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The Darius McCrary Interview- The Young and the Restless

Darius Main1

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Next week on December 29th on The Young and the Restless, all eyes of long-time fans will be watching the debut of the new Malcolm Winters, played by Darius McCrary. It’s the role made famous by Criminal Minds star and former soap heartthrob, Shemar Moore. Moore won a Daytime Emmy and was uber-popular in the role of the wayward Winters brother. When Moore decided not to return to Y&R (this time) the show put out an extensive casting call for Neil’s younger brother, who is also the biological father of the cancer-stricken Lily. Yes, a short refresher course: One night when the late Drucilla had taken a double dose of her cold medication, (which left her somewhat groggy), Malcolm stopped by to check on her, and well, the duo ended up in bed together! And after their “romp,” Malcolm realized he had made a terrible mistake, and that mistake would change and alter the Winters family for years to come. Recently, Malcolm’s whereabouts have been unknown, and in this On-Air On-Soaps first look interview with Darius, he tells us all will eventually be revealed.

While this is McCrary’s first soap, he has quite an extensive resume. Darius is best known for his role as Eddie Winslow on the hit television series Family Matters. It was there that he met and worked with another member of the current Winters clan, Bryton James (Devon). He has also starred in many motion pictures and television specials.

Journalists, message boards and discussion threads have not been most kind to Darius’s arrival because they are saying; “He looks nothing like Shemar Moore!” But, who does? Recently, Y&R execs told On-Air On-Soaps that the show really wants to delve back into the origins of the original concept for the character – edgy, and street savvy. Can Darius McCrary change people’s minds? Will Y&R viewers give a new actor in a prestigious role an opportunity to make it his own? McCrary says he is definitely up for the task!

Listen to the audio:

The Darius McCrary Interview – The Young and the Restless

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MICHAEL:

The time has arrived and shortly we will first see you as Malcolm Winters. I remember coming up to the offices here one day and seeing a slew of young actors vying for the role. How did this come about for you? You auditioned like everyone else, right?

DARIUS:

I did. I was not in here with a whole lot of people, but the day that I was brought in, it was not really crowded and there was a short list after the audition. I was just happy to be there.

Malcolm Arrives

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MICHAEL:

You knew this was a choice primo role that Shemar Moore had played and won a Daytime Emmy for his portrayal. So where were you when you found out you got the gig?

DARIUS:

I was traveling and going to visit family and take care of some business, and my manager called and gave me the news and I was ecstatic. I keep telling everybody that signing on this show to me is just as big as me signing on to a film with Julia Roberts or Brad Pitt. I say that because this is a coveted role, number one, and also it’s a great show. I had no idea Y&R was as popular as it is!

MICHAEL:

Did you know that it was thee top soap on daytime?

DARIUS:

I had no idea. I have always wanted to do daytime television, but past handlers and agents had steered me away from it because they would say to me, “Darius, you have already passed that mark in your career. You have done prime time and feature films and continue to go upward,” and I go, “Are you kidding me? Do you know who Erica Kane is? Do you know who Luke and Laura are?” (Laughs) Growing up, my mom was an All My Children and One Life to Live fan. Then I got into General Hospital as a kid because of Luke and Laura. I never really watched Y&R, but my Aunt Cathy does. So my Aunt was ecstatic when she found out! And one of the things that is beautiful to me as an actor and entertainer is that relationship you develop with a fan, when they follow your career, and they follow you to where they feel like they know you, and television enhances that when you have a long-term gig or a long-term role. I learned that on Family Matters and they call me, “Eddie”. Last night I ran into some fans and it was funny. They go, “Oh, my man! Hey, my dude! Wassup, Eddie Winslow?” And I am like, “Hey, wassup guys?” I say, “ Hey, guys, I don’t care what you call me, but can you spread the word that I am now Malcolm Winters? Malcolm is my name.” And they go, “That’s cool dude. But Eddie is my man!” (Laughs) Soon I will be Eddie Winters! (Laughs)

MICHAEL:

You have the task of overcoming the mark that Shemar Moore left in this role. There are skeptics that say you look nothing like him. And, “How can Y&R recast this role?” Do you feel you are up for the task? And, does that pressure play with your mind?

Shemar Moore2

©JPI Studios

DARIUS:

No. I have been doing this long enough to know a few things. Look, Shemar is a great guy and a great actor, and a beautiful human being, but he is Shemar and I am Darius. I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor. The way I look at it is, it’s just like if I was playing football, and if there was a running back before me who put up some numbers and he gets traded and I come in and I get to run that backfield. Believe me, I am going to step on some heads to get the numbers and the yards that I have to. Also, it makes it easy to do when you are working with a group of consummate professionals who are extremely gifted. This is an unselfish group of actors here at Y&R, who are completely thorough.

MICHAEL:

Did Kristoff St. John (Neil) and Christel Khalil (Lily) give you any Malcolm pointers, or bring up Shemar to you on set?

DARIUS:

Nobody brought up Shemar and it’s cool. It has not been a thing of “Oh, Shemar did this.” Everybody is giving me the love and respect to allow me to do what I do as an actor, and that was one of the beautiful things about this from the beginning. When I went in I did not know what to expect. I have never read for a soap before. I am all about breaking barriers and challenging myself, that is why everything I have done on my resume is different. I have never played a cop again, and I have never played a boxer again since I played Muhammad Ali. That was a challenge, being darker than him, and the film won Best Television Movie and I was a part of that. I was in Mississippi Burning, which won an Oscar.

MICHAEL:

You were in the original Mississippi Burning?

Neil and Malcolm

©JPI Studios

DARIUS:

Yeah! I was nine years old, but I look at the journey. Everybody trips off the destination, but you have to enjoy the journey. This is a part of the journey I am enjoying. And as I was saying, when I went into the audition Maria Arena Bell (co exec prod and head writer, Y&R) and Paul Rauch (co-exec prod, Y&R) were wonderful. They knew what they wanted, but they allowed me to do what I am capable of as an actor, and that is the best gift a producer or writer can give an actor when you are reading for something. “This is what we want. We know what we want. Do what you do.” And when you meet in the middle, it’s magic. Every time I read the lines for this role, I feel it. I feel like I know this guy.

MICHAEL:

What can we expect from Malcolm’s return to Genoa City?

DARIUS:

All I am going to tell you is, there is a whole lot of tension, and let’s just say there is a ‘family matter’. (Laughs) There are family issues going on. He comes back to make things right with the family.

MICHAEL:

Is his brother, Neil glad to see him? Or, will he punch him?

Malcolm and Cane

©JPI Studios

DARIUS:

Let me tell you something… Neil is a piece of work, man! Kristoff is great. It’s so cool that I get a chance to work with him. I have known his work for a long time. He is so solid as an actor.

MICHAEL:

Are we going to like this version of Malcolm? Is he a good guy who, shall we say, will be extremely flawed?

DARIUS

We are all flawed in life, but some characters in soaps are more flawed. I have been doing my homework going, “What’s wrong with these people?” (Laughs) I think we will feel and care for Malcolm.

MICHAEL:

It’s great that Y&R is bringing in another black character to once again expand the Winters family. How do you feel about what it represents to have you here in this role?

DARIUS:

I think it’s a wonderful thing to have African-American characters. Look at life. It’s not a white world or a black world; there are all kind of people in it. It’s showing growth, and in today’s world there are so many outlets. I don’t believe there are any more blockbusters films. Back in the day with music, people would wait up all night for the music store to open to get their favorite CD, and if it were sold out they would come back again. The thing I love about soaps, and from what I know about this is its run in a very old school way, which I like, since I have been doing this entertainment thing for a long time. But I see that there are some new barriers that they can break. I feel that by being part of Y&R, I am hoping that new viewers who haven’t watched soaps before will tune-in.

Christel Khalil hug

©JPI Studios

MICHAEL:

Will there be a lady-love for Malcolm?

DARIUS:

Malcolm loves the ladies!

MICHAEL:

A few words about working with Christel Khalil?

DARIUS:

She is bright and extremely great to work with. It was sad to come back and see that Lily had cancer, and it was tough emotionally as an actor, to give what you need in a scene and thinking of the dire situation she is in and absorbing that. It’s a trip!

MICHAEL:

You know the baby mama, Drucilla, took some cold syrup and Malcolm sort of took advantage of her, and that is how Lily came into this world?

DARIUS:

Man, I was like; “This Malcolm is something else!” It’s crazy, because I like this character because he has got some baggage, and it gives you somewhere else to go as an actor and stretch.

Darius and Bryton

©JPI Studios

MICHAEL:

Who else have you enjoyed working with thus far?

DARIUS:

I got to work with Daniel Goddard (Cane). I am very impressed how he retains his lines and that is a trip, and Bryton James (Devon) of course. I used to hold Bryton in my arms. He was my ‘baby boy,’ and I look at him now all grown up and handsome and stuff. It’s so funny; I have to tell this story. I was so out of it. So, in the story Devon has his hearing aid on…

MICHAEL:

…The cochlear implant…

DARIUS:

….Right, the cochlear implant, and so I said to him, “Hey Bryton, I was watching you the other day. What kind of Bluetooth was that, man?” (Laughs) Bryton has been showing me the ropes, which is a trip. You never know the difference you can make in the life of child. I worked with him when he was little Richie on Family Matters, and we picked up right where we left off.

MICHAEL:

Have you met Genoa City and Y&R’s living legend, Jeanne Cooper (Katherine)? You are truly not a member of the cast unless she welcomes you into the fold!

Darius leatherjacket

©JPI Studios

DARIUS:

She is actually wonderful, and she is a joy and funny, and she did welcome me. Jeanne told me, “To get my lines right, because she is ready to get the hell home.” Doug Davidson (Paul) on my first day gave me some great advice. I am not too technical in my acting, and I feel when I get too technical it becomes unbelievable. My thing in this day and age, with reality television and so much other stuff that is going on, is people want to feel the reality. They want to relate. Back in the days with James Cagney movies, they were acting and really ‘givin’ it to ya’, and that was cool, because people wanted to escape. People still want to escape, but today’s escape is different. People now want to know that there are people out there who have more problems and are a train-wreck! This is why I think it’s difficult for sitcoms these days, because people are not going to believe, joke, beat, beat, joke, because there ain’t nothing to laugh about. We are in a recession! Folks are dying overseas! It ain’t funny right now. That is another reason this transition for me into soaps makes sense for me, because I would get to work at my craft every day. I would be able to play this very real character. Doug said, “Even though we are working so fast, don’t rush your lines. Take your time with your moments,” and that stuck with me. Because, what I have been finding is Malcolm has been having a lot of moments with Lily, Cane, and Neil. It’s important stuff and with my character coming back, there is a lot of information that needs to be disclosed. Peter Bergman (Jack), I call, “My man, Jack.” It’s really funny. I always said I would never call people by their character names, but I am finding myself doing it. Eric is “Victor”, and I call Michelle, “Phyllis.” Yup, I am doing it. I have been watching the show and now I am being sucked in, and I believe these people. I am sucked into Genoa City!

MICHAEL:

Will we know what’s happened to him in short order, during the time Malcolm was away?

DARIUS:

No. You are going to have to continue to watch, ‘cause Malcolm will blow your mind!

For more with Darius make sure to listen starting Friday to The Scott and Melissa Reeves Show on syndicated radio, when he appears as the special weekly soap guest.

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davd adam nole
davd adam nole

He ain’t Malcolm and I will never accept him. That is that! Y&R is messed up for this casting messed up!

e-trim
e-trim

your right about one thing,Y&R is messed up, that is for not letting my gurl Vicki Rowell back on the show and for doin the most stupide dicision of firering my other gurl Davetta Sherwood as Lily for that Valley “sista” Chrystel khalil who’s interpretation of lily is sooooooooo terible. man it’s been almost 4 years she’s been gone and I am still scraching my sculp tryin to figuer out wat spell the was under wen they made that decision.

Doe
Doe

I enjoyed this insight into Darius’s mind and how he appoaches acting. He seems very intelligent and soft spoken. He has a very good background that should carry him far.I believe fans should stop thinking of Shemar Moore and this man will probably knock it out of the park. I look forward to his debut as Malcom. We need some excitement on the show and hopefully he will bring it!

waldo doe
waldo doe

wow! i can’t wait to sere this!

bessie
bessie

I think he will be a great replacement for Malcom…He is a great actor..before you know it every body will forget that Shelmar ever played Malcom…I am looking forward to seeing him…

Adrienne
Adrienne

HA! Nothing personal against Darius, but he ain’t Y&R material, and he certainly ain’t an appropriate replacement for Shemar. I suspect they’ll get enough emails at CBS to at least rethink this choice for sure!

Lacey
Lacey

I can’t wait to see Darius as Malcolm….I think he’s going to be great as Malcolm. I’m just wondering who his love interest will be….I think Y&R did a great job casting the new Malcolm. Way to go guys!

renae
renae

I think they got him dirt cheap sorry we all know these day’s it’s about the bottom line i see a recast just like tucker or they will try to make us care but in the end like Eva he will go away

demita hemphill
demita hemphill

yesssssssssss!!! can not wait.i called all my home girls.the ones do not watch soaps will be watch when darius arrive!!!!!!!!!

CJK
CJK

I AM GLUED TO THE TV RT NOW!!!!! Me & all my girlfriends (about 10 of them) are all taping and watching!!! We haven’t watched soaps in ages!!! But now, it’s on! WE LOVE YOU, DARIUS! I hope he does some kind of Y&R event where we can meet him!!!! <3

Tamekia
Tamekia

I love Darius I know you will make a great Malcolm because I have watch your acting skills in family matter and you were great. I wish you much success in your new role.

Richelle
Richelle

Not a good replacement. He doesn’t look old enough to be Lily’s father.

samamma
samamma

oh my gosh! im way too excited for darius as the new malcolm! i think hes got the talent in hand and he sounds genuinely excited to be part of Y&R. ive been watching Y&R for about 15 years now, and they change actors all the time. I think with darius on board we’re gonna get to see more of malclom for lengthier periods of time, which is great because I really missed the character. now, to get dru back!

akmeiners
akmeiners

POOR, POOR CHOICE FOR MALCOLM!!

juanita
juanita

I think we all should give Mr. McCrary a chance jus like the Y&R.
It’s tough to step into someone else role when that person ( Mr. Moore)
is still being seen around and about. Mr. McCrary is a professional. Let him do his best to entertain you. Remember, this is a soap opera.

Scotty
Scotty

This was a bad replacement. He looks nothing like Shemar Moore. Furthermore he is too young. I think they should have gotten Charles Divins( Passions) or Terrrence Howard ( Hustle &Flow).

Marissa
Marissa

I think Darius is a good replacement – he is a good actor and good-looking…I look forward to him being on the show, but people need to understand that it’s just a TV show — if Shemar Moore doesn’t want to come back, then he’s not going to – get over it. There have been many recasts that have been great: Billy Miller, Amelia Heinle, etc…

Linda
Linda

I think this is a bad replacement. Shemar Moore made an indelible mark on the role of Malcolm Winters. I loved seeing him. Darius was great on Family Ties but doesn’t fit in the role that Shemar vacated. Sorry, but he doesn’t. I think I see a recast as well. Please, oh please, bring back Victoria Rowell. Dru is sorely missed. Please don’t recast her role. I will quit watching Y&R for sure then.

Erma Berry
Erma Berry

Kudos to Darius for accepting this role. Bah, Bah to Y & R’s directors for offering the role. Too bad Darius wasn’t hired for a new character. He is a consummate, charismatic actor. Shemar was not a good actor when he got the part. He was mediocre at best. He was visually striking, pleasing to the eye, to say the least. That’s all. But that’s what made the role acceptable and exceptional.
Hopefully Darius can get another more suitable acting job in movies. Or maybe a full role, not replacement, on another Soap.

Jen
Jen

nothing against Darius, But not casting Shemar Moore is the worst mistake CBS could ever make!!!

Pat Smith
Pat Smith

Glad to see Young and the Restless finally get a handsome dark skinned brother. Never really cared for Shemar Moore. Darius is a great actor and has a beautiful singing voice.

tt
tt

They did a horrible job of casting Malcolm. Darius can not act. And he is not sexy.

Casey
Casey

Y&R I cant believe how you murdered Malcolms role 🙁 Darius is a poor actor.

Joyce
Joyce

I think that Darius McCrary is a wonderful addition to The Young & The Restless cast. Thank you Darius for taking over this role and putting your own spin to it. You are an exceptionally talented actor, and very handsome & sexy as well. I think you are doing a wonderful job in this role. Make it your own, as you are already doing and I love it!!

Connie
Connie

he is not a good actor Y&R needs to recast this man bad sure does not fit the part

Joni
Joni

LET THE MAN DO HIS JOB….GIVE HIM A CHANCE.

Andre
Andre

I think from the comments stated, that some of the people do not simply want to accept Darius Mcrary due to the fact he is not light skinned, which I believe is the biggest issue. I mean really who says when you recast an actor that they have to look just like the one who vacated the job. I think Darius has and will continue to add more dimensions to the character. The fact that he is also a great singer is something they could not do with Shemar. I think Darius will hold his own for many years.

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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The Young and the Restless

Airdates: 10-24-26-2018

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