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The Sean Kanan Interview – The Young and the Restless

seanMain.jpg

The return of Sean Kanan to daytime soaps had been rumored about all over the internet for months.  Would the controversial actor be heading back to his old stomping ground of The Bold and the Beautiful or return to daytime television this time with The Young and The Restless. After the mystery was solved, Sean was launched into a new storyline reuniting him with this former “B&B” co-star and friend Adrienne Frantz (Amber) who is now in Genoa City.

Kanan whose well documented battles with the law and DUI’s put a temporary halt to his career, has come back from adversity to reclaim his acting life.  With a new lease on his soap character Deacon Sharpe, fans get to relish in Deacon’s skullduggery and machinations once again.

In this candid and revealing interview with On-Air On-Soaps, Kanan discusses: how he got back in the soap game, his frustrations and almost giving up on show business against much adversity, the internet fervor over the recent Deacon/Amber sex scenes, what could be Deacon’s long term agenda, and the talented performers hopes for his comedy career.

Here’s Sean!

Listen to the audio:

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MICHAEL:

First of all, we were all thrilled that you were back on daytime on “Y&R”.  There were all these rumors for quite sometime that you might be going back to “B&B” or coming to “Y&R”.  How long did it take for this to come about that ultimately landed you in in Genoa City?

SEAN:

The genesis of this whole thing started with a friend of mine and my agent trying to reach Paul Rauch (co-exec producer “Y&R”).  Eventually, Paul was nice enough to agree to sit down and have lunch with me, and for Paul to sit down during his day to have lunch with me, I thought was a really nice gesture.  We had candid, intense discussion. Paul is intense, and I am real intense.  I had heard from people that Paul is an intense guy, and a fair guy and he can be difficult.  I felt a strange connection to him.  When I first saw him in the restaurant I sort of saw him for a second.  I said to myself, “I can see this not going paulRauch.jpgso well.”  But he couldn’t have been nicer.  He is a direct guy and we had a really good lunch together.  Paul said, “I will see what I can do.”  It was very non-committal and very vague.  At this point we are talking about “Y&R”,  given the fact that Adrienne Frantz was over there playing Amber.  My biggest regret was that I did not try to initiate this sooner because she had been there so long.  But everything happens when it’s supposed to, I guess. Eight weeks from that lunch my agent called me and said, “Look, I think something is going to happen. Do not say word to anybody.  We don’t know what it is.”  I did not know what it was going to be. Was I going to go to “Y&R”? “B&B”?  Perhaps, maybe even as a different character?  Brad Bell (exec prod and head writer, “B&B”) had basically made me a promise sometime ago that he would not recast Deacon, and damn, if he did not keep his promise.  I think Deacon is such a great character that a number of great actors who could have success with the character.  I also like to think I bring my own personal stamp to it.  I eventually found I was going to go to “Y&R”.

MICHAEL:

What went through your mind at that time?

SEAN:

A lot of things.  I had a rough past couple of years.  I am not talking about just the DUI. That was rough, but the two years afterwards when I got sober and was sort of was doing everything right.  The inclination is to say, “I am doing everything right now.  So how come the pieces of the puzzle are not fitting together properly?”

MICHAEL:

That must have been frustrating.

SEAN:

I had flown to New York to screen test for As the World Turns and it’s strange.  I did not feel a connection to the material and did not feel right.  I gave it my best.  I wanted a job, that is what I wanted.  I did not really want that part.  I did not want to move to New York, but I really wanted and needed a job.  So when I did not get it, I was not that upset.  Then there was a part on Days of our Lives and for one reason or another I did not get to screen test and I was a little upset about that.  I thought I gave a strong audition but the reality was I think that Galen Gering (Rafe) was coming off of Passions and they just made him an offer.  But in retrospect, it all was happening because I was meant to do something else.

MICHAEL:

And then you got to come back to soaps as Deacon!

SEAN:

When I found out I was going to be on “Y&R” I knew for a few months, and the hardest thing was…first of all… I don’t like lying.  But my bosses said, “We really want to keep this a secret,” and I had to respect it.  Then it became people saying, “We know you are going on the show. Just admit it!”  But I gave my word.  I have to confess I told my parents, but swore them to secrecy. I  did not tell anybody in the media or my closest friends, and that was difficult.

MICHAEL:

So it must have been very emotional for you to get a second chance as Deacon on another soap.

seanGirlfriend.jpgSEAN:

I tell ya, when I found out I would be reprising the role of Deacon, I was overwhelmed and really moved.  I had a moment when I looked back at how hard those two years were and I remember sitting with a friend after the DUI.  I said, “It’s done and over.  I don’t see myself getting back on daytime or anywhere anytime soon.”  I was bereft with gloom and doom and depression.  Now to play Deacon on the number one show is amazing.  The first day I walked in the door at CBS, I was really, really moved, and full of gratitude because I know how hard it has been to get back there.  There were a lot of people who worked really hard on my behalf, and a few people who believed in me and stuck with me when a lot of people wouldn’t.  I feel a real sense of obligation and responsibility to Paul Rauch and to Brad Bell, too.  I think on some level Brad Bell and Barbara Bloom (VP Daytime Programs, CBS) had a lot to do with getting me back on the show.  On some level or another, Brad Bell did something very nice for me.

MICHAEL:

During the frustrating years, you mentioned the difficulties you faced.  Was there ever a moment where you went, “I can’t do this anymore.”

SEAN:

I remember, I decided to go back to acting class and do something creative.  I believe I was doing a play, also.  And in doing the play, “It’s Just Sex” that is when I felt like an actor again. Traditionally in my career when I have done theatre it has started a very positive arc for me.  I remember one time driving out of acting class thinking, “I am not sure I can act anymore.”  And that is not what I meant.  What I meant was, ‘I did not know if I could deal with the business of acting anymore.’  I love acting.  I went out on an audition for something called Camera Café which is an internet based series, and is sent out to over 30 or 40 countries.  It’s like The Office. I got a part in it strictly from the auditioning process.  Not from knowing anybody or anyone knowing my work, and it was really fulfilling.  It was the first time in a long time I felt like I climbed in the ring and put the gloves on and I was the one left standing.  We did 24 webisodes of that.  They have not aired yet and they will begin in a couple of months, and then I got “Y&R”.  I feel that I am on an upswing.  For me, it became an exercise of, “Ok, now things are going well.  I need to process them going well and keep myself in emotional check.”  I am really good at things when they are not going well. That is about… circling the wagons and putting the Rocky music on and getting myself back to where I need to go.  When things are going well, traditionally the potential of things going awry can happen.  You know what?  I am 42-years-old now and I have well documented situations and knocks (He laughs).  I have learned from them, and right now things are going well.  I think I have a clear view of it.

MICHAEL:

Your trouble with the law and the last DUI was unfortunate that it became so highly publicized. What was it like for you when it came out on TMZ and full throttle in the media spotlight?

SEAN:

It’s terrible.  My parents see that. They live in town where they are well-known, and I felt bad.  The hardest thing was when there was a court date that was miscommunicated.  I did not get the information in time. I had been sober for awhile and a friend of mine called me and said he was playing poker with a cop and the cop said, “You know Sean Kanan don’t you?” and my friend said, “Yeah, very well.”  The cop goes, “Well, we have a warrant for his arrest.  You should tell him if you are his best friend.”  My friend called me and said, “I think the police are coming for you.”  I said, “What are you talking about?”  Needless to say, I did not stay at my house that night.  I stayed at a hotel because I was so freaked out.  I am not trying to play the victim here, but it was if every time I tried to do something right… something went wrong.  I legitimately did not have things communicated to me. I would not intentionally not go to a court appointed meeting.  One of the great things about having media immediacy is that we as a society know what is going on in the world immediately. While that is great, there are times where if there is a little bit of time to allow things to play out a bit, then you find out what is initially reported is not quite what it seems.

seanGrey.jpgMICHAEL

So let’s move on, and let’s get to your current storyline on “Y&R”.  So when they told you the story that you were going to be part of…

SEAN:

They didn’t.  First of all I have to confess these actors I know from “Y&R” are the people I met at events or worked across the hall with when I was at “B&B”, but I did not know their characters and all their stories.  I do want to stop and address something here, though. Recently, I saw this on the internet because I am guilty of checking what the fans say because I want to know what they are thinking, that somebody thought that on a recent episode that I called Victoria “Ashley” when I said, “actually”.  So they wrote this whole post saying, “Get him off the show. He called Victoria “Ashley”.  I promise I did not call her that.  And do you think for one minute Paul Rauch would let me call Victoria… “Ashley”?  As far as what the story was, I was operating from the seat of my pants because I did not know what happened to Deacon in the three years since he left LA for Genoa City.  I do know that Deacon seems like he has definitely rounded out his rough edges.  He seems more refined the way Maria Bell (co-exec prod and head writer, “Y&R) is writing the character.  It would indicate that Deacon had polished up his game a little bit.

MICHAEL:

So Deacon is slicker?

SEAN:

He’s not just slicker, he seems more worldly.  You have to remember, this is a guy who comes from Vegas, whose mother is a stripper, and he does not know who his father is. He now has some money.  I can only presume he got it from swindling something from someone.  I would like to know how he got more refined.

MICHAEL:

I want to know how he got in the art world!

SEAN:

I want to know that too.  I was talking to Paul Rauch about that. Deacon had an understanding of the art world.  I don’t think you can fool people about the art world when you know nothing about it.  Apparently, now Deacon likes to read a little bit, and when he does it’s no longer girly mags, it’s art books!

yrAdriSean.jpgMICHAEL:

The beginning of this story is Deacon set up Daniel to take a fall.  Is the reason as obvious that Deacon wants Amber back, or is there a bigger agenda?

SEAN:

As an actor, I have to choose that I do want Amber back.  I am led to believe that this is all part of bigger scheme to get this Terroni painting, and for some reason or another to frame Daniel.  But it’s always a stronger choice to play my desire to do this with Amber because I have genuine feelings for her.  For me, Deacon has feelings for Amber. They are sort of cut from the same cloth.  I think they have certain common denominators that allow them to relate to one another.  He says to her at one point, “With me you don’t have to pretend. I know who you really are,” and I think that’s true.

MICHAEL:

Recently the Internet was a buzz when Deacon forced Amber to have sex with him and once again viewers felt it was another sickening depiction of women being bullied into sex.

SEAN:

I think there are a lot of ways that someone can be forced into something.  I think physicality is only one of them.  I think what Deacon did was loathsome and apprehensible. He was not figuratively forcing her to have sex with him in the true tradition of the definition of the word rape, but he forced her to this and we all knew why.  I think it’s terrible.  I want the fans to understand, I am just an actor playing the part.

MICHAEL:

You were so cruddy and mean and vile to Amber!

SEAN:

I agree.  Right now, I can’t really rationalize his behavior because it’s so removed from Sean’s frame of reference.  I get my scripts a week and half before they shoot.  No one has taken me in a room and shown me a road map to what is happening.  I would like the fans to know that.  I think it’s one thing when you are playing a good guy, but when you are playing a bad guy… it’s one thing for people to think that I know what’s going on, or I approve of it.  My job is to be as convincing as I can be with the cards that I am dealt.

MICHAEL:

Why are you so good at playing this type of role?

SEAN:

I think part of it is a testament to Adrienne.  I have some vast life experience.  At some point in my life I may have drawn from people like Deacon.  We all have a dark side within us.  I guess I am able to tap into that.  I am actor, it’s what I do.  I hopefully would be able to bring the same believability to if I was playing a gay character, or someone who was victimized, because that is what I do.

MICHAEL:

What did Adrienne say to you when she found out you were going to be working with her again…this time on “Y&R”?

seanAdri.jpgSEAN:

Adrienne is a sweetheart.  She texted me how excited she was once she knew I was coming on to “Y&R”.

MICHAEL:

How do you make Deacon human?

SEAN:

I try to find the humor in him.  I try to make it perversely funny to be a bad guy.  So on some level to some people it’s, “I kind of hate what he is doing, but on some level it looks like a lot of fun.”  Instead of completely hating me, there is a perverse fascination with it, maybe.

MICHAEL:

Will he continue to torment Amber and Daniel?

SEAN:

Probably for awhile he will torment them, but I honestly don’t know what the macro-plan here is.  Here is what makes it difficult: as Deacon I have not been told what my end game is.  So I am not able to play and act with an innate knowledge of what it is I am going for, which can be difficult.  I don’t know if turns out that I am doing this when in fact I don’t care for Amber.  I don’t think that is the case.  Based on our history, he has significant feelings for Amber.  I don’t know specifically what happened that has made Deacon’s animosity towards Daniel personal, or if he just happens to be in this con.

MICHAEL:

Is playing Deacon ever difficult?

blacktshirt.jpgSEAN:

I actually had a lot of difficulty in the scene where Amber came in and I was wearing the tank top.  It very easily could have been construed (when I grabbed her) that it was a physical sexual assault.  So, I tried to lighten it up a little bit.  But the reality is I am forcing her to have sex.  So, my best bet was to split the difference. I am glad people had reaction to those scenes, but for me, I had a tough time with those scenes.  I could not commit 110% because I was not quite sure what my intention was.

MICHAEL:

Ryder is your assistant! Deacon has an assistant. Interesting, huh?

SEAN:

Ryder is an assistant and I don’t know why I have an assistant.  I don’t know who this kid is to me.  Is he related to me? I know who he is in relation,  and in the scheme of who he says he is.  I don’t know if it’s going to turn out that he and I have a different relationship than my assistant.  That may be.  I don’t know.

MICHAEL:

So you are on “Y&R” for awhile now?

SEAN:

I am on recurring status.  I love playing Deacon and it has been a fantastic experience at “Y&R”, and would love to stay as long as great stuff is being written for me, and so far it has.  I don’t know if I want to be a periphery character that does not have a lot to do. I don’t think that’s what they want either.  As long as I have good story, I would love to stay.

bestbuds.jpgMICHAEL:

Have you had a chance to say hello to your former “B&B” cast mates?

SEAN:

I saw Rick Hearst (Whip) and Ronn Moss (Ridge).  I have not seen Lesley-Anne Down (Jackie) yet, which I am looking forward to.  I have seen a few crew people.

MICHAEL:

With what’s shaken at “B&B”, a Deacon return there would be interesting, too!

SEAN:

With Whip back, that’s two thirds of the triangle with Brooke and who knows?  I don’t rule anything out.  I love “Y&R”.  It’s terrific.  Would it be perfect to bounce back and forth between two shows?  Of course. That is an actor’s dream and that would be great.  And especially because I just have to walk down the hallway to do both shows in the same day. That would be crazy! (He laughs)

MICHAEL:

John Ingle (Edward) told me at the recent “GH” Fan Club Weekend that he misses you and really thinks you are a terrific.  He misses all his Quartermaine sons, and that you were his first AJ!

SEAN:

Ah. My grandfather.  He is such a kind sweet man.  I have such affection with John.  I really like him and I love to hear his stories when he was Nicholas Cage’s acting teacher!

seanLeaning.jpgMICHAEL:

I hear more comedy is in your future. Tell me what is up next?

SEAN:

I have been doing stand-up comedy.  I am in the process of  putting together a comedy special in the next year, and some other projects I am working on.  When I am able to talk about them, I will.  I love Camera Café. I played this overall tan character that is a combination of Herb Tarlek of WKRP in Cincinnati and Ted Baxter from The Mary Tyler Moore Show. When I started doing the read-through this weird voice came out of me. It was this self-hilarious self-indulgent voice.  I was always checking my hair and my tan-line. (He laughs)  It worked really well.  Antonio Banderas is the executive producer.  I think a lot of people have not seen me being the funny guy.  So this is the first time I have been given the opportunity, and I can’t wait for this to come out.  Camera Café are three and half minute webisodes and they are all shot from the perspective of a camera imbedded in a coffee machine.  It’s very sexually charged, cable-esque dialog, and it’s bar none, the funniest thing I have ever worked on.

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Interviews

Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Interviews

Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Days Of Our Lives

DAYS Thaao Penghlis Chats on His Daytime Emmy Nomination & How He Makes Tony DiMera One of a Kind

He has been one of the longstanding cast members of Days of our Lives and certainly of Salem’s notorious DiMera Clan; and while Thaao Penghlis may be off our screens for a time and then comes back again; though the years one thing has been true, he delivers top-notch performances in a way that is uniquely ‘Thaao’.

This year at the 47th annual Daytime Emmy Awards to be broadcast on Friday night, June 26th at 8 p. m. EST, Thaao is vying for the Outstanding Lead Actor prize amongst a formidable group of other daytime favorites.  And this makes it two years in a row that Penghlis has received an Emmy nomination although this time in a different category.

As fans know, Penghlis takes the art of acting seriously, and expects other he works with to bring their A-game, just as he does time and time again; whether it be playing DAYS dashing Tony or the evil Andre or when he portrayed Victor Cassadine on General Hospital.

Michael Fairman TV spoke to Thaao to get his thoughts on: receiving the Emmy recognition and what it means to him what he thought about his nominated scenes, plus what he might be doing at home during the ceremony, and where he hopes Tony DiMera’s future is headed.   Here’s what Thaao shared.

Photo: JPI

Tell me about what scenes you submitted that landed you a Lead Actor Emmy nod!

THAAO:  Well, the week I came back to DAYS, I had 11 shows, and this material was from one show of three I did one day!  When you think of other actors doing 150 shows, and I did less than 50 this past year, my choice is kind of limited.  So, when I came across these particular scenes, which were with Eric Martsolf (Brady) and with Arianne Zucker (Nicole), what I liked about it is that usually when you see other peoples’ work, its histrionic, it’s great tears, it’s drama – and what I was able to put together had a through line and an arc from beginning to end.  It makes it very logical when somebody is following your story, and you can show a whole ebb that makes sense.  I had some lines that were really difficult to say, like, “Coming back from the dead is not easy.”  When I get lines like that, I throw it away, and because of that, it becomes humorous.  I have to say I work well with Arianne.  She was great.  I found in the past, when I have worked with some actors, they step on your lines.  I found the best way to stop that is I put my hand up, and I say, “Hey!” and everything goes silent.  They go into shock mode, and I say, “I haven’t finished,” and then I go on.  (Laughs)  So, when Kristen as Nicole starts to talk to Tony the way she does, and she says, “You’d better behave…” I thought, “This is a DiMera you are talking to,” so, I just snapped back at her.  I gave her a, “Hey!”  So, she shut up, froze, and I went on.

Photo: JPI

Would you say your reel was more comedic … or both funny and serious?

THAAO:  It is both.  There are subtleties to it.  There is a teacher I know in Australia, and she is very critical.  She said, “I want to see your work.”  I showed it to her, and she wrote back, “Oh my, God.  How did you make those transitions so readily?”  I went, “Oh.  How did I do it?”  I didn’t think of that.  I think it’s an old technique.  It’s called having to do 3 shows in one day, and you had better get your stuff right, and it’s about how do you make a scene work?  There is one director who I did a miniseries with who said to me, “Where did you get your training from?”  I said, “Daytime.”  He said, “My God.  You certainly know how to have a camera follow you,”   Well, the camera has to follow your movement.  So, when I finished a transition, I’d move to another spot, and the camera had to follow me.  So, what happened in the arc of this Emmy-nominated piece is that I took charge and controlled the scene so that it became a scene of lots of transitions. And of course, charm, I did all of what I thought Tony would be.  He is a DiMera.  I have one of those looks. I don’t know where it comes from, maybe it’s as I get older, but I’ve learned how to work the camera where I may slam something first to get your attention, and then the camera comes onto your face, and you’re going, “Oh, what the hell is he thinking?”  So, I can play the dark side quite readily, and yet in my real life, I’m not so bad. (Laughs)

Courtesy/ABC

You have Thorsten Kaye (Ridge, B&B) and Steve Burton (Jason, GH) also in your category, and these guys who are obviously been soap veterans like yourself.  What do you think about the group you have been nominated with? 

THAAO:  I never worked with Steve Burton, but hear good things.  I know Jon Lindstrom (Kevin/Ryan, GH).  He’s a lovely actor.  I have worked with Jason Thompson (Billy, Y&R).  He’s a lovely actor.  He is well-trained.  So, it is nice to see that the nominees are all vets.

Right, they are all vets.  It seems like a good group to be with. 

THAAO:  I agree, and I love that the Daytime Emmys are coming back to television.  I think it is an upswing when they think of daytime dying.  I think whoever made this happen is taking on the responsibility of taking daytime back.  It is why people love novellas.  People love the story, they love to follow the characters, and we’ve got fantastic fans.  I mean, what would we do without them?  You can’t sustain the show without them, and you pay a price, you have to know how to entertain them because once they know who you are and what you’re about, they get bored.  So, you have to be ahead of your audience all of the time.  That’s what I have always tried to do with both characters that I’ve played on DAYS

Photo: JPI

They’re doing a virtual ceremony this year.  How do you think you would dress while watching the ceremony?

THAAO:  You don’t wear a tux in your house, do you? So, I’ve invited some people for a celebratory time.  Lauren Koslow (Kate, DAYS) and her husband Nick Schillace (head of make-up, DAYS) and Leann Hunley (Anna, DAYS) are some of my great friends who have been very supportive of me through some tough times this year, and I’ve got a friend who has got  a wonderful restaurant, and he is going to cater it.  Probably it will be a group of 10.  You know, could you imagine being here on your own, in a tuxedo, with a glass of champagne? (Laughs)

I know, kind of awkward! (Laughs)  You’ll put something nice on for the big night, right?

THAAO:  Yes, you know me.  I’m always dressed.  What would you suggest?  Sweatpants on the bottom and a tuxedo jacket!  How about that? (Laughs)

Photo: JPI

Now, you have been previously nominated for Daytime Emmys, too!

THAAO:  Yes, and last year I was nominated as well for Outstanding Guest Performer.  So, it’s kind of nice to be back-to-back, and in 2008, I was nominated for Lead Actor when I played the clown in the Tony and Andre storyline.  Thank God, DAYS recently DAYS had James Reynolds (Abe) wining in the Lead Actor category.  I thought, “Wow.”  That was for years and years of good work that he’s done, and also, Greg Vaughan (Eric) wining for Supporting Actor was very nice, but we haven’t had that many wins in the acting categories over the years.

Photo: JPI

DAYS tapes so far ahead of air; that what was once a seemingly major concern has paid off swimmingly during the coronavirus pandemic.  The soap is the only show to have enough episodes in the bank for months ahead when production shut down and enough even when other shows go back into production.  Who would have thought?

THAAO:  We used to think it was ridiculous that DAYS taped eight months ahead, but look at us now! Who would have thought is right?

What would you love to see happen with Tony when DAYS does resume filming new episodes again? 

THAAO:  I’d like to go back and play the head of the DiMera family.  I’ve never been granted that, and I think, at this stage, with the way I worked with Joe Mascolo (Ex-Stefano) it would be nice to see the transition just like Michael Corleone did in Godfather.

So will you be rooting for Thaao to take home the gold as Lead Actor in a Drama Series come Emmy night?  Do you hope DAYS writes Tony into upcoming story, and if so, how would you like to see him on the canvas? Comment below.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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