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40th Annual Daytime Creative Arts Awards Winners Announced! B&B and Y&R Score 5 Wins Each!

2013 Daytime Emmy weekend kicked off in a major way for the CBS Daytime line-up during the presentations and ceremonies last night at the 40th Annual Daytime Emmy Creative Arts Awards handed out at the Westin Bonaventure Hotel in downtown Los Angeles!

The Bold and the Beautiful and The Young and the Restless each took home five gold Emmy statuettes, giving those two soaps the lead going into Sunday’s main event!

The Creative Arts Awards celebrate and acknowledge those behind-the-scenes that make your favorite daytime shows and for our purposes, your favorite daytime dramas have all the bells and whistles and make the production quality that you have come to love in our genre.

Here now are the list of winners in all the soap opera related categories:

OUTSTANDING ACHIEVEMENT IN ART DIRECTION/SET DECORATION/SCENIC DESIGN FOR A DRAMA SERIES: 

THE YOUNG AND THE RESTLESS CBS
William Hultstrom, Production Designer
David Hoffmann, Fred Cooper, Art Directors
Andrea Joel, Joe Bevacqua, Set Decorators

OUTSTANDING CASTING FOR A DRAMA SERIES

JUDY BLYE WILSON, Casting Director  THE YOUNG AND THE RESTLESS CBS

OUTSTANDING ACHIEVEMENT IN COSTUME DESIGN FOR A DRAMA SERIES

Danielle King, Costume Designer THE BOLD AND THE BEAUTIFUL CBS

OUTSTANDING ACHIEVEMENT IN HAIRSTYLING FOR A DRAMA SERIES

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THE BOLD AND THE BEAUTIFUL CBS
Michele Arvizo, Head Hairstylist
Audrey Soto, Romaine Markus-Myers, Adriana Lucio, Hairstylists

OUTSTANDING ACHIEVEMENT IN LIGHTING DIRECTION FOR A DRAMA SERIES (Tie)

THE BOLD AND THE BEAUTIFUL CBS
Patrick Cunniff, Lighting Designer/Lighting Director
Phil Callan, Lighting Director

THE YOUNG AND THE RESTLESS CBS
Ray Thompson, William Roberts, Lighting Directors

OUTSTANDING ACHIEVEMENT IN LIVE & DIRECT TO TAPE SOUND MIXING FOR A DRAMA SERIES

DAYS OF OUR LIVES NBC
Zoli Osaze, Re-Recording Mixer

OUTSTANDING ACHIEVEMENT IN MAKEUP FOR A DRAMA SERIES

THE YOUNG AND THE RESTLESS CBS
Patti Denney, Head Makeup Artist
Marlene Mason, Ralph Wilcox, Kathy Jones,
Robert Bolger, Laura Schaffer Holmes, Makeup Artists

OUTSTANDING ACHIEVEMENT IN MULTIPLE CAMERA EDITING FOR A DRAMA SERIES (Tie)

GENERAL HOSPITAL ABC
Denise Van Cleave, Penny Pengra, Christine Magarian Ucar,
Peter Fillmore, David Gonzalez, Christine Cooper, Editors

ONE LIFE TO LIVE ABC
Tracy Casper Lang, Teresa Cicala, Michael Sweeney,
Barry Gingold, Larry Farina, Stephen Cali, Vince Catania, Editors

OUTSTANDING ACHIEVEMENT IN MUSIC DIRECTION AND COMPOSITION FOR A DRAMA SERIES

THE BOLD AND THE BEAUTIFUL CBS
Bradley Bell, Jack Allocco, David Kurtz, Music Directors, Composers
Lothar Struff, Music Supervisor

OUTSTANDING ORIGINAL SONG FOR A DRAMA SERIES

“ONLY LOVE GOES ON FOREVER” THE YOUNG AND THE RESTLESS CBS
Jack Allocco, David Kurtz, Gary Verna, Composers & Lyricists

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OUTSTANDING ACHIEVEMENT IN TECHNICAL DIRECTION/ELECTRONIC CAMERA/VIDEO CONTROL FOR A DRAMA SERIES

THE BOLD AND THE BEAUTIFUL CBS
Jim Dray, Technical Director
Gordon Sweeney, Tom Luth, Ted Morales, Camera Operators
Scha Jani, Roberto Bosio, Video Control

OUTSTANDING STUNT COORDINATION
TERRY JAMES, Stunt Coordinator DAYS OF OUR LIVES NBC

So soap fans, what do you think of the winners in the categories? Agree or disagree?  Share your thoughts!

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susan M.CarlyDerrickk/kayLlanviewer717 Recent comment authors
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Paul
Paul

Congrats to OLTL. The quality of those final ABC episodes deserved recognition.

heidi
heidi

Agree!!!

Llanviewer717
Llanviewer717

Definitely.

susan M.
susan M.

I totally agree!

susan M.
susan M.

I recorded them on dvd!

shawn
shawn

Well, I guess the CBS bloc-voting worked. I guess tomorrow night will be more of the same. Should I even bother tuning in?

su0000
su0000

I believe there is much more going on behind closed doors when it comes to the these awards..
It would be actual if people voted and the awards were not decided by payed off panels / media political hand shaking..
I think we all know there is hidden agendas behind all this hoopala, if not, then why have the awards if it did not benefit networks..
Also known as ; greasing of the wheel ..

su0000
su0000

LMAO .. they actually gave awards for;

SCENIC DESIGN , CASTING , COSTUME DESIGN , HAIRSTYLING , LIGHTING DIRECTION , SOUND MIXING , TECHNICAL DIRECTION .

Y&R and BB took them all..
Two words.. biased/rigid and ridiculous..

CASTING- should have been GH –
the casting was outstanding ..
SCENIC DESIGN – should have gone to GH..
Its action dock scenes, police cars, boats , on the waterfront etc also the accident road and woods was outstanding..

Theses awards are all for putting on a show and not much more..
For many years the awards have terrible..

Jan
Jan

Oh my god GH wins every other year.

Colleen
Colleen

Well I see no reason to watch the show tomorrow. I hate that some networks feel the need to fix the outcome….really unfair to the fans

jimh
jimh

Days shouldve got it for scenic design for its wonderful use of a couch that doesnt get dirty from bird poop in the town square, and for the clever way it recycles one set that is used for the police set, Jennifers hospital office and also as Bradys examining room after he was attacked in the park! lol

PatF
PatF

Congrats to the winners.

Glad to see Y and R win since most of those awards are for what happened before JFP got her hands on the show.

heidi
heidi

Michael… can we watch the Emmy’s on HLN or elsewhere on-line this year?

mike
mike

Watching the show right now, one of the worst things ever to air on TV, an embarrassment to Daytime.

k/kay
k/kay

Just watched and I will not spoil the awards but I am over the moon for Best Lead Actor!!!!!

Derrick
Derrick

Congrats CBS!!!

Carly
Carly

Agreed ..it was so obvious that CBS rigged the show. It was a joke! GH and Days got robbed. I guess they think we are stupid?? Because we do watch the shows, we know enough to tell the difference.

Days Of Our Lives

Wally Kurth Talks on His Daytime Emmy Nomination For DAYS As Justin’s World Is Turned Upside Down

You kind of know when you are handed the ball in the world of daytime drama, and it’s your turn to shine, especially when you get meaty material that runs the gamut of emotions. And this past Emmy season, Days of our Lives’ Wally Kurth delivered the performances of his soap career (although we suspect there is some more to come in 2020!) in the role of the grieving Justin Kiriakis.

For Wally not only played grief, but starting life anew in a romantic entanglement that can be all too familiar when someone tries to move on after the loss of the love of their life. Add to that, the complication that his son’s husband, was believed to be the person who caused the accident that killed his wife, Adrienne (Judi Evans), and with that the deck is stacked for an emotional fallout that landed Kurth in the running for the Outstanding Supporting Actor in a Drama Series at this year’s 47th annual Daytime Emmy Awards to air on CBS on Friday night, June 26th, albeit in a virtual presentation.

While Wally is getting many accolades for his work on DAYS, let’s not forget the double duty he pulls on General Hospital, where this week his Ned Ashton. This week Ned is front and center during the encore presentations of the GH’ Nurses’ Ball episodes, which feature Wally singing his heart out in numerous memorable performances through the years.

Michael Fairman TV chatted with Kurth to get his thoughts and insight into his well-deserved acting nomination for DAYS, plus to find out his favorite GH Nurses’ Ball performances, and much more. Here now is what Wally had to say about it all.

Photo: JPI

I am so thrilled about this nomination because you know, I willed this to happen.  I was like, “It’s got to happen!” (Laughs)

WALLY:  You actually were saying that, and you have been very supportive and positive.  I appreciate it.

What did you end up submitting? I believe I gave you “Power Performance of the Week” honors on my site for some of them, too.

WALLY:  I do try to put together a little story in my submissions for Emmys.  I think that’s kind of important because if you’re asking someone to watch 8 or 9 minutes of just you… I didn’t want to just (not that I had this material) but bludgeon them with one sad, sobbing scene after another.  I wanted to give them a whole range of Justin and a little story.  So, I did start off where Justin was asking Adrienne to marry him, and Justin is very happy, and it’s all good, and he gets down on his knee, and you see her, and it’s like, “This is something really good,” and I also wanted to include a scene with Judi Evans in my reel.  Then, I cut to where it’s a year later, and Justin is with Kayla (Mary Beth Evans) in their apartment. They are already living together, and they are discussing the anniversary of their marriages, and about the sadness of Adrienne, and she’s talking about Steve (Stephen Nichols), and then she brings up having to tell me that Adrienne died.  So, that was obviously in a flashback that happened six months earlier; where Justin is obviously very upset, and scared, and doesn’t want to hear it, and breaks down, and Kayla comforts him. Then, I did the continuation where Justin tells Kayla how much she has meant to him, and how he felt like he wasn’t going to survive, and how she came to his aid in a way to make him feel like he really has something to live for.   Then, at the very end, I did two scenes with Will (Chandler Massey) in the jail which is where Justin confronts Will, who obviously Justin thought was responsible for killing Adrienne.  It was a really lovely, really well-written scene where Justin tells him, “You’re a son to me, and you can be disappointed with a son, and you can be hurt by a son, but you never stop loving him.” I think it showed a nice range of the anger, the hurt, the happiness (because Justin tells him about Kayla), so you get an idea of what happened to Justin last year.  I thought it was a good collection of scenes that told a little story, and you could see the range of what Justin went though.  Evidently, it worked on some level because I got nominated.

Courtesy/NBC

In the scene with Will, doesn’t Justin also tell him, “Don’t give up on life?” in a very hankie-inducing moment?

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WALLY:  Yes.  “Don’t give up.  Don’t give up on life,” which is really positive… even though he started the scene like, “I don’t even want to talk to this guy.”  Justin is there talking to Ben (Rob Scott Wilson), and Will kind of surprises him. So for Justin it;’ like, “Now I guess I’ve got to talk to Will about this,” and so he is still angry, he is still hurt, and you’re right, at the end, the scene has sort of transformed him in a way.  So, all of that stuff was just really nice, really nice scenes to get to play and very emotional.

I’ve watched most everything on the soaps from the performances to the storylines, and that one scene with the two of you was one of the best scenes I have seen in long time.  It was just so good from the writing to the execution of it. 

WALLY:  Oh yeah, I can’t even imagine a scene that was as good. Thank God that scene aired in December.  My story really didn’t get started until October/November, and all of those scenes that I included were from October, November, and December.

So, what did you think then when you found out that Chandler, along with you, and Paul Telfer (Xander) are all in the Supporting Actor category together?

WALLY:  I love it.  How great is that?  I love both of those guys.  I mean, I am such a fan of both of them.  Chandler kind of gets nominated every year, so I wasn’t surprised there.

Photo: JPI

Well, he had one year, as he pointed out to me (laughs), that he didn’t get a nomination. But, Chandler has been pretty much a perennial nominee every time he submits!

WALLY:  Yeah, Chandler just delivers.  He is a really an outstanding actor Paul, I think is great.  I love the character.  I was kind of surprised and happy for him because sometimes his character gets overlooked; just like the bad guy with the smarmy smirk and the great English accent.  So, there you go.  It’s terrific.  I think people saw more to his performance, and they should.  He works on a lot of different levels, and Paul brings a lot to the game.

And obviously, you know James Patrick Stuart (Valentin, General Hospital), since you work on that show too, and he is also nominated in your category. 

WALLY:  Yeah, and I have been a big fan of his too.  So, I was really delighted.  I called him up and left a message.  I love James.  We did a thing last year together where we went back east and played some music in some clubs,   I always think that James should be nominated.  He does such an exceptional job at bringing that character to life.  That’s not an easy thing to do either.  It’s kind of like a Xander character, and so, it is nice to see my fellow actors see the complexity in their performances and appreciate it.

Photo: JPI

Last week’s DAYS airshows contained scenes where Justin confronts Orpheus (George Delhoyo), over killing Adrienne, and Justin also goes to visit Adrienne’s grave.  I think you have another run of shows next year to submit for the Emmys (Laughs)

WALLY:  I do like to include the big four emotions that an actor has to play:  happy, sad, angry, and fear.  That is a scene where you get to see Justin really angry.  So, I will probably look to that as you get to see the anger part of the character, which I think is important.  You don’t get to see Justin very angry and lose it like that.

No, and that’s what was so great about it.  George was a great scene partner, though.

WALLY:  Oh, he was great.  George and I had a great time.  It was really awesome.  I mean, it was a challenge because it was very tricky, especially when Steve (Stephen Nichols) and Kayla (Mary Beth Evans) came in because you know; there is a part of the character that is just like, “Please, just let me shoot.  Just let me fire a bullet and just put it over his head or something, or maybe his hands are shaking so much that he misses the target!”  I don’t know, but you do just want to let him shoot, just one bullet.  (Laughs) Another moment that I really, really loved – and I’ll probably include it next year in my submission -was that scene with Suzanne Rogers (Maggie) at the hospital.  They gave me a beautiful speech to tell her that she should be her judge and jury and sentence herself to death, a beautiful speech about how she reminded me of Adrienne.  It brought out a different side of Justin that you don’t usually see.

Photo: JPI

When I spoke to Chandler about this nomination he related to me, “I am so happy for Wally because I feel like he is often underrated.” You have always been the guy on soaps who is always delivering consistent work, but now you’ve been given a story.  So now everyone can see what you can do or are reminded of it.  It’s hard without a story on the soaps; especially playing the Emmy game.

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WALLY:  It’s true.  What did Maurice Benard (Sonny, General Hospital) say?  “If it ain’t on the page, it ain’t on the stage.”  It’s really true.  Let’s face it, you can only do so much, and that’s why I don’t get too competitive.  If I lose, that’s totally fine.  I feel like I’ve already won.  Being recognized by my peers, that’s it.  Being nominated is awesome, and honestly, after this, so much of it is the material and what the actors got to do.  It’s sort of out of your control, you know.   I am happy for all of my fellow nominees.  It’s all good at this point.  I’m really, really happy.

Photo: ABC

You’ve been nominated once before, right?

WALLY:  Yes. I’ve been nominated once before, two years ago on General Hospital.  It was the year that Jane Elliot (Tracy) left.  In story, Tracy leaves, so there was all of that emotional stuff to play.  That was the year I also submitted myself for Days of Our Lives too, and I was really proud of that work.  That year saw Adrienne having to choose between Justin and Lucas (Bryan Dattilo), and she chose Lucas.  There were just some really nice scenes there that they wrote for Justin and Adrienne, and she was dealing with cancer.  Anyway, I got nominated for General Hospital, and I learned from that year that I am never going to nominate myself in the same category for both shows.  That’s just stupid.

Well, you’re everywhere.  You’re on the Nurses’ Ball encore episodes right now on GH,  

WALLY:  Oh, isn’t that funny?  All of these Nurses’ Balls, it’s hilarious.

Courtesy/ABC

Are you watching them?

WALLY:  Yes!  I watched parts of them the other night, especially my performances. It looked good; actually, they were really good.  I’m always kind of surprised like, “Wow! The dances … the singing … the production!”  I always feel like there should be more people at the Nurses’ Ball.  Shouldn’t there be more people in the seats? (Laughs)  But other than that, good stuff, good story.  It was fun to see the beginning of Ned and Olivia (Lisa LoCicero) as well, you know that first year where she and Sonny were just breaking up on the red carpet at the ball, and the next year, Ned and Olivia are already together.  This week they aired where I sing with sweet little Brooklyn Rae Silzer (Emma), the Elton John and Kiki Dee duet, “Don’t Go Breaking My Heart.”

Photo: ABC

Do you have one favorite Nurses’ Ball number you performed of all-time?

WALLY:  You know, someone has been posting old Nurses’ Balls from the 90s, and I forgot that I sang “Forever Young” with Amber Tamblyn (Ex-Emily), and that was so sweet.  I also loved singing “Somewhere over the Rainbow,” in the very first one or the second year, we did it. Some of my other favorites include: “I Feel Good,” with the Quartermaine boys, and Robert Palmer’s “Simply Irresistible” – that was fun because I got to put my own vocal stamp on it, and I remember performing George Michael’s “Faith.  It was fun singing that with Lisa.

Courtesy/NBC

So, we know that this year will be a virtual Daytime Emmy ceremony, and we don’t know what that will look like yet.  So, how would you dress for it, if they had a shot of you from home during the broadcast on CBS?

WALLY:  I definitely am going to wear a suit and a tie.  I think that’s important to try to give the Emmys the dignity that it deserves.

So, thrilled that Wally received a Daytime Emmy nod for Outstanding Supporting Actor in a Drama Series? What were your favorite moments of his last year? Are you enjoying seeing his performances on the encore GH Nurses’ Ball episodes? Comment below.

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Days Of Our Lives

DAYS Susan Seaforth Hayes Talks On Her Daytime Emmy Nomination For Julie and Doug’s Emotional Storyline

When you think Days of our Lives, what would it be without the legendary Susan Seaforth Hayes (Julie) and her real-life and on-screen husband, Bill Hayes (Doug Williams)?

This past Emmy season, the beloved duo got a chance to shine, when they were put through a ‘heartbreaking’ predicament – Julie’s heart gives out, she is in need of a transplant, and things take a turn for the worse.

What would life be like for Doug without his Julie? How would she say goodbye to him? Fans clearly felt the sentiments overflowing from this real-life duo capturing the essence of their characters in such a raw and realistic way. So much so, that Susan landed a Daytime Emmy nomination in the Outstanding Supporting Actress category for her work.

Already a Lifetime Achievement Award recipient along with her husband, Bill back in 2018, will Susan finally get an award for her acting for her decades of beautiful work on the long-running NBC soap opera? Fans will need to tune-in to CBS on Friday, June 26th to find out with the virtual presentation of the 47th annual Daytime Emmy Awards.  But for now, here is our conversation with Susan.

Photo: NATAS

Congratulations on your Supporting Actress nomination.  You have been racking up a lot of these recently, having been nominated in the same category two years ago, and also receiving the Lifetime Achievement Award along with your husband, Bill Hayes at the 45th annual Daytime Emmys in 2018.

SUSAN:  It’s really nice to be nominated, because I’ve had a few gap years.  I’ve had, what? 25 gap years between the recent nominations.

What scenes did you ultimately chose that landed you the nomination?

SUSAN:  I submitted when Julie dies.  I submitted the farewell montage scenes with Bill Hayes, and they were very moving to us… and we’ll see.  I did not submit anything snappy, or bitchy, or hysterical.  I’ve lost against hysterical every time.  Comedy has never worked.  So, I am going to try the heart and soul of soup opera: not bitchiness, but loss.

Photo: JPI

Can I ask how you got through those scenes with Bill, because it was so touching?  I don’t know how you did it.

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SUSAN:  It was very difficult.  I mean, these are the things that make us so connected to the characters and the show.  This is a place where we can show the public what love means to us, which is everything.

They were beautiful scenes.  Do you remember when you did them, if you felt good about them at the time?

SUSAN:  No… no.  I didn’t know.  Everyone on the set seemed happy.  We are blessed to have feedback from out producers now, and they didn’t say, “I think you can do it better,” and, “Another take,” not that we would have anyway, because there is never time to do another take.

Photo: JPI

How did you find out that you were nominated? 

SUSAN:  One of the producers, Randy Dugan called me, or I wouldn’t have found out for a couple of days,

What are your thoughts on this being a virtual Daytime Emmys ceremony because of COVID-19?  We don’t know anything about will play out yet or what that will look like, but it is back on network TV.

SUSAN:  It’s going to be a wonderful surprise.

So, if they have the shot of the nominees, do you think you’d be dressed in comfortable clothes or more formal?

SUSAN:  Well, I’d certainly wear my best earrings if I were at home, yeah.  If my grandson can arrange us to get on the internet (we have a grandson living on our property, and he’s our live-in techy), we will get dressed up, and sit there, if that’s the way to do it.

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DAYS did very well receiving 22 overall nominations and a lot of your co-stars got nomination as well.

SUSAN:  Yes, an excellent year for nominations for our show.

How many times have you been nominated now? 

SUSAN:  This makes six.

Photo: IMDB

Would it mean a lot to you to get the award?

SUSAN:  The Lifetime Achievement meant a lot.  It wouldn’t be bad to win this year.  I’ll say that.  It would be sweet for the show, since I am now the oldest living cast member of the original family – the original, original.  I’m not the original Julie, but close enough.  So, I think that would be some validation for the longevity of this original storytelling.  People look at the show and say, “Are you part of the DiMera family or the Brady family?”  I say, “I’m part of the Horton family!”

What did your husband Bill say when he found out you were nominated?

SUSAN:  (Yells) Billy, what did you say when you found out I was nominated?

BILL:  Yay!!!

SUSAN:  That’s about right. (Laughs)

Photo: JPI

What a guy!

SUSAN:  I know!  What a guy, what a guy, what a guy!

I was really happy to see your name among the other well-deserving nominees.

SUSAN:  I know you are because I know you care.  Who knows what will happen? It isn’t going to ruin our lives you know, one way or another.  But it was very nice to receive this acknowledgment from my peers.

So, are you glad Susan received a nomination for her work in her emotional storyline? Do you think she should finally receive the Emmy for her performances? Comment below.

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Breaking News

Hollywood Studios, Producers & Guilds Send Plan To Gov. Newsom and Gov. Cuomo For COVID-19 Production Restart Guidelines

On Monday, the two states with the most television and film production in the United States (California and New York) received a plan from many Hollywood studios, producers and the entertainment and production guilds of a plan and outline to be able to rejigger and restart production of your favorite shows and films.  This includes the soaps: General Hospital, The Young and the Restless, The Bold and the Beautiful and Days of our Lives.

Via Deadline: In an effort to get the industry moving-forward again where jobs were lost or put on hold, and production were completely stalled out-of-the-blue, the guidelines submitted by “The Industry-Wide Labor-Management Safety Committee Task Force (the “Task Force”) is asking for consideration and adoption for the resumption of motion picture, television, and streaming productions in an environment that minimizes the risk of contracting or spreading COVID-19,” says a report for Governors Gavin Newsom of California and Andrew Cuomo of New York.

Photo: AP

You can read the details of the report here.  While there has been no word from the Governors and their offices if they have seen the report, bets are that several more steps will be needed before anyone would head and report back to a set yet.

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As one would expect, limiting contact, social distancing, regular temperature checks, ways to handle props, and a COVID-19 compliance officer for all productions are part of the proposal.   As well as virtual writers room meetings, avoiding filming on-location as much as possible and filming in front of large audiences.

So, glad to know that this major step has been taken to try to get production back on track in Hollywood and New York? Comment below.

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It’s “Villains Week” on Y&R an that means some Sheila Carter, David Kimball, and Isabella Brana, Check out the promo from CBS Daytime here.  Leave A Comment

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