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Albert Alarr Issues Statement on Misconduct Allegations and His Dismissal from Days of our Lives
Albert Alarr, the now former co-executive producer and director of Days of our Lives, who found himself in the middle of a misconduct firestorm, has issued a statement in an effort to ‘set the record straight’ and in retaliation to those he claims have wrongly accused him. Alarr, who on Friday was fired by the long-running soap opera, was replaced by longtime show producer, Janet Drucker, who will now take over his Co-EP duties.
In his statement given to The Wrap, Alarr pointed to the “mischaracterizations” of himself and how the “whole situation” stems from just two individuals who had alterior motives, and that many of the claims referenced in the media are false.
According to Alarr, he is of the belief that a strategy was in play to use, “vile stereotypes in order to bring down a Black man in a position of power.” Albert was the only Black director and producer of a daytime drama series, as he notes in his scathing statement.
Over the past few weeks, numerous accounts from current and former Days of our Lives staff, cast and crew appeared to have corroborated multiple accounts of the toxic work environment allegedly brought on by Alarr’s behind the scenes conduct. These were shared by Deadline, who broke the original story. Reportedly, at least 25 cast members demanded change in a petition, asking that Alarr be replaced in his position by veteran DAYS director, Sonia Blangiardo.
“It is hard to overstate how heartbreaking I find this situation. These allegations were already examined in a detailed and entirely independent investigation that lasted for two months. Dozens of individuals cooperated and every claim was thoroughly looked into. At the end of that process, the decision was made that I should continue in my role as Co-Executive Producer. Now, with no new facts presented, the studios have reversed course and caved to a cynical pressure campaign to force me out of my job.
It’s important to set the record straight. Every day, I worked with hundreds of people, the overwhelming majority of whom would disagree with recent mischaracterizations of me. I have been in this industry for decades, and not a single complaint has ever been made against me until now. Many of the claims recently referenced in the media are simply false. Others have been taken so out of context or are so twisted that they are unrecognizable from the truth.
To be clear, this whole situation stems from the animus of just two individuals. Those individuals, at a time of industry-wide cutbacks and economic uncertainty, have been relentlessly angling for greater pay and increased influence on the show, and, it appears, believed that their best strategy to get it was to play on vile stereotypes in order to bring down a Black man in a position of power. I will always be proud of being the only Black director/producer in daytime soap operas. And, while I am devastated by the manner of my departure, I will always treasure my years at Days of Our Lives and wish the wildly talented cast and crew the very best for the future.”
What are your thoughts on the statement issued by Albert Alarr, following being let go from Days of our Lives and the entire situation behind the scenes at the Peacock streaming soap opera? Let us know in the comment section.
Yay! I’m so happy for everyone at DOOL! New beginnings. I hope to continue to enjoy my favorite show for decades to come with this talented cast and everyone involved with the show. You came together and spoke your truth! Congratulations!
I am so sick of the race card for every freaking thing! The man has been in the industry for decades; he was promoted on merit. He was not prejudiced against, in fact, he was advanced! And now that he’s been called out for vile behavior, sexist behavior, ageist behavior, he’s trying to call out “racist” behavior toward him! This has become the go-to accusation.
On a different but related note, this happens with the actors and in story lines, too. Case in point on General Hospital. Trina, a black character, is in romance with Spencer, a white character. The couple has yet to become a solid sure thing. Stops and starts, obstacles, etc. What’s the complaint? It’s because she’s black. The accusations that the writers are racist, it’s the elephant in the room, etc. etc. And yet, Alexis (a white character) has obstacle after obstacle in her many failed relationships for decades. Brook Lynn and Chase (two white characters) have also had obstacle after misunderstanding, after problems, for what seems like a century. They could barely get a kiss going; theit mouths would draw near and then something would interrupt them. We still barely get a physically romantic scene with them. Molly and TJ (she’s white, he’s black) have been together forever and are one of the more solid couples, yet those calling out racism don’t mention them because that would go against their racism theory.
Stop. Just stop. If you’re a POC who’s also a POS own up to it. As for the interracial stories, if viewers can’t watch them as they would any other couple or realize their starts and stops are no different than many of the other frustrating starts and stops, beginnings and endings for same race soap couples, the writers shouldn’t write interrracial couples anymore. Too many headaches…
Trina and Spencer will bang by late September, does that make all the complainers happy? I’m sure they’ll still have complaints even after they have sex! Oy this world has gone bananas!
The “Sprina” fans are all assuming that the writers are going to split them up and pair Spencer with Esme (I actually like that idea). But the writers wouldn’t “dare”…they’d be accused of even more racism etc. It’s pathetic that they aren’t free to write a typical soapy story because of outcries like that. So basically no matter how they write the story we know what the endgame “has” to be.
You’re truly telling in yourself with this unhinged rant, offering zero nuance on the reasons why people bring up racial discrimination. The most important thing for you is for people to NOT identify it at all. Who are you to demand conformity on the subject, when these shows have always been produced in a racist society? The most intelligent thing you could have said would be that the outcry against Alarr was too pervasive to simplify as racial, but you made a different choice: “race talk bad, race talk go away” about other topics. Critical thinking is dead as can be in America.
It’s pretty black and white don’t cha think ?
Victimhood has become a cottage industry in America where no one accepts responsibility for their actions. I hope that Albert can find work in this town after this very public airing of grievances. This should have been handled privately. This is a union show and should have been handled through the proper channels as opposed to the court of public opinion. We are too quick to give into the latest outrage and too eager to cancel someone and destroy their livelihoods.
What? You “hope” he finds work? Why? So more people can be abused by him? Do you really think sooo many of the cast made this stuff up? He’s the one that’s claiming “victimhood.” The cast were the victims!
It was handled through the “proper channels” as Corday enlisted Sony to do an investigation which showed the accusations were valid. It was only after Corday’s unacceptable initial response that the matter became public and the right decision was finally made.
The old adage… don’t go away mad, just go away.
He sounds like Megan Markle
Good for Days!!
It’s a shame that Soap Opera Digest chose to ignore this important story until after it was finally resolved. Why should we continue reading their magazine when they don’t even report on such major news???
They did drop the ball on this one. Deadline keeps breaking the real life news (Allar, Pulos) while SOD seems focused on story and casting. To their credit, they do point out when storylines or couplings aren’t working (GH’s Liz/Finn for example). SOD, however, could’ve done a whole podcast on the Allar situation, but probably didn’t want to ruffle Ken’s feathers.
Michael Logan used to be a good source for backstage info, but he seems more to comment on real life deaths in his sporadic posts. He was never one to shy away from calling out issues, which ran him afoul of Valentini at one point.
That really leaves us with this site and DC to provide regular updates that may not always be flattering.
Because SOD is in bed with the soaps, duh! If they can’t get inside scoop from the shows, they’re publication is dead!
I think they’re (SOD) already dead. They’re definitely overpriced. I think they’re now up to $8. (?) I remember how excited I was when they first hit the stands. I think the price was something like $.75. Too many other soap sources to dole out that for something as thin as a paper towel.
Man oh man, he won’t even admit to ANY wrong doing and in classic make behavior, he blames it on a few. Don’t be ridiculous, if you had a clean record, this wouldn’t even be happening right now. The statement should have been a mega apology and if he was truly sorry, make a statement that if he’s lucky enough to ever get a job again, he will 500% do his job better in terms of his behavior with talent & crew. ANYONE working in tv today should know you don’t go to work to kid around, you treat people with respect and the dignity they deserve. I’m offended on behalf of this legacy show that Albert chose to play the blame game instead of owning up to his behavior. As long as I’m working in this business, I will make sure he does not get hired on any of my shows unless he retracts this god awful statement. Good riddance, sir!
First, if more than 25 employees at a company accuses you of the same behavior, chances are it is true. No one wants to take accountability for bad behavior anymore. If Albert wanted to lessen his guilt in the eyes of the DOOL audience, the first thing he should have said was “During the past two weeks, several things have been brought to my attention that was hurtful or degrading. I apologize to everyone I have hurt and disappointed.” If someone is not able to do that, race has nothing to do with it. I would call you a victim – of being a narcissist and unable to face your demons. You owe a lot of people a lot of apologies.
It seems like it was more than 2 people. I don’t think it has anything to do with race, but he had to go there.
2 people may have started the ball rolling, but after they opened the door, others joined in to back them up and give their own accounts of Albert’s misconduct. He’s trying to minimize it to two people, but ignores all the others who spoke up afterward.
He has a h**l of a nerve to make that delusional statement! He could be purple, for all it matters. The fact that he committed these crimes is all that matters. So glad things are changing for the better at DOOL. Hope TPTB have learned a lesson.
Wait… He dug women? Get outta here
I’m a black woman and I’m not buying him playing the race card one bit! Believe me when I say that Black men are just as capable of being horrendous jerks as white men, and his statement is an insulting to decent and honorable Black men, of which he is not one. He was in a position of power and he abused it horribly, and hopefully he will not be given a position of power again. I’m thrilled for the cast of DOOL and I hope they will enjoy a safe and respectful working environment going forward.
From what I’ve read, it seems that the firing was appropriate. It’s shameful, in addition to everything else, that Alarr tried to reframe the discussion.
Speaking of race, I think it’s refreshing that DOOL is so inclusive, as it continues to prominently showcase storylines featuring Black, Asian, and gay/bisexual characters. I especially enjoy seeing more of Melinda.
And speaking of bisexuality, I think it’s a good bet we will eventually see a Chad/Stephanie/Alex threesome. But it involves consenting adults, no coercion, no power imbalance, no unwanted sexual misconduct… 😉
Can’t see that threesome happening at all. Chad doesn’t seem to be interested in anything other than one woman at a time (his alleged drunken hookup with Gwen a couple years ago notwithstanding) and despite the fact that he pulls off drag better than Will or Sonny do, I’ve never seen any indication that he’s interested in guys at all. Not to mention that Leo has “thrown himself” at Chad more than once, and Chad clearly wasn’t having that.
Even if it was a situation where the two dudes weren’t doing anything to each other & it was just Stephanie having sex with both of them, I doubt Chad would be into it, because he can’t stand Alex on any level, and with good reason.
Satan, thanks a million for your reply. I totally get the sensible points you’re making.
But hear me out… I do remember a dream scene of that specific threesome scenario that Alex had a while back. It shocked him, for sure, because he considers himself totally straight. Both men have a thing for Stephanie; and whether Chad likes it or not, he and Alex are, in a sense, already sharing Stephanie. (They are all scene partners, to be sure. The writers have them spending a lot of time together, even playing video games late at night.) I think that Stephanie still has attraction for Alex.
Granted, I know that Chad just told Alex to back off, but that vibe can change quickly enough. If Alex gets back into their good graces and they start hanging out together, after a night of dinner, drinking, game playing, and neighborly conversation, it could happen… I mean, we’ve all been there. 🙂 [Okay, just making a joke with that last line.] Take care, Friend!
It does sound interesting though! He does like the LGBTQ community not that that means he’s gay but I could see him maybe being bi And you are so right about the drag thing I was shocked at how good Chad looked lol and how bad sonny and will looked haha
Rosie O’Donnell revealed that she plans to head back to a seat at the table of ABC’s morning talk show The View.
The announcement came during Monday’s episode of The Tangle Podcast where she shared she will participate in “in whatever way they want” her or “just as a guest” for its upcoming 30th season.
The View’s season 30 will kick-off this fall in September. O’Donnell explained, “They’re bringing back all the hosts, I think. And, you know, I’m pretty proud of that show, what it’s become and how it really speaks to the people and to politics.”
Photo: ABC
ROSIE ON HER PREVIOUS GO-ROUNDS ON THE VIEW
As fans of The View know, O’Donnell famously had two different one-year stints on the talk show in 2007 and again in 2014- 2015. She often feuded with then co-host Elizabeth Hasselbeck.
However, during her discussion with host, Kyle Ridley on The Tangle Podcast, O’Donnell also noted she often had tense moments with longtime moderator and anchor, Whoopi Goldberg.
O’Donnell also expressed, “Many, many people got the short end of the stick there. It was, you know, it was a factory where people were being churned in and out and their tenuous security, nobody got to be calm. It also was a show at the time that was run by a man. A show created by a woman, for women, about women, and the man was deciding what we should talk about. And that didn’t sit right with me, you know.”
Back in 2023, Brooke Shields had asked Rosie on her podcast, Now What? with Brooke Shields, about how she felt on her two stints at The View and all the controversy that surrounded it. Rosie at that time, stated, “I know this, it’s not the best use of my talent to get in a show where I have to argue and defend basic principles of humanity and kindness. It was not something I’d ever do again.”
You can check out the clip with Rosie and Kyle Ridley discussing her return to The View in some form for its upcoming 30th season below.
Then weigh-in: Would you be excited to see Rosie, even for a one-day or a week guest stint on the upcoming celebratory season of The View, or not so much? Let us know via the comment section.
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In what could prove to be a massive shake-up ahead, both the TV Academy (ATAS), who presides over the Primetime Emmys, and the National Academy of Television Arts and Sciences (NATAS), who preside over the Daytime Emmys, are in exploratory reunification discussions to merge the two organizations into one.
Both sides received an overwhelming vote and support from their boards to evaluate what a unified Academy could look like. However there is no formal calendar at this juncture for the discussions. In addition, because of the ongoing unification talks that should occur, the TV Academy board has voted to extend all current sitting Governors’ terms by one year so they can see the process through.
Boards at both organizations voted overwhelmingly to evaluate what a unified Academy could make possible: a strong vision for the Academy’s future, more effective thought leadership for the industry, broader service and support for members coast-to-coast, and new momentum and opportunities across the full complement of national Emmy competitions.
Photos: ATAS/NATAS
AFTER NEARLY 50 YEARS, CAN THE EMMYS BE UNDER ONE BANNER?
In a joint statement, ATAS and NATAS shared, “Television remains the most powerful medium we have to shape culture and prompt conversations that define us—no matter the size of the screen, With the business of television undergoing such a monumental transformation, this is the right moment to explore a reunification of our Academies, providing our members and our industry with a bolder voice advocating for them and a stronger partner to navigate the future with them.”
If the reunification talks continue, this would be the first time since the two Emmy organizations split back on June 30, 1977 that they have tried to come together, all of this after almost three decades of often uneasy and strained tension between the two.
The most recent joint change came in 2022 when a move of the game show categories went from NATAS to ATAS’ and now are in the Primetime Emmys.
Deadline notes that a unification of the two television academies who overall preside over nighttime and daytime programming would be similar how SAG and AFTRA used to represent performers from completely different dayparts of work.
Could the Daytime Emmys finally see some love in primetime and have their major categories televised as part of the annual kudofest every September? Stay tuned.
Meanwhile, the 78th Primetime Emmy Awards ceremony will take place live on Monday, September 14th starting at 8:00 p.m. ET / 5:00 p.m. PT and air on NBC and stream on Peacock emanating from the Peacock Theatre in Los Angeles. While, the 53rd annual Daytime Emmy Awards will take place on Friday, October 30, time to be announced, live from the Hollywood Palladium and will be streamed on watchtheemmys.tv
The National Academy of Television Arts & Sciences (NATAS) is a service organization dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy Awards for News & Documentary, Sports, Daytime and Children’s & Family programming, as well as achievements in television Technology & Engineering.
The Television Academy (ATAS) strives to shape and advance the dynamic television landscape; cultivate a diverse, inclusive and accessible professional community; and advocate for the television industry while capturing the spirit of a new generation of content creators and industry professionals. Through innovative programs, publications and events, the Academy and its Foundation foster and empower storytellers. The Academy also celebrates those who excel in the industry recognizing their achievements through awards and accolades, including the renowned Emmy Award. Membership in the Academy is open to working professionals in the television industry.
So, would you like to see the Primetime Emmy and the Daytime Emmys fold into one show if the two unions reached a unification arrangement? Do you hope that after almost 50 years, the two organizations can finally make some serious headway? Share your thoughts via the comment section below.
Beyond the Gates
53rd Annual Daytime Emmy Nominations Announced: ‘The Young and the Restless’ Tops With 18, ‘Beyond the Gates’ With 15
The National Academy of Television Arts & Sciences (NATAS) today announced the full list of nominees for the upcoming 53rd Annual Daytime Emmy Awards, and it was CBS daytime’s The Young and the Restless and broadcast television newest soap opera, Beyond the Gates that racked up the most nominations with 18 and 15, respectively.
General Hospital was next with 13 overall nominations, followed by Days of our Lives with 8 and The Bold and the Beautiful with 7 nods. The full reveal on Tuesday, follows the announcement of several major categories including Lead Actor and Actress on Monday via Extra and Entertainment Tonight and The View today revealing Daytime Drama Series and more.
The 53rd Annual Daytime Emmys ceremony are set to take place on Friday, October 30 at the historic Hollywood Palladium in Hollywood, California. The ceremony is currently planned to stream via watch.theemmys.tv and its associated apps. For the second year in a row, both the main Emmys and the Creative Arts will be presented together in one night.
Photo: CBS
In a statement, Adam Sharp, President and CEO of NATAS expressed, “We’re proud to honor the extraordinary talent and creative teams whose work continues to define and elevate daytime television, As the Daytime landscape evolves and new forms of storytelling emerge, we remain committed to recognizing the innovation happening across the industry.”
“Each year, the Daytime Emmy Awards celebrate the creativity, passion, and dedication that drive this vibrant community of storytellers,” said Rachel Schwartz, Head of the Daytime Emmy Awards. “Congratulations to this year’s nominees, whose work continues to entertain, inspire and connect with audiences every day. We look forward to celebrating their remarkable achievements in Hollywood this October.”
The Daytime Emmy Awards have recognized outstanding achievement in television programming and crafts since 1974, honoring work in a variety of genres, including daytime dramas, talk series, entertainment news, culinary, adventure, instructional and legal/courtroom programming. This year’s Lifetime Achievement Honoree, Gold & Silver Circle Inductees, and ceremony host will be announced at a later date.
Now below, check out the nominees in the daytime drama, talk show, entertainment news series and creative arts categories. Congratulations to all!
Photo: JPI
Outstanding Daytime Drama Series
Beyond the Gates
Days of Our Lives
General Hospital
The Young and the Restless
Outstanding Lead Actress in a Daytime Drama Series
Stacy Haiduk (as Kristen DiMera), Days of Our Lives
Karla Mosley (as Dani Dupree), Beyond the Gates
Michelle Stafford (as Phyllis Summers), The Young and the Restless
Heather Tom (as Katie Logan), The Bold and the Beautiful
Tamara Tunie (as Anita Williams Dupree), Beyond the Gates
Photo: ABC
Outstanding Lead Actor in a Daytime Drama Series
Eric Braeden (as Victor Newman), The Young and the Restless
Steve Burton (as Jason Morgan), General Hospital
Scott Clifton (as Liam Spencer), The Bold and the Beautiful
Thorsten Kaye (as Ridge Forrester), The Bold and the Beautiful
Christian Jules Le Blanc (as Michael Baldwin), The Young and the Restless
Outstanding Supporting Actress in a Daytime Drama Series
Linsey Godfrey (as Sarah Horton), Days of Our Lives
Camryn Grimes (as Mariah Copeland), The Young and the Restless
Beth Maitland (as Traci Abbott), The Young and the Restless
Trisha Mann-Grant (as Leslie Thomas), Beyond the Gates
Amanda Setton (as Brook Lynn Quartermaine), General Hospital
Outstanding Supporting Actor in a Daytime Drama Series
Sean Dominic (as Nate Hastings), The Young and the Restless
Timon Kyle Durrett (as Bill Hamilton), Beyond the Gates
Michael Graziadei (as Daniel Romalotti), The Young and the Restless
Roger Howarth (as Matt Clark), The Young and the Restless
Mike Manning (as Bradley “Smitty” Smith), Beyond the Gates
Lawrence Saint-Victor (as Carter Walton), The Bold and the Beautiful
Photo: ABC
Outstanding Emerging Talent in a Daytime Drama Series
Braedyn Bruner (as Emma Scorpio-Drake), General Hospital
Al Calderon (as Javier Hernandez), Days of Our Lives
Alice Halsey (as Rachel Black), Days of Our Lives
Giovanni Mazza (as Gio Palmieri), General Hospital
Ambyr Michelle (as Eva Thomas), Beyond the Gates
Arielle Prepetit (as Naomi Hamilton Hawthorne), Beyond the Gates
Outstanding Guest Performance in a Daytime Drama Series
Jasmine Burke (as June Hughes), Beyond the Gates
Jeff Kober (as Cyrus Renault), General Hospital
Eva LaRue (as Natalia Rogers-Ramirez), General Hospital
Christopher Sean (as Paul Narita), Days of Our Lives
Ray Wise (as Ian Ward), The Young and the Restless
Outstanding Writing Team for a Daytime Drama Series
Beyond the Gates
The Bold and the Beautiful
Days of Our Lives
General Hospital
Photo: CBS
Outstanding Directing Team for a Daytime Drama Series
Days of Our Lives
General Hospital
The Young and the Restless
Outstanding Casting for a Daytime Program
Beyond the Gates
General Hospital
The Young and the Restless
Outstanding Daytime Talk Series
3rd Hour of TODAY
The Drew Barrymore Show
The Kelly Clarkson Show
Live With Kelly and Mark
TODAY With Jenna & Friends
The View
Photo: ABC
Outstanding Daytime Talk Series Host
Joy Behar, Whoopi Goldberg, Alyssa Farah Griffin, Sara Haines, Sunny Hostin & Ana Navarro, The View
Kelly Clarkson, The Kelly Clarkson Show
Tamron Hall, Tamron Hall
Jennifer Hudson, The Jennifer Hudson Show
Sherri Shepherd, Sherri
Outstanding Entertainment News Series
Access Hollywood
Entertainment Tonight
Extra
Outstanding Daytime Personality (Daily)
Mona Kosar Abdi, Derek Hough & Terri Seymour, Extra
Cassie DiLaura, Denny Directo, Kevin Frazier, Rachel Smith & Nischelle Turner, Entertainment Tonight
Scott Evans, Zuri Hall, Kit Hoover & Mario Lopez, Access Hollywood
Star Jones & Corey Jovan, Divorce Court
Photo: WBTV
Outstanding Arts and Popular Culture Program
Beyond the Gates: Welcome to the Neighborhood — An Entertainment Tonight Special
Off Script With The Hollywood Reporter
Variety & CNN Actors on Actors
Variety Studio: Actors on Actors
Working In the Theatre
Outstanding Music Direction and Composition for a Daytime
Beyond the Gates, Episode 103
Have Guitar Will Travel World
The Kelly Clarkson Show Episode 5033
Let Frankie Cook,” Getting the Band Back Together
Macy’s Thanksgiving Day Parade
Outstanding Technical Direction and Video for a Daytime Program
Beyond the Gates, Episode 104
The Bold and the Beautiful,” Episode 9511
Disney Parks Magical Christmas Day Parade”
The Jennifer Hudson Show, ” Episode 4041
Macy’s Thanksgiving Day Parade”
Photo: CBS
Outstanding Hairstyling and Makeup for a Daytime Program
Beyond the Gates, Episode 103
General Hospital, Episode 15719
The Kelly Clarkson Show,” Episode 5033
The Young and the Restless,” Episode 13273
Outstanding Costume Design / Styling for a Daytime Program
The Jennifer Hudson Show, Episode 4140
The Kelly Clarkson Show
Macy’s Thanksgiving Day Parade
The Young and the Restless Episode 13149
The Young and the Restless Episode 13273
Outstanding Sound Mixing and Sound Editing for a Live Daytime Program
The Bold and the Beautiful, Episode 9658
The Jennifer Hudson Show Episode 4039
The Kelly Clarkson Show Episode 5007
Macy’s Thanksgiving Day Parade
The Young and the Restless,” Episode 13260
Outstanding Lighting Direction for a Daytime Program
Beyond the Gates Episode 104
General Hospital Episode 15624
The Jennifer Hudson Show Episode 4010
The Kelly Clarkson Show Episode 6169
Macy’s Thanksgiving Day Parade”
Outstanding Art Direction/Set Decoration/Scenic Design for a Daytime Program
The Kelly Clarkson Show Episode 5033
Live with Kelly and Mark Episode 250414
The View Episode 6280
The Young and the Restless Episode 13145
The Young and the Restless Episode 13244
So, what do you think of the 53rd annual Daytime Emmy nominations? Who are you happy to see receive a nomination and who do you think was snubbed? Weigh-in via the comment section.
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