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David Gregory Interview – One Life To Live

One Life to Live’s sexy Ford, David Gregory chats with Michael Fairman from the dressing room of the show’s new studios in New York.  So, what is it like being soap’s hottest new hunk? David details how the now infamous bucket scene changed the course of Ford. And, just what is Llanview’s newest resident after with young Langston? Sex, or money or both? David gives us a good tease, something Ford does often!

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This man is so fiiiiiiiiiiiiine. And believe, I know my soap hunks! I hope OLTL goes with his momentum and makes him into a full-fledged slick villain. Do not write this hottie into a corner, Ron Carlivati!

do not put him in a corner

Pls interview David Gregory while he’s shirtless! David Gregory is one of the sexiest soap hunks presently on soaps. Boyish face w/ an impish grin and a very muscular bod! And his deep voice is kinda dorky, which makes him even more hunky! His greeting should be the permanent greeting on mf on air on soaps. Or better yet make a new greeting w/ a shirtless David Gregory.

His official website is like something from the 90s with personal pics of him and his relatives (very well preserved father) and cute niece and cuter nephews. Too bad he’s taken, w/c means I’m not a fan anymore. Ah well, he wasn’t a good actor to begin w/, but as man candy he’s sufficient since OLTL loves their men hunky, TPTB probably demand that! Hahahaha.

David A. Gregory is amazingly sexy! Whoo! I love the Ford bro.’s!

Days Of Our Lives

Days of our Lives Legendary Susan Seaforth Hayes Talks on the Horton House Fire Storyline, Mourning the Loss of Husband Bill Hayes & His Near-to-Final Performances

It has been an emotional time for longtime fans of Days of our Lives and beloved veteran, Susan Seaforth Hayes (Julie Williams). On-screen, the iconic Horton home was burned to the ground in what appears to be a storyline-dictated decision that shocked many. In real life, Susan is mourning the loss of her husband and DAYS enduring favorite, Bill Hayes (Doug Williams), who passed away at 98 in January. Over the weekend, during the 2024 SAG Awards In Memoriam tribute, Hayes was remembered along with other motion pictures and television stars whom we lost over the past year.

Since the Peacock streaming soap opera tapes months ahead of air, the Horton home fire and its aftermath are currently playing out in all-new episodes with more on this story featuring Susan to come. Bill Hayes also appeared in several of these episodes making it all the more touching and heartfelt.

When Julie came back to the Horton home to see what remained of it after the fire, Days of our Lives fans were treated to a heart-tugging episode that streamed last Wednesday, February 21st. In it, newly-taped scenes of a young Tom (Zach Chyz) and Alice (Sydney Kathrann Smith) Horton telling the story of how they came to live in the house to raise their children, juxtaposed with Julie and Doug (and members of their family and friends), surveying what’s left of the beloved house, brought many a tear.

Michael Fairman TV talked with Susan Seaforth Hayes for this very candid and heartfelt conversation to get her feelings on the Horton house fire, and being given the opportunity to have a storyline at this point in her storied career. In addition, Susan provides some insight on what it was like for her ailing late husband to tape scenes at DAYS shortly before his death, what the series plans to do about writing off the character of Doug while honoring the legacy of Bill Hayes, and how she knew she had the greatest love affair that anyone could hope for in their lifetime, which in turn, has inspired all of us.

Photo: JPI

I was shocked when they decided to burn down the Horton house. Were you at first devastated … and did you know that there would be a big story surrounding it?

SUSAN: I did not know how big a story was with it. I knew that many years ago, another regime had planned on trashing the set and getting rid of the set because nobody cared about the Hortons anymore. It was stopped by one person, and I was eternally grateful for that. This time I thought, “Oh, my goodness! I guess I’ll be meeting people for a cup of coffee at the Horton Square. No home, no roots, no reason to be called in,” and thinking that’s the end of Julie. That’s the end of Doug and Julie. Then, when they began to structure a story around it, I think all of this came up during the writer’s strike. So of course, I was curious to see how this was going to turn out. I enjoyed the aftermath, because in the aftermath, and a little bit before the fire, if you saw the show, I get to talk a bit about the history of the household and the people in it.

Photo: JPI

In the special episode that aired last Wednesday, Julie gave Leo (Greg Rikaart) the family tree history of the Hortons for his story in the Spectactor.

SUSAN:  I’ve had a couple of good long soliloquies about the past. I’m fated to be the character that does that because I’m the one still standing. I must say, I do enjoy doing them. Emotionally, all I have to do is rerun some of the actors and my own family in my mind and the emotion starts to come, you know, the emotion starts to flow.

Julie talks to Maggie (Suzanne Rogers) immediately after the fire. She is upset that the Horton family Christmas ornaments are gone. Fans were not happy that they could possibly have burned up. Thank God! There was a happy ending when they were located and unscathed, or there would have been hell to pay! 

SUSAN: I knew that they were in the prop room and that they still existed. But how much they were going to put a story around their loss, I did not know. We don’t get to ponder the plot. We just get to show up and start doing it. I think on this particular matter, something as important as a structure of the original set of the show, there’s been quite a bit of interest. So, I can appreciate that.

Photo: JPI

I was thinking, ‘Did they decide to burn the house down, because they were finally retiring the old Horton home set?’ What was the purpose of it?

SUSAN: They’ve done everything to make quicker set changes, which is remarkable and very efficient right now. The set designer said, “I’ll be interested in your input,” which was nice. The one thing that I loved that had been done, didn’t work. You couldn’t shoot into it. It was a federal mirror over the mantle. I loved it. The size was perfect. I was just delighted. And then, we tried to shoot it, and because of the roundness of the mirror, you got a perfect view of camera one and camera three. So, it came down.

This is Julie’s project to renovate the home. She’s determined to bring back all the memories and redo it?

SUSAN: Absolutely, which is another nice note to play for my character. She’s determined to make the house something that her grandparents would recognize and still feel comfortable in.

Photo: JPI

What did you think of the episode that just aired where the show incorporated flashbacks of a young Tom and Alice Horton?

SUSAN: Well, I set it up. They had their own their own lovely scenes. I read them, and I’m sure the audience was charmed.

What do you remember when you first came to DAYS, and you were in that house, in that set?

SUSAN: What did I notice about the set? I noticed that it was a strange shade of green. (Laughs) It was explained to me that that dull color meant that your face would pop on color TV. I understood that. I loved the little window up the staircase. I’ve always loved that. And at one time, there was a model of the house that sat on the set on its own little pedestal, a little playhouse of the exterior of the house. Whenever the house was on (and remember this is when we were a half-hour and practically live, but not live, because there was no editing), there would also be the sound of a barking dog whenever we reached the Horton house neighborhood. We never saw the dog, but I’m sure his name was “Spot”, and I’m sure he belonged to someone.

PhotoL JPI

You shared so many scenes with Frances Reid (Alice) and MacDonald Carey (Tom) in the Horton living room set and up till they passed. Did they get along well with Bill? Looking back, how was your relationship with them?

SUSAN: They loved him. Well, Mac and Billy had worked together before in theater. Mac was very kind to me at the beginning and helpful. Frances was as well. As Frances got older, she got a bit testy. When someone says, “You’re not going to read the line like that … are you?” It catches your attention. (Laughs). I got peeved at Frances from time to time, but her intent was always to make everything as good as it possibly could be. I saw her come back from her stroke. learn to talk again, learn to do it all again. Not do it easily, but to do it at all was wonderful, and the same with Mac. In his last shows, he was very frail, but we’re actors. We liked being there.

Photo: JPI

During the taping of the episodes surrounding the Horton house fire, Bill was mostly in them with you. How was Bill doing at the time you taped these scenes?

SUSAN: He was okay. He was up for it. He had difficulty moving at that point. So, they restricted his movement a lot. Bill always enjoyed coming to work a lot, and it was extremely difficult for him because he was blind, and didn’t move very well. And now, to do a scene with people who may or may not, have rehearsed with you, who may or may not, give you the exact cue, and when they are attempting to have you look each other in the eye, you can’t see who’s eyes they are, that was the hard part. The easy part was working with him, which was lovely and was a gift. It was a gift from Corday Productions that he was able to work within three weeks of his death, which I thought was super and extraordinary.

Photo: JPI

That is amazing. Did Bill understand everything that was going on at the time of the tapings?

SUSAN: Absolutely. He understood what was going on. He just couldn’t see it or touch it.

The timing couldn’t have been easy for you with Bill’s declining health, and that the show was going to burn down the Horton home where you shared so many scenes and memories.

SUSAN: Well, it hasn’t been my greatest stretch. But I knew that life would be like this. I’ve had five decades of an absolutely wonderful, blessed marriage and a chance to work and a chance to live in my own home and travel, all good. And now, we’re going to have the epilogue. And the epilogue is the hard part, seeing rapid change around you and losing the people that were the center of your life. I’ve just been very fortunate to have cultivated some wonderful friendships, and to have a wonderful large family of Hayeses.

Photo: JPI

You do realize that you and Bill were the gold-standard of what we all should be lucky enough to have in our lives. What an incredible, beautiful, passionate, loving marriage that the two of you had. You don’t see marriages like that anymore. We were all just in awe of the two of you. To us, it was the greatest love affair. You got to have that which is so extraordinary.

SUSAN: I know, and it was all Bill. I mean, any idiot could have been married to Bill Hayes and been deliriously happy. The guy was so perfect in every way that you really would have to pick something and blow it out of proportion to ever complain about any of his traits of character. He was just all good character, goodwill, and good humor. I just followed along and tried to live my life for him, with him, and follow his style, which I hope to carry on. I hope to be as good to people as he was to people, and, not be selfish.

Photo: JPI

I always remembered how the two of you would come to the studio with your suitcases, ready to work no matter what material, large or small, they gave you. You showed up. You just had such great work ethic and you don’t see that as much anymore.

SUSAN: At the moment, it’s hard to find it everywhere. I think it’s probably generational. You cannot get too angry at people that are still holding up their phones in the one rehearsal that we have. I think it’s more convenient to receive your work electronically, but somehow it doesn’t seem quite as real. You don’t have a script in your hand anymore unless you print one up yourself.  Sometimes you haven’t met the person you’re working with. Well, that’s not unusual, but no rehearsal at all, that’s kind of marvelously new.

Photo: JPI

Does Julie lean on anybody for emotional support as she tries to rebuild the Horton home. Who’s there for her?

SUSAN: As far as I can tell, nobody. I’m supposed to be the wise woman, and Marlena (Deidre Hall) is supposed to be the other wise woman. I haven’t had any scenes with Marlena for help. I would think Marlena would be the person I would be going to for grief counseling, for friendship, for all of that. I haven’t seen it in the scripts, yet. I’m still deeply entwined with Chad’s (Billy Flynn) storyline.

How is Billy Flynn to work with?

SUSAN: A pleasure. Billy Flynn has grown a lot as a human being and as an actor since I’ve known him. I’m really enjoying his company and really enjoying doing scenes with him. We rehearse and then we get on other subjects and laugh and talk and inform each other. We’re interested in a lot of the same things. He’s a new parent. He’s really devoting himself to that, to that experience in the best possible way. So, I’m lucky.

Do Julie and Chad try to figure out who set the fire?

SUSAN: Oh yeah.

Photo: JPI

I kept thinking about how Julie got burned in the kitchen fire years ago and her face was scarred, At the time, your mother Elizabeth Harrower was writing DAYS and wrote that for Julie. Did you hate that story?

SUSAN: Well, I know where the story came from. It came up from something in mother’s own life. I knew the people involved, and I wasn’t crazy in love with the idea. Then, when it was supposed to go for six weeks and went on for months and months, I was concerned. Mainly, I was concerned that my face was going to be affected because of the appliance, the scars, that I was wearing. I was told by a dermatologist, “You’re going to have a little beard after this. Ripping your face every single day to get this off is going to be hard on you.” But, I seem to have survived.

Has the show even addressed with you how they plan to handle writing-off the character of Doug Williams, and how they want to honor Bill?

SUSAN: Only in the smallest way. I had a conference call with the producers and our head writer last Friday. I was informed about the immediate, immediate future. I’ve also been promised that they’re going to keep me busy. It’s a cast of over 40 people. I’ll be happy to show up and to be included.

Photo: JPI

I was just hoping that whatever they decide to do with the character of Doug that they were going to run it by you, first.

SUSAN: They have, and they have been very sweet about it.  I’ve got to tell you, this regime, they have a sign up on the wall now, that says, Things we expect on this stage.”  The first one at the top of the list is “kindness.”

Have you watched your work back all these years? I know some actor’s never like to watch the scenes they taped.

SUSAN: I think you learn by watching yourself, if you have an open mind, and if you are not hypercritical, or dismissive. I cannot be dismissive of a character that has given me such a wonderful life. I’m still interested in Julie, perhaps I wouldn’t have been if I’d been on the show for three years and never returned to it. But I’m quite interested in her now, and what she has to offer as a member of this ensemble.

Photo: JPI

Julie’s ties to the whole history of Days of our Lives from this point on are very important. How do you feel about that?

SUSAN:  There are those that don’t care about the history of the show. I know that. I know there are those that only care about continuing with something snappy to keep eyes on the screen through action, adventure, drama, death, kidnapping, missed opportunities, all that, which I suppose that’s what the audience craves. But, that’s not just what the show can do. What the show can do so well is character. There’s a lot of people over 70 who are still on the show now. I’m the oldest one, but I’m not the only one. We’re coming up on the 60th anniversary. I don’t think the show is worn out. And if it is, it’s had a remarkably successful six decades.

Lamon Archey (Eli) is back on DAYS for a stint. What has it been like to work with Lamon as his on-screen grandmother?

SUSAN: I think he’s terrific and visually he is so beautiful, so appealing. I think both Eli and Lani (Sal Stowers) are very appealing as characters. I’m delighted to be connected to Eli as a family member. That was a lucky break for me.

Photo: JPI

Do you think DAYS fans are going to continue to be emotional in the aftermath of this fire and all the story that comes out of it? Do you think we’ll be touched by what Julie goes through to get the remains all cleaned up for a new house?

SUSAN: I think anybody in America who’s gone through a disaster, and have unfortunately had the disruption of their home, will be sympathetic and interested in how it all turns out. It’s a nice note to play. We haven’t had to do that very often. We just go from one lovely apartment to another without much discussion. I think this is the one set that meant a lot to people. I was very sorry to lose “Julie’s Place,” as it turned into kind of a sandwich shop. I still loved having a business, a tangible place to be, and an alternate place for people to meet.

Photo: NBC

Upon reflection, what was your favorite scene with Bill? Was it when Julie and Doug got married on-screen, or was it something else that was much more intimate?

SUSAN: I think our last scene is going to be more important, emotionally. I think the first wedding was beautiful, but the material around the time of our second wedding, when Brenda Benet (ex-Lee) came back on the show and Doug stood up to her and says, “I’m not going to be manipulated anymore,” was also strong. There has been a lot of very important times – when Doug was killed-off by James Reilly, and we met in the tunnel of light. That was a day. That was a difficult day, which I certainly can’t revisit right now emotionally. When Julie found out Doug had run off and married her mother, Addie, that was a day. It was a day because, I went to the producer at the time, Jack Herzberg, and said, “Is this it? Am I not going to work with him anymore?”And he said, “Right! That’s it. You’re not working with Bill Hayes anymore.” We were not married at the time, and I thought I was going to go through the floor! That wasn’t a happy day.

Photo: JPI

In terms of Bill’s final day on the set with you, did you know that it was his last, and what would turn out to be his last scene?

SUSAN: Well, they didn’t know. But I knew. I had been allowed to rewrite it. So, I can’t tell you Bill’s last line now, of course, but I will in time.

What do you think about the sentiments shared by Susan on her late husband, and this storyline? How do hope the show properly honors Bill and Doug Williams when the series writes-off the character? Are you enjoying the Horton house fire story arc or does it upset you too much? Share your thoughts via the comment section below.

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Interviews

Trevor St. John Chats On His Latest Film ‘A Good Enough Day’, His Y&R Leading Ladies and the Loss of Kamar de los Reyes

The Young and the Restless multi-talented Trevor St. John (Tucker McCall) most recent film dropped last week on Amazon Prime, AppleTV+ and Tubi. Not only does St. John star in it, but he directed and co-wrote the feature, as well.

A Good Enough Day features St. John as Tyler Hamilton, a terminally ill photographer who has been saddled with enormous grief over a loss in his life for over 10 years, while trying to tie up loose ends before his death. Wanting to right his fractured relationships, Tyler interacts with his sister, and his daughter via phone calls in two haunting and moving moments in the film. St. John shot all of the scenes in the movie in his home state of Washington.

During a recent livestream conversation on You Tube’s Michael Fairman Channel, Trevor spoke on the character he portrayed, the making of the film, the poignant phone calls and the takeaway he hopes lingers in audiences’ hearts and minds. In addition, Trevor shared his thoughts on his experience thus far on Y&R, and being in story with two strong leading ladies, Eileen Davidson (Ashley) and Zuleyka Silver (Audra).

Photo: AGoodEnoughDay

Many fans recall Trevor’s stellar performances as One Life to Live’s Walker Laurence/Todd Manning/Victor Lord Jr.  Recently, he and many other members of the OLTL family, suffered the loss of actor Kamar de los Reyes (ex-Antonio Vega). St. John takes a moment to share his thoughts on losing one of his dear friends. Coincidently, Reyes’ wife, Sherri Saum (ex-Keri, OLTL, ex-Vanessa, Sunset Beach), also appears in A Good Enough Day.

Speaking on embodying A Good Enough Day’s Tyler Hamilton, and what the journey he is going through during the film, Trevor shared, “We did our best to make this man, not all one thing or the other. If you heard the other end of those phone calls he was on, you think this guy’s a real piece of work. But then you realize he really suffered. He didn’t choose the grief, and maybe he made some choices out of that grief. Maybe he did not do enough to resist being all consumed by it. But as you pointed out, how can anyone know what that’s like to go through what he did?”

Photo: A Good Enough Day

As fans of St. John’s may know by now, when Tyler speaks to those on his phone, it all seemed so raw and real. Trevor gave us the secret as to why it worked so movingly and effectively. He explained,”The calls were shot and performed in a really unique way. We gave each character a very detailed biography. In particular, the detail of their relationship with Tyler, and their particular family life in the present day. But, we didn’t tell them anything else. So, none of those actors were ever told or were given the full material. We just said, ‘Here’s what you know about this man. Here’s in great detail what’s happened in the past 10 years and maybe even before. That’s all we are going to tell you. He’s gonna call you and you answer the phone as if this is all you know.'” Trevor added, “It was very risky, but once we shot that first scene I thought, ‘I think we might be able to get away with this.'”

Photo: A Good Enough Day

The beauty of A Good Enough Day is that it requires the viewers to think, interpret and go along on Tyler’s journey without hitting you over the head of exactly what is happening. However, by the final moments in the film, and we mean after the credits roll, you know everything you need to know. Trevor shared on laying out the movie: “You have to, you have to reveal everything. By the end, everything must be revealed. The question is the timing. The question is the intensity with which you peel layers away of information. The goal is to have the audience thinking, ‘I’m not sure I know precisely what’s going on here but man, I can’t really look away. I wanna see what happens next.'”

Photo: JPI

On The Young and the Restless, St. John has been in a red hot storyline with two-time Daytime Emmy winner, Eileen Davidson (Ashley Abbott), where Ashley’s sanity is now completely in question., Trevor expressed on sharing scenes with Eileen,”She’s terrific. She’s such a dear person.” St. John is also quite impressed with her recent work, “She’s become so open to the unexpected and the unknown, and that’s where you want to be. She’s a wonderful playmate and a really great person, supportive, and just super talented. I’m very lucky to be working with her.”

The CBS daytime drama currently has the relationship between Tucker and Audra taking several turns. St. John shares he is not sure where it’s ultimately leading,”That’s very difficult to say. When I get these scripts, I’m surprised as the audience. So I’m intrigued. Tucker has definitely some legitimately strong feelings for Audra.  She’s his best friend. She might be his only friend. The connection with Audra is profound. Whether he can communicate it, whether she can communicate, is another matter. But there’s something inherent there, something built up over years.”

Photo: JPI

So, just how is working with Audra’s portrayer, Zuleka Silver? Trevor remarked, “I just adore her. I light up when I’m around her. She’s just a lovely person and talented and we have great fun together. I like to tease her a little bit, but she’s also open to the unexpected, which for me, if you’re any good, you gotta be prepared for curve balls, you know, because as a human being you don’t know what’s gonna happen next. If you’re a good actor, you’re receptive to all of that, and she’s like that. ”

Photo: JPI

Back on Christmas Eve of 2023, Trevor’s former One Life to Live castmate, Kamar de los Reyes (ex-Antonio), passed away after his battle with cancer at the age of 56.  St. John opened up on this personal loss, explaining, “That was hard. He was a good friend of mine, a dear friend. I miss him. I miss him terribly. It still hasn’t even penetrated completely that he’s gone. It’s just that stage where you don’t believe it. He was a beautiful man. I saw Sherrie recently and she’s doing okay, all things considered. She’s got a nice support system. My heart breaks for her, and his family, and his boys. I appreciate you asking. It’s been very difficult.”

Photo: JPI

In case you missed it, watch the full interview with Trevor below, followed by the trailer for A Good Enough Day. 

Now let us know, if and when you watch Trevor’s film what was your reaction to it? Then, who do you want Tucker to end up with on Y&R? Audra, Ashley or someone else? Let us know in the comment section.

 

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Interviews

Kristen Alderson Talks on Her First TV Performance in 9 Years in Lifetime’s ‘The Man In The Guesthouse’, Her New Baby Girl & the Loss of Members of the OLTL Family

Daytime Emmy-winner Kristen Alderson will star on the Sunday night, February 18th premiere of the Lifetime TV movie The Man in the Guesthouse marking her first television role in nine years!

Fans are excited to see the former One Life to Live and General Hospital favorite (ex-Starr Manning, ex-Kiki Jerome, respectively) when The Man in the Guesthouse airs tonight 8 pm ET and will stream the next day.

In it, Alderson plays opposite Ignacyo Matynia as Ashley and Brandon, a youn who decide they need to rent out their guesthouse for additional income, only their renter turns out be much more than they bargained for in this thriller. Another familiar face to soap audiences also appears in the movie when former Passions and Y&R star, James Hyde (ex-Sam, ex-Jeremy, respectively), shows up.

Courtesy/Lifetime

As well as her role in The Man in the Guesthouse, this has been an exciting time in Alderson’s personal life, as she and her fiancé Taylor Crousore just welcomed their first child, their baby girl, Kiera, just a few weeks ago on January 29th.

Michael Fairman TV caught up with Kristen to talk about bringing Kiera into the world, what to expect from her first Lifetime movie, and her experience filming it, and the recent deaths of One Life to Live family and extended family members, Kamar de los Reyes (ex-Antonio) and Erika Slezak’s (ex-Viki) daughter, Amanda Davies.

Photo: KAldersonIG

Kristen recalled on the birth of Kiera, “I was in labor for like two days and by the second night I ended up having to get a C-section. I was really scared to get a C-section, but the nurses and the staff was just unreal. They were the nicest. We had a very fun c-section. It sounds so weird, but we had the best time. Taylor was in the room with me. My mom and my dad, and Eddie (ex-Matthew, OLTL) were at the hospital, but you’re only allowed to bring one person into the operating room with you. I had two other nurses before the original nurse, and they were just the most incredible nurses ever! I was so emotionally attached to each one of them. I didn’t want them to leave. So, each time I was like, ‘Oh no! A new nurse is coming.’ But then I would be like, ‘Oh, wait, I love you too.”‘ (Laughs)

Photo: KAldersonIG

When the moment came for Kristen to meet her daughter for the first time, it was more emotional than she had originally thought it might be, sharing, “Right before the C-section, they numb you from the waist down so you can’t feel anything during the surgery. I was talking to Taylor the whole time. They said, ‘We’re 10 minutes to baby.’ I go, ‘Taylor, I don’t think I’m gonna cry. I think I’m gonna be so excited to meet her that I’m not even going to be able to be emotional.’  Literally, they’re like, ‘Here she comes!’ And, all of a sudden, we just heard a cry. We busted out crying. I was like, ‘Oh, my God! We made a human. That’s our baby.’ Li it was so surreal. We are just so in love with her.”

Kristen’s worlds collided last year when she was filming The Man in the Guesthouse and learned she was expecting at the same time. As she explains, “I had found out five days into filming that I was pregnant. This is my first television in role in 9 years!”

Alderson revealed on the premise of her Lifetime movie, “Ashley and Brandon have been married for 10 years and they decide to renovate their guest house in their backyard. They need the extra money, the extra income. They just start having like, Airbnb people in. And that’s not going really well because they are short term rentals, which was annoying. So, they decide, ‘Let’s get someone that’s going to be in here for a while.’ Ashley’s best friend helps her find someone online. She finds someone that seems to be the perfect tenant … until they’re not!”

Photo: IMDb

It wouldn’t be a Lifetime thriller without things going awry! Kristen confirmed this won’t be any different, sharing, “Bad things happen to everybody and very strange things happen too. At first, they’re like, they can excuse this or that, but then all of a sudden, they can’t excuse something that happens and then it’s how do you get him out? That’s the hardest part. Allen Williamson is the actor playing the renter. He is this good-looking guy, very unassuming young man, so you would never think he is a bad guy.” Addressing her part in the film, Alderson teases, “We think I’m a good girl.”

Clicking with your new leading man can be a challenge for any actress, so Kristen was intrigued to see how she and co-star, Ignacyo Matynia would get along. Kristen explained, “We met up, a day or two before we started working together to introduce ourselves, because we had to have like 10 years of marriage chemistry by day one, you know?  We clicked because our personalities were so fun and goofy together. Then, I’m thinking, ‘I hope he is a good actor’. When we ran a scene I got really nervous, because he was so amazing! I was like, ‘Oh, my God!  Am I good enough to be in the scenes with him?’ I haven’t seen the movie yet. So, I am looking forward to seeing the chemistry that we created when it airs.”

Photo: IMDb

Comparing her years acting on a soap with working on the set of a Lifetime thriller, Alderson spk the differences, and what in some ways felt the same. Kristen shared, “You’re filming the same scene 10 times, sometimes, depending on how big the scene is. That was something to get used to. And then, it’s a thriller, so you’re like hyperventilating, crying and running, and everything’s shot out of sequence. You kind of don’t know what scene comes after what. I give ‘Lifetime’ actors the most kudos. Like a soap opera, they film it so fast. It’s the soap opera of movies.”

Photos: ABC

The One Life to Live family has suffered great loss over the past year. More recently, Kamar de los Reyes passed away from cancer at 56. Kristen remembered this beloved co-star. “I’ve known him for years and years. He was always so sweet. Obviously, you know, we didn’t have many scenes together and there’s a huge age difference. We didn’t spend a ton of time together, but at the same time, everyone at One Life was such a family and everyone hung out in the hair and makeup room,” she shared. “When we had a little One Life to Live reunion in LA, I would say seven years ago, Kamar was there and we all got to see each other and catch up. He sat and talked with my mom the entire time.”

Photo: ABC

In addition, Kristen was devastated to also learn the heartbreaking news of Erika Slezak’s daughter Amanda Davies passing away at just 4 2-years-old.”I was friends with her on Facebook and she was always just so insanely proud of her mom,” Alderson said. “I was just so sad. She was so young.”

One Life to Live fans remember the chemistry between Trevor St. John (ex-Todd Manning/Victor Lord Jr., now Tucker, Y&R) and Alderson as father/daughter during her time on the ABC soap opera.  She had high praise for Trevor’s new film and his performance in A Good Enough Day. “He’s so insanely talented and he was always one of my absolute favorite people that I’ve ever worked with,” reflected Alderson. “I felt the most in the moment out of anyone I acted with at One Life.  You never knew what he was going to do, which some actors are scared of but not me. I love it. That’s why we just worked so well together. Not too many people know that Trevor’s like the funniest person I think I’ve ever met. He would just crack me up on set all the time. I got in trouble so many times because he would just make me laugh.”

Photo: JPI

One of the profound moments in St. John’s film, is when his terminally ill character of Tyler Hamilton, reaches out to his sister on a phone call. The scene made a great impact on Alderson,when she revealed, “The first phone call with his sister hooks you into the movie so deeply. That was Lisa Fuller as the sister, who is Dan Gauthier’s (ex-Kevin Buchanan) wife, and my best friend growing up was their son, Cole. It was cool to hear her act like that. I knew that she was an actress, but it was just an incredible performance just over a phone call. ”

Photo: jklphoto

Kristen also gave us a “tune-in alert” teaser of what to expect when The Man in the Guesthouse debuts, stating, “I will say that there’s like a really fun twist at the end. So, just when you think that the movie is going to go a certain way, it goes a different way. I love a good twist at the end of a movie. So, if you’re not watching it for Kristen, watch it for the twist.”

The popular actress also has been deeply moved by the fans response so far and the movie hasn’t even aired! She explained, “I’ve gotten so many incredible responses from the fans and everyone’s like ‘My DVR is set. I can’t wait. I got my popcorn. I’m watching.’  They’re all really excited for the movie. I’m hoping that Lifetime sees how the soap fans really come out to support their actors and that hopefully I’ll be in more to come.”

So, are you looking forward to seeing Kristen in her first TV movie role and performance in 9 years? Share your thoughts in the comment section below.

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