Recaps
THE BOLD AND THE BEAUTIFUL: Brooke Unleashes On Katie For ‘Stealing’ Hope

Brooke Logan Forrester (Katherine Kelly Lang) has had it with her sister, Katie Logan (Heather Tom) and her deception of making her daughter, Hope Logan Spencer (Annika Noelle), her new creative director of Logan. It all comes out during the Tuesday, June 30 episode of The Bold and the Beautiful.
As Brooke sees it, this is the ultimate betrayal and cuts further than that with the deep history between the two sisters where Katie has always been jealous of her big sister. The Logan women have another fight where the gloves come off, and this time after Brooke was devastated to learn Hope jumped ship and hightailed to Logan, when tomorrow, the Hope for the Future line was scheduled to relaunch at Forrester.
In the aftermath, Hope is awaiting to have to confront her mother for not telling her the truth, and letting Brooke have to learn the intel watching on a livestream. Hope is fully aware her mother will flip now that she is Logan’s creative director. Meanwhile, Brooke went to confront Katie.

Courtesy/CBS
BROOKE AND KATIE FIGHT DIALOG
Brooke tells her sister, “This lying and this stealing. You deceived everybody that I love today and nobody more than Hope.”
Katie answered back, “I supported Hope. I stood by her. I gave her the opportunity to succeed, which was a hell of a lot more than what she was getting at Forester.”
Brooke responds, “We asked her to wait to be patient. Her line is starting up again tomorrow.”
Katie adds, “Oh, no, no, no. Her line started today on that runway. I listened to her. I didn’t string her along. I gave her what she needed. I followed through.”

Courtesy/CBS
HAUNTED BY THE PAST
Suddenly, Brooke begins to lose it, “This makes me really sick. I see the contempt in your eyes and I hear it in your voice. You are looking at me the same way that Stephanie looked at me. When she would call me a ‘slut from the valley,” she would look down her nose at me for all my sins. Who sinned today, Katie?”
Next, Brooke in tears tells Katie, “All the seeds of jealousy and resentment that you’ve held onto all these years, it’s finally coming to bloom. I love you. I respected you. I needed you. I confided in you. I remember when you were a little girl up in your room looking outside that window, watching the world go by, and I was just working so hard to keep the family together after dad left us. And this is how you thank me? I mean, you really must hate me because you stole Eric. You stole his designs, You stole my name. You stole my daughter. You stole Hope. You stole my daughter … MY DAUGHTER!”
BROOKE IS DEFIANT
Brooke picks up a velvet box on a table, and throws it past Katie’s head, and smashed the video screen with the Hope by Logan logo on it as chards of glass go flying. Then defiantly, Brooke walked over to Katie, and tell her firmly, “She (Hope) is my child and I am going to get her out of here. I am going to rescue her from this place. And there’s nothing y0u can do to stop me!” We fade to black.
What did you think of the scenes between Katherine Kelly Lang and Heather Tom? What on earth will happen when Hope gets into the mix and Hope and Brooke have it out? Share your thoughts on the scenes and the dialog between Brooke and Katie on today’s B&B via the comment section.
Brooke is attempting to make her 30+ year old daughter come back to work at a company whose CEO despises her and will expect her to grovel and be thankful she is in her and her father’s presence. Talk about being mommy dearest.
I really was hoping Katie would’ve backhand slapped Brooks ass the way that Brooke did to her last week.
Brooke is always slapping someone like she’s on Dynasty it’s the 1980’s. It’s high time someone either slaps her back or calls the police to teach her to keep her hands to herself.
Good scenes. I’m liking this story.
Hope should have resigned and told them why meanwhile poor Donna I guess is going to get kicked out of the house by Eric who started all this he came to Katie she did not poach him he has always been a coward.
Eric is a coward!
again people will say what they want about Bold but those were some great scenes ! i have to say im liking this storyline and i dont know if im ready for a cranky Elektra because they brought in a jewelry line calm down girl you’ve been at Forester for 11 minutes
Truth on Electra comment. This sister rivalry has renewed my interest in B&B. It is time the show jettison its weaker links and resolve/suspend its tired stories. I am thrilled for Katie and I like the turn with Bill supporting her. They are the power couple Ridge and Brooke just are not. And let us see Hope and Deke shine!
Brooke needs to sit down! I’m taking my daughter back to where she belongs?? REALLY???!!!!
I am tired of Brooke’s and overall Forrester arrogance. Why doesn’t someone (should be Donna) remind her husband and sister that Ridge and Brooke forced Eric to retire which led him to Logan. Katie did not take advantage of him. They offered opportunity and he went weak. Donna knows Brooke’s failings all too well. And Eric should respect his wife’s difficult position. What kind of husband is he? After all, Donna has stood by him. Hope should and deserves to chart her own path. After all, Brooke sure did once she had a taste of the Forrester high life, marrying her destiny Ridge many times, marrying patriarch Eric, and romancing brother Thorne. Oh, and affairs with Katie’s husband Bill. Wait, Brooke accidentally slept with Hope’s first boyfriend Oliver. Brooke should realize Katie and Hope are taking a stand to be their own selves and do not need Forrester success. Brooke has had success but has forever been second to the Forresters who have used her as much as she did them. I anticipate a Brooke breakdown and maybe a new direction for the character.
i did get a kick out of dollar bill starting to sing holiday by madonna celebrateee
General Hospital
GENERAL HOSPITAL: Jason Tries to Help Rocco Move On; Nina Makes Last Ditch Effort to Silence Drew

The Friday, July 24 episode ended with quite the cliffhanger with Nina Reeves (Cynthia Watros), pushing a wheelchair-bound Drew Cain (Cameron Mathison) into the lake surrounding the Quartermaine boathouse.
Previously, Nina received a call from Willow (Katelyn MacMullen) telling her that she received very bad news from Jack Brennan (Chris McKenna).
The WSB Port Charles Bureau Chief called the congresswoman to inform her that the black box containing the leverage he has over Drew has gone missing. Saying he owed Nina, Jack was willing to provide a plane out of town for her and her children, Wiley and Amelia, with passports for new identifies, but they must leave tonight.

Courtesy/ABC
Willow tells her mother she can join them if she wants to, but it’s up to her since she has a life in Port Charles, but she has to go and get ready and to let her know. Suddenly, Chase (Josh Swickard) shows up at Willow’s office telling her he has to take her down to the PCPD.
DREW PUSHED INTO THE WATER IN A WHEELCHAIR
After her call with Willow, Nina becomes desperate, so she unlocks the wheels of Drew’s wheelchair in horror, when suddenly Drew speaks (as had been in the ABC promo for GH released on Monday), “What’s wrong, Nina? Get some bad news?” A shocked Nina replied, “Bad for me. Worse for you.” Suddenly, she pushes Drew’s wheelchair with Drew in it into the lake.
Meanwhile, the heart of the episode was brought by Steve Burton and Finn Carr who finally had the scenes where Jason and Rocco talk about what happened the night on the pier, when Rocco shot Cullum and Jason took the blame and was carted off by the WSB for several months.
Jason attempted to ease Rocco’s guilt telling him he is indebted to him for saving his life and Britt’s. When Rocco questioned if Jason would do the same thing all over again knowing how much it cost him, he told Rocco, that they both have to find a way to move on with their lives. Jason tells Rocco its best for him to try to let this all go. Can Rocco? Can Jason?
BRITT IS A COMMON THREAD OF JASON AND ROCCO
Rocco becomes emotional when talking to Jason about going on the run with Britt (Kelly Thiebaud), and how scared he was for her due to her “illness” with symptoms of Huntington’s.
Later, Jason comes to General Hospital and runs right into Britt, who is all smiles when she lays eyes on Jason. However, with Jason seemingly looking for a fresh start and a new outlook, is there any future for Britt and Jason after all that has happened? Stay tuned for the Monday, July 27 episode for some answers/
Now below, and in case you missed it, check out the scenes between Jason and Rocco from today’s GH.
Then let us know, what did you think of the performances of Steve Burton and Finn Carr? Do you think Nina just made everything 10,000 times worse, and Drew will be swimming around in no time in the water revealing he is A-OK much to the chagrin of Willow and Nina? Share your thoughts and theories via the comment section.
Recaps
THE BOLD AND THE BEAUTIFUL: Katie is Disowned By The Logan Sisters

The Logan sisters are no more! After the Friday, July 24 episode of The Bold and the Beautiful, Brooke (Katherine Kelly Lang) has thrown Katie (Heather Tom) out of the family and is backed up by their sister, Donna (Jennifer Gareis).
Brooke throws down on Katie declaring, “We are no longer family! You declared war and this is the consequences!” Katie in tears stammers around the Forrester living room when Donna goes in on her too!
Donna tells Katie that her secrets and lies put her in the middle between her both her sisters and most of all, she messed with her marriage, adding, “You undermined our entire family, Katie!”

Courtesy/CBS
KATIE IS PILED UPON
Next, Katie makes a plea to Eric (John McCook) to tell everyone the truth, that he willingly came to work with her at Logan and promised to stand at the end of the runaway with her, hands raised in the air. Katie cries, “Tell them!” However, Eric walks away from her and tells Donna he wants to go upstairs and lay down after Will (Crew Morrow) punched Eric in the face with a fist that was meant for R.J (Brayan Nicoletti).
Ridge tells Katie her son, Will “is a punk.” Brooke goes in at Katie once again for how her lies and machinations tore the family apart. She ends with, “You’re not welcome here anymore. Get out of this house!”
Brooke tells Katie she chose to be a Spencer and unfortunately Hope made a choice, too. The whole family is fractured according to Brooke. Donna piles up on Katie saying this is the same feeling that they felt when their father abandoned them all those years ago. Katie cries and cannot believe how they are comparing the two situations.
Donna stands with Brooke as Katie in tears says, well, if they can’t love her, she will always love them. Brooke boots her out with “Goodbye Katie.” Outside, Katie completely breaks down.
It looks like Heather Tom, a Lead Actress Daytime Emmy nominee this year, will also have quite the submission for the same category in the competition in 2027, if you combine scenes from this episode with the knockdown war of words with Brooke a month ago. Could Heather win a record-setting 7th or 8th Emmy making her the most-winning actress in daytime history? We shall see.
So, do you think the Logan sisters went overboard by disowning Katie? Will Katie decide to just go make her business a success anyway, or end up kowtowing to Brooke and Donna? Weigh-in via the comment section below.
General Hospital
GENERAL HOSPITAL: Trina Has a Stalker: Is it Simon, Quinn, or Someone From Her Past?

Trina Robinson (Tabyana Ali) looks to be the next soap opera character to fall under the “woman being stalked or the center of someone’s obsession,” soap trope, when in the closing moments of the Wednesday, July 22 episode of General Hospital, a bulletin board was revealed covered with various photos of the budding young singer who just landed her first record label deal.
Now that GH has launched this summer mystery, the soap opera gave us two potential culprits right off the bat, although they could be major red herrings, and someone else currently on the canvas, who would be the least likely person, could be the obsessed stalker. Or, could it be a blast from the past (think the ‘late’ Esme Prince) and someone who has an ax to grind with Trina?
Here’s what went down: Simon (Grady Eldridge) revealed to Brook Lynn (Amanda Setton), Gio (Giovanni Mazza) and Trina, that the record label wants Gio and Trina to sign separate artist deals, which surprised all three. Brook Lynn talks it over with her clients, and Gio is firm. He only wants to do the deal if he and Trina come as a package. After Simon learned of their decision, we later see him on a call. On the call he says although they had signed Trina and Gio, Trina was “the one to watch.”

Courtesy/ABC
QUINN SHOWS UP OUT OF NOWHERE WITH APOLOGIES FOR KAI AND TRINA
Meanwhile, Trina’s boyfriend Kai (Jens Austin Astrup) ran into former friend and football teammate Quinn (Jequan Jackson in his return to GH). The last time viewers saw Quinn was back in February of 2025, when after Kai’s injury that ended his football career, Quinn blamed this all on Trina for splitting Kai’s focus between football and her, when he needed to be concentrating on his career aspirations.
As Kai is waiting for Trina (following her meeting with music executive, Simon), Quinn shows up and apologizes to Kai for speaking to Trina so badly in the wake of his accident. Quinn hopes their friendship can be repaired. Suddenly, Trina arrives and is shocked to see Quinn. He promptly apologizes to her for his past mistake and hopes they could all hang out sometime.
When Quinn makes his exit, Trina informs Kai about what happened during the record label meeting and the two kiss as the camera pana to Quinn sitting in the corner table glowering at Trina and Kai. From there, we get the full on bulletin board with cut-out pics in a Trina collage, and the camera comes in close, and then we fade to black.
So, what do you think is going on here? Who is the obsessed stalker, or who is wanting payback on Trina? Do you think Simon or Quinn are true suspects? Could it be a very much alive Esme Prince, or someone else entirely? Weigh-in with your picks via the comment section below.
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