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THE ANDREA EVANS INTERVIEW – ONE LIFE TO LIVE

Evans- mainshot.jpgMICHAEL:

You’re finally back at your old stomping ground at One Life to Live. We are thrilled your back!

ANDREA:

I am thrilled, too!

MICHAEL:

You are such a kick to watch! I find myself laughing out loud during some of your scenes. I think this is the best Tina you have been. What’s fun about playing her?

ANDREA:

Everything. She is such a fun character. She is kind of a bigger than life character. She is driven, a little flaky but also a little smart. She is fun and sexy. She is a little bit of everything, and I think that’s what people can relate to. Tina is always the underdog in a way, because she is always trying to better her life, but always does it the wrong way.

MICHAEL:

You recently ended your run as Rebecca Hotchkiss on “Passions”. So why did you decide to come to “OLTL” at this point in time?

ANDREA:

I think it was always in the back of my mind that I would probably go back. I did not know for how long, though. I knew my audience wanted me to, and you guys are important to me. I had been in talks with ABC, in what seemed like forever. Executive Producer, Frank Valentini at “OLTL” had been in discussions with me, and we both agreed we wanted “Passions” to have its shot and stay there, and give it all I got while it was on the air. I loved that show. Once “Passions” went down, it really freed us up to work something out. Frank, and head writer, Ron Carlivati were kind of enough to work around my schedule and allow me to do this.

MICHAEL:

It seems like a great arrangement. You live in LA and fly to New York to tape episodes of the show. How does that work?

Frank Valentini.jpgANDREA:

I do many shows in a few days. I think I have done 18 shows in three and half days. That’s how I do it. I spend the majority of my time here in Los Angeles. I have a daughter and family which is the most important thing to me. I need to make sure her routine is disturbed as little as possible.

MICHAEL:

Is it harder to shoot all your scenes in one swoop because of the continuity, or does it seem a bit disjointed to you as an actress?

ANDREA:

It’s fine. It’s kind of like doing a mini-film before I go. Having done film, it’s like an odd cross for me between a soap and a film.

MICHAEL:

OK we need to discuss the new addition to Tina’s family, her dog, “David Vickers!” The best soap dog ever and he is Tina’s new sidekick.

ANDREA:

Who is just the sweetest thing!

MICHAEL:

What is “David Vickers” real life name? You seem to get along swimmingly.

ANDREA:

“David Vickers” name is Tallulah. I have never met a dog I didn’t get along with. I am a true animal lover and that’s one of the ways Frank tried to entice me back by saying, “I am going to give you a dog.”

tallulah.jpegMICHAEL:

I thought it was brilliant plot device.

ANDREA:

It’s brilliant and I am thrilled. When I am in New York it helps me ease the pain of being away from my own two dogs.

MICHAEL:

Why is Tallulah so terrific on screen?

ANDREA:

She is the perfect concept dog. On “Passions”, I worked with some dogs, but Tallulah is the best animal I have ever seen on set. She does not bark between scenes. You don’t have to remove her from the set after a scene is done. She puts her belly on the cold floor and she loves it.

MICHAEL:

Tina seems to have a bit more humanity to her this time around. She used to be very mean to her sister, Viki.

ANDREA:

She always did love Viki in an odd way. Tina gets things twisted up, and she gets convinced to do things. Remember when she came back, and was so mean to Viki, it was that she was being convinced to do that because of Mitch Laurence. Tina gets misguided easily by men. But how many women do we know like that? That’s a common problem. I think those are the things that make Tina wonderful. She also has done some nice wonderful things for Viki, and tried to save her on many occasions and loved her and her family. Tina gets…. side-tracked, shall we say?

MICHAEL:

When you returned for the 40th anniversary episodes you only had short scene with Viki at the airport. Many die-hard fans felt perhaps short changed. But I hear there are more Tina and Viki moments on the way!

ANDREA:

There will be more Tina/Viki absolutely. I think Ron Carlivati tried to bring in a scene with us before Erika Slezak (Viki) left for her vacation. Between our two schedules… to get me their before the 40th anniversary, and her leaving on her vacation was challenging. He really struggled to find the opportunity for us to have any scenes at all under those circumstances. I promise you there will be a lot more to come.

MICHAEL:

Tina is part of the first family of Llanview, The Lord’s. How is working with Erika Slezak?

Erika Slezak.jpgANDREA:

I love working with Erika. Erika has a very special place in my heart, because if there is another actress in this business who I have worked with for so long, and learned so much from it would be Erika. I have known her longer than my husband. She knew me before my first marriage, and through my first marriage. She knew me when I was a teenager. It’s a very long lasting relationship, and one I treasure.

MICHAEL:

You have a new Todd Manning to work with. Your last go round, Roger Howarth was playing the role, now we have Trevor St. John. How has that been?

ANDREA:

I am just getting to know him. I am enjoying working with him very much.

MICHAEL:

Tina is being blackmailed by Tess, Jessica’s alter. One recent episode had Bo and John making Tina squirm when they kept intimating there is something not quite right with Jessica. Tina was hilarious. How is working with Bree Williamson (Jess/Tess)?

ANDREA:

I had not worked with Bree before, but with Erin Torpey as Jessica, when she was a little girl. I think Bree is very talented!

Andrea- leopard print.jpgMICHAEL:

What can Tina Lord Roberts’s fans look forward to in the coming months?

ANDREA:

I think more vintage Tina and more what the fans want to see. I think the fans were very happy to have Tina come back for the 40th anniversary. We did the Medorra storyline, which is very 80’s Tina. Totally 80’s Tina….. and gave the audience what they want. I think now, they want to see her blend in to her roots with the family, and involved in more of the storylines that are in Llanview.

MICHAEL:

Will she have a love interest?

ANDREA:

Yes, I know she will.

MICHAEL:

Is it anybody currently on the canvas?

ANDREA:

I can’t tell you more than that.

MICHAEL:

How did you feel when “Passions” run ended? Rebecca was such an ‘over-the-top’ character, such as you are famous for in your career for playing.

ANDREA:

I think that is a good way to put it. I was sad. It was a bittersweet thing. I was there eight years, and you grow to love the situation. It’s the breaking up of a family, and it’s hard and a big adjustment. I knew long before “Passions” finally ended, that it would be sad to go. For many people it meant the end of working for awhile, which is hard and devastating in this economy we are in. Nobody wants to be in that situation. So it was very difficult.

Liza and Andrea.jpgMICHAEL:

Do you stay in touch with your former on-screen daughter, Liza Huber (Ex-Gwen)?

ANDREA:

Liza and I are close, and Kim Ulrich (Ex-Ivy) and I are close. Those are pretty much the actors that I have really stayed close with and of course, the crew. I am quite the crew chick! I love the cameramen. We share a love of sports. We text each other quite frequently.

MICHAEL:

What is your favorite sport?

ANDREA:

I love Baseball; I am a big Chicago Cubs fan.

MICHAEL:

So you must be happy?

ANDREA:

I am happy.

MICHAEL:

Well, I am from Milwaukee!

ANDREA:

Are you a cheesehead?

MICHAEL:

Yes. And I am not happy with what is going on right now. The Brewers are sinking fast out of the playoff race while the Cubs clinched the Division title.

ANDREA:

You know someone from Chicago, is the only person going to say that to you!

MICHAEL:

Milwaukee always bombs in the end. It’s a tradition!

ANDREA:

Yeah, but Milwaukee had done better than the Cubs in the last hundred years or something.

MICHAEL:

Will you go to a Cubs game if they make it into the World Series?

ANDREA:

I would love to. I have to admit, I have not been able to follow it as much, since I have been commuting. Also, with my daughter, I am not as up on things as I should be. My daughter is now four and half so that also keeps me very busy.

Andrea and Kylie.jpgMICHAEL:

Your daughter is named Kylie, which is very cute. What is the best thing about motherhood?

ANDREA:

All of it! It’s what I expected and that much more. The best part of it is the stuff it brings out in you. I desperately wanted a child, and all women don’t feel that way contrary to popular belief. I certainly did. I was driven during my “Passions” years. It was a good time for me to achieve that goal. I knew I wanted it, and I knew I had to have it. However, my thoughts about it paled in the reality of it, and it’s so life-changing, view-changing, and awe-inspiring. I just love it.

MICHAEL:

Are there some moments from your time on “OLTL” where you thought you: “hit it out of the ballpark” and felt great about the work you did that day?

ANDREA:

It’s been so many years. I always tried to leave the set feeling good. The thing I hate, are the days when you leave thinking, “Ooh… I could have done that better.” I love my job. I love the industry. I love daytime, and I always like to leave it feeling I did my absolute best. The days I feel not as good about it are hard.

MICHAEL:

Because on daytime soaps, things move so fast, you can’t re-tape an episode?

ANDREA:

….Or sometimes something occurs to you later and you are like, “Oh. I should’ve done that!” A couple weeks ago on a plane back to LA I was trying to sleep, and I woke up going, “Oh. I should have done that!”

MICHAEL:

What makes Andrea Evans and her portrayal of Tina so iconic that everyone said, “The bitch is back!”? What do you think makes Tina so captivating to the audience?

ANDREA:

I think there are a few soap roles like that. I am very fortunate to have embodied one of them. I think there are a handful of them that have reached the audience in a special way. I think it’s just the marrying of the character and the actor. I think actors become known for a role, for a reason. It’s because that role really suited them in the moment in time they are playing it. It may be a big melding of the two. I am fortunate to be included in that group. That’s why it was important to me to bring Tina back in a way that did the fans justice and in the right way.

MICHAEL:

You are so involved with City of Hope and charitable efforts. Tell us all about it?

andrea in black.jpgANDREA:

I am the Celebrity Ambassador for City of Hope’s, Walk for Hope to Cure Breast Cancer. I have been for 8 years. I became involved because my mother was an 18 year breast cancer survivor, and years ago, I started doing the walks as a celebrity. I saw several celebrities show up and then leave in a limo. Personally, I think that’s wrong. If I am going to do that walk… I do it. I want to make myself available for the people to come up and talk to me. When City of Hope approached me, I thought it was an opportunity to make a difference. My fans have helped raised over 25 million dollars. It is a phenomenal amount and that keeps me going. I have known women everywhere who struggle with this disease or family members who have lost their battle, or family members who have just started their battle. I have had women show me their mastectomy scars. I am touched that they want to share this with me. I am happy to be there, and to walk and to honor those who are fighting their battle, and who have lost their battle, and to honor the survivors like my mother, who are continuing to win that battle. To raise money for better research, it’s a fabulous thing. I take it very much to heart.

MICHAEL:

You are set to do several Walk for Hope’s around the country.

ANDREA:

I am doing a walk in Chicago on October 12th and a walk in Los Angeles on November 9th. For more information you can go to www.walk4hope.org.

MICHAEL:

And now you have launched a very special line of soaps for the consumer and your fans, ”Soap for Hope”.  Tell us about how this came about?

ANDREA:

I have teamed up with a company called, “LATHER” for this special project. It’s called Sandalwood Rose Soap. www.lather.com I have been a fan of their products forever, and I have sensitive skin. They use no dyes, their soaps are all natural and olive oil based. One of the struggles with the soap, is we wanted it to be pink, because we don’t use any dye. So, what we used were rose petals which gives it a slightly pink appearance without dyes. They do no animal testing and their products are very pure. Some of their products are unscented. So people should definitely give it a whirl!

MICHAEL:

And there is a big launch party here in Southern California this weekend….

ANDREA:

This Saturday, September 27th, we are having our launch party in Pasadena, where we are bringing out our, “Soaps for Hope”. The product came out great and you can buy them individually or in a boxed-set, and all the proceeds go to City of Hope Breast Cancer Treatment. So it’s a wonderful cause. I know the fan response has been so good, that they have actually been up on the website before the launch because of the fan demand of the soaps. I am going to be at the, “Lather” store from 2-4PM on Colorado Blvd this coming weekend, and October 1, I will be in the Phoenix store in Scottsdale. If you go to www.andreaevans.com you can also find this great product.

MICHAEL:

You also recently helped launch City of Hope’s very own satellite radio music channel…The Pink Channel.

ANDREA:

Yes. I hosted a week on the Pink Channel and I loved it and had so much fun. It’s a music channel on XM Satellite Radio. I did all the host wrap-arounds and introduced people and did salutes to people. I love doing radio, so that was so much fun. The channel is about cancer awareness and City of Hope. It was a fabulous thing to do. It’s a cause near to my heart and I would do it again in a heartbeat.

MICHAEL:

When you get emails from fans to your website, what are they talking about…Tina?

ANDREA:

I have a Web mistress who helps me with everything. A lot of it is about television obviously, and even when I was on other shows, it was always about Tina.

MICHAEL:

Doesn’t anyone remember you were Patty Williams on “Y&R”?

ANDREA:

That’s the one that gets forgotten for some reason. It was a good girl. I guess I was born to be bad, because the audience response is that they like me much more in the bad girl role, which is fine, or as they call me in my favorite magazine from Australia, “The Super-Bitch”.

MICHAEL:

Do you ever miss the day-to-day of living and working in New York?

ANDREA:

In a way, I have the best of worlds and so I can’t complain. My oldest and dearest girlfriends are in New York. So I get a lot of girlfriend time there which I don’t here in LA. One of my friends is Renata the makeup woman at “OLTL”. She is like the sister I never had. To have time with her like that again is fabulous.

MICHAEL:

How is working with “OLTL” head writer, Ron Carlivati?

OLTL cast.jpgANDREA:

He is wonderful. I just love him. I think he and Frank Valentini have restored a vision to “OLTL” that wasn’t there.

MICHAEL:

It kind of lost its way in the past, but it’s been back on track over the last year or so. Wouldn’t you agree?

ANDREA:

I think so, and that is one of the reasons I wanted to come back. I felt really safe in their hands to do this. It’s really good.

General Hospital

GH’s Finola Hughes, Marcus Coloma & Josh Swickard Talk On 15,000th Episode Milestone

The juggernaut that is ABC’s General Hospital, is marking yet another accomplishment in its storied 59-year-history.  The iconic soap opera is set to air on Wednesday, June 22nd (unless preempted), its 15,000th episode.

As part of the celebration, General Hospital’s Finola Hughes (Anna Devane), Marcus Coloma (Nikolas Cassadine) and Josh Swickard (Chase), who all appear in the standalone episode, chat with Michael Fairman to mark the occasion.

During the conversation now on You Tube’s Michael Fairman Channel, Finola and Marcus, and later Josh, who logged on later while at Disneyland, discuss: their beginnings on GH from landing their respective roles, who in the cast perhaps most intimated them, at first, and what it has meant to be part of the legacy of General Hospital.  In addition, Finola, Marcus, and Josh reveal some of their more challenging storylines, and more.

Photo: ABC

Later, the trio each gives us a tease of what’s to come now that Nikolas has slept with Esme (Avery Pohl), what lies ahead for Anna and her love-interest Valentin (James Patrick Stuart), and Josh talks on working with his on-screen love-interest, Amanda Setton (Brook Lynn Quartermaine).

Watch for a special appearance by GH’s Maurice Benard (Sonny Corinthos) within the interview, as we do a deep-dive of being part of the ensemble cast.

We also take a moment to send out our condolences to Kristina (Felicia) and Jack Wagner (Ex-Frisco) on the passing of their son, Harrison, and how you can donate to the scholarship fund in his honor.

Check out our GH 15K interview with Finola, Marcus, and Josh below, and make sure to ‘subscribe’ to the Michael Fairman Channel for more upcoming features, interviews, and upcoming Daytime Emmy red carpet coverage.

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Interviews

Sean Kanan Talks On The New Season of His Streaming Series ‘Studio City’ and The Life and Times of B&B’s Deacon Sharpe

The second season of the Emmy-Award winning, digital streaming series, Studio City is now available on Amazon Prime. The six latest episodes bring us back into the series of an aging actor, Sam Stevens, played by soap vet, Sean Kanan, who is one of the stars of the soap opera, Hearts on Fire, in the role of Dr. Pierce Hartley.

Throughout Studio City, viewers go on the journey of Sam’s foibles through life off-camera juxtaposed with his life on-screen. A sundry of delicious characters enhances the premise of the series portrayed by the likes of: Carolyn Hennesy, Anna Maria Horsford, Justin Torkildsen, Lilly Melgar, Tristan Rogers and more, all names familiar to soap fans.

While Sean is busy promoting the latest season of Studio City, and his book Way of the Cobra, he is also continuing to appear on The Bold and the Beautiful as bad boy – trying to straighten out his life after years in prison – Deacon Sharpe.  Since his return last year, Sean has been mixing it up in stories with the likes of Kimberlin Brown (Sheila) and Katherine Kelly Lang (Brooke).

 

In this chat with Michael Fairman TV, Sean weighs-in on: what could be next for B&B’s Deacon, the struggles and the joys of continuing his streaming series, and the homage Studio City is to the soap genre and much more. Check out what he had to share below.

Courtesy/StudioCity

How challenging was it to shoot this season of Studio City?

SEAN:  When we do this thing on a shoestring, everything needs to fall into place in order for it to happen properly.  We know that everybody involved with the show was going to potentially get other projects, or do other things   One of the biggest issues we have, is that a lot of times, we didn’t know what locations we had because Studio City is the real world, and then it’s the show within a show (Hearts on Fire).  So, with the show within a show, those actors aren’t in the ‘real world’. For instance, Tristan Rogers (Doc), is only in the ‘real word’, so, if we have a location that isn’t for the ‘real world’, we can’t shoot Tristan because he doesn’t exist there.  We would have to literally decide what we were writing (sometimes the night before) based on the locations we could get.  It was just an enormous challenge.

Sarah Brown (Laurie) was not a part of the newest six episodes as well as some others cast members. Will she and others be back at some point?

SEAN:  Sarah was directing a podcast, and we kind of had to look at who was available to us, and what stories we needed to tie-up, and hopefully we are going to wind up doing another five episodes to finish up this season.  Then, hopefully we are able to get the actors who weren’t able to do the first six to come back and do the second five.

What I liked about the new six episodes is that I thought you built-in some really solid scenes for the actors.  How did you feel about the outcome?

SEAN:  We make the best show that we can make with the resources and time that we have.  I was glad that we got to develop the story a little more with Delilah (Juliet Vega), Sam’s would-be-daughter.  We always try to do something that’s socially responsive, and diversity is certainly and important issue in Hollywood, without a doubt, but I also think that you need to see the comedic side of everything.  I thought there was some really funny stuff about that with Sam doing the podcast and the scene with Anna Maria Horsford (Jolene) and Will Roberts (Dennis), where she comes in, and she’s like, “The production is too white.”  I thought that was some funny stuff there.  I loved the monologue my wife, Michele, wrote for Carolyn Hennesy (Gloria) about the soaps – that thing about how all of the soaps are dead, and Carolyn just railed in support of the soaps, about the soaps being this dependable thing.  For a lot of people, soaps are their point of emotional contact.

Photo: StudioCity

I talk to fans all of the time and for many times soaps are their lifeline.  Your character, Sam, lands a part in action-adventure film and screws that all up while on set. Where did that plot point come from?

SEAN: It came from a couple different places.  I think that there is not a male actor alive, who some part of him doesn’t harken back to when he was a little boy and doesn’t want to be an action star.  I think the funny thing about it is, of course, Sam is right on the precipice of being over the hill for it, and he’s not going to let that stop him.  Natalie Burn (Shelby Brock) is a legit action star.  She’s a terrific martial artist.  Our director, Timothy Woodward Jr. has done some action movies.  So, we sort of said, “Okay, we’ve set this thing up where Sam wants to get this film.  Let’s give him the film and have him struggle abysmally.”  Marching orders for Studio City are always to keep as much mishigas on Sam’s shoulders as we can.  You never want to see the lead of your show succeeding wildly because that diffuses all of the conflict.  I do think I’ve had some really great dramatic stuff.  I really liked the scenes that I had with Delilah in the sixth episode, and I loved the stuff with Tristan, and I loved the stuff with Lilly Melgar (Becky).  I thought it was really funny.  Lilly killed it and so did Justin Torkildsen (Jacob).  I thought Justin was great.

Courtesy/StudioCity

I thought when you utilized on-camera testimonials from the cast and the EP, that was really a hilarious piece to add to the story.

SEAN:  That was great.  I’d love to take credit for that, but it was Tim’s idea, and it was a really great idea from a production standpoint, because you can do one of two things.  You can either do a whole show where you’re using those, or you can chop them up and use them throughout different shows. From a production standpoint, we had to build some things into the show to insert those when we needed.

Courtesy/StudioCity

You also cast celebrity publicist, Anthony Turk, as a network executive in the series.

SEAN:  Yes. Way back when I created Studio City, there was a part for a publicist, and I had talked to Anthony about doing it.  We had eliminated the publicist part until Lilly became the publicist; which ended up in a completely different plot point.  I always knew I wanted to put Anthony in the series, because I think he’s a good actor. I was like, “You know, I didn’t write this part for you, but I think you can do it,” and I was really happy with how he did it.

 

Courtesy/StudioCity

I also liked the scene with Anna Maria Horsford’s Jolene where she tells Sam to keep his mouth shut while he is working on set. 

SEAN:  She is so fabulous.  I love that woman.  She is such a talent, and I was so happy when she got nominated for a Daytime Emmy last year.  I have such an affection for everybody on our show, because they really put their heart and soul in it, and it just means so much that they show up, and they support, and they do great work.

What I noticed is that the way Timothy Woodward Jr. captures you as an actor.  There is so much going on in the reaction in your eyes of what is happening to Sam.  He realizes the, “Oh, my God,” of each situation as he realizes what he just stepped into, or he finds the humor in it, or when he lets out his frustration, as he did with his daughter in the sixth episode.

SEAN:  That was one of my favorite scenes.  I wrote that one.   It was great because it’s my real-life stepdaughter, and I thought she really stepped up, and I was so proud of her.

For the first time in the realignment by the television academies, Studio City will now be competing at the Primetime Emmys instead of the Daytime Emmys, if the series receives nominations.  How do you feel about that?

SEAN: We are really excited to be competing with the big dogs now at the Primetime Emmys, and rather than being intimidated by it, we are saying, “This is the universe opening up and saying, ‘this is what you need to do,’ and so let’s embrace it.”  It’s going to be exciting.  In my 35 years in the business, I’ve never been to the Primetime Emmys.  So, we shall see.

Photo: StudioCity

Justin Torkildsen’s role greatly expanded this season.  In story, do you see Jacob attempting to thwart his Aunt Gloria and take control of Hearts on Fire as the EP? 

SEAN:  I don’t know if the goal is for him to take over for Gloria.  It certainly was a lot of fun to see what happened when he got just a little taste of power.  He’s got his own agenda, and I also love that he wants the love from his Aunt Gloria.  He’s not just a young guy trying to ascend the power ladder of the show.  He really does want his aunt to be proud of him and to love him, and she’s a tough nut to crack.

There was scene after the network executive tells Gloria, “You’re out, if you don’t fix the show.”  Doesn’t Jacob gloat in it for a minute?  Doesn’t he want payback for how she treats him?

SEAN:  I don’t know if he does.  I think he certainly does like to see when Gloria gets her little comeuppances, but when push comes to shove, I think he’s really got her back, I do.  Justin is so naturally funny.  He’s a great guy to have on set.  He’s got a great attitude, and he’s a very good actor.  I was really struck by a moment in season one where he’s coming up the stairs, and he had this abject fear of interrupting Gloria, and Justin didn’t have any lines.  He just played it beautifully with no dialogue.  I was like, “We’ve got to give Justin more to do,” and for me, it was nostalgic to work with him again because the very first scene I had on The Bold and the Beautiful was with Justin.

Photo: JPI

What can you say about Carolyn Hennesy; who often is the quintessential scene-stealer in Studio City when she appears on-screen?  Does she go with the script or ad-lib parts of the dialog?

SEAN:  She’s a gorgeous, red-haired, flaming beast.  She definitely did some wonderful ad-libbing to elevate what was on the page, and she made it her own, and that’s one of the things that I love the most about her.  I love that I can write a 20-page scene and give it to, for example, Tristan Rogers, 20 minutes before and know that he’s going to nail it.  That’s one of the things that I love about working with Daytime actors.   Say what you want, but when the chips are down, and your back is against the wall, a Daytime actor is going to be the one who can take the dialogue, digest it quickly, and give you a good performance.  With the way that we are run and gun in our style of shooting, you have to move really quickly.  I’ve worked on a lot of films, and with people who are recognizable in the business, and sometimes they get overwhelmed when they have more than a couple of pages in a day … and you know what we do in Daytime.

Courtesy/StudioCity

When you were writing the new season with Michele and Tim, was it laid out pretty definitively, or did it evolve?

SEAN:  We laid out some large arcs.  We knew the storyline that we wanted to do with Natalie and with Will.  Natalie, actually joined us as a co-executive producer.  She is Ukrainian and has family there.  So, she had a lot going on.  I just feel like she really stepped up.  She really helped the production both as an actress and as a Co-EP, and we were very fortunate to have her, and have her at a time when it would be completely understandable when her ability to even act would have been compromised, yet alone have the facility to Co-EP.  In addition, we knew we wanted to deepen the relationship between Sam and Delilah.  We had a different idea with what we wanted to do with Doc, and we wound up doing something another way than what we had originally discussed.  Sometimes, you have to make these decisions that are sort of production-based and you have to alter storyline.  Of course, we knew we wanted to continue to create the storyline that like a lot of soaps, Hearts on Fire was potentially on the chopping block.  At the same time, we really wanted to illustrate that the soaps are full of people who are talented, gifted actors, who love what they do, they work really hard, and they don’t always get the respect that they deserve.

Courtesy/StudioCity

It looks like Doc might be having a change of heart?  Will he begin chemo to save his life?

SEAN:  That’s what we are thinking, and we are hoping to bring Patrika Darbo back in, and finding out where she’s been and having some really nice scenes between, she and Doc.  I think things are going to develop between Dennis, who is the producer, and my character, Sam, and we are going to learn that all has not been revealed of who Dennis really is.

Courtesy/StudioCity

What did you think when you saw your performances in the latest six of Studio City?

SEAN:  I’m always super critical of myself.  I like the stuff with the podcast because I thought it was really organic, and I thought it was funny.  I loved the stuff with Lilly.  I always see things that I could fix and do better, but I also saw stuff that I liked, and I really liked a lot of what was going on with Juliet.  We had another take where Sam really breaks down, and unfortunately, we had a sound problem with that one, and we couldn’t use it.  That was really crushing to me, but again, you make the show that you can make. Michele and I always joke and say, “Making a 50-million-dollar movie is easy.  You want to really produce something?  Produce it when you have no money.”

Photo: JPI

What did your wife, Michele, say about how she thought the latest season of Studio City turned out? 

SEAN:  I do have to say that Michelle really stepped up this season of Studio City.  She ran the show.  She is an executive producer, but she was also the supervising producer, in charge, responsible for crewing up.  She amazes me to no end.  I couldn’t be prouder of her, and I’m so honored that she and I were able to both win out at the Daytime Emmys.  We have very different skillsets, which is great.  There are not a lot of areas where we overlap, but we compliment, and that’s why I love working with her.

Photo: JPI

You are also busy with The Bold and the Beautiful.  How has this most recent return been for you as Deacon Sharpe?

SEAN:  Oh, my God, it’s been fantastic.  The Bold and the Beautiful consistently ranks as one of the best professional experiences that I have ever had.  I love the people I work with.  I love the creative freedom that I have on the show.  I love what they write for me.  It’s just great.  Listen, I’ve done four Daytime shows, and by far and away, this has been the best experience.   It’s a great role.  I’m the only guy who has ever played Deacon, so I’m fiercely protective of the character.  I know I’m coming into a really big storyline right now, which is very exciting.  I can’t say anything about it yet, but I’m going to be working with a character who I haven’t worked with very much before, which is very exciting.

Photo: JPI

What did you think about Kimberlin Brown receiving an Outstanding Supporting Actress Daytime Emmy nomination? I believe you are in some of her submitted scenes.

SEAN:  I think it’s incredibly well-deserved. She just brought so much to it, and I’m just honored that I was able to be a part of what she did.

People are saying you’re going to get all wrapped-up in the Li (Naomi Matsuda) Sheila, and Finn (Tanner Novlan) storyline.

SEAN:  Well, I guess I already am to a certain extent.  I like to think that in his infinite wisdom, Brad Bell (head writer and executive producer, B&B) knew that Kimberlin and I would find humor in an eccentric relationship; rather than just being two kinds of ‘baddies’.  Deacon is not nearly as bad as Sheila, but rather than be two people with somewhat aligned wants and needs, I think hopefully Brad was like, “I think they’re going to come up with something interesting,” and I think we did.   The fight that Deacon had with Ridge (Thorsten Kaye), that is not something that you see on Daytime all the time.  That was really exciting and fun.

Photo: JPI

I love that Deacon’s home-away-from-home is the supply closet!

SEAN:  I was teasing Brad.  I said, “If I get a raise, do I get a Swiffer?”  I love it.  In terms of Sheila and Deacon, I didn’t know if we were going to wind up in the sack together or not, and I thought, you know, if that happens, that would be interesting, too.  By my calculations, Deacon has now been out of jail for how long, and he has not gotten any action.  No action for a guy who just got out of prison for 5 years.  So, I don’t know what’s going on in that broom closet. (Laughs)

What was it like working with Katherine Kelly Lang during the whole ‘New Year’s Eve drunken night with Brooke’ story?

SEAN:  You know, Kelly and I really were able to capture lightening in a bottle many years ago, and I think it was wonderful.  I always wondered, what was going to happen all this time later if we worked together again?  Are we going to be able to come up with something great?  I love working with her.  Poor Kelly, just broke her ankle, which is terrible, but she is a champ.

Photo: JPI

Do you think there is still chemistry between Brooke and Deacon?

SEAN:  Yeah, I do.  I try to create chemistry with anyone I work with, men or women, but don’t we do that in life?  We always want to be interesting and sexy with anyone we talk to.  Ultimately, what we are trying to do on some level, is we are always seducing as human beings.  That’s where I come from as an actor.  You’ve got a goal.  You’ve got a series of actions that you use to get the goal.  You usually fail a couple times in the scene, so you change the actions, and you try to overcome the obstacles.

Right, and seduce people …

SEAN: … And seduce.  Deacon is a very adept seducer.  I think a lot of it was from being a conman.  I think now, Deacon is finding that he can be seductive by being authentic.  I think that’s new to him.  I think ultimately, when you’re authentic, that’s a way more powerful brand of seduction than something that is some sort of a manufactured, fabricated, external seduction.

Photo: JPI

So, what would say in a tease of what’s coming up for Deacon on B&B?

SEAN:  All I can say is that I’ve been told that I’ll have an exciting story coming up, and I’m looking forward to it.  I always like when I get the ball, and you never know what another actor is going to bring out of you.  Whenever I work with someone who I haven’t worked with, I hope that they are going to allow me to tap into a part of myself that maybe I haven’t demonstrated before.  That’s what I look for, and that’s what keeps me enthused in this job.  We do have to give the same information a lot in Daytime.  That’s just the nature of the beast.  The challenge is, “How do I do this in a way that is not only interesting for the audience but allows me to stay engaged as an actor?”  If you start getting apathetic as an actor, you start doing bad work, and I can’t do that.

Have you checked out the latest six episodes of Studio City? What do you hope happens next for Deacon on The Bold and the Beautiful? Share your thoughts and theories in the comment section below.

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General Hospital

General Hospital’s Nancy Lee Grahn Chats On Her Daytime Emmy-Nominated Performance and Its Significance

When the nominations were revealed for the 49th Annual Daytime Emmy Awards, General Hospital mainstay, Nancy Lee Grahn (Alexis Davis), was recognized for her stunning work in the Alexis-centric standalone episode which honored her 25th anniversary with the ABC daytime drama series.

Grahn, is already a two-time Daytime Emmy winner.  She won back in 1989 in a tie for Outstanding Supporting Actress for her work as Julia Wainwright on Santa Barbara along with All My Children’s Debbi Morgan, and again received the honors in that category in 2012 for her work on General Hospital.

Now. she is vying for the gold in 2022 in the Outstanding Supporting Actress in a Drama Series category against other formidable actresses including: B&B’s Kimberlin Brown, DAYS Stacy Haiduk, Y&R’s Melissa Ordway, and her GH castmate, Kelly Thiebaud.

Michael Fairman TV caught up with Nancy to talk about her decision to enter the Emmy race this year, her powerful and moving scenes, why this nomination is significant and important to her, and her take on some very important social issues of our time.

Always candid, insightful, combined with great humor and wit, here’s what Nancy had to share below, and make sure to check out GH this week when sparks fly between Alexis and Gregory (Gregory Harrison). Will he turn out to be the new beau in Alexis’ life? Stay tuned.

Courtesy/ABC

Congratulations on the Emmy nomination.  How do you feel about being in the running again, especially with the material from your 25th anniversary episode?

NANCY:  You know, I don’t submit myself if I don’t think I have something, and I didn’t last year.  This year, I had the one show, and the first reason I submitted myself was I had the episode that was worthy of the competition. These judges have to sit, and watch this stuff, and very often, it’s hard to watch soap opera scenes.  It really is, unless you’re in it.  It’s a different kind of material that most primetime people aren’t used to watching.  So, it’s tricky business.  I don’t want to put them through anything too awful. I don’t want to torture them and I’ve judged before. It can be a bit tedious. So, for me to submit myself, I thought, it has to be something that isn’t going to torture another human being. The second thing is, older women get marginalized the older they get, and they get diminished very often, and every time we get nominated, it means something different to me.  This time, to me, I want it to somehow be symbolic, or a shoutout to women who are still producing, who have been doing their job for a long time and are still doing it good enough, and that it’s still worthy of respect and recognition.

When we were at the GH Convention back in March, I played the scene on-stage for the fans in attendance of when Alexis goes over to the corner of Kevin’s office and heals her younger self.  You saw the reaction just from the fans.  It’s such a beautiful moment within the story.  What did you think about how the standalone episode was crafted?

NANCY:  It was a different experience for me because GH co-head writers Chris Van Etten and Dan O’Connor, and script writer, Scott Sickles gave it the attention, but even more to that, they allowed me to participate in the creation of it.  They allowed the director, Phideaux Xavier, to participate.  We all sat in a room.  They said, “You know what?  Make it how you’re comfortable with it.”  There were so many people who gave it time and effort, and Phideaux gets a lot of credit because he came up with a lot of ideas.  So, the little girl in the therapy room wasn’t initially a part of it.  That was Phideaux’s idea, and they let us alter things, and they allowed me to write some words that meant something to me with the character.  Our producers, Michelle Henry and M.K Weir, who I both adore, were also a part of this.

Courtesy/ABC

That is great to hear that you were involved in the collaborative process of the creation of the episode.

NANCY:  We read through the whole script, and we worked it like you would on primetime. We went through it like, “Does this moment work?  Does that moment work?  Does this make sense?  Does that make sense?”  We never do that in soaps.  We don’t get to that.  So, it was a gift to me.  It really was. Chris and Dan, and Scott and Phideaux, and the two producers, generosity in gifting me that experience and making sure that it was to everybody’s liking, was really very special to me, and it meant a lot.

Did you come up with the key lines which summarized Alexis as a person and her journey: “I’m Alexis Davis, and I’m a fighter, and an idealist and an advocate?”

NANCY:  No. They designed it, but we were allowed to enhance and contribute creatively to it, and, we don’t normally have the time to do that.  They don’t have the time to – and you can’t allow people to do that with every episode, to be creatively participating, because it would turn into madness with everybody.

Then, when it came down to choosing the scenes from your anniversary episode to include for your Emmy submission, was that a challenging process of which moments to go with?

NANCY:  I just told a little story with it with the time that I had, and so, I edited it with a friend of mine.  I did a sort of pre-edit on it, I’m good at that, and handed the timeline to our editor, who nicely put it together. It took very little effort.

In my humble opinion, I think that episode featured one of your all-time best performances.

NANCY: Thank you. There was a nice effort from everybody, from the lighting to everybody else, and all the effort Phideaux put into it.  He worked so hard on that!  It was fun for us.  It was like the old days where you really got to work something out.

Photo: ABC

It truly harkened back to everything we knew up to that point about Alexis and her past as well, and included a montage of scenes over the years.

NANCY:  I think it was M.K. who put that together, but when you’re working at the pace we’re working now, to have to sit and put together a montage of twenty-five years, that’s not an easy feat.  Nobody has time for that anymore, but they did it, and like I said, it was really, really appreciated.  My only thought with it is that I wanted it to be relatable to other people.  I didn’t want it to just be some, you know, self-indulgent Alexis episode. I knew that by bringing in the little girl and talking about people being hurt in their childhood and how that makes somebody feel that it was probably relatable to many people, and so it became meaningful to other people and not just me.

Do you think you’ll attend the Daytime Emmys? I know the last time you won you were not present.

NANCY:  Yeah, I’m planning on it.  I mean, barring anything happening! (Laughs)

Does it feel nice to be recognized by your peers?

NANCY:  Of course, it does.  It always does, and way too often, women who are still producing well in their jobs, don’t get the respect and the acknowledgment for it.  So, that’s why I’m saying, this is no small thing, and that I want other women to know that I know that, and that I wish for them the same thing.

What was the reaction of your daughter, Kate and your fiancé, Richard, when you told them you were Emmy-nominated?

NANCY:  Richie goes, “What is this?  Your 18th nomination?” (Laughs). You know what I mean?  It was just kind of like, “Yeah, sure, why wouldn’t you be?” It wasn’t like, “Oh, my God!”  It was like they kind of expected that.  That was nice!  I’m glad they feel that way.  I’m glad they weren’t surprised.  They were like, “Sure!  Of course, you would be.  Why wouldn’t you be?”  I said, “You know, it doesn’t always work like that!”

Photo: JPI

Now comes the part of having to find a dress and all that goes with it for the red carpet.  Do you enjoy that part?

NANCY:  No, I hate that part.  That is my… oh ‘boohoo’, you know?  I mean, I have to find something to wear.  Also, the older you get, that becomes so much less important, and the more makeup, and the more hair, and the more foofy, the more ridiculous I look. I start looking like Whatever Happened to Baby Jane.  You’ve just got to keep it simple.

You were talking about women and ageism.  Do you not feel that also exists for men?

NANCY:  It exists for men, but it’s not at all on the same par as women.  I mean, men still get paid more than women, and men still are valued more than women.  I mean, there are exceptions, but if you look in any place of employment, even the soaps, you will typically find the men making more money than the women, and the older the women get, the less they get.  Life’s not fair right now.  It’s fairer than it was, but still the equality game is not won yet.

Photo: JPI

I know how much all of this means to you in terms of equality for women, and people being run out of their jobs because of their age.

NANCY:  It’s just a reality.  It’s not something that I’m hopeless about, but I have a story to tell.  I’ll tell it when the time is right.  It’s life!  It happens in every field everywhere.  When my mom was 70, she was still producing the exact same way she was producing when she was 30, and she got run out, and was replaced by a man who was 40 or something, and there was no particular reason for it.  It was just, “You’re done.  We decided you’re done,” but like I said, it happens everywhere, in every line of work, and that’s why I just wanted to give a shout-out, when you still, after 36 years, can be recognized or shown respect or acknowledgment for what your do.  It’s a very big deal that I am appreciative of and grateful for.

So, rooting for Nancy to win the Outstanding Supporting Actress prize? Happy she was nominated for her work in the the milestone episode devoted to Alexis? Share your thoughts in the comment section below, and to tune-in to the 49th annual Daytime Emmy Awards on CBS and streaming on Paramount+ on Friday night, June 24th.

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Cameron Mathison talks with Michael Fairman on taking on the role of GH’s Drew Cain, the latest developments in Port Charles for Drew. his busy career outside of soaps and the loss of his mother and his public battle with cancer.Leave A Comment
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