General Hospital
James Franco on the art of soap acting and more!

Courtesy/NY Festival
I have to say, James Franco is doing a fantastic job bringing attention to soaps right now, not only with his acting, charisma, and performance art connections, but also his writing. Check out his entry in a new piece out today by the actor entitled, The Limits of Control which is on Lapham’s Quarterly website. In the piece, he details the control actors have in certain parts of the medium they work in, which adds to their performances or possibly subtracts. Franco wrote these words below, which to soapers, means he completely “gets” the soap actor’s style and what they have to work with.
Franco, Recently, I performed in the soap opera General Hospital. It is easy to make fun of soaps, with their melodramatic plot lines, constant exposition, unnatural lighting, swelling music, and lack of action. Most of these aspects are due to the extreme speed at which soaps are produced. With five episodes a week, at least sixty pages need to be shot in a day. That’s a feature film’s worth of material shot every two days. This pace allows for very few takes, usually one. Soap acting is generally considered inferior to other acting, with the lack of takes cited as the reason. However, there are many fine film performances that are made up of just a few takes: Clint Eastwood is famous for doing one or two takes when directing; Robert Altman was very loose with his direction, always looking for spontaneity and truth; Gus Van Sant does very few set-ups, and very few takes. Innumerable directors of Oscar-winning films have used such techniques. The reason that soap actors look the way they do is context—how they are filmed, what they are saying, and how they are blocked. There is absolutely no way to act in a soap and pull off a performance like Daniel Day-Lewis in There Will Be Blood, Robert De Niro in Raging Bull, Meryl Streep in Sophie’s Choice, or Marlon Brando in On the Waterfront. These incredible performances are supported by the incredible filmmaking that is behind them. They are given the time, dialogue, space, and aesthetic of films made by great directors.
This isn’t to say that soap opera performers are worse than film actors, or that their performances are inferior. The soap opera performance should always be perceived in context: it involves actors working in a tradition that soap audiences have come to expect and love. Soap actors are delivering exactly what they are supposed to—they are in tune with their audience and they are not attempting to transcend it. If Brando had tried to play Terry Malloy in a soap, he wouldn’t have had the time to sculpt the performance into the brooding, tortured, nuanced emotional force that won him an Oscar. The contender wouldn’t have been a somebody, instead he’d just have been another mumbling dope with bad eye makeup.”
So what do you think of Franco’s thoughts on soap acting?
Beyond the Gates
2026 SDSA TV Award Nominations: All Five Daytime Dramas Score in Best Achievement in Set Decoration
The Set Decorators Society of America has revealed its nominations for 2025-26 SDSA Awards for Television, which recognizes the work of the set decoration and production designers in primetime, streaming and daytime series.
This year, all five soap operas: Beyond the Gates, The Bold and the Beautiful, Days of Our Lives, General Hospital and The Young and the Restless all received nominations in the Best Achievement in Decor/Design of a Daytime Series category.
In its official SDSA rule book, to qualify for the category of a Daytime Series, which includes daytime dramas, daytime talk shows, daytime game shows, and daytime children’s programming, all episodes must air before 6:00pm and must have a credited Set Decorator. For daytime dramas, the content must contain multiple plotlines that are carried over from episode to episode.

Photo: JPI
WHICH EPISODES CAN BE INCLUDED IN THE COMPETITION?
The eligibility year for episodes runs June 1, 2025, and May 31, 2026. Founded in 1993, the SDSA is an international nonprofit professional association dedicated to promoting excellence and preserving the legacy of the art of set decoration in motion pictures and television.
Several popular primetime and streaming titles that have wrapped their final seasons also received nods including Euphoria, Stranger Things, Hacks, Outlander, and The Boys. Popular titles such as Bridgerton.
Take a look below at the nominated scenic design teams from your favorite soaps:
Best Achievement in Décor/Design of a Daytime Series
Beyond The Gates: Set Decoration by Cynthia Slagter with Production Design by Bruton Jones
The Bold and the Beautiful: Set Decoration by Prim Rosales, Beth Wooke, Prerna Chawla, Charlotte Garnell, Chelsea Mondelli, Michelle Hall, & Linda Louise Sheets with Production Design by Lou A. Trabbie III
Days of Our Lives: Set Decoration by Adele Caine & Sarah Holmes with Production Design by Tom Early & Dan Olexiewicz
General Hospital: Set Decoration by Jennifer Elliot with Production Design by Andrew Evashchen
The Young and the Restless: Set Decoration by Jennifer Haybach, Justine Mercado, Maria Dirolf, & Monica Lowe with Production Design by David Hoffmann
So, which soap opera from the calendar year of basically June of 2025 to a week ago in 2026, do you think has had the best looking sets? Beyond the Gates, The Bold and the Beautiful, Days of Our Lives, General Hospital, or The Young and the Restless? Make you pick and drop it in the comment section below.
General Hospital
Marc Forget Exits ‘General Hospital’
The Thursday June 4 episode of General Hospital paved way for the end of the line for Jenz Sidwell’s (Carlo Rota) butler/fixer, Pascal (Marc Forget).
In the pick of the June 3 cliffhanger, Sonny Corinthos (Maurice Benard) was the hero and stopped the evil-doer from fleeing Port Charles for his part in aiding and abetting his boss with the cover-up of the murder of Professor Henry Dalton (Daniel Goddard) among other crimes.
Today’s episode did indeed mark the final appearance of Marc Forget who joined the ABC soap opera when he debuted back in July of 2025. Viewers met met Pascal when Kelly Thiebaud returned to the soap opera as Britt Westbourne and she was being blackmailed to work on Faison’s final project while at the Five Poppies in Dalmatia.

Courtesy/ABC
A General Hospital rep confirmed to Soap Opera Digest, that the June 4 episode, “Will be the last viewers will see of Pascal for now, but notes that in the world of Port Charles, comebacks are always possible.” So, how did Pascal get written-off the canvas? Here’s what went down:
PASCAL GIVES LUCAS KEY INFORMATION BEFORE BEING DRAGGED AWAY
After Sonny intercepted Pascal on his desperate attempt to get out of town, Sonny informed him hat Sidwell would stop at nothing from trying to get retribution for whoever killed his son, Marco, and promptly turned around and said that he would help Pascal flee the country, only if he turned on Sidwell.
An absolutely terrified Pascal had evidence for Sonny that he could use against Sidwell. However, he feared he would get killed on sight if he tried to retrieve the incriminating photos of Sonny and Laura from the safe at Wyndemere. So instead, Pascal gave the combination to the safe to Lucas (Van Hansis), so he could get the blackmail photos himself. But, did Pascal just set up Lucas to be killed since he loathes him for being the man to win the heart of the late Marco?
In the end, Sonny had one of his henchmen drag Pascal away and whisked off to an airfield to fly away to parts unknown, and hopefully never to be heard from again. But what now? Is Lucas going to end up being pegged as Marco’s killer and taken down by Sidwell if he gets his hands on the incriminating photos for Sonny and Laura? Stay tuned.
So, what did you think of Marc Forget’s run as Pascal? Sad or happy to see the character go? Do you think he will be back down the line? Share your thoughts via the comment section.
General Hospital
GENERAL HOSPITAL: Is This Congresswoman Cain’s New Chief of Staff?
In one of the more far-fetched soap opera moments in recent memory, while Harrison Chase (Josh Swickard) and Willow Cain (Katelyn MacMullen) are chatting at the Quartermaine boathouse in swimming trunks for him and a bikini for her, the two exes have a heart to heart on Wednesday’s June 3 episode of General Hospital.
The moment was set-up by Michael (Rory Gibson) and Jacinda (Paige Herschell) who want to find a way to push the exes together in order to get incriminating evidence of the two, so Michael can gain leverage over Willow for full custody of their children. once and for all. Jacinda notes how Chase definitely has a savior and white knight syndrome going on.
During Willow and Chase’s chat at the boathouse, the subject turns to how Chase was demoted at the PCPD in his efforts to help get Willow acquitted of attempted murder charges at her trial for the shooting of Drew. He has since gone from detective to patrolman. However, Willow comes up with an idea! Why doesn’t he come to work for her as her chief of staff. Willow feels he would be perfect, because he is only one of the only people she can trust.

Courtesy/ABC
WILLOW LAYS OUT THE BENEFITS OF CHASE ACCEPTING HER JOB OFFER
A surprised Chase, says he isn’t qualified, but Willow thinks otherwise. She urges him to consider the position she is offering, because it would give him a more regular schedule that would be befitting for him being a new father to baby Phoebe.
Chase’s want to know why it was so important to Willow that he take the job, she continues to explain how she trusts him, but Tracy (Jane Elliot) spots the two in a close moment and hides behind the boathouse. Willow exits, but asks Chase to promise he will think over her offer.
Next, Tracy threatens Chase that this is the last time he will cheat on her granddaughter, Brook Lynn Quartermaine (Amanda Setton). Knowing he didn’t “cheat” on his wife, Chase looks pissed off.
So, can you imagine, Chase as Willow’s Chief of Staff? Weigh-in if you think he will be stupid enough to take this job knowing the issues it would cause for Brook Lynn? Will the police officer ever get the clue that Willow is manipulating him like she does to everyone else? Weigh-in via the comment section below.
-
General Hospital1 week ago‘General Hospital’ Cast Maxwell Caulfield as Apollo, the Suspicious Gallery Owner in Guest Appearance
-
News1 week ago‘The Bold and the Unscripted’ New Reality Competition Series Gives Actors a Shot at Role on the CBS Soap
-
Days Of Our Lives1 week agoREPORT: Ryan Quan Back to ‘Days of Our Lives’ as Co-Head Writer
-
General Hospital4 days ago‘General Hospital’ Casts Dean Geyer in the Role of ‘Tristan Roberts’
-
General Hospital1 week ago‘General Hospital’ Alum William Lipton Featured in ‘Call of Duty: Modern Warfare 4,’ the Next Installment from Video Game Franchise
-
General Hospital4 days agoSteve Burton and Finola Hughes Back Taping Episodes at ‘General Hospital’
-
General Hospital3 days ago‘General Hospital’ SORAS’s Scout Cain and Casts Kayden Brenna Tokarski in the Role of Drew and Sam’s Daughter
-
General Hospital4 days agoGENERAL HOSPITAL Spoilers Promo: Chase and Willow Have a Close Encounter and Tracy Gets an Eyeful
James franco is so full of it. This whole article is somehow “justifying” his film star self going into soaps. And it’s quite backhanded. Can’t he say “I went to soaps so I could try all kinds of mediums. Period.” and then he could shut up abt it forever. He’s saying that soaps are crappy bec that’s what the audience expects them to be. Certainly majority, if not all of the soaps are in bad, crappy states, and the ratings reflect that. There’s a lot of disatisfaction now bec of the bad writing and worse performances. But most probably nothing (at that time) was more addictive and dramatic and edge of your seat exciting than Bill Bell penning Y&R’s Sheila escaping to B&B. The acting, writing, directing were all engrossing. It was the definition of great soaps, it was gripping and the audience kept coming back for more. Soaps don’t know how to do that now. And what the hell is james franco saying abt characters not beinf fully fleshed out? Soaps have the luxury of creating storylines for the same characters for years, so the character evolves over long periods of time. B&B’s Felicia may not be the best ex., but the character evolved not bec of Brad bell’s neglectful writing, but bec Lesli Kay was able to develop the character bec of her performances. Here’s hoping Nancy Grahn delivers a verbal smackdown thru twitter directed at pretentious james franco again. His movie star presence did not even translate in the ratings.