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OLTL issues statement on end of Kish/GLAAD's response to ABC!

By Michael Fairman

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The LGBT community is not taking kindly to the pull-out by ABC and One Life to Live of the Kish storyline featuring Brett Claywell and Scott Evans.  In a news item from Advocate.com, a One Life to Live spokesperson issued the following statement today, “The groundbreaking Kyle-Fish relationship on One Life to Live was embraced by fans both as a great story and a fair and honest reflection of the LGBT community. We’re glad their story resonated with the audience, and understand the fans’ disappointment now that it has concluded. The show has a history of bringing LGBT stories to the screen — earning two GLAAD awards in the process — as well as returning popular characters when they serve the ongoing story. These great characters remain in Llanview, and while there are no immediate plans to advance their story, the door is always open for their return.”
 
The statement comes after the Gay and Lesbian Alliance Against Defamation announced Friday morning that it is lobbying ABC Daytime to review its decision to end the storyline. “Last summer One Live to Live brought a groundbreaking relationship into the homes of millions with Kyle and Fish’s story, one that build acceptance and understanding of gay people,” GLAAD president Jarrett Barrios said in a statement. He went on to say that ending the story is a step backward in the representation of gay Americans, even though plot changes and cancellations are common in daytime dramas.

 

“We remain disappointed that ABC Daytime has chosen to stop sharing this powerful story with viewers of One Life to Live. GLAAD will continue to advocate that in the near future producers and writers at ABC Daytime incorporate gay and transgendered characters in their programming.”

There have been rumors that One Life to Live was ending the gay story line because of low ratings and poor response to the characters.

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The same sex marriage aspect harming Kish should be addressed by the soap press when critiquing OLTL axing Kish. With a topic as splintering as same sex unions, it definitely hurt more that it helped Kish. Soaps are about escapism, not political debates. Even in someplace as stereotypically thought to be liberal like Manhattan, many people are not on board w/ same sex unions. And the ratings of a conservative news channel like Fox reflects that sentiment.

Accrdg to TVGCanada’s newest report, it was Frank Valentini who axed Kish. So no one go blame Brian Frons or say some homophobic group engineered their firing. It’ll be interesting how the soap press criticizes Valentini for this move, since OLTL seems to be the golden child of the soap press. Even in TVGC, the only critique for Valentini was a sarcastic “Thanks a lot” for Valentini axing Kish.

Goutman was raked through the coals consistently for mishandling Nuke and Ellen Wheeler was all but crucified numerous times for neglecting Otalia. But at least those 2 didn’t fire their same sex couple. Carlivati’s writing should be taken to task, but I think the closest criticism he’d get was TVG’s Michael Logan’s “gay overkill” comment. If this were Megan McTavish, imagine all the harsh reviews she’d get?

Also accrdg to TVGC, speculation is that one of the portrayers of Kish is a hard partying kinda guy. He’d hold up production, so he was axed. My bet goes to Evans, since he admitted to going to the gay bars frequently in the interview here, and anyone who’s been to a gay bar/club knows how out of control it can get, especially in Manhattan.

More from TVGC, speculation is that they are axing 8 actors bec of budgetary constraints but the most interesting speculation is that the Kish storyline hit too close to home for certain execs. Well Carlivati is out, so it can’t be him.

Onto that mess GLAAD, they gave the award to Nuke the year that Nuke was banished from kissing or showing any affection on ATWT! So GLAAD is a joke. And they’d be even more of a joke if they award it to Kish now that kish has been written off.

All this blaming the actors thing is nonsense.

Scott Evans didn’t even have a contract so if they wanted to fire him for whatever reason, they could have done so without so much as a “See ya”.
They replace actors and actresses all the time (even long-time actors and actresses who have contracts).

If they were committed to these characters and their story, the producers would have simply recast or rewritten.

I’m not buying this “actor parties too hard ” crap for one second.

And if this is the reason he was fired, why fired both he AND Brett?

Why even make the statement about “not resonating with the mainstream”?

The “wedding” was like a month of the entire Fish coming out storyline and it was over by the period they claim was the problem area (November 09)

All of these latest excuses are just nonsense spin.

The primary viewership of soaps hasn’t being stay-at-home straight women for like 20 years. Teens, and gay men also make up a huge portion of the viewing audience (if they ever bothered to notice)

They cut KISH and fired Scott and Brett because they got scared and caved into the pressure of the right wing, conservative voices screaming in their ears. It’s a simple as that.

Don’t kid yourself, Persa!

I am a “stay-at-home straight women”; I am also what a lot of people would consider a “right wing, conservative voice”.

That being said, hearing that KISH had been unceremoniously dumped was, for me, like a kick in the gut. I loved their story, and I was really looking forward to the (seemingly) upcoming custody battle story-line! I wanted to see KISH kick stupid GiGi’s Butt, in court, get their baby, and raise their little girl together!

I wanted to see this couple go through all of the trials, tribulations, pride, and joy of parenthood together! It would have been great to watch them cope with being a family, while also facing all of the inevitable prejudices that would have gone along with their relationship.

I, for one, am very, very sorry that we are losing these wonderful characters/actors – along with their ground-breaking story! I can only hope that the Network will, somehow, miraculously, reconsider their unfortunate decision and decide to give our KISH a last minute reprieve from their looming execution!

Oh, and for what it is worth, I have already sent off my letters and e-mails (first time ever doing this!) that fully detail my displeasure with this decision to all concerned parties!

TVGC already reported that it was Frank Valentini who axed Claywell and untalented Evans, and they axed Crystal Hunt prior to them. They were not axed bec of so called pressure by a so called right wing grp. Why is everything homophobic for fans of Kish or Nuke? There’s no conspiracy theory against Crystal Hunt. She was let go bec people disliked Stacy, her acting is awful and she didn’t translate to ratings. The same applied to Kish. Since valentini axed them, complain to him instead of blaming these anonymous right wing groups.

Explain “doesn’t resonate with mainstream viewers ?

If it’s not about the “gay” what is it that doesn’t “resonate”?

Is it both Scott and Brett who don’t “resonate”?

Is it Kyle and Fish together or separately that doesn’t “resonate”?

Did Kyle as a character “resonate” before the viewers realized he was gay? Did Fish?

Scot Evans has never been on contract so did they just keep him around for almost 3 years because he’s pretty? Do tell.

You’re ascribing things to me that aren’t about me. I’m an individual, not some sheep following along and I have a right to voice my opinion and what I see is a heterosexist point of view taking precedence over good storytelling..

ABC made this about the characters being gay, I didn’t start it.

I don’t know what you gripe is with NUKE fans an KISH fans in general and it’s not really relevant to what I’M saying. How do you even know I’m a fan of NUKE? Who’s talking about NUKE, I never even mentioned them.

What does Crystal Hunt have to do with anything? Lot’s of actors got fired and the reasons given didn’t target their race, gender, ethnicity or sexual orientation. I have no problem with firing an actor that isn’t working out as an actor, I have a problem with an American tv show, in 2010 firing actors because its viewership is upset about all the gay. OLTL has had some of the most preposterous story lines (for good or ill) I’ve ever seen outside of Passions. So to target the Big Gay Wedding as somehow totally out the box and over the line is just coo coo bananas.

I’m responding to the REASONS the producers of OLTL gave for why they fired BOTH Brett and Scott. That’s the issue. They are the one’s who made it about the characters being gay, not me.

If it’s all about Scott, why fire both of them AND why not just say they are firing them because the actors aren’t working out AS ACTORS?

What does their “mainstream” viewers have to do with anything? Whether it was Frank Valenti or The Pied Piper is immaterial to me.

If actors suck, then fire them because they suck.

Don’t claim that you are firing them for a whole host of other reasons that have to do with the sensibilities of your viewing audience then get shocked when members of your viewing audience who don’t happen to have that particular sensibility decide to speak out against your decision.

Scott Evans was on the show for an entire year before he even interacted with Brett Claywell, if his acting sucked so badly they could have fired him then. His character has always been a second-tier character so they could have easily replaced him. Why keep him around if he was so much trouble?

If you think the folks complaining to ABC about gays on OLTL aren’t right-wing, then you’re just not a very critical thinker or you have no idea about the way American culture functions.

I’m not slamming the right-wing viewers. They have a right to their opinion. But they don’t speak for me and my voice is just as valid.

I am simply pointing out that the people who complain are usually right wing and if you read their comments that’s pretty clear. Whether they are lovely people in their personal lives doesn’t matter because that has no effect on the daily lives of gay folks in the US.

Obviously there are right wing folks who like KISH. But, of course not, they aren’t the folks I’m talking about.

If people don’t want to see gay characters on your tv because they are gay, they are conservative homophobes. Period.

If we’re talking about firing actors for being bad actors, then I can think of at least two hands full of other actors on OLTL that I’ve observed who SHOULD be on the chopping block long before Scott Evans of Brett Claywell.

My grandma called what OLTL producers are doing “Spitting on someone’s next and trying to convince them it’s rain”

That dog won’t hunt. That’s all I’m saying.

There’s no pt debating w/ you. As for who’s “complaining” about Kish, I’m a queer male viewer of soaps, I thought Claywell was a good actor and he was the only actor who carried Kish, but I thought Evans sucked at the role majority of the time. So to make a sweeping generalization that only homophobes with an agenda don’t like Kish is closeminded. People can or can’t like a same sex rel storyline based on other factors too, like performances (Claywell’s was good, Evans’s was awful) and writing (Carlivati clearly had many missteps). Majority of the Kish fans seem as closeminded as these so called homophobic grps that they blame for Kish’s axing. I find it strange that you would say it’s immaterial that Frank valentini or the pied piper is who axed Kish. Who axed Kish has everything to do with it. If it was Brian frons who axed Kish then everyone would be complaining at him. It’s very telling that the soap press in particular are not going after Frank valentini on this issue of him axing Kish, but they raked Goutman through the coals for the Nuke kissing banishment, and they all but crucified Wheeler, a Mormon, for not letting Otalia marry in the GL finale. Goutman and Wheeler did not get rid of their same sex couple, but Valentini did.

Persa .. if you watch the video, around 13 minutes in, Brett says something like they do a lot of scenes in 1 take. Doesn’t sound like partying is a huge problem if it’s 1 take.

I only watched OLTL because of Kish and when they are gone, I will be gone as well.

DO NOT stop this storyline. It has been one of the best depictions of just how gay people live in the non-accepting gay world. I lived in the closet for a long, long time — fifty years — going the marriage route for a number of years. It wasn’t until my husband’s death and subsequent psychiatric counseling for other issues that I finally came out. I have been out fourteen years. I never felt as much of whom I was and am until that day when I declared I can be my gay self. The story on One Life To Live has been one of the best, better than All My Children even. It has featured gay men which it seems programs have trouble showing how they really feel, interact, how they think and believe. Women have been portrayed many times. This was a real break through as far as I am concerned. Please do not let naysayers and others decide what you will put in the show. It is certainly more realistic than underground worlds and Mitch Lawrence. Would you please kill him and Allison once and for all!

dont stop this storyline with brett claywell and scott evans and keep going to keep their storyline open and we need to bring scott evans and brett clatwell to bring them back to the show with oltl

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Guiding Light

Matt Bomer Sums Up His ‘Guiding Light’ Run as Ben Reade in 1 Minute as He Reflects On Time in Springfield

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Guiding Light alum, Matt Bomer (ex-Be Reade) was honored with the Vanguard Award at the 43rd Miami Film Festival just a few weeks ago. The award recognized his body of work, his significant impact on film and television and his current roles including on Apple TV+’s movie, Outcome, which also features All My Children legend, Susan Lucci (ex-Erica Kane).

While at the festival, Bomer participated in a live sit-down conversation with Josh Horowitz of the Happy Sad Confused Podcast where he was asked about his early days in television and soap operas, all leading to Horowitz asking Matt to give a 1 minute recap of the life and times of Guiding Light’s Ben Reade!

Bomer played the role of the scheming Ben from 2001-2003, and as discussed, it was never Matt’s intent to land on a soap or stay for any significant length of time, as he has other aspirations as an actor after graduating from the acclaimed Carnegie-Mellon University in Drama.

Photo: AppleTV+

THE ROAD TO GUIDING LIGHT

Speaking with Horowitz, he explained how he came to Guiding Light, “I’d done two episodes on All My Children with Susan Lucci, who’s in Outcome, who I got to just come full circle with. Susan had spoken at Carnegie Mellon and three months later I was on set with her. (On All My Children) I was playing her daughter’s ex lesbian lover’s, new fiancé.”

After that, Bomer was asked to audition for a role on Guiding light, and the rest is soap history. When Horowitz asked Matt to give the lowdown of everything that happened to Ben Reade in story in one minute, here’s what Matt shared!

Bomer began, “He’s a trust fund baby who bet his fraternity brothers that he could be the first to deflower the town virgin, who is like the young female heroine on the show. Then, of course, he falls in love with her, but then she finds out about his attempt to deflower her, so she dumps him. Then, he falls in love with this other girl, but then he loses his trust fund. So, he turns to the only life that one can, which is to become a male sex worker. All of my clients were like women in their forties. I was like 22. I would meet them (on set) at 6:00 AM and do intimacy scenes by 9:00 am. Then, he goes crazy because his girlfriend finds out that he was being a sex worker, and so she dumps him. He goes crazy, kills four people, then kidnaps her to a remote cabin in the woods where he holds her hostage with a syringe full of insulin. Then, when he gets busted, he injects himself with it, but then hangs on one extra day in the hospital to apologize for all his sins.”

Photo: CBS

On his way out Bomer shared, “I told the (GL) writers that when I got there, ‘Look, I’m not not going be here that long. So give me the craziest thing you’ve ever given anybody,’ and they obliged. But my favorite thing was after all that, I remember I was like in my dying makeup, walking off the soundstage and a writer comes up to me and goes, ‘If you ever want to come back, we’ve got it figured out.'”

SUPERMAN

After Guiding Light, Bomer found himself not only in the running for the next Superman movie but to play the lead role, and landing the part. But, as Matt revealed, the movie was scrapped and he never got the chance to play the man of steel.

“I was such an unknown at the time,” recounted Bomer. “I went in on a cattle call, then I got a phone call from the casting people. Then, I went and met with a director and read with an actress. Then, I went back in and screen tested in the Superman suit and signed the contract. I know that I was the director’s choice for the role and then. … it happens, (the movie got canned). It was a great script. It was called Fly By and it was more about Clark Kent when he was younger. He was like a college student trying to figure what it is to have all these powers and how to try to be a normal person and Superman at the same time.  It was all so surreal to be going from a total cattle call to that.”

You can check out the full conversation with Bomer below.

Do you remember Matt’s time as Ben Reade on Guiding Light? How do you think he did when in 1 minute he told the life and times of Ben? Let us know via the comment section below.

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AEW

AEW Honors Ted Turner with 10-Bell Salute

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Ted Turner, the billionaire businessman, who turned a struggling Atlanta news station into a media empire with first 24-hour news channel, CNN, died on Wednesday, May 6 at the age of 87.  Turner died reportedly ‘surrounded by his family.”

However, Turner’s impact is felt far and wide with how he revolutionized cable television as we know. One such way is how Turner believed in professional wrestling, when other network executives didn’t. Turner, who helped launch TNT and TBS, and purchased World Championship Wrestling (WCW) in the late 1980s and gave it a primetime slot.

Through his leadership, the landscape of pro wrestling was changed forever, leading to the infamous Monday Night Wars” between the WWE and WCW with their flagship shows, Monday Night Nitro vs. Monday Night Raw. Since 2019, wrestling has been back on TNT and TBS in a big way with AEW’s Dynamite and AEW Collision.

Photo: WCW

TED TURNER BELIEVED IN PRO WRESTLING

Last night, All Elite Wrestling opened its broadcast with a tribute to Turner, which led to the 10-bell salute, which is given to someone from the world of professional wrestling had passed on.

AEW commentator Tony Schiavone said at the top of the special three-hour Dynamite and Collision episode. “Ted Turner believed in pro wrestling. He believed in you, the fans, and he believed that pro wrestling belonged on national television.” Schiavone who was also a commentator for WCW noted that it was because of Turner’s vision that pro wrestling found a home on TBS and later in the 90s with TNT, sharing, “Generations of fans around the world knew that we were destination viewing.”

Schavione recalled, “I knew that firsthand. I began in the studio in TBS in 1985. Decades later, because of the foundation that was laid by Ted Turner, we still survive today through the leadership of Tony Khan in AEW, through the leadership of Warner Discovery, wrestling still survives.”

STING RECALLS TED TURNER STANDING UP TO EXECS

Suddenly, in a special appearance, pro wrestling and WCW legend, Sting, came to the ring and addressed the crowd in Charleston, South Carolina and at home. “Can you imagine having an all-in billionaire who absolutely loved pro wrestling? I can’t believe what (Turner) did for us. He was completely committed to us, devoted to us in every conceivable way.”

Sting went on to tell the story of how Turner stood up to the executives at CNN Towers.  ‘We don’t know about this whole pro wrestling thing. I think it’s time to cut them off because we’re always in the red, Ted would share. “I’d look at all of them and say, you wrestlers just keep on doing what you’re doing because I got some deep pockets.’”

“There wouldn’t be a TNT title, there wouldn’t be a Sting. There wouldn’t be a Darby Allin. There wouldn’t be a Tony Schiavone here tonight. You wouldn’t be here tonight. So, thank you, once again, Ted,” Sting said as he concluded his comments. Moments later came the emotional ten-bell salute (you can watch it below)

Earlier on Wednesday, AEW president Tony Khan shared his own tribute on X, expressing, “It’s a very sad day in the world of television and certainly in the world of professional wrestling. The man who gave us this platform, the man who created TBS and TNT and so many great television channels and so many great concepts in the field of television, the late great Mr. Ted Turner has passed.”

So, what are your thoughts on the passing of Ted Turner? How without the billionaire’s love of pro wrestling, WCW and now AEW would not have had the platform they have to bring fans around the world the sports entertainment shows that they love? Comment below.

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Breaking News

Josh Griffith Steps Down as Executive Producer of ‘The Young and the Restless,’ Remains Head Writer; Sally MacDonald Upped to Sole EP

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The Young and the Restless has made some key changes behind the scenes with the news on Wednesday, May 6 that Josh Griffith, who has served as the series executive producer and head writer concurrently, has decided to relinquish the production duties of his tenure, and concentrate on just crafting the tales for the citizens of Genoa City.

Sally MacDonald, the longtime Daytime Emmy-winning director of Y&R who was serving as the soap’s co-executive producer, will now be upped to the solo EP of the top-rated daytime drama series.

As first reported by Soap Central, Griffith will continue as Y&R’s head writer in the restructuring, in the position he has held since 2019 with the departure of former EP and head writer, Mal Young.  Soap Opera Digest also confirmed Griffith was stepping down as the soap’s executive producer.

Photo: JPI

In fact, it was back in August 2018, that the veteran Griffith returned to Y&R as supervising producer. Once, Mal Young departed the show, Griffith became the show’s head writer and co-executive producer with another longtime Y&R behind the scenes veteran in Tony Morina. Later in 2023, when Morina exited the soap, Josh became the sole executive producer.

Throughout his soap opera career, Griffith has written for Santa Barbara, One Life to Live, As the World Turns, General Hospital and Days of our Lives and co-created the defunct Sunset Beach.

MacDonald has been a CBS daytime vet since back in 1983 and joined The Young and the Restless in 1989 as a production supervisor, working her way up to director. The directing team at Y&R that has included MacDonald has won 8 Daytime Emmys along the way and picked up a Directors Guild of America Award.

So, what do you think of Josh Griffith stepping down as executive producer at The Young and the Restless, while keeping his position as head writer? Share your thoughts in the comment section below.

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