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NATAS President and CEO, Adam Sharp, Shares Details On Digital Drama Daytime Emmys, Ceremonies During COVID-19, and Keeping Winners A Secret

Photo: NATAS

On Tuesday, The National Academy of Television Arts and Sciences announced the hosts for the upcoming final two, of three, Daytime Emmy virtual ceremonies.  First up on July 19th is the Digital Drama Daytime Emmys with Queer Eye for the Straight Guy’s Jai Rodriguez presiding over the night.  Then look for The Real’s Loni Love to take us through the Children’s, Animation and Educational Emmy Awards on July 26th.

Coming off a successful 47th Annual Daytime Emmy Awards back on broadcast TV for the first time in 11 years, and doing it during COVID-19 where everything had to be done remotely was no easy feat, and it was no easy task of ensuring the winners names would not leak before air in a pre-taped ceremony. But, NATAS President and CEO, Adam Sharp, and his team put together some safety measures that kept the drama alive of just who would win come Emmy night.

Now, heading into two more shows, Sharp chats with Michael Fairman TV and gives some Intel on what to watch for and look forward to on these upcoming ceremonies and just how the CBS broadcast of the Daytime Emmys came together and much more.  Here’s what Adam had to say.

Photo: CBS

So, let’s talk for a minute about the Digital Drama categories.  How many categories will you be doling out that night?  The Bay took home Outstanding Digital Drama Series already at the 47th Annual Daytime Emmys.

ADAM:  Seven: Two Leads, Two Supporting, Guest Performer, plus writing, and directing for a Digital Drama Series.

My understanding is that the Digital Drama Daytime Emmys will be live; as opposed to how the 47th annual Daytime Emmys were pre-taped?

ADAM:  Yes.  That’s the plan!

Phoo: CBS

How do you feel about that?  It certainly can add some unpredictability to the show.  I think people are a bit more forgiving in the imperfection of trying to deliver programming during COVID; because they’re now used to seeing their favorite performers on Zooms or whatever platform is being used.

ADAM:  I think with the telecast, from a production standpoint, we certainly played it somewhat safe, at least technically – in that everything was pre-taped and so on.  With our near decade away from being on a network and in primetime, I think there were a lot of advantages to that.  The program moved really quickly because you didn’t have to keep waiting for people to walk down the aisle.  I think it was great seeing the stars in their homes as well.  It felt really warm and intimate, which is important for Daytime because it is the most intimate part of television.  It isn’t something that you binge for 12 hours, and then wait a year to see what they offer next.  It a part of your daily life and you make a connection to these people.

How do you feel the response was to the 47th annual Daytime Emmy Awards on CBS?

ADAM:  The feedback we’ve been hearing has been really positive.  I think people liked the feel of the show, the earnestness and that intimacy, and I think people appreciated the steps we took to at least try to be at as close to tradition as possible; in that a lot of people sort of rolled their eyes initially when we said, “Everyone is going to record an acceptance speech,” but then, I think when the show actually aired, and people realized the nominees still didn’t know if they won, the presenters didn’t know who won, the hosts didn’t know who won.

Photo: CBS

Is it true that the presenters also recorded different, “The winner is” versions?

ADAM:  Yes.  The presenters each did five envelope opens, and we internally used a video-sharing application across the production team, and there was a sort of going from government parlance – the classified and the unclassified system – where most of the production team could not see anything that divulged a winner.  While there were eight editors working on the show, there was only one, and then in the last day, two, editors who actually could see who those winners were and fill in those holes throughout the show.  I think that the fact that you then had stars reacting on social media in real-time to their winning, it brought some of live excitement to Emmy night, because I think fans started to realize, “Oh, my God! She really didn’t know she won.”  For example, Kelly Clarkson, who did a very emotional tribute to her mother in the acceptance speech, shared her reaction to her win on social media where you experience the screaming, and jumping up and down on the chair moment.

Yes, that and others provided some very real moments.  When I chatted with some of the winners via Zoom (immediately following the broadcast) those also were so were so raw, and emotional.  I was thrilled that I was able to do that and sort of emulate what the “Winner’s Walk” backstage looked like in a virtual setting.

ADAM:  I think there is a certain aspect that when you are in the auditorium with all of the lights, with everyone there, you’re walking up on the stage to someone, you are so aware that this is a performance, you are so aware of the glare of the lights, and the cameras, and so on, that sometimes it can feel like you don’t have permission to emote. I think in many cases, when people can be at home, I actually thought most of the acceptance speeches seemed a lot more relaxed.  I thought they seemed a lot more natural.  I felt like you were seeing much more of the person as opposed to the performance.  So, that’s something we are going to try to capture on the 19th with the Digital Drama Awards. The envelopes are being sent sealed from the accountants to the presenters.  The control room is not going to know ahead of time who the winners are.  That is going to be at show time to the control room, so they’ll be taking in these close to 50 live shots from around the country throughout the presentation of the seven-category show.  The intent is to do the as much the same on the 26th.  Every day is a learning experience right now.   We have 10 ceremonies to produce this year in the COVID context, and that’s not even looking at 2021 yet.  That gives us a lot of opportunity to experiment, and we are going to get a lot wrong, and we are going to get a lot right.

Photo: CBS

When people watch the Digital Drama Daytime Emmys on July 19th, is it going to be a quick seven categories?  Are there going to be other packages in the show?

ADAM:  So, because it is only seven categories, we are giving the show a little more room to breathe.  Even though we have already awarded the overall top digital drama the night of the 47th annual Daytime Emmys, , we are going to do a little bit of a retrospective of the season of all of the shows, a little bit more than we had time for in the telecast.  There be some conversation before the reveal of the winner. We are experimenting with a few things there that you can’t do in the stage show version, and you can’t do in the pre-tape, but where the live nature of it, and the Zooming nature of it allows it.

Then on the July 26th Daytime Emmys for Children’s, Lifestyle and Animation programming, how many categories will be featured there?

ADAM:  About 20-ish categories, and then another bunch will be presented on social media afterwards the same way we did the night of the telecast.  This is absolutely a bigger show because Daytime is comprised of a hundred categories, and we are not even halfway through giving them out yet.

Photo: CBS

For clarification for the fans who read this, what kind of categories will they see presented in terms of “Family Viewing” or “Lifestyle”, etc?

ADAM:  That is going to include several categories that were not on the telecast.  So, for example, we had Entertainment Talk Show Host, but not Informational Talk Show Host during the telecast.  We had Culinary Show, but not Culinary Host, a lot of the craft categories for those shows, so the Lifestyle block is very much Talk, Travel, Culinary.  Then, we have the Children’s categories: Children’s Animation and Educational Programming, we have the Family Viewing categories, and you’ll recall this year we added a Young Adult track to the competition, so that will be in that show as well and wound up being extremely competitive in its first year.  That was a category that sort of spun out because of the growth of the competition where you had these programs that were still designed for a younger audience.  They were clearly designed for a teen audience, so you wouldn’t put them in a category next to a soap, for example. But they were dealing with more mature themes, and the closest thing in our history was when we still honored “After School Specials” back in the day, but then that category went away as that type of programming went away.  Now, as it started to make a digital comeback, it felt strange to have a nomination that was dealing with teen suicide, pregnancy, opioid addiction … and then the next nominee is… Big Bird!  So, as this genre really grew and it didn’t really have a place in Drama, it didn’t really have a place in Children’s, and now, it’s actually become a diverse enough category to be very competitive on its own, so we are really excited to see that.

Photo: ABC

When you watched the Daytime Emmys, Black Lives Matter was certainly present in a lot of the speeches and moments.  You also included the clip when Al Freeman (Ex-Ed Hall) One Life to Live, won Lead Actor, being the first African-American performer to do so.

ADAM:  There was a lot of need to acknowledge the moment.  So, from the coronavirus standpoint, the whole format of the show was an acknowledgement of the moment, and then certainly in the close, Marie Osmond reminding people to stay safe and stay healthy and so on.  I think that there wasn’t as much of a need to lean in too far on COVID, that was certainly understood.  On Black Lives Matter, I think it was very much raw. It was something that had to be addressed and had to be addressed tastefully.  I think that we were successful in that.  I think the Al Freeman moment was also important there because it did recognize without being too heavy handed that Daytime has always been very much at the forefront on social issues, not just race issues like that, but certainly the first gay marriage on television, the first gay kiss, the first abortion on television.  Now, you look at the show coming up on the 19th for the Digital Drama, where we have the first two trans performers nominated for performance roles, the first drag performer nominated for a performance role, and so in every way, Daytime has been at the forefront.  If you look at the nominees, the winners, the presenters, the Daytime Awards have consistently been the most inclusive, diverse, equitable of the awards ceremonies, and we continue to do that.

Did you have a favorite moment from the Daytime Emmys on CBS?

ADAM: I think for me, Cookie Monster presenting Culinary Show, as he stammers on nominees, and it becomes, “and the nom-nom-nom-nom-nom,” and he eats the envelope, that was something that in the high-stress moments of getting the show together, I could always go back to that cut and get a laugh and break the tension of the room.

Photo: CBS

Over 3 million viewers tuned-in to the 47th annual Daytime Emmys.  Do you think they will be back next year on network TV and on CBS? 

ADAM:  I hope so.  We certainly beat the average for the timeslot since they’ve gone into reruns.  While it was less total viewers than the last time we were on CBS, that was nearly a decade ago where viewing habits were very different.  But I think over 3 million was a very good sign.  I think it was notable that when you watched the show, almost all of the advertisers were traditional daytime advertisers that followed us into primetime.  CBS sold out the show.  There were advertisers who were actually clamoring to buy that time, and they bought every minute of it that was available.  I think we were really firing on all cylinders there.  I think we reengaged with the community.  I was deeply touched that Patrika Darbo accepted her invitation to present because while it was more of a quiet nod to those on the inside of the community than perhaps the audience, I think it was very important closure to some of the past struggles of the show that both of us have recognized those errors of the past, but the community moves forward together.

Photo: HutchnsPhoto.com

You gave Patrika Darbo the duties of introducing the emotional In-Memoriam tribute.  Was your intent to give her that piece?

ADAM:  Yes.  It really was that we, as an academy made a lot of mistakes in the past, and she, through no intention or fault of her own, was the victim of a lot of that.  You know, she didn’t prepare the reel.  She didn’t realize that she wasn’t eligible in the category, and so she, by virtue of that, sort of was the one who then had to bear the headlines of the Emmy being taken away and so on.  So, it is impossible to completely make that up to her, but at least to recognize her and her standing in our community was something that was very important to do.

Photo: JPI

How nervous were you that the winners would somehow be leaked before the 47th annual Daytime Emmys aired?

ADAM:  I was afraid, but I also knew that we were taking every step we could to ensure that security, and in many cases to the point of absurdity.  The logistics of chasing down all of those acceptance speeches, the hours that our lawyer spend on the phone negotiating the leases for video that was never going to be used, basically giving ourselves, for most of the show, five times the amount of work that we needed to just for maintain that security.  Then, even when people did know, keeping that segmented so that nobody would know the whole picture at once.  It definitely brought back memories of my government service.  The most terrifying was probably the hours between delivery to CBS and airing, because that’s when you know it’s getting closed captioned, it’s getting put up on a satellite etc, but CBS are old hands at this.  They do it with every Survivor finale and so on and so forth.  They were great at keeping the secret for us.

So, looking for to the Digital Drama Daytime Emmys that will be live? What did you think about the information shared by Adam on the making of the 47th Annual Daytime Emmy Awards? Comment blow.

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I know a lot of people liked this version of the Emmy’s, but I IDN’T!! In fact, I could even say I hated it!

Everything was “CANNED,” obviously.
Everything was pre-recorded, and then edited to the nth degree!
There was no interacting between the hostesses.
There was no spontaneity!
The hostesses didn’t comment on,or congratulate the winners.
There was no suspense.
There was no applause.
There was no orchestra.
There was no red carpet.
There was NOTHING to make the show fun or interesting.
If they can’t do a normal awards show in the future, DON’T BOTHER!
I’ll settle for reading who won online.

Michael,

I wish you would have asked Adam Sharp about why they merged the Younger Actor and Younger Actress category into one category this year, only for five women to be nominated at the exclusion of some very talented and worthy younger male actors like William Lipton and Garren Stitt, among many others. I would love to hear the reasoning for why they made that change. It honestly comes across like a change that they made for the sake of making a change, not because there was a huge issue that needed to be corrected.

Interviews

The Bold and the Beautiful’s Kimberlin Brown Teases to Fans: “There’s Something Coming Up, But It’s Not What They Think”

Sheila Carter (Kimberlin Brown) is now a married lady! Yup, after a small, very small intimate ceremony she married Deacon Sharpe (Sean Kanan) on recent episodes of The Bold and the Beautiful.

Deacon’s daughter Hope (Annika Noelle) showed up for the nuptial to support her father, but Sheila’s son, Finn (Tanner Novlan) happened by Il Giardino, to pick up some food only to stumble upon his mother’s wedding, causing more trouble in his marriage to Steffy (Jacqueline MacInnes Wood).

All of this, after Deacon figured out that Sheila didn’t really die at the hands and butcher knife of Steffy, back in February of this year, but it was really her lookalike Sugar who had plastic surgery to look like Sheila many years ago ( one of Sheila’s more heinous acts) who was killed. Thus, setting the stage for Sheila’s return.

Photo: JPI

Kimberlin Brown visited You Tube’s Michael Fairman Channel for an exclusive livestream one-one-one chat where a myriad of “Sheila-esque” subjects were discussed.  Here are a few of the more intriguing excerpts below.

After Kimberlin was informed she was exiting the show, did she have any idea, if or how, they were going to bring her back via the Sugar connection? Brown shared “I didn’t. As a matter of fact, when Brad Bell (executive producer and head writer B&B) called me asking if I would come back to the show, I said, ‘Well, how are you gonna pull this one off?’ And he goes, ‘we’re researching it right now.’ So, I guess that’s where their research took them to Sugar, and Sugar was on The Bold and the Beautiful at one time with me as well. Remember, when we had all of the Forrester boys, and we were holding them against their will and and at the foundry? Robin Mattson played that part brilliantly, and then back on The Young and the Restless is when she ‘unfortunately’ had the surgery to look like Sheila, unbeknownst to her.”

Photo: JPI

With Sheila being married to Deacon, does she think it will last more than a month, before her vendetta streak against others takes major hold of her? Kimberlin weighed-in, “I think for the first time in Sheila’s history, she has found a man who truly does love her. And yes, she does love him. Sheila desperately loved Eric Forrester too, but there were too many people around her that would never allow that to happen. And even though there are people around Deacon that prefer that this doesn’t happen, he’s actually stood up to them and said, ‘No, this is who I want to be with. She makes me happy. There are a lot of things that  make me a little crazy, but I go crazier when she’s not there’.  Sheila has finally found true love, I believe, and it’ll be interesting to see if she can hold onto it, and it’ll be interesting to see if a good man in her life can truly make a difference in hers.”

Photo: JPI

Everyone has waited and hoped, that when Lauren makes cross-over appearances to B&B she will bump into Sheila, but still years later that has never happened. Brown feels it’s just a matter of time, sharing, “I believe that they will cross paths one day. It’d be too good to not have that happen. Tracey Bregman and I, really did create something fabulous together. It was at the time, villain against really not a good girl, but a girl that never wanted what she had until Sheila wanted it. So it’s definitely a storyline that I think could resurface, there’s no doubt about it.”

Photo: JPI

Finn’s adoptive mother Li played by Naomi Matsuda may not be what she appears to be either. Might we look forward to the two moms going at it again?, Kimberlin teased, “Working with Naomi Matsuda is great. She’s fun a lot of fun to work with. But let me tell you what, Li has a mean streak. She really does. I have a feeling it may come out, or it may not, but she’s no angel herself.  She may be one calling the tea kettle black, you know?”

Photo: JPI

Fans of B&B have come up with many scenarios of where Sheila’s story is going, from an attempted murder mystery of her, to a plan to get Hope and Finn closer together to put the screws to Steffy. Kimberlin previewed, “There’s some big stuff happening on the show coming up that. I wish I could say more.  I got the script and when we were filming it, I was going, ‘Oh my gosh, this is just too good.’ There are a lot of characters involved in it. There’s something coming up, but it’s not what they (viewers) think.”

Photo: JPI

It’s clear that Finn wants to appease his wife, to stay away from Sheila, but seemingly can’t. “I mean, he definitely has Sheila in him. It is her son,” shared Brown.  But, I think it’s really difficult for him to be in that position. I believe that he wants to give Sheila an opportunity and wants to get to know her. He feels a pull towards her and being he doctor that he is, he wants to explore that and figure out why, be it good or bad. But, Steffy is just not going to allow that to happen. So for Finn to always being stuck in the middle is definitely going to cause conflict.”

Watch the full conversation with Kimberlin below.  Then let us know, based on Kimberlin’s comments, what do you think is the big story coming up on B&B she previewed? Share your thoughts in the comment section.

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Interviews

OLTL’s Erika Slezak Recalls Viki’s Breast Cancer Battle, Pays Tribute to Andrea Evans, and Shares Heartfelt ‘Thank You’ to Those Who Reached Out on the Passing of Her Daughter, Amanda

One of the all-time classic breast cancer storylines of the soaps was that of Viki’s on One Life to Live. Back in 2000 and into 2001, the character went through many trials and tribulations trying to face the disease, which again afforded the iconic Erika Slezak to be featured in another dramatic storyline, which at the same time helped so many female viewers.

As part of last week’s virtual event, Daytime Stands Up – A Benefit for Stand Up To Cancer – We All Have a Story, Slezak chatted with co-host Michael Fairman about her remembrances of the important storyline, the passing of her co-star, Andrea Evans (ex-Tina) to breast cancer, and took a moment to address the fans and those who reached out to her following the sudden death of her daughter, Amanda Davieback at the end of January of this year.

While Erika has still been in mourning, she took the time to be a part of the night and wanted to contribute her voice to the benefit, and we cannot thank her enough.

Photo: ABC

Speaking on how Viki dealt with her diagnosis of breast cancer, and at the time being in a relationship with a younger man, Ben (played by Mark Derwin), Erika shared, “It was a very good story to tell because Viki, who had always been strong and by herself and tough and ‘I can deal with anything’, suddenly couldn’t deal with it. She was afraid. There was the whole relationship with Ben that was going on, and she didn’t want him to be a part of it. So that was separate, and the day that Vicki checked into the hospital, the last shot was me sitting on the end of the bed, sort of my dangling my feet over it, completely alone because she didn’t want anybody else to know.”

“Ben was around in the hospital and eventually found out that she was there and wanted to be a part of her life. But she didn’t want it,” Erika added. “She couldn’t deal with it. It was a frightening thing for her because it had been caught too late to treat. She had to have a mastectomy and a reconstruction and she had never been faced with such a very personal trauma. I mean, yes, she had Niki and all the others (Viki’s alters), but this was a physical thing that she could not control. It was a very powerful story, I think.”

Photo: ABC

One of the memorable moments from the story was when Viki sang the Gloria Gaynor hit, I Will Survive. Slezak remembers, “That was at Crossroads. She was singing to herself, I Will Survive, and she was desperately trying to believe it, as we all do when we deal with something horrible.”

In tribute to her former co-star, Andrea Evans, who started on One Life to Live as a teenager in 1978 and who died in July of 2023 at 66-years-old, Erika expressed, “Andrea grew up so beautifully and she was so talented that the person that she really was, who was a a kind and loving woman, could play so many different levels of Tina. I had such admiration for her for that. It wasn’t in her nature to be Tina, but she played the hell out of it. She really did. Her first day on the show, her hair was down to the back of her knees. She was just a kid, and she grew up to be a wonderful woman.”

Courtesy/SRodriguez

Speaking emotionally about Andrea’s personal life, Erika recalled, “I think one of the proudest moments of her life is when she got her daughter Kylie, she was so happy. Audrey, Andrea’s mother, used to bring Kylie to the studio, all the way from California she would fly in. I first met Kylie when she was a year old.  I watched her slowly grow up and it was wonderful. Andrea was a fabulous mother. I never met her husband Steve. I wrote to him after she passed, and he wrote me back a very, very sweet letter. But when Andrea met Steve, it was like her life was almost complete, and then she had Kylie, and that was complete. And it is so, so sad that she died so young.”

Photo: JPI

During the conversation, Erika took a second to acknowledge all those who contacted her with their condolences, thoughts and prayers on the passing of her daughter, Amanda, sharing, “I thank all the fans and the people who have written to me. I’ve saved every single card. I’ve responded to every single person because the amount of people who reached out to me is just astonishing. I have a pile that it’s two feet high of cards and letters that people wrote to me. And I’m very, very grateful because this is the hardest thing that’s ever happened to me in my life.”

You can watch the conversation with Erika below on the replay of Daytime Stands Up – A Benefit for Stand Up to Cancer. The six-time Daytime Emmy-winner appears at the 34:17 mark in the show. Below that is a playlist of scenes from Viki’s breast cancer storyline on One Life to Live.

Now let us know, what did you think of Viki’s breast cancer storyline? Erika’s words on the late Andrea Evans and her “thank you” to all for sending their condolences to her and her family during their difficult time? Share your thoughts in the comment section.

 

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Y&R’s Eileen Davidson Talks on Ashley’s DID Storyline, the Challenges of the Alters, and Working with Trevor St. John

The Young and the Restless two-time Daytime Emmy-winning actress, Eileen Davidson, has recently been given the ball by series executive producer and head writer, Josh Griffith to tell the ltin the latest of Ashley Abbott’s emotional struggles. This time, Ashley has splintered into multiple personalities: Ash, Mrs. Abbott, and Belle.

Given Ashley’s history (which has included several mental breakdowns), Y&R has chosen to revisit her psyche in a brand new twist in 2024 by launching a Dissociative Identify Disorder storyline. When things spiraled downward to her marriage to Tucker (Trevor St. John), and a flashback to a car crash which took her unborn baby in 2003, Ashley began to hear voices in her head and her alters began to emerge.

Speaking live on a virtual appearance on Tuesday on You Tube’s Michael Fairman Channel, Davidson shared her thoughts on the storyline, how she crafted Ashley’s various alters and what she thinks of her co-star, Trevor St. John.  Here’s a few key remarks from the chat below.

Photo: JPI

Eileen talked about Ashley’s overall emotional make-up, explaining, “Everybody always talks about her being so strong and so together, and they don’t like seeing her weak. I’m like, ‘Ashley’s never been as strong and together. She’s had issues from the gate out of the gate … years … forever.’  She had amnesia. She had all sorts of issues. I love her fallibility and her vulnerability.”

Taking on the different personalities is a challenge, but Davidson pointed to one, in particular, that she feels is the hardest to play, “Ash has been the most difficult one,” explained the actress. “Because I didn’t want to do anything too broad and too ‘teenagery.’  So it was just trying to be honest about somebody who’s kind of young and sees the world in a certain way and is perhaps defensive and is an angry teen.”

Photo: JPI

However, embodying Ms. Abbott was a lot easier for Davidson. “It wasn’t hard for me to figure her out,” she expressed. “It was the very first time she was introduced on paper. She’s in Tucker’s hotel room. She’s breaks in. I’m like, ‘Okay. she’s sitting in the chair and it, it says kind of like a ‘Sharon Stone-type moment.’  I felt pretty comfortable embodying that in control, kind of toying with a man. She knows how to put on vulnerability and softness to get what she wants, but is always in control. And her ugly side shows more and more as the story has been coming out.”

The newest alter to emerge was Belle. Davidson shared how much she knew of the alter before she began playing her, stating, “They gave me southern, flirtatious, likes tequila, and always looking for a guy’ and I was off to the races. It’s been really, really fun for me. I didn’t want her to sound like she’s from the South completely, because Ashley is not from the South. It’s just a persona of how Ashley thinks a southern person sounds. So, she’s not playing a southern character. She’s playing a personality that thinks she’s southern. It’s very different.”

Photo: JPI

Currently, it looks like Tucker’s life may be on the line as Ashley’s alters want to get rid of him once and for all.  Eileen explained why, revealing, “The most fascinating thing about DID and what I kept trying to inject into the performance is these alters are created to protect somebody. They all believe they’re protecting Ashley. Ms, Abbott thinks the way to protect Ashley is to kill Tucker because Tucker’s caused Ashley so much pain. So I mean, from that aspect, it’s good daytime drama.”

A lot of times in DID storylines, a very traumatic event from the childhood is revealed which caused a person to fracture into a multiple personalties. When Davidson was asked if she thinks something will come to light that the audience never knew happened to Ashley, she responded, “You would think so, right?  I mean, why not? The one thing that’s true about Ashley is that she had a traumatic childhood. Her mother abandoned her when she was very young, and then found out in her early twenties that her father wasn’t her biological father. So, who knows what happened. Whether or not they choose to explore that, I’m not sure. You have to kind of keep reinventing things to keep them interesting. I think like that stands true for characters (on a soap) as well.”

Photo: JPI

Over the years, Eileen has worked with several leading men. When asked how she feels the dynamic is working with Trevor St. John, she enthused, “I love working with Trevor. I just told him you breathe fresh air into the scenes. We work well together. We don’t really know what the other one’s going to do (in a scene), but we play off of each other. There’s a huge trust factor and that has been there from the get-go. When I first started working with Treb, I told him, ‘We got lucky.’ When you meet somebody out of the the blue and you start working together, we just had something and it just worked beautifully. I always know that when I work with Trevor, it’s going to be a terrific experience.”

Photo: JPI

Watch the full conversation with Eileen below.

Now let us know, which of Ashely’s alters do you enjoy seeing the most? Do you think something happened to Ashley as a child that we never knew about that is causing her DID? Share your theories via the comment section below.

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