Mark Rydell, one of the most highly-lauded motion picture directors in Hollywood, and who got his start acting on the soaps, has died. He was 97.

The news of his passing came from Bette Midler, who starred in The Rose, which Rydell also directed. Midler took to her Instagram on Friday, August 14 and shared the news.

Bette expressed, “Mark Rydell, the director or my first film, The Rose, died this morning. He was an actor of note before he became a director, and I was so lucky to have met him when I did; he taught me so much on The Rose and later on For The Boys. Two Oscars nominations both because of him. He was the actor’s whisperer; just a few words was all it took to understand what was needed.”

Photo: JPI

As soap fans know, Rydell got his first big break playing Jeff Baker on As the World Turns. The popular character was involved on-screen with then star of the CBS soap opera, Rosemary Prinz (ex-Penny Hughes). He stayed in the role from 1956-1962. When the producers wanted him to re-up his contract, Rydell decided to leave, and so the writers killed-off the character of Jeff in a car crash. Before ATWT, Rydell played Walt Johnson on The Edge of Night. 

MARK RYDELL DIRECTED SOME OF HOLLYWOOD’S BIGGEST STARS

After a busy career in primetime television roles, Mark began to direct in 1967 with the controversial feature, The Foxes. Because of his acting beginnings, Rydell was known as an actors director. Thus, began an enduring career in Hollywood directing films with some of movies biggest stars at the time including: Steve McQueen in 1969’s The Reivers, John Wayne in 1972’s The Cowboys, and James Caan and Marsha Mason in 1973’s Cinderella Liberty. In 1976, he also directed the pilot episode of the hit ABC domestic drama Family.

It was in 1979, that Rydell directed Bette Midler in her first feature film and lead role in The Rose, in which she was Oscar-nominated, and by 1981, the former soap star was directing the likes of Katherine Hepburn, Henry Fonda, and Jane Fonda in On Golden Pond, for which he received his only Academy Award nomination as a director. He followed with The River (1984), For the Boys (1991), and many more through the years.

Rydell was previously married  from 1962 to 1973 to Joanne Linville who had appeared on Guiding Light, The Goddess, and 1976’s film version of a A Star Is Born. The couple had two children, Amy and Christopher. Later, a second marriage to Esther Rydell produced his son, Alexander, before ending in divorce.

Survivors include Rydell’s three children, three grandchildren and two great-grandchildren.

Sad to hear of the news of the passing of one of the great directors of our time, Mark Rydell? Do you remember him as Jeff Baker on As the World Turns? Let us know via the comment section.

 

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Rosie O’Donnell revealed that she plans to head back to a seat at the table of ABC’s morning talk show The View.

The announcement came during Monday’s episode of The Tangle Podcast where she shared she will participate in “in whatever way they want” her or “just as a guest” for its upcoming 30th season.

The View’s season 30 will kick-off this fall in September. O’Donnell explained, “They’re bringing back all the hosts, I think. And, you know, I’m pretty proud of that show, what it’s become and how it really speaks to the people and to politics.”

Photo: ABC

ROSIE ON HER PREVIOUS GO-ROUNDS ON THE VIEW

As fans of The View know, O’Donnell famously had two different one-year stints on the talk show in 2007 and again in 2014- 2015. She often feuded with then co-host Elizabeth Hasselbeck.

However, during her discussion with host, Kyle Ridley on The Tangle Podcast, O’Donnell also noted she often had tense moments with longtime moderator and anchor, Whoopi Goldberg.

O’Donnell also expressed, “Many, many people got the short end of the stick there. It was, you know, it was a factory where people were being churned in and out and their tenuous security, nobody got to be calm. It also was a show at the time that was run by a man. A show created by a woman, for women, about women, and the man was deciding what we should talk about. And that didn’t sit right with me, you know.”

Back in 2023, Brooke Shields had asked Rosie on her podcast, Now What? with Brooke Shields, about how she felt on her two stints at The View and all the controversy that surrounded it. Rosie at that time, stated, “I know this, it’s not the best use of my talent to get in a show where I have to argue and defend basic principles of humanity and kindness. It was not something I’d ever do again.”

You can check out the clip with Rosie and Kyle Ridley discussing her return to The View in some form for its upcoming 30th season below.

Then weigh-in: Would you be excited to see Rosie, even for a one-day or a week guest stint on the upcoming celebratory season of The View, or not so much? Let us know via the comment section.

 

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In what could prove to be a massive shake-up ahead, both the TV Academy (ATAS), who presides over the Primetime Emmys, and the National Academy of Television Arts and Sciences (NATAS), who preside over the Daytime Emmys, are in exploratory reunification discussions to merge the two organizations into one.

Both sides received an overwhelming vote and support from their boards to evaluate what a unified Academy could look like. However there is no formal calendar at this juncture for the discussions. In addition, because of the ongoing unification talks that should occur, the TV Academy board has voted to extend all current sitting Governors’ terms by one year so they can see the process through.

Boards at both organizations voted overwhelmingly to evaluate what a unified Academy could make possible: a strong vision for the Academy’s future, more effective thought leadership for the industry, broader service and support for members coast-to-coast, and new momentum and opportunities across the full complement of national Emmy competitions.

Photos: ATAS/NATAS

AFTER NEARLY 50 YEARS, CAN THE EMMYS BE UNDER ONE BANNER?

In a joint statement, ATAS and NATAS shared, “Television remains the most powerful medium we have to shape culture and prompt conversations that define us—no matter the size of the screen, With the business of television undergoing such a monumental transformation, this is the right moment to explore a reunification of our Academies, providing our members and our industry with a bolder voice advocating for them and a stronger partner to navigate the future with them.”

If the reunification talks continue, this would be the first time since the two Emmy organizations split back on June 30, 1977 that they have tried to come together, all of this after almost three decades of often uneasy and strained tension between the two.

The most recent joint change came in 2022 when a move of the game show categories went from NATAS to ATAS’ and now are in the Primetime Emmys.

Deadline notes that a unification of the two television academies who overall preside over nighttime and daytime programming would be similar how SAG and AFTRA used to represent performers from completely different dayparts of work.

Could the Daytime Emmys finally see some love in primetime and have their major categories televised as part of the annual kudofest every September? Stay tuned.

Meanwhile, the 78th Primetime Emmy Awards ceremony will take place live on Monday, September 14th starting at 8:00 p.m. ET / 5:00 p.m. PT and air on NBC and stream on Peacock emanating from the Peacock Theatre in Los Angeles. While, the 53rd annual Daytime Emmy Awards will take place on Friday, October 30, time to be announced, live from the Hollywood Palladium and will be streamed on watchtheemmys.tv

The National Academy of Television Arts & Sciences (NATAS) is a service organization dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy Awards for News & Documentary, Sports, Daytime and Children’s & Family programming, as well as achievements in television Technology & Engineering.

The Television Academy (ATAS) strives to shape and advance the dynamic television landscape; cultivate a diverse, inclusive and accessible professional community; and advocate for the television industry while capturing the spirit of a new generation of content creators and industry professionals. Through innovative programs, publications and events, the Academy and its Foundation foster and empower storytellers. The Academy also celebrates those who excel in the industry recognizing their achievements through awards and accolades, including the renowned Emmy Award. Membership in the Academy is open to working professionals in the television industry.

So, would you like to see the Primetime Emmy and the Daytime Emmys fold into one show if the two unions reached a unification arrangement? Do you hope that after almost 50 years, the two organizations can finally make some serious headway? Share your thoughts via the comment section below.