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THE A MARTINEZ INTERVIEW – ONE LIFE TO LIVE

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MICHAEL:

This week A Martinez returns to daytime! What prompted your decision to come back to daytime and to “OLTL”?

A:

It’s really an interesting show, and so many of the actors on there are actors that I have loved. When I was doing “GH”, I had met most of those actors around ABC functions and the Daytime Emmys. I got to go to a party once for Erika Slezak (Viki), who I think is the most remarkable actress. I have had such a high regard for her and the show. I had met Frank Valentini (executive producer, “OLTL) back in the day, and when you are in daytime, it’s really a small community. Even the people I worked with going way back to, “Santa Barbara” they are still working, and you feel like a connection to them even though months and often years go by, without any real conversations. It’s an interesting feeling to walk back into it. Going back to the set of a daytime soap felt so immediately comfortable. It was actually quite surprising.

MICHAEL:

How long can fans expect your stay in Llanview to be?

A:

I signed a five-week deal and I just finished my last tape day. I think the stories and the scenes will play out over 8 weeks.

MICHAEL:

Was the shows intention with your character, Ray Montez always supposed to be for a short stint?

A:

The character had various incarnations; I think he was originally thought of as someone who would be around for awhile, and then someone who was somewhat disposable quickly. I think, but you never know, but he may survive. I won’t say more than that. I think there is possibly a future for him. I hope so, because he is a lot of fun to play.

MICHAEL:

Is there a down side to only being able to explore this new character for such a short time?

A:

There is no down side. It’s a really fun character and the actors are wonderful to work with. At this point in time, it’s greatly pleasurable to spend time in New York City. We would have to think long and hard as a family if we make a decision to move here.

MICHAEL:

Vince Irizarry (ex-David) who recently left “Y&R” told me he was flying back and forth every week from his home on the east coast to continue taping his role on the west coast. Would you consider a set-up like that?

A:

The thing is, you can’t quite tell how you are going to respond to it until you try it. So far what has happened is, I came and when back to LA once, and did that again, and then my family came and visited me and we had our wonderful little August summer vacation. It’s been a great five weeks, I have to say.

MICHAEL:

What were the circumstances that led you to Llanview?

A:

My agent called me and said, “There is this thing, and would you consider doing it?”, and it was a little much to consider. It was sign on the dotted line and move to New York for two years, and that was a little too much to imagine. But then the showed changed the way they thought about it, and I looked at what was on the table and thought it would be great.

MICHAEL:

You are one of the most beloved and cherished actors the soap genre had ever had. Why do you think you work so well in this medium?

A:

I have always loved working in daytime, it’s certainly where I feel the most free of anything. Once you establish that in your mind, it’s hard to let go of it. Even though I am getting better,  and ‘god knows’ I should after all these years, I think I am getting better in film than I used to be. There is just nothing like it, the soaps….the freedom of being and performing live with live cameras. I love to play with good actors and it literally is fun.

audio_icon_small.jpg

MICHAEL:

Why do you think some actors and characters transcend in this genre, while some do not?

A:

When I did, “Santa Barbara” I played Cruz for more than 1600 times. He took on weight in my emotional life that was shocking when he was gone. I had no idea for what it would feel like to say, “Goodbye” to that guy.

MICHAEL:

The fans weren’t either.  It was so hard to say goodbye to “Santa Barbara” and to Cruz Castillo. It’s such a testament to you and the character, and how you portrayed him. It is legendary!

A:

He is a great guy, and at the end of the day, it’s about the writing, and he was the best guy I got. There is just no getting around it. He was my teacher and he was my brother, and when he went away, he demanded he be mourned in my own personal architecture. All that being said, it was a nice day when I could finally let go of it.

MICHAEL:

From Cruz on “SB”, we next saw you return to daytime on “GH” as Roy Deluca. This week you come back to daytime as Ray Montez. What can you tell us about him?

A-look.jpgA:

He’s tortured and misunderstood. He’s not well-mannered, but he is capable of being charming. He defaults more often to certain rudeness. He is real different.

MICHAEL:

Is he a criminal?

A:

He is perceived to be a criminal, and legally he has been imprisoned, but it remains to be seen what goes on with his heart. The thing that is so great about him is he is really tortured. He is not a guy that has got the world on a string. He is struggling, and it’s so much fun to play. It’s hard not to root for somebody, if you have empathy for anyone who is struggling unless they are utterly irredeemable!

MICHAEL:

So he is not irredeemable and not a villain?

A:

No. I would not say he is a villain, but people do talk a lot of trash about him.

MICHAEL:

Who have you worked with at “OLTL”?

A:

First, I got to work with Jerry ver Dorn (Clint) immediately. Clint brought Ray to Llanview and Jared went and did the deed. So, then I met Brittany Underwood’s character Langston, and then that turned into the Clint/ Dorian feud. Then I got to do some fairly operatic stuff with Robin Strasser (Dorian).

A-jared.jpgMICHAEL:

Tell me about working with the amazing Robin Strasser?

A:

She is amazing, fearless, and brilliant and that is the heart of it. You go, “OK, this is a person who inserts her fangs and goes to work and attacks the work and has such high standards and a willingness
to take risks.”

MICHAEL:

She knew you were thee A Martinez? Right?

A:

We were aware of each other. We met, although briefly, at this party that ABC threw a few years back. We met across this big white table, and we saw each other, and acknowledged each other and expressed our mutual admiration for the work. I always thought she was fabulous. When you get to do a scene with someone who raises your goose bumps that to me is the thing I most feel and crave as an actor, and as a person watching the theatre.


MICHAEL:

The rumors are that Ray will be adversarial with Dorian, but that he could be a potential love interest for Dorian.

A:

Hmm. From the get-go and the way we worked with each other, it was really cool.

MICHAEL:

So there could be some sparks between them ?

A:

Yeah.

MICHAEL:

Many fans and insiders were swirling around in their soap fantasies, that perhaps when you were going to be brought on to “OLTL”, Marcy Walker (Ex-Eden, “SB”, Ex-Liza, “AMC”) would soon follow?

A:

It’s among my dreams. I work love to work with Marcy again, but I have not heard that rumor personally.

MICHAEL:

Have you stayed in touch with Marcy?

A:

I have not talked to her for several years.

MICHAEL:

Why was that such an unbelievable pairing, Eden and Cruz?

A:

A lot of it was dumb luck of having such a similar approach. We are cut from the same clothes as how we see the task. She is really committed and detailed oriented, and the thing I would always say, right? The one thing that stood out over time, depending if one of us had a bad day, is it would never happen two days in a row, it would never recur. And sometimes that’s hard to do after a time. After awhile it’s real, real tempting to mail this one in… and that was not going to happen with us. And that is what set us apart. We were ferocious about how we protected the quality of the work. I say this to my kids all the time, and I am so grateful about this in my life, and that is, “We knew how good it was, and how special the work was while we were doing it. “ It was utterly clear to us that we had something very special, and we ran with it as long as it was there to run.

MICHAEL:

How was working with Ray’s Llanview relative Langston, played by Brittany Underwood?

A:

She is great, and it’s a sweet group of young actors they have on the show. They have a sense of doing the work, and they seem to know how lucky they are to have the gigs and are committed to the work. Brittany is a strong worker.

MICHAEL:

Langston did not know she had an Uncle Ray.

A:

She did not know of Ray. Langston was looking for relatives when her parents perished.

jachendy.jpgMICHAEL:

Ray has wife, Vanessa!

A:

Yeah, Jacqueline Hendy is the actress that
I have done one scene with. She is very nice. Jacqueline plays my wife and somebody is a trouble maker in this group and that’s the big debate. Who is the most trouble in the marriage? We don’t really know.

MICHAEL:

Any other famous “One Lifers” we should look forward to seeing you on-screen with?

A:

I got to do nice stuff with Kamar de los Reyes (Antonio), and briefly got to work with Hillary B. Smith (Nora).

MICHAEL:

Well, I thought perhaps they would put Hillary and A together? The two Daytime Emmy winning dynamos, and that would really screw Clint for bringing Ray to stir up trouble in the first place.

A:

Hillary’s character, Nora just treated Ray terribly. He is apparently an easy guy not to like. I just knew Hillary from back in the day.


MICHAEL:

So how do we get you in a scene with Erika Slezak?

A:

She walked in the door today! Erika was on vacation the whole time I was there. I just got to say, “Hello” to her, and she’s Erika Slezak. I saw her in the hallway!

MICHAEL:

If you were to explain who Ray is, what would you say?

A:

He’s a tortured guy who is trying to crawl out from under a rock.

Double2.jpgMICHAEL:

So, you have completed everything with “OLTL” at this point?

A:

I filled my contract.

MICHAEL:

What do you think needs to happen for everyone at the show and ABC to commit to telling Ray’s story long term?

A:

I am sure that they have to reconvene and figure what they want to do next. It’s like so many aspects of this game. You don’t really know until you put it on its feet, and see how it stands up. They have to look at it on how it plays within the flow of the show, and then see how the viewers respond to it. I think as you mentioned and intimated, it’s sometimes difficult to separate me from Cruz. He is probably one of 150 people I have played and still he is that guy. I think it’s always questionable how people will respond to any actor, when they are expecting a certain thing and what they are getting is something else.

MICHAEL:

My thought was “OLTL” would be stupid if they did not try to keep you on the show, first of all, for your value?

A:

I think a lot depends on how people respond to it. I am very hopeful.

MICHAEL:

Was their one scene that you felt you got to “dig” into?

A:

There was one scene were Dorian got Ray to loose his cool and he become undone. She got him so mad that he started breathing heavy, and then he tried to get out of the room, and before he could get to the door, she jumped him from behind, and tore him up! It filled my eyes and gave me goose bumps.

MICHAEL:

There was a wonderful new Lifetime Television movie you just appeared in, “Little Girl Lost: The Delimar Vera Story”. Tell us about it?

pow-wow.jpgA:

It’s a true story and it was a wonderful experience to get it. I was approached by a woman from the Native American Cultural Studies class at Cal State Dominquez Hills. They had used one of my earlier movies called, “Pow Wow Highway” on their syllabus. She called me and asked me, “If I would come meet her class?”, and I had not seen it in a long time, so I thought I would love to go, and I would watch it again. She let me come and see the movie. It was a joy to see it. I had an audition that same day. I am on this wonderful high from seeing the movie, and I am driving to Hollywood. At that point, my manager calls and says: “Well, there is good news and bad news. And bad news first… the interview you are currently driving to, they have decided to go in another direction. So you don’t need to keep driving.” I go, “Well, what is the good news?” He then says, “The good news is that Lifetime called and offered you this movie, “Little Girl Lost: The Delimar Vera Story”. It was one of those great days.

MICHAEL:

The story is so moving. Did you know when you got your part in the film that this was going to be an incredible and powerful experience?

A:

Judy Reyes (Nurse Carla, “Scrubs) played this woman, Luz Cuevas. She busted us down at the table read, and when I saw that, I knew this was going to be something special. Usually, at the table read hopefully there will be hope for optimism on a project. She just killed. She turned to me at one point in time, and this woman thinks she has lost her baby, and thinks her baby is alive, and everyone including her father, and husband and the police are telling her she’s crazy, and she need to get a grip and get on with her life. Well, she finally comes to my character, who in the real-life true story, is the person she turned to, and in the table read she turned to me and said, “Do you believe me?” When Judy said that line to me… her face was pale, her eyes were wet, her lip was moving, and I was thinking, “Holy Moly! This is going to kill, and it did.” We went to the premiere in Hollywood at the Director’s Guild, and it tore the room up. Then the executive at Lifetime addressed the room and said, “I want you to know the real Delimar Vera is here with her momma. Here they are!” We all stood up and turned to her. The baby and she are now together. That is the baby that was supposedly dead in the film, and the entire room gave her in a standing ovation. They just bathed her with respect and it melted her.

little-girl.jpgMICHAEL:

Tell us about your role in the film?

A:

I play this guy named Angel Cruz, who is a representative in the Pennsylvania House of Representatives who is out of Philadelphia’s 180th district. I think he may be the first Hispanic legislator to come out of Philly. I think he is in his fourth term now and made it possible for this woman to have her life turned back around, because when she came to him, he promoted himself as the friend of the common persona. When she came to him, he did not brush her off. He went out of is way to get her access to DNA tests which she could not afford under her own auspices and functioned as an angel in her life. So it’s really cool to say the least.

To read a write up and review from the Philadelphia Daily News about the background of this horrific yet triumphant story on Delimar Vera, click here!

MICHAEL:

Have you stayed in touch with Jill Farren Phelps (executive producer, “GH”)? I know she is one of your closest friends from way back to your collaboration with her, when she was executive producer of “Santa Barbara”.

A:

Yeah I have. She is as good of friend as anyone, and helps me with so many things in terms of a career. As a person, she is one of the wisest people I have ever known. Our family owes so much to her family, and the things they do instinctually is just wonderful.

MICHAEL:

When Roy Deluca wondered out of Port Charles and you left “GH”, did you and Jill feel the character had it’s closure?

A:

Basically, they sent him to Miami.

MICHAEL:

I got confused. I think he kind of felt shuffled off the canvas.

A:

There was a thing where he was trying to undo Sonny and then Alcazar came in. Then Roy went into ca-hoots with Sonny and went to Miami to cover some of Sonny’s operations. At that time, I got offered this Lifetime Series, “For the People”. That was a real sweet gig. I was hoping it would turn into something, and then in true show biz fashion, you walk away with another gig.


MICHAEL:

How was it working with heavy hitters… Maurice Benard (Sonny) Steve Burton (Jason)?

A:

They are wonderful, and the best thing for me is that I got to work with Tony Geary (Luke), because Roy and Luke were thick as thieves. It goes back to the very beginning of the show that relationship, and obviously it’s Tony Geary! It’s a wonderful group of actors. I got to do things with lots of people on the show, but most of the stuff, I got to do with the men was with Tony. There really is no one quite like him. You don’t know how much I respect him.

MICHAEL:

What is it about him that makes him so unique and special as a performer?

A:

Tony steps up on a daily basis. He explores these colors, and the palette he is using is just so huge. It’s so hard to pin that character of Luke down. There are things we have come to understand about him. The day by day exploration and wanting to try new things made it such a joy to work with that guy.

MICHAEL:

How was it getting to work with Nancy Lee Grahn (Alexis) when you were back in the fold with her? So many loved her, as Julia Capwell on “Santa Barbara”.

A:

We’re down. She’s awesome!

MICHAEL:

Also, I know there was a moment in time you thought was very special for Maurice Benard.

A:

When Maurice won his Emmy… it was long overdue. What a night that was!

MICHAEL:

We thought your Daytime Emmy was long overdue by the way!

A:

Oh bless your heart….

MICHAEL:

….I remember. I was there.

A:

The thing I will never forget about it was that afterwards, my wife, Leslie and I stood off one of those big ballrooms, because the show was inside the main Marriot Marquis ballroom in New York City. We stood there together shoulder to shoulder for three hours or so. We fielded a river of people coming to express their best wishes and their pleasure that I had been recognized. That’s a moment where you feel your whole sense of the world tilt a little bit. I mean… it was beyond. It was so genuinely generous from so many directions and gave us certain value to the work.

A-tux.jpgMICHAEL:

Where is the Emmy?

A:

It’s my living room. I will tell you what though, whenever we evacuate because of the latest fires or what not in LA, you grab your Emmy! At the end of the day one thing you can say about it is, “that they are very pretty items.”

MICHAEL:

I wanted to just go back to your “Santa Barbara” days with you. Give me a few words about some of your former female co-stars…Kim Zimmer (Ex-Jodie, “SB”, now Reva, “GL”)?

A:

She was profoundly energetic and fun.

MICHAEL:

Sydney Penny (Ex-BJ, “SB”)?

A:

Soulful.

MICHAEL:

Eileen Davidson (Ex-Kelly, “SB”, now Ashley, “Y&R”)?

A:

Beautiful and passionate.


A-Chains.jpgMICHAEL:

In closing, as you premiere on “OLTL” this week, what can we tell fans to look forward to?

A:

The fans can look forward to that he is a real interesting guy. He got to do a bunch of real interesting things with a bunch of the characters. If people enjoy watching it half as much as I enjoyed doing it, then they will remember him fondly.

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Nelly Were Otube

Hi, am Nelly,
from Africa (Kenya) I have read this whole interview but with only one interest, Cruz and Eden..how is it possible that A has not talked to Marcy for several years? this is simply heartbeaking… I think. Their incredible perfomance on SB left many of us all over the world marvel at what real love should be, it was sort of a yardstich for which all love should be measured. The least they could have done for their fans, especially hopeless romantics like me, is to stay friends.. atleast… what happened? so heartbeaking. Yes we respect that they have separate lives now, but aleast remain in touch…. ooh! will always love these two forever!

Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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Knots Landing's Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama 'Studio City' & Respect For Soaps

SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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Video du Jour

DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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