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The Peter Bergman Interview- The Young and the Restless

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Ten days ago on November 27th, 2009, Peter Bergman celebrated his 20th anniversary on the number one daytime drama, The Young and the Restless. The actor, who has won three Daytime Emmy Awards for his portrayal of bad boy Jack Abbott, is one of the most respected actors of the soap genre.  Bergman first came into prominence as one half of Pine Valley‘s “super couple”, Cliff and Nina (Taylor Miller) on All My Children.  After a twist of fate that had the actor being let-go by the soap, Bergman came kicking and screaming to Y&R where this stalwart performer set up new digs to take over the coveted role of Jack, played originally by the late Terry Lester.

Bergman met the love of his life Mariellen on a blind date, set up by his former AMC cast mate Michael Minor (Ex-Brandon) who happened to be going out with her cousin at the time, and she has been with Peter every step of the way during his soap career.   In this revealing interview with On-Air On-Soaps, Peter discusses his beginnings on Y&R, favorite moments, favorite leading ladies, and the heart and soul of a veteran actor in daytime, who has been through and seen it all… including the notorious real life fight with his co-star Eric Braeden (Victor Newman).  But it is Victor and Jack’s on-screen rivalry that has lit up the television screen for decades, thanks to the amazing performances by Bergman and Braeden.  And as we head into 2010, Jack may be getting a new lady love and Victor will be on his way back to town to reignite the feud.  Here’s Peter on his journey to Genoa City and much more!

Listen to the audio:

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MICHAEL:

Peter, you just celebrated your 20th anniversary as Jack Abbott. Do you feel old?  I feel old knowing this! (Laughs)

PETER:

It’s funny.  The first time anyone mentioned this 20th year thing, I thought, “Geez, it felt like yesterday.”  Then when I thought about it, when I started on this show, my daughter was four weeks old.  My daughter is now a sophmore in college.  So, I guess 20 years is a long time.

MICHAEL:

Peter-and-Mary-Ellen

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What did your wife, Mariellen, have to say about this accomplishment?  We all have watched Mariellen’s reactions on-camera during your Emmy wins, which have been so touching.

PETER:

It kind of went unnoticed in our home, and what I think is interesting again is; Mariellen and I were only married five years when I started on Y&R.  We had new kids. We were just starting our lives together and it will be 25 years together this coming March.  So, I have been here along time.

MICHAEL:

When you took over the role from the former Jack Abbott, actor Terry Lester, were you familiar with his work?

PETER:

No.  I had seen so little of Terry Lester’s performances.  The Young and the Restless was opposite All My Children in New York.  So, I never really got to see what he did.  He certainly was a prominent member of the daytime community.  We knew who he was, but I did not know his work that well, and that probably was to my benefit.

MICHAEL:

Right. So you could make this your own.   Do you remember the events that got you to this coveted role in Genoa City?

PETER:

Melody--Thomas-Scott

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My job at All My Children came to a sudden end.  I think everyone was as surprised as I was.  The best monitor of that is the fact that every soap magazine had me on the cover that week saying, “OMG! OMG! All My Children let Peter Bergman go!”   Now, Melody Thomas Scott (Nikki, Y&R) was traveling with her husband Ed Scott, who was our executive producer at the time, in Canada.  She pulled out an issue of Soap Opera Digest with me on the cover of it saying, “We let Peter Bergman go,” and she thought, “We have been looking for a Jack Abbott. This is Jack Abbott,” she said to Ed.  So Ed came back home and the first I heard of it was through my agent.  He said, “We just heard from Y&R and they wanted to know how tall you are.”  And I said, “That is insane!  Don’t even return that call. What do you mean how tall I am?  They can figure that out.”  It really bothered me.  Then they called another time and asked if I would be OK replacing someone.  I was on All My Children and replacing someone was shear death, and it never worked on All My Children. We have never had a recast that really sustained and frankly, I was just finishing a soap and my wife was eight months pregnant.  I thought, “No, I do not want to do this!”  Y&R called a third time and it kind of coincided with some bad financial news I got.  I thought I should at least go out to LA and audition for this thing.  So, leaving my wife behind, her due date was a week away, I thought, it would be just my luck.  I will be in Los Angeles where I don’t want to live, and replacing somebody which I don’t want to do, and it’s on a soap, and I don’t know if I want to do another one.  So, I audition on a Friday, and they said they were going to get back to me within the next two weeks. On Monday, Ed Scott called to say I got the job.  Then Maryellen and I sat there and literally wept.  We loved New York!  We just bought the apartment next door. We were going to adjoin the two as we were expecting a baby any minute and this was going to be cataclysmic in our lives.  It was all the wrong things.  So the answer to your question is; I was dragged out kicking and screaming to the best thing that ever happened to me.

MICHAEL:

Once you finally got here to Y&R, and you were figuring your way through the character of Jack Abbott, was there a point where you knew, “This is such an amazing role”?

PETER:

Everyone told me, but the person who told me the most was Debbi Morgan, who plays Angie on All My Children.  Debbi caught wind that I was auditioning for the role on my last day at AMC, and the following morning I was heading to Los Angeles.  I told her, and only her and I did not know she was a mad Y&R fan.   She said, “OMG!  Peter this is one of those roles.  This is Erica on AMC.  This is Viki on OLTL, and this is a giant role, Peter.”  So she convinced me that, “Well, maybe this will be a good thing.”   I got the job and I was grateful for it, but once I got here, every prop guy, every camera man knew more about Jack Abbott than I did.  It was a lonely first few weeks.  I knew I’ve got to make it my own.  The assumption was we bring all those Cliff Warner fans with us to Y&R, and all the people who were used to Terry Lester would eventually be OK with me in the role. Well, oddly enough the people who were used to Terry Lester got used to me pretty quickly.  It took about six months and they forgot what he looked like. But the people from All My Children, OMG, it was two to three years later!  They were saying, “He used to be so nice….”   It took a long time to bring them around.

MICHAEL:

So, was there any trepidation for you with the success of playing Dr. Cliff Warner, who was the leading man and a goody-goody, with now coming over to Y&R and playing a rather bad and caddish character?  Was there any thought of, “I don’t know if I should play this,” or did you look at it as an actor’s dream to play Jack?

PETER:

Frankly, I have been doing daytime television for 30 years and it has never crossed my mind what the audience likes or what the audience wants of me.  I just want to tell the story like it’s written.  I come to this dressing room as these scripts are sitting here now, and I cannot open them fast enough.  I don’t want to write it.  I want to play what they wrote and it’s worked for thirty years.

MICHAEL:

Eric-and-Peter

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Ok! So of all the storylines and plot points of Jack, which stick in your mind as some of your most memorable?

PETER:

The ones that really move me….the ones I have trouble watching without getting emotionally upset….Nikki spirals into this alcoholic mess and in his effort to help her Jack cannot do it, and in his frustration he comes that close to punching her.  It was a giant moment and I went to tell my father, John, “Dad, I almost hit her in the face!” Giant moment!   Jack is in Victor’s office and Victor has what appears to be a coronary episode. Victor is left on the floor and Jack has two choices…. call for help or walk out of the room. On his way out of the room, I decided Jack would kick Victor’s hand out of the way. To Eric Braeden’ credit, his body was limp. I kicked his hand and I thought, “The cameras are probably not going to catch this.”  Boy, did they catch this!

MICHAEL:

He did not move his hand…..his hand…..

PETER:

…..his hand flopped.  He looked like a dead guy.  Giant moment!  Nikki and Jack lose a baby and a woman comes to my office one day.  We had donated the baby’s’ organ’s and she wants to introduce me to her son, who would not be alive without my child’s heart. Giant scene to play!  Finding out about Nicholas and Phyllis!  It went on forever and finally Jack finds out.   Frankly, my latest favorite is the day that Sharon finally tells Jack everything that is going on with her and Nicholas, and Jack knew every single thing she is telling him, but she is telling him.  It was a giant moment to play.  I had no words and you could just watch Jack’s face and know what he was thinking.  This is what he has been waiting for: Sharon to tell him and to be this honest with him.

MICHAEL:

In all the interviews I do with the soap actors, everyone tells me the same thing: “Peter Bergman is so professional!”  How does it feel to be so well regarded by your peers?

PETER:

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It does feel really good.  I would love to be able to tell you I am the consummate professional because I know things and it firms up my powerbase.  But frankly, I have nightmares about coming to work and being unprepared.  I have nightmares that our cameramen get frustrated and are taking their headsets off because Bergman does not know his lines.  I also lost my job and did not expect it to happen and no one expected it to happen.  And, when it came to an end I promised myself, if ever I lost this job at Y&R or any other job, I would never look back and wonder what more I could have done.  So frankly a lot of it is paranoia and it’s not being a bold egalitarian.

MICHAEL:

I think it’s very human and honest of you to say that, because who wouldn’t feel that way given those circumstances.

PETER:

I am amazed that people will come to work and not know their lines for the day and be able to come out on set.  I would be a nervous wreck!  So it’s probably by needs that I have to be really, really professional.

MICHAEL:

Eric Braeden and you had a much-publicized fight many years ago and a stormy relationship.  I was reading recent articles and interviews and people still bring it up.  What do you think about the situation now?  It’s part of the history of your time on Y&R that people tend to focus on.

PETER:

It is part of our history here. Eric and I had a number of problems when I first came here and they climaxed in an ugly situation that Eric wished would never had happened and I certainly could have done without it in my life.  But Eric and I worked together for 20 years, and we have this enmity that the audience clearly loves.  It’s a crazy rivalry and it still has legs, and I am very grateful for It.!  We work together just fine.

MICHAEL:

I loved, True Soap Stories of Mr. Kitty… the cleverest and original video of the year, bar none!   You were the on-camera host of the video parody.  How did that come about where you ended up in that position?

PETER:

Greg Edwards, (content manager, Y&R website) who put the whole thing together, came up to me and said, “Hey, Peter, would you be the anchor on this thing?”  I said, “Sure!”  Anyway, it was an improv thing.  We did it really serious and it was really funny. Everyone in the cast was so great in it. And if people have not seen it on the CBS website, it’s quite, quite funny.

MICHAEL:

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How has it been working with Stacy Haiduk, who now plays dual roles as Patty Williams and Emily Peterson?

PETER:

Stacy Haiduk (Patty/Emily) has been one of those wonderful stories, where she is a generally trusting actress.  I have talked to her a lot in all of this. When she got here I said to her, “If you are willing to go there and I know it seems like the audience is not going to like you or deems your character unlikable….”  I said, “Stacy run with it. We can redeem you in two episodes.  I don’t care!  Just don’t kill anybody and we can redeem you.”  Anyway, this actress came in and gave everything and just threw herself at the madness of Patty Williams, and now she is playing Emily, the psychiatrist who has to be very different than Patty Williams.  Stacy brought a whole new bag of tricks and she is terrific.

MICHAEL:

Is Jack truly falling for Emily or using her?

PETER:

Oh no!  Jack is falling for this psychiatrist.  Jack is at a funny place in his life where he is coming to the realization that he is the head of the Abbott family now.  John is gone and he is not coming back.  Somebody has got to anchor this family.  Jack has long aspired to be like his father, and it’s kind of hard to do that without a woman of the house and someone in his life.  Colleen’s death reminded him to do what you want to be doing; be with somebody and share a life.  So Jack is going through a whole new phase, and the moment he is in this searching mode in walks Emily Peterson, this gorgeous woman who he is really quite taken with!

MICHAEL:

I am sure though, there is a twist… on a twist…. on a twist coming!

PETER:

Michelle-and-Peter

© JPI Studios

Well again, sitting in an actress’s dressing room and saying, “If you play this other character really different from Patty, then down the road imagine how fun it would be to play Patty Williams playing who she thinks Emily is.”   It’s a treat most actors would kill to do.  I have never done it and those actors who have done well are legends in daytime television.

MICHAEL:

Let’s talk about a few other former leading ladies… Michelle Stafford (Phyllis) and you!

PETER:

Michelle Stafford…. when they first told me I was going to be working with her she was coming back to the show, and all we had seen of her was crazy Phyllis.  She was Danny Romalatti’s crazy woman with the lying about the birth certificate and all the crazy shenanigans she had done.  So they told me, “We are going to put her with Jack.”   I thought, “Well, this is crazy!”  Well, it was just crazy enough.  These two were perfectly wrong for each other.  These two people cared about each other and wanted this to work in the worst possible way, but just couldn’t make it work. That is not normal for soaps. It was fun to play and for the audience to watch, because these two people were desperately loving each other and they are destructive of each other, and someone is going to hurt someone here. These are two type “A” personalities!

MICHAEL:

How about Sharon Case (Sharon) and you?

PETER:

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© JPI Studios

Sharon Case is my new favorite thing to talk about, because when they put Nick and Phyllis together, I thought it was clever as can be, and hotter than could be.  It was a great hot secret that they had.  I played the cuckold and Sharon played the cuckold fool, and I think the writers perhaps did not have a plan.  So I guess they thought, “Let’s throw Sharon and Jack together.”   Sharon Case and I knew this. So we sat in this dressing room and said, “How about we make it work for them?”  So every opportunity we had to make it as real as possible, we jumped all over it.  We sat in this room and ran lines like crazy.  We tweaked scenes and fixed scenes and changed the pace of scenes; until suddenly it turned into a three-year storyline and was one of the most realistic couples on the show.  I think Sharon changed Jack in a major way.  There was goodness and honesty about Sharon in her general approach to life.  She was not a manipulator.  She challenged Jack to be an honest person, and he wasn’t up for the task.  He has never forgiven himself for that. So honesty now becomes a very important part of Jack Abbott’s life?  It is now, thanks to Sharon!

MICHAEL:

In closing Peter, after 20 years, what do you want people to remember most about your portrayal of Jack Abbott?

PETER:

I would love for people to say, “He was fun to watch and he did not hold back. When a scene called for something, he never phoned it in or dialed it in.  He always was there and always found as much emotional weight as he could find.”

Leave a comment | 6 Comments
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6 Comments

  1. Mandel

    December 8, 2009 at 4:30 pm

    Good interview. Really good actor

  2. Doe

    December 8, 2009 at 5:27 pm

    What a great interview, Michael. Peter was so honest, and you can’t help but like and respect him. He has kept those of us watching his prowess as an actor constantly delivering his character, and we wait for the shoe to drop as to what he will do that is nasty. We wait in anticipation…..

  3. Fannie

    December 15, 2009 at 2:17 pm

    Peter Bergman is right, it did not take long for us to forget Terry Lester whom I loved very much as Jack Abbott. It’s true that those 20 years went by so fast and thank you Peter Bergman and all the other wonderful characters to have helped me and I guess so many others, to have helped us go through the ups and downs of this wonderful life by being part of our life for those 20 wonderful years. Long live the Y&R and Peter Bergman.

  4. cabc

    February 11, 2010 at 12:43 pm

    I am so glad to know that Peter loves his character Jack, cause I’ve been a faithful viewer for over 20 years, and I just love, and I mean love me some Jack. He’s sophisticated, and a bad boy, and I love bad boys. Thanks for the wonderful interview it makes me love him more knowing that he has a beautiful wife of 25 years, and has been able to be a loving husband and father in real life while being the bad boy of Y&R for over 20 years. We love you Jack! I love to hate Victor, but you’re the man Jack.

  5. Olive Olson

    August 8, 2010 at 4:03 pm

    I like Jack. I would have to say that he’s undoubtedly my fav. male actor. He reminds me of someone I dated a long time ago and I think he’s one handsome dude !! : ) It would be fun to meet him for real. I guess I can only hope about that one.

  6. LuChera Huntley

    October 16, 2011 at 9:22 pm

    Hey Peter Bergman!!
    Good Job!!!

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Interviews

Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Interviews

Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Days Of Our Lives

DAYS Thaao Penghlis Chats on His Daytime Emmy Nomination & How He Makes Tony DiMera One of a Kind

He has been one of the longstanding cast members of Days of our Lives and certainly of Salem’s notorious DiMera Clan; and while Thaao Penghlis may be off our screens for a time and then comes back again; though the years one thing has been true, he delivers top-notch performances in a way that is uniquely ‘Thaao’.

This year at the 47th annual Daytime Emmy Awards to be broadcast on Friday night, June 26th at 8 p. m. EST, Thaao is vying for the Outstanding Lead Actor prize amongst a formidable group of other daytime favorites.  And this makes it two years in a row that Penghlis has received an Emmy nomination although this time in a different category.

As fans know, Penghlis takes the art of acting seriously, and expects other he works with to bring their A-game, just as he does time and time again; whether it be playing DAYS dashing Tony or the evil Andre or when he portrayed Victor Cassadine on General Hospital.

Michael Fairman TV spoke to Thaao to get his thoughts on: receiving the Emmy recognition and what it means to him what he thought about his nominated scenes, plus what he might be doing at home during the ceremony, and where he hopes Tony DiMera’s future is headed.   Here’s what Thaao shared.

Photo: JPI

Tell me about what scenes you submitted that landed you a Lead Actor Emmy nod!

THAAO:  Well, the week I came back to DAYS, I had 11 shows, and this material was from one show of three I did one day!  When you think of other actors doing 150 shows, and I did less than 50 this past year, my choice is kind of limited.  So, when I came across these particular scenes, which were with Eric Martsolf (Brady) and with Arianne Zucker (Nicole), what I liked about it is that usually when you see other peoples’ work, its histrionic, it’s great tears, it’s drama – and what I was able to put together had a through line and an arc from beginning to end.  It makes it very logical when somebody is following your story, and you can show a whole ebb that makes sense.  I had some lines that were really difficult to say, like, “Coming back from the dead is not easy.”  When I get lines like that, I throw it away, and because of that, it becomes humorous.  I have to say I work well with Arianne.  She was great.  I found in the past, when I have worked with some actors, they step on your lines.  I found the best way to stop that is I put my hand up, and I say, “Hey!” and everything goes silent.  They go into shock mode, and I say, “I haven’t finished,” and then I go on.  (Laughs)  So, when Kristen as Nicole starts to talk to Tony the way she does, and she says, “You’d better behave…” I thought, “This is a DiMera you are talking to,” so, I just snapped back at her.  I gave her a, “Hey!”  So, she shut up, froze, and I went on.

Photo: JPI

Would you say your reel was more comedic … or both funny and serious?

THAAO:  It is both.  There are subtleties to it.  There is a teacher I know in Australia, and she is very critical.  She said, “I want to see your work.”  I showed it to her, and she wrote back, “Oh my, God.  How did you make those transitions so readily?”  I went, “Oh.  How did I do it?”  I didn’t think of that.  I think it’s an old technique.  It’s called having to do 3 shows in one day, and you had better get your stuff right, and it’s about how do you make a scene work?  There is one director who I did a miniseries with who said to me, “Where did you get your training from?”  I said, “Daytime.”  He said, “My God.  You certainly know how to have a camera follow you,”   Well, the camera has to follow your movement.  So, when I finished a transition, I’d move to another spot, and the camera had to follow me.  So, what happened in the arc of this Emmy-nominated piece is that I took charge and controlled the scene so that it became a scene of lots of transitions. And of course, charm, I did all of what I thought Tony would be.  He is a DiMera.  I have one of those looks. I don’t know where it comes from, maybe it’s as I get older, but I’ve learned how to work the camera where I may slam something first to get your attention, and then the camera comes onto your face, and you’re going, “Oh, what the hell is he thinking?”  So, I can play the dark side quite readily, and yet in my real life, I’m not so bad. (Laughs)

Courtesy/ABC

You have Thorsten Kaye (Ridge, B&B) and Steve Burton (Jason, GH) also in your category, and these guys who are obviously been soap veterans like yourself.  What do you think about the group you have been nominated with? 

THAAO:  I never worked with Steve Burton, but hear good things.  I know Jon Lindstrom (Kevin/Ryan, GH).  He’s a lovely actor.  I have worked with Jason Thompson (Billy, Y&R).  He’s a lovely actor.  He is well-trained.  So, it is nice to see that the nominees are all vets.

Right, they are all vets.  It seems like a good group to be with. 

THAAO:  I agree, and I love that the Daytime Emmys are coming back to television.  I think it is an upswing when they think of daytime dying.  I think whoever made this happen is taking on the responsibility of taking daytime back.  It is why people love novellas.  People love the story, they love to follow the characters, and we’ve got fantastic fans.  I mean, what would we do without them?  You can’t sustain the show without them, and you pay a price, you have to know how to entertain them because once they know who you are and what you’re about, they get bored.  So, you have to be ahead of your audience all of the time.  That’s what I have always tried to do with both characters that I’ve played on DAYS

Photo: JPI

They’re doing a virtual ceremony this year.  How do you think you would dress while watching the ceremony?

THAAO:  You don’t wear a tux in your house, do you? So, I’ve invited some people for a celebratory time.  Lauren Koslow (Kate, DAYS) and her husband Nick Schillace (head of make-up, DAYS) and Leann Hunley (Anna, DAYS) are some of my great friends who have been very supportive of me through some tough times this year, and I’ve got a friend who has got  a wonderful restaurant, and he is going to cater it.  Probably it will be a group of 10.  You know, could you imagine being here on your own, in a tuxedo, with a glass of champagne? (Laughs)

I know, kind of awkward! (Laughs)  You’ll put something nice on for the big night, right?

THAAO:  Yes, you know me.  I’m always dressed.  What would you suggest?  Sweatpants on the bottom and a tuxedo jacket!  How about that? (Laughs)

Photo: JPI

Now, you have been previously nominated for Daytime Emmys, too!

THAAO:  Yes, and last year I was nominated as well for Outstanding Guest Performer.  So, it’s kind of nice to be back-to-back, and in 2008, I was nominated for Lead Actor when I played the clown in the Tony and Andre storyline.  Thank God, DAYS recently DAYS had James Reynolds (Abe) wining in the Lead Actor category.  I thought, “Wow.”  That was for years and years of good work that he’s done, and also, Greg Vaughan (Eric) wining for Supporting Actor was very nice, but we haven’t had that many wins in the acting categories over the years.

Photo: JPI

DAYS tapes so far ahead of air; that what was once a seemingly major concern has paid off swimmingly during the coronavirus pandemic.  The soap is the only show to have enough episodes in the bank for months ahead when production shut down and enough even when other shows go back into production.  Who would have thought?

THAAO:  We used to think it was ridiculous that DAYS taped eight months ahead, but look at us now! Who would have thought is right?

What would you love to see happen with Tony when DAYS does resume filming new episodes again? 

THAAO:  I’d like to go back and play the head of the DiMera family.  I’ve never been granted that, and I think, at this stage, with the way I worked with Joe Mascolo (Ex-Stefano) it would be nice to see the transition just like Michael Corleone did in Godfather.

So will you be rooting for Thaao to take home the gold as Lead Actor in a Drama Series come Emmy night?  Do you hope DAYS writes Tony into upcoming story, and if so, how would you like to see him on the canvas? Comment below.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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