Connect with us

Interviews

SCOTT, TOM, STAFFORD INTERVIEWS -IN LA MAGAZINE, SOAPS IN THE CITY

groupshot1.jpg

By Michael Fairman

Listen to the audio:

[display_podcast]

JAMES SCOTT

DAYS OF OUR LIVES

Days of our Lives’ James Scott raises temperatures daily on TV screens playing sexy, charming, bad boy EJ Wells. Scott has just been named this year’s, “Soap Adonis 2008,” voted on by the readers of Soaphunks.net. This is his second year voted as, “the hottest male actor on daytime.” Scott hails from Newcastle, England. A world traveler, he had made stops in under-privileged nations for humanitarian efforts. The sexy Brit took time out of his acting schedule to pose for our latest cover and answer some of our most burning questions.

MICHAEL:

Why did you decide to participate in the “IN LA” cover shoot for “Soaps in the City”?

JAMES:

I did not think I went through a process of making a decision. I knew you had asked me and it was a great opportunity to do a cover. I don’t get asked to do covers very often. I felt quite flattered.

MICHAEL:

Since we are doing this benefit, “Soaps in the City” for AIDS Walk Los Angeles to benefit AIDS Project Los Angeles, what are your thoughts about the current AIDS crisis? Do you feel that in the United States it has been pushed under the table more now than in recent years, and less at the forefront?

scott91508_805011.jpgJAMES:

I am not going to pretend to be an expert. However, when I was living and working in New York for example, I did some work with an AIDS hospice with kids who were HIV+, whose parents had died. Some of the children had been put in care facilities when their parents could not deal with them anymore. That was because children born with HIV have a lot of problems, and they all seemed to fall in the same socio-economic demographic. They were the people who had no voice. If it was a disease that affected the most affluent one percent of society, you can be pretty sure it would have been a major election and political issue. I think you will find that it falls to the smaller social groups be it: race, economic, social, or sexual statuses, who tend to have less of a voice in this country. The problem is in America; there is this idea where you can live with AIDS now. Now, if you go into other parts of the world, such as in Africa, you can’t. They are not living with AIDS. They are dying with AIDS.

MICHAEL:

You are quite the accomplished world traveler, so perhaps you have seen more of this pandemic than other soap stars?

JAMES:

I have more experience than someone who has not left his or her armchair, and you see what you see, and it lends you to have somewhat of an opinion, while not a mission, but you have a little more information to base your perspective on.

MICHAEL:

In the latest Nielsen ratings that just came out 22% of the audience were males ages 18-49 while women were 26% 18-49, not much of a difference. Men are watching the soaps but it seemingly goes unnoticed. Why do you think that is?

scott91508_804991.jpgJAMES:

People do not notice that men watch daytime. It has a smaller male following. It is paid less attention to, because if you want to get into the business behind the soaps, the advertisers who are looking to sell into the show are looking for women 18-49, that’s their market. So, they don’t cater the show for men in that way, and they are not well represented. But, I am really happy to hear that we have a large number of men watching “Days of our Lives”. I don’t care who you are; it’s an addictive thing. You start watching, and it’s hard to switch off. It’s frustrating! I was talking to our new executive producer, Gary Tomlin the other day, and he said, “When they get to the end of my show, I want the viewers to be so angry at me,
and angry at the fact that that they have to tune in the next day. It’s that reaction which is built into the ways soap operas work. I don’t care if you are a man or a woman, you are left with a piece of information you have to know and crave.

MICHAEL:

What do you think fans of your character, EJ Wells, can expect in the coming months, now that there is a new executive producer at “DAYS”?

JAMES:

I don’t know what that means for EJ. They are making changes with the writing since Gary Tomlin came on board, and I think it’s a good thing. I hope the audience will like it and it will be more compelling to them, and in turn they will invest in it. I think Gary has a good vision for the show, and the support of the writers in his vision, which is very important. There is some stuff coming up with EJ that will keep him on the canvas… in the long term, I don’t know.

MICHAEL:

Being very attractive and one of the hottest men on daytime screens, are photo shoots like this easy for you?

JAMES:

I hate photo shoots. I hate it. I am incredibly self-conscious. I have never felt comfortable in them. Now people will take photos of me when I don’t know they are taking them and they come out very nicely. One thing is when people come up behind me and want me to smile at fan events, then I can’t smile! It’s tough. I am probably not the easiest subject to photograph.


HEATHER TOM
tom91508_80409.jpg

THE BOLD AND THE BEAUTIFUL

A political activist and accomplished actress, the outspoken Heather Tom plays Katie Logan on CBS’ The Bold and the Beautiful. Tom has received two Daytime Emmy awards, and has become the only actress under the age 35 to receive a record 12 nominations. Fans may also recognize her for her work on The Young and the Restless and One Life to Live. The IN Los Angeles cover girl has always been a good friend to the LGBT community in supporting its fight for equality. She sat down and with me and chatted about her work for the Barack Obama campaign, the current state of HIV/AIDS and what’s next for Ms. Logan!

MICHAEL:

Heather, you have been so politically active and socially conscious for so many years, and currently, I know you are out on the campaign trail on the weekends!

HEATHER:

I am working for Obama right now, and we are working hard to bring change to America. The other issue is for the proposition 8 issues for people living in California. I think it’s important they have to vote “No”. A lot of people are confused as to what this is, and basically it means they want to strip rights away that have been granted by the Supreme Court of California. We have to make sure they fail in their efforts, and that they are exposed for the hate-mongers they are.


MICHAEL:

What is your feeling on the state of the domestic awareness of HIV and AIDS?
tom91508_804153.jpgHEATHER:

Unfortunately, for the last 8 years the focus has shifted from domestic AIDS issues to international AIDS issues, because it suited the Bush administration. Then, they could get away with telling other countries what to do, and not have to talk about contraception here in the States…. which is one of the main ways of combating the spread of HIV. Also, they have shied away from domestically talking about HIV. It’s still an issue! It’s a killer, and people are dying from it! Luckily, we have had major medical advances where people are living longer, but it’s not cured, and it’s not chronic. It’s not holding steady. The numbers are going up. It’s definitely an issue we need to focus on here domestically. I think HIV is also so much more prevalent in the African American and Latino communities, that I think Obama will be a presence who will focus on domestic issues regarding HIV.

MICHAEL:

What’s coming up next for your character, Katie Logan, on “B&B”?

HEATHER:

It’s so funny. They don’t tell me anything. I get these scripts, and I go, “Oh, that’s good to know!”


MICHELLE STAFFORD

horizontal4shot1.jpgYOUNG AND THE RESTLESS

As the sexy, brash, unpredictable schemer Phyllis Summers Newman on the top-rated daytime soap, CBS’s The Young and the Restless, Michelle Stafford is one of the most critically heralded and lauded actresses of the soap genre. The two-time Daytime Emmy winner and IN Los Angeles cover girl sat down and discussed the cover shoot, soap fans and her philanthropic efforts.

MICHAEL:

Do you like doing photo shoots? You seemed to have a great time with us for the ”IN LA” cover shoot!

MICHELLE:

I liked the “IN LA” cover shoot; because I got to hang out with people I never get to see. It was nice to get to know James. I just met him. I had briefly met Kimberly a few times before this, and to catch up with Heather Tom was great. It was cool! I usually am not a fan of photo shoots, because most of the time it’s the same thing, same pose, and the same look, and they can get boring. This shoot was different and it was fun to be a part of it.

MICHAEL:

You have participated in AIDS Walk Los Angeles before, correct?

MICHELLE:

I have done it three times in a row… of course! I did it a couple of times with my sister and my mom, just the three of us… like normal people… and then one time with my show, “Y&R”. It’s great fun! You are doing something for someone…and for people. Everyone feels good with that going on.

MICHAEL:

What are your thoughts on HIV and AIDS awareness here in our country, with the rise in HIV+ cases this past year? Do you feel some of the focus has been shifted away from this disease because people are now, “living with HIV”?

MICHELLE:

I think, in the beginning, it was so misunderstood this new virus that came out of nowhere. Certainly people were leaving us right and left. I think since we have some medications that gave us a handle on it somewhat, then it’s like, “OK. We’re good. We have a handle on it.” I think it’s just normal for people to do that. Listen, I raise money for many things, and believe me; a lot is going to AIDS research. If you think that people are looking the other way, that ain’t happening, comparatively to other things. There are a lot of different cancers that people don’t donate to. I have noticed that’s where it’s hard to get money from… lung cancer for one. The rise of people who don’t smoke and who get lung cancer is heightening. The reason a lot of people don’t donate to lung cancer, is because there is this perception that: “It’s you. You smoke, and it’s your own fault.” It’s been very difficult to get donations in the past. It’s really since Dana Reeves died from it, and she was not a smoker, nor was Christopher Reeves, that it changed a bit. AIDS is still getting a lot of attention and money. However, I think there was just more attention in the media previously, because so many celebrities passed away from it. That’s just how it is! If somebody in the public eye gets taken by one of these diseases, it gets noticed more.


MICHAEL:

Have you lost people close to you to AIDS?

MICHELLE:

Oh God, of course! We are in the arts and there are so many creative men and women who have been taken by this.

MICHAEL:

You have always been so supportive in your humanitarian efforts for many charities. What compels you to give back ? Have you always felt the need to give back?

MICHELLE:

I feel that people with a lot of things and a lot of money, who buy pretty things, and don’t do things with it, are just the most boring people in the world. They are the most angry, most selfish, and they are stuck to their things. I would rather stick 16,000 needles in my eye than hang out with somebody like that. There is nothing wrong with having things, if you have the money to buy it, but if you are not giving back you are just a very sad individual, to me.

MICHAEL:

I always think, “How can people not support people in need when they have the means to help out?”

MICHELLE:

It’s not about the money, because I do things to raise money for many different causes. You know, 20% of the time, it’s not people who have a lot of money who are donating. It’s mostly the people who do not have the money that donate! It’s phenomenal and it eludes me. That’s amazing! When I did the September 11th fundraiser, I got a huge check from a little child who was on, “GH”. I got $250 from this child, and I also got $250 (from a person who shall remain nameless) who makes a lot more money than this little boy. So, it’s just where you heart and soul is.

michelleblackdress1.jpgMICHAEL:

A recent Nielsen Ratings report came out showing that 6 Million men (22% of the 18-49 yr. old male demographic) of the audience are watching the soaps. So many gay men have spoken to me about loving the soaps, and they are a very big core part of the loyal audience. It’s time we recognize them.

MICHELLE:

And they are all Phyllis fans, girl! (She laughs) I have to say, “I have yet to meet a gay man who is not a ‘Phyllis’ fan.”

MICHAEL:

But I think it’s great that we acknowledge that gay men can “come out of the closet” and admit they watch the soaps, too!

MICHELLE:

Of course! I even hate to say, “Oh, the Gay people. It’s just people.” If we must point out an audience as being gay, then all right, but the soaps are a guilty pleasure and guilty fun. You get to talk with your girlfriends about it, or your co-workers. It’s just fun to do. Soaps are for anybody who likes to have fun.


MICHAEL:

Who is Phyllis Summers Newman? How would you explain the character you portray on “Y&R” to someone who has never watched the show?
darkdress1.jpgMICHELLE:

She is a completely damaged woman, who is always trying to win the prize and never gets it.

MICHAEL:

Have you always enjoyed the different storylines, journeys, and challenges that Phyllis has gotten the chance to take on “Y&R”?

MICHELLE:

I have always enjoyed the challenges. The last couple years, Phyllis has been a little tamer than she once was. Some people on the street go, “I like Phyllis. She is not as mean anymore.” However, reporters say to me, “When are you going to be vindictive and conniving again?” It’s interesting to me. I like the change in Phyllis and it’s something different to play. I have been playing her for 11 years now. You want to have ebbs and flows, and not always play the same thing. So, it’s been nice to be a little bit different over these past few years.

MICHAEL:

But, Phyllis has to remain redeemable no matter what bad deeds she does, right?

MICHELLE:

I think that’s kind of up to me. Even when you play a villain in soap operas, you have to give the audience the reason why you are doing what you are doing. It’s day in and day out. You have to allow the audience to be on the same journey with you and your character, or they will check out, and they will not invest in the story.

Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

Continue Reading

General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

Continue Reading

Interviews

Y&R’s Newman Kids Talk 48th Anniversary, Storylines, Camaraderie, and Take the Trivia Challenge

On Friday, to celebrate the 48th anniversary of The Young and the Restless (which premiered back on March 26th,1973) Michael Fairman chatted virtually with the actors who comprise the adult Newman family children; Joshua Morrow (Nick), Amelia Heinle (Victoria), Mark Grossman (Adam), Hunter King (Summer) and Melissa Ordway (Abby).

During the conversation, on You Tube’s the Michael Fairman Channel, the actors discussed what it was like coming into the iconic Newman clan when they first debuted, behind-the-scenes moments and laughs they share working with each other, and what it has been like for them to share scenes with their iconic TV father, Eric Braeden (Victor) and for some of the kids, their on-screen mother, Melody Thomas Scott (Nikki).

In addition, each touch upon their current Y&R storyline where:Nick is involved with Phyllis again, Adam is on to Chelsea, Victoria is trying to be in the woman in charge of the company and she finds herself boyfriend-less, Summer has her hands full with the arrival of Tara Locke and Sally Spectra who may all destroy her relationship with Kyle, and Abby wanting to have a baby via surrogacy with the sperm donor being Devon.

Later, Michael plays a round of “Stump the Newman” trivia where the actors are put to the test to see just who knows the history of the Newman clan best. Watch what happens when the mention of the notorious and ill-fated reliquary storyline is brought up!

Joshua, Amelia, Mark, Hunter, and Melissa also express what it has meant to them to be a part of the legacy of The Young and the Restless, and still later Joshua’s daughter, Charlie, even makes a special guest appearance.

Now watch the conversation in full with the Newman kids below. 

Then let us know, what was your favorite moment of the interview? How do you hope their current storylines resolve? What was your favorite and least favorite storyline of all-time for Nick, Victoria, Adam, Abby, and Summer? Share your thoughts in the comment section.

Continue Reading
Advertisement
Advertisement

Video du Jour

Y&R’s Joshua Morrow, Amelie Heinle, Mark Grossman, Hunter King and Melissa Ordway chat with Michael Fairman about being a part of and portraying the Newman Children as the show celebrates its 48th anniversary.Leave A Comment

The Michael Channel

Recent Comments

Advertisement

Power Performance

Nancy Lee Grahn as Alexis

General Hospital

Airdates: 4-8-2021

Advertisement

Popular