animation, above-the-line wages (producers, writers, directors, actors, etc.) and below-the-line wages (crew), and standalone post-production and visual effects.

If passed, the legislation could offer much needed help for workers who have been rocked by recent unsteady times in show business. In all, runaway productions, strikes and a contraction in the business have dashed many job opportunities in recent years, with the U.S. Bureau of Labor Statistics finding that jobs in the motion picture and video industries have declined by more than 100,000 since 2022.

Click here to review the entire proposed bill from congress.

So, what do you think of the new bill on the table in the U.S. congress? Glad to know that it could, if passed, help some types of projects? What do you think about how the soaps are excluded and deemed not eligible? Does it continue to seem to you, that no matter what, those that work within the continuous tightened budget of daytime dramas can never catch a break? Weigh-in via the comment section below.

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