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The 45th Annual Daytime Emmys are in the record books.  And as previously reported, it was a big night for NBC’s Days of our Lives taking Outstanding Drama Series, Writing and Directing in a Drama Series Awards, plus top acting nods to James Reynolds (Abe) and Greg Vaughan (Eric).

Behind the scenes while the ceremony continued on-stage, and as the night’s big winners and several presenters were whisked away backstage following their victory, they took to the Winner’s Walk and chatted with Michael Fairman who got their reactions to winning the gold, or presenting important moments of the night during the live-stream broadcast.

From DAYS Deidre Hall (Marlena), Dr. Oz, The Ladies of The Talk, and GH’Chris Van Etten to DAYS head scribe Ron Carlivati, to Y&R’s actress winners: Eileen Davidson (Ashley) and Camryn Grimes (Mariah), and GH’s Chloe Lanier (Nelle, Vernee Watson (Stella) and more now you can watch the complete backstage series of conversations on The Michael Fairman Channel on You Tube.  Make sure to “subscribe” for these and more celebrity interviews.

After the jump, check out some of the winners and backstage interviews with Michael.  You can also go directly to the video you are looking to view, by clicking on the blue hyperlink on the interviewees name.

Eileen Davidson – The Young and the Restless – Lead Actress

Greg Vaughan – Days of our Lives – Supporting Actor

James Reynolds – Days of our Lives – Lead Actor

Photo Credit: HutchinsPhoto.com

Camryn Grimes – The Young and the Restless – Supporting Actress

Chloe Lanier – General Hospital – Younger Actress

Deidre Hall – Days of our Lives – Presenter

Bill and Susan Seaforth Hayes – Days of our Lives – Lifetime Achievement Award

Ken Corday – Days of our Lives – Drama Series

Ron Carlivati & Writing

Team – Days of our Lives – Writing Team Drama Series

Photo Credit: HutchinsPhoto.com

Vernee Watson – General Hospital – Guest Performer

Rome Flynn – The Bold and the Beautiful – Younger Actor

The Ladies of The Talk  – Entertainment Talk Show

Dr. Oz  – Informative Talk Show

Chris Van Etten – Presenter

Directing Team Days of our Lives . – Directing Team Drama Series

Gregori J. Martin, Wendy Riche, Kristos Andrews – The Bay . – Digital Drama Series

 

Mike Richards – The Price Is Right  – Game Show

Photo Credit: HutchinsPhoto.com

 

 

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I love Eileen Davidson! Although, I didn’t think that her reel was the strongest, I am happy that she won, because I have always been a fan of hers.

Interviews

Marla Adams Talks Her Final Scenes As Dina Mergeron, The Alzheimer’s Storyline, and Her Touching Farewell

Today on The Young and the Restless marks the end of the enduring run of Marla Adams in the role of Dina Mergeron. In story, Dina passes away from complications from Alzheimer’s disease. It’s a storyline that started four years ago when the CBS Daytime drama brought back the character and Adams; and one that has deeply affected many in the viewing audience who have also had their own personal experience of losing a loved one to this dreadful disease.

If you have not seen today’s episode yet, you may not want to read any further, but needless to say, make sure you have the hankies ready for Dina’s final moments with her children and how she leaves this earth, which will be remembered for quite some time to come.

Marla originated the role of the rich and spoiled Abbott matriarch back in 1983 and portrayed the role on and off for what amounts to five decades. Her classic scenes with Jerry Douglas (Ex-John), Eileen Davidson (Ashley) and so many more from the iconic soap, always made for great and complex stories.

 

With this her final airdate on Y&R, it also puts an exclamation point for Marla on an incredible daytime career having also appeared on: The Bold and the Beautiful. Capitol, Days of our Lives, Generations and The Secret Storm

Michael Fairman TV chatted with Adams in this very special conversation where she shared with us how it was to play these heartbreaking last scenes, the importance of the ‘teardrop of love’ necklace to the story, how Y&R gave her the most overwhelming and beautiful send-off, and her ‘thank you’s’ to all of you, who have been her extended family and are sad to see her go. She is one-of-a-kind …and now, here’s Marla.

Photo: Getty

Marla, I am so glad we have the opportunity to chat in this full-circle moment as you have brought the character of Dina to a close.

MARLA:  It’s such a joy to talk to you.  It seems like yesterday and an eternity as well.   I thought of you so much, and I remember talking to you specifically with all of the different interviews over the years, when I was at the studio.  But I will always remember the interview you did with me and Beth Maitland (Traci), my darling soul sister, and you talked to me about your mother who has since passed on from Alzheimer’s.  I’ll never forget what you had to say all those months ago

Photo: HallmarkChannel

Yes, and when as audience members we watch these stories unfold with characters we have loved, or watched on our screens for years, and there is a death, we feel connected to them as well.  And in this case, as a child who has lost a parent to Alzheimer’s, like many in the audience, you ask yourself first, “Can I watch this?” It hits very close to home, but I’m sure when people watch today’s episode of Y&R and see Dina pass away, they will be extraordinarily moved.

MARLA:  Oh, my gosh.  Wait until you people see Friday’s show.  I know they will be moved.  They should be!  I’ve got friends who I’ve already said to, “Get your Kleenex box out.”  It’s so beautiful what happens at the end of the episode.

Courtesy/CBD

How did you feel about playing Dina’s final scenes?

MARLA:  It was wonderful because it showed her lifetime of sorrow and regret, and what was so wonderful was the fact that the hero of the whole thing is the kindness and respect that she really did have for her whole family.  They had the most beautiful sendoff for me.  They sent me a limo!  I went to the studio, and dear Patti Denney (Make-up artist, Y&R) was there, of course with all kinds of makeup and everything else, and she looked like she was entering the ER room for Covid-19, because of all the safety protocols we must have.  It was unbelievable, the kindness that was served to me.  After we finished taping my final scenes, I came back to the soundstage and they totally surprised me.  Dear Tony Morina (executive producer, Y&R) and Sally Sussman (Ex-head writer, Y&R) were there, and Tony spoke about me, and so did my Y&R extended family and on-screen children: Peter Bergman (Jack), and Beth Maitland, and Eileen Davidson, and much of it was put on tape (see excerpts in video below).  Afterwards, Tony gave me beautiful flowers.  I was driven back home after this, and I felt really special, and it was just amazing to me. I had written Josh Griffith (Current head-writer and co-executive producer, Y&R) a ‘thank you’ for writing the show with his wonderful people, but I never heard back, but when I walked in my apartment, the phone was ringing.  Guess who?  It’s Josh!  He said, “I waited until I knew you would be home to thank you,” and I felt so lovey-doved up, I couldn’t believe it.  I want to read something to you that I received in the wonderful flowers that came the next day from CBS Daytime executive Margot Wain and others.  The flowers were so big that they didn’t fit on the bar!  The card read: “Thank you for bringing the amazing force that is Abbott matriarch, Dina Mergeron to countless fans of The Young and the Restless.  Your vast contribution to Y&R and CBS for more than five decades is unparalleled.  We are forever grateful for all you’ve brought to Y&R as both a consummate professional and a cherished co-worker.  All our best wishes.”  I was just so touched by the sentiments.

Photo: CBS

I also want to share something with you.  When it was revealed in the promo that came out last week that this would be your last show, I received so many notifications on social media, saying, “Oh, my God!  We love Marla!  You have to interview her!”  You are loved by the Y&R fans.  I hope you know that!  They’re sad to see you go, because you’re a legacy character to them, and soap fans have deep connections to characters that have been on their favorite soaps for decades.

MARLA:  Five decades!  My God!  I’m eighty-freaking-two.  I can’t believe it.

Courtesy/CBS

In story, Jack was on a mission to get the ‘teardrop of love’ necklace back to Dina before she died, hoping that she would have one last moment of lucidity and would recall it and it would hopefully make her happy.   He moves heaven on earth to get it, and does, and brings it to her and viewers saw her reaction. 

MARLA:  The necklace had never been anywhere before in story except recently, but I said to myself that I would play it ‘quietly and graciously’, because it made for such a beautiful moment for Dina with her children.

Courtesy/CBS

For Dina, the necklace was a symbol of remaining connected to her family and her children, even when she was not with them all of those years.  In your final scenes, Dina had these moments to say goodbye to each of your children.  Do you remember looking at Eileen, Traci, and Peter taping those highly emotional beats?

MARLA:  Yes, they were so there for me.  They are an extended family that is so precious to me, and playing this iconic character has been, too.  I remember when Sally Sussman told me a few years ago, “ I’m going to bring you back on The Young and the Restless, but you’ve got Alzheimer’s,” and I said, ‘What!?  You’re bringing me back so you can kill me off?’ and she said, “Oh no, it’ll be about a year.”  That dissolved into four years, and now five decades had passed and I was still on Y&R.  I am beyond grateful.

Courtesy/CBD

As an actress, was it hard to play Dina’s final moments when she goes to the light to join her beloved, John?

MARLA:  It was heart-wrenching for me.  In the story, Dina died when she went outside and to the front door of the Abbott home.  They did not tell me before-hand, and that’s why it was so wonderful.  I hope they came in for a closeup of that because I had no makeup on, it was beautiful, and then, Dina said, “Oh, John.”  I’ve done everything from movies, to daytime, to nighttime, to Broadway, but that was the iconic moment for me, to do this gig with wonderful, wonderful actors and friends, and to do this particular storyline.

Photo: CBS

It was 1983 when you first appeared on Y&R.  And through the years, Dina did not do such great things! She had an affair with Brent Davis who was the biological father of Ashley that caused such a rift between mother and daughter for years.  She abandoned the Abbott children and walked out on them and her marriage to John, and that’s just for starters! Dina was a complicated character. Did you love the fact that she could be very selfish at times?

MARLA:  You think?  That’s why I loved her.  Of course!  I can be very selfish, too.  You have to be selfish if you’re an actor, good God. (Laughs).

Courtesy/CBS

It was great that The Young and the Restless brought you back four years ago so that through the telling of the Alzheimer’s storyline that Dina was able to somewhat repair her relationships with her children.  Obviously, over the last many months the audience could not witness the more day to day progression and toll the disease took on Dina and her family in its final stages, but unfortunately with the way COVID-19 has affected shooting daytime soap operas, and all of our lives, including safety protocols, I am sure plans had to be altered,

MARLA:  Of course.  As an actress, this was the most important role of my life, and to have her final moments spread out in one day really is because of all of the fans who have been writing in and wanting to see Dina again,

Photo: CBS

People were rooting for you to win the Daytime Emmy back in 2018 when you were nominated for Outstanding Supporting Actress in a Drama Series. That must be a nice moment to carry with you from playing Dina’s final storyline.

MARLA:  Yes, and I should have won!  Eric Braeden (Victor, Y&R) was furious. (Laughs)  He said, “What do you mean, darling, you should have won!  Goddammit!” He’s a wonderful man and a good friend.  He came to pick me up several times to go to the studio for my last few shows, and that’s the kind of mensch he is. So, I feel just so blessed and I feel great love and loss.  I would like Dina to come back as a ghost, but I have no idea, if that will happen or not. But if the fans would be interested in seeing Dina as a ghost … make sure to write in to the show and tell them!

Courtesy/CBS

Speaking of the fans that have followed you for decades on Y&R, what would you want to say to them now that Dina has passed on?

MARLA:  Thank you, from the bottom of my heart for all of the love, the support, and the chance to play Dina out… and I’m thankful that you cared, and loved her, up till the end.

So what did you think about Dina’s final moments on today’s Y&R? Will you miss Marla Adams?  Share your thoughts via the comment section below.  But first check out the special behind the scenes tribute for Marla, followed by The Michael Fairman Channel’s interview with Marla and Beth Maitland from Y&R’s 45th anniversary celebration referred to during the above conversation.

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Interviews

B&B’s Jacqueline MacInnes Wood Talks Steffy’s Opioid Addiction Storyline, The Emotional Scenes & Adjustments Made Due To COVID-19

If you have been watching CBS’ The Bold and the Beautiful over the last two weeks, you have witnessed the compelling and important storyline unfold with Steffy Forrester (Jacqueline MacInnes Wood) at its epicenter.  In a harrowing tale of opioid addiction that can so easily happen to anyone given the circumstances, the daytime drama took on a social issue prevalent and rising in our society today.

This story gave Daytime Emmy-winner, Jacqueline MacInnes Wood another chance to shine in some of the most deeply affecting episodes and scenes in soaps of 2020.  In story, after Bill Spencer (Don Diamont) accidently hit Steffy with his car while she was on her motorcycle; she became hospitalized to treat her injuries. Once there, she met new love interest, Dr. Finnegan or as the show calls him “Finn” played by newcomer, Tanner Novlan. Finn prescribes pain medication for her. But before you know it, once Steffy is out of the hospital and back at home she struggles with the pain and the isolation of her life, and the losses she has experienced over the last many months, and before you know it, she is addicted, and no longer getting the pills from her doctor, but by any means possible.

Last week, we named Jacqui’s work the ‘Power Performance of the Week’, but we are also giving it to her again this week for her masterful performance on Tuesday’s episode, where Steffy breaks down after being confronted by Finn, Liam (Scott Clifton) and her father, Ridge (Thorsten Kaye) and finally coming to the stark realization that she is an addict.

Michael Fairman TV caught up with Jacqueline MacInnes Wood after all the key scenes had aired to: get the inside Intel on what went down taping those moments, and how the show made some important decisions amid the coronavirus pandemic about the telling of this storyline. Here is what Jacqui had to say about: her co-stars, herself, and what she learned about those who struggle with addiction.

Courtesy/CBS

How did you feel about being handed the ball to tell this important story, and how much were you told ahead of time?

JACQUELINE: Originally, I was told that we were going to tell this story, and that was before Covid-19.  So, it was literally the week before we went into lockdown, and we were about to dive into this story. Obviously, I am so grateful to be able to tell this story because traditionally The Bold and the Beautiful has a long list of social stories that we are known for telling.  It is something that that we need to talk about because it is happening, and it is happening everywhere.  Someone knows somebody – it is in our family, or our friends are dealing with this, and I didn’t realize how close to home it was for so many people.  I think that with our show, the way we balance drama, and romance, and real social issues that really touch people, is special.  I noticed that throughout this week with so many people reaching out to me.  People who are police officers, to people who actually work with people who are addicted, people who were addicted have reached out to me.  There have been a lot, but I’m very honored, again, to dive into this story.

A lot of fans and viewers remarked along the lines of “Wow, Steffy got addicted very fast,” because it felt like the story kind of accelerated itself, and some people are like, “Well, they just told it too fast.”  I wondered how you felt about that, knowing what you know about soap operas and research you may have done on addictions.

JACQUELINE:  I did some research on YouTube on opioid addiction from first-hand accounts of addicts and the effect on just them, but also on the grief it had caused their families. I originally had mistakenly thought, “It must take years to become addicted,” and I was very surprised by how quickly and easily one can be trapped in pain management, and many cases are heartbreaking.  You always think, with opioids, “Oh, this can’t happen to a lot of people,” but it’s not just, “Oh, the ‘crackhead’ down the street…”  It could be a mom, or these people who have a surgery, or an accident, and then they just get on these pills, and it happens so quickly.  Yes, the storyline happened extremely fast, but there is truth to it because addiction does happen very quickly in this world.  The other thing I have to say, I think what Brad Bell (executive producer and head writer, B&B) did so elegantly, is that we were going to tell this story, and we were going to tell this story for a very long time.  I love that he was very perceptive to this – that we are in a dark time right now.  It’s a dark world, and I think that it is important, again, to shed some light on this, but we didn’t want to necessarily drag it on too long because it’s like, you watch every news outlet, and it’s depressing, and it’s depressing everywhere.  Before Covid-19, this story would have been a lot longer, and I think it was kind of realizing, “Let’s take it back.  But, let’s dive into this.” I think we were also being mindful of the viewers because we are shedding light on this, but also, opioid addiction had now skyrocketed through this pandemic, and this quarantine.  I think, again, it’s important to tell this story, but we didn’t want to be another show that is just so depressing right now during such a depressing time.

Photo: JPI

Right, so the story won’t be as elongated , but obviously, she will always have this addiction now, which is always great as a character, to delve back into, that Steffy will have in her physical and emotional make-up now.

JACQUELINE:  Absolutely.  She will always have that.  She will always have to be mindful of it.

What did you think about Dr. Finn in all of this?  Do you think that he should have caught on earlier that this was happening to Steffy?

JACQUELINE:  (Laughs) Yes, absolutely.  I think, Steffy was pretty good at hiding it from him, especially the last time when she invited him over, and she said she didn’t need the pills.  However, on Tuesday’s episode when there was that huge explosion, and he really got to see that visceral side of Steffy as defiant and angry, that was a lot for him to take in.  Tanner has been doing such an incredible job of diving into this and telling this story, but yeah, you wonder if Finn noticed, but again, I do think Steffy was pretty good at hiding it.

She was pretty slick, but when she got the pills from Vinny, I kept thinking, “What did he give her?”, because they seemed awfully strong, or laced obviously with another drug. 

JACQUELINE:  When Steffy got the pills from Vinny, that was the first thing I said, “Is this just opioids?” Now, she’s getting it off the street, and we just don’t know.  It’s laced with God-knows-what.  She has no idea because she’s not getting it from an actual doctor; she’s getting it from Vinny.

Courtesy/CBS

So, when Tanner came to the show, did you read screen-test with him?  What was your initial thought of him and Steffy finally having a potential new relationship?

JACQUELINE:  He is absolutely wonderful.  It’s funny because we have a lot of friends in common, and he is a fellow Canadian, and we bonded over that.  He originally screen-tested, I think, a few days before we went into lockdown.  So, who knew that we were not going to be able to work with each other for months and months and months, but he has been completely added to the group, and it is a different world that we are navigating, especially with how we are filming on set and the 8 feet apart rules, and you have these emotional scenes, and you feel like you just want to grab someone, and hold them, and cry.  I have so many fans going, “My God, I just wanted one of the characters to hold you!” and then you’re like, “COVID,” and nobody can really touch me, so…

Photo: JPI

Isn’t he kissing his wife though as your stand-in?  B&B alum, Kayla Ewell?

JACQUELINE: Yes, yes he is!  I just thought it was priceless that, how long have I been on the show, that Steffy has just been pining away for Liam for years, and years, and years, and finally gets the go-ahead, and she’s going to get a new love interest, and I’m like, “Woo-hoo!” and then, COVID happened, and I find out, “Your love interest is going to be a doll!”  So, he gets his wife, which is great.  My husband has been completely supportive, but my husband has not come in.  I don’t think it would work playing opposite him as Tanner, but his wife actually has a very similar look to me, which is great.  So, she’s been in a few times, which has been amazing!  I get the foam doll. (Laughs)

Photo: JPI

I was just thinking it’s so funny, too.  Steffy FINALLY gets a new man, but she is with a doll! 

JACQUELINE:  I know, I know.

Photo: JPI

What’s great about when you get to play these kinds of emotional levels in an addiction storyline … or anything that kind of flips the character’s mental state, is that you get to see the anguish.  You know, we’ve never seen Steffy discuss or really say anything about having Beth taken from her, whom she raised her as ‘Phoebe’, and then losing Liam to Hope, and this is kind of addressing her pain through this story arc, which I thought was really good, that it wasn’t just swept under the table.  The characters, the audience, and Steffy were realizing that she had emotional baggage and distress over those losses.  How did you feel when taping those scenes with the confrontation where she pulls out a switchblade on Brooke (Katherine Kelly Lang), Ridge, Liam and Hope (Annika Noelle)? Those were great scenes. 

JACQUELINE:  Thank you, thank you.  We didn’t know how we were going to be able to do these scenes.

Because of the social distancing?

JACQUELINE:  Well, yeah, social distancing!  We did it in one take.  It was a long 10-12 page scene.

Photo: Gilles Toucas/Bell-Phillip Television

Well, the final 7 minutes of that episode were just a riveting; which included that knife scene, which in itself was gut-wrenching to watch, as I assume it must have been to play?

JACQUELINE:  It was a big scene, and it was a big, emotional week for all of us, obviously, and I couldn’t have done it without my cast.  They were so phenomenal as well.  We were trying to think, “How are we going to do this?”  Thorsten Kaye came up with this idea that Steffy should have a knife because Ridge would want to go to her and grab her, and the only thing that would maybe keep him away.  She is so angry, and she does have so much emotional baggage, and yes, she is in pain from her motorcycle accident, but I think that a lot of people saw in that phone call from Hope, where Hope said, “Oh, Kelly wants to spend another night,” that was that whole mental shift of, “Oh, my God, this is my worst fear.  It’s finally happening.  My daughter doesn’t want to stay here.  I am truly alone.  I don’t have anybody.”  Her life up to now has been about raising Kelly, and then that was that whole baggage unload – the pain of all of the years of what the Logans had done to the Forresters – it was just a domino effect. She obviously is not dealing with the pain in a pragmatic way.  I think Steffy was using the pills to mitigate her misery, physically and emotionally.

Courtesy/CBS

I think there were two turning points … after the switchblade incident, when she finally realized, “Oh, my God, what am I doing?  I’ve got this knife,” and she gets rid of it.  She does seem to have these moments (in that episode and the one that aired Tuesday) where she realizes, “Oh, my God, I’m messed up,” which were heartbreaking moments.  Do you remember playing that moment of, “Oh, my God, I’m an addict,” where Steffy admitted it out loud?

JACQUELINE:  Yeah!  It was extremely difficult.  I’m really good at being able to work on set and being able to leave it behind.  That’s the one thing that people will say to me, “What is it like off of set?  It must be so emotional for you!”  Once we say cut, I’m done.  I don’t mentally check out from the scenes, but I’m just able to let go because we just have so many episodes and so many emotional scenes, but I have to say this took a little while to shake.  I had to get into my car, and I was still emotional, and I had to put some good music on, and blare it, and drive home.  To know that these things are happening in the world and it is happening to so many people, it just breaks my heart, and I still get emotional about it.  It is gut-wrenching to know that this happens.  When I have those emotional scenes, (especially like that) I can’t fake it.  That’s just not who I am.  I can’t just fake cry to get through it.  Yeah, I’m an actor, but even though we film so quickly, even though it’s usually just one take, even though we are crying all day with all of these scenes, I really like to emotionally get there.  Obviously, over the years, I’ve learned to get there quicker, and I am really proud of myself for that, but what you see is what you get.  Those are real emotions.  I am just as present as I possibly can be in that scene and just listening to Ridge, and Liam, and Finn and just taking it all in – then Steffy realizes that she is addicted, just that moment of everything breaking down; her whole world was falling apart.  I think it was an important moment, but we were just really there for one another in that scene.

 

Scott Clifton, I just really want to say, throughout that week, had to play annoyingly holier-than-thou with you as Steffy.  People were annoyed with Liam.  He was the perfect annoyance to get her really pissed off!

JACQUELINE:  Yeah, I know!  It was actually funny at one point because so many fans were like, “Steffy was out of her mind!  She was clearly on drugs!”  I love the Steffy fans who were like, “Liam is so wrong!”  You could see how loyal the fans were.

Courtesy/CBS

They were!  It was great, but Liam was super annoying. That being said; did you watch back last Friday’s episode where after Steffy runs out, the camera pans to Scott, and Liam breaks down and cries?  So good. 

JACQUELINE:  Yep, yep.  I know, it was so good, and that was him!  That’s what I find so beautiful is that when you are in that scene, you don’t know what the reactions are going to be, and I know that was so true and authentic of Scott.  It was a genuine emotion that came out of him. I hadn’t seen him break down in a long time, but it was so unexpected, but I was glad to see it, really glad.

Photo: JPI

We haven’t seen Bill Spencer come to Steffy yet.  How does she feel about that?

JACQUELINE:  That’s a good question.  I don’t know how Steffy is going to feel about that.  I think, obviously before the addiction happened, she would blame him for hitting her on her motorcycle, but you never know, things could change coming up with Bill and Steffy.

Well, he will probably blame himself now for the addiction, I would think, because he hit her.

JACQUELINE:  I think so, too.  That’s one of the things he may be playing in those scenes.  So, we shall see.

Courtesy./CBS

Talk to me about Thorsten Kaye in those scene with you as the dad, because in the episode we saw Tuesday, there was a powerful moment when he just sat beside Steffy, but not holding her at the very end.  I thought that was a very nice touch given also Covid-19 protocols.  At that point they weren’t dragging Steffy out into a rehab facility.  We just watched him sitting there quietly while Steffy had this reckoning to herself. 

JACQUELINE:  I really liked it.  I liked that we had a lot of those chill moments of taking each other in. Thorsten and I get along so well.  We’ve just always had a bond, and I love working with him because in rehearsal, we do something one way, and then, again, when you’re filming, it’s always so unexpected, you don’t know what he is going to throw at you, which makes you be even more present.  It’s a tough scene.  I was feeding off of him and vice versa, and I’m sure he was putting himself in that situation of God-forbid if his daughters were in this situation, and you know, I’m looking at him in that father-daughter moment and seeing him become emotional for his daughter.  It just kills you, it really does, but it was a heartbreaking moment, but I like how we ended the scene: with something as very simple as sitting beside each other.

Courtesy/CBS

Your fans and the soap pundits are saying that obviously you have your Emmy reel for next year, it’s done.  It’s right there.  This may just make you a two-time Lead Actress Daytime Emmy winner.

JACQUELINE:  Aw, that’s so sweet.

It is great for you because you have an arc of a story there to tell, and we’ve talked about this before – an arc of a story for a submission in Emmy competition seems what many of the judges like to see and can understand because they watch the performer in scenes from the progression of a story.   

JACQUELINE:  Definitely, and it was nice to know that I was going to do this story and that we were going to tell this story, but once we came back months later, I didn’t know that we were still going to dive into opioid addiction with Steffy, because again, with our show, and with a lot of soaps, storylines change all of the time. I am very grateful for it.

 

So, what can we tease?  Will Steffy get Kelly back, or will she be estranged from her for a little bit?  What do you think?

JACQUELINE: I think that Steffy is a strong woman, and I think she will come back stronger than ever, and I think she will get her daughter.

Courtesy/CBS

You should be very, very proud of this work, Jacqui!

JACQUELINE:  Thank you.  I am.  During the week, when we had all of the dialogue to do, and it’s a different world now when you’re taking care of a toddler, and then with the Covid-19 protocols, and then you get the story, (and again, so grateful for it), but it was so much dialogue, and going back and forth, and making sure you’re bringing it emotionally, and it was extremely challenging, to say the least,  But, I am really proud of myself that come that Friday I was like, “Oh, my God, we did it.  We did it!”

What have you thought of Jacqueline’s performances in the opioid addiction storyline? Were you glad to hear the show decided not to drag out the story due to the times we are all in? Do you feel this storyline was powerful and could help those in need of help? Share your thoughts on the interview with Jacqui and more via the comment section below.

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Dancing with the Stars

Anne Heche Talks Dancing with the Stars, Another World’s Vicky/Marley, Ellen DeGeneres, Standing Up to Discrimination

America is getting reacquainted with Daytime Emmy winner, primetime Emmy and Tony nominee, actress Anne Heche  This talented dynamo has taken to the ballroom dance floor on the new season of Dancing with the Stars with her pro dance partner Keo Motsepe.  Daytime soap fans are thrilled to see her again after her unforgettable performances at twins Vicky and Marley on the beloved Another World early in her professional career.

While everyone had a heart-stopping moment on Monday’s episode of Dancing with the Stars, when Heche and Motsepe found themselves in the bottom two- they were saved by the judges and will dance into next week!

Michael Fairman caught up with Heche prior to Monday’s show from her home in Los Angeles for a new interview feature on The Michael Fairman Channel on  You Tube.  Their conversation covered many points throughout Anne’s career, from her difficult upbringing detailed in her memoir, “Call Me Crazy”, to how she landed on Another World and life on a soap opera, to making the decision to leave, to having her career in film and TV reach a critical impasse when she was in a relationship with Ellen DeGeneres, to life now with her two children and of course, being a celebrity dancer on live TV on this very different season of DWTS.

Here are just a few of the highlights from the chat with Heche below.

Photo: ABC

Speaking on performing on the Covid-19 season of Dancing with the Stars, Anne expressed:”You can’t define a moment that’s getting on to that ballroom floor, and all of a sudden you know you are on live television.  Dancing with the Stars is usually done in front of a live audience and it’s not this year.  So you only have the other dancers as your audience, but stepping out knowing the responsibility that I was taking on for Keo, that I was taking on for myself, and then that click – and you get four clicks – and then you go.  You don’t know if you’re going to be able to do it.  I will go as far as I can go as an artist.  But when judge Derek Hough said ‘You made me smile’, that was my intention.  That’s why I am doing this more than anything.  Yes, I want to learn, but I am here to entertain in a world where there is little entertainment (right now), where it’s live, it’s now, and it’s happening in this moment.  We can’t feel each other, but you can look at my face and know that whatever dedication I have to do this, I will do to the best of my ability.  I have been given the opportunity to perform for an audience who is at home to give one thing – that is the joy with the entertainment that I bring.”

Photo: NBC

Soap opera fans will always recall Anne’s sensational portrayal of twins Vicky and Marley on Another World from 1987-1991.  To this day, it remains one of the all-time greatest in the genre, and at that time, daytime fans knew that Heche would eventually go on to an even greater mainstream career in motion pictures and television and Broadway.  Anne’s road to Bay City and Another World happened the day after she graduated high school (she was discovered there) and landed in New York and at Another World producer and director John Whitesell’s office, where she learned now only was she playing one part, but two!

As Anne recalls it, Whitesell said to her, “What you don’t know is that I auditioned you for two characters because you’re going to play twins.  And by the way … that Bahama Mama T-shirt you wore, and obviously you thought you should repeat it, because you’re wearing it in your screen-test, and you’re wearing it now, get it off! Vicky is the sexy one, so go figure it out!  Your first day you’re going to be in a hot tub and you’re talking to your dad, because you just lost a million dollars.  I’m like, ‘What?’.  Whitesell continued, ‘Yeah, it’s a bubble bath … and don’t make me regret this decision, because I am the only person who wanted to hire you.”  After that moment, Anne took on the dual roles still not knowing much of anything about daytime and she became a fan favorite.  Throughout the interview, Anne recalls her time working with Kale Brown (Ex-Michael Hudson) (Ex-Anna Stuart (Ex- Donna Love), and Tom Eplin (Ex-Jake McKinnon).

Heche had made the decision to exit Another World and was going to quit acting with the intent on going to the Parsons School of Design, when her agent called for her to go out for a role in a film that starred Jessica Lange in which he landed the role.  Noting that the production team at Another World moved all of her scenes to the end of the day so they could tape Vicky and Marley’s departure (so she could go be in the movie), Anne next found herself in a Motel 6 on location in Nebraska when the Daytime Emmys were being handed out in 1991, and she was nominated for her Outstanding Younger Actress.

As Heche recalls, “I’m watching the Emmys and I win and I’m eating a cheeseburger on a bed by myself in a Motel 6 in Nebraska and they say ‘she can’t be here … she is a new movie with Jessica Lange.’  I won an Emmy on a bug-infested bed in a Motel 6 in Nebraska and at that moment said, with a cheeseburger in my mouth, ‘Does this mean I’m supposed to be an actress?” (Laughs)

Photo: JP

Anne’s relationship with Ellen DeGeneres was a highly-publicized from 1997-2000 for their public appearances together which later backfired on Heche’s career.  However, through Heche, the needle moved forward to pave the way for same-sex couples to be able to express their love publicly.  As she reflects on that time in her life, she expressed: “I was told not to go to the premiere of Volcano if I took Ellen, and I looked at the suits standing in front of me, and even Ellen said, ‘You listen to them, Anne.  You can’t go with me.’  This is four days after I met Ellen.  I said, ‘If I had met George Clooney and four days later I was taking him to a premiere we would not be having this conversation.” This is the moment I realized what discrimination feels like. because, even Ellen is sitting here telling me not to go to the premiere.’  I said to Ellen, ‘You just came out Tuesday night on Ellen (referring to DeGeneres then comedy series) and you are sitting here right now and you are telling me to not bring you to my premiere as my date?!’  So, even Ellen did not agree with me. Then it happened again in front of President Clinton. I put my arm around her.  She said, “You’re not allowed, you can’t do that.’  I said, ‘I will not be discriminated against.”

Watch the entire video interview with Anne below.

Then let us know, are you rooting Anne on during her run on DWTS?  What are your favorite Vicky/Marley moments portrayed by Anne on Another World? What do you think about the comments she shared on Ellen DeGeneres and what happened throughout her life and career? Share your thoughts in the comment section.

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B&B’s Jacqueline MacInnes Wood deliver the Power Performance of the Week as Steffy’s drug addiction leads to a confrontation and intervention by her loved ones with dire consequences.  Here is the last seven minutes that featured Emmy-winner Wood at her best. Leave A Comment

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