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The Shelly Altman and Jean Passanante Interview – The Young and the Restless

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In their first joint interview with On-Air On-Soaps as co-head writers of The Young and the Restless, Shelly Altman and Jean Passanante discuss many of the hot button topics, and latest storylines that are playing out in Genoa City, and tease what to look for as we approach the summer months of drama on the CBS soap opera.

As soap fans know, Shelly was already at Y&R when she got the nod to replace Josh Griffith and became the number one soap’s co-head writer.  Then Jean joined her after finishing up her time on the writing team of ABC’s General Hospital.  The last daytime soap where Jean made her mark as head scribe was As the World Turns in its final years, and she is known in the industry as one of the top writers of character development.  This twosome’s collaboration really kicked-off in the late fall of last year (when we last spoke with Altman) and now viewers have begun to get a sense of this team’s style, pace of storytelling, and ebb and flow of crafting stories.

Since Shelly and Jean have been steering the script ship many casting changes, replacements, and departures have affected The Young and the Restless, where beloved favorites have left for various reasons, and certain characters such as Phyllis and Adam will be recast.  During our chat, Shelly and Jean reveal how, if at all, that impacted the plans for their long range stories.

So, what is the next reveal in the Mariah/Cassie look-alike story?  Do Sharon and Nick stand a chance at happiness with a comatose Phyllis looming with the knowledge of the “secret”?  How will Ian try to tear apart the lives of the denizens of GC?  Will Victor and Nikki’s rift grow wider?  Is it Billy and Victoria, or Victoria and Stitch that is the romantic end game?  Will Chelsea and Billy come to love each other only for Adam to walk back into Chelsea’s life?  Will Kevin be devastated upon the departure of Chloe?  Could Hilary be the most viable romantic pairing for Neil since Drucilla’s death?  Read on to find out the answers to these questions from the writers themselves.

So let’s start with The Young and the Restless garnering 26 Daytime Emmy nominations!  But I know since it was for the 2013 calendar year, Jean was over at General Hospital writing at that time for most of it.

SHELLY:

Photo Credit: HutchinsPhoto.com

We are very proud of the number of nominations!

JEAN:

I had nothing to do with it.  I would be very happy to take credit for it.

SHELLY:

You know, Jean was moral support nonetheless even before she joined the team. (Laughs)

MICHAEL:

Jean, how has this been for you coming over from GH to work with Shelly as co-head writer of Y&R?

JEAN:

Shelly and I worked very briefly together on Another World for two weeks and on One Life and General Hospital.  So we have always wanted to do something like this, and so it turned out to be a wonderful thing.  I can’t imagine a better partner.

MICHAEL:

How do you play off each other in the writing process in terms of ideas, stories, and character development?

SHELLY:

Photo Credit: HutchinsPhoto.com

We have a very similar story sensibility… which is good … but we bring different touches to different characters in certain stories.  I think we compliment each other very well.

JEAN:

We have slightly different styles of working.

SHELLY:

I am hysterical and you are calm! (Laughs)

MICHAEL:

Have you had a moment between the two of you over a difference of opinion of a direction of a character on the Genoa City canvas?

JEAN:

I don’t really think so.  We are very respectful, and so I think if one of us felt absolutely passionately about something we would both try hard to see it that way.  We don’t scream at each other.

SHELLY:

We listen to each other and that is big thing, and like Jean said, if there was something that she felt super strongly about, I would take a step back and listen to her and hear why it wasn’t working, and I would come around to agreeing.

MICHAEL:

Let’s talk about the current stories on Y&R beginning with the Cassie lookalike storyline, and the set-up.  In a recent interview with TV Guide, Jill Farren Phelps (executive producer, Y&R) revealed that Ian (Ray Wise) was originally not intended to be part of this story.

SHELLY:

That was the one addition to the story that came later.  Other than that, going back as far as last August, it was already in long story that Cassie would be exposed as a non-ghost, and in fact, she would turn out to be Mariah.

Photo Credit: HutchinsPhoto.com

MICHAEL:

At what point did you decide to erase Sharon’s (Sharon Case) memory to keep her secret?  Jean, did you come up with that? (Laughs)

JEAN:

(Laughs) How could you say that?  It just seemed like there had to be way to bring Nick (Joshua Morrow) and Sharon together, and if she continued to lie about what happened that would have been very difficult.  Sharon is in much better shape now.

MICHAEL:

The character of Sharon had been ruined by different writing regimes.  She was the younger heroine for the show, and then it became hard to care about her when her antics were all over the place, even after giving her bipolar disorder.  Do you think this is your imprint on the history of Sharon now … to reset her?

SHELLY:

Yes. That, and that this was being done as much for Nick as it was with Sharon, that we needed some way to deal with what she had done.  Nick is a hero, and it didn’t seem right for him to be drawn more and more towards her while she was holding this enormous secret that affected him so deeply.  With the removal of that in her own mind, and in her own heart, she doesn’t know that she did anything, so she can be more purely Sharon, the Sharon that she was once, and therefore more viable a partner for Nick.

JEAN:

Courtesy/CBS

I totally agree, and it makes her be able to be loved by Nick.

MICHAEL:

Some fans remarked that this story with the Cassie lookalike (now Mariah) does not make sense, because when Cassie appeared before to Sharon she was a “ghost”, and now she is all of a sudden a real person who gaslighted her.

SHELLY:

That was true.  Sharon was having visions that Noah (Robert Adamson) knew about and told Victor (Eric Braeden) about.  Victor simply seized upon an opportunity to take it a step further.

JEAN:

When Mariah started appearing as Cassie, she made some mistakes.  She did not know what the figment of Sharon’s imagination found out as Sharon’s secret.  So Mariah does not know the secret.  The only piece of information she gleaned is that Phyllis also knows the secret.

MICHAEL:

Photo Credit: Getty Images

What do we know about the relationship between Ian and Mariah?  Is that a major mystery to this story?

SHELLY:

We have not yet revealed the full nature of their relationship.  But, it is clear that Ian cared for her differently than the way he relates to other people.

MICHAEL:

When you found out that you would be able to have Ray Wise (Ian) on longer than just several episodes, and through watching his performances, did it inform your story?

JEAN:

Sometimes the presence of an actor inspires storytelling.  Ray was so delicious and fun to watch.  It was an opportunity to pull him into more story.

SHELLY:

Seeing him triggers ideas for us as writers.

MICHAEL:

Courtesy/CBS

Everyone is betting that Sharon gave birth to twins, which explains why Mariah looks exactly like Cassie.  When do you see viewers getting more insight into who this character is?  Are you planning on revealing it? (Laughs)

JEAN:

We will reveal who this girl is.  I think that will be a lot of what this summer is about.  It has a lot of ramifications.

MICHAEL:

Camryn Grimes has really won over the fans of the show with her performance as tough gal Mariah.  What do you think about how she has handled the material … and were you surprised to see her that way?

SHELLY:

She is a revelation and wonderful.  I couldn’t be more pleased.  She has really delivered the many colors of this character.

JEAN:

I think it has been so much fun.  I wasn’t there from the beginning when she played the actual figment of Sharon’s imagination.  When I started watching, she was doing that and I thought, “Wow, what a sweet girl.  We are betting a lot on this sweet girl being a nasty critter.”  Then the minute you see her with Victor you could see that kind of edge.  It was startling and exciting, and there again, I think it’s a case of an actor inspiring story and where it might go.  It poses all sorts of possibilities given what the actress is capable of.

MICHAEL:

Courtesy/SONY

JEAN:

You think?  (Laughs) ‘At some point’ are the operative words!

SHELLY:

I think it is clear that we have kept Phyllis alive as a character.  And even in her absence, she continues to be an extremely important player in Jack’s life, Summer’s life, and of course, in Sharon’s life.  But Sharon is unaware of how at the moment.

MICHAEL:

Do you have any reservations in recasting a character such as Phyllis?  Many times fans have knee-jerk reactions into seeing a different actor replace someone who has made their mark in the role, and until such time passes, they either come to accept them and like them, or reject them.

SHELLY:

Judy Blye Wilson (Casting Director, Y&R) is brilliant.  We do trust that she will find what we need and want for it.

JEAN:

I also think that we are in a sort of ‘Scarlett O’Hara mode’ where we will, “Think about that tomorrow!”  (Laughs)

MICHAEL:

Photo Credit: Getty Images

Then you had Cynthia Watros leaving the role of Kelly, and Cady McClain coming in.  Was the impetus to keep Kelly on the canvas, because Jack Abbott (Peter Bergman) needed a new love interest?

SHELLY:

The story was in place already.  Kelly was going to continue in becoming that love interest for Jack before we knew Cynthia got the pilot, which we are very happy about for her. 

MICHAEL:

Cady is a very different kind of an actress than Cynthia.

JEAN:

I think you do write with an actress in mind.  I have written for Cady on All My Children and As the World Turns, and I love her.  I love Cynthia too, but you are right.

MICHAEL:

I immediately thought of Cady’s time as conniving Rosanna on As the World Turns, when the decision was made to cast her as Kelly.   I have seen her play the complicated darker side to a character.

JEAN:

Photo Credit: Hutchins Photo

Exactly, and I think people were surprised by Cady that she could play that after playing the sweet Dixie for so long.  Cady is a very complicated actress, and very interesting.  I think we are going to see all of that and more with her as Kelly, who is a complicated character with a lot of baggage.

MICHAEL:

With the departure of Billy Miller, and the switch to bringing back David Tom as Billy Abbott, did that casting change prompt you to think, “What are we you going to do with Billy and Victoria now, since it’s a different vibe seeing David with Amelia on-screen together than Billy with Amelia?”  Billy Miller and Amelia Heinle (Victoria) had developed such a unique quirky couple as Billy and Victoria.  How did the decision come about to mess with all of that … and perhaps, change the course of who would end up with who?

SHELLY:

Again, that was the long story.  We certainly had the heads up for some time that Billy Miller was going to be leaving, and the story was designed that the exit of Billy and Adam coincided.  We knew the character of Billy would emerge on the other side of that.  In general, recasts happen in this genre quite a bit.  We try to stay true to our story and right for the characters as much as possible.

MICHAEL:

Courtesy/Twitter/CBS

Nick and Sharon are star-crossed lovers on Y&R.  Recently Billy said to Stitch (Sean Carrigan), “There will always be something between me and Victoria!”  So are they really the couple to root for here?  And is Stitch’s ‘secret’ a vehicle to make him less than the wonderful doc?

JEAN:

What Billy said was true.  I think Billy and Victoria, to our audience and to us, will always be bonded.  There is something between them that we will want to see again, and we automatically want to see them happy again, but I think with the character of Stitch, he is a good guy.  It’s a horse race with a little caveat that there is something out there about Stitch that we don’t know about.

MICHAEL:

And … do you actually know what that ‘secret’ is?  (Laughs)  I remind myself of something along the lines of the movie Soap Dish, where the writers and the executives throw something in the script, but don’t really have any idea of where it’s going! (Laughs)

JEAN:

Oh, yeah!  I remember when I first started on soaps.  I was a network executive at ABC and completely naïve.  I went to one of the head writer’s office on one of the shows that I shall not name.  There was a big competition going on within the show between two characters and I said, “So who’s going to win?”  And he said, “I don’t know. Who do you think should win?” (Laughs)   I was completely stunned at writing in that kind of improvisatory way, which was just wild.

SHELLY:

Photo Credit: HutchinsPhoto.com

Art imitates life, and we don’t necessarily know the outcome of our own dramas.

JEAN:

Right, but we tend to, Shelly and me, when we write.

SHELLY:

We do.  I think both of us tend to know the end of the story before we begin.  That doesn’t mean we don’t take side trips along the way, but it helps when you are headed towards a goal.

JEAN:

… And sometimes the goal changes.

MICHAEL:

Photo Credit: Getty Images

You have put Chelsea (Melissa Claire Egan) and Billy (David Tom) in each other’s orbit now.  What do you think of their on-screen chemistry when you watch back the episodes you have written?

JEAN:

I think there is a lot of fun there.  It’s surprising and unexpected.  These are two people that really shouldn’t be hanging out together.

MICHAEL:

There would be nothing worse for Adam than to walk back into Chelsea’s life, and who should she be with … Billy!

JEAN:

Exactly! What a great idea. (Laughs)

MICHAEL:

Courtesy/MuhneyTwitterFanPop

So that brings us to the subject of Adam.  The Adam character is pivotal to the show.  You are planning on bringing the character back.   So, are you going to be, or have you been, heavily involved in the casting of the character?   And as the head writers, what qualities do you think the actor who plays the part has to have in order to pull this kind of role off?

JEAN:
We are in Tara again; theoretically.  We are in on all casting decisions involving roles as important as Adam.

SHELLY:

I think the actor would have to have an edge, and be the son of Victor Newman and all that entails.

MICHAEL:

Victor and Nikki are now having a huge rift, after Nick exposed Victor’s machinations with Mariah to try to get the secret out of Sharon.  Nikki then said to the mighty moustache that, “You are no better than Ian Ward!”  So is it major splitsville … again … for the most storied coupled in the history of Y&R?

JEAN:

Photo Credit: Jeremy Fraser/LA Exposures

I think Victor and Nikki are bonded no matter what, and she has been furious at him before, and he has been furious with her.  They never really throw in the towel for sure, but now we have thrown a huge obstacle in their path.  Over the summer, there will be another bombshell.

SHELLY:

Yes, their relationship will be challenged.  And as Jean said, they have certainly weathered storms before, but it remains to be seen whether this storm will be of biblical proportions! (Laughs)

MICHAEL:

Elizabeth Hendrickson has wrapped as Chloe, and fans will get to see her final episodes on-air later this month.  What can you say about losing a talent such as Elizabeth?

SHELLY:

She is terrific, and she did such an amazing job, in particular this past year with the emotion over the loss of Delia and her conflict.  We just wish her all the best, and again actors may leave but the characters will have left their imprint on the canvas, and Chloe will remain a factor even when she is gone.

MICHAEL:

Photo Credit: HutchinsPhoto.com

Did you have ample time to write an exit story for her, once you found out she was officially departing the show?

JEAN:

I really liked how we wrote her off.  I think probably it is something we could have done over a longer period of time, but I don’t think it suffers the way we did it.

SHELLY:

I think it came to a very logical conclusion.

MICHAEL:

What are your plans now for the talented Greg Rikaart (Kevin), post-Chloe?  Kevin needs a story!

SHELLY:

I think in broad strokes we can say Kevin will go on a journey of self exploration.  Kevin’s computer skills will be called on by other characters in a major way.  He will be involved in big revelations.

JEAN:

We can add that he will be certainly shaken up by everything that has happened with Chloe and her departure, and that causes the self exploration that Shelly talks about.

MICHAEL:

Photo Credit: HutchinsPhoto.com

Jean, you wrote and helmed the same-sex love story of Luke and Noah on As the World Turns.  And you and I have talked previously about how much I admired that story.  Can you now foresee Y&R tackling a same-sex romance between two men?  Isn’t it time that the number one daytime drama represents this part of the population?

JEAN:

I think this show has historically pretty much taken on everything.  I can say that it’s part of the world we live and the show has touched on everything, and the experiences that people go through in life in a sensitive way, and so anything is possible.

MICHAEL:

The Neil/Hilary/Devon story is starting to become interesting.   Everybody always wants Drucilla with Neil (Kristoff St. John), and there is no Drucilla.  Neil has been paired with so many women and all the romances have fizzled.  So speaking of fizzling, at what point did you decide to break Neil and Leslie (Angell Conwell) up in favor of Neil/Hilary?

JEAN:

It felt like it could be more interesting to leave Neil in his state of dull panic of: “What have I done … and why did I get treated this way?  How did I suddenly lose this woman that I loved? And what does this mean about me?”  It puts him in an interesting perceptive state, and it does some interesting things to Leslie, which you will see later.  Neil is vulnerable and open.  He is trying to figure out “where did I go wrong?”  And then there is this gorgeous woman who nearly destroyed his life, but he was able to forgive.

MICHAEL:

And so was she apparently!

JEAN:

Photo Credit: HutchinsPhoto.com

Exactly!  He is kind to her and she is so susceptible!  She goes right from a crush on Jack to a crush on Neil.  Maybe she has a bit of a ‘daddy thing’ going on.   To add Devon (Bryton James) to the mix, there is a flirtation that we had already seen between Hilary (Mishael Morgan) and him.  Then add Lily (Christel Khalil) who despises this woman.  It just seemed like a great big mess, with much story opportunity.

MICHAEL:

Is there a couple to root for here?  Is it Neil and Hillary, or Devon and Hilary?

JEAN:

I think we will have to wait and see.  I think there will be some complications thrown into the mix that will turn the rooting-ness factor on its ear a bit.

MICHAEL:

Do you now see Leslie as a bad person for her ditching of Neil, and marrying the yet-to-be seen Barton (Terrell Tilford)?

JEAN:

No.  I think she is a little impulsive.  She thought she didn’t want to be married, but what that meant is she probably didn’t want to be married to Neil, for what ever reason.  I think she meant what she said when she said it, but I think then she met this other guy and felt differently.

MICHAEL:

Photo Credit: HutchinsPhoto.com

The Dylan/Avery cooking show storyline has some fans up in arms!  This has to be a set-up to something more, where Steve Burton (Dylan) will actually be given some meaty material other than tasting Avery’s (Jessica Collins) recipes? (Laughs)

JEAN:

I think it’s really a show about putting yourself in the public eye and the consequences, and also this blooms into a bigger and more global story with characters you probably wouldn’t obviously connect that are part of the story.

SHELLY:

It becomes a much bigger umbrella story.

MICHAEL:

So, you are touching on Internet crazed fans and obsession within this story that has become now part of pop culture?

SHELLY:

It certainly is an element of it, and all of us who work in the world today and are involved in social media know that there is a positive and a negative to that.  We are exploring that.

JEAN:

Photo Credit: HutchinsPhoto.com

But I would not say that is what the story is about.  It’s an element of it.

MICHAEL:

Is there a particular character, when you looked at the canvas, that you felt needed some propping up, or building up?

JEAN:

Yes.  I think in the summer you will see more of Summer (Hunter King).  She is a very important character and we get to put her in a completely new situation, and that is something we needed and wanted to do, and are glad we are doing that.

SHELLY:

I think that is true. We want to invest in the younger generation of the core families of Genoa City.

JEAN:

One of the things about this show that is so great is that the history of the show is so guarded and preserved, and so you do get to play younger characters in multi-generational stories, and being an important member of an important family.  We are planning ahead with something that will impact, Kevin, Michael and Lauren, Gloria and everyone else in their family.

MICHAEL:

Photo Credit: Kathy Hutchins

What is next for Michael (Christian LeBlanc) and Lauren (Tracey E. Bregman)?  Will Lauren’s false pregnancy dovetail into something that will come between this popular duo?

JEAN:

I think they came through that very well.

SHELLY:

They are in a better place than they have been in a long time, and yes, there will be more story for them on the horizon.  There is a lot of story being generated for many characters, and we hope fans will continue to tune-in to see what happens in the months ahead.

 

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bob kern
bob kern

I always have story ideas and I believe one of my ideas were used in the past. I will miss the Adam Newman character played by Michael Muhney and Phillis Newman played by Michelle Stafford. NOT THE SAME WITHOUT THESE ACTORS.

Elaine
Elaine

Bob,I am with you two brilliant actors and we need these characters in the present time not months and months from now.

Gail
Gail

Im ssssssssooooooooooo happy they are trying to make Sharon a better person. I loved all the Sharon days. Adam should brake up with Chelsea when they recast. i never seen them with chemistry . Adam needs a new leading lady or Sharon back

Jay Willis
Jay Willis

I watched Y&R to watch Michael Muhney. I’ve been reading how bad it is since he left. Now I know why after reading this interview. Glad I quit watching.

Melissa
Melissa

You and me both. Glad I took the Muhney Walk on Jan 30. My time is too precious to waste it on this garbage.

Tommy Moss.
Tommy Moss.

Sharon is my favorite character. i would love to see her married with a big wedding for summer and maybe a new baby 😀 I think Adam loves Sharon they also were great

Ella Broen
Ella Broen

I really dispise Victor and what he did to Sharon

Sherwood
Sherwood

My Lord, these two are running this show into the ground. The exodus of viewers is over 20% since the end of January. What does that say? It says the show is a true mess and the audience is leaving. When you hit all-time lows in the key demo of Women 18 to 49, these two should be shown the door.

David Tom’s nuBilly is a disaster. Now nuPhyllis and nuAdam are on the horizon. Just like Billy Miller, Michelle Stafford and Michael Muhney won’t be replaced either. So long Y&R.

Cassie
Cassie

Nu Billy was an awful decision. They should’ve found a way to keep Miller or written Billy Abbott off canvas for a bit

Jimmy
Jimmy

David Tom is not nearly as good in the role as Billy Miller was. As far as nuPhyllis is concerned, I think there is a plethora of great actresses in daytime that could do well in the role, like Robin Christopher or Sarah Brown. I’m with you on the Adam front, though. The only actor I could see doing well in the role is Trevor St. John, anyone else will likely fail, just as DT is doing as Billy now.

Lawrence
Lawrence

The show sure does suck with 2 headwriters. Y and R has not had an episode of interest in a while. The show is suffering from too many casting changes. The ratings have tied all time lows for 4 weeks in a row. Your audience is leaving y and r. Phelps, Altman, and Passanante should be fired. They are so delusional that they are actually thinking that the show is moving in a positive direction.

Rita Hopkins
Rita Hopkins

Sadly it sounds like these writers are going to completely ruin this show. With all the new characters plus re-casts of Phyllis & Adam & the departure of Billy Miller real fans do not even recognize Y&R. There is something to be said about popular characters. They keep people watching. The new writers & the producer care nothing about how important these characters are to the fans. There has been a mass exodus of really talented people from the show. Soon all the characters with a few exceptions will be newbies. There are so many actors that the show could do without, but these are the ones that are kept and that all the story lines written for. I watched Y&R for many years and was hoping against hope that the powers that be could see how bad the show has gotten & would get Y&R back on track. I see that that will not happen and Y&R will struggle to survive. I also noticed that Y&R received a lot of nominations for the daytime awards. I would just like to know who decides who is nominated. Some nominations are deserved and others absolutely are not. I guess in the end it really will not matter, because those awards don’t do much for an actors career, and the nominations will not turn Y&R around. Thank you for this interview, but it just confirms to me that the show will continue to feature mediocre actors and pathetic story lines.I am very sad to feel this way about a show that I once watched everyday.

Dee
Dee

The headwriter said their news would profoundly and
suprisingly effect those close to them. So we had
Chrstine and Paul considering trying for a baby after
talking to Like. Niw Chloe will ask Billy to have a
baby after talking to Lauren about babies. I wonder who
will be next? Kevin realizing he wants a family with a
woman who loves him after talking to Michael about
feeling sad about no baby? It does feel like salt in
the wound at this point, especially when that is all
they are being used for. Why are we not surprised we
always get the shaft one way or another they gave us a
story line yeah big BS all we saw was Lauren in Bed
with Carmine and yet we don’t get half of that amount of
time with Michael we saw her on a weekend getaway and
we NEVER got that with Michael although we have asked
for it for years. Should I go on at how we have been screwed over by the writers time and time again
It sucks and they have no respect or care about loyal Likey fans bring back Jack Smith and Kay Alden real writers DEE

chuck
chuck

Dee I hear you about the writing, But fans have to know is Not everybody is going to be “Pleased” BY what the writers write for example Jack smith when he wrote the on the run story Most Fans threw a Fit due to lack of Vets, He also got Thrown under the bus when he rewrote the Kay/Jill story of her being Kay’s daughter. I do think However Josh G was better then this two, He was doing well .

Dee
Dee

I agree Josh had a lot more variety of actors on these writers seem to be stuck once again on the Whole freakin Newman Clan and I dont mind others being on I just want Likey on more then once every 3 weeks

lelablanson
lelablanson

What happen to Cane and Lily Ashby? and Colin and Jill Atkinson ? are they still on Y&R ??

Laurel Twist
Laurel Twist

No, they are not. Colin and Jill are too just run around talking about how/if they love each other. Cane and Lily are too just be support and filler for the Triangle from Hell.

Eliza
Eliza

No questions about Jill? She’s Y&R’s only original character that remains and some of us have followed her since the very beginning.

How about…. is Jill ever going to become rich and/or powerful? We’ve had 40 years of Jill attempting to make it. I still remember Jill’s first trip to the Chancellor mansion. It seems she’s still only half way ( if that) to her goals. I’m a little tired of the never ending quest always ending in failure. Katherine is gone and Y&R is in desperate need of a strong, powerful, and confident women. Jill has the business savvy and the strength, and we know and follow her- she should have the role. It’s time. Enough of chasing wealth it’s time for Jill to have the same problem as Katherine…..keeping it.

Jill’s story with Colin would have much more impact if Jill were truly rich and the owner & CEO of Chancellor Industries. Instead CI has disappeared into Newman & made no difference in the character of Victor, whereas it would have been a life-changer for Jill.

Not everyone can relate to a male dominated home life. I don’t live it, neither do my sister, brother, parents, or grandparents and neither does anyone of my husbands family. I can accept Victor & the Newman family as one type of family, but other types, and stronger women need to be represented. If that’s a problem for Victor (or Eric Braden) keep the story lines separate. The Chancellor’s used to have their own stories, so they don’t have to threaten Victor’s never ending predictable superiority in everything.

Linda
Linda

TOTALLY AGREE … Jill has been marginalized and this never ending jewelry box story and wedding to Colin who we all know is a cad and money sucker is beneath her at this point in her life! She has been single FOREVER and would never want a creepy old thing like Colin in her life–she’d rather be alone! And How about CBS NOT posting a portrait of Katherine in Chancellor Mansion? What’s up with THAT? Stephanie Forrester is over the mantel, JR Ewing’s portrait is at Ewing Enterprises, no KATHERINE CHANCELLOR??? She’s bigger than all of them! The fans of this show should be recruited to write this show …. instead of these idiots who bounce around from show to show and have no historical knowledge or vested interest! SMH!

Mysty
Mysty

I gotta disagree, the Jill and Colin pairing is about the best thing about the show right now, yes, Jill would be totally romantically involved with him because there’s true, true love there, it’s a pity that the writers can’t be bothers with given this pairing much care and at least talked about them in this interview. Jill should’ve had CI from the get go. They start up this musicbox and still doesn’t know what to do with it. That’s the problem..End this story with Jill getting CI, I don’t believe Katherine would’ve left CI for Victor anyway…But among the Rubbish? Jill and Colin are 1 bright spot on this otherwise dull show.

Geena
Geena

Wasn’t Jill supposed to challenge Victor for Chancellor when he inherited the company?? Wow was that dropped like a new york minute when these two became the new writers. Poor Jill is now stuck with Colin in this neverending sitcom, much ado about a music box.

Elaine
Elaine

Well Rita, I agree completely with every word you have written, I believe that my beloved Y & R is on a very slippery slop it is getting to me after 40 years I am thinking of leaving thank goodness for Peter, Eric, Melody and a few good acting youngsters is why I keep hoping the S/L will improve.
The S/L are pathetic ! With ll,due respect to both writers they have to wake up and give us some excitement
I can remember being so excited I couldn’t wait for the next days episode, I haven’t felt that for 3 years or so,there are so many new characters now who are really medioca a few exceptions have arrived this last few weeks thank heavens they are old soap actors and know the ropes !
I hope they hurry up and replace Phyliss and Adam because they are sorely missed in every way, Billy Miller is another wonderful actor gone I wonder how many more they will loose ?
Thank you Michael for your hard work trying to keep us up to date with things you are really much appreciated.

Laurel Twist
Laurel Twist

Again, YR is in big trouble….. Once again, we have a team who does not know what the hell they are doing.

Sue
Sue

Laurel, So true! I don’t think these so-called writers know anything about Y&R back stories..Y&R’s needs help soon!

Linda
Linda

TOTALLY AGREE ….. They should have this stuff mapped out to know where they are going … instead they are flying my the seat of their pants, and ruining the stories and the families!

Lawrence
Lawrence

I think what would help these writers would be to get some familiar faces back on y and r. Spice up the romance. Bring back the boardroom battles and bring back the Friday cliffhangers. It may not be the best but it sure would be more watchable than what we are getting.

Kim
Kim

Dylan is Paul’s son, Ivan can’t have kids….that’s the secret he told his lawyer. Now he’s setting Dylan up to get back at Nicky. Didn’t take a rocket scientist !! And who really killed Deedee ?? Adam didn’t hit anything….remember ??

Desiree
Desiree

I don’t even recognize YR anymore. It’s falling apart and if they don’t do something the show will be can
Canceled because they have torn apart everything that was good on YR
They need to change and bring back Kay . Kay knew what the fans wanted and she listened thats why YR was so fantastic. Fix YR and Save YR.

Lawrence
Lawrence

I agree, Kay Alden worked closely with William Bell and she understands the show’s history. Unfortunately delusional Angelica McDaniel will allow Phelps to remain at Y and r until it tanks and they can have reality programming all afternoon

jaybird369
jaybird369

Desiree…OH, YES!!!!! And…Kay Alden (1) respected us soap fans, (2) cared about what we wanted and (3) valued and appreciated ALL KINDS of opinions from fans. UNLIKE those very laughable 3 SOAP STOOGES JFP, SA and JP!!!!! Yep.

marley j
marley j

I want some Jess Walton on every day but her living in northeast wherever must make things hard. Glad I have what I have when she is on cuz nobody is better.

hopeful for the Kevin story and for goodness sake make him gay. It’s time and more Gloria too plz.

Need a business story!!!!!!!!!!!!!!!!

Joan
Joan

Michael I appreciate your interview with these new Y&R writers. It lets me know that after over 20+ years watching Y&R, I won’t continue. I loved Y&R’s fast moving and breathtaking episodes. Current stories are an insult to long-time viewers, especially since they make no sense. Favorite characters (smart, savvy, business people) are always victimized by new characters and written as clueless. That is ridiculous and old. Then these new writers make the characters behave in ways they would never behave. Plus, who wants to watch long-time couples always break up, as if they can’t do anything else.

I read that there are new Y&R viewers and ratings are higher. More recently I read that at least 111,000 viewers have stopped watching. It doesn’t seem to be a coincidence that Michele Stafford (Phyllis), Billy Miller (Billy), etc., all have left Y&R and then turned up recently on a different soap opera! Y&R has become too confusing and depressing for me. I’m glad that the writers are happy with it, but many viewers are not!

EC
EC

Summer is definitely not a character I care to see more of.

Cassie
Cassie

This just seems like a bunch of mumbo jumbo and the same crap we’ve been seeing.

I don’t have any clue what these writers are thinking. The show has lost more than a fifth of its audience since Michael and Billy left and the demos get lower and lower.

Is there a plan in place to fix this? Because these two certainly are not the answer. Where is Jack Smith or Kay Alden or Sally Sussman Morina. JFP’s regime has become a failure.

Sinny
Sinny

Shick is so passe. Been there done that over and over and over. Everyone on the show is a pathetic loser. These writers are the worst of the bunch. I thought this was one of the lamest interviews every. Nothing was really said other than them trying to pay themselves on the back for destroying the best soap in the business.

Geena
Geena

That’s the impression I got! Trying to make themselves sound like geniuses when they have no clue what they are doing. They knew from the beginning that Mariah was fake Cassie? No way!! Not from what we saw and heard on screen.

King
King

Haha! I won’t tune in because they only use Cane and Lily as fillers! They deserve so much better than this! Seriously why did they fire MAB? I hated MAB but there was no need to fire her FOR THIS!!! Those 2 head writers are horrible and JFP is even worse! MAB had better ratings when she was fired so let’s hope JFP and all her friends are given the boot (very) soon! It can’t get worse at this point except JFP stays… SONY and CBS better take action now before it is too late!

bunting
bunting

Hey at least they get screentime and love scenes. They put Likey through hell and back last year and when they spoiled a “passionate” encounter for Likey which fans got excited about it ended up being them sadly hugging in bed for 20 seconds because they found out they weren’t having a baby. They are lucky if they get a one minute long love scene a year. Now they have been backburned and are shown once every couple weeks and their family members are on even less. The Baldwin stories garnered Y&R four emmy nominations this year, and as a reward all three Baldwin actors have been shoved to the backburner.

Dee
Dee

Well said friend I am so disgusted at the treatment of Likey since Josh left. I h had hoped we would see them in as many love scenes as Lauren had with that disgusting pig Carmine and yet NOTHING and I thought MAB was bad.

big blue
big blue

This interview only confirms my conclusion that neither CBS or Sony give a damn about the future of Y&R. These two writers don’t have a clue about the history of the show or respect for its audience. How insulting. They know nothing about the characters they are writing for. It’s just plot driven drivel. To think they would have any input in selecting the replacement actors for Michael Muhney’s Adam and Michelle Stafford’s Phyllis is scary. Their selection of David Tom for Billy Miller’s Billy Abbott just shows how incompetent this regime is.

These two failed writers’ track records says it all. Y&R is headed for the same fate as ATWT, OLTL, and AMC. Get rid of them or just cancel the show.

Lawrence
Lawrence

I agree with you 100%. The writers are only interested in current new characters and could give less of a damn about the show’s history. I can’t see how Passante is praised for character development when she did the exact opposite at ATWT

Jewell
Jewell

Another thing that should have been brought up,is that many fans think Paul is really Dylan’s dad,which I hope turns out to be true,would have great storynooortunities.. After watchibgbtheir scenes,I would actually like to see Billy and Chelsea together..

Real Deal
Real Deal

These two writers don’t have a clue as to what the hell this show is about. Their description of Nick as “the Hero” was astounding. The man is serial adulterer and lied about his being the father of Summer. The man is not a hero.

The interview gave real insight as to why they have been writing for shows that have folded, like AMC and ATWT. This is just so sad. Y&R is a wreck right now. Now I know why. These two, plus the Executive Producer that hired them, need to be shown the door.

Sinny
Sinny

Nick is such a loser, he and Sharon are FF stuff now. He is not a hero. He is a cheating scumbag. Lily and Cane.. really? All they do is screw like rabbits while old man cane leers at Lily and rubs her in public like they are 12. DT is not working as Billy. I can only imagine how bad the Phyllis and Adam recasts will be.

Linda
Linda

We want to invest in the younger generation of the core families of Genoa City.
I’m calling “BS on JEAN”: “One of the things about this show that is so great is that the history of the show is so guarded and preserved, and so you do get to play younger characters in multi-generational stories, and being an important member of an important family.” Then WHY IN THE HELL did you kill Delia? She was the ONLY blood-related granddaughter of Jill Foster Abbott, the ONLY Grandchild of Esther, the ONLY child of Chloe (who is the Goddaughter of Katherine), ONLY Daughter of Billy Abbott!) THESE ARE CORE MEMEBERS OF THE SHOW! So much for preserving the younger generation of the CORE! You could have killed Fen or Summer and No Fans would have cared!

bunting
bunting

Bull, many would have cared if Fen or Summer would have been killed off. I hated Delia being killed off but that doesn’t mean they should have killed off Michael and Lauren’s only child or Phyllis’ daughter instead. ME and HK, who play Fen and Summer, are arguably the two best young actors they have on the show.

Millie P
Millie P

Are these writers for real? I couldn’t believe how unknowledgeable they are about the characters. The long time fans of this show should be respected instead of making up stories out of thin air that defy the show’s history. It’s disrespectful and insulting.

I have tolerated a lot of garbage these past five years or so. My favorite actor, Michael Muhney, was treated like trash by the show and the cast, but I stayed with Y&R. Now, I think I’ve had it. These people don’t know what they are doing. Passanante ruined ATWT. She’s destroying Y&R with her little friend right now. No thanks.

Name*Lon
Name*Lon

This interview did not help. These people have no idea what they are doing. And don’t seem to care that they are failing. Now our Michelle S. is on General Hospital and I am still p…ed about Michael M. He is Adam Newman! No one can play that character like Michael! He was treated unfairly. With the loss of three irreplaceable actors and this writing I can’t …

Katie
Katie

No mention of any of the black characters. Are we supposed to believe the people talking in this interview know squat about Y&R when nothing about Jill, the Winters, Lily, Cane are mentioned. You people do remember at one time 25% of this shows audience was African American. Shame on you Michael Fairman for ignoring these characters and for the writers in this interview to completely sidestep them.

Goodness and enough about Billy/BM and Adam/MM. You’d think they were the only 2 characters recast on this show. How about recasting Kyle with someone with some presence and talent, a greyer character with some brains to stick it to Jack, Billy, and Victor. And for god sakes, give Jill Foster Abbott Chancellor and let her anchor a part of the canvas. It’s ridiculous.

Donna
Donna

They did talk about Neil, Leslie, Devon and Hilary. So I don’t understand this comment. Are they not black?

Jimmy
Jimmy

If they really want to beef up the African-American set, they need to bring back Drucilla and Malcolm, two characters with boat loads of history and several connections to the canvas. Neil hasn’t had a real relationship with anyone since Dru “died” and Malcolm was a very interesting character, albeit not when Darius McCrary played him (terrible recast decision!) I’m still hoping Leslie’s husband Barton turns out to be Malcolm, because Terrell Tilford would do well in the role, IMO.

jane thomas
jane thomas

if these two are the writers for Y&R. I don’t expect to start watching again..I’ve never seen such low=brow SLs…and the nuBILLY? I can’t imagine a daughter to VN even being remotely interested in the little creep….his facial contortions, when he speaks, are laughable……..where did you find this actor…JR-HIGH drama club??? and NICK is a HERO????? He is a serial adulterer….he has sex with anything he can put on a desk.!!

George
George

Fire them please , I want my old young and the restless back with the original music, this show is unwatchable!:)

Sarah
Sarah

Nick Newman a hero?!! Thanks for the laugh. If this spoiled, selfish, hypocritical caveman is a “hero”, then I guess Victor Newman is the Easter bunny. Cute and cuddly. But seriously, this is the misogynistic crap we get with 3 women in charge?!! Female characters always have to be redeemed to become worthy of controlling and unapologetic men who never pay for their misdeeds. (And by “pay”, I don’t necessarily mean go to jail, but have other characters come down on them hard and stay mad longer than a day.) I agree with other posters who feel that these writers, (and basically every HW/EP since Smith and Alden) just don’t get who these characters are at core. Too much plot-driven, let’s-make-the-character-do-whatever-we-feel-like-to fit-a-dumb-story, hack writing. It’s insulting and NOT entertaining to watch our faves be altered to prop other characters (e.g., Dylan, Avery, Chelsea) or fit agendas. This longtime viewer is finally done.

k/kay
k/kay

At this point my dear ladies/writers I am Rhett saying to you “Frankly my dear I don’t give a dam,” Please continue to think about the Adam & Phyllis recast tomorrow like never. Adam, Billy & Phyllis were hard hitters to replace them bad move. You just admitted that David Tom is not cutting it you just too naïve to realize it.

YnRNoMore
YnRNoMore

I want Sharon and Nick to stay together this time. Just let them be a family and give them drama, but let them stay together already! Enough of this make-up-to-break-up stuff!

I don’t miss MM’s Adam or MS’s Phyllis. Out with the old, in with the new!

Jimmy
Jimmy

“Out with the old, in with the new?” Take me to the water so I can be baptized! There are only very few actors that can do as well as MM and MS did in their respective roles. Look at what David Tom is doing to the role of Billy. Technically, he is the old, as he was on Y&R fifteen years ago as the first adult Billy. Billy Miller was so much better in the role, and I highly doubt the show will find an actor suitable enough to play Adam as devilishly good as MM did, or an actress that will play Phyllis as fiery and sexy as MS did.

Shannon
Shannon

I’m over Y&R after reading this interview. It’s been made clear the new HW don’t plan on having what Sharon did to Summer and Phyllis come out and I have much better things to do then watch this garbage.

Wise
Wise

Despite, what I see daily on my screen, I have had the hope that things would get better and time and stories would evolve for other characters. This interview has quashed all hope. IMO, The show is now worse than it was in the last days of Maria Arena Bell.
The show no longer attempts to show their disdain for the audience. I was told that the show owes nothing to the audience, so, apparently the audience owes the show nothing. It is time to let go and find something else.

Scott (ATWT Fan)
Scott (ATWT Fan)

Shelly and Jean, despite my reservations, have truly continued making Y&R a soap once again worth watching. They’ve been writing interesting and compelling storylines, and I cannot wait to see what the next three years has in store for them. I’d love for Y&R to truly have an LGBT storyline; Phillip could return and have a lover, or lovers. I think it’s the one sole thing missing from the series.

They don’t write perfect couples, which there should never be in soap operas. They are compelling writers, and I cannot wait to see what comes next for the residents of Genoa City!

Truth Detective
Truth Detective

Scott, sorry but I’ve got to laugh. Jean Passanante destroyed ATWT and now she’s doing the same to Y&R. You’re comments just cracked me up.

Scott (ATWT Fan)
Scott (ATWT Fan)

Sorry that you feel this way, TD, but I disagree with you on every account. She has been saving Y&R, It’s Maria whose reign utterly destroyed the show. It’s funny how people complained about her story-dictated characters, but now that they’re character-driven, y’all complain more. Why are you never happy with the show? It’s the best it has been since before Maria Arena took reign.

And Jean did amazing work on ATWT.

Lawrence
Lawrence

“And Jean did amazing work on ATWT”

Too bad that her Amazing work led to cancellation

“She has been saving Y&R”

To bad that her saving y and r has led to the show hitting lows in the target demo for the last 4 weeks.

Barbara from Atlanta
Barbara from Atlanta

I feel exactly the same as True Detective. I watched (“suffered” is probably a more accurate verb) the final years of ATWT pinned by alleged writer Jean Passanante. I will go to my grave thinking that woman’s writing killed ATWT.

So far, it seems that she is doing the SAME thing with Y&R —- bland, uninteresting plots that focus on new, uninteresting characters while inanely ignoring all the potential in the history of the show that could drive future plots.

The strange decision to revisit the minor plot from 30 years ago about Nikki in a cult in order to make Dylan her son (done thru Ian Ward, a character who NEVER appeared in that old plot!) reminds me of the type of things Jean did on ATWT —– revisiting Allison’s birth to reveal another fertilized egg that became her brother; constantly mentioning “Susan Hughes” during the Nancy Hughes funeral but NEVER mentioning Don or Penny, the only siblings of Bob that we actually knew. Meanwhile, she can’t seem to write enough for Dylan — who quickly is becoming the Janet Cicconi of Y&R.

Jean just completely is off the mark and, sadly, has absolutely NO clue what she is doing or that her writing is so godawful.

How does this woman remain employed writing for soaps??? She worked on AW when it was cancelled, was the head scribe for ATWT for several years until it was axed, then scurries over to OLTL to write just in time for it to get the hook. With a track record like that, who in the world would hire this woman to write for their show??

Is someone intentionally trying to get Y&R low ratings and cancelled??? It sure seems like that to me with the hiring of folks like alleged writer Passanante. She is producing the same quality of swill that she gave us on ATWT and we all saw where that ended.

I like this site. However, I would MUCH prefer if there were some hard-hitting questions for a writer like Jean Passanante, given her well-known background. This interview seems nothing more than a “puff”, PR piece.

Sinny
Sinny

LOL I had to laugh too Truth. This team of wack writers have ruined this show,.

toronto
toronto

You guys are ridiculous really…..I agree totally with Scott the show has been awesome lately and i feel the writing team has done a great job with character development and recovering from the mess of the previous regime….the show is now focusing back on character driven stories, lots of romance, intrigue and humour…..if you are such a YR fan then support the show through its highs and lows …right now it is on its high and very proud of the writers in making the show watchable again….Kudos to Jill, Jean and Shelly !!!!

Scott (ATWT Fan)
Scott (ATWT Fan)

Finally glad to hear a refreshing and positive take, such as yours TORONTO!

MPMAJOR
MPMAJOR

First of all, I want to say “Thank You” to Michael Fairman, for your interview with the headwriters of Y&R. I have to say after reading and gaining more insights or getting a feel of these two headwriters, I can finally heave a sigh of relief. I realized that as a whole, Y&R will never ever completely feel like Bill Bell’s Y&R again. Maria A. Bell and her headwriters left Y&R a complete mess and chaos. Character or characters were no longer recognizable and some destroyed and the Sharon character got the worst of this terrible writing. I am very happy that the headwriters realized that they have to clean up the previous regime’s writing in order to fix a character or characters so these characters can move forward or evolved. I think the writing team is finally hitting its stride at this point and I’ve been following all of their stories and now that the stories are coming full circles, the twists and turns, are very intriguing and full of surprises, and really been enjoying some of the acting chops of the younger generation, specifically, Camryn Grimes’s as a hallucination first, then a real lookalike, hired by Victor Newman, for example. I am invested in Ian, too, and how he is influencing the lives Genoa City folks, specifically Dylan and Avery, and the whole cooking show, and if Avery and Dylan are sitting ducks or being conned. So, it looks like there are going to be a lot of reveals coming up and who Mariah really is and what Ian is up to will have major effects on lives. Can’t wait to tune in for that.

Donna
Donna

I am loving Ray Wise as Ian Ward! They’ve definitely found gold in this very talented actor!

Donna
Donna

Are we ever going to find out who really hit Delia with their car? Most of us don’t buy that Adam was responsible.

And I really wished this show could have worked out something with Billy Miller. I believe he really wanted to stay, but Y&R didn’t seem to want to work things out. Big mistake because with Michael Muhney leaving too, this left a huge gap. David Tom was alright on the show all those years ago, but he definitely does not have the charm and amazing talent that Billy Miller had. And I used to love Billy and Victoria as a couple. But that magic is gone.

Donna
Donna

I am happy to see Sharon finally finding some peace and happiness. I never thought it would be with Nick, but I’m okay with this as long as Nick stands by Sharon and never hurts her the way he did after Cassie died when he cheated with Phyllis. And I know Phyllis will be waking up at some point, but maybe she won’t remember a darn thing. One can hope.

Geena
Geena

Y&R is failing on all fronts! Nothing in this interview is getting me excited about upcoming story. Just more of the same recycled stories we have already seen with the exception of Fassie becoming Mariah. How many stalkers can we have? How many baby daddy triangles can we have? WE already did these stories in 2013. Please give us something brand new!

I wish they would hurry and bring back Adam and Phyllis but they seem to be totally stalled. I wonder what actor will decide to leave next…that’s all they seem to do under JFP!

Nanci
Nanci

Failing on all fronts?
I so disagree!
Despite a few frustrations, I have confidence for
the future, am enjoying some of the current storylines,
characters, etc., too. I for one will never jump ship!

As for Adam, I think next week or the following week, he
will make his appearance. Hope so. Curious to see the new
guy, and how his return affects Chelsea, etc.

Carlos
Carlos

Michael, Thank you for a great interview of these two talented Head Writers. For those of you fans with limited space in your brains, it’s really time you should move on, stop watching Y&R, stop the hate, enough MM, is gone get over it already!!!!!You really don’t have a clue on what it takes to write a story….the story arch is great, and interesting, if only to me.unlike GH, which core family ties have been marginalized, and almost disappeared underneath the crime laced family ties, Sonny C……..his kids his connections…..the Young Restless is a great show

Kellie S
Kellie S

Funny thing Carlos, everybody has a right to their opinion and a lot of folks don’t like it right now. To insult those that disagree with you shows your own lack of respect for other’s and their views.

Y&R has damaged itself with its audience. Jill Farren Phelps has allowed this show to sink into a mess and they blame her for the exits of several big actors, including Stafford, Miller, and Muhney. Any you know what Carlos? A lot of people aren’t going to get over it, so you just need to deal with it.

The show is lousy and these two women write it. Well, they stink and so does Y&R.

Nanci
Nanci

“Y&R has damaged itself with its audience.”
What does that mean??

Sinny
Sinny

Amen to this. We all have the right to our views without some jerk trying to tell us we don’t. This show is failing and failing in a big way to obviously MOST of us. Count the comments here and you can see way more are unhappy then are happy. I also think this was a real puff of an interview with very weak questions. I think there is a real lack in the leading lady department. All of the women are written as weak and needy and that is not why I tune in. We need some strong female characters . SHARON the wackjob is not it. The show is boring.. that is the worst part about it.. B O R I N G

Paula Jackson
Paula Jackson

Wow, I’d hate to be married to you Carlos. How insulting can you get?

Deal with this: I miss MIchael Muhney A LOT! I WANT HIM BACK!

I think the show STINKS.

That’s my opinion…you can deal with it.

Nanci
Nanci

I agree about the challenge of writing a soap.
Day after day. Pretty much every day of every year.
No summers off, like primetime. Gotta keep the
drama going, the ideas flowing…constantly…all the
while dealing with actors suddenly needing time
off, or deciding to quit altogether to pursue other things,
and having to switch gears to work around these changes,
etc. etc.

But having said that, that doesn’t mean the networks don’t
have a responsibility, in my opinion, to stay on top of hired
writers and keep them accountable. If the ball is dropped
too often, then obviously the whole show suffers and viewers
walk. I will never walk away, but the current writing does need
some improvement. For now I will focus on all that I still love
about Y&R.

Lynda
Lynda

Dear Jean and Shelly

Thank you for the “reset” on both Sharon and Nick. Both of them were trashed by the previous regimes and I am just so happy to finally see them both return to the wonderful characters they were.

Now, if it could just come out that Sharon never changed anything about Summers paternity and it was all just a hallucination on her part.
Summer fits in as an Abbott much better than as another entitled Newman brat like Abby. I love seeing her mentored by her daddy Jack and hope to see more of her at Jabot as an executive in training..

Jimmy
Jimmy

I think it would be interesting to make Sharon Ian’s daughter, and bring her mother, Doris back to the canvas – played by Kim Zimmer! There would be so many story possibilities there, like maybe Stitch helping Doris recover from her injury and allowing her to walk again. Plus, it would bring a powerhouse actress to the show, and start a new storyline for Sharon, which she is in desperate need of. The interaction with Sharon and Dylan as brother/sister would be interesting, and seeing KZ and RW go head to head as Doris and Ian would be fantastic!

As far as recasts go, I think Robin Christopher would be a great choice as Phyllis, and the only actor I could see remotely replicating what Michael Muhney had as Adam is Trevor St. John. Obviously, I would love to see MS and MM return to their roles instead, but that doesn’t look like it’s going to happen.

As far as Billy goes… I don’t even know what to say other than David Tom is ruining the character. Some people say he’s the “real” Billy and the show made a good choice bringing him back, but Billy Miller was so much better in the role. Billy and Victoria were my favourite couple, and now I don’t want them together anymore because DT and AH do not have the same chemistry she had with BM.

Nate
Nate

OK–I agree Summer is a great actress, and the character, as annoying as she has been in the past, needs to be made more likable. BUT–as so many have said in the past, I hate when soaps in general focus more on the younger cast (in the summer months), and the core players become background for the stupid woes of the younger cast. We need to remain focused on the core characters, while having the younger cast woven into their stories. And PLEASE–I want to see Fen in a same-sex relationship!

Jared
Jared

I do believe these two writers are doing the best job since since the failed LML/MAB eras, but that’s not saying much, unfortunately. LML came in like a bull toward a china cabinet, and MAB was plain clueless. I guess that Bell name didn’t mean much after all, because she ruined this show like no one could. The best person to write Y&R, frankly, is I. I have watched this show since the 1970’s, and I understand its history and its rich character palette like only a handful of other people do. I would push to bring back Ashley Bashioum (Mac), Eileen Davidson (Ashley), Thad Luckinbill (JT), Greg Vaughan (Diego), Michelle Stafford (Phyllis), and Heather Tom (Victoria). I would purge this show of all its excess baggage and return it to its legacy of cross generational character driven drama. New characters would be established slowly before integrated fully into the canvas. Old characters would remain true to their personalities and histories. I have storyline arcs for each of the main characters, and I’m ready to go. 🙂

Timmm
Timmm

Michael, great questions, terrible answers! These two women gave ZERO insight! A waste of your time and the readers time!

Sylvia Fisher
Sylvia Fisher

What I don’t understand is that iff these women are such terrible head writers, why were they hired? You can look up anyone on the Internet these days – see their history – see what their strengths and weaknesses are. Is there such a dearth of good head writers? These women gave non-answers. I am not amused.

Paula Jackson
Paula Jackson

These two have ruined soaps all over the dial. How did they get their jobs? Phelps hired them, so they must be two of her FOJ’s. It certainly isn’t talent that got them these jobs.

Look at how many soaps they wrote are gone. Passanate wrecked ATWT and snuffed it out. Altman nearly killed General Hospital until she got the boot with Phelps. Things look bad for Y&R.

Sinny
Sinny

They are bad.. GH is doing so much better now those 2 idiots are gone.. Y&R is tanking in a BIG way.

Lawrence
Lawrence

Sometimes I think that a cartoon writer will have more insight and creativity than these writers

jaybird369
jaybird369

Lawrence…your comment made my day…LOL!!!!! I agree. Also…ANY cartoon writer would do WAY BETTER than those clueless Shelly and Jean chicks. Yep.

Garrett Godwin
Garrett Godwin

I only have one or two things to say: bring back Michael Muhney! Reunite Adam & Sharon so they can be a family with Faith and Connor (little ‘Peanut’), take their revenge on Victor, the Newmans and the entire Genoa City hypocrites, rule Genoa City, and take on the entire world!

Lynda
Lynda

They are trying to “reset” Sharon, not further destroy her.

Amy Martin
Amy Martin

Bring back Michael Muhney and Billy Miller. Big big mistake to let them go.

I have an idea… have a contest (Sony and CBS) and let fans submit scripts. Can’t possibly be worse than what these two ladies are coming up with. They do not know the show; they do not care about the fans. Sad. This show was classy. Kind of an embarrassment now. Bring back Michael Muhney and Billy Miller.

Gail Gentry
Gail Gentry

The truth of the matter is they aren’t going to bring MM or BM back so what is the real reason they fired them because the fans are not happy at all and most of them are not watching the show anymore so then another soap gets taken off the air because of one jerk who don’t look into things before she starts firing somebody and then they need to get rid of her instead I wish they never let her get into this soap it has be on top for how long now and now it is going down hill because of her and her alone get her OUT!!!!!!!!!!!!!!!

Lael
Lael

Y&R needs a total *Reset* not just a single character! Its a complete and utter mess obviously with the penmanship of these writers and JFP. Reading this interview and their history explains volumes. The 26 Daytime Emmys nominations? They had categories to fill. I just do not understand all the recasts, firings of key actors, story lines that are going nowhere and frankly don’t care anymore to watch. This fiasco has gone on too long for this former viewer. I would rather watch my clothes dry in the drier…it would be more interesting than Y&R now.

Alan
Alan

“I think it’s really…about putting yourself in the public eye and the consequences, and also this blooms into a bigger and more global story with characters you probably wouldn’t obviously connect that are part of the story.”

I’ll be very surprised if the cooking show yawn-fest doesn’t end up being nothing more than Austin the camera-man becoming Summer’s first boyfriend and then turning out to be a stalker obsessed with Avery.

Didi
Didi

Good God. The last thing we need is MORE Summer Newman/Abbott. Blech. Zzzzz.

Connie
Connie

The show has lost alot of excitement. Sharon has been raised way higher than she should be. To write about Sharon, you have to remember all the things she did and said before she is considered the person we are supposed to except as the best person.
Sharon has been convining her whole time on Y&R. We viewers that have been watching for the full time remember all and hate to see it slip by the writers that have been added to the show.
Phyllis fans are at great numbers and want her to come back and settle the score with Sharon. Phyllis should be the hero of this storyline. Phyllis should be the one to get Ian out of Summer’s life. Phyllis is the one that needs to protect her child. Many of Phyllis’ fans are wanting to see Phyllis put Sharon in her place. Let Nick keep sucking up to Sharon because he has always been to her rescue. She will never be able to stand on her own. Now, when the writers try to get her to stand alone and pass over her muddy past, the Y&R fans really don’t like it.
Just let Y&R come back to the dark side it was on. Loved it when the show went off one day and you sat on the edge of your seat to see what was really going to happen. Finger bitting endings. I, along with many others would love to see that type of excitement return. Another thing is the show needs to end the storyline before moving on. Who killed Hightower?, who really killed Delia? ETC. Thanks for giving me the opportunity to express myself here. I love the show the way it was. I am now beginning to not care if I watch it today or not. 🙁

jaybird369
jaybird369

Huh??? Are these two chicks for real??? This is, like, the most LAUGHABLE interview ever!!!!! Also…Nick is a hero and Sharon is in much better shape now?!?!? Oh, really…on what planet?!?!? Gimme a break already!!!!! Nick is acting like a clueless and lovesick college frat dude in heat and Sharon is becoming more and more dim-witted each day. It makes me sad that the character of Chloe is now off the Y&R canvas. But…I DO NOT blame Elizabeth Hendrickson for abandoning the sinking Y&R ship. At all. I APPLAUD her!!!!! EH did the right/sensible thing by leaving Y&R. Bottom Line Here: Shelly and Jean DID NOT answer any questions at all. All they did was give answers that were BLECH AND EVEN MORE INSULTING!!!!! No wonder Y&R continues to sink further and further!!!!!

TOTAL LAMENESS ALL THE WAY!!!!!

General Hospital

GH’s Roger Howarth Chats On Shifting From Franco To Drew & The Stunning Story Twist

In one of the most intriguing plots of 2019, General Hospital’s Franco Baldwin was morphed into Navy SEAL Andrew Cain following a harrowing mind-mapping procedure. In all went down thanks to Shiloh (Coby Ryan McLaughlin) and Dr, Cabot (Time Winters), taking the life and memories of Drew (Billy Miller) from his flash drive and transferring them into Franco’s brain, wiping out his past and his present.  That followed the tearjerker moment, when Franco sacrificed himself to free his kidnapped stepson, Cameron (William Lipton) from the twisted procedure; that could have left the teenager with Drew’s memories or even in a vegetative state.

The recipient of this storyline – and who would be taking on another persona in his storied daytime drama career – is none other than Roger Howarth.  The Daytime Emmy- winning actor is no stranger to changing fictional identities on GH.  Howarth, played OLTL’s Todd Manning over in Port Charles, later switching to Franco (previously played by James Franco) following the legal dispute between ABC and Prospect Park.

Last week, viewers got their first glimpse of Howarth taking on the traits of Drew circa 2012, and in short order, it has caused emotional upheaval for Franco’s wife, Elizabeth (Rebecca Herbst), Drew himself, Jason (Steve Burton), and Kim (Tamara Braun)… and that’s just for starters.

Michael Fairman TV chatted with Roger as he started his journey transforming his work from playing Franco to Drew and the challenges it presents, plus the ripple effect the change will have on the canvas for many of the characters.  In addition for One Life to Live fans, Roger chats about his appreciation for his time on that iconic series in a candid, self-effacing, and special conversation.  Here’s what Howarth shared:

Courtesy/ABC

When you were told that they were going to put Drew’s memories into Franco, what was your initial reaction to learning that news?  Did you think it was a great twist?

ROGER:  Yeah, I think it’s a great idea.  I really do.  Good story needs a lot of things, and this checks a lot of the boxes.  It brings people together; it provides obstacles.  There are a lot of places this could lead to.  I just think it’s really smart and interesting.  I look forward to it a lot, and I can already tell by what I have shot thus far that it’s going to be fun.

If this story is written well, what has happened to Franco will be life-altering and crucial to so many people’s lives in Port Charles.

ROGER:  What I like about it, and this isn’t lip service, is that it’s a great story because it affects a lot of people.  Those are the good stories.  Elizabeth has got to deal with this, the boys have to deal with this, Scotty’s (Kin Shriner) got to deal with it, Jason is confused by this information, and now this person in interacting with Drew, and Kim, and Shiloh.  All of the sudden, the canvas is interacting completely differently.  So, I think the writers are having fun with this as well.

Photo: ABC

Then, there is also the character of Kim played by Tamara Braun, who Drew shares a past with.  It will be interesting to see how that relationship plays out, we already witnessed Franco’s Drew instantly smitten and attracted to her.

ROGER:  Yes, the person in this body is running under a certain set of assumptions that no one else shares.  So, yes, it’s confusing to everybody, I am sure, including Kim.

Do you see Franco eventually flipping back and forth, and having personality traits of both he and Drew?

ROGER:  No.  One hundred percent, no, and that provides a real obstacle with a couple like Franco and Elizabeth.  They are always looking for obstacles to prove to the audience that these two people really do care about one another, and that’s the purpose of a story like this.  I’m guessing and hoping that it will provide the character of Elizabeth with a particular objective because it would be nice to see Becky be able to play all of those beats.

Right, and to have to fight for something…

ROGER:  Yes, it’s very tragic.  This is a character that is accustomed to tragedy, and to see Becky play the role of Elizabeth dusting herself off, trying to get what she wants is going to be really cool.

Courtesy/ABC

The tragic twist had Franco saving Cameron from winding up with Drew’s memories and being the vessel for Shiloh to use.  What did you think about how Franco sacrificed himself in order to protect Elizabeth’s son?  It was quite heroic.

ROGER:  I think the other beautiful part of this is that this was motivated by love.  I don’t see it as heroic.  I think as an actor, you’re always looking for the heart of the story, and the writers made it really simple.  He does this because he loves this kid.  Yeah, they’ve had their ups and downs, and they are struggling to figure out how they can get along, and they have a lot of things that they feel about one another, but push actually did come to shove, and I think that the character of Cameron is going to be deeply affected by that.

Courtesy/ABC

This now puts Franco deep within Shiloh’s storyline and past with Drew, because Shiloh desperately wants a key piece of information locked in Drew’s memories.  So, in theory, this kind of ranks among one of the better stories you’ve probably ever gotten to tell in your daytime career.  Everyone is hoping that it lives up to its expectations in the execution of it on-air.

ROGER:  It is certainly a high concept story.  It’s asking a lot of the audience.  So far, we’re all in.  It’s a good cast.  I work with really good actors, so I’m not worried.  It is asking the audience to suspend disbelief for sure.  The good stories do.  I think Erika Slezak (Viki) on One Life to Live, getting to play Dissociative Identity Disorder as Niki and Viki that was a large ask.  She never blinked.  She did everything that was asked.  I’m trying to follow her example.

Exactly, and she played more characters.  She had more alters after that.

ROGER:  (Laughs)  Yeah!  She’s better at this than I am.  I’m having trouble with the one. (Laughs)

Photo: ABC

What do you think about how Scott and Franco’s relationship will be affected, now that he is in essence “Drew”?

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ROGER:  There’s no part of that relationship that hasn’t changed because there is no Franco.  Franco is not around … Franco has left the building.

He is a completely new person for all intent and purposes.

ROGER:  For sure.  This soldier doesn’t appreciate being called by somebody else’s name.  He is not compassionate to the people who mistake him for this somewhat tortured art therapist that he no longer is.

Photo: ABC

What is also interesting is that this should put you right into conflict and scenes with Steve Burton, because now you are essentially playing Jason’s twin.

ROGER:  Yes.  For me, as an actor, to get a chance to work with Steve, and to play a like-minded person, is intimidating frankly, but it’s exciting.

Also, the audience knows how Franco and Jason are such enemies, and now, he is really in his mind his twin.  

ROGER:  Yeah, Franco sees in many shades of gray and other colors, and from what I can tell, Franco as Drew sees the world much simpler.  He thinks more clearly, he finishes his sentences, he thinks before he speaks, he knows what he is going to say.  His point of view does not waiver.  He is determined.

Courtesy/ABC

That’s got to be so exciting for you to get to play after all of Franco’s psychological baggage and issues.

ROGER:  I’ve got to say, it’s been a bit of a challenge for me to play someone with a different set of speech patterns and who stands differently.  Because Drew thinks and feels differently about everything; his body is the same, but his body is behaving differently, and it speaks differently, and he thinks at a different tempo.  They’ve been very patient on set giving me chances to do it badly, so far. (Laughs)  It’s not uncommon for me to get halfway through a scene and to have to start over.   I am essentially figuring it out as we go along.   I am very appreciative of the fact that they have been giving me a few extra takes to try and figure out how this guy stands.  He relates to people with a different set of space and time.  It’s cool.  It’s a cool set of puzzles.  It’s been really fun.  I’m a lucky guy.

When I first learned of the story twist, I was like, “Oh! Roger will be great in this.”  

ROGER:  I don’t know, man.  I could be stinking it up pretty badly. (Laughs)  I think there’s a trap as an actor who has been asked to play twins, and the trap is that this guy is only acting the way that he acts.  The trap is frankly to act too much because the audience is being told that he is a different person.  If I go too far to try to demonstrate that he is a different person, then it slips into parody or overacting.  Over the years, I have definitely been guilty of overacting, so, I’m a little frightened of it. (Laughs)  I don’t like the way it feels.  I know how it feels to go too far.  I have been getting notes like, “You could pull it back a little bit.”  (Laughs)  It’s pretty funny.

Courtesy/ABC

In the past, I have heard you say you’d rather go to work and feel unsettled about what you are asked to play.  Does that still hold true?

ROGER:  For sure!  I’d rather go to work and leave my job knowing that it was terrible and that I get to come back the next day and make it a little better.  The best thing about daytime is how much it will stretch you and pull you and ask as much of it as you are willing to put in.

Now speaking of Franco, what did you think about the wedding reception on the yacht with Elizabeth?  Did you think that was a nice payoff for Friz fans? 

ROGER:  Yes, for sure.  I thought it was a really sweet culmination to a sweet story about these two people finding one another.  I’m glad they incorporated a large part of the cast.  It was a really good idea.

Photo: ABC

What did you think of how all of Elizabeth’s boys (Cameron, Aiden and Jake) performed a song for Franco and their mom at the reception, and how Franco relates to all of them?

ROGER:  I think it was a really important story point, and it was nice, and it was easy to play.  They’re really good kids, and they’re also terrific people.

Franco really stepped up as a stepdad to Aiden, who had been bullied at school.  I loved the cooking scene, where Franco was baking with Aiden.  What do you think about their relationship?  I love that Franco is being very understanding.

ROGER:  I think he’s trying to be understanding.  I don’t think he’s really great at it.   I think he’s a human being just trying to figure out how to make the best use of his time here, just like the rest of us.

Photo” ABC

General Hospital needed a big jolt with an umbrella story like this that turns the canvas a bit upside down.  How does it feel to be at the epicenter of it?

ROGER:   I really don’t think I’m the center of the story.  I’m not even kidding.  The story is that this piece of information is worn on the shoulders of Franco, but the people who are most effected by that piece of information are Kim and Elizabeth.

It will be interesting to see what the reaction is like from the GH audience.  You’re not on social media.  Will you check out what they are saying … or the feedback?

ROGER:  I’m not on social media.  But, I believe there is a guy whose job it is to track that initial criticism/support.  I think it is kind of cool that we will get real-time reviews, you know what I mean?  I actually thought about that because with the character of Franco, it took us a while to figure out who the guy was.  There was a lot of blonde hair and some missed cues, and we weren’t sure which relationship would be featured, whether it would be Franco and Ava (Maura West), or whether he would wind up in Carly’s (Laura Wright) arena again.  It took a while to figure out the best way to put that guy in the canvas, and I imagine that it will happen again.  I didn’t dye my hair for this, but I did cut it. (Laughs)

Photo: ABC

How was working with Billy Miller in this storyline twist?  Were you there on his last day on set?

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ROGER:  Yes, I worked with Billy not on his last day, but on his last show.  He was remarkable with dignity and with class, and I wish him all the best.  He did a great job.  He is a good actor.  I’m sure he will find somewhere to go be an actor.

Throughout your soap career, has there been a story that you initially pooh-poohed, but when you did it, you thought, “Oh, this is great!”

ROGER:   There was a story when Carly and Franco were together, and they wrote a story where Franco gave Carly a gift that wound up being a camera…

Photo: ABC

The evil-eye necklace!

ROGER:  Yes, this small seeing rye.  I just thought, every time Franco would come in and say something like, “Oh, you’re wearing the necklace.  It’s so beautiful,” while we were doing it, I was like, “Wow.  The audience is really going to hate this.” (Laughs)  However, my real-time Twitter is the subway, and while it was airing, I got on the train and sat next to this really amazing fan, who just told me how much she loved that story, and I was honestly surprised and pleased.  I am often wrong, and it doesn’t surprise me now when I am wrong  … because I was really wrong then.

You mentioned Franco with Ava which was a potential pairing. I think you and Maura West have always had great chemistry together on screen.

ROGER:  Yes, she’s a pretty great actor.  She’s great with everybody.

She is.  You knew Maura’s work first when she was at As the World Turns, while you were there, also?

ROGER:  I didn’t know her well at As the World Turns, but I knew who she was.  She’s a hard worker, and Jack (Michael Park) and Carly always had a lot to do.  She was pretty focused when she was there, but I spoke to her.  I didn’t feel like I got to know her until I got to work with her on GH.

Photo: JPI

Last month on July 15th would have been the 51st anniversary of One Life to Live. I saw a lot of people commenting and remembering the show on social media that day. I put together four photos on a post I made about that show featuring some of the remarkable actors who were a part of it.  From there, I received hundreds of comments of how people were just missing the series, the characters, and actors they loved in it, including you.  When you look at the list of people from yourself to Judith Light, to Robin Strasser, Bob Woods, and of course Erika Slezak – it’s such an unbelievably talented group who spent time in Llanview.  Do you ever think about what an incredible experience that was, and how the fans still miss that show so much?

ROGER:  All the time.  I mean, I’m a lucky guy.  I think it really was a special building to work in, and the people who we are talking about: Erika (Viki), Bob (Bo), Robin (Dorian), and Phil Carey (Asa), and Clint Richie (Clint), and John Loprieno (Cord), the people who made it possible for me to work there set an environment and a tone that made it a really special place.  It was a really good cast, like you said, and there was a lot of opportunity for them to write a really cool story.  I wasn’t a part of the AIDS quilt storyline, but to realize that they told a story like that and incorporated that into our show was wonderful.

Photo: JPI

Such an amazing story and One Life was telling socially relevant and important issues of our time, always.

ROGER:  I can’t say for certain, but I do believe that the original concept of the Todd, Marty (Susan Haskell), and Powell (Sean Moynihan) storyline was kind of supposed to be initially an effort to bring awareness to a horrible, violent crime.  That was a long time before the #MeToo movement.  I think it was a show where the writers had a social conscious as well and really brought awareness to a lot of different things.  That’s a great legacy and something that show should be very proud of.

Once the character of  Todd Manning took off on One Life, and how they found ways to redeem him, and how it spoke to how much the network, the show, and the audience responded to your performances, did you ever feel you had a bit of a safety net as an actor, or were you like, “I’m going to be fired tomorrow?”

ROGER:  This is truth: I am so grateful to have a job, and I don’t take anything for granted.  I don’t think anybody is safe in this business.  I just don’t.  I just don’t think anybody gets to say that they’ve arrived.  I just did a roundtable, and I shared this with people who have a lot more clout and opportunity than I do – that actors are by nature, the good ones, are aware that every day that you get to go to work is a privilege, and don’t waste it.

Photo: JPI

In soaps, for the most part, when someone is stepping into someone else’s role as a recast, or actor who played one role is changing to another, there seems to be this reactionary period of adjustment, and then, there is acceptance from the audience over time … unless you really stink it up  … as you say. (Laughs)

ROGER:  Here’s the thing, and this is why I think this is such a great idea, it’s not about me playing this part, it’s about how Elizabeth, who has been on this show for twenty-something years gets to react to it, and giving her the ball.  It’s flashy that Franco is Drew, but it is really and Elizabeth/Kim story.  I may be the one overacting and stinking it up, but it’s theirs. Do you know what I mean?  It’s not my story.

Photo/ABC

What do you want to say to the fans about this new “role” you are taking on at General Hospital?

ROGER:  I want to say that I really do appreciate the fans.  Here is the thing, they’re down for everything.  I hope they’re down for this.  It’s a big ask, but I really hope that they like it.

So, what do you think of Roger as Andrew Cain thus far and how the storyline is beginning to take shape?  Are you excited to see how Franco becoming Drew (through the mind-mapping procedure) shakes up the canvas? Do you hope Drew returns to be Franco sooner than later? Share your thoughts and theories via the comment section below.

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Days Of Our Lives

DAYS Stacy Haiduk and Eric Martsolf Talk Kristen & Brady’s Twisted Relationship : The Mask, The Deception, The Sex

Last week on Days of our Lives, Kristen (Stacy Haiduk) was able to get the man she craves in between the sheets.  So, just how did that happen when Brady Black (Eric Martsolf) had no idea she was alive?  Well … he still doesn’t, really.  You see, Kristen returned to Salem disguised as another ex flame of Brady’s, Nicole Walker (who everyone believed died in the warehouse explosion).  And Kristen has been parading around town donning an incredible likeness of Nicole’s face – via a prosthetic mask – and some other tricks to sound and look just like her!

Kristen’s goal is to infiltrate Salem, remind Brady of the love and passion they shared, take over DiMera Enterprises, and who knows what else!  And everyone who stands in her way, better watch out as we have seen! We are speaking to you (the late) Ted, and (once kidnapped) Kate, et al.

Fans of the NBC daytime drama series have followed the tortured relationship between Kristen and Brady for years and through many plots; Kristen was first played and brought to life by Eileen Davidson, and for well over a year now by Stacy Haiduk.  Not only has Haiduk reprised the role of a frustrated, vengeful Kristen, she is also playing at times multiple roles: the wacky and often misunderstood, Susan Banks, Kristen playing Susan, or Kristen pretending to be Sister Mary Moira.

As for Daytime Emmy winner, Eric Martsolf, this latest story arc puts him front and center as viewers watch to see if what Brady senses, and the clues, and the feelings he is having, bring him to the conclusion that he has been duped by Kristen, and that her horrendous scheme – pretending to be Nicole (Arianne Zucker), and dumping Nicole’s longtime love Eric (Greg Vaughan) to be with him have a result that is unexpected or catastrophic!

Michael Fairman TV sat down with Stacy and Eric for this conversation about: all the plot twists, and playing the drama and the humor of the situations they find themselves in as actors in a wild story that only head writer Ron Carlivati could pen and keep the audience on the edge of their seats in the process. Check out this oh-so-fun, direct, and enlightening chat with two of DAYS most shining stars.

Photo: JPI

Eric, what has it been like working in this part of your storyline; where there’s the character of Kristen in its many forms: Arianne Zucker playing “Nicole” (but it’s really Kristen), Kristen as Susan, and the real Kristen, etc?

ERIC:  It’s been a nightmare Michael.  (Laughs)  I don’t know who I’m sleeping with anymore.  I’m at the point where I go home at night, and I just tug on my wife’s cheek just to make sure that she is not my ex-girlfriend from high school.

When you first heard of this storyline, and that it was going to facilitate how Arianne was going to come back to the show… and that it was supposed to be Kristen in a Nicole Walker prosthetic mask with a voice alternator, what went through your mind?

ERIC:  I think in the back of Ron’s Carlivati’s (head writer, DAYS) mind, he was thinking to himself, “This dude started his soap career on Passions, he’s okay with this kind of thing,” and honestly, nothing surprises me anymore.  When you’re thrown into that supernatural, crazy reality, doesn’t-live-here sort of atmosphere for you first soap gig, you don’t sweat a mask and a voice modulator.  That’s just par for the course.  My biggest problem was the body thing … that Brady is not able to distinguish one body from the other, because I would as Eric.  My God, I know every inch of my wife’s body.  So, it’s difficult to get my head around that, but at the same time, I’m going with the whole “love is blind” thing here. (Laughs)

Courtesy/NBC

(Laughs) I was going just going to say that Brady would absolutely know Kristen’s body from how passionate their relationship has been in the past, as well, he would Nicole’s body from his relationship with her.

ERIC:  Since Kristen did finally just succeed – let’s use the word in “seducing” him, and using her wonderful feminine wiles as only Kristen has to get Brady in to bed, there was also another twist.  What plays after that is that he notices the tattoo that’s been removed, and she plays it off as scarring from the fire.  What’s going through his mind as he is making love to Nicole is a “Kristen train”.  He can’t get Kristen out of his mind, and the guilt that he feels about that is horrendous.

Right! Brady is thinking: “Why am I feeling this when I am supposed to be with Nicole!?”

ERIC:  Right!  Brady has been waiting for a relationship for God knows how many years now – at least a successful one.  He is so eager to have this work, even though he has been concerned about how Eric (Greg Vaughan) would feel about this.  In Brady’s mind, Eric is done with Nicole.  He’s good.  He loves Sarah (Linsey Godfrey).  This is fair game.  Brady and Nicole have always been close … they’ve been close before … so, for him, it’s, why not give it a fair try?   However, he finds himself now thinking about another woman the whole time.  That’s rough.

Courtesy/NBC

Do you think in the back of his mind, that this whole time, he possibly knew that “Nicole” was Kristen?

ERIC:  Well, you just have to wait.  There will be a reveal eventually, obviously, but until then, let the games play on.

So, once Brady and “Nicole” have sex, he keeps thinking about Kristen?

ERIC:  Constantly!  She just plagues his mind.  I think he’s realizing that his affection for Kristen is anything but dead and is very alive, and I think this is Kristen’s master plan from the very beginning.  She knows that she pervades his soul, and once she does reveal herself, I would guess he would probably be surprised, maybe a little angry, but in the end … you can’t deny what your heart and your body wants, right?

One of my favorite recent scenes had Brady half-naked and Kristen as Susan getting into his room, because she was looking for the MIA Nicole mask she so desperately needed.  She finds herself gawking and lusting after Brady under her disguise, and he tries to remove himself from the situation and says, “Susan, I’m going to get in the shower…”

ERIC:  Yeah! And, “It’s not going to happen, baby.”

What was that like doing that scene?

STACY:  I loved it!  I thought Eric was brilliant in it.  I watched it, and I thought, “Oh, my God!”  (Laughs) It is one of my all-time favorite scenes.

Photo: JPI

ERIC:  Kristen is a tiger.

STACY:  She is a tiger.  She’s got a goal, and she is going to go after that.  She has obstacles that are going to come in-between her goal, but she will go after whatever she wants.

When Stacy comes in to Brady’s room as Susan, were you not laughing?

ERIC: No!  I thought she was hot. (Laughs)

STACY:  He did … he loved it.  You liked me, didn’t you baby? (Laughs)

ERIC:  I don’t think anybody can deny that Stacy Haiduk’s portrayal of Susan Banks is ridiculously good.  Everything from her delivery … to her facial expressions.  I think it is amazing.  I mean, it is corny, and it is fun, and soaps need characters like that once in a while to lighten the load of the heavy dialogue and the drama.  It’s a welcomed addition.  So, I love playing scenes with Susan.

Photo: JPI

Eric, you always have been able play the straight-man so well in comedic scenes with impeccable timing,

READ MORE
DAYS Stacy Haiduk and Eric Martsolf Talk Kristen & Brady's Twisted Relationship : The Mask, The Deception, The Sex

STACY:  You’re brilliant, Eric.

ERIC:  You guys are being very nice to me.

STACY:  You are.  I remember on the day how much fun we had, but then, seeing it back and the crap that I was giving you, and just the stuff you were giving back was so beautiful, and innocent, and so alive.  It was so funny.

Does Kristen think that now that she finally got Brady into bed that she won … that she got what she wanted … even if she had to don a “Nicole” mask to do it?

STACY:  Well, no, because she still can’t be really Kristen.  I think she is grateful that she gets to be with him.  That’s one of her biggest goals: to be with Brady and she wants to have him fall back in love with her again.  But for her, now it’s all about, “How do I reveal myself so that he doesn’t get scared away?”  That’s the toughest part for her.  Kristen’s love is so deep that it goes beyond this mask.  So, how is it going to be when he sees her?   Is he going to freak out?  What’s going to happen?

ERIC:  Did you think Kristen would be a little pissed off and think, “Oh my God.  He did go for Nicole?”

STACY:  Yes!  I do, because she’s like, “Finally, I got him!  But wait a minute … did I get him because I was Nicole … or because I was Kristen?”  As Kristen, she always believes there is something deeper between them and a deep connection.  That remains a driving force to her.

Photo: JPI

ERIC:  That’s why I love these characters so much, because of you and the history of Kristen with Brady.  She’s always wanted him as much as he has wanted her.  She’s always wanted to be loved.

STACY:  Yes … and very much so.

ERIC:  Kristen had always wanted to be a part of the DiMera Empire, just as Brady has always wanted to be a part of the Kiriakis Empire, and they’ve always wanted love.  They’ve never had it.  They believe in the back of their minds that anything is attainable.  So, I can see why Kristen would just forgo the Nicole disguise and just go, “He wants me.”

STACY:  Kristen wants to believe that Brady knows it.  She says to herself, “He knows it’s me inside and behind the mask.  When he finds out, he will fall back in love with me.”

Now that she actually had sex with Brady, wouldn’t that make Kristen even more insatiable to be with him? Like, “I’ve got to have him!?”

STACY:  The fear is still .. what happens she takes this mask off?  She always says, “I’ll reveal myself, but I have to do it slowly when it is the right time.”  I think there is that built up frustration now for her, absolutely!

Photo: JPI Studios

Arianne Zucker really has Stacy’s mannerisms down as Kristen.  It really comes into in scenes where “Nicole” goes off on someone or loses her temper.  Eric, you have worked with Arianne for years on this show.  What do you think about her performances in this storyline?

ERIC:  I have worked with Ari over the years, and I have enjoyed it a lot.  Ari did do her homework.  She did study Stacy’s tape, and she watched her mannerisms, and she took it very seriously.  I know that because she is a hard worker, as much as a goofball as she is, she does work hard, and she wanted it to be good.  I think my favorite parts were the Kristen meltdowns.  You have to understand though; Stacy and Ari get along very well!  They’re kind of two peas in a pod.  So, it wasn’t a big stretch for her to take on how Stacy would play those types of scenes.  They’re both animated, they’re both wild people by nature, and so, it was a good fit.  It was a smart idea from the writers.

STACY:  It was a good fit!

ERIC:  I’ve been out with the two of them, and it’s hard to tell the two of them apart. (Laughs)

STACY:  We are just like two cuddly bunnies.

ERIC:  They’re like flirting with each other, and hugging each other.  You find yourself thinking, “Are they going to start ordering the same food at the same time?  This is getting weird. (Laughs)

Courtesy/NBC

In the recent scene that aired; where Kristen as “Nicole” turns off the light while having sex with Brady, is she worried her plan will now go awry?

STACY:  Yes.  I think she is worried about her body because it is burned.  You know, how they take a tattoo off, and it’s as painful as can be.  Not that I’ve had that done personally.  I like my tats, but I hear it is painful.  So, in the storyline, the burn is that pain that she has and the tattoo. There’s a part of her that thinks,  she has to cover it up, and turn the lights down low.

ERIC:  “Nicole” is sleeping, and Brady is rubbing his hands over her shoulder and touching her body, and as he goes over the burn marks.  He sees a flash of the tattoo!  That is a pivotal moment when he starts to put some pieces together.   He thinks, “Woah! That’s exactly where that tattoo was.”  It’s a slow little rollercoaster ride.

Courtesy/NBC

In the past, Kristen then played by Eileen Davidson, drugged and raped Father Eric.  Stacy, did you ever see that story arc?  Literally the sex scene is playing on the screen at Kristen’s wedding to Brady and then all hell breaks loose.  This to say Kristen is notorious for the ways and the lengths she goes to get her men into bed.

STACY:  Yes! I saw her Eileen do those scenes.

ERIC:  You also saw how close Kristen and Brady were to their dream, to their happiness, their goal, which was they were going to marry each other.  Brady is looking upon his loved ones in this town and thinking, “I know what you all think of her, but I’m going to show you our love on this screen, and once you see the connection that we have here as a couple, you all are going to be convinced that we belong together as well.  This is the happiest day of my life,” and the screen comes up and it’s his brother banging Kristen instead.

Marlena (Deidre Hall) played the wrong DVD!

STACY:  It was so good.  See, I try to find as much info as I can on the character’s past, because all of the time I’m trying to find where these characters have been in their dark and twisted past.

Photo: JPI

ERIC:  You’re putting your own stamp on Kristen.  You got a direct call from DAYS casting department, didn’t you … when they were recasting the role?

STACY:  Yes.  You have to understand, I had two really separate characters to play when I was on Y&R.  One was a doctor, and one was this crazy passionate, wild, little minx.

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ERIC:  I will say to find the wild and the beauty in one package is not easy in any town, yet alone Los Angeles.  I’m glad they called you, because you have that.  You have that villainous nature, but you also are able to show a vulnerable side to Kristen that is going to be a lot of fun and interesting to see.

Stacy is one of those people that will leap off of the screen at you and you will remember her.  She is one actress that will have fans talking about their work, like when you played crazy Patty Williams on Y&R.  The audience was on the edge of their seats going, “Oh, my God!  What is Patty going to do next?”

STACY:  I never knew what she was going to do!

Photo: JPI

Eric, has Stacy come to you at any point where she been overwhelmed by the task at hand; playing Susan while playing Kristen, etc, and the two of you have a moment where you work through some of the challenges of complex scenes  … and ones where she is playing multiple characters?

ERIC:  We’ve had many moments  to speak of.

STACY:  I always come into Eric’s room, and am like, “I’m scared!”

ERIC:  It’s funny you mention it.  We have had some very emotional scenes, and Stacy – who cares so damn much about this job and portraying this character correctly – that she gets a little overwhelmed, and the material that they give her is overwhelming for any anybody on any level.  I have looked at her in the eyes, and said, “You’ve got this gig.  You are this character.  You are knocking it out of the park.  Just do it.  Just be you.”   I can’t wait for people to see some of the stuff we have shot recently and have been doing.

Photo: JPI

Stacy, do you think Kristen can be redeemed? Many characters on daytime … and on DAYS … have done horrible things and later turned over a new leaf.

STACY:  The thing is that villains are bad and all that other crap, but they’ve got a lot of stuff going on inside and insecurities, and they’ve got a heart.  I’m sorry, the villain with a heart of gold, can be very  true.  I never see villains (and I play them a lot) as bad.  You have to find where it comes from … how far does this go … where did that little seed change … and what made them go into the dark, but also, where is the good?  You want to bring the good to it, too.

ERIC:  Let’s face it!  Star Wars is all about Darth Vader and how he became that because it’s intriguing.

Because of the pace in which DAYS tapes its episodes; do the two of you find time to run lines together before you go hit the set?

ERIC:  We are running out of time to run lines.  It’s pretty wild.  Funnily enough, I was recently filming a movie and I was so underwhelmed at the pace of everything.  I’ve gotten so accustomed to moving at this militant style, that as hard as it is, it is preferable to me now.  I almost like it because you don’t have time to overthink what you are going to do, and you end up getting more visceral and natural reactions to the material.  You can overthink a scene, and you can come to a wrong performance that way.  When you burn your fingers on a hot stove, that’s the most natural reaction you are going to get.  You can’t have ten minutes to think about how you are going to scream about that pain.

Photo: JPI

But, would you like the pace of shooting the show to be a bit slower?

STACY:  I would like to, but I do think sometimes just jumping in, and going and seeing what happens is great.  I love that.  I do appreciate that.

ERIC:  It’s scary.

STACY:  It is scary.  I would love if we would get to do a rehearsal and then two takes just to see, and then they can mix  together what happens.  Sometimes I am hard on myself as an actress.  I’ve always been.  It’s that jumping in when you only get to do one take.  You have to just give it everything you’ve got.

ERIC:  You can have a second take.  Want me to give you a little secret?  All you have to do is screw up your last line.

STACY:  I can’t do that.   I don’t even need it to be perfect because nothing is perfect.  It doesn’t matter what I’ve done if I sometimes don’t feel it.  I need to feel it when I’m on that set.  I need to feel something because when I shut down, I close myself off.  It’s like an athlete who has just got to  train as hard as they can to reach their goal.

ERIC:  You’re an Olympic swimmer!

STACY:  You’ve got to do it as hard as you can.  You practice, and you practice, and you practice, and you practice, so that when you come to that day, you do the best you can, but sometimes you are disappointed because you didn’t get that one last thing you had hoped for.

Courtesy/NBC

How do you view what happened to Eric with Kristen, who disguised as Nicole, tricked Brady into bed with her?  Some fans commented that that they thought it was akin to a rape.

ERIC:  No, I would disagree with that theory.  I believe there is a high degree of deception in this, but there is a willingness on behalf of Brady.  He’s not drugged.  He’s not being forced to do anything.  Deception, yes.  Rape, no.

Stacy, what do you think?

STACY:  Total deception.  There is no rape.  There is absolutely no rape.  These are willing participants; he just doesn’t know exactly who he is dealing with.

ERIC:  I appreciate the context of how somebody could construe that, and the seriousness of the matter.  I don’t think it really has a place in this particular storyline.

Do you guys think that Brady and Kristen are each other’s star-crossed lovers in a weird, twisted, bizarre way?

ERIC:  I don’t know.  I think they’re magnetism can’t be denied.  I think the hurdles that they’ve jumped through are astronomical.  Will they end up together in the end?  Who knows!  Will there ever be an end?  Who knows!  It’s definitely been one of, if not the most, in-depth relationships Brady has ever had.

Photo: JPI

And intense!

ERIC:  Yeah.  They’ve just gone through so much to be together, and when you do that, anybody who is married knows that, that’s where the good stuff is; the wars that you win together and the battles that you go through.  When you come out of the war, and you’re still together, that’s the bond.  That’s what lasts.

What would Kristen do if she couldn’t have Brady in the end?  Would she find a new obsession?  What if she could not nab her man?

STACY:  Wow!  Hmmm. (Laughs)  She’s going to get her man.  She wants her man.  She wouldn’t settle.  She’d keep fighting.  I would say to her, “Kristen, keep fighting the good fight.”

So, do you think Kristen will reveal herself to Brady sooner than later? Will Brady figure out what Kristen has been doing to get to him?  Will Brady turn Kristen away if he knew she was alive and back in action  … or would he fall back into her arms? Share your theories via the comment section below.

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General Hospital

GH’s Rebecca Herbst Chats On ‘Friz’, Her On-Screen Sons & How Liz Has Grown-Up

Last week, Rebecca Herbst celebrated her 22nd year playing fan favorite Elizabeth Webber (now Baldwin) on General Hospital.  She made her on-screen debut on August 1, 1997.  And in those two decades plus in Port Charles, Liz has gone through many a rocky relationship, plenty of drama, and carried out some misdeeds of her own.  But one thing is for sure, Becky is loved by the fans of the long-running ABC daytime drama series who always want the best for her, and for Nurse Elizabeth.

Recently, ‘Friz’ fans got a moment they had long been waiting for when Franco (Roger Howarth) and Liz, and their friends and family (and some enemies) shared in their wedding reception.  But can their happiness last?  According to two psychics, Sibley Gamble (Veronica Cartwright) and Chelsea Lambas (Jen Ray) that Franco has run into in recent weeks, he better be careful.  That has made Franco concerned, while Liz is trying to get her family all on the same page, and it looks like her boys are coming around to loving and accepting Franco, too, despite what Liz’s ex Jason (Steve Burton) may have to say about it.

Michael Fairman TV caught up with Rebecca  at the GH Fan Club Weekend, where she made a welcome appearance, to talk about: how she sees Elizabeth’s relationship with Franco, her talented on-screen sons, and how Liz has grown-up since she started on the series, and more.  Here’s what Becky shared with us below.

What did you think of the long-awaited wedding reception of Franco and Liz?  The show finally gave them this joyous moment; after their jailhouse nuptials. Did you feel like the way the wedding actually went down it felt like it cheated the relationship, or did you like it?

REBECCA:  I felt the jailhouse wedding was a bit of a cheat, because they had tried two different times to have a really glorious wedding, so to do it in a jail cell was not the most desirable place. (Laughs)  However, the fact that the characters did actually get married and nothing came in between was a plus, and so, hey, they’ll take that.  Later, when I read in the scripts that there was going to be the reception, I was shocked, because I really didn’t think it was ever going to happen.

Photo: ABC

Do you think the fans were getting to the point where they thought this was never going to happen, also?

REBECCA:  For sure.  We all thought they Franco and Liz were never going to have their moment, or their honeymoon or any of that. I was really pleasantly surprised to see that not only did they write it, but it was beautiful!  It was also visually beautiful.  They put a lot of effort and thought into the show itself, and nobody died, and nobody fell through the roof.  Well, it was kind of funny that Obrecht (Kathleen Gati) got pushed off the ‘Haunted Star’, but according to Elizabeth, that’s just fine that Obrecht got pushed off the boat. (Laughs)  She didn’t die, so everything is good, but all in all, it was a really wonderful party.

What did you think when they had all of Elizabeth’s sons performing a song for the happy couple.  It was so cute, and touching.

REBECCA:  Oh, my goodness.  Those were real tears I shed.  That was so sweet.  So very, very sweet of them.

Photo: ABC

The show is growing the boys, so now you, as Elizabeth, have some young actors to play off of in your scenes.  How do you feel about that?

REBECCA:  Oh, I love it!  For so long, Elizabeth would only talk about her kids, “My boys, my boys, my boys, my boys in the attic.” (Laughs) Now, she has relationships, and very different relationships with each one of them.

I think that echoes real-life too.  A mother has distinct relationships with each of her children.  That’s what I like about Liz with her sons.  And as a mom in real-life as well, I am sure you can relate to this.

REBECCA:  Yes, my relationship with all of my kids is completely different, and I really love that it’s true for Elizabeth’s kids.  I attribute a lot of that to the writers, because they definitely write our relationships differently.  Aiden (Jason David) is still this baby who Elizabeth coddles and protects.  Cameron (William Lipton) is expected to be the man of the house and take care of things, and sometimes Elizabeth feels like she puts too much responsibility on him, but he is going to protect his mom no matter what.  Hudson (Jake) is so wonderful, too.  The fact that I have been blessed with three beautifully smart little actors is just a win for me.

Courtesy/ABC

Let’s talk about Aiden, who had been bullied at school by the other kids.  Do you think that story will be fleshed out?  It seems it may have been put on pause, because it would be an important story to tell for parents with LGBTQ children, if that is how GH ultimately chose to tell the story.

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REBECCA:  It is an important story.  I would love to tell the story.  There is a great message.  I don’t think we touched on it enough.   I think, for now, the best way to put a button on it is to send the message that we should accept our children with all of their wonderful attributes and personalities and whatever their interests, and let’s not label children, and listen to them and support them.   We should just all be kind.   I was sad when I would read some of the tweets about the story.  It saddened me to read people’s harsh opinions towards Elizabeth’s acceptance of her child.  Some people said that we should not be doing a story like this, and then there was the other half who said, “Just because he is a baker, doesn’t make him gay,” which is 100% true.

True!  TV viewers have certainly seen a lot of straight chefs on foodie or cooking shows, for example.

REBECCA:  Absolutely!  All three of my children in real-life love to cook.  There is nothing wrong with that.   I think we need to just continue to love Aiden no matter what, and he is not different than any of the other kids.

Photo: ABC

William Lipton has been amazing as Cameron, right?

REBECCA:  Amazing.  I know!  He is not only a great little actor, singer, and performer, but he has this beautiful little face, and he is such a grounded young man.  He’s a really sweet person.  You can tell he’s been raised in a really great house, and he has an amazing mom.

Because you are such a “mom’s-mom” in real life, do you think that helps you in how Elizabeth reacts to her children?

REBECCA:  I think so.  I always ask permission from my on-camera kids before a scene: “Is it okay if I kiss your little head?  Is it okay if I put you on my lap here?  Is it okay if I put my hands on your face?”  I’m not their mother, but when I think about what I would do with my real-life kids,  they’re always getting kissed and hugged and held by me, so I want to make it look as real as possible.  I have to think, “What would I do if this were Emerson?”  He’d be on my lap, and I’d be kissing his little neck.  So, then I have to ask Jason, who plays Aiden, “Is it okay that I kiss your neck, and if I kind of just like snuggle you?”  All three of my on-screen kids are so great, because they’re like, “Yeah, sure.  We don’t care!” and not all stage kids are like that.  They all are receptive of my love, and they just let me do it.  I think that is what is so sweet.

Photo: ABC

What do you think of this whole pairing of Elizabeth and Franco, and that you were paired with Roger Howarth?  Elizabeth has had many relationships on the show, so where does her relationship with Franco fit into her list of romances/relationships?  Do you think Franco is one of her great loves?  Over her life, Liz has had a lot of ups and downs, and at times, has not made the best choices for herself, or the choices she made just haven’t worked out in her favor.  I think we all can relate to somebody whose choices don’t work out the way they envision them to be.

REBECCA:  For sure.  I think each of Elizabeth’s relationships have been so different. Just to talk about a timeline: she was a little girl when she was with Lucky (Jonathan Jackson), and as she’s matured, so have her relationships.  However, I think the relationship she has with Franco is her first real adult relationship; in that she not only does respect him, but she respects herself.  She is not afraid to stand up to anybody for the sake of herself, or her children.  I think that is the difference.  In the past, she has been a little so head-over-heels in love that she would do anything, and now, she knows who number one is, and that’s her children, and she puts herself first now, too.  Before, Elizabeth did not matter to herself.

Photo: ABC

I thought Elizabeth treated herself badly.  Is there a self-loathing?  Did you ever that figure out as an actress where that comes from?  Do you think it was from when she was raped years ago?

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REBECCA:  I think it went deeper than that.  I think it was because her parents left her at such a young age, and although they were doing great work for whatever they were doing, she was left as a child.

So, she felt something was wrong with her if they left her behind?

REBECCA:  Yes.  I think that’s where her lack of self-esteem came from.  She just didn’t have that support at home when she needed it the most, especially when she was a teenager.  You need your parents around you to tell you that things are awkward and weird, and you’re changing, but you’re going to be okay.  She didn’t have that, and so, she kind of had to figure it out on her own.  She did it through her relationships with men, and she didn’t have men in her life who were telling her, “You’re going to be okay,” except for Lucky, but that was a younger relationship in her life.  Now, as more of an adult with Franco, he tells her she is going to be okay.  Franco believes in her as much as she does now.

Photo: ABC

What’s the best part about working with Roger … and what’s the most challenging part?  Is it some curve balls that might come from when you are going live-to-tape?

REBECCA:  For me, I know I can totally work around whatever comes out of his mouth. (Laughs)  I’m good with that. (Laughs)  The most challenging thing about working with him is that he is constantly losing his glasses, so he can’t see his scripts.  It’s always at the end of the scene.  It’s like, “Where are the glasses?” (Laughs)  So, if losing his glasses might be the most challenging thing, then I’m a pretty lucky girl!

Where does Jason (Steve Burton) fit into Liz’s life at this point? 

REBECCA:  We’ve not really established that.

Courtesy/ABC

Since Jason has been back on the canvas, not much has been played between them.

REBECCA: They had a relationship, they have a relationship, and they have a friendship.  It should be played.

What would you love to see happen to Elizabeth story-wise, that perhaps you have not gotten the opportunity to play?

REBECCA:  I would love to see Elizabeth be happy with Franco and just explore whatever that means for her in a long-term, adult sense (because she doesn’t really know how that is yet), an adult happiness, while trying to navigate the kids’ lives, but also having a friendship with Jason.  I think that would be interesting, because she has always held a torch for Jason.

Photo: ABC

Viewers are currently alarmed that Franco has been receiving warnings from two psychics.  On last Friday’s episode, Franco is clearly afraid to take a drive and in Cameron’s new car (the one Oscar gave him) due to the psychic, (Chelsea) telling him: “Don’t take that drive!” Does Elizabeth have something to be worried about? 

REBECCA:  Yes, but she’s going to hang on to Franco, and make sure nothing happens to him … until he doesn’t come home (laughs) …  and then she’ll be calling Jason! (Laughs)

So, what did you think of the sentiments shared by Rebecca?  What did you think of the Friz wedding reception, and Liz and Franco’s relationship?  What do you think of Liz’s relationship with her children?   What are your hopes for Liz moving forward? Comment below.

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GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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