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The Genie Francis Interview – Pretty & The Young and the Restless

Courtesy/S.Fleming/CBS

Courtesy/CBS

Who says you can’t reinvent yourself multiple times over after portraying one of the most iconic, identifiable, and memorable characters of the soap genre and pop culture?  Well, don’t tell that to Daytime Emmy winner, Genie Francis.  The former Laura Spencer of General Hospital has gone on from her life in Port Charles’ sturm and drang, to her new role as mother-from-hell (sort of) Genevieve Atkinson on The Young and the Restless, to her starring role in the Hallmark series of made-for-television movies The Note.   But now Genie is taking another left turn in her stellar career, playing Dr. Kate, the pageant therapist, in creator and writer Steve Silverman’s hit comedy web series, Pretty! (www.prettytheseries.com)

If you missed the season-three premiere of Pretty, you will want to make sure to watch Genie, as she is plopped in amongst the zany and outlandish pageant-crazy Champagne family!  Francis will also appear in several more webisodes, where her Dr. Kate tries to make sense of it all … something we don’t think anyone can do with these folks!  On-Air On-Soaps chatted with Genie, not only about being part of a series on the web, but the consistent rumors that she is heading back to General Hospital, her current role as Genevieve on Y&R and what’s in store for fans of the show who have been missing Genie on-air.  And yes, she tells us about working with her CBS co-stars, including fan favorite Daniel Goddard (Cane) who plays her on-screen Genoa City son.

We also take a look at the genre today as opposed to when Francis first started in the glory days of daytime, and where she feels some much needed transition did not occur that might have saved the soaps from becoming extinct.  And what about that Oprah Show appearance with her and Tony Geary (Luke, GH), and being trotted out as part of the soap star legend spectacular?  Genie tells us more on what went down behind the scenes. We think that any long time soap fans will enjoy this interview with Genie, in which she tells it like it is, with honesty, humor, and as an actress who has been through it all in the tough world of show biz, and let’s not forget … the woman is still quite young!  Here’s the incomparable Genie Francis!

MICHAEL:

Courtesy/PrettytheSeries

Genie, you came into being on Pretty through your former on-screen GH mom, Denise Alexander (Ex-Lesley Webber) who also appears in Pretty in the role of Louise Kirkpatrick.  How did she get you to even consider doing something like this wickedly funny and off the wall comedy web series?

GENIE:

I got a call from Denise Alexander telling me how much she loved this script, and Steve Silverman, and how fun he was to work for.  And since Denise is in the show too, she said, “It would just be great if you would do it, and would you consider it for me?”  And I said, I would, because this woman has been so good to me all of my life.  And, she has never asked me for anything in return.   So it was sort of a chance for me to do something for her.  So based on that … I made my decision to do it.  Then, I went through a very busy time in my life with making this movie for Hallmark, and working on the soap and getting my kids back into the first week of school.  I was just running around like a crazy person and I did not really read the script of Pretty till right before I had to go to work.

MICHAEL:

So you said “yes”, but had not read the script, and truly had no idea what you were getting yourself into or involved in.  You must trust Denise implicitly!

GENIE:

Yeah, because I basically made the decision that I was going to do this for Denise!  And then, I was very pleasantly surprised that it was this cute, funny, interesting group of people, and that it was actually a really fun experience.  So that’s it.  That’s the whole story. (Laughs)

Courtesy/PrettytheSeries

MICHAEL:

In Pretty you get to play Dr. Kate, Pageant Therapist!  I thought you were so funny! And it was so great, because we don’t get to see you like that.

GENIE:

Oh, I am so glad to hear you say that.  Thank you for telling me that.   And you’re right; you don’t get to see me like that. (Laughs)

MICHAEL:

When you watched back the season three premiere webisode, with you front and center, did you think you were funny?

GENIE:

I was happy with the thing I did, that was much in the style of the hit comedy show The Office, where I was talking about the gold curtain and the lighting.  And that was great because I did what I wanted to do, which is that style made famous by The Office.

MICHAEL:

So were you acting by yourself in many of those “therapy” scenes with the cast of characters, which includes a hilarious cameo from The Bay’s Mary Beth Evans? Or, were they in the room with you?

GENIE:

Courtesy/PrettytheSeries

Sam Pancake (Michael Champagne) and Stacy McQueen (Annette Champagne) were there and Mary Beth Evans was there. But then there were others who were not there.  All of my part was done in like four hours!

MICHAEL:

Did you come in the way you were going to interpret the character and that was how you were going to play, Dr. Kate?  Or, did Steve Silverman give you more direction? Or, was it a ‘I’m going to run with it, here you go’ type of scenario?

GENIE:

Steve jokes about this, since I waited till the night before the shoot to read the script, but I was really busy.  And I have to take each job one at a time or I get confused.  So I just go one job, and one day at a time.  So I called Steve the night before and I went, “Ok. What do you want from me here?”  And he basically said, “I want you to be the voice of reason, because that would be the worst nightmare for the character of Michael Champagne, which would be to have to face the voice of reason.”  And I said, “Oh Great.  I can do that.  See you tomorrow.” (Laughs) There have been years that I have had in the past where I have not done a darn thing, but this happened to be during a busy time.  Like I said, Steve knew exactly what he wanted from me, so he facilitated that beautifully and quickly.  He got what he wanted.  The guy is very professiononal, smart, and very talented.  He deserves all the kudos.

MICHAEL:

So, would you come back and do another season of Pretty?

GENIE:

Oh yeah!  I would for him.  For him I would do it, because I think Steve is cool.  I don’t know that I would do it for just anybody.  Denise was right when she said, “I needed to do something that I have never done.”  I think she did not steer me wrong.  She involved me with somebody who is actually interesting creatively, and for that I am grateful.

Courtesy/Prettytheseries

MICHAEL:

The Mary Beth Evans therapy scene was hilarious!  Wasn’t she Sara Garrett from The Bay who was confused that she was in the wrong therapy office?

GENIE:

Yes.  I also thought that Mary Beth’s long monologue about all the things that happen to her was terrific. (Laughs) She did a really good job at it, and it was hard for me not to laugh while she did it!  I was happy to see her dealing with the monologue that way, because there are so many times in soaps that we are asked to do these ridiculous speeches, and we always say to ourselves, “This could be comedy real easily, if we could just play it that way.”  And there she was playing it that way.  And I thought, “Good for her!”   I was proud of her and impressed with her ability.

MICHAEL:

So on The Young and the Restless you came on as Genevieve, and you had said in interviews it was like breath of fresh air for you.  After years of playing “put-upon” Laura Spencer on GH, you got to play an eerie bitch!  How did that feel?

GENIE:

I will tell you it made me feel immediately lighter in my person.  I just felt like I don’t have to wring my hands and cry all the time, and worry and focus on the pain, you know. Now the focus of this new character was: how do I entertain myself, even if it’s at your expense?  It’s kind of like the character in House.  I just say what I want to say because it tickles me.  That was a fun-freeing part of the character to play and I enjoyed it.  I think they are changing Genevieve now a little bit, where they are leaning towards making her a more traditional heroine model, which is also OK with me.  They have a very big show to tackle, and how they want to use me in their show should be their decision, and I don’t have my heels dug in.  We know that Genevieve has this caustic side to her that is not gone.  Right now she is in a happy moment in her life and there is a little bit of softening going on, which I think is good.  Ultimately, she should have both.  She should have her tough side and her soft side.

MICHAEL:

Courtesy/CBS

It was interesting because fans and soap pundits where saying, “Was Genie channeling her inner Helena Cassadine?”  Through your portrayal of Genevieve, were you at all doing that?

GENIE:

At times I was in the very early part of playing her, and then it started to change a bit as we went forward because I started to make her funny.  I don’t think Helena was ever funny.  Then it also started to be more fun for me to play.  I know that a lot of my cast mates thought it was funny, and I liked it.  And honestly, I don’t know how the audience receives it because we are so in a vacuum.  It’s very hard to tell.  You can use Twitter to try and ask people.  But even that represents a small group of people, and it’s not inclusive of everybody.  It’s uncomfortable being in that sort of a void, and seeing how people are receiving it.  I am hoping that the networks know more than me. (Laughs)  I am just grateful for every day of work they give me, and whatever they write for me.  I try to bring it to life as fully and as completely as I can, because that is what I am hired to do.

MICHAEL:

I think people were worried once they wrote off Tristan Rogers ( Ex-Colin, Y&R) and they saw less airtime from you that you were leaving Genoa City as well, and that you were rumored to be heading back to General Hospital.  So what would you say to that?

GENIE:

Well first of all, the rumors about me going back to General Hospital are just that… they are just rumors.  I wanted to go back to General Hospital for many years and they did not want it.  And I am quite sure, even after my Oprah Show appearance, they were not interested. 

MICHAEL:

Well, to this moment that stuns me!  I am damn sure, you were stunned too.

Courtesy/HarpoProds.

GENIE:

Yeah, I was little angry that they would put me out there as part of Luke and Laura and then not follow-up with a job offer.  They were getting me to do free press for their show, but not offering me any employment.  So to tell you the truth, I have really quite had it with that.  It is not fair.  I was very grateful that someone like Y&R’s executive producer and head writer, Maria Arena Bell said, “Well, I am interested and I will write for her.”  And in fact, CBS really embraced me in a very nice way.  They gave me lots of press.  They worked hard at creating a character.  I could not have asked for more from them.  I really couldn’t have.  I am very grateful to them at trying to re-launch me on a soap!

MICHAEL:

Any thoughts now with Garin Wolf and Shelly Altman co-head writing GH and it being a different regime? If they were to come to you now and ask you to come back, would that make any difference for you?  Would you consider it?  Even though Jill Farren Phelps is still the Executive Producer over there?

GENIE:

First of all, I think Jill is a very good producer, and I have nothing against Jill.  She is very smart and very talented.  I think she was stuck in a bad situation too.  I think it’s great that GH has a new creative team writing the show.  I hope it’s going to help them.  I would like to see them go on and do well.  But I suspect, they can’t make me an offer or do anything because they don’t know how long they are going to be on the air.  They can’t write a contract with me, when they don’t know what tomorrow holds.  You know what I am saying?

MICHAEL:

Courtesy/CBS

Exactly!  GH is the show that unfortunately looks the most vulnerable right now compared to the rest of the soaps that are left, because of the moves made by ABC Daytime to shift and change their programming perspective.

GENIE:

Right!  ABC does not appear to have a commitment to the soaps that the other networks are holding on to.  I think that is the reason.  It’s not that I would not give them a chance to have me back.  It’s just that I don’t want to quit a three year contract to go for three months or so there.  It does not make sense for me, and there you have it.  I mean, I am thrilled to be back working again, and these people at Y&R have made a long-term commitment to me.  I am working with them and it’s a nice relationship.  I prefer to continue there where they do have a long-term picture in mind, and they haven’t given up.  They are not just biding their time just waiting to be canceled.  They want to keep working.

MICHAEL:

For the Genie Francis fans that adore you, let’s clear something up. When you are not on Y&R that does not mean you are off the show.  That means they are pushing forth other story and you are still going to be in the mix?  Right?

GENIE:

What happened was, I went to do a movie and the fans and some magazines assumed I was done.  But it just meant that I went to Canada for a month for another “Note” movie that I signed on to do before Maria Bell hired me for Y&R.  So for that reason, she had to write in my contract she would let me go do the film.

MICHAEL:

How was working with Tristan Rogers as his on-screen wife, after years of working with him in a different capacity at GH?

GENIE:

Courtesy/ABC

I loved working with Tristan.  I loved it.  I think he is a great guy and it is sad not to have him anymore on our show, but I hope he will go back to General Hospital.  I think they should pick him up.  And, I just want to say I hope GH makes it.  I really don’t want them to go off the air.

MICHAEL:

It’s hard for people not to see you, and Jonathan Jackson (Lucky, GH) and Tony Geary (Luke, GH) together again.  It’s like the three best actors on daytime!  There is a piece missing.

GENIE:

That is very sweet of you to say, but that piece has been missing for a very long time. And the piece was willing to come back, and honestly, they have been unwilling for whatever reason to give me a contract position there.  What can I do?  Someone else was willing to give me a contract position, and so I snapped it up.

MICHAEL:

How was working with Daniel Goddard (Cane, Y&R) as your son?

GENIE:

I think he is a great and he has been a sweet friend to me.  Daniel is very easy to get to know and very open.  I enjoy him and I enjoy working with him.  I hope that now that they are changing my character a bit that I will get some more realistic scenes with him that are a bit more about the relationship about these two people, and less about the agenda of getting rid of the evil dad.  So now we can delve into the history of these two people, which I think Daniel plays very well.  And I think it’s interesting for my character too.

MICHAEL:

Courtesy/S.Fleming/CBS

Did you go, “Gosh. I have such a good-looking on-screen son!”

GENIE:

You know what I did?  The first day I said to him, “How old are you?” (Laughs)  He is nine year younger than me!  I could not conceive at eight, I am sorry.  Anyway, we giggle about that, but that is television, you know. (Laughs)

MICHAEL:

And how is working with Peter Bergman (Jack, Y&R)?

GENIE:

I love working with Peter and I got into his dressing room once.  And, I went into his bathroom, and Oh my God!  The guy has like 21 Emmys on the wall and these photographs, and that is the most intimidating bathroom!  I am like, “21 Emmys!  I am so out of my league here!”  And I laughed and laughed.  But it was terrific. The truth is I think he is possibly the best leading man I have ever had.  And I mean that from the bottom of my heart.  I love that he is really concerned about making it about the best scene it can be.  And there is a critical difference there.  Some soap actors want to make the best “them” they can be.  They want to steer the story to make it all about “them”, and I drive everything their way and that is all not who Peter is.  He just wants to make a great scene and he is concerned with your half of it as well as his.  And for that reason, I always listen to him and never question his judgment.  So when he says, “Hey Frankie, try this?”  I do.

MICHAEL:

“Frankie” is your nickname?

Photo Credit: Getty Images

GENIE:

It is my nickname that has been in my family for a long time.  But, I am using it over at Y&R because of Jeanne Cooper (Katherine).  There is one Jeanne over there, and it ain’t me.  I am Frankie to those people. (Laughs)

MICHAEL:

Should fans expect more with Jack and Genevieve?

GENIE:

I hope so.  I would like to continue to work with him because he is just so good, and Peter is so nice.  I did do a couple scenes with him that I was really proud of, and they were right before the two of them make love for the first time.  There were two scenes where Genevieve bares her soul to him.  And through that, the audience hopefully got more insight into who this woman really is.  That day was fun because we had some really nice long scenes.  Now most of the scenes they write these days in soaps are a page to a page and half, and that can be very tough.

MICHAEL:

Isn’t it so different than back in the day?  Soap operas would have two or three person scenes that would go on forever!

GENIE:

We used to have two or three character scenes that went on for nine to ten pages, almost like a play!  We just don’t have that anymore.  I just don’t know why we don’t have that anymore.  It doesn’t work as far as I am concerned.  You keep skimming the surface and never get anything deep or meaty.  I don’t like it.  I prefer the older way of writing where we really got a chance to lose ourselves in the material and the other actors.  And then some wonderful surprises would come out of it and thus the material would have more depth, and a scene would have more depth, as a result of it being a “scene”.

MICHAEL:

Photo Credit: PR Photos

I was there the night you won the Daytime Emmy, and I was so thrilled for you.  And I remember thinking that this was something that I felt should have happened many times over, and was a long time coming.  Did you feel like it was a defining moment?  And where is your Emmy?

GENIE:

My Emmy is by the TV cabinet by the television set, because they sort of go together.  In a weird way, it was sort of anti-climatic because it feels like it was done posthumously!

MICHAEL:

I know.  I couldn’t agree more. (Laughs)

GENIE:

It seems a bit like that, but that’s O.K. and you have to be grateful.  Better late than never, but who knows?  I got it at a time in my life when I could really be grateful for it and not tipped off balanced by it.  It didn’t blow up my ego, so in turn I would go act like a weirdo.  Now, when I was a teenager that might have happened.  Everything happens for a reason.  I am thrilled that they finally acknowledged my work, and that I got to put the little statue in my house.  I am glad I got the recognition.

MICHAEL:

When you and Tony Geary were on Oprah, it felt like such as short segment to me. Was it weird being on there?

GENIE:

You know what?  It actually really was.  I think the reason it feels like that to you is that they cut so much of that interview down. There were a lot of things that were said that were actually not included on the air show.  But I think to the producer’s credit, they cut out things that should have been cut out, and not have gone over the airwaves.  I think the Oprah Show and their producers are to be commended for how they put it together.  I personally thank Oprah for really taking the time.  And if you notice, she really teases out of me, “Well, c’mon. What do you want?”  She was like for the underdog in a way, and she was trying to give me a chance to speak to say what I wanted.  She made sure I got that moment.  I actually think the Oprah people handled that situation beautifully.  

MICHAEL:

Courtesy/ABC

Do you and Tony Geary ever stay in touch?

GENIE:

You know, we really don’t.  He has always been a very private person and has kept to himself, and even in times of closeness, we were not particularly close.  I have not talked to him, and I don’t know what is going on with him at all.

MICHAEL:

When you think of that, and then the magic that happens on-screen between the two of you, it is truly amazing.  You must be proud of that and that you are iconic!

GENIE:

I am proud of what we created.  I think Tony is also proud of what we created.  And then when we do work together, we try to live up to it.

MICHAEL:

It had to be daunting from a very young age playing all of Laura’s crisis and despair up through being a grown up and a mother of several children.  Did you ever just want to yell, “Stop.  I can’t cry one more tear!?”

GENIE:

(Laughs) I enjoyed playing Laura right up until they had Lucky “die”.  And I played that as real as I could, and it was so tragic and so painful.  And then they kind of wrote the loss of a child through Tony eyes and they kind of put me aside.  So I really see that as the moment that they got off track with Laura.  For me, it was not much fun to play her from then on.

MICHAEL:

Even doing all of her heavy emotional breakdowns?

Courtesy/ABC

GENIE:

When my contract fell apart with them and I had to work with them for three or four more months, before I was going to be done, they finally wrote something for me. That was the Rick Webber situation and her losing her mind and going off into the straightjacket into a mental institution.  I loved that.  But I had to get fired to do it! (Laughs) It actually wasn’t a firing, it was a mutual decision. We both were done with each other at that moment, but out of it came some really exciting acting that I did enjoy immensely.

MICHAEL:

What did you think of Luke and Laura’s re-wedding?  Perhaps some of the biggest tearjerkers in soap history as we watched Laura slip away from her family and the man she loves, and she could not do anything to stop it.

GENIE:

When I did the re-visit for six weeks that I got my Emmy for, I had a lot of fun.  I enjoyed playing someone who had a physical ailment. Laura had a chronic illness and then she would only be around for a short period of time, and then she would go back into her trance-like state.  It was based on the movie Awakenings.  And again, I enjoyed that too because there was a story.

MICHAEL:

You are an icon.  So, what is it like for someone like you who is witnessing the genre dying?  It’s hard for me and I have been covering the genre for so long.  Do you think things could have been done differently at some point, so it wouldn’t have gone this way?

GENIE:

I think one of the biggest problems that I see is that the great, great, great writers, and minds, who created this stuff, the Doug Marlands’s, the Gloria Monty’s, the Bill Bell’s, the Agnes Nixon’s …they did not replace themselves.  They did not grow a new one to pass the baton on to.  It was like they held the position and held the power and closed the door as if it was all mine, mine, and mine.  They didn’t grow a new generation of people to carry it forward.  There really isn’t that new blood and I think that is a shame.  I think there are a lot of talented and new writers that don’t want to write for daytime because it’s dying and nobody wants to be associated with something that is dying.  So in a way, we can’t get the fresh blood we need.  They did not groom a new person who was passionate about soaps.  I am not sure why that is, but they didn’t.

MICHAEL:

What is it like being Genie now as opposed to back in the heyday in 1981 with the historic Luke and Laura wedding that blew up through pop culture and brought in sensational ratings and numbers? Do fans still come up to you from everywhere?  How do you handle those types of encounters different now?

GENIE:

Courtesy/ABC

It is much mellower, when I meet the fans now. They are not hair pulling on me or crying.  (Laughs) It is much more,Oh my God!”   And then there is this very warm feeling I get from them.  Then, I sort of do a very genuine check-in with them.   And I will often ask them, “Well, what are you doing now in your life?  And how are your kids?”  And then I will tell them about mine.  So it’s sort of like class reunion time and I treat it that way, sort of a “You were watching and I was doing. What is your life about now?”

MICHAEL:

Deflection! Very good.  I like your style!

GENIE:

It makes sense, doesn’t it? (Laughs)

MICHAEL:

I know you have had so many trials and tribulations through your relationship with GH, but you have to look at your life and be extremely proud of what you have accomplished.

GENIE:

I am very grateful that after 36 years I am still working and under contract.  That alone is such a huge gift.  Most of us in television and as actresses work a long time and then you don’t hear from us.  I have been at this for 36 years.  I am still able to earn a living at it.  I am grateful and happy for my life.  I do hope the soaps can continue on, but if they can’t, you will see it grow into something new.  If you look at primetime television, there are tons of continuing dramas with continuing storylines.  People love to tune-in to get more of the story next week and that is never going to go away.  I just watched The Hamptons for the first time; I think it’s a soap!  I don’t think we are going to see soaps completely die.  I think we are going to see the genre move into different time slots, where there is an audience.  There is not much of an audience in the daytime anymore.  Everybody is at work and busy.

MICHAEL:

When you went onto the Y&R set for the first time, were cast members falling over themselves going, “Oh my God. I can’t believe it’s Genie Francis!  And she is on our show!”

GENIE:

(Laughs) I was welcomed by open arms, particular by Jess Walton (Jill).  I was greeted by such warmth right away from Jeanne Cooper, who could not have been sweeter and nicer.  It was my second day on the set and she was having a union rep into her dressing room and rounding people up. She yelled to Jess, “Go grab Genie Francis!” So I was summoned to her room and I was there.  So right away, I was treated as one of the gang, and you really can’t ask for more than that.

MICHAEL:

Courtesy/TimesColumnist

And finally, are you going back to work for the first time in a while next week? When can fans expect to see Genevieve figure prominently into story?

GENIE:

I have been doing one episode a week for the last four weeks.  I work this week and then in November I am working a lot.  I have got several episodes per week.  So I think the storyline that they have been planning and building must be coming to a head in the next four weeks of shooting.   We should look for Genevieve to be playing heavy as the year comes to a close.  Needless to say, there will be a lot of “me” in December on TV. (Laughs)

 

 

 

 

 

 

 

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Colin & Jill
Colin & Jill

We want Tristan back on the Y&R with Jill. GF can feel free to go back to GH.

Webbie
Webbie

I have to say I’m surprised that she went on record as saying that PB is her best leading man ever. Wow.

Tralala
Tralala

Yep poor Tony…lol

kay killgore
kay killgore

Hey I loved her on GH she is toning it down some on Y&R, it does not surprise me at all the things she said concerning Peter Bergman. They are so sexist over at GH and they are going to fall. Why because they are only about the male characters. Ask Nancy Grahan how they treat them and a few others. My husband used to walk by and catch a glimpse and still swears MB uses cue cards. Oh and ask Jackie Zemen about them I know the excuse is the plactic surgery she had well if it had been a man he would still be on the show.

soapbaby
soapbaby

Lovely interview. I love how candid and honest Ms. Francis is. GH’s treatment of her is possibly the biggest blunder the show has ever made. And that says a lot considering how the show has eliminated The Quartermaines and focused on the mob. Laura was the soul of The Spencer family and now that family represents what GH currently is: morose and depressing. Luke, Lulu and Lucky are all drug-dependent, selfish, hateful characters. Luke has been ruined by the current writing and it is evident in Tony Geary’s every scene that he is more concerned with himself rather than the overall story. It’s most evident in the s/l of Luke killing Jake. Tony Geary went on record as saying that he enjoyed that story. Tony Geary is very talented but incredibly myopic and it seems that Jonathan Jackson is very similar. Now, GH completely dismantles the legacy of Luke and Laura as Luke goes on ad nauseum about how his marriage to Laura “trapped him”, he never wished to be a parent and that he was a serial cheater while married to Laura. WTF?! Luke and Laura’s love story was the most iconic romance in all of soaps. It’s legacy has been destroyed. And with it, my care if GH ever survived. I doubt the show will last the year and it definitely won’t last to see it’s 50th anniversary in 2013. Good riddance.

Webbie
Webbie

I have to admit I never noticed this about TG. Interesting. Thanks for enlightening me a little. It’s a shame that the legacy of this once-amazing couple has come to this. And with the 30th anniversary of their wedding just days away, it’s even more evident how far from the fairytale this story has fallen. But if you were to ask TG, he would probably say that what we are seeing is the real Luke. I think he was “over” the romantic aspects of his character a long time ago. THIS is what he likes to play and wants to play, at least at this point in his career. I don’t think he cares anymore what the fans think or want. As a romantic and L&L since 1979, I’m sad beyond the beyond. I wanted a sunset ending for this couple, as sappy as it seems. And if GH was smart, they would have tried to do this too and gotten Genie back, no matter what it took.

Tralala
Tralala

if it is the case Tony Geary is really a smart actor, the challenge and the portray of human being flaws are far more interesting, complex and important than the sappy romance and i say that whereas i love/loved Luke and Laura (above all for the awesome chemistry between the actors and back in the day the layered storytelling of their love story)..as an actress i totally get it Tony, you should have tried prime time man.

JT
JT

Not nice, Stephen Nichols was your BEST leading man and certainly the most interesting!!!

m.k.
m.k.

With Genie now at Y&R , I am hoping she will eventually get a scene with Stephen Nichols. They shared such great chemistry together as Stefan and Laura on GH. I’m not expecting any romantic pair up, but a scene would be nice. 🙂

Ron Klopfanstein
Ron Klopfanstein

Much as I’d like to see her back on “General Hospital” as “Laura”; I’m happy that she’s someplace where she’s happy and treated with the respect she deserves. She has earned a role that is at par with her experience and ability. “GH’s” loss is ultimately “Y&R” and Genie Francis’ gain. Good for her.

(I wonder if she meant “Revenge” when she mentioned watching a new TV drama, “The Hamptons”? We can certainly forgive her for not remembering the title considering the massive amount of work she is doing!)

Michelle
Michelle

Thank you for this wonderful interview. I love how forthright and honest Genie is. I think she’s was spot on about the old guard of soaps not training/mentoring the next generation.

bonnie
bonnie

Jeannie has it right being a gh fan forever they really left her hanging and the truth about the show now is the writing and they dont develop the charcters enough to make us care Women who watch soaps like mysself like the drama the emotional family dynamics more than the violence and mob activities and crazy whodunits that make no sense. The writers they need are the soap fans that are in there 40 and 50 they could write better then the writers they have now. The Reason the MIchael and Abby story is a fav because we have a history with michael and his strugles. Just like Laura after she killed and had to cover it up with family. We knew her as a young girl Ihope they dont do the same with Abby and Michael. They need to bring back family drama Love Geanie

Tim
Tim

I’m so over the workings of Maria Bell. Her writing is disjointed and bounced around like a monkey with ADD. Instead of trying to create another lame story for Genie, Bell should have done the story of Colin, Cane and Jill justice. I like GF, but Bell ruined Colin by bringing Genevieve on. And now… making Genevieve heroic? I loved wathcing Tristan and Jess. They were fun, but now Bell has ruined that and most of the other characters. Bell’s crazier than Genevieve with all her rewrites and undoing and revisions. I used to love this show but Bell has just become CBS’s version of Bob Guza. I’m convinced that CBS is pulling a Frons and letting Bell ruin this show.

aria
aria

i enjoy ms. francis being so forthcoming but i suspect all her y&r praising could be call premature, afterall she hasn’t been there a year yet, and while she is entitled to her feeling about gh, I doubt very much that the young and the restless doesn’t have a few stars over the years who felt mistreated ( victoria rowell.) and they also have their sexist macho stars like Eric Braeden. and as for her remark about peter bergman “possibly” being the best leading men she ever had, I think she’s still in the honymoon faze with that comment. still love you genie, but you don’t have to kiss your new costars butt, remember your an icon and their not.

kay killgore
kay killgore

Soapbaby right on the money about TG I just am glad to know there are other fans out there who felt the same way. The most disturbing part he seems to lavish each slam to their history. That is why I do not think it would work if GF comes back how do you retract all these rewrites what happened to his angel he use to call her.

TweetMaxine
TweetMaxine

General Hospital will be off-the-air by Spring. The announcement will come in January. Abc wants Katie Couric in place well before the 2012 elections. The Conventions are in July/August, but the Primaries start in the Spring. Also, Tony Geary is GAY. Not sure why our esteemed interviewer never asks about that. Why does he need protecting? Let the WORLD know, spread-the-news ….Tony Geary GAY GAY GAY !!!

Sarva
Sarva

Tweet Maxine, you say gay as if there is something wrong with being gay. Are you accusing or telling the world what the world has known for many years? Do you dislike gay people or just gay actors who don’t talk about their sexuality?

Michael
Michael

The esteemed interviewer never asks because (a) it’s irrelevant, (b) many people already assume it’s the case, so if it’s true, it’s hardly news, and (c) nobody really cares anyway (except you, apparently). Hope that clears it all up for you. Have a nice day.

1loveabcsoaps
1loveabcsoaps

Damn: I didn’t know that.

In Genie Francis interview she spoke about of Tony being very private and I was, GOOD. (I can relate to that). Now, after reading Genie’s interview, I read these POST, and I’m like ok, gay, explains him being so private, and the long vacations far, far away for long periods, BUT who cares, anyway? I didn’t know, BC I’v known him to be with woman. Michael, that was a Helleva interview you conducted; I was thinking that while reading it. I would love to write for your site if your ever needed a writer. Jeer!
Happu New Year!

1loveabcsoaps
1loveabcsoaps

Michael, I meant to Cheers!!! Genie Francis couldn’t have given that type of interview without the right reporter/ interviewer asking the RIGHT questions…..

Happy New Year!

Jo
Jo

And? So are lots of men in Daytime. What exactly is your point?

kay killgore
kay killgore

Personally I could care less if Tony Geary is gay and Ms. Francis has to much class to even respond to such a question and in the final scheme of things what does that have to do with anything. I just wish TG would have objected to some of this character destruction of he and Laura but maybe he does not have that much clout after all! The gossip is still out there that she is being killed off on Y&R. If so and GH does get cancelled I think she should be part of the send off the woman started on that show at age 14 and she & TG did make magic together on screen.

Michael
Michael

Terrific interview; I love the fact that Genie is willing to be so candid while really not stooping to being particularly negative. In particular, she states her case about feeling overlooked and neglected by GH and ABC without going overboard: here’s what they did and here’s how it made me feel, and I wanted to go back and they wouldn’t commit to it, so I’ve moved on.

The one thing I have to say that I think she’s wrong about is that people like Marland and Nixon and Bell didn’t nurture the next generation of writing and producing talent. They did–and the networks drove them away. Working in soaps now is very, very different than it was 20 years ago, and many talented people (Nancy Curlee comes to mind, as do the Dobsons and Claire Labine) just won’t do it anymore. I’ve often said that I’m not sure Marland would still have been willing to work in soaps had he lived. And Agnes Nixon herself had been sidelined by ABC for a number of years until they recently started paying attention to her again. It’s not that the next generation of talent wasn’t nurtured, it was that they were strangled by the networks.

Mary
Mary

I thought the interview was great . The part that stood out to me was when the writers made the story of Lucky dying all about Luke and I think they are doing the same disservice to Liz on Gh right now. I don’t watch Y/R but I have friends who do and are loving GF on it. I am glad she is not coming back to Gh either it is not a soap for woman really the writers seem to write male dominated story lines . I also think Gh hasn’t got long either cause the writers don’t seem to want to do anything to save it. I agree about there not being any talent left writing for daytime TV but I think that is also true of primetime.

Jo
Jo

I feel sorry for this woman. She has NO idea how Y&R works and seems totally clueless that her character is bombing badly. They keep trying to make her work, and it’s just not clicking. Sony will dump her and she will have missed the chance to go back to her iconic role. Mark my words, this woman will be gone from Genoa City in under six months.

Joe
Joe

It is very odd that there was no mention how poorly this character and storyline on Y&R has been received. I hope Genie lands on her feet because if Maura West is any indication Genie Francis hasn’t a prayer of lasting much longer. Which is a shame because she is very talented and pretty. I got to add but does anyone remember the Laura and David Hamilton affair and then murder. Well, I think Genie was only 15 or 16. That girl had major talent even back then. Simply amazing!!!!!

1loveabcsoaps
1loveabcsoaps

Yup, I remember the David Hamilton storyline. Amazing!

And Genie is real. Reading her interview, you got the feeling you were dealing with a real person, not ego, showbiz, talk for the camera and all that. But the truth, and she didn’t tiptoe around (just like a true Gemini) which I commented on below.

Louise
Louise

I feel Genie was a tremendous child/teenage actress but developed sloppy acting habits in her later years. She must have used “you know” in between every other sentence and coasted on her ability to cry on cue. I also think GH spoiled her and she got lazy. Now that she’s having to really act a new character Genie’s flaws are showing. Not saying the woman doesn’t have talent but she has to remember how to “act”. And, I just can’t believe how she’ll never mention Stephen N. and the Stefan/Laura magic. Is she clueless?

Sylvia
Sylvia

I have loved Genie for as long as I’ve watched GH and this interview was candid and open, without being negative.

I love her on Y&R, and, no matter how much GH has tried to ruin L&L’s legacy, they can’t for for fans who were there at the beginning and remember it!

So, my L&L love continues – as does my admiration for Genie and Tony (I don’t listen to his interviews – LOL!)

Tweet Maxine
Tweet Maxine

Hey everybody guess what? It’s not 1981 anymore and Actors’ personal proclivities and peccadiloes are totally fair game. There’s no such thing as privacy anymore. Even people that aren’t on TV have no privacy. Didn’t Genie sleep with Kin Shriner way back when? Why is she never asked about that?

1loveabcsoaps
1loveabcsoaps

Who said Genie slept with Kin Shriner (Scotty)? I never heard that?

WHERE did you hear that from and WHEN…….?

Paul
Paul

My goodness, I just love Genie’s honesty and I wish nothing but the best for her. She sounds very happy 🙂

m.k.
m.k.

Watching Y&R I finally did see a scene with Genie and Stephen Nichols. They still have that tremendous chemistry and even though they are paired with different people, I am glad they are on the same show and I hope they run into each other again in upcoming scenes. They should since they are now both paired with the Abbot siblings.

Jonnie
Jonnie

I personally don’t care who she is with…although Luke and Laura was one of the best chapers in any Soap….however, I love her and very pleased she is on my Fav show…Y&R!! Keep up the good work Genie!!

1loveabcsoaps
1loveabcsoaps

Wow, Genie! U give a helleva interview. And in TRUE Gemini form, you are HONEST and you dont TIPTOE over what you believe the Truth to be. I have ALWAYS gotten the scence that you were GROUNDED as a person, down to earth, and not like some of those other soap actress’s we know…. lol Genie is a class act, with how she handels the fans that come up to her. She speaks with them as IF she KNOWS them, “What is your life like now?” Class. With Genie knowing fans watching keeps her employed, (it’s like) having JUST a bit of concern that the person standing before her is about some substance other the soaps, (just in case another conversation comes up, is there substance with this person beyond soaps?). Genie, I grew up watching you, and I love you. Now, I’m pissed at G.H, finding out you expressed an interest in going back and they wouldn’t have you. I will tune in to see you NOW on Y & R, since I know you didn’t chose a return to daytime with Y & R, over G. H. Should G.H rape and retire in the next year, please promise me that you will go back to end the Luke and Laura storyline the right way for your fans, along with yours missing son(s). All the Best Genie. Happy New Year 2012.

jaybird369
jaybird369

As a longtime fan of Genie Francis, I am so glad that she is on Y&R now!!! Trust me…GH’S loss is most definitely Y&R’S gain!!! I quit watching GH about 3 years ago because some of the storylines and some of the characters just weren’t cutting it for me. And, besides, I’ve ALWAYS thought that Y&R was a better written and a better directed show. I still do!!! Most of all, it is BEYOND refreshing to watch Genie play Genevieve, a (new) character that is feisty and no-nonsense, yet that also has shades (or whatever) of softness and vulnerability. I hope and pray that BOTH her and Debbi Morgan (another recent casting coup for Y&R) get to stick around on the Y&R canvas for a very LONG time!!! Genie and Debbi…CONGRATULATIONS LADIES!!!

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

The Michael Channel

Recent Comments

  • jaybird369: “My curiosity got the better of me (lol)...so I decided to watch that so-called special episode of GH (11/12). Man...what…
  • Violet Lemm: “I really enjoyed the What If episode. I went back over some of the scenes on You Tube, and can…
  • Judy: “Does Devon ever work he. Is boring too no story line to catch the interest of the fans this storyline…
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Power Performance

Beth Maitland as Traci

The Young and the Restless

Airdates: 10-24-26-2018

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