Interviews
Y&R’s Peter Bergman Chats on His 24th Daytime Emmy Nomination, Breaking His Own Rule & Living Up to Being the Gold Standard
The Young and the Restless’ Peter Bergman (Jack) recently received his astounding 24th Daytime Emmy Nomination. It’s no wonder why Bergman remains the actor that so many look up to, and are so honored to be in the company he keeps come Emmy time.
This year, Peter will be looking to win his fourth Lead Actor Daytime Emmy and first in over twenty years. While Bergman faces tough competition, you can never count the incomparable star out when the 50th annual Daytime Emmys air live from Los Angeles on Friday Night, June 16th on CBS (9pm ET, replay at 9 PM PDT) and streaming on Paramount+.
Peter’s journey to the role of Genoa City’s Jack has been well-documented. Once fired from his first soap role as Dr. Cliff Warner on All My Children (a role he played from 1979 to 1989) he eventually made his way to Y&R in the late fall of ’89. Peter would take over the role of Smilin’ Jack and Victor Newman’s (Eric Braeden) nemesis, previously played by Terry Lester. Since that time, Bergman has more than made the role his own.
Michael Fairman TV caught up with popular star to get his reaction to yet another well-deserved nomination, his thoughts on the actors in his category, and the emotional ride the Daytime Emmys have been for him through the years, and more.

Photo: CBS
This is your 24th Daytime Emmy nomination. Does it ever get old hat for you?
PETER: No, it never gets old. Here’s how I translate all of them. When it came down to it, my peers, the people in the industry I work in said, “yeah, he’s one of the best ones.” That’s all it means, and it means all of that.
What scenes did you wind up submitting this year and why did you choose them?
PETER: I submitted scenes that I had with Diane (Susan Walters) in Los Angeles as Jack is finding out her plan. On all these submission tapes, I only put people in who are really good and Susan Walters has proven to be just fantastic. The rest of my tape is with Phyllis (Michelle Stafford), when Jack goes to work to polish some things off, and Phyllis starts getting in his face one too many times and Jack blows up.

Courtesy/CBS
What did you like about your performances in those scenes?
PETER: What I liked about the scenes with Diane was in all of that anger, we could see Jack’s pain and everything that he went through with this. He’s trying desperately to put this together. Jack’s thinking, “How do I let Kyle (Michael Mealor) know about any of this? How do I know?” It’s all there and there’s a complexity to it. It’s not just Jack yelling at somebody. It’s Jack just torn apart by even seeing this person alive, and dealing with her presence there as they talk about what she’s really after. Again, Susan Walters is quite good in it, so that makes me look good. It’s the same thing with Michelle Stafford (Phyllis). In the scene, Phyllis comes to Jack’s office and Jack is a little short with her, and she starts going at him, and it’s just the wrong thing to do. She crossed the line. She went too far. He runs Jabot for God’s sake! He is Jabot and he lets her have it. But Phyllis being Phyllis, she doesn’t just take what he serves out and it’s quite the battle royale.

Photo: CBS
Do you believe, in all of your years of being nominated, that submitting a shorter reel is a better strategy?
PETER: I believe in a shortish reel is better. I have a lot of rules, one of which I broke this year, but the long ones, no. You want to give them a good taste of who you are and step away. This year mine is shortish … about 10 minutes long.

Photo: CBS
What’s the rule you broke this year?
PETER: Break their hearts. I decided not to break their hearts. We see Jack break a bit when talking about everything that Kyle went through, but essentially this is strength and command in this tape. I’ve always, always endeavored to break the viewer’s heart, assuming they don’t know the show at all. My thought is usually, “How do we grab them and break their hearts?” I didn’t do that this year.

Photos: ABC, CBS, NBC
You’re in category with Maurice Benard (Sonny, GH), Jason Thompson (Billy, Y&R), Thorsten Kaye (Ridge, B&B) and Billy Flynn (Chad, DAYS. I know you’re always the guy who watches everyone’s work during the year. So, how does the competition stack up to you?
PETER: It’s a fantastic lineup. Put my name in with those guys, anytime. Maurice Benard has proven himself and he’s had a pretty powerful storyline this year dealing with Sonny’s depression and bipolar disorder with mood swings and finally facing things later in his life. Thorsten Kaye is such a wonderful force on The Bold and the Beautiful. There’s a great human quality to his work that I just love. It’s fantastic. Billy Flynn has just this wonderful, passionate energy to his work. He is so committed every single time he’s on the screen. And when you break Billy Flynn’s heart, boy, you can see it. It’s pretty powerful stuff. And Jason Thompson is just one of my favorite actors, ever. I love his work. I love him, I love everything he does. He’s had very powerful material involving suicide to play along with Melissa Claire Egan (Chelsea, Y&R). I don’t know what each of these actors submitted, but I’m guessing the things I’ve mentioned are in there.

Photo: CBS
You would make an amazing play-by-play commentator at the Emmys, because you know the ‘who’s who’ and ‘what’s what’ and could give us the full analysis!
PETER: I certainly know these guys. These guys I watch!
When we have chatted over the years, I recall you telling me you check out the performances on other shows to see what your colleagues are up to.
PETER: It’s mostly at work that I do that; during my lunch hour, during the break, during something. The Bold and the Beautiful airs right after us, so I’ll see little bits of that. I end up catching up on all the shows. I kind of consider it my business. It’s an industry I’m in. The way the Emmys have set this up, and made it so complicated for everyone, they assume no one in daytime television watches daytime television, and I’m not going to be one those people.

Photo: NATAS
Now, you won your three Daytime Emmys in 1991, 1992 and then 2003. It’s been 20 years since you’ve won.
PETER: Yes, it been over 20 years. 20 years, and all those losses.
I think you’re due for one!
PETER: Yeah! I mean I think I’ve been due for one. (Laughs) It doesn’t quite work that way. I’ve voted on these things for a lot of years and sometimes there’s two guys that do one thing and another guy who does something completely different, and the other two kind of cancel each other out, and I go with a guy who’s doing something original.
Do you like going into Emmy night having a speech prepared, or just winging it if you win?
PETER: No. I have some idea of who I want to thank. I consider it bad luck to write anything down. When I watch award shows and see actors who make their living telling stories, and they have to read something, it’s amazing to me.

Photo: CBS
I remember when we taped your interview for the Daytime Emmy tribute to Agnes Nixon. Didn’t you say that when you had won when your first Emmy for The Young and the Restless, that the All My Children cast and crew were jumping and leaping up out of their seats for you in the audience?
PETER: Yes, it was my very first one. I had been away from All My Children for about a year and a half when that happened. People hated the way my job ended at All My Children. It was a wonderfully rewarding response to look out in the audience and directly in front of me see not only ‘Young and the Restless’ people, but also All My Children people, just on their feet cheering for me. It was a wonderful feeling.
This is the 50th anniversary season of Y&R. Did you think you would have this longevity as Jack for as long as you’ve had?
PETER: Oh, no. I thought I could make this job last for six months, and in that six months I could relocate my family. Los Angeles seemed to be the next part of my career life. I figured they’d fire me after about six months. Replacements never really worked at All My Children, or should I say, so few worked. So, I assumed replacing somebody is just impossible, and I’ll do my best, and maybe I could make this last six months and we’ll get relocated.
I had talked with some of your co-stars that are nominated with you this year from Y&R and they all still to this day mention the professionalism of Peter Bergman … how you know your lines all of the time, and how you set the standard for everybody else. Do you do that? Is that what you try to do … be that guy that is the example for the rest of the cast?
PETER: No, no. I honestly feel that that they pay me to do that, but that it turns out to be a good example for others, makes me feel great. I love that feeling, but I don’t start out to set an example. I start out to do what they pay me to do and hope that it’s enough.

Photo: ABC
Have you always known your lines verbatim, down pat, when you get to the studio each day?
PETER: I don’t know that I’d ever told anyone this story, but I’ll tell you the longer version of this story. I was on All My Children for 10 years. I was pretty disciplined there. However, when my job ended, suddenly out of nowhere, I found myself wondering, second guessing myself, “Could I have done more? Could I have been more prepared? Could I have come to set more? Could I have been more diligent?” I don’t have a moment of question in my head about The Young and the Restless, not a moment’s question of, “Could I have done more? Should I have been more prepared?” I come in prepared so that I never have that feeling again, that I had when All My Children came to end for me. It was an awful feeling. So, it’s nice that it sets an example, but I’m running from my own demons.
When I talk to the other gentleman in the Lead Actor in a Drama Series category, this is such a special thing for them to be in the category alongside Peter Bergman. How does that make you feel to know that they think of you in such high regard as an actor?
PETER: Oh, that feels wonderful.

Photo: JasonThompsonIG
I know, Jason Thompson thinks the world of you, and plays your brother on Y&R. Is it odd to be up against him in the same category?
PETER: Not at all. I think he’s very deserving and there’s no one I’d rather lose to. He’s a wonderful actor, and I love that world recognized him. I think its high-time the show really recognized him. I just think he’s the future of the Abbott family.
Will you be rooting for Peter to take home the gold for the first time in 20 years for his work as Y&R’s Jack Abbott? What did you think of the stories he shared when he was let go from All My Children as Dr. Cliff Warner, and Peter’s analysis of this year’s Lead Actor category at the upcoming 50th annual Daytime Emmy Awards? Share your thoughts in the comment section below.
I always root for Peter Bergman. I personally think he’s the best actor on Y&R. He has always been my favourite actor, and Jack my favourite character. What I do not like now, and am disappointed in, is how he’s been written with the pairing of Diane. It has totally ruined my enjoyment of my favourite guy. He and Phyllis belong together and their chemistry is off the charts. Great as it is to see Jack in a front and centre storyline, this sl is awful; and seeing him gush over Diane makes my skin crawl. Always love PB though – and if Jack comes to his senses sooner rather than later that will make me a happy fan.
JenW, I also admire and respect Peter Bergman. He’s a perfect ambassador to the show; it’s obvious he loves his job and respects his profession. This year, the poor man deserves a special award for wincing and grumping his way thru this Dreadful Diane Dilemma we’re all stuck in. The show has ground to a halt in service of the Diane Jenkins character – nearly every other character is linked to this awful woman and her tawdry travels. Enough, already!
JG is writing this show for his 2 pet characters now. Everyone else around them is just window dressing now. Enough with the Diane and Sally Show.
Soaphound,
Appreciate your comments about Peter and although I like HIM, I don’t like Jack’s choice of women. Why, why can’t they find him a woman worthy of his character? I feel he’s a great guy basically, though not the wisest when it comes to people’s character, especially women.
I agree about Diane storyline !!! It makes me I’ll to watch jack with her. He belongs to Phyllis!!! The Abbott family have always been super close and nice to each other. Since Diane came back the Abbott family argue and fight all the time now. Bring back the only happy family in the show!!!! Put Phyllis and Jack together again..
Loves myY and R,
I happen to like Jack and the crazy Phyllis does nothing but mess up the lives of every one close to her, friends, kids, etc. Jack has gone through enough over the years with her, he doesn’t need anymore of her misery.
Violet…I so agree with you. And now she’s really messing up Summer, her marriage, and Daniel. She wants it all her way. Selfish lady!
No summer has not messed up her marriage that was Kyle who cheated on her the second time first it was with Lola and then Audrey so I don’t think summer messed up her marriage yes she diffened her mother but so did Kyle and in like Kyle summer never changed on Kyle but Kyle cheated on summer this time. I hope they never put Kyle back with summer I hope that Nina Webber hooks up summer with chance and she has machured a lot
I don’t agree with with the story line with Diane Jenkins I’m sick of Diane Jenkins since she came back in 2022 time for her and her spoiled brat Kyle to go and I want Jack and Phyllis back together and don’t care weather you agree with me or not this is also my option
I love Peter and Jack. Peter does a great job. Good luck!
Peter Bergman has always been my favorite male actor on Y&R. Yes, this year, due to Diane’s return, he hasn’t been at the top of his game. . He does the best he can, given what he’s got to work with, which includes his whole messed up family and Diane. He says the words he’s given most of the time, and regrettably has looked like a dufus. Despite all this, he won an Emmy, so guess he was doing something right. Congrats Peter, you’re still the best!
No Peter bergmans always beeny favorite actor since I was 18 years old and he first came in young and restless and I’ve been watching y&r since 1973 when I was 3 years old and when Peter bergman came in to young and restless I was 18 years old I had eyes on him first and he’s my favorite actor from young and restless
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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