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James Franco on the art of soap acting and more!

By Michael Fairman

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Courtesy/NY Festival

Courtesy/NY Festival

I have to say, James Franco is doing a fantastic job bringing attention to soaps right now, not only with his acting, charisma, and performance art connections, but also his writing.  Check out his entry in a new piece out today by the actor entitled, The Limits of Control which is on Lapham’s Quarterly website.  In the piece, he details the control actors have in certain parts of the medium they work in, which adds to their performances or possibly subtracts.  Franco wrote these words below, which to soapers, means he completely “gets” the soap actor’s style and what they have to work with.

Franco, Recently, I performed in the soap opera General Hospital. It is easy to make fun of soaps, with their melodramatic plot lines, constant exposition, unnatural lighting, swelling music, and lack of action. Most of these aspects are due to the extreme speed at which soaps are produced. With five episodes a week, at least sixty pages need to be shot in a day. That’s a feature film’s worth of material shot every two days. This pace allows for very few takes, usually one. Soap acting is generally considered inferior to other acting, with the lack of takes cited as the reason. However, there are many fine film performances that are made up of just a few takes: Clint Eastwood is famous for doing one or two takes when directing; Robert Altman was very loose with his direction, always looking for spontaneity and truth; Gus Van Sant does very few set-ups, and very few takes. Innumerable directors of Oscar-winning films have used such techniques. The reason that soap actors look the way they do is context—how they are filmed, what they are saying, and how they are blocked. There is absolutely no way to act in a soap and pull off a performance like Daniel Day-Lewis in There Will Be Blood, Robert De Niro in Raging Bull, Meryl Streep in Sophie’s Choice, or Marlon Brando in On the Waterfront. These incredible performances are supported by the incredible filmmaking that is behind them. They are given the time, dialogue, space, and aesthetic of films made by great directors.

This isn’t to say that soap opera performers are worse than film actors, or that their performances are inferior. The soap opera performance should always be perceived in context: it involves actors working in a tradition that soap audiences have come to expect and love. Soap actors are delivering exactly what they are supposed to—they are in tune with their audience and they are not attempting to transcend it. If Brando had tried to play Terry Malloy in a soap, he wouldn’t have had the time to sculpt the performance into the brooding, tortured, nuanced emotional force that won him an Oscar. The contender wouldn’t have been a somebody, instead he’d just have been another mumbling dope with bad eye makeup.”

So what do you think of Franco’s thoughts on soap acting?

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James franco is so full of it. This whole article is somehow “justifying” his film star self going into soaps. And it’s quite backhanded. Can’t he say “I went to soaps so I could try all kinds of mediums. Period.” and then he could shut up abt it forever. He’s saying that soaps are crappy bec that’s what the audience expects them to be. Certainly majority, if not all of the soaps are in bad, crappy states, and the ratings reflect that. There’s a lot of disatisfaction now bec of the bad writing and worse performances. But most probably nothing (at that time) was more addictive and dramatic and edge of your seat exciting than Bill Bell penning Y&R’s Sheila escaping to B&B. The acting, writing, directing were all engrossing. It was the definition of great soaps, it was gripping and the audience kept coming back for more. Soaps don’t know how to do that now. And what the hell is james franco saying abt characters not beinf fully fleshed out? Soaps have the luxury of creating storylines for the same characters for years, so the character evolves over long periods of time. B&B’s Felicia may not be the best ex., but the character evolved not bec of Brad bell’s neglectful writing, but bec Lesli Kay was able to develop the character bec of her performances. Here’s hoping Nancy Grahn delivers a verbal smackdown thru twitter directed at pretentious james franco again. His movie star presence did not even translate in the ratings.

General Hospital

GENERAL HOSPITAL: Britt and Rocco Say Their Goodbyes, Then She Gets Arrested; Anna Reveals “Nathan West” is an Imposter

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On the Friday, June 26 episode of General Hospital, emotional moments, a new duo on the run, the end of the line for Britt and an eye-opening moment between Anna and Felicia were the order of the day. Let’s take a look at what went down, but first let’s give a round of applause for Kelly Thiebaud (Britt) and Finn Carr (Rocco) on their goodbye scenes.

In the story, Rocco insists to his parents, Dante (Dominic Zamprogna) and Lulu (Alexa Havins) that he wouldn’t leave Tortola without Britt. Dante is getting impatient because Britt brought all the trouble in recent months to his son. They need to protect him and they can’t if he stays with Britt. Lulu tells Britt she is the only one who can do the right thing, right now.

Britt explained it is too dangerous for Rocco to stay with her. She was very selfish and made a lot of terrible decisions along the way and Cullum is tracking her down because she did not finish the project he enlisted her for. She convinces Rocco to go with his parents and gives him a little token of something that reminded her of when he was a baby which is a bottle to blow bubbles with.

Courtesy/ABC

TAKE CARE OF YOURSELF

Rocco makes Britt promise to take her medication to ward off her Huntington’s disease symptoms and to keep changing locations so she is not caught. The two share a final hug as both are in tears. Dante makes a call. While in the car ready to leave Britt behind, Rocco says he will never forgive himself is something happened to Britt.

Back inside, Britt is ready to inject herself with her medication but is unaware that Cullum has now tainted it with poison! But she is saved from that, when two police officers burst through the door to arrest her for kidnapping charges! Did Dante call the local police? Is he doing this to keep her safe or to pay her back?

In Port Charles, Charlotte (Bluesy Burke) arrives at Crimson, completely unaware that the man in the elevator is following her. Nina (Cynthia Watros) and Charlotte have an argument about Willow (Katelyn MacMullen). Suddenly, Willow calls her mother that she is being questioned by the PCPD, and Nina learns, it is as a suspect for being the other driver that left Jordan and Curtis injured by the side of the road on Route 91.

ARRIVALS AND DESTINATIONS IN QUESTION

Chase (Josh Swickard) comes to Willow’s rescue much to Brook Lynn (Amanda Setton) and Justine’s (Nazneen Contractor) chagrin. Willow learns Lucy  and Drew are the supposed witnesses against her. Chase figures out when Joe (Jonathan Bennett) was alone with Drew, he got him to blink in a way that implicated her. However, in a shocking moment, Justine reveals that the trip log from Willow’s BMW SUV placed her at the scene of the accident just second before it occurred.

Meanwhile, Danny (Asher Antonyzyn) comes by Crimson to see Charlotte. He says he broke into the WSB office to get info to expose Cullum as a double agent. Charlotte blows a gasket! She can’t believe that he would do something so stupid that it could have gotten him killed. She firmly tells Danny that best thing he can do to help Jason is to stay out of things. Danny storms out, but notices the stranger in the elevator who now steps into the Crimson lobby.

Courtesy/ABC

The man tells Charlotte he is Agent Mark McKay with the WSB and he has orders to bring her in. When she resisted, he was about to chloroform her, when Danny knocked him out and took off with Charlotte.

ANNA PUTS HER TRUST IN FELICIA

In France, after having some private time with Emma (Braedyn Bruner), Anna (Finola Hughes) wants to talk to Felicia (Kristina Wagner). She tells her best friend she was trying to figure out what memories of her past with Faison, she could trust and not trust. Since Felicia knows her best she is hoping she can believe what she is about to tell her.

It is then that Anna says, “Nathan West (Ryan Paevey) is not who he says he is.” Felicia looks dumb-founded. Will she believe her friend … or think she has drummed this all up in her mind? Stay tuned.

So, what did you think about the goodbye scenes featuring Finn Carr and Kelly Thiebaud? Did you reach for the hankies? Do you believe that soon, Cassius will be caught for his duplicity and the truth about Britt’s “illness” will come to light? Share your thoughts and theories via the comment section below. But first check out the scenes featuring Anna on her road to recovery in France

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General Hospital

‘General Hospital’ Alum Chad Duell Drops First Single EDM/Dance Track ‘If You Need Me’

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Last weekend, we shared the news that General Hospital alum and Daytime Emmy winner, Chad Duell (ex-Michael Corinthos) was releasing his first single today on June 26th and it has indeed dropped! And for those readers who guessed that Duell’s first track out of the gate was going to be an EDM/Dance/House track … you are correct, sir!

The song entitled, “If You Need Me” is perfect for the late night clubs and can be found on Spotify and other major streaming platforms! Duell is noted as the performing artist, but as the composer/ lyricist and the beatmaker of the track. For his music projects, Chad is going solely by the name of “Duelly” which has been his social media handle for years.

Taking to his Instagram on Friday, Duell explained his deep dive into making music, expressing, “I’ve wanted to make music for a long time… I just never did it. It always felt like this huge, overwhelming thing to learn. All the technical side of it, the programs, everything that goes into actually building a track… it was easy to keep pushing it off.  A couple months ago I finally just decided to go for it.”

Photo: JPI

BIT BY BIT PUTTING IT TOGETHER

Chad added, “Since then I’ve been putting in a lot of time learning, experimenting, figuring things out, and slowly starting to find a sound I’m really proud of. This first release is more of a dance/EDM vibe, but I’ve also been working on a lot of different styles behind the scenes that I’m just as excited about. At some point I realized I could keep holding onto everything trying to make it perfect… or I could just start putting music out and grow as I go.”

Stepping out of his own way, Duell firmly says, “So that’s what I’m doing.  My first track “If You Need Me” is out now. More coming soon… this is just the beginning.”

As GH viewers know, Chad made the decision to step away from General Hospital after a 15-year run with the series where his last episode aired in January of 2025. By May of last year, the role was recast with Rory Gibson debuting in the part.

Give a listen below to Duelly’s “If You Need Me,” and let us know what you thought of it via the comment section below.

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General Hospital

GENERAL HOSPITAL: What Did You Think of the Return of Anna Devane, and What’s In the Letter?

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Finola Hughes made her dramatic return on-screen on the Wednesday, June 24 episode of General Hospital. Viewers will see Finola as Anna Devane again on tomorrow’s June 26th episode.

In the story, while in the French mental health facility, Anna has a session with Dr. Laurent. She tell her she now knows she was never kidnapped and that Cesar Faison is dead.

As she continued with her ruse, she went on to say she understands she was enlisted back into the WSB on a secret mission, and through that she relived all the trauma she endured by Faison, which caused her to have a psychotic break. Anna promises Dr. Laurent that her treatment plan had helped her so much in figuring out what was real, and what was in her imagination.

Courtesy/ABC

ANNA’S GOT HER OWN PLAN TO ESCAPE

In a smart move (hopefully) Anna told Laurent if she could talk to someone else who had known Faison that it might aid in her recover. She was given the phone and she called Felicia (Kristina Wagner), who agreed to fly to France in the morning. Dr. Laurent claims she is pleased with Anna’s progress, but that they still have a very long long way to go.

Now by herself, Anna pulled out a packet of letters from a bedside table. There is one in particular that she is fixated on. What does it contain? Is this all a part of her escape plan? Will she warn Felicia that “Nathan” is really Cassius (Ryan Paevey)? If so, will Felicia even believe her?

In a summer preview with Soap Opera Digest, GH co-head writers Elizabeth Korte and Chris Van Etten shared, “We’ll see echoes of Anna’s earliest incarnation as she returns to Port Charles with deadly intentions.”

So, were you happy to see Anna Devane back on your screens? What do you think is in the particular letter she was staring at? Will Felicia help Anna escape or not believe a word she says? Weigh-in via the comment section.  But first, you can check out some of the scenes from Anna’s on-screen return below.

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Jonathan Bennett joins the cast of GH as Joe Fitzpatrick. Catch the latest promo! Leave a comment.Leave A Comment

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Finn Carr & Dominic Zamprogna as Rocco & Dante

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