Interviews
B&B’s Jacqueline MacInnes Wood Talks Steffy’s Opioid Addiction Storyline, The Emotional Scenes & Adjustments Made Due To COVID-19
If you have been watching CBS’ The Bold and the Beautiful over the last two weeks, you have witnessed the compelling and important storyline unfold with Steffy Forrester (Jacqueline MacInnes Wood) at its epicenter. In a harrowing tale of opioid addiction that can so easily happen to anyone given the circumstances, the daytime drama took on a social issue prevalent and rising in our society today.
This story gave Daytime Emmy-winner, Jacqueline MacInnes Wood another chance to shine in some of the most deeply affecting episodes and scenes in soaps of 2020. In story, after Bill Spencer (Don Diamont) accidently hit Steffy with his car while she was on her motorcycle; she became hospitalized to treat her injuries. Once there, she met new love interest, Dr. Finnegan or as the show calls him “Finn” played by newcomer, Tanner Novlan. Finn prescribes pain medication for her. But before you know it, once Steffy is out of the hospital and back at home she struggles with the pain and the isolation of her life, and the losses she has experienced over the last many months, and before you know it, she is addicted, and no longer getting the pills from her doctor, but by any means possible.
Last week, we named Jacqui’s work the ‘Power Performance of the Week’, but we are also giving it to her again this week for her masterful performance on Tuesday’s episode, where Steffy breaks down after being confronted by Finn, Liam (Scott Clifton) and her father, Ridge (Thorsten Kaye) and finally coming to the stark realization that she is an addict.
Michael Fairman TV caught up with Jacqueline MacInnes Wood after all the key scenes had aired to: get the inside Intel on what went down taping those moments, and how the show made some important decisions amid the coronavirus pandemic about the telling of this storyline. Here is what Jacqui had to say about: her co-stars, herself, and what she learned about those who struggle with addiction.

Courtesy/CBS
How did you feel about being handed the ball to tell this important story, and how much were you told ahead of time?
JACQUELINE: Originally, I was told that we were going to tell this story, and that was before Covid-19. So, it was literally the week before we went into lockdown, and we were about to dive into this story. Obviously, I am so grateful to be able to tell this story because traditionally The Bold and the Beautiful has a long list of social stories that we are known for telling. It is something that that we need to talk about because it is happening, and it is happening everywhere. Someone knows somebody – it is in our family, or our friends are dealing with this, and I didn’t realize how close to home it was for so many people. I think that with our show, the way we balance drama, and romance, and real social issues that really touch people, is special. I noticed that throughout this week with so many people reaching out to me. People who are police officers, to people who actually work with people who are addicted, people who were addicted have reached out to me. There have been a lot, but I’m very honored, again, to dive into this story.
A lot of fans and viewers remarked along the lines of “Wow, Steffy got addicted very fast,” because it felt like the story kind of accelerated itself, and some people are like, “Well, they just told it too fast.” I wondered how you felt about that, knowing what you know about soap operas and research you may have done on addictions.
JACQUELINE: I did some research on YouTube on opioid addiction from first-hand accounts of addicts and the effect on just them, but also on the grief it had caused their families. I originally had mistakenly thought, “It must take years to become addicted,” and I was very surprised by how quickly and easily one can be trapped in pain management, and many cases are heartbreaking. You always think, with opioids, “Oh, this can’t happen to a lot of people,” but it’s not just, “Oh, the ‘crackhead’ down the street…” It could be a mom, or these people who have a surgery, or an accident, and then they just get on these pills, and it happens so quickly. Yes, the storyline happened extremely fast, but there is truth to it because addiction does happen very quickly in this world. The other thing I have to say, I think what Brad Bell (executive producer and head writer, B&B) did so elegantly, is that we were going to tell this story, and we were going to tell this story for a very long time. I love that he was very perceptive to this – that we are in a dark time right now. It’s a dark world, and I think that it is important, again, to shed some light on this, but we didn’t want to necessarily drag it on too long because it’s like, you watch every news outlet, and it’s depressing, and it’s depressing everywhere. Before Covid-19, this story would have been a lot longer, and I think it was kind of realizing, “Let’s take it back. But, let’s dive into this.” I think we were also being mindful of the viewers because we are shedding light on this, but also, opioid addiction had now skyrocketed through this pandemic, and this quarantine. I think, again, it’s important to tell this story, but we didn’t want to be another show that is just so depressing right now during such a depressing time.

Photo: JPI
Right, so the story won’t be as elongated , but obviously, she will always have this addiction now, which is always great as a character, to delve back into, that Steffy will have in her physical and emotional make-up now.
JACQUELINE: Absolutely. She will always have that. She will always have to be mindful of it.

What did you think about Dr. Finn in all of this? Do you think that he should have caught on earlier that this was happening to Steffy?
JACQUELINE: (Laughs) Yes, absolutely. I think, Steffy was pretty good at hiding it from him, especially the last time when she invited him over, and she said she didn’t need the pills. However, on Tuesday’s episode when there was that huge explosion, and he really got to see that visceral side of Steffy as defiant and angry, that was a lot for him to take in. Tanner has been doing such an incredible job of diving into this and telling this story, but yeah, you wonder if Finn noticed, but again, I do think Steffy was pretty good at hiding it.
She was pretty slick, but when she got the pills from Vinny, I kept thinking, “What did he give her?”, because they seemed awfully strong, or laced obviously with another drug.
JACQUELINE: When Steffy got the pills from Vinny, that was the first thing I said, “Is this just opioids?” Now, she’s getting it off the street, and we just don’t know. It’s laced with God-knows-what. She has no idea because she’s not getting it from an actual doctor; she’s getting it from Vinny.

Courtesy/CBS
So, when Tanner came to the show, did you read screen-test with him? What was your initial thought of him and Steffy finally having a potential new relationship?
JACQUELINE: He is absolutely wonderful. It’s funny because we have a lot of friends in common, and he is a fellow Canadian, and we bonded over that. He originally screen-tested, I think, a few days before we went into lockdown. So, who knew that we were not going to be able to work with each other for months and months and months, but he has been completely added to the group, and it is a different world that we are navigating, especially with how we are filming on set and the 8 feet apart rules, and you have these emotional scenes, and you feel like you just want to grab someone, and hold them, and cry. I have so many fans going, “My God, I just wanted one of the characters to hold you!” and then you’re like, “COVID,” and nobody can really touch me, so…

Photo: JPI
Isn’t he kissing his wife though as your stand-in? B&B alum, Kayla Ewell?
JACQUELINE: Yes, yes he is! I just thought it was priceless that, how long have I been on the show, that Steffy has just been pining away for Liam for years, and years, and years, and finally gets the go-ahead, and she’s going to get a new love interest, and I’m like, “Woo-hoo!” and then, COVID happened, and I find out, “Your love interest is going to be a doll!” So, he gets his wife, which is great. My husband has been completely supportive, but my husband has not come in. I don’t think it would work playing opposite him as Tanner, but his wife actually has a very similar look to me, which is great. So, she’s been in a few times, which has been amazing! I get the foam doll. (Laughs)

Photo: JPI
I was just thinking it’s so funny, too. Steffy FINALLY gets a new man, but she is with a doll!
JACQUELINE: I know, I know.

Photo: JPI
What’s great about when you get to play these kinds of emotional levels in an addiction storyline … or anything that kind of flips the character’s mental state, is that you get to see the anguish. You know, we’ve never seen Steffy discuss or really say anything about having Beth taken from her, whom she raised her as ‘Phoebe’, and then losing Liam to Hope, and this is kind of addressing her pain through this story arc, which I thought was really good, that it wasn’t just swept under the table. The characters, the audience, and Steffy were realizing that she had emotional baggage and distress over those losses. How did you feel when taping those scenes with the confrontation where she pulls out a switchblade on Brooke (Katherine Kelly Lang), Ridge, Liam and Hope (Annika Noelle)? Those were great scenes.
JACQUELINE: Thank you, thank you. We didn’t know how we were going to be able to do these scenes.
Because of the social distancing?
JACQUELINE: Well, yeah, social distancing! We did it in one take. It was a long 10-12 page scene.

Photo: Gilles Toucas/Bell-Phillip Television
Well, the final 7 minutes of that episode were just a riveting; which included that knife scene, which in itself was gut-wrenching to watch, as I assume it must have been to play?
JACQUELINE: It was a big scene, and it was a big, emotional week for all of us, obviously, and I couldn’t have done it without my cast. They were so phenomenal as well. We were trying to think, “How are we going to do this?” Thorsten Kaye came up with this idea that Steffy should have a knife because Ridge would want to go to her and grab her, and the only thing that would maybe keep him away. She is so angry, and she does have so much emotional baggage, and yes, she is in pain from her motorcycle accident, but I think that a lot of people saw in that phone call from Hope, where Hope said, “Oh, Kelly wants to spend another night,” that was that whole mental shift of, “Oh, my God, this is my worst fear. It’s finally happening. My daughter doesn’t want to stay here. I am truly alone. I don’t have anybody.” Her life up to now has been about raising Kelly, and then that was that whole baggage unload – the pain of all of the years of what the Logans had done to the Forresters – it was just a domino effect. She obviously is not dealing with the pain in a pragmatic way. I think Steffy was using the pills to mitigate her misery, physically and emotionally.

Courtesy/CBS
I think there were two turning points … after the switchblade incident, when she finally realized, “Oh, my God, what am I doing? I’ve got this knife,” and she gets rid of it. She does seem to have these moments (in that episode and the one that aired Tuesday) where she realizes, “Oh, my God, I’m messed up,” which were heartbreaking moments. Do you remember playing that moment of, “Oh, my God, I’m an addict,” where Steffy admitted it out loud?
JACQUELINE: Yeah! It was extremely difficult. I’m really good at being able to work on set and being able to leave it behind. That’s the one thing that people will say to me, “What is it like off of set? It must be so emotional for you!” Once we say cut, I’m done. I don’t mentally check out from the scenes, but I’m just able to let go because we just have so many episodes and so many emotional scenes, but I have to say this took a little while to shake. I had to get into my car, and I was still emotional, and I had to put some good music on, and blare it, and drive home. To know that these things are happening in the world and it is happening to so many people, it just breaks my heart, and I still get emotional about it. It is gut-wrenching to know that this happens. When I have those emotional scenes, (especially like that) I can’t fake it. That’s just not who I am. I can’t just fake cry to get through it. Yeah, I’m an actor, but even though we film so quickly, even though it’s usually just one take, even though we are crying all day with all of these scenes, I really like to emotionally get there. Obviously, over the years, I’ve learned to get there quicker, and I am really proud of myself for that, but what you see is what you get. Those are real emotions. I am just as present as I possibly can be in that scene and just listening to Ridge, and Liam, and Finn and just taking it all in – then Steffy realizes that she is addicted, just that moment of everything breaking down; her whole world was falling apart. I think it was an important moment, but we were just really there for one another in that scene.

Scott Clifton, I just really want to say, throughout that week, had to play annoyingly holier-than-thou with you as Steffy. People were annoyed with Liam. He was the perfect annoyance to get her really pissed off!
JACQUELINE: Yeah, I know! It was actually funny at one point because so many fans were like, “Steffy was out of her mind! She was clearly on drugs!” I love the Steffy fans who were like, “Liam is so wrong!” You could see how loyal the fans were.

Courtesy/CBS
They were! It was great, but Liam was super annoying. That being said; did you watch back last Friday’s episode where after Steffy runs out, the camera pans to Scott, and Liam breaks down and cries? So good.
JACQUELINE: Yep, yep. I know, it was so good, and that was him! That’s what I find so beautiful is that when you are in that scene, you don’t know what the reactions are going to be, and I know that was so true and authentic of Scott. It was a genuine emotion that came out of him. I hadn’t seen him break down in a long time, but it was so unexpected, but I was glad to see it, really glad.

Photo: JPI
We haven’t seen Bill Spencer come to Steffy yet. How does she feel about that?
JACQUELINE: That’s a good question. I don’t know how Steffy is going to feel about that. I think, obviously before the addiction happened, she would blame him for hitting her on her motorcycle, but you never know, things could change coming up with Bill and Steffy.
Well, he will probably blame himself now for the addiction, I would think, because he hit her.
JACQUELINE: I think so, too. That’s one of the things he may be playing in those scenes. So, we shall see.

Courtesy./CBS
Talk to me about Thorsten Kaye in those scene with you as the dad, because in the episode we saw Tuesday, there was a powerful moment when he just sat beside Steffy, but not holding her at the very end. I thought that was a very nice touch given also Covid-19 protocols. At that point they weren’t dragging Steffy out into a rehab facility. We just watched him sitting there quietly while Steffy had this reckoning to herself.
JACQUELINE: I really liked it. I liked that we had a lot of those chill moments of taking each other in. Thorsten and I get along so well. We’ve just always had a bond, and I love working with him because in rehearsal, we do something one way, and then, again, when you’re filming, it’s always so unexpected, you don’t know what he is going to throw at you, which makes you be even more present. It’s a tough scene. I was feeding off of him and vice versa, and I’m sure he was putting himself in that situation of God-forbid if his daughters were in this situation, and you know, I’m looking at him in that father-daughter moment and seeing him become emotional for his daughter. It just kills you, it really does, but it was a heartbreaking moment, but I like how we ended the scene: with something as very simple as sitting beside each other.

Courtesy/CBS
Your fans and the soap pundits are saying that obviously you have your Emmy reel for next year, it’s done. It’s right there. This may just make you a two-time Lead Actress Daytime Emmy winner.
JACQUELINE: Aw, that’s so sweet.
It is great for you because you have an arc of a story there to tell, and we’ve talked about this before – an arc of a story for a submission in Emmy competition seems what many of the judges like to see and can understand because they watch the performer in scenes from the progression of a story.
JACQUELINE: Definitely, and it was nice to know that I was going to do this story and that we were going to tell this story, but once we came back months later, I didn’t know that we were still going to dive into opioid addiction with Steffy, because again, with our show, and with a lot of soaps, storylines change all of the time. I am very grateful for it.

So, what can we tease? Will Steffy get Kelly back, or will she be estranged from her for a little bit? What do you think?
JACQUELINE: I think that Steffy is a strong woman, and I think she will come back stronger than ever, and I think she will get her daughter.

Courtesy/CBS
You should be very, very proud of this work, Jacqui!
JACQUELINE: Thank you. I am. During the week, when we had all of the dialogue to do, and it’s a different world now when you’re taking care of a toddler, and then with the Covid-19 protocols, and then you get the story, (and again, so grateful for it), but it was so much dialogue, and going back and forth, and making sure you’re bringing it emotionally, and it was extremely challenging, to say the least, But, I am really proud of myself that come that Friday I was like, “Oh, my God, we did it. We did it!”
What have you thought of Jacqueline’s performances in the opioid addiction storyline? Were you glad to hear the show decided not to drag out the story due to the times we are all in? Do you feel this storyline was powerful and could help those in need of help? Share your thoughts on the interview with Jacqui and more via the comment section below.
loved JMW performance on BB. I want her in a triangle with Finn and Laim and let Hope get with Thomas. But JmW did excellent and had me in tears.I want to see more of her and her brother with Laim and Finn fighting to get her attention.
It was so powerful. I cried and cried. Over it. Steffy is my favorite on bb. Anything with jacqui and Scott is awesome to me. They have this strong bond. I love it. I lived with migraines all my adult life. For a long time the doctors gave me pain pills and then all of a sudden they stopped giving it to me. It was brutal. So I understand about what steffy went through.
I really enjoy JMW storyline. It was so moving and believable. She is such a wonderful actress. She put so much emotion into these scenes. I thought she was really hooked on opiads. I can see her receiving an Emmy next year. She deserves it. Hopefully I will be front row to see her receive it. Bravo!
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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