Connect with us

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

Photo: JPI

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

Days Of Our Lives

2024 Daytime Emmys Red Carpet: Dashing Duos – Who’s Got the Look? (Photos)

At the 51st annual Daytime Emmy red carpet on Friday night and the Daytime Creative Arts ceremony on Saturday night, several couples stepped out for the first time at an award show arrivals, while enduring duos wowed the carpet and more.

From new and past Emmy winners, nominees, and fan favorites, popular stars walked the red carpet with their real-life loves, on-screen loves, or additional real-life family members.

Let’s take a look at what everyone was buzzing about during the the 2024 Daytime Emmys red carpet arrivals.

Photo: JPI

General Hospital’s Steve Burton (Jason) stepped out on the carpet with his new lady love Michelle Lundstrom.

Photo: JPI

The always elegant John McCook (Eric, B&B) and his lovely wife Laurette Spang-McCook.

Photo: HutchinsPhoto

Lifetime Achievement Award honoree, Melody Thomas Scott (Nikki) stopped for a photo op with her longtime on-screen Genoa City love, Eric Braeden (Victor Newman).

Photo: HutchinsPhoto

Enduring real-life couple Juliet Mills (ex-Tabitha, Passions) and Maxwell Caulfield (The Bay et al).

Photo: JPI

B&B’s Scott Clifton (Liam) stepped out with his girlfriend, Elle Anderson on the 51st Daytime Emmys red carpet.

Photo: JPI

The Talk’s Amanda Kloots brought her date … her young son, Elvis.

Photo: HutchinsPhoto

And … B&B’s Ashley Jones brought her date, son Hayden Henricks to the red carpet, too!

Photo: Hutchins Photo

Stayla in the house! Days of our Lives longtime on-screen duo played by Mary Beth Evans and Stephen Nichols.

Photo: HutchinsPhoto

A beautiful couple indeed, Susan Walters (Diane, Y&R) and Linden Ashby (ex-Cameron, Y&R, et al).

Photo: HutchinsPhoto

B&B’s Annika Noelle (Hope) with her beau, John Patrick Amedori.

Photo: HutchinsPhoto

Real-life lovebirds … Zooey Deschanel and Jonathan Scott.

Photo: HutchinsPhoto

The “It” couple of the 2024 Daytime Emmys, Lifetime Achievement Award winners, Edward Scott and his wife, Y&R’s Melody Thomas Scott.

Photo: JPI

B&B’s Katherine Kelly Lang (Brooke) and longtime love, Dom Zoida.

Photo: NATAS

The hosts of the 2024 Daytime Emmy ceremonies, Entertainment Tonight’s, Nischelle Turner and Kevin Frazier strike a pose.

Photo: JPI

DAYS Eric Martsolf not only brought his wife, Lisa but their twins sons, Mason and Chase, to their first Daytime Emmys red carpet!

So, which duo do you think compliment each other best in their red carpet style? Let us know in the comment section below.

Continue Reading

Days Of Our Lives

2024 Daytime Emmys Red Carpet: Men Duded Up – Who’s Got the Look? (Photos)

The men of daytime hit the 51st annual Daytime Emmy red carpet this past Friday night, and some again on Saturday night at the Daytime Creative Arts Emmy ceremony.

The gents wore everything to the bustling arrivals from” full tuxedos, to suits with open shirt and no tie, to a suit and tie from black and white to color.

New and past Emmy winners, many of this year’s nominees, fan favorites, popular TV hosts and actors, walked the carpet illustrating their fashion sensibility and comfort to the paparazzi in attendance.  Here’s a snap shot of some of the looks from Emmy night 2024 below with some of your favorite men from daytime.

Photo: JPI

The Young and the Restless Sean Dominic (Nate) takes to the carpet in a crush black velvet jacket.

Photo: HutchinsPhoto

B&B’s Tanner Novlan (Finn) looked dapper on the red carpet.

Photo: HutchinsPhoto

Access Hollywood host, Scott Evans is too cool for school dressed in blue jacket and pants.

Photo: JPI

GH’s Cameron Mathison (Drew) brings basic black to the carpet in style.

Photo: JPI

General Hospital’s Evan Hofer (Dex) and Giovanni Mazza (Gio) take to the carpet in tuxedos.

Photo: JPI

The Young and the Restless Bryton James (Devon) brought a dash of blue to the festivities.

Photo: JPI

Days of our Lives star Greg Rikaart (Leo) looks cool as a cucumber on the red carpet in this black jacket.

Photo: JPI

Y&R’s Jason Thompson (Billy) strikes a pose on the Emmy red carpet.

Photo: HutchinsPhoto

Days of our Lives Dan Feuerriegel (EJ) all smiles on the red carpet.

So, who do you think wore it best? Which was your favorite look of the night from your favorite men from daytime television? Let us know in the c

Continue Reading

Breaking News

RATINGS: Daytime Emmy Audience Up 39% From Previous Year; Marking 4-Year High

Friday night’s 51st annual Daytime Emmy telecast on CBS drew solid numbers according to the overnight ratings. The ceremony brought in an average of 2.82 million total viewers making it the annual daytime kudofest’s largest audience in four years.

The last time the Emmys drew more eyeballs was during the virtual ceremony during the start of the Covid-19 pandemic back in June of 2020, which averaged 3.3 million total viewers.

Meanwhile, over at the network’s streaming companion, Paramount+, and according to TV Line, Friday’s Daytime Emmys were up over 87% from last year, to make it the largest live streaming audience to date for the show.

Photo: NATAS

The 51st annual Daytime Emmy Awards featured 98-year-old television icon, Dick Van Dyke receiving the first Daytime Emmy in his career for his performance as Timothy Robicheaux on Days of our Lives in the Outstanding Guest Performer category.

In addition, Kelly Clarkson made a live appearance at the Daytime Emmys for the first time in several years, and her series, The Kelly Clarkson Show, took home the Outstanding Talk Show award for the fourth year in a row.

Photo: NATAS

Speaking of four in a row, Laura Wright (Carly, GH) and Steve Burton (Jason, GH) ripped open the final envelope of the night revealing that it was ABC’s General Hospital that would take home the coveted Outstanding Daytime Drama series award. That makes it the 17th time overall that the 61-year old soap opera has received this honor.

In the top acting prizes of the night, it was B&B’s Thorsten Kaye (Ridge) winning back-to-back Lead Actor Emmys, and Y&R’s Michelle Stafford taking home the gold for the third time in her career for her role as Genoa City’s Phyllis.

Photo: NATAS

The show also featured a touching In-Memoriam segment that reflected just the amount of loss and mourning the daytime community has gone through this past Emmy season, and Y&R’s Melody Thomas Scott (Nikki Newman) and her husband, producer B&B’s Edward Scott received the Lifetime Achievement Award honors.

What do you think of the preliminary ratings for the 51st Annual Daytime Emmy Award? Is it an encouraging sign that the daytime audience remains steadfast and die-hard? Share your thoughts via the comment section below.

Continue Reading

Video Du Jour

Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

Recent Comments

Power Performance

Michael Easton as Finn

General Hospital

Airdates: 5-20/24-2024

Popular