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THE HUNTER TYLO INTERVIEW – THE BOLD AND THE BEAUTIFUL

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Listen to the audio:

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TV SOAP:
In your current “B&B” storyline, Taylor is involved in her first younger man/older woman romance with Rick Forrester.  How do you feel about the subject?  And how did you feel about tackling this type of relationship on-screen?

HUNTER:
You could be 30 and dating 20-year-olds, as long as you are over 18, that’s what is important.  When I got my divorce, my husband, Michael Tylo, was 15 years older than me.  I had been married to my husband for 18 years and when we got divorced I knew I would be dating again.  I had always dated older men when I was younger, and with my ex-husband, he was into the fifties music and we just blended our musical preferences.  I had my thing with music in the 70’s, and here I am listening to Jim Hendrix, and he was listening to Buddy Holly.  So, it was always like a ‘Clash of the Titans’.   I did try to date men around his age range.  I think women take good care of themselves these days.  I noticed that the kind of things I like to do are still pretty energetic things.  At that age, most guys are ready to chill-out, and it’s the guy in his cave who just sits and watches football and just chills.  I am still pretty energetic.  By chance, I met a young man who was four years older than my son, and he was running lines for me. (Sometimes I hire actors to do that.)  This young man was very cute, and it’s nice to see a young man quite taken by you.  You go, “Oh wow!  I’ve still got something… OK!”

TV SOAP:
So you obviously enjoyed that.

HUNTER:
It was a feeling of, “Oh, even this young man can be interested in me.”  I had not looked at a young man, and it was a new thing.  It was becoming very flirtatious, and one night he said, “I wanted to show you some clubs.”  It did not start out as a date, but it turned into one, and I had fun.   I knew that I wasn’t going to get serious with this young man, but we enjoyed each other’s company, and it was romantic and flirty.  In the last year, I would say I met another young man, but his age difference was about 8 years, and I think about 8 to 10 years is comfortable.  This young man I have been going out with, has the right mix of going to have fun, but was settled enough.  And that’s the other thing… you have to look at it as to where you are in your life cycle.  All the women his age wanted to have kids, and I am like… done!  So, it depends on other factors of your life.  I have no problem dating younger men.

TV SOAP:
Who are you dating now?

HUNTER:Hunter-02.jpg
I am dating different people.  When I had the loss of my son this year, I realized I need to take my time with everything, and women should, anyway.  We don’t have moms and dads married for 30 or 40 years anymore.  Unfortunately, our culture is about: if its not working for you get out, otherwise you are going to fall apart.  I don’t think people give relationships enough of a chance, on the other hand, they don’t date long enough to know.  I have been trying to get rid of two mindsets that have been put out there by society.  I have full intention to get to know someone for two years and find out what they are really like, day in and day out, before moving forward with any more definitive plans.

TV SOAP:
Because you are Hunter Tylo, and one of the most famous and beautiful women in daytime and are a celebrity, I would think some men would be intimated to come up to you or to go out with you.  Do you find that to be true?

HUNTER:
There is an additional problem and that is that they surf the web.  They know who I am, and may have read stuff, and there is a lot of inaccurate information out there.  There are the “Haters” and the “Pro-Taylors”, and there are people who overrate me to death.  So yeah, someone would be scared.  Then, there’s the “Haters” who could be sitting there, going, “I wonder if that’s true?”  I have the double-edged sword.  When I was in my twenties, and before I married Michael, I dated men who were horrified of a woman who is self-confident, who knows how to carry herself, and looks attractive.   It does not mean beautiful, it mean attractive.  There are beautiful women who send out a different message that guys will go to.  If you are a woman who is classy and has manners, it can be intimidating to men! (I am from Texas so I was drilled with this stuff from my upbringing.)  So, when I started dating again, I had the double-edged sword.  A guy might say to me, “I recognized you when I first met you, but I didn’t want to say anything.”  I am like, “Oh great!”  Sometimes, the conversation goes to everything about the show or the business.  They are just trying to find out who I really am.  You can’t really find out that kind of information unless you have gone out with someone for a long time.  The whole first few months of dating is all about making you believe you are 100% not mental and all of that.  (She laughs)  It’s an interesting thing, this dating deal.

Audio

TV SOAP:
So, you are enjoying being single and putting yourself out there again?

HUNTER:
Yes, I am enjoying it.  This is another thing that is kind of funny, seeing the difference between when I was 24 and 25 years old and dating, as opposed to now.  We are two different generations.   Now on top of it, older women are dating younger men.  I have no trouble dating younger men.  I dated a 38-year-old black guy. (She laughs)  I am dating different people, but we are very close.   I am not going to get serious right now, but I have known him for a long time.
It’s just cool when you really let yourself take time and get to know somebody.  It’s really much better than doing that whole storybook romance, and getting married after three months.  I know people do it, but generally it doesn’t work!

TV SOAP:
Many of the actors on “B&B” have commented in past TV SOAP interviews, how detailed you are to your rehearsal process and you take a lot of notes.  How do you work?

HUNTER:Hunter-03.jpg
I try to look at it from: “Ok, I am not really this character, but what would I do if I were in this position?”  Especially, if I need to get the specific direction that the writers wrote for Taylor.  So, sometimes I have to push it, when we only have one or two takes to figure it out.  We don’t have the time to feel it out and feel what’s right.  I already have to know the intention of what my character is saying, as if it was a feeling I would have, and it naturally makes a scene work.

TV SOAP:
How is working with Kyle Lowder (Rick)?

HUNTER:
Kyle is adorable!  I drew on those same feelings that unexpectedly happen when I was running lines with my acting friend, and it was very cool, because I do see that in Kyle, too.  Kyle can be kind of shy.  It’s great when you can get a guy to the point where he is admiring you and looking up to you.  Kyle is already that way.  He is a sweet person, so it’s nice when all of that attention gets directed at you.

Audio

TV SOAP:
All the recent emotional courtroom material and scenes were so hard to watch, as Taylor was suffering from losing her child.  It did seem to be playing out just as you were grieving from your own personal tragedy, with the untimely death of your son Mickey.  How did you do the scenes?  Personally, I was very worried about you.

HUNTER:
I did get a lot of emails from people worrying.  They would go from worrying about me to saying, “Was I okay with those scenes and after them?”  They would say, “You know it’s so weird, that the storyline is mirroring Hunter Tylo’s life!”  Other people would go, “How dare Brad Bell (exec prod and head writer, “B&B”) write that, when we all know what she is going through!”  But the reality is, and I don’t know if any other actress ever said it, but there was a thing I found on a blog over the weekend and it was frustrating, because someone said, “Hunter Tylo is letting her professional business life as Taylor spill over into her personal life,” when in fact; it’s just the other way around.  Brad and any other producer, always make a point to get to know their cast.  They get to know who you are, and they mold the character to your personality, and what’s going on in your personal life.  It actually gives them an idea.  I mean, why do you think Marcus is dating Stephanie right now?  (She laughs) Hello!  Because I know when I brought this person to a couple of show related events, Brad was like, “Huh?”
At first, they thought he was my bodyguard, they did. (She laughs)   It’s great to look at real life.  I know Bill Bell Sr, (creator, “B&B” and “Y&R”) once amazed me when he had these cookouts for our birthdays.  He would find out about us, and one of the things he revealed was that he listened to talk radio all night long.  It would give him amazing ideas of how people acted around each other, depending on what the stimulus was and why they had the problem they had.  I thought that was great.  Believe me, real human behavior is more interesting than art. (She laughs)

Audio

TV SOAP:
But, when you left the set after a hard emotional day, and dealing with the loss of your son, weren’t you just drained?

HUNTER:
Well, because of the acting technique I use when I did those scenes, I had to go back and allow my self to feel what I feel all the time.  It’s the feeling that will never go away which is, “It’s not fair,” and that line I added.  Once I added it and we did the rehearsal, I thought, “I am going to say this, because that is how I feel!”  After that, it just kept coming out.  I had those days. I don’t know if I would have collapsed on the floor with a small spotlight on me.  That’s the artistic stuff, and the feeling is what the audience should be left with, and it’s cathartic.  Taylor and Ridge got divorced after Hunter Tylo did, and so did Ronn Moss (Ridge).  So, we have already felt those things just recently and that’s a smart thing to do, and we are going to access those feelings even faster.  It’s hard sometimes, but you have to be willing to go there as an actor, anyway.

Audio

TV SOAP:
You are one of the most courageous people I know and you have endured so much.  All of your fans want to know how you are doing.  So, how are you now?

HUNTER:
I am doing better.  I had to get through April, which was really hard because that would have been my son’s 20th birthday, and it’s a milestone for your child.  I am a mom.  I plan birthdays around the year, and it was hard not to be able to plan his.  It would sneak up on me.  At the beginning of April, I was planning on going to a birthday party that had been planned for a long time, and it was like no big deal till the day I started getting ready for it, and that thought kept coming back: “It’s not fair, Mickey should have had one.”  It comes back, and that was the hardest time.  I am in this place now where I have some footing, and if I can get through that I can get through the rest.  I feel peaceful, and I am at a place I can talk about it.   I am at a place where I would want to write another book about these things.

TV SOAP:
Your first book, “Making a Miracle,” provided an interesting moment during your grieving process over the death of your son.  Is that true?

HUNTER:
One day I was crying, and I go to the closet and get my Bible, and just pray.  I was there a lot.  I had words with the man upstairs… real serious words, and a copy of my book had fallen on the floor or off the shelf, or something.  I pick up the book and say to God, “Are you going to give me a message now?”  I am all ‘attitude city’ and God knows we are like that.  I turned to the last chapter and read what I had said: “Through everything that happens to Katya, I have learned to face the ultimate question, what if I lose her?”  This question in turn leads me to another: “To whom do our lives belong?  Is Katya’s life mine or her own?  Is my life my own?”  I do this passage out of Psalm139, which I also had forgotten, that I had used part of the same passage in my son’s funeral bulletin.  Then I go on to say, “What if I had lost Katya or lost my oldest son Chris, who is just now leaving the nest, or Mickey, Isabella or my husband, Michael, or my own life for that matter?”  The irony of choosing to bear my own child and then praying for my youngest child’s life reminds me, I didn’t give life to myself, God did.  Life is not in our control and it’s not meant to be, it’s in God’s hands.  So in your face, this is God words.  I am not perfect.  My own words out of my own mouth got used on me.  That’s what was beautiful, and I had learned this a long time ago.  Here I had been pitching this fit and getting mad at God.   I was stuck in that place spiritually, and I said, “Thank you for having me answer myself.”

TV SOAP:
How is your faith after this recent tragedy?

HUNTER:
Interestingly enough, this whole last year I have learned so many things, such as: because somebody is a certain color, they are a human being, too.  They are beautiful in every single way, and have the right to be who they are in every single way.  Just like people who are in different kinds of relationships: man/man…. woman/woman… whatever!  People are people and we are not perfect.  That is what I believe Christianity is about.  Sometimes, I get posts from the “haters” going, “Who does she think she is?  She is a hypocrite!”  Well… we all are!

TV SOAP:
You have become very active and involved in The American Epilepsy Outreach Foundation, because your son died in part from a seizure.  Tell us about your involvement?

HUNTER:
You can support and bring awareness to different dangers that are very under publicized for children and adults of epilepsy.  You can go to www.epilepsyoutreach.org, and see all the information and PSA’s (Public Service Announcements).  I did.  We are doing a 5K run in Chicago.  We are going to get Oprah Winfrey out there with us, running in the streets, hopefully, and I am going to hand her a pair of shoes and tell her to get her butt out there. (She laughs)  I will get back to everyone out there with the confirmed dates.

Michael “Mickey” Tylo passed away on October 18th, 2007 at the age of 19. Mickey suffered from Partial Complex Seizures.  His first seizure happened at age 15.  Mickey was at the Tylo’s family home in Henderson, Nevada when he walked outside near the pool to possibly receive better reception on his cell phone, when he experienced a seizure and fell into the pool.  Tragically, Mickey did not survive.

Hunter Tylo has now joined forces with the American Epilepsy Outreach Foundation to raise public awareness regarding the truth about epilepsy.  For more on the organization and how you can become involved log on to www.epilepsyoutreach.org

For more on Hunter Tylo, log on to www.myspace.com/homepagehunter and www.theboldandthebeautiful.com

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i for one think hunter is an amazing woman and i loved her since i was 12 when i started watching the bold in the 90’s. i especially love her role as ridge’s beautiful doc. and i hope they will get back together again as for her personal life i think she is smart ,strong and capable to overcome anything that comes her way. she is my role model and always will be no matter what the haters say.

hunter you go girl >>>>>>>

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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Video du Jour

GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

The Michael Channel

Recent Comments

  • Timmm: “The ratings are okay BUT once they have something new they want to push, its gone for good!
  • Patrick: “it's truly a funny time... to bear witness to just what exactly is Frank VAlentini wringing out ?…
  • Patrick: “shoot, I know @DAYS films 6 months ahead... yet i'm fairly certain on my assessment... not that many may "care"…
  • Suzie rm: “Will the much loved vets be featured in the Ryan/Kevin story? VERY disappointed Laura, Mac, Felicia, Scott and Lucy are…
  • su000: “Ohh Gaddd ,, the Batchelor is woman whoring themselves for a Win .. I wouldn't want…
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