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Susan Lucci & Co – The Hollywood Christmas Parade Interviews

Susan Lucci

© JPI Studios

It’s that annual tradition in Hollywood where Santa is the real star of the show, and celebrities from film, music, and primetime and daytime television ride in cars and floats to ring in the official start to the holiday season at the Hollywood Christmas Parade. And this year, All My Children’s Susan Lucci was selected as the Parade’s Grand Marshal. The actress attended with her husband Helmut Huber and many notable daytime stars also took part including: Y&R’s Jeanne Cooper, Judith Chapman, Vanessa Marano, Hayley Erin, and Sean Kanan. From B&B: Heather Tom, Jennifer Gareis, John McCook and Lesley Anne-Down. GH brought us Dominic Zamprogna, Julie Berman and John Ingle. In addition, Brothers & Sisters and Dancing with the Stars, Gilles Marini stopped by to speak with On-Air On-Soaps as did Antonio Sabato Jr. A good time was had by all. Associated Television International produced the telecast that will air nationally for the first time on December 10th and again on Christmas Eve on MyNetworkTV!

Listen to the audio:

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SUSAN LUCCI

Susan Lucci

© JPI Studios

MICHAEL:

Susan, Jim Romanovich at ATI asked me what I thought of Susan Lucci being the Grand Marshal for the Hollywood Christmas Parade because AMC is heading west. I said, “I thought it was a terrific idea.” How does it feel to be the star attraction along with Santa Claus tonight? Will you be hanging with Mr. Claus?

SUSAN:

I will be with Santa Claus tonight, and I tell you I am so very flattered to the City of Los Angeles for asking me, a New York girl to be the Grand Marshal. It was a big gesture and a big welcome to All My Children who is coming out here January 4th.

MICHAEL:

The cast who is heading to Los Angeles to continue with the soap is going to have to say goodbye to cast members & long-time crew members in the coming days before it heads to its new digs. Is it going to be sad for you to say goodbye? You have been with the soap since the beginning, so you have forged many friendships.

SUSAN:

It’s very hard. There is sadness in the studio that has been there. We all said this to each other coming back from Thanksgiving, which is tomorrow, “We are going to feel it more so. It is drawing to a close and the reality does set in.” I love this crew and it really is an ensemble from top to bottom at All My Children. Not to sound corny or cliché, but we are a family and part of us can’t come out here and that is sad. The goodbyes are sad.

MICHAEL:

Your decision to continue with the show meant you were going to be bi-coastal and fly back and forth to tape.

SUSAN:

Yes, I am going to go back and forth, Dancing with the Stars prepared me for that.

MICHAEL:

You worked your butt of on that show!

SUSAN:

Thank you, I did, but I am glad I did. I had the best time and I know now I can do this and handle going back and forth.

MICHAEL:

Ryan, Greenlee and Erica will possibly have a triangle in the New Year. Are you looking forward to that story?

SUSAN:

I have no doubts about that. The Ryan/Erica thing is very new and we have had some fun stuff to play just before Thanksgiving, and certainly Greenlee coming back into the picture will complicate things. I think it might also mean that Jackson may be back, so we can have a lot of complications all the way around

MICHAEL

So, have you seen where you new dressing room might be?

SUSAN:

We have not moved into the studio. I just know where they are. I know it’s under construction and it will be brand new when we get there. I mean, I drove by it and took a glance.

MICHAEL:

We have heard so much about the 40th anniversary show of AMC that is airing in early January. Was it fun having Kelly Ripa and Mark Consuelos back (Hayley and Mateo)?

SUSAN:

It was so good to have Kelly and Mark back, and Julia Barr (Brooke) came back and Taylor Miller (Nina) came back, and so we had our own little reunion. But the show itself is a very fun format and really good show, and it was lot of fun with us.

JULIE BERMAN AND DOMINIC ZAMPROGNA

© JPI Studios

© JPI Studios

MICHAEL:

I have not spoken to you since your win at the Daytime Emmys. Where did you put the Emmy?

JULIE:

My Emmy is on a table next to my couch because I don’t have a mantle. I look at it and go, “Wow”. I am still insanely proud and surprised and thrilled.

MICHAEL:

So Dominic, what is going on with Dante and Franco? There is some connection.

DOMINIC:

Yes, it has not aired yet. It is something from my past when he was a rookie cop. I stared at all that “Franco” artwork at the gallery opening a lot. (Laughs)

MICHAEL:

How was having James Franco on the show? Did you get to work with him?

DOMINIC:

I was in a scene with him, but not with him, we are in the same area at the same time.

JULIE:

Dominic borrowed his clothes after James was done with them. (Laughs) No. No. I did work with him and it was good. He was pretty normal and he was overworked to an extent, but he was a nice guy.

MICHAEL:

But you have been overworked, too!

JULIE:

No, not like that…not five episodes in a day where I am literally holding the entire day’s worth of material. It was above and beyond what he did.

MICHAEL:

Love is blossoming between Dante and Lulu. Lulu gets a man by her side and inevitably screws it up!

JULIE:

Yeah, I know, but sometimes relationships don’t last in the soap world and sometimes it’s not her fault. Maybe the guy is bad, and maybe she won’t screw it up, but he will.

MICHAEL:

When will we see the reveal to Sonny that Dante is his biological son?

DOMINIC:

I have not filmed that yet, and I know nothing. (Laughs)

MICHAEL:

What did you think when you found out you would be playing Maurice Benard’s (Sonny) son on GH?

DOMINIC:

It was a really cool thing. I met him and he was a great guy. He is obviously a legend on this show. He is great to work with.

HAYLEY ERIN AND VANESSA MARANO

Hayley Erin

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MICHAEL:

Are the two of you looking forward to doing the parade wave with your hands?

HAYLEY:

We are super excited. I think our hands are going to hurt pretty badly!

VANESSA:

Actually, it was requested by my sister on her birthday that I due the pageant wave. I was perfecting it a little while ago.

MICHAEL:

Hayley, you are playing the daughter of one of soaps most iconic characters, Victor Newman. Did you know anything about Y&R before you started?

HAYLEY:

Vanessa Marano

© JPI Studios

I started watching the show since I started the audition process for it. Since then, it’s been crazy seeing the giant community that it is. All the actors are incredible, and it’s an honor to be playing Victor Newman’s daughter, but meeting Eric Braeden at first can be intimidating, but he is such a nice guy. You would never know with that stern look on his face. (Laughs)

MICHAEL:

Was soap veteran Eileen Davidson, who plays your mom Ashley, helpful to you?

HAYLEY:

She was so helpful, and she introduced me to everyone and was my little mentor.

VANESSA:

I have the best group. I am just going to say it, Christian, Greg, Judith. Tracey and Ted, all of them are amazing. It’s a loving group of people who are hysterical. I never expected this to be such a remarkable experience.

MICHAEL:

And you, Vanessa, kiss Kevin Schmidt (Noah) all day long on the show, and poor Abby has no love interest!

HAYLEY:

I have a horse. (Laughs)

VANESSA:

I have kissed Kevin a lot. Whenever I have a scene with Kevin, I don’t have to worry about memorizing lines because we are not doing anything but kissing each other.

CAROLYN HENNESY

Carolyn Hennesy, Asher Book

© JPI Studios

MICHAEL:

Carolyn, are you going to do the pageant wave from your car/float in the parade?

CAROLYN:

I have my gloves on and am going to do my Queen Elizabeth the second wave, absolutely.

MICHAEL:

I watched GH on Thanksgiving and I almost fell off my chair! That was funny, and I am talking about the scenes with Max and Diane.

CAROLYN:

I was going to say, that might be my Emmy episode.

MICHAEL:

Your hair was messed at the end after having sex on the floor with Max. Do you add all those little nuances to Diane?

CAROLYN:

Yes. I messed my hair and I said, “Can I bring the glove and the plunger in with me? Can I scream off camera and go, “Bring it”… these type of things. I think so wacky and they will reign me in, but if the producers and the directors think it’s a funny bit, they will be the first to jump on board.

ANTONIO SABATO JR.

Antonio Sabato Jr, Family

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MICHAEL:

So your reality show My Antonio ended, and then what happened next for Antonio?

ANTONIO:

My Antonio was over last April and it was good and I had a great time doing it. But after it was over I was single again, and then I met Cheryl and we have been an amazing couple. We have been working through some stuff, but it’s working out.

MICHAEL:

Is he a good guy?

CHERYL:

He is amazing. Good person and good father.

MICHAEL:

Would you back to the soaps?

ANTONIO:

Yes, if they would call me! Put in a good word for me at GH and tell them to call me. They are probably the only ones. I am ready to come back.

JUDITH CHAPMAN

Judith Chapman

© JPI Studios

MICHAEL:

We have not seen a lot of Gloria lately on Y&R. Where the hell is she?

JUDITH:

Gloria has been so on the back burner, but I think the New Year will bring good things for Gloria, because she always wants her money in the pie, and so I am planning and thinking and hoping and praying. That is what I want for Christmas, not my two front teeth. (Laughs)

MICHAEL:

Do you ever go to the writing team or the producing team and make suggestions for Gloria in terms of story?

JUDITH:

Once in awhile I do, but I pretty much leave it to the powers-that-be. But I enjoy the time off when I can.

MICHAEL:

You just did another theatre presentation with your all-star soap actor group, The Troubadours of Daytime?

JUDITH:

We just did Night of the Iguana. It was quite the slugfest, and I am actually thinking of doing another show in the spring with a much larger cast in Palm Springs. This one we had Orson Bean, Alley Mills and John McCook, so we are getting more and more names and actors participating.

GILLES MARINI

Gilles Marini, Daughter, Son

© JPI Studios

MICHAEL:

How was dancing with Daytime Emmy host, Vanessa Williams, during the Emmy broadcast?

GILLES:

You know I worked with Vanessa Williams on Ugly Betty and that was the chance of my life to work with her. The next thing you know, I get this call from Dancing with the Stars and I am telling you my life got so much better. I wish everyone understands that Vanessa is like 23 years old. You dance with her and you feel her body…I mean this is unreal. I dance with 20 year olds and they are nowhere near the shape she is in. Vanessa is professional and she sings, dances and acts. She has got it all. If you ask me who in the entertainment is a complete performer? Vanessa Williams is complete.

MICHAEL:

You have had so much success before and now so much more after Dancing with the Stars? How are you managing it all?

GILLES:

The truth is I never really think about what comes next. In this business, it’s come and go. I want to keep my family and friends. Next to me is my photographer who I met when I was 18 years old. I keep the people with me I trust together with my family. The business is the business, and I work to do my best and I like to make people dream. If they like what I do, then I will be in this business for a long time.

MICHAEL:

What project are you looking most forward to?

GILLES:

I so cannot wait to go back on the set of Brothers & Sisters. I mean Sally Field…I mean who else on TV has this powerful a cast? They have a gay relationship on the show that people did not go, “Ooh”. They made it happen in a way that it is accepted.

HEATHER TOM

Heather Tom

© JPI Studios

MICHAEL:

What do you feel thankful for and how do you feel going into the New Year about our country, and the state of the soap genre? I know I am throwing a lot into this question. (Laughs)

HEATHER:

There is still a lot to be thankful for. I wake up everyday and am thankful I have a job to go to and that this genre still exists. I am grateful to our fans and the people that support us. I think our country is slowly turning around and hopefully we can get some health care legislation passed and hopefully that will be something to be grateful for, or at least 35 million people will be thankful for.

MICHAEL:

On B&B into the New Year, will we continue to see Bill and Katie as a couple? Or will that be short term, as many B&B couplings tend to be?

HEATHER:

I hope so, and I think Don is on the same page with me. I want to keep them going regardless of whatever wrenches get thrown into the mix. I always think it’s more interesting to see a couple work through their bad times. I want to see them work things out as a couple.

MICHAEL:

But, Bill was hiding the truth of this kiss planted on him by Steffy. How is Katie going to react when the truth comes out and she confronts Steffy? Is she going to throw things?

HEATHER:

Those were fun scenes, and I did not throw things at all. I think she believes Bill when he tells her nothing happened between them, but I think the way she deals with Steffy is a completely different issue.

MICHAEL:

Last week’s Malibu remote, where Ann Douglas played by Betty White dies, were some very special B&B episodes! What did you think of those?

HEATHER:

I thought they were so pretty and everything worked really well, and it shows what you can really do on daytime, if you want to. I think even though they were remotes, we did 60 pages that day. I think you can still do great work.

xmas-3

© JPI Studios

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

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