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The Scott Clifton Interview – The Bold and the Beautiful

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At his young age, Scott Clifton has become quite the accomplished actor and a daytime favorite, having now appeared on three top daytime soap operas; General Hospital as Dillon Quartermaine, One Life to Live as Schuyler Joplin, and now as Liam Cooper on The Bold and the Beautiful.  And, with four Daytime Emmy nominations under his belt – three for GH and one this past year for his work on OLTL – Clifton is creating another unique character over at B&B with a whole new set of dilemmas and problems!

A bit of the back-story: the versatile Clifton wasn’t off of our daytime screens for too long.  Once OLTL let him go, he was back in L.A. looking for work, and B&B head honcho, Brad Bell, had the good sense to hire him for the role of Bill Spencer Jr.’s son. (The one he never knew he had!) And while Liam came to town in search of his father, he soon stumbled onto computer intrigue (after all he is computer tech) that revealed the accidental sex romp of Brooke and Oliver!  And after a ‘who’s the daddy’ story somewhat in reverse, we all learned that Liam is the son of Bill Jr, and neither one is too pleased…and that’s putting it mildly!  Add to the mix the beautiful young Hope Logan, who has fallen for Liam’s quirky charms, and we could be seeing the emergence of the breakout character of the 2010 soap season, and perhaps a new set of star-crossed lovers.

As for Clifton himself, “talented,” “funny,” “articulate,” “intelligence abounds,” are just a few of the words On-Air On-Soaps would use to describe him in this brand new in-depth feature conducted recently in his dressing room at the set of CBS.  So how did he keep the secret storyline under wraps?  What is it like working with Don Diamont (Bill) as father and son?  What is Scott doing on YouTube?  And we find out, of all of his soap roles, which one is the most like him.  The answer may surprise you.  One of the true originals of daytime… here’s Scott!

MICHAEL:

How much did you actually know when we last spoke to each other around the Daytime Emmys, about the role of Liam?

SCOTT:

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Around the Emmys, I was not allowed to talk about what I did know.  And there were three or so weeks at the set where I was not supposed to tell people there what I knew, and that was at Brad Bell’s request.  This is actually the first job and role that I booked where I did not know who the character was that I was going to be playing.  It was on my first day that they said, “Oh, by the way, your character is going to be called Liam.”  That was all I knew, and then I went up to Brad’s office.  He said, “What do you want to know?  Do you want to know everything?  Or, I could not tell you everything?”  I said, “Tell me, I want to know.” And that is when he said, “Well, your mom died of cancer, and long story short, you are Bill Spencer’s son.  So you are going to be working a lot with Don Diamont, and that is why we decided to make him Liam, short for William.”  So there was a period I knew about it, but I still did not tell people about that until it came out in the script.

MICHAEL:

So wait… when you took the job, were you taking the role “sight unseen” not knowing how it would be integral to the canvas of B&B?

SCOTT:

I should be clear, I auditioned like everybody else and it was not like it was a role that was just offered to me.  And it wasn’t until a few days before that I even knew that B&B was a half hour show!  I had been looking at YouTube for clips.  But you can’t tell from YouTube clips that it is a half hour show.  That made a big difference.  I noticed it right away when I got here.  Everyone was so relaxed and everybody is so nice to each other, and there is such a great vibe here. I think that has to do with that it is much easier to run a tight ship when you are shooting less material a day.  So everybody is kind of on their mark and so non-stressful. I was prepared for more stress, and so I was very pleasantly surprised.

MICHAEL:

It was a very big letdown when they let you go, and wrote you out at One Life to Live. Schuyler had such great material at the end and he had just been revealed to be Mitch Laurence’s son.  But in soap land, it almost always seems when they are ready to write you out, they hand you powerful scenes as your parting gift. (Laughs)

SCOTT:

Not everyone, so I am pretty lucky and grateful for that. They could have just let me fade out, and if it weren’t for One Life to Live, I might not have created enough buzz to audition for this.  So I kind of owe one to OLTL.

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MICHAEL:

Do you think of B&B’s Liam as a computer nerd or geek?

SCOTT:

“Geek” is not the right word.  He is definitely not a stud. General Hospital’s, Dillon, was like this weird, quirky, punk kid, with rocker hair and chain length metal bracelets.  And then you’ve got Schuyler, who is wearing sweater vests, and comb-over hair and parted on the side.  Liam, I think, is the first character that is supposed to be closest to my maturity level.  He is just a young guy who has not gotten his life together yet, and he is still not a kid.  So, he is in this in-between stage, and now we get to discover who he really is.  This story arc is about discovering his identity, which I did not have the opportunity to do with Dillon or Schuyler’s story. This was a huge challenge for me, because sometimes when characters are introduced in a scene, it’s like, “Here’s this new character!”  With Schuyler, I had this huge teacher monologue, and with Dillon, I had these scenes with Tracy Quartermaine (Jane Eliot) bringing him into town.  Liam was like an extra for the first several episodes.  I think that was part of the plan.  You are not supposed to take note of him. And if you remember, they even had me with another guy who was an extra and we had the same amount of lines, which was really smart.  I would go on message boards and see what people were saying and there was no chatter about it at all, and that is what it should be.  Then slowly, I would read, “Who is that kid? And why is Justin talking to this kid?”  It was great, and slowly people started to notice Liam more. Then, some people thought he was really annoying and some people thought he was this punk. Now, Liam’s notoriety in the show has grown exponentially and I love that about him, but I had to work for that.  I thought it was a cool aspect of this.  I never really got an introduction and it sort of just grew.  The character is the same way. You learn a little bit about him, and then he claims Ridge is his father.  And believe me, his story is not complete yet, and there is still more to it.  What is interesting for me is that I don’t know everything either.  Granted, I knew Bill was going to be my Dad, but I did know what kind of person my mom was, and why they didn’t get together. This stuff came up later.  So, I could not make these bold choices and then find out a week later I was wrong when I would read my scripts. There was some treading water while I was waiting for the story to do its magic, and now it has, and it has been really a great story.

MICHAEL:

You seem to be working a lot of late!  Your story has finally picked up steam.  And what is great to see, in a show that has limited airtime for its characters, is that Brad is giving you a great opportunity to shine.

SCOTT:

I don’t think it’s going to stay like that, but I think for now it is true, because they had to establish a push between he and Bill.  I think that was really important.  I could not ask for better writing. There is going to be a lot of conflict, and what is really cool is there is such a dichotomy between Bill and Liam.  Bill has some things to teach Liam about manhood and being a leader, and being a presence, which Liam is not.  But maybe, Liam has something to teach Bill about ethics.  Eventually, if Liam gets to some place where there is a middle ground, because something has to give, there are huge divides between how Liam sees the world and Bill sees the world, and they are stuck together.  So I think that makes for even greater story.

MICHAEL:

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Did Don Diamont know you were going to be his son from the beginning?

SCOTT:

I think Don knew, too.  I think he may have even said something to me when I first met him about it, and I didn’t catch it.  I know that he knew he was going to have a son before I was hired.  Don has been really, really, great and always really nice.

MICHAEL:

Don is one of the greatest guys and one of the greatest dads.

SCOTT:

In real life, Don sounds like a great father.  I think this story was important to him, and I get that sense.  The first time he clued me in on that, he walked over to me and whispered, “I am so glad it’s you.”  That was nice to hear him say.  He will tell me if I am doing a good job in a scene, and that feedback is really nice.  But I am not acting in a void, either.  I have to work with him, too.  What I do has to tell a story as well, and part of that story is his story.  I can’t just make any character choice I want that seems cool to me, because it has to be in relation to what is going on with Bill’s character.  So, if I am too challenging in a scene where he needs to be on top, I can’t do that.  And that burden is much more on me. The audience knows Bill’s character, they don’t know as much about Liam.  So I have to find the right way of doing it.

MICHAEL:

There had to be some inside jokes on the set, when the men who could have fathered you were wondering who was the poppa?

SCOTT:

That never really happened on set, just because the scripts were coming out about whose kid I really was.  I think I remember when there was a moment on the first day I was working with Ron Moss (Ridge).  And it was Ridge going, “Get out of my office!” And I was like, “But I am your son.”   And when we went to rehearse that scene and we got up on set, Ronn said to me, “You’re not really my son…. are you?”  And I said, “Nah, I don’t think I am.”

MICHAEL:

What about Winsor Harmon (Thorne)?  He had to be in on the shocker!

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SCOTT:

Winsor knew all along that it was a red herring, and that was a cool thing to play.  The funniest thing happened shooting those scenes, and Winsor was so good.  He and Don were playing this yin and yang so well off of each other, especially in the hospital DNA scenes.  It made it really easy for me.  Liam wanted it to be Thorne!   What is also funny was on my first day, just because of my pathetic excuse for an iron-jaw beard, one of the make-up artists said to me, “I don’t know what you’re doing on the show, but you should play Bill’s son, because you have the same beard.”  And I was like “Guffaw-Guffaw.” (Laughs)

MICHAEL:

Liam was the vehicle that brought to the forefront, Brooke and Oliver’s sex mishap and exposed it!

SCOTT:

Indirectly, Liam brought out the Brooke and Oliver sexcapade, and because of Hope’s forgiveness of the whole situation, she allowed him to feel released from all of that. If Liam hadn’t screwed up and left the computer on, the truth would never have come out that way.  Well, it probably would have come out.  Who am I kidding? (Laughs)

MICHAEL:

You know that the infamous “Party Boink,” as we now lovingly call it, is one of my all-time my favorite story points!

SCOTT:

I know, mine, too.  My dad started watching the show, maybe five episodes before Oliver and Brooke have sex, and she takes her mask off and reveals herself to be Brooke.  And my dad called me and went, “Did you know that Oliver slept with Brooke?” And you got to know my dad; he is like a camping, fisherman, manly man, and yet he is like into this show, which is great!

MICHAEL:

It was one of the greatest cliffhangers in the history of soaps!

SCOTT:

It was shocking, and nobody saw that coming, and it was really cool.

MICHAEL:

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How is working with new B&B producer, the legendary Ed Scott?

SCOTT:

It is really, really cool!  Ed comes down from the booth and is very hands on.  He is the first person I worked with in a very long time who gave me some feedback from time to time, because sometimes we are all, as actors, just feeling around in the dark.  And, Ed will come down and say, “Hey, you look like you are anticipating the end of the scene, and maybe you could let that surprise.”  Or, “We need you to be more hurt by that,” or whatever it may be.  You get the sense right away in the quality of the show, and he came right into his new job and knew what he wanted, and that is so nice for us.  Actually, it creates less work for me. (Laughs)  He is so approachable, too.

MICHAEL:

How is working with Kim Matula (Hope)?

SCOTT:

She is great, and is funny, too.  I cannot tell you how much I appreciate doing a scene with someone and you know going in it’s just going to feel like you are having a conversation, and that has a lot to do with her.  You know what she is really good at, that I am not good at?   It’s listening.  She can hear you in a scene as if it’s the first time she has ever heard that, even though we have rehearsed twenty times!  That is a really valuable quality to have.

MICHAEL:

So, Liam is really falling for her big time?  She is Miss Goodness!  Where is he coming from with this?  Does Hope represent something for him?

SCOTT:

Liam comes to this new strange foreign situation and everyone hates him. He can’t do anything right.  He thought he was a good guy, and then he started to question himself, and here is the one person he feels like he has trespassed against the most, and she is the first person to forgive him.  Not just forgive him, but also almost give him empathy.  That was a lifesaver and a really profound gift for him at that time, because he was feeling so low.  I think he does see Hope as this glimmering light that represents all things just and fair and good, and he has said lines to that affect.  He fell hard for what Hope represents, and you also start to learn a bit about Liam’s mom, and how she died of cancer.  He was raised by her, and there are scenes where Liam is talking about his mom and all the qualities he loved about his mom, and then you can see other scenes where he talks about all the qualities he loves about Hope… same qualities.  Maybe it’s a little bit of a “mommy” issue, but I also think Hope represents a big hole that Liam has in his heart.

MICHAEL:

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If you were to think of a celebrity to play your mom, Kelly, who would you see cast in the role?

SCOTT:

We have had to use 8X10 glossies and there was a woman who was actually cast and is probably in her mid 40s to 50’s now. They used her as model, and they took all these retroactive images of when she was suppose to be a high fashion model.  So I already have an image of what this woman looked like.

MICHAEL:

Right, but who out there in primetime, daytime, feature film or the theatre, do you think would embody Liam’s mother?

SCOTT:

When I am picturing my mom, and I remembering things about her, I imagine a Meryl Streep type!  If you could imagine Meryl Streep in deathbed scenes, she still pulls off sensitivity and warmth.  

MICHAEL:

Would you love to work with Meryl Streep?  I know I would!  Sign me on!

SCOTT:

No, not ever.  Yes! God Yes! You don’t get better than that.

MICHAEL:

Scott, you have one of the most refreshing acting styles. It is not forced.  It’s a very realistic style, and it’s not “soapy”.  Do you realize that, and what you bring, as opposed to other guys acting in your age bracket?  You have something very unique!

SCOTT:

That is a wonderful, wonderful compliment.  I am aware of it, in so far as that is what I am going for.

MICHAEL:

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So you’re not striving to be the leading man?

SCOTT:

No, and I disagree with that.  Just like in life, the world does not revolve around us.  I sometimes think a supporting role is infinitely more valuable than a leading role.  And, a submissive role is infinitely more valuable that a superior role.  I think I learned a lot about that from General Hospital. GH has a lot of static issues. You have Maurice Benard (Sonny) and people around Maurice and there is inferiority. There are two issues here; doing a scene as if it were taking place in real life, and then there is an understanding that every scene is not about us, or about making us look cool.  I think I almost feel a little more uncomfortable where I have to be in scenes as the leading man, or in charge, or sexy.

MICHAEL:

I recently interviewed One Life to Live’s Nicolas Robuck, who plays James Ford, and he was saying something very similar, that although his character is called upon to be tough and macho, it is easier for him to play the more emotional side of his character, and he is more comfortable with that aspect of the role.

SCOTT:

I know the feeling!  I am OK with feeling that way, because there are probably a lot of actors that don’t have that philosophy.  It works out very well for me, because those are shoes that somebody has to fill.  I will do that gladly, and I think that’s important.

MICHAEL:

I had the pleasure of briefly meeting your girlfriend, Nicole, at the whole Daytime Emmy shindigs and Red Carpets, etc.  How many years have you been together now?

SCOTT:

Almost four years.

MICHAEL:

How does she fair with you kissing other gals in your job as an actor on daytime?  Have you had “the talk”?  Most actors have to at some point discuss this with their significant others.

SCOTT:

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There was a period where it made her uncomfortable.  I could not stress enough that I am not actually kissing somebody; it’s just that my lips happen to be touching their lips, and that is not me doing the kissing anyway, it’s Liam, or Schuyler, or it’s Dillon.  So there was a period where she would test me, and ask me all these questions like, “What if I decided I wanted to start acting, and I had a scene where I had to kiss a guy, would you feel jealous?”  And I thought, “Is this a trick?  Am I supposed to say yes?”  But I wound up saying no, because that is closer to the truth.  That is the answer that she hoped I would say, because if I would have said yes, than that means that I can empathize with feeling something. There were times where I would try to explain the difference between a stage kiss and a real kiss to her.  I would give her examples of guys I have seen screw this up where you see tongue.  Sometimes she will go, “Scott, show me a stage kiss!” (Laughs)

MICHAEL:

Since you have been here at B&B, have you heard from any one of your former castmates from OLTL?  Perhaps, Farah Fath (Gigi)?  You know the soap world has become so transient; everyone at one point seems to circulate to other soaps!

SCOTT:

Last night I was texting Farah, and I talked to Daphne Duplaix (Ex-Rachel).  I am facebook friends with Brett Claywell (Ex-Kyle) and Scott Evans (Ex-Fish).

MICHAEL:

How is Scott doing?  What is he up to these days?

SCOTT:

I think he is doing well.  All of his facebook posts are fitness oriented.  So I am not sure what is going on there, but I believe Scott is still out in New York.

MICHAEL:

How was Emmy night for you?  What happened when you heard your name was not called, but your then future castmate, Drew Tyler Bell’s (Ex-Thomas) name was, as the winner of Younger Actor?  It had to be awkward.

SCOTT:

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It was awkward, nothing to do with Drew, but I had you and other journalists telling me I should win.  I was disappointed.  I think it came from worry, as I only have one year left in the Younger Actor category.

MICHAEL:

Right.  So you will soon be ineligible in this category after next year.  For your fans that will read this, explain how this Emmy eligibility process works?

SCOTT:

So how that works is; supporting actor is the most competitive area.  If you get nominated for supporting actor your odds are down to nothing, because there are so many great performances up against each other.  Younger Actor is a great category to get nominated in, and you have got good chances there. You have to be 25 years old or younger at the time you shot the scenes.  I am 25 now, and in a month I will be 26, and anything I shoot after that will not be eligible anymore.  However, this year is going to be really sticky for me, because I think the best work I have done so far this year was at the end of my run on One Life to Live.  But, by the time Emmys come around for next year, I will not have been on that show for a year and half. And, it’s a bit presumptuous for me to call over there and go, “Hey, can you guys pre-nominate me even though I have not been on the show?”  So there is that.  Now here at B&B, I don’t have much time left under the age guidelines, even though you are technically allowed to submit material from both shows you were on during the eligibility year, which can be tricky because you wind up splitting the vote.  I was aware of all this before the Emmys.  Once I got nominated I told everyone, “I know for a fact I am not going to win this, because I know what I submitted and it had to be before the good work I did.”  Those scenes were from 2009 and the good work was in 2010.  However, everyone and their mother were coming up to me saying, “We watched the tapes. We read the polls.”  I kept telling people please stop telling me this because it gets in your head and then you believe it and you get heartbroken, and it’s happened to me before.  And objectively speaking, Drew Tyler Bell deserved that Emmy because his performance was very well done.  All I can do is try not to screw it up this year!

MICHAEL:

All of a sudden, bam… here we all find you on You Tube!  You are sitting in front of your computer and video taping these amazing sequences where you are talking about some very “heady” subject matters.  Are you looking to do a host gig?  What is this project all about?

SCOTT:

courtesy/ABC

It’s not that I am petitioning for a job as a news anchor.  I grew up in a very secular household and not religious.  I am from Southern California, but I grew up in the San Fernando Valley.  And then, when I was around ten, we moved to a very religious community, an evangelical Christian community, and this is stuff I had not really thought about.  There are people who believe in heaven and hell, and I had a very vague understanding of religion.  But moving to this community, I was propositioned by many of my newfound Christian friends.  “Are you coming to Church with us? Why don’t you go to Church?  Have you read the bible or hadn’t you read the bible?”  I became this practice dummy for apologetics and evangelism, and being the only person I knew in my community or school who did not believe in religion.  It was a rude awakening.  These were beliefs that they were trying to get other people to believe, and with good reason.  I can’t blame anybody for that.  However, I started to see that these beliefs inform our politics, and they inform our relationships, and our ethics.  I mean, you have things like Proposition 8.  It became a bigger and bigger deal to me that there seems to be in America a social convention, where you can think anything about the world as long as it’s religious or spiritual in nature, it’s immune from scrutiny and criticism.  And that is kind of the rules.  I don’t believe you should keep your religion to yourself.  If you believe that is true, then you should be allowed to argue for that.  However, I deserve my right to question you.  I see that a lot of people do not think that is OK.  I found YouTube and I went, “My God!  There are Cat People and skaters falling off everything.”   Then I went, “Oh, my God. YouTube is the greatest thing.  I love watching people fall and kitties and watching people playing the piano!”  Then, I stumbled on to this little community on YouTube of critical thinkers and philosophers and people who were exchanging ideas. It was so refreshing, and I wanted in. There was this guy on a YouTube channel who posed a question, “Anybody who does not believe in God, where do your values come from and where do your morals come from?” And I made a video response to that, and that was my first YouTube video and everyone liked it, and nobody knew who I was.  In fact, I have 15,000 subscribers and most of them don’t even know what I do for a living.  I like that, because it’s about what I am saying and not who I am, and it snowballed.  You talk about religion and it forces you to think about big ideas like eternity, and that is why I named my channel Theoretical Bullshit. I know that YouTube has made me smarter just by having to think about my views and how to defend them.

MICHAEL:

Is there a rhythm or rhyme to when you post a new video?   I know when the Proposition 8 same-sex marriage ban was on the way to being overturned in California for a millisecond, that you very timely posted something on this.

SCOTT:

Most of the times I have a backlog of concepts.  But the Prop 8 thing was so contemporary for the time, because Judge Walker had just made that ruling.  And people were going, “Judge Walker made that ruling because he is gay.”  Or they were saying, it’s unconstitutional, and now we have got lobbyists from the bench.  I heard all this junk, and so that video needed to get done now.  There are a lot of videos like that.

MICHAEL:

Do you then see yourself being a motivational speaker, or a speaker who gets up and challenges ideology and religion?

SCOTT:

Yeah, I would love to do that.  I don’t get to just say what I want, as I work for a company and I have obligations, and so I can’t go around being disrespectful to everybody. However, with as much integrity and respect as possible, I would love any public opportunity to challenge conventional beliefs, especially ones religious in nature and especially ones that have affected my life.  Someday it would be great to write a book on that kind of thing.  I feel like I have something to say, and it’s not something everyone else is saying.

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MICHAEL:

Back to B&B, do you have some favorite scenes thus far as Liam?

SCOTT:

I do, but I cannot tell you about them yet!  My favorite scene is with Hope and it was really recent.  It was just that Ed Scott let me be really weird and not cool in the scene. However, there has been some emotional stuff with Don Diamont that I am proud of, and objectively speaking those are my favorites.

MICHAEL:

You know what I have been thinking?  Something has to come up down the line where your father needs an organ donor and it’s up to you, as the son, to save his life, as you would be the match.  And, that would bond them and create a breakthrough in their relationship.  It’s the tried and true soap device 101 for familial situation like this.  However, I hope it does not go there, and become cliché.

SCOTT:

You know, Don talks about this where eventually Liam almost dies, or something like that, and where all of a sudden they realize it would be a loss if they did not have the other party in their life.  I think if that moment ever comes, that will be a nice moment for Liam and Bill.

MICHAEL:

So now, Liam is headed into a triangle or quadrangle with Hope, Oliver and Steffy all involved!

SCOTT:

And now they have the new Thomas! You know Adam Gregory (Thomas) and I both auditioned for Liam, and then it came down to both of us for the part.  But the irony is, Adam and I also were both up for 90210 and he beat me out for that part.  I am so glad he got hired on the show.

MICHAEL:

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That’s right, he could be the real spoiler here, perhaps.  So what do you think is Liam’s dream job?  I am very confused as to what he wants to do, or be.

SCOTT:

I am confused, too.  Liam so far, as writ, has not expressed a career dream. Right now, he can imagine that he is going to try on what it will be like to work for Bill.  So we know that that is on the table.  Liam has an education in computer technology.  He is young and has slang, but not a Spinelli sort of geek from GH.  He is a very real proto-typical kid in his early twenties. And, to introduce a real kid like that to soapland is a really cool contrast.

MICHAEL:

Do you think we will learn even more into Bill Spencer and your mom’s past, and what happened there?

SCOTT:

We have done a lot of that… exploring what the real relationship was between Bill and the mom.  I think as we go we will learn even more, and the writing is really nice as clues are dropped like, “Handsome is as Handsome does.”  What does that mean?  It’s cool, and a reminder that there is more there than meets the eye.

MICHAEL:

B&B has such a talented cast.  Who else would you like to work with? Perhaps Sarah Brown (Aggie)?

SCOTT:

I would love to do scenes with Sarah. I would love to do scenes with Rick Hearst (Whip).  He is my boy and he is from General Hospital. I think I learned so much from him, Tyler Christopher (Nikolas, GH) and Maurice, when I was young and learning.  They influenced me the most.  And now to come back full circle, Rick would be real fun to work with, and Susan Flannery, (Stephanie) she was great to work with! I have been pretty lucky with the rest of the cast, who are great, great actors.

MICHAEL:

Ok Scott, so here is the big question.  Is this character of Liam more like you?  Or, is one of your other famous soap roles of Dillon, or Schuyler, the truer you?

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SCOTT:

Yeah, and in retrospect, is the least like me.  Schuyler represents certain parts of me, but here is what I do.  When I have a new character that I have to play and I am reading the script, I am imagining someone other than me saying the lines; a friend, or someone I know.  I picture how those lines would come out from them.  So it’s all kind of mixed.  OLTL’s Schuyler was a mixture of one of my friends, and Guy Pierce in Memento.  Then, Dillon was a different one of my friends, plus my gay friend, plus somebody else. And then I sprinkle a little bit of me in there with every one of them. Now, if you took me and made me more immature, that would be Liam. So, I can just go on-set and act immature! (Laughs)

MICHAEL:

As we end our visit, what would you envision for Liam?  What can you see as his ultimate journey on B&B?

SCOTT:

I would like to see Liam struggle with and ultimately conquer the balance between leadership, like Bill has, and ethics that Bill does not have.  If Liam can find a way in his lifetime to reconcile, or on this show’s lifetime, (laughs) and he can find a way to reconcile those two, then I think he can become a wonderful man.

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Michael Jenkins
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Michael Jenkins

Great interview, by a great actor.

bottomchef
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bottomchef

Conroy’s better than Clifton. Conroy’s more laid back and natural. But he can also be dramatic, like when Oliver confronted Liam abt Hope. Clifton’s acting was cringeworthy during the Bill/Liam arc. Their bickering was aiming for comedy, but it was very corny bec the acting from Diamont and CLifton were awful. It’s so typical of B&B that Liam’s search for his bio daddy was stretched out. While B&B had one of the few black chars, Marcus, search for his bio mommy on warp speed. Immediately, zillionaire Donna didn’t even think he was scamming her and already was saying “My baby!”… Read more »

Christy
Guest
Christy

I rather enjoy the character of Liam. Particularly how he entered subtely and and I think his character is a refreshing change for the show. The actor Scott is great too. One day I actually paused the show to show my boyfriend, because I think they look alike. Needless to say, I think Scott is cute 🙂 I also think Scott seems very talented, smart, mature and down-to-earth. As per the show, I like Liam & Bill’s dynamic. At this point they accept each other but will definitely butt heads considering Liam was very distressed by what happened with Steffy’s… Read more »

Doe
Guest
Doe

I have seen Scott in all three roles of GH, OLTL, and now B&B. He has done major jobs on all of them. So, he is certainly employable by the best soaps for good reason. He can act! He can fit any role, I think because he is like Everyman. I just knew he would be Bill’s son, because Bill was too obvious in not wanting him and Thorne did. It was no surprise to me. He is very intelligent with various thoughts on life and religion. So it will be interesting to see if he takes those things further.… Read more »

bottomchef
Guest
bottomchef

There were some comments from him that seemed like passive aggresive digs at GH (how static it is, inferiority to Maurice Bernard) and OLTL (pressure filled environment). Actors shouldn’t diss their former employers. And he seems to be the kind of actor who’s in it to play the awards show game. It’s really refreshing when actors don’t care abt that or stop submitting when they feel like they’ve had enough awards or don’t have the material. I disagree though that Clifton is a good addition to B&B. The cast is overbloated. They need to trim it instead of putting more… Read more »

mmc
Guest
mmc

It would be a terrible mistake for them to get rid of Zack Conroy.Not only is he one of the better actors on this show, but he’s so adorable as Oliver.Also I love to see Scott acting with Don Diamont.Don is Mr. Gorgeous..i love his character of Dollar Bill.I hope Scotts’ Liam character won’t be following in his fathers’ footsteps.No one but Don Diamont can play that “i do it my way” role!

denisefan
Guest
denisefan

Scott’s quirky movements and cadence are his own….not much acting there. At times, his delivery is forced and insincere….would love to see him create a character rather than repurpose himself for the show.

Glad to see that on a personal level he has challenged the false premises of modern, counterfeit Christian organizations. Ironically, his counterarguments run more parallel to Jesus’ castigations of the false church than he realizes.

Dean
Guest
Dean

Great interview! Scott is so awesome!

Bonnie Greenblatt
Guest
Bonnie Greenblatt

I think having Scott Clifton as Don Diamont adds some adventure and some reality to Bill’s father figure and it makes it more appetizing in a more challenging pursuance for boy get girl, boy loses girl, like father like son.

Keep Scott Clifton as Liam Spencer he is Awesome.

phyllis Mokate( South Africa)
Guest
phyllis Mokate( South Africa)

Like to see liam and Hope back together pls, they make a good young couple, I m hurting seing hope like this, she can not be hurt by her first lover no pls, if so she ll end ud like her mom trying to find true love.

Maureen
Guest
Maureen

Who is Scott Clifton married to

LILI
Guest
LILI

He is a great, sexy actor.

Interviews

Eileen Davidson, Judith Chapman and Kim Waltrip Talk Plans & Launch Campaign To Make ‘Dial Emme For Murder’ into a Series

Two-time Daytime Emmy winner, and soap opera favorite Eileen Davidson (Ashley, Y&R and Ex-Kristen/Susan, Days) is bringing one of her soap opera mystery novels to life with a proposed six-part series for the soapy and hilarious mystery, Dial Emme For Murder.

Joining Eileen in the cast will be none other than Judith Chapman (Gloria, Y&R) , Knots Landing favorite, Donna Mills (Ex-Abby), and primetime TV and film actress, Nancy Valen.  More cast members will be announced in the future.

Photo: JPI

In Dial Emme for Murder, Davidson plays actress Emmanuelle “Emme” Peterson, a successful soap star who finds herself smack dab in the middle of a  whodunit.

Now, in conjunction with the Palm Springs Women in Film and Television (PSWIFT), and its president and director/producer, Kim Waltrip, Davidson is launching a fundraising campaign to get the series made.

Photo: EDavidson

In an exclusive interview on the Michael Fairman Channel, Eileen, Judith and Kim exclusive reveal key Intel on the project, campaign and working together.  The proposed series has also launched its official website here.

About PSWIFT:  PSWIFT (Palm Springs Women in Film & Television) is a non-profit organization, founded in 2001 dedicated to promoting our members, both men and women in the Entertainment, New Media Creative arts community. In 2020 Palm Springs Women in Film & Television created and launched a Filmmakers’ Lab to teach members how to make a film, by making a film, hands-on.

PSWIFT is currently seeking donations through their non-profit – which are 100% tax-deductible – to fund the Filmmakers’ Lab’s next venture Dial Emme for Murder.  You can find out more on the different perks and packages if you donate to the project here.

Watch the interview with Michael, Eileen, Judith, and Kim below.

Then let us know, if you think Dial Emme for Murder featuring powerhouse actress, Eileen Davidson, Judith Chapman and Donna Mills, will be a must-see for you via the comment section.

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General Hospital

GH’s Maurice Benard Chats On Mia St. John’s Powerful Interview on ‘State of Mind’, Winning the Daytime Emmy & Sonny’s Future If Carly & Jason Get Hitched

Since the launch of Maurice Benard’s You Tube series, State of Mind, he has welcomed numerous guests who have opened up and shared their struggles with different aspects of mental health.  But this Sunday, July 11th, Maurice will share for the first time his powerful and emotional sit-down interview with Mia St. John; one that he reveals was one of the most moving of his series thus far.

With Maurice being a huge boxing enthusiast throughout his life, having St. John, who is a boxer, herself, on as a guest was, of course, special. However, as soap fans know, Mia is also the former wife of the late Kristoff St. John (Ex-Neil Winters, Y&R) and they shared a son, Julian.  Both men died, tragically. Julian, suffered from a long-history of mental illness, and his death was ruled a suicide, and Kristoff was consumed with grief following his son’s death which ultimately set him on a downward spiral.  Kristoff’s death was ruled accidental caused by hypertrophic heart disease; which was exacerbated by alcohol use.  In the conversation with Benard, Mia opens about her own personal struggle with addiction and how she coped with these two devastating losses. (See an exclusive preview clip below within this interview)

It’s also been a whirlwind year for Maurice. He just took home his third Daytime Emmy Award for Outstanding Lead Actor in a Drama Series during the 48th annual Daytime Emmy Awards for his moving portrayal as GH’s Sonny Corinthos, as he goes through all the stages of a child watching his father, Mike Corbin (played by Emmy-winner Max Gail) slip away due to the ravages of Alzheimer’s Disease.  Since the Emmy broadcast was pre-taped due to Covid restrictions, except for revealing who the winners actually were, Benard shares what went down when his name was called watching the show from home with his family.

 

And … things are heating up on General Hospital!  For months, Benard has been playing an amnesiac Sonny aka “Mike” who has become taken with deceitful Nina (Cynthia Watros), who knows he is alive and well and living in Nixon Falls, but fails to tell her nemesis Carly (Laura Wright), or anyone else in Port Charles.  With everyone believing Sonny is dead after his showdown with Julian Jerome, Carly and Jason (Steve Burton) find themselves having to save Sonny’s territory and go up against the five families.  So, what are the besties deciding to do? Get married! And as viewers saw, Carly recently removed her wedding rings to Sonny.  So, now the question on GH fans inquiry minds is; will Sonny get his memory back in time, and stop Jason and Carly from tying the knot?

Benard weighs-in on what the future may hold for Sonny, the difficulties he faced during the Covid-19 lockdown with his mental health, his conversation with Mia, and much more.  Here’s what Maurice shared.

Courtesy/StateofMind

Having Mia St. John on as your guest on the upcoming episode of State of Mind was quite emotional for you. What can you preview? 

MAURICE:  I can say that during last ten minutes, there’s a lot of spiritual stuff going on.  I felt it.  She’s very tough.  You can tell that she doesn’t want to hurt anymore, and with me, I don’t know for sure, but I think she felt safe and protected.  We got into Julian and Kristoff and what happened.  I’m pretty sure I asked her and said, “I’d like to get into something.  You could say ‘no’ to me.  It’s fine,” and she told me the whole story.  Michael, I know you were friends with Kristoff, you’re going to really be moved because I was extremely moved.  It really, really hit me hard, because of what I’ve just been through during the pandemic. I just felt the need to be there for her.  I mean, I have that in me anyway, but with her, I did because it seemed like a lot for someone to go through.  I didn’t know Kristoff.  I met him once, and we talked for a bit.  He seemed like a great guy.  I knew he was a great actor because I watched his work.  I do know that everybody seemed to love him, but through State of Mind, it seemed like I got to know him a little better through Mia.  I was looking in her eyes, and taking it all in, and she was telling me everything.

Throughout your series, you seemed to have become more comfortable in the role of the interviewer.  It’s quite the switch isn’t it from always being on the other end as the interviewee.

MAURICE:  Yeah, I’ve gotten better.  You know what it is with me, and somebody said it, I’ve got a curiosity that I love to hear people’s stories, and I have a way to make people comfortable.

Photo: KSJIG

Does it help you in listening to what other people have gone through in dealing with your own struggles with mental illness?

MAURICE:  Yeah, I’ve said it before.  It’s like therapy for me.  After Mia, I was drained, but in a good way.  In the beginning of doing “State of Mind’, I was just learning.  I wish I was more well-rounded in my intelligence.  I barely graduated out of high school, but as far as what it is with me, if I know something like acting or mental health, I really completely know it.  I’m into it.

How did the interview with Mia come about?  Did you ask her to come on State of Mind?

MAURICE:  I know who is involved with mental health.  I know who would be interesting to interview, and then I reach out, and I have people coming who are not in the soap world.  I have a WWE person; I have a TV critic, etc.  So, I asked her, and Mia said ‘yes’, and then we did the interview.  I’m a huge boxing fan.  So, to be able to talk to her about boxing and things that happened to her right before her fights, I was just really fascinated.

That is right in your wheelhouse!

MAURICE:  Way up my alley!  If I could have more boxers on, I would love that.  I love sports, but boxing is my one sport, so I was like a kid in a candy store talking to Mia.

How do you feel Mia is doing as she has been very open about her battle with alcoholism?

MAURICE: Any time you’ve been through that much, I think it’s a daily struggle for anyone. In addition, there is a really great organization she works with that I hope people will check out as she is trying to help others.

In terms of all of your State of Mind’s, did this one impact you in a different way?

MAURICE:  The good thing for me about State of Mind is that I learn from each person about things that I didn’t know.  For instance, coming up I have: Linsey Godfrey (Ex-Sarah, DAYS) who got hit by a car.  I mean, you could read about it, but when you’re talking to someone, things come out.  That’s what I love about doing this show.  Jason Thompson (Billy, Y&R) didn’t know anything about mental illness, personally, but he talked about mental illness more than anyone!  I said to him on the episode, “For somebody who doesn’t know anything about mental illness or didn’t have someone with it, you talk more about it,” because he had a curiosity on the subject.  Mia’s was a little more because of the boxing and how deep we went with her talking about death.  In an upcoming episode with Ken Shriner (Scott, GH), he teaches me a lot about death.  When your parents die at 16, I don’t know how you could keep going.  He taught me how.  It was beautiful.

Photo: NATAS/CBS

Let’s go back to a few weeks ago on June 25th and you win the Daytime Emmy for Outstanding Lead Actor in a Drama Series.  How did you find out you took home the gold?

MAURICE:  I was at my place in LA with my son, Joshua and my wife, Paula and we were watching the show.  When they called my name, I was very moved to watch my wife and my son get so excited, it really was sweet.  I liked my speech even though people had a problem with it, which is fine.  It’s always great if Max Gail wins or I get a win, because it’s the Alzheimer’s storyline that gets the attention.  And as I told you already, my dad has Alzheimer’s so it makes it even more personal.

And as you know, my mom had Alzheimer’s and died.  That’s why what you and Max did together on-screen together felt so real and raw and touched so many people – especially those who have a loved one going through this now, or that has passed.

MAURICE:  Yeah, it’s tough. I truly believe with this Emmy win, that it is the Alzheimer’s that really pushed it over the edge because it was a real story, greatly written, everybody deals with it, including you, including me, and you just can’t help but have a feeling about it.  You know, if I have a reel that shows me as Sonny yelling at people, beating people up, it’s not going to give you the impact.

Photo: NATAS

Was it weird coming to the stage and doing a pre-taped Emmy acceptance speech knowing that everybody else that was nominated had to do one too?

MAURICE:  Well, thank, God I didn’t have to do it in front of actors; I probably wouldn’t have been able to do it.  It’s weird, right?  I knew I had to adjust.  When I’ve won before, it’s in front of a lot of people, or semi-in front in a lot of people.  So, with this year, your energy is different.  So, you can’t act in a speech like that, because then it would seem kind of over the top, maybe.  So, I just made a speech that I thought would work for what I was doing; which is kind of acting because I didn’t want to come out and say, “Oh, my God!  I can’t believe it!”  So, I said, “Okay, I’ll thank the actors, I’ll thank Frank, and I’ll make it about Alzheimer’s.”

Photo: GFrancisTwitter

I know some fans on social media jumped on the comment you made within the speech about ‘being the star of the show’ and you did tweet out that you went to Genie Francis (Laura, GH) to make sure there were no ruffled feathers there.

MAURICE:  I went to Genie because I thought, I don’t want her to take what I said personally, and she’s like, “What are you talking about?”  Sometimes I respond to a negative comment on Twitter with an emoji which can incite people.  So, I decided, “I’m not going to do that anymore. No more responding.”  Like I always say, you want to be loved and you want to be hated.  You just want to be loved a little more. So, I stopped with the child’s play.  I’m cool with it.

It seemed that things got twisted up, because you had related in the speech, that Frank Valentini (executive producer, GH) came over to you and said you have to do the storyline, because you are the star of the show, when you were overcome in the screen-test with Max Gail. 

MAURICE:  Sometimes people love to change the narrative.  If you watch everything … they say what I said, but they don’t say that I also said ‘Alzheimer’s’ was the star, but I’ll take the hit.

Courtesy/ABC

I recently posted a clip of my interview with Cynthia Watros from the red carpet at the Daytime Emmys saying how she is so thrilled and honored to work with you.  How is it working with Cynthia?

MAURICE:  Let me tell you about Cynthia, and this is just my experience because I don’t know her that well.  We hadn’t worked together before. First of all, we tend to overlook, because of her character and the story, or whatnot, is that she is a real actress.  Let’s not forget that, I know she did Lost, and I didn’t watch her on another soap.  I know from working with her.  She can act She makes adjustments, and she listens, and I’m really happy to be working with her.  She is just stuck in a circumstance that is not her fault, but you know what, like I said today I think on Twitter to somebody, ‘but wait’.  I’ve been working this last month doing some scenes with her, and when you see that, there’s a little bit of magic in there!  I’m not saying it’s the greatest thing in the world, I’m just saying there’s a little magic!

Photo: ABC

Have you liked being “Mike “and not having Sonny’s memory because it opened up the story?

MAURICE:  I know people think this story is my idea, like I needed a break or something.  It has nothing to do with me needing a break.  They came to me and said they were going to do this story.  I said, “Let’s do this!”  I’ve been enjoying this.  It’s a different energy.  The energy that Sonny has is dark.  It’s like in third gear.  Mike is like in first gear, calm, relaxed, happy.

You’re just realizing that now?

MAURICE:  (Laughs) Well, I guess until you’ve gone somewhere else you really don’t know.  Often times, when I do movies and other projects, it’s often the same kind of energy that Sonny has. I’ve never played a character like “Mike” where it’s a whole other feeling!

Courtesy/ABC

Is it more challenging to play a character like Mike?

MAURICE:  No, easier!  Sonny can be difficult to play.  But guess what?  The audience – at least my fans – they don’t care how happy I am or whatever, they are screaming “Go back to fricken Sonny!”  I like that in a way, but I didn’t know that it was going to be this vocal from people.  It’s not that they hate Mike, they just want Sonny, and Cynthia is put in a tough situation because of her history in that character.

So, now everyone saw last week that Jason and Carly have decided they have to get married for the sake of the business with Sonny believed-to-be-dead.  What did you think when you heard that they were going in that direction with the story?

MAURICE:  Well, I was the last one to know.  I didn’t know they were going to get married until I heard about it in the makeup room.  I think the first thing I thought of was … we are all going to be having some great scenes coming up, like, “Alright.  Let’s rock and roll!  Let’s do it!  I’ll get into this character of Sonny when called upon.”  It might be and dark and the whole thing, but once I’m in there, I’m fine.

Courtesy/ABC

It would seem if Carly and Jason do actually get married, it’s not going to be an easy road to reconciliation for Carly and Sonny down the line.

MAURICE:  No.  I would say not.  The thing about Sonny is that it’s what Sonny does best, or what I do playing him best, is betrayal.  So, for him, this is not a good thing.  I would assume he’s just going to go, “What the…” and all hell is going to break loose.

Sonny’s body washed ashore and he was very much alive, while the search and rescue mission quickly became a recovery.  Once again, law enforcement in Port Charles isn’t very good! (Laughs)

MAURICE:  So, there you go.  It’s going to be a bigger fight.  It’s going to be a great fight when Sonny does return.

Photo: ABC

Fans are predicting that Jason and Carly are going to be at the altar, and Sonny is going to walk in alive and well with his memory back to the nuptials!

MAURICE:  Well, however it goes, I would say, just let them just watch the fireworks as they unfold.

But you’re enjoying this story?

MAURICE:  I’m cool, man.  I will say this, I’m glad that I have been given this last month playing Mike, and the Nixon Falls story.   I don’t know how much more we have ahead.  I just know that what we’ve taped has been really cool, and I’m glad that they gave me that.

Photo: ABC

I know that the coronavirus pandemic and its isolation was rough for you.  What can you share, and how did you find your way out of a downward spiral?

MAURICE:  Yeah, Covid was just one of those things where I was hit with a lot of different things all at once, which was …  GH shutting down production, my book tour not being in New York (although the book ended up probably doing better because of the pandemic, which was interesting) … my mom and dad moved out …  and I thought it was the end of the world.  We all did at some point, and it all hit me with a rush of anxiety that I had never felt before in my entire life, and it was four months of terror … way too long. I was shaking like a leaf, not sleeping, it was tough.  What I tell people is that when you go through these things, it will pass.  I know, for me, four months was too long, but it did pass.  You’re better because of it.  You can take one of either two roads.  You can get worse, and you can say, “I’m a victim, I’m a victim,” or you can take the other road and say, “I’m stronger now.  Look at what I’ve been through,” and then, look at what happens … a year and a half later, look at what my life is.  I have a pond here at home, and I used to run around this pond crying my eyes out, every morning crying, like I couldn’t do it anymore, and a year later, I walk around the pond like it’s the greatest thing in the world, but that’s what this is, this mental health.  You can think you can’t go on, but then it rewards you with a better life.

Photo: Noah Harmon

I was going to say, that’s pretty profound.  When you were going through the four months, did you think you were going to come out of it okay?

MAURICE:  No,   I’m going to be honest.  I finally got on Lexapro after three months.  If Lexapro didn’t work, I can’t say positively what would have happened.  It gradually made me feel better.  Like I have said, if GH had called me a month before, I wouldn’t have been able to finish the storyline.  It would have been the end.  I wouldn’t have been able to go back to work, because I was in that state of mind.  So, they called at the right time.  I went back to work and I was on Lexapro.  The thing about Lexapro is – and we always tell people to get professional help. There are a lot of people like me, and I’ve got to say, first you get professional help because you’re on the brink of whatever.  So the first five days of taking Lexapro, you feel worse than you did just before you started taking it, and that is scary because you’re like, “I can’t take this.  This is horrible,” and then I stayed on it.  It got gradually better, and just a month and a half ago or so, I weaned myself off.

How are you feeling now?

MAURICE:  Oh, let me tell you, the day that I weaned off, was a Thursday, and I wasn’t going to take it, and I was on my bed, and I felt the greatest I felt maybe, ever.  Now, I’m not saying people should go off it, whatever, because I was on it for like 8 months or something, but it saved my life like lithium for my bipolar disorder, and that’s an amazing thing that these pills could do.  What happened with me with the pandemic is that I had never really taken anything for anxiety.  I had only taken lithium, and I’d been on lithium for 30 years, but for anxiety, I never wanted to take anything, but if you’re bad, if you’re like (you know those gears I’ve been talking about) in 4th and I was like in 5th gear, you’d better get some help, man, because you can’t get off it on your own.

Photo: State of Mind

I want to conclude checking in on your dad, Humberto.  When did you learn he had Alzheimer’s, and how is he doing now?  

MAURICE: It’s been a while since I found out.  I didn’t really want to talk about it, and then I did something in People magazine with the book, and I asked him if I could talk about it, and he said “yeah”.  So, it gave me the green light, and that was maybe 10 months ago.  He’s actually doing good.  It’s slowly kind of happening but that is how the disease works.  This has been a really great conversation, man!

So, what do you think will happen with Sonny aka “Mike”? Will he return to Port Charles before Carly and Jason tie the knot?  Have you been watching Maurice’s State of Mind series, and has it helped you with any of your mental health issues or concerns? Were you happy that Maurice took home the gold this year for his portrayal in the Alzheimer’s storyline? Share your thoughts via the comment section below.

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Interviews

B&B’s Jacqueline MacInnes Wood Shares Her Emotions & Reactions On Her Second Daytime Emmy Win for Lead Actress

Last Friday night on CBS broadcast of the 48th Annual Daytime Emmy Awards, The Bold and the Beautiful’s Jacqueline MacInnes Wood (Steffy Forrester) took home the gold in the hotly contested Outstanding Lead Actress in a Drama Series category.  This marks Jacqui’s second win.

MacInnes Wood’s performance in Steffy’s opioid addiction storyline, that aired in 2020, was the ticket to victory for the talented young actress and new mom to her second son, Lenix.

As viewers saw, the Emmy telecast was pre-recorded including all the nominees taping acceptances speeches ahead of air; with the winner being revealed for the very first time on the broadcast.

 

Michael Fairman TV caught up with Jacqui post-Emmys, to find out how she felt about her speech, her emotions at having her name called for the second time in her career, and how she felt Steffy’s addiction storyline resonated with so many people at home, and obviously, the Emmy voters.  Here’s what she had to say …

Photo: NATAS/CBS

What was it like for you to do have to pre-tape your acceptance speech?  Yours, actually came off very in-the-moment, because you kind of stumbled over a word, but it seemed like you were very excited.

JACQUELINE:  Yeah!  I was very excited.  Of course, it is strange to do it that way.  I am very grateful that I was up to my nose in The Bold and the Beautiful scenes and dialogues in the week and the days before, that whole week.  I wasn’t sitting around going, “I’m going to rehearse this in the mirror.”  I just wanted it to be very heartfelt and real.  I wanted to make sure it wasn’t like last time – I truly was not expecting it the first time I won.  I think that this time I wanted to be mindful of who to thank and talk about the story, which was so important to bring up opioid addiction, and I really wanted to thank Brad Bell (executive producer and executive producer, B&B) for giving me this story, and allowing me to tell it, because it was such an important message to tell.  Even though this year’s Daytime Emmys were shot differently, I was still nervous. I was so excited to get on a stage. Last year, we were on a Zoom, so it was nice to be able to do this on a stage again.

So where were you on Emmy night?  Were you watching the broadcast at home?  

JACQUELINE:  I was at home, and I was with my friends and my family.  To be honest, it was such a fun way to do it.  Even though it was so wild the way that we shot it – they do this on RuPaul’s Drag Race.  Sometimes they’ll do it live, but everyone has their acceptance speech.  I was just happy during the Emmy taping day to be dressed up, wearing high heels, and to be with my cast, Then, I got to celebrate watching it with my friends and family.  It was so cool to find out in that moment, then afterwards we ended up going out.  We went to Ronn Moss’ (Ex-Ridge, B&B) house for a party, where Ronn was performing, and it was great to be with some of the cast and have everybody together.  So, we danced the night away, and it was so much fun.  I wouldn’t have had it any other way.  Of course, if we had been able to be at the Daytime Emmys that way would have been great, but it was nice to be able to go, “Okay, I can celebrate in my casual clothes, and dance, and not be uncomfortable.”

Photo: JMW Instagram

Were your children, Rise and newborn Lenix, with you watching when their mom won her second Daytime Emmy?

JACQUELINE:  My children were with me, and we celebrated together, and of course they don’t really understand what is going on, but they just saw all of us jumping around.  I probably scared my 4-month-old.  My mom ended up watching them.  Then, we all went out.  So, it was a good night.

Photo: HutchinsPhoto.com

Did you have an inkling that you were a frontrunner to take home the gold as Lead Actress for your work in Steffy’s opioid addiction storyline?

JACQUELINE:  Were there times when I thought I could win?  I wasn’t sure, but I knew what we did was very special.  The first time I won, I was very proud of myself knowing I had to do all of these long scenes, but I was not expecting to win.  This time, I thought there was a possibility, and I wouldn’t say that it’s all because of me.  I know it’s cliché, but honestly those days when we were filming, you could just feel the energy.  Everyone brought it.  We do film so quickly, and some performances are great, and some of them aren’t, whether it’s because you don’t sleep that night, you don’t know your dialogue that well, you don’t understand why your character is doing a certain thing, but you’re trying to figure it out.  When we were filming these scenes, I thought it was just such an important story to tell, and I felt like everyone gave it 110%.  I looked at everyone, and I knew we were all connected, and even though it was such a heavy storyline, there was something so magical those days and those weeks of filming.  I was so proud of everyone, and it wasn’t something that was like, “Here I am forcing myself to cry,” I was like, “I am just going to be in this scene and really tell this story that millions of people have gone through.” When I watched back those scenes after they initially aired, it was not only about the cast, but it was just how the audio had been added, how the directing was done (since we had to be six feet away from each other because of Covid-19 protocols) which made it all come to life.

Did you think when you came into this medium that you wind up being a two-time Daytime Emmy-winner?  Was it something that you aspired to have?

JACQUELINE:  I think yes and no.  I can’t sit there and say, “No, I didn’t.”  I have goals for myself, and you want to manifest some things, so I wanted to visualize that one day.  I’m in this industry, and I want to do the work, and I eventually wanted to have the Emmy one day, absolutely.  I’d be lying if I said, “I just want to go with the flow, and if I get an award, great.”  No.  I definitely thought about it and said, “Okay, this is something that I do want one day. I didn’t think I’d have two!  I just wanted an award, one day.  So, I think that’s amazing in itself, but I am very honored.

Courtesy/CBS

So, during the Lead Actress nominee package during the Daytime Emmy broadcast, they showed the gut-wrenching clips of yours, where Steffy admits in front of Ridge, Liam and Finn, “I’m addicted.  I’m addicted.  I have a problem.”  Do you remember performing those scenes?

JACQUELINE:  You know, you remember it sometimes as if you’re out of your body. In that moment, I remember being so in my body, but in a good way.  To say those words, to finally realize how heavy – even in talking to you right now – my body feels heavy.  I felt the weight of what Steffy was finally admitting. It broke Steffy, and it broke me.  I’ve never been in that position, but I did my research, and I looked up people who have suffered from addiction and the families, and to look over at Thorsten Kaye (Ridge) and see the heartbreak in his eyes, in Ridge’s eyes, to see what Steffy was doing to other people – she realizes in that moment, “Oh, my God. I am addicted.”  Looking back at those scenes, there is just so much truth in them, and for so many people who have been there.  It just breaks my heart that people have to go through this every day.  People sent me messages from all over the place, it was amazing.  I couldn’t believe the number of direct messages they sent me on my Instagram.  It was pretty incredible.

Courtesy/CBS

Your performance just felt so raw and real, which is why I think it registered with people who have been in that situation, and for the peer vote for the Emmy.  Whenever I talk to other actors about what they look for in judging other performers work, they always say they look for the truth. They don’t want to see a false note delivered in a performance.

JACQUELINE:  Absolutely.  For sure.  That’s why I’m so proud of everyone in the scenes because they all gave that.  It wasn’t like you look over at a cast member and went, “Oh, what’s my line?”  We were there.  It just gave me goosebumps.  It isn’t just my award.  It was everybody’s award.  When you get to really feel like you’re really alive in these scenes, living in those scenes, it’s such an incredible feeling. After this win, I am just riding the wave right now and really just enjoying it.

Photo: MFTV Inc.

Well, I’ll finish on this last question: How do you rate our Emmy photo together this year? (Laughs) We have well-documented our issues taking a decent photo together; usually because we break up laughing trying to take one.

JACQUELINE: (Laughs) I mean, okay … I am happy that we had those LED bars of light.  We have to have LED lighting around us 24/7.  So, I’ll give it a 9.5 rating   Moving forward, we need indoor, 3-4 LED lights, and we’ll be good.  Now that I have two Emmys, I’m going to be asking for that lighting moving forward … now that I’ve turned into a diva. (Laughs)

Share your congratulations to Jacqui via the comment section below … and let us know your thoughts on her winning her second Daytime Emmy – this time for Steffy’s powerful opioid addiction storyline.  But first, check out our red carpet interview with more with the eventual Lead Actress Emmy winner.

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