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Y&R's New EP Mal Young On Soap Audience: "We've Got To Give Them What Surprises Them And Thrills Them"

Photo: MalYoungTwitter

Photo: MalYoungTwitter

The new Genoa City Sheriff is in town, and it’s a gent from across the pond.  British soap opera and TV producer, Mal Young is the latest executive producer of CBS’ The Young and the Restless.

Young, who was in charge of continuing drama series programming at the BBC and oversaw such shows as Brookside, EastEnders, The Doctors, Casualty and Holby City, brings a new fresh perspective to the Sony and CBS series. Now in his first get-to-know interview with Soap Opera Digest (in this week’s issue on newsstands now), Young discusses how British soaps are different, yet similar in their perception and storytellings, plus his hopes for the talented A-list cast, production, and writing teams, under his wing at Y&R.

When chatting on how much Mal appreciates a loyal and passionate TV audience, and in particular the daytime soap fans who always chime in on the the progress of their favorite characters and storylines, he expressed:  “If they weren’t vocal, I would worry, because their opinions count.  I love that.  I encourage that, but then you have to surprise them.  You can’t just keep saying, ‘Let’s give them what they want. ‘  We’ve got to give them what surprises them and thrills them.”

So, are you intrigued to see how Mal Young shapes The Young and the Restless? Do you agree with his philosophy, isn’t it more fun to be surprised by a story twist?  Share your thoughts in the comment section below!

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I hope he can work out the kinks , the first one would be get rid of pratt

YES YES YES!!!

Y & R needs a new writing team!!

Pratt needs to go. all the storylines are bad

Absolutely, Bart. A writing team whose storylines are REAL and make sense. It is beyond incredible and realistic for any one body, including Victor Newman to play with justice and bend the law ‘ everywhichway ‘ he wants.
I understand there are crooked judges, lawmen etc., but no one on earth can get away with so much manipulation of the law….for decades. ‘Gimme’ a break!!

Totally agree.

Can he be made the EP of GH too?

and Days!!!

Of course, surprising twists are high in demand. A soap is an entity on its own. Romance, mystery, mystique, villainy, love, war, conflict etc…..all attributes which make good storytelling. It is a process and I can definitely appreciate how difficult it is to create new, attention-getting stories on almost a monthly basis.
However, when the same story is recycled for the umpteenth time; fans become bored and disinterested. No one wants to watch a show when he/she already knows the outcome.
The best example for that is Victor. Same story over and over.
The problem is; the ‘ragu’ has been simmering for too long. It loses its appeal when eaten every day.
The same story is being told with just about every character.
I can handle the incredible; but make it less fantastical and a little more real with originality.

Y&R needs new story twists. one major problem Y&R has had is recycling the same lazy storylines. baby switches,dopplegangers,car accidents are lazy

Celia, once again, you’ve put your finger on exactly what’s wrong with our beloved show. Too much repetition, especially regarding the same characters. STOP throwing Adam in jail (or threatening to), STOP making Sharon go off her medication and playing baby pong, STOP giving Victor the upper hand over EVERYONE, especially Jack, and STOP making core characters (Billy, Phyllis, Sharon, Neil) beyond redemption. Oh, and bring back Daniel, Avery, Fenmore, Lesley, full-time Jill, and a reformed Joe Clark.

These characters, Soaphound, need to be smaked upside the head, a few rounds.
I don’t know how much more I can take of Phyllis playing tug-‘o-war with Billy, the drooling lover, and Jack the enthusiastic pleaser. Sooooo not Jack!!!!!
I have been FF-ing many of the Billy-Phyllis scenes. They’re killing my sensibilities and making my stomach heave.

Correction: Smacked….

Reading his other interviews and who he deems worthy, I have no hope for this show…I did, but that has quickly changed…

I missed the last interviews. Please tell me Summer is not one of his worthy! I’ve cut down to twice a week and only tune into the last 30 minutes.

What did he say in his other interviews?

I have no idea but if he is really listening to the fans that alone would be a first.

Well, from the picture above it looks like we will be seeing plenty of Chelsea! UGG! Adam needs to dumb that nag! But anyway, I like how Mal thinks, listen to the fans but throw them a curve ball, as well. I down with that! I hope he cleans out the attic and this is what he needs to throw away immediately!

Stitch and his psycho son!

The Winters clan. Have Chucky whip up one of his famous sweeps disasters and have them all die!

Travis. Cannot act and him and Vicki have no chemistry!

Luca. One of the worst characters since Daisy and Ryder!

Summer because she ruins mine when she is on the screen!

Good luck Mal!

BWAHAHA SUMMER. .very funny

I agree eith everything you suggest ( and the people who put a knot in my stomach ), Timmmy.
Add Gina and Jason to that.
I hope Mal will wow us with original stories.
Funny how both Luca and Marissa lost their accents in a matter of days. At least she looks authentic!! I know I have said this a million times (pardon the hyperbole), but I also wish Mal will not present us with another facsimile of a supposed Spaniard with an Italian name, whose dark looks and ethnic festures do not resemble an Italian or a Spaniard. More of a mestizo. And, that’s fine and well, if he were represented as such.
I, for one do not want to be taken for granted…all of us know the difference between an authentic European and a mestizo. Do not bruise our intelligence or knowledge.

I know Cee, I never thought Jason Thompson’s Billy would turn out like this. He is a great actor and wonderful with kids. I dont blame him for trying something different but this Billy Abbott is horrible. Burgess Jenkins, what are you doing? No, just kidding BUT, they need to rethink this. I doubt Mal can do anything because of the contract of Jason’s? I dont know, I was wrong, I thought Jason would work. Be more of a Foster than an Abbott? No, it doesnt matter! And your beef with KOOKA, I agree. AND, I dont like this new dude Travis either!

@Timmm.
Yes, Timmmy….when you’re right, you’re right. Each Adam brought his best to the show….a personal ‘air’.
Actually I was wondering if you noticed Sharon vacuuming, doing housecleaning in stilettos. Really?

OMG Cee! Yes, when Sharon was cleaning her house I thought of two things. One, you cannot say that these “People” NEVER clean their houses again on soaps! And two, she ran that sweeper like she just snorted all the coke from the movie “Scarface!” THEN she specifically points out to Mariah that she cleaned the bookend but put it way over HERE! I am loving Sharon, Mariah and Kevin in this story together.

PS.
Why must Chelsea constantly make Adam’s mind up for him? Can’t he think for himself? A young harridan…..Chelsea is as annoying as a hangnail.

Adam never gets a chance to have his own thoughts anymore. Chelsea jumps
on him too immediately with her own take on everything! Super annoying!

Celia…E-X-A-C-T-L-Y!!!!! And I thought that Chelsea’s mom Anita was ‘the pushy one’…LOL!!!!!

Have a good one, my friend.

Adam is being watered down with Chelsea. Chadam needs to break up. i hate how Chelsea has become Adam’s mom

@robert.
Wouldn’t it be interesting, robert, if Chelsea and Adam did break up, so to make room for Adam and Bethany?
Chrishell is Justin’s real-life girlfriend.

MM’s Adam was more sadistic BUT all the Adams were confident. Justin’s Adam is smoking hot but a wimp! Chelsea were the Armani’s in THAT house! She just hovers in on EVERYTHING he does! ANY guy would feel overwhelmed and want OUT!

@Nanci.
Hey, there, Nancy,
Chelsea has turned into a virago. Now she’s pushing Adam to stomp on his pride and integrity by accepting Victor’s seemingly clean ‘blackmail’. Adam’s arm is being twisted this way and that.
Personally, I think Adam did the right thing. How to extricate himself from this imbroglio? From Victor’s twisted and diabolical brain? But, Adam will capitulate to his wife and bend to his father’s will. It is what it is…A SOAP… LOL!!
Yet, Victor is such a cad. And he is a wh**e. He pimped himself ….the prison doctor, no less. I have never had much liking for Victor. Now, I have lost all respect….what little I had.
Does Nikki know her husband cheated on her?
Now, I understand where the writers were going with this. Victor methodically set Adam up because he wants his son at the helm? Victoria is too emotionally overwrought? What does this say about how Victor REALLY feels about women? Bah!!!!
Victor is not human….all these powers he has!!! WOW!!

@jaybird369.
Yeah, haven’t seen ‘Daisy Duke’ in a while, lol. Between her and Chelsea, they could run GC.
Today, Adam asked his wife what gives her the ability; this talent of turning a negative into a positive.
Well, that’s easy, jay. Chelsea ‘knows’ the world through the eyes of a guttersnipe. She is a seasoned manipulator.

Assumption based on a single picture?

Its a start! Plus, she has already had her face on Y&R almost every day! UGGG!

Totally agree with you. Although Luca has grown on me and Travis has potential. The Winters Clan, Chelsea, and Summer all need to go.

I hope he brings the pace of the British shows. Shows like Red Rock, Hollyoaks, etc. are a thousand times better written, acted and produced. Even just changing the lighting to match those shows would be a big improvement. Not every room needs to look like it was lit by a solar flare.

MB, thats funny, solar flare! I remember how dark all the scenes use to be and I wanted a burst of sunshine BUT you are right, it is too bright! Adam’s condo looks like the fine china floor in a department store! AND, please turn out the lights when Summer, Luca and Travis are on the screen!

Personally, I rather have good old fashion story telling over surprises and thrills. When I hear the words surprises and thrills, I hear more of the same stunt story telling that is solely plot driven is coming down the pike. This is Y&R not Star Wars. When I read what he says, I hear– let’s not give them what they want, but what I think they should want—- and that my friends is never a good thing.

I agree Mary SF like the story where Ashley was held hostage and the door was rigged with a shotgun. .I wad on the edge of my seat. .or the shock of not expecting Jill to get shot in the shower. .or those great mountain remotes when Brad was held captive in the cabin. .not expecting Vanessa to jump off the balcony of a high rise because her hatred for Laurie was so strong. .once you got over the shock you busted out laughing. .OH LAURIE. .she got you but good lol

I’ll just say it once: Bell and Alden sustained great stories over 2 or 3 year arches, building the saga with twists and turns, rarely losing viewers because the story “dragged on.” They continually developed plot and subplot with purpose and meaning, and many times providing educational information in creative ways. Hope the idea with the new EP is to bring surprises along but not at the Irwin Allen time-warp speed. Bell and Alden told a story with great details; current storylines always give viewers information that happened “off-screen”– how ridiculous is that for a medium that is ON SCREEN.

100 percent agree!

Ron…AGREED, dude!!!!! What I respected and admired about William J. Bell and Kay Alden was that they PAID ATTENTION to W-H-A-T they were doing…and…they knew W-H-A-T they were doing…EVERY MINUTE!!!!!!!!!! Yes.

Have a good one, Ron.

I know some claim there were “odd, unbelievable plots” in the course of the program’s history, they were still told in captivating and realistic ways! I PERSONALLY saw how Bill planned a story decades ago when he lived in Chicago. And Kay worked at a desk on the opposite side of the room in Bill’s lakefront highrise. And you are right: they paid very close attention to every detail!

Onward, my friend.

How well you tell it, Ron….best concisely and perfectly phrased overview on this board.
I’ve been watching Y&R since I was a tot with my Gran……obviously, not understanding much. As I grew older I began ‘forming’ a few concepts. But, Ron, it wasn’t until I was 14 (in boarding school, lol) that I really started getting into the drama and loving it!!!
The first most vivid memory for me, at that age, was when Mac and Billy (Ashley Bashioum and David Tom) were crowned king and Queen at the Junior Prom….It was the first step to young romance between the two.
I don’t know if It was due to my impressionable young age and starry-eyed perception on love, but, the stories were chock-full of/with intricate drama, suspense and meaningful ROMANCE…….something for which we awaited and anticipated with bated breath until the next episode. “Bell and Alden told a story with great details…..” . To quote you, Ron: EXACTLY!!!!!

I remember that story frame! What a great memory for you, Celia. I first watched the show when I was in grade school. I was home ill for a few days and lay on the sofa as my mom watched her list of soaps! I remember telling her that I liked Restless because the characters were young and the music was nice; it was something I never experienced in tv. I shared that memory with Bill Bell, later when I was in college. I also thought (and still do) that Lori Brookes was the best character he created; too bad it didn’t last. I keep hoping, that as the show continues to reach milestones and anniversaries, that the writers will bring back more “guest appearances” from the original cast that are still around!

Take care, Ron

I think he will be the show’s best medicine ever. I do hope he brings in a new head writing team. Fortunately, because he’s not from the same recycle center that is the American soap opera world, he likely could bring in super new fresh talent we’ve never experienced. THIS IS A GOOOOOOOOOD THING!

One can only hope that by replacing Phelps’ singular vision of poaching her own Rolodex that this show can rebound. But installing Young was only half the solution; (agreeing with chuck) they need to replace Pratt’s brash, in-your-face, shock-n-awe storytelling with a more balanced, nuanced scribe that appreciates longtime viewer loyalty and one that respects veteran character backstory. (Pratt has proven time-and-again, both on #YR and his past defunct shows (#GH, #SantaBarbara, #AMC, #SunsetBeach and #Titans) that he doesn’t much care for characters and is more concerned with making a name for himself at the expense of the legacy of show that came before him.) He might be better suited to primetime or features, but he is clueless when it comes to writing for the specific tastes of daytime audiences (…and the eroding ratings of #YR bear me out!)

Pratt’s style of storytelling works better in primetime. characters being changed for plot is killing the show,just look at their ratings. Y&R is losing young viewers in droves under his pen

All daytime shows are loosing demo viewers. It’s been a trend for years, nothing new. Or maybe part of the problem is that Nielsen audience measurement system fails to measure the viewership adequately? Or maybe TV is facing a big challenge in general – younger audience tends to online viewing and prefers it to TV.

i hope he can fix Y&R. the show has been very poor. his first order of business should be to fire Pratt. the show won’t improve until Y&R deals with the writing issues. i like what he said about the fans opinions counting. Phelps and Pratt have not listened to the fans at all,they were out of touch

I so agree!!! Pratt and his pathetic writing needs to GO!!!!

What surprises? These days you know what’s going to happen before it is even aired.

If TPTB don’t go back to the roots of Y&R and how it use to be, it will be a lost cause. I tried watching a few days ago…I could not handle it and I just turned it off. I like change but only if it’s for the good. The day that Kay Alden left as the writer that is when everything change. I have said it many times before, Y&R is no longer the same show and doesn’t even have the same feel. Even the actors/actress that have been on Y&R for years who I love and adore, their character’s are different and one can tell with the stories and acting aren’t like it use to be. As we all know, TPTB do not really listen to US, the fans that really care and have been watching for years. It’s like when Douglas Marland left The Guiding Light, GL was no longer the same. I BEG for TPTB to listen to us the fans…I am begging you now to bring back Y&R to it’s glory days…I am so tired of sounding like a broken record…OK, here it goes again, PLEASE bring back the classic background music that Y&R use to have…

I’m pretty sure they’re trying to listen to the fans. All regimes. All the time. Their job depends on that. But it’s very difficult. Viewers like and want different things, what is a favorite storyline for some viewers, might be the absolute worst for other viewers.
No social media channels are representative of general audience. Only representative research can show some real trends, which I’m not sure they are able to do. Ratings are their only more or less objective way to measure what works with the audience and what doesn’t but there are usually multiple storylines at the same time, so it’s not easy to identify the weakest parts that need fixing. There are also other factors that may influence ratings as well, eg. weather, season, pre-emptions.

Mr. Mal Young .
We need to talk.
Y&R desperately needs Altman and Passanate !!
I will arrange for Altman and Passanate’s return to you and Y&R.
I know you are thrilled over their return.
However; I do need you to meet with ABC/General Hospital to sign a few papers and thank them.

I am confident that Y&R under Altman and Passanate, once again, will greatly raise ratings and give the Y&R fans great exciting, intriguing, high drama, surprises, suspense and riveting storytelling. And the Y&R fans will be absolutely thrilled to have Altman and Passanate back!!

Mal, you can thank me later ..

Altman and Passanante are GH’s! Hands off 🙂 You all can keep Pratt. Just kidding. I’m sure Mal will bring in new blood.

Please take your sarcasm to another soap su0000. I want A&P gone from GH too but replacing Chuck Pratt on Y&R with the snooze sisters the sequel would drag the soap farther down than Pratt is currently doing. Mr. Young is new blood. Hopefully he’ll want the same in his chosen head writer or writers.

SARCASM? (I hope).

i am hoping he can fix the show

If he respects the show’s long, rich history, we’ll love him.

Celia has some very insightful comments.

I am not sure what “surprising twists” suppose. Take the Winters: More recently , from what I can remember, they were in a plane crash, father and son were both in love with the same woman, both married the same woman, woman fell off of a cliff as well as falling into a coma . Father saved her from dying but was afraid people would think he pushed her over the cliff. Father hides her in a boathouse due to his fear but finds an especially talented doctor who handles comas. Woman comes out of coma and starts blackmailing almost the entire town, coma symptoms have returned return.

Must have watched if I can write that much. However, I could not stand any of it. I mean truly, not stand it. Never did I see any comments that found pleasure in that storyline. Yet, it went on, on, and on. Hope that is not an example of “twists.”

It was not the actors; all are exemplary.

The point here is it is a plus to hear viewer thoughts will be reviewed. No one would ask that viewers direct stories, just acknowledge there are times when something is terribly amiss. Viewers love to be critics, but a cumulative feeling sometimes starts to evolve, and those in charge should know how to recognize that sense and adjust.

Lastly someone wrote of being age appropriate. Victor is a case in point. Some scenes with the woman doctor were disgusting. A May – December romance was not given a proper buildup, although given her background one can intuit writer’s intent. For me, one more “I did it for my family” starts the fast-forward. Please adjust who Victor is. He doesn’t have to become an angel, but now he is looking absolutely demonic. Keep Ray Wise. He does that better.

With fast-forward I would require that the executives watch each program. As viewer’s know, it won’t take long (without the ads) for those at the top to gain better insight into content and continuity.

Can’t close without extending my respect for the complexity of producing a program such as a daily Soap and praise for the very accomplished actors who give us entertainment five days a week. I am thankful for a fun escape at the end of the day.

Please keep Dr. Neville and Ray Wise!

Best Wishes!

I really do not know how I could have phrased my words ‘ surprising twists’ any differently. My definition would be a plot-line which makes one go “Hmmm! I did not see that coming!”. A scene which ‘strays’ from the norm….the unexpected. Thst is a surprising twist
. That is what it’s supposed to mean.
“A radical change in the expected direction or outcome of the plot of a novel, film or TV series etc.”
It is basic writing 101, Tani.
My point was supposed to have been: we do not see this any longer on soaps, as we did in the past….few and far between.
You have completely missed my point.
I hope that helps.

Thanks Celia. I was in praise of your comments. My use of “surprising twists” was referencing the introduction before the comments. Sorry if it inferred a negative take on your writing which was never intended. I will be more careful when using one’s name.

@Tani.
Hey, Tani,
No offense taken, Tani. I just assumed I did not make myself clear. I misread, perhaps?
But, I think the bottom line is: we both agree that there are no ‘surprising twists’ to be had anymore. Every plot-line is expected. The viewer is aware of the outcome. Peace.

I am all for something new in daytime. The last time daytime truly looked outside its own gene pool for talent was Hogan Sheffer at As the World Turns….and that paid off in ratings, critical acclaim, industry buzz, and Emmy glory. And I know I am in the minority here…but I was not a big fan of Y and R under Bill Bell. It was often mind numbingly boring…and when it wasnt, it was complete Chuck Pratt style schlock and awe!! David Kimble having KILLER carved into his forehead. Sheila’s impossible reign of terror. Brad’s ex wife keeping him in a cage. Trashy Marge being able to impersonate Katherine. Victor holding his ex wifes lover in a dungeon. The list goes on. And on. People have this romanticized version of the show under Bell, and its just not true. The show was not character driven under Bell….it was all about the plot. Often, it felt like he had no long term plan whatsoever, like he was making it up as he went along, seeing how long he could drag out a plot. He told very few umbrella stories. Years would go by and certain sections of the show were completely removed from other parts…it often felt like two different shows. I am not denying or minimizing his legacy contribution to soaps….he was a pioneer. But a pioneer 50 years ago is not what it is today. I hope Mal can bring some of the more realistic elements that appear in British soaps. Normal people in extraordinary circumstances. Because this last week…featueing 80 year old Victor involved in a hostage crisis and gunplay with a completely pointless villain…..just rings so false. Age appropriate stories are so refreshing and entertaining…and soap writers havent a clue about how to tell them! They think every womn, whether age 17 or 58, is desperate for a baby. And think every man has to be a mobster or a criminal. Lets get some writers in here who can write entertaining stories for entertining chracters! I nominate Marc Cherry of Desperate Housewives. He could tell awesome stories without hving couples divorce and remarry 17 times. His stories zigged when you thought they would zag. Humour was paramount. Villains usually got their comeuppance by the end of the season and it was onto the next storyline.

I think Days needs changes and all kinds of fixing more than Y&R does right now. Why couldn’t Sony/Corday prod. hire him for Days? Too expensive for that show lol?

If I want to see great epis, I watch Youtube from Bell/Alden writing era. A-list cast? Nope. Have some mediocre actors on now. Jess Walton is great but don’t see her much,

I want Victor out of prison; Chelsea to stop nagging Adam; Luca gone ; Gloria and Jeffrey back; Ray Wise and Neville to stay ; the Winters to become closer and any other excitement .

I am an english soap viewer and I saw on Mal Young’s twitter, a photo of the indoor set that is supposed to be an exterior (I think it is a garden) and he had put a caption saying, ‘a lovely time for a stroll’. It got me thinking about how he Produced a soap in England called Brookside that literally changed the way soaps were made. Although he was not responsible for this change, what the creator of the show did was buy a real housing estate and the series was shot there. When the characters went anywhere, the action was filmed in real locations. Although many of the shows are still shot in studios (the interiors of Coronation Street, EastEnders and Emmerdale), the exterior filming is always outside on sets or on real streets etc… and I wondered if Young may decide to film in the studio the interiors but find actual outside places to film the exteriors. I am not being disrespectful to American soaps but I have seen the interiors of exterior sets on Days and I think it spoils the programme as they are obviously inside sets

To solve most of the problems is a very simple thing. Eric Braeden/Victor Newman needs to be gone from the show forever. The show can’t keep pretending that a man in his mid seventies is a stud, leading man, dangerous dude who can beat up men in their twenties or thirties, have every high official in his pocket, kidnap, replace other characters with lookalikes causing murder, rape and hundreds of other illegal and vile things to happen. Then after all this he goes to prison but still manage to repeat all of those things behind bars and is still in control or everyone and everything.

Viewers are not fools. Victor Newman’s fans are many but there are one hundred time more who hate the character and would glory in him being gone from the show. No one is indispensable. The actor does not memorize his lines or he just does not remember his lines or he thinks he’s above learning his lines. I can remember a very recent episode where Braeden said Judge Carter three times in one scene when he should have been saying Judge Gates.

There is also a big problem with sets. Where are all the sets of character homes and offices? Everyone seem to live at the GCAC and hold business meetings there or at Crimson Lights in full public view and hearing. Come on people do better than this.

New characters are needed so that every relationship in Genoa City is not bordering on incest. Every female on the show has had sex with every male character. Enough! Get new people, get a writing team that can actually write fresh and new storylines. Keep the new characters. Don’t write them into a corner then get rid of them.

So much more I could say. I have watched Y&R since the very first episode in 1973. Older fans matter, not just the 18 -49 women that Y&R seem to cater to these days. Go back to the way Bill Bell used to write.

AEW

AEW’s Tony Khan Talks Hiring of Soap Vet Jennifer Pepperman, Sting’s Retirement Match at ‘Revolution’ and His Well-Deserved Send-Off

On Thursday during a media call, AEW President, Tony Khan fielded questions from the press leading up to Sunday’s AEW: Revolution pay-per-view (8 pm ET). Khan spoke on a myriad of topics including: the hiring of former One Life to Live executive producer, Jennifer Pepperman, and that Sunday will be the final match of the iconic Sting’s wrestling career.

Pepperman, who made news last week when she jumped from rival WWE as Senior Writer/Producer to AEW as its VP Content Development, brings with her experience as not only the former EP of Prospect Park’s One Life to Live, but as a Daytime Emmy-winning director for One Life, As the World Turns, as well as the digital series, After Forever.

Khan addressed the addition of Pepperman and what she brings to the table for AEW, “I love the world of soap operas and I think it’s fascinating the work she’s done. She’s an Emmy Award-winning filmmaker and it’s a very different medium than soap opera, but obviously there are similarities. It was a unique hire when she joined pro wrestling and now she’s learned the wrestling business. There are a lot of wrestlers that have great experience working with her and so she was a popular hire. I think she adds a lot.  She would add a lot to any women’s story. She can add ideas, but she also adds ideas to men’s stories. I think any aspect of it wrestling or television that you’re working on, Jen, can be insightful, and she’s very additive. I wanted to bring Jen in to help just with AEW all across the board.”

“Jen is somebody who’s got a really great wrestling mind,” Khan expressed. “It’s really nice to have somebody like Jen who has experience in pro wrestling but also a lot of experience in television.  A lot of the people who had worked with Jen previously, had really great things to say about her, and on my visits with her I really liked her a lot. She was very excited about what she’d seen in AEW and she’s fitting in great. We’ve done a lot of shows now, and she’s been doing a great job catching up on it. She brings a lot of knowledge of pro wrestling and television from outside AEW.”

Photo: AEW

It’s going to be a sad day for Sting fans all around the world, when he wrestles in his final match this Sunday. Khan shared how important it was to him, to AEW, and to Sting, for him to go out with one final historic match. “I’m very excited about AEW Revolution, first and foremost being Sting’s last pro wrestling match and Sting’s retirement,” Tony shared. “I think he’s been a huge part of pro wrestling for my entire life. He’s been a hero since I was very young and when Sting came into AEW, I was so excited. This is exactly where I hoped we would get – setting up an incredible retirement match for Sting this Sunday at Revolution. He’s an incredible pro wrestler and an incredible man, and giving him the send off that he deserves – these past few years has been really important to me and now having a match for the weekend with high states, a personal rivalry, a great story, it’s going to be a tremendous show. It’s got certainly something that nobody will ever forget and that is Sting’s final wrestling match.”

The Greensboro Coliseum in Charlotte, North Carolina is where Sunday’s AEW Revolution will emanate from. Khan believes, “It’s the perfect place to pay tribute to Sting’s great career in the Greensboro Coliseum. It was where Sting really first arrived on the national map in 1988.”

Sting appearing on Wednesday night’s AEW Dynamite was also special. Khan felt, “It was very fitting that he had his final appearance last night on TBS.”  Tony added, “Sting coming down from the rafters one last time I thought was a perfect way to cap off the final ‘Dynamite’ before ‘Revolution” and the final ‘Dynamite’ of Sting’s career. After 37 years on TBS .. and being so identifiable with it, it’s pretty special and pretty rare, and it’s befitting the great career and the great person that we have in Sting.”

While some feel Sting may be back in some capacity with AEW behind the scenes, Khan says anything is on the table. “When Sting came back in 2020, he did not need the money. Sting is very, very well off and has earned a lot of money in his career and is taking care of it very well,” Tony related. “He’s really a great person and he’s made great investments and he does this because he loves it. He loves the fans and he wanted to have a great run in wrestling and for these past three years, that’s exactly what we’ve done.  So for me, I would love to have Sting back in AEW anytime. I know he said he would like to come back. We won’t hold him or force him to come back at any point. Now is a great time for Sting to take time for himself and his family after this and whatever the result is Sunday, I think Sting can take pride that he’s had the most incredible final run.”

So, what did you think about the words Tony Khan expressed on the hiring of Jennifer Pepperman who brings both her soap opera and wrestling experience to AEW? We have always said that pro wrestling is a ‘soap opera in the ring’ and apparently Khan knows there is link to the two as well.  And, are you ready for Sting’s final match in his legendary career? Weigh-in via the comment section below.

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Days Of Our Lives

Days of our Lives Sloan Recast: Natasha Hall Temporarily Fills-In For Jessica Serfaty

Sloan will have a new look for several upcoming episodes on Days of our Lives. Natasha Hall will step in for Jessica Serfaty the week of March 4-8

A spokesperson for DAYS confirmed to Soap Opera Digest, that Hall will take on the role of Sloan Petersen for three episodes.

If Natasha looks familiar she was seen on Netflicx’s The Kominsky Method and has appeared on The Rookie, S.W.A.T., Mom, HBO’s Entourage and the movie Game Night.

Photo: JPI

Serfaty began in her run as Sloan back in August of 2022, and has been heavily featured in the Nicole baby switch storyline where along with Melinda Trask (Tina Huang), Sloan is passing of Nicole and Eric’s baby, as her adopted chid, while Nicole continues to mourn the loss of the little bundle of joy.

Since Days had been taking 6 to 7 months ahead of streaming its episodes on Peacock, Hall taped her scenes filling in for Serfaty months ago.

So, interested to see what Natasha Hall brings to the role of Sloan, while Jessica is temporarily off the show? Comment below.

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News

Kathie Lee Gifford Reacts to ‘The Bachelor’ Joey Graziadei Having ‘No Idea’ Who She Is On ‘Live with Kelly and Mark’

Let’s set the stage! Kathie Lee Gifford was previously mentioned by Today Show’s Hoda Kotb and Kelly Ripa and Mark Consuelos as someone who would make a great lead for the upcoming dating-reality series competition, The Golden Bachelorette.

Then came the Wednesday February 28th episode of Live with Kelly and Mark, when the current ‘Bachelor’ leading man, Joey Graziadei was the guest.

During his interview, Kelly and Mark asked Graziadei what his thoughts were on Gifford becoming the first-ever ‘Golden Bachelorette’.

Photo: JPI

Graziadei’s response was: “I will be honest… I have no idea who Kathie Lee Gifford is.” That prompted some boos and some laughs from the in-studio audience. Joey added, ‘I’m only 28! I’m sorry!”

In a response to a post on X featuring the faux-pas, Gifford reacted by saying: “I don’t expect him to know me. I’ve got shoes that are older than this kid is!”

Photo: ABC

Gifford received the Daytime Emmy Lifetime Achievement Award in 2019. She has also been in the chair occupied by Ripa on ‘Live’. From 1985 to 2000, Kathie Lee and Regis Philbin were the co-hosts of  the morning talk show. She then went on to co-host the fourth hour of Today in 2008 and continued till 2019.

When E! News asked Kotb about Gifford potentially getting the nod as the “Golden Bachelorette”, she shared, “By the way, she would be a 10 plus, and she’d get her choice of all the men, and you know how she is all flirty and cute.”

So, what do you think about Joey not knowing who Kathie Lee is? Could it possibly be that ABC would cast Gifford as the ‘Golden Bachelorette’? Comment below.

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Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

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