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Y&R’s Peter Bergman Chats on His 24th Daytime Emmy Nomination, Breaking His Own Rule & Living Up to Being the Gold Standard

Photo: CBS

The Young and the Restless’ Peter Bergman (Jack) recently received his astounding 24th Daytime Emmy Nomination. It’s no wonder why Bergman remains the actor that so many look up to, and are so honored to be in the company he keeps come Emmy time.

This year, Peter will be looking to win his fourth Lead Actor Daytime Emmy and first in over twenty years. While Bergman faces tough competition, you can never count the incomparable star out when the 50th annual Daytime Emmys air live from Los Angeles on Friday Night, June 16th on CBS (9pm ET, replay at 9 PM PDT) and streaming on Paramount+.

Peter’s journey to the role of Genoa City’s Jack has been well-documented. Once fired from his first soap role as Dr. Cliff Warner on All My Children (a role he played from 1979 to 1989) he eventually made his way to Y&R in the late fall of ’89. Peter would take over the role of Smilin’ Jack and Victor Newman’s (Eric Braeden) nemesis, previously played by Terry Lester.  Since that time, Bergman has more than made the role his own.

Michael Fairman TV caught up with popular star to get his reaction to yet another well-deserved nomination, his thoughts on the actors in his category, and the emotional ride the Daytime Emmys have been for him through the years, and more.

Photo: CBS

This is your 24th Daytime Emmy nomination. Does it ever get old hat for you?

PETER: No, it never gets old. Here’s how I translate all of them. When it came down to it, my peers, the people in the industry I work in said, “yeah, he’s one of the best ones.”  That’s all it means, and it means all of that.

What scenes did you wind up submitting this year and why did you choose them?

PETER: I submitted scenes that I had with Diane (Susan Walters) in Los Angeles as Jack is finding out her plan. On all these submission tapes, I only put people in who are really good and Susan Walters has proven to be just fantastic. The rest of my tape is with Phyllis (Michelle Stafford), when Jack goes to work to polish some things off, and Phyllis starts getting in his face one too many times and Jack blows up.

Courtesy/CBS

What did you like about your performances in those scenes?

PETER:  What I liked about the scenes with Diane was in all of that anger, we could see Jack’s pain and everything that he went through with this. He’s trying desperately to put this together. Jack’s thinking, “How do I let Kyle (Michael Mealor) know about any of this? How do I know?” It’s all there and there’s a complexity to it. It’s not just Jack yelling at somebody. It’s Jack just torn apart by even seeing this person alive, and dealing with her presence there as they talk about what she’s really after. Again, Susan Walters is quite good in it, so that makes me look good.  It’s the same thing with Michelle Stafford (Phyllis). In the scene, Phyllis comes to Jack’s office and Jack is a little short with her, and she starts going at him, and it’s just the wrong thing to do. She crossed the line.  She went too far.  He runs Jabot for God’s sake! He is Jabot and he lets her have it. But Phyllis being Phyllis, she doesn’t just take what he serves out and it’s quite the battle royale.

Photo: CBS

Do you believe, in all of your years of being nominated, that submitting a shorter reel is a better strategy?

PETER: I believe in a shortish reel is better. I have a lot of rules, one of which I broke this year, but the long ones, no. You want to give them a good taste of who you are and step away. This year mine is shortish … about 10 minutes long.

Photo: CBS

What’s the rule you broke this year?

PETER: Break their hearts. I decided not to break their hearts. We see Jack break a bit when talking about everything that Kyle went through, but essentially this is strength and command in this tape. I’ve always, always endeavored to break the viewer’s heart, assuming they don’t know the show at all. My thought is usually, “How do we grab them and break their hearts?” I didn’t do that this year.

Photos: ABC, CBS, NBC

You’re in category with Maurice Benard (Sonny, GH), Jason Thompson (Billy, Y&R), Thorsten Kaye (Ridge, B&B) and Billy Flynn (Chad, DAYS. I know you’re always the guy who watches everyone’s work during the yearSo, how does the competition stack up to you?

PETER: It’s a fantastic lineup. Put my name in with those guys, anytime. Maurice Benard has proven himself and he’s had a pretty powerful storyline this year dealing with Sonny’s depression and bipolar disorder with mood swings and finally facing things later in his life. Thorsten Kaye is such a wonderful force on The Bold and the Beautiful. There’s a great human quality to his work that I just love. It’s fantastic. Billy Flynn has just this wonderful, passionate energy to his work. He is so committed every single time he’s on the screen. And when you break Billy Flynn’s heart, boy, you can see it. It’s pretty powerful stuff. And Jason Thompson is just one of my favorite actors, ever.  I love his work. I love him, I love everything he does. He’s had very powerful material involving suicide to play along with Melissa Claire Egan (Chelsea, Y&R). I don’t know what each of these actors submitted, but I’m guessing the things I’ve mentioned are in there.

Photo: CBS

You would make an amazing play-by-play commentator at the Emmys, because you know the ‘who’s who’ and ‘what’s what’ and could give us the full analysis!

PETER: I certainly know these guys. These guys I watch!

When we have chatted over the years, I recall you telling me you check out the performances on other shows to see what your colleagues are up to.

PETER: It’s mostly at work that I do that; during my lunch hour, during the break, during something.  The Bold and the Beautiful airs right after us, so I’ll see little bits of that. I end up catching up on all the shows. I kind of consider it my business. It’s an industry I’m in.  The way the Emmys have set this up, and made it so complicated for everyone, they assume no one in daytime television watches daytime television, and I’m not going to be one those people.

Photo: NATAS

Now, you won your three Daytime Emmys in 1991, 1992 and then 2003.  It’s been 20 years since you’ve won.

PETER: Yes, it been over 20 years. 20 years, and all those losses.

I think you’re due for one!

PETER:  Yeah! I mean I think I’ve been due for one. (Laughs) It doesn’t quite work that way. I’ve voted on these things for a lot of years and sometimes there’s two guys that do one thing and another guy who does something completely different, and the other two kind of cancel each other out, and I go with a guy who’s doing something original.

Do you like going into Emmy night having a speech prepared, or just winging it if you win?

PETER: No. I have some idea of who I want to thank. I consider it bad luck to write anything down. When I watch award shows and see actors who make their living telling stories, and they have to read something, it’s amazing to me.

Photo: CBS

I remember when we taped your interview for the Daytime Emmy tribute to Agnes Nixon. Didn’t you say that when you had won when your first Emmy for The Young and the Restless, that the All My Children cast and crew were jumping and leaping up out of their seats for you in the audience?

PETER:  Yes, it was my very first one. I had been away from All My Children for about a year and a half when that happened. People hated the way my job ended at All My Children. It was a wonderfully rewarding response to look out in the audience and directly in front of me see not only ‘Young and the Restless’ people, but also All My Children people, just on their feet cheering for me. It was a wonderful feeling.

This is the 50th anniversary season of Y&R. Did you think you would have this longevity as Jack for as long as you’ve had?

PETER: Oh, no. I thought I could make this job last for six months, and in that six months I could relocate my family. Los Angeles seemed to be the next part of my career life. I figured they’d fire me after about six months. Replacements never really worked at All My Children, or should I say, so few worked. So, I assumed replacing somebody is just impossible, and I’ll do my best, and maybe I could make this last six months and we’ll get relocated.

I had talked with some of your co-stars that are nominated with you this year from Y&R and they all still to this day mention the professionalism of Peter Bergman … how you know your lines all of the time, and how you set the standard for everybody else. Do you do that? Is that what you try to do … be that guy that is the example for the rest of the cast?

PETER:  No, no. I honestly feel that that they pay me to do that, but that it turns out to be a good example for others, makes me feel great. I love that feeling, but I don’t start out to set an example. I start out to do what they pay me to do and hope that it’s enough.

Photo: ABC

Have you always known your lines verbatim, down pat, when you get to the studio each day?

PETER: I don’t know that I’d ever told anyone this story, but I’ll tell you the longer version of this story. I was on All My Children for 10 years. I was pretty disciplined there. However, when my job ended, suddenly out of nowhere, I found myself wondering, second guessing myself, “Could I have done more? Could I have been more prepared? Could I have come to set more? Could I have been more diligent?” I don’t have a moment of question in my head about The Young and the Restless, not a moment’s question of, “Could I have done more? Should I have been more prepared?” I come in prepared so that I never have that feeling again, that I had when All My Children came to end for me. It was an awful feeling. So, it’s nice that it sets an example, but I’m running from my own demons.

When I talk to the other gentleman in the Lead Actor in a Drama Series category, this is such a special thing for them to be in the category alongside Peter Bergman.  How does that make you feel to know that they think of you in such high regard as an actor?

PETER: Oh, that feels wonderful.

Photo: JasonThompsonIG

I know, Jason Thompson thinks the world of you, and plays your brother on Y&R. Is it odd to be up against him in the same category?

PETER:  Not at all. I think he’s very deserving and there’s no one I’d rather lose to. He’s a wonderful actor, and I love that world recognized him. I think its high-time the show really recognized him. I just think he’s the future of the Abbott family.

Will you be rooting for Peter to take home the gold for the first time in 20 years for his work as Y&R’s Jack Abbott? What did you think of the stories he shared when he was let go from All My Children as Dr. Cliff Warner, and Peter’s analysis of this year’s Lead Actor category at the upcoming 50th annual Daytime Emmy Awards? Share your thoughts in the comment section below.

 

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I always root for Peter Bergman. I personally think he’s the best actor on Y&R. He has always been my favourite actor, and Jack my favourite character. What I do not like now, and am disappointed in, is how he’s been written with the pairing of Diane. It has totally ruined my enjoyment of my favourite guy. He and Phyllis belong together and their chemistry is off the charts. Great as it is to see Jack in a front and centre storyline, this sl is awful; and seeing him gush over Diane makes my skin crawl. Always love PB though – and if Jack comes to his senses sooner rather than later that will make me a happy fan.

JenW, I also admire and respect Peter Bergman. He’s a perfect ambassador to the show; it’s obvious he loves his job and respects his profession. This year, the poor man deserves a special award for wincing and grumping his way thru this Dreadful Diane Dilemma we’re all stuck in. The show has ground to a halt in service of the Diane Jenkins character – nearly every other character is linked to this awful woman and her tawdry travels. Enough, already!

JG is writing this show for his 2 pet characters now. Everyone else around them is just window dressing now. Enough with the Diane and Sally Show.

Soaphound,
Appreciate your comments about Peter and although I like HIM, I don’t like Jack’s choice of women. Why, why can’t they find him a woman worthy of his character? I feel he’s a great guy basically, though not the wisest when it comes to people’s character, especially women.

I agree about Diane storyline !!! It makes me I’ll to watch jack with her. He belongs to Phyllis!!! The Abbott family have always been super close and nice to each other. Since Diane came back the Abbott family argue and fight all the time now. Bring back the only happy family in the show!!!! Put Phyllis and Jack together again..

Loves myY and R,
I happen to like Jack and the crazy Phyllis does nothing but mess up the lives of every one close to her, friends, kids, etc. Jack has gone through enough over the years with her, he doesn’t need anymore of her misery.

Violet…I so agree with you. And now she’s really messing up Summer, her marriage, and Daniel. She wants it all her way. Selfish lady!

No summer has not messed up her marriage that was Kyle who cheated on her the second time first it was with Lola and then Audrey so I don’t think summer messed up her marriage yes she diffened her mother but so did Kyle and in like Kyle summer never changed on Kyle but Kyle cheated on summer this time. I hope they never put Kyle back with summer I hope that Nina Webber hooks up summer with chance and she has machured a lot

I don’t agree with with the story line with Diane Jenkins I’m sick of Diane Jenkins since she came back in 2022 time for her and her spoiled brat Kyle to go and I want Jack and Phyllis back together and don’t care weather you agree with me or not this is also my option

I love Peter and Jack. Peter does a great job. Good luck!

Peter Bergman has always been my favorite male actor on Y&R. Yes, this year, due to Diane’s return, he hasn’t been at the top of his game. . He does the best he can, given what he’s got to work with, which includes his whole messed up family and Diane. He says the words he’s given most of the time, and regrettably has looked like a dufus. Despite all this, he won an Emmy, so guess he was doing something right. Congrats Peter, you’re still the best!

No Peter bergmans always beeny favorite actor since I was 18 years old and he first came in young and restless and I’ve been watching y&r since 1973 when I was 3 years old and when Peter bergman came in to young and restless I was 18 years old I had eyes on him first and he’s my favorite actor from young and restless

Days Of Our Lives

Stephen Schnetzer Talks On His Return to Days of our Lives and Working with Susan Seaforth Hayes In Emotional Episodes

Who says you can’t go home again? In the case of Another World favorite, Stephen Schnetzer (ex-Cass Winthrop), he has proven that it is true, and you can go back to your soap roots and where it all started for you.

Last week on April 11th, Schnetzer, along with several other key returns were on set at Days of our Lives taping all-new episodes of the Peacock streaming soap opera, centering on the funeral of Doug Williams (the late Bill Hayes), and as part of the iconic soap opera’s 15,000th episode.

Stephen is reprising his first daytime role as Steve Olson, the brother of Julie Williams (Susan Seaforth Hayes). The last time Schnetzer appeared on a DAYS set was during his one and only run on the show from 1978 to 1980. Clearly, viewers will be in for some very emotional scenes when Steve returns to Salem to be there for his sister, Julie in her time of need. In real-life, Susan has been going through her own grief, having just lost Bill back on January 12th at the age of 98.

Photo: NBC

Michael Fairman TV caught up with Stephen during the 15K episode celebration ceremony, and during a break from taping the gut-wrenching funeral scenes, to get his thoughts on being part of these highly-anticipated moments that will air later this year in December. Here’s what he shared with us below.

What has this been like for you to work with Susan Seaforth Hayes after all of these years?

STEPHEN: She’s a dream and she’s so bright. We ran lines yesterday and we ended up just visiting for about 45 minutes and just catching up and telling tales about each other’s career. She even dropped off the autobiography that she and Bill did. And being back here at DAYS, every time I turn a corner, there’s another familiar face. When I was on the show 40 more years ago, a bunch of the guys, played softball on a team together. This is really a trip down memory lane as I knew it would be.

Photo: JPI

Taping Doug’s funeral must be a hard day for Susan. Are you checking in with her to help hold her up through this?

STEPHEN: I am and I’m checking in with Amy Shaughnessy (Susan’s assistant), and she’s holding her up more than anybody. We’re there for each other.

There will obviously be some major hankie-inducing moments when Steve comes back to Salem to console his sister.

STEPHEN: Oh, wait till you see it in December. It’s going to be great.

Were you surprised you got this call to come back to the show decades later?

STEPHEN: It was out of the blue! I was completely surprised. They should have called me decades ago! That’s what surprised me. When Another World went down, I thought I’d land somewhere else and it never happened. That was more of a surprise.

Photo: JPI

Cass is such an identifiable character for you. As well, you and Linda Dano (ex-Felicia Gallant) are so synonymous together as best friends Cass and Felicia from Another World. When fans heard you were reprising your role as Steve Olson on DAYS, they are now hoping there will be more of you on the show to come.

STEPHEN: Steven Olson is a real “Cassian “character. I cut my teeth on Steve Olson and that’s how Cass was introduced. He was kind of a roguish charmer. And then when the character stuck for Another World, they rehabilitated me, and turned me into one of the shows heroes. And that’s what would’ve happened if I stayed as Steve Olson probably. So, Steve is the ‘pre-Cass’, Cass.

Photo: JPI

As the story goes, you originally decided to leave Days of our Lives?

STEPHEN: I was never on contract. I was doing a day and a half a week and I got a Broadway play directed by Franco Zeffirelli starring Joan Plowright and Frank Finlay. I was able to it as I didn’t have to break a contract or anything. I cut loose and went back to New York for that.

How well did you get to know Bill Hayes during your first time around on DAYS?

STEPHEN: My first episode was with Bill and Susan, as her long lost brother coming into Salem. They were so good to me. They were so kind. I had been doing eight years of classical repertory theater, never been in front of a camera. I tell everybody, it took me longer than any other actor I’ve ever seen to get comfortable in front of a camera. And they were very supportive at that time in my career. Coming back to honor Bill now in 2024, and to be see Susan, I am just so happy to be here.

Looking forward to seeing the scenes between Stephen and Susan Seaforth Hayes come December and Doug’s funeral and surrounding episodes? Do you hope that DAYS might bring the character of Steve Olson back for a longer stay? Comment below.

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Days Of Our Lives

Matthew Ashford and Melissa Reeves Talk Return to DAYS for Doug’s Funeral, Susan Seaforth Hayes, and Their Enduring Friendship

Last week, Days of our Lives celebrated the taping of their 15,000th episode which is tentatively scheduled to air on December 3rd. The story will feature emotional and heart-tugging scenes of Doug Williams funeral and honor his portrayer, the beloved Bill Hayes, who passed away on January 12th at the age of 98.

While the actors, producers, and crew took a lunch time break to pose for some pictures and speak with the press, they knew they would have to get back to taping the funeral, which was going to make it a tough day, but also cathartic for all who loved Bill Hayes.

Several returns have thus far been announced including; Melissa Reeves reprising her signature role of Jennifer Horton (a part she first played in 1985), and Matthew Ashford as Jack Deveraux. Reeves had last appeared on the show back in 2021, and she was replaced by Emmy-winner Cady McClain in her absence when Jennifer was in storylines. In real-life, Melissa had moved full-time to Tennessee along with her husband, Scott Reeves (ex-DAYS, GH, Y&R). Now, and as previously reported, Reeves will first appear back on DAYS for the Thanksgiving episodes with the Hortons.

Photo: JPI

Michael Fairman TV caught up with Matt and Melissa during the 15,000th episode celebration to get their take on: being back for these special episodes, how it has been working with and watching Susan Seaforth Hayes portray Julie’s grief over losing Doug, and how they have supported each other through the years. Check out what they shared below.

Melissa, you are back on the set of Days of our Lives for this very emotional and special moment in the series history. How does it feel?

MELISSA: Oh, my goodness. I am honored. I wouldn’t want to be anywhere else but to be here for Bill. He was like my real-life dance partner. He taught me how to ballroom dance. And to be here for Susan, of course, who’s just been our sweet hero this whole week. We’re just following her lead. She’s just been this incredibly strong example for us in the midst of this trial and season of her life. She is like just lifting us all up with her. It’s been incredible.

I was at Bill Hayes memorial service which was truly incredible and I know at the time you were in Tennessee. It was moving and celebratory of his life, all at the same time.

MELISSA: That’s all I have heard. I have to watch it on You Tube. They said it was just a real celebration of his life and I love that.

Photo: JPI

This must be difficult for Susan Seaforth Hayes depicting the death of Doug, when she is still grieving the loss of her beloved husband. (Susan pictured above with the returning Stephen Schnetzer who plays her on-screen brother, Steve Olson).

MELISSA: I’m sure Susan has those moments at home by herself, but she’s so good at being a leader and leading all of us. We’re following her, you know, and she’s like, “This is how I want to feel today.” And we’re just going along with her, you know? It’s so sweet.

Photo: JPI

How is it to see Matt Ashford again live and in-person?

MELISSA: You know, Matt and I can go years without talking, or seeing each other, and then the minute we see each other we’re chatting away.

MATT: Melissa was out on set doing a scene yesterday on the phone talking to a stage manager; as she was telling some really tough news on the phone. I’m like crying in the background, literally, I’m off-stage crying.

MELISSA: And then we get like back into normal life, and we’re like, okay, “What’s happening? What’s happening with this … or what’s happening with that?”

I had read, Melissa, that you were in touch with Matt about if there night be a possibility for you to reprise your role as Jennifer for these special episodes?

MELISSA: Yes. Well, Matt was like, “Hey! Would you want to come back? “And I was like, “Matt, you know, I would always come back. ”

MATT:  Every time I come here to Days of our Lives, they ask, “Where’s Missy? How’s Missy?” Everybody backstage says, “I miss her.” All of the crew is asking about her and saying, “It would be nice to see Missy. Nothing wrong with you Matt, but …”  They said, “Where is she?” I said, “She wants to come!”

Photo: JPI

There are some beautiful photos of Missy and Bill and Susan thorough the years that I found. It just reminded me of just the deep and entrenched history we all have had with the show, personally and professionally.

MATT: Missy is roughly the age where Francis Reid (ex-Alice Horton) was when she started the show, which is just crazy.

Photo: JPI

I’ve always said Missy was going to be the next generation Alice. Do you feel that Jennifer is the heir apparent matriarch of the Horton family?

MELISSA: Yes. I mean, this has been greatest blessing of my life, and that would be great. I told Ken Corday (executive producer, Days of our Lives) when I was 17 that this show would be my life. Ken always told me, “This is your home,” and I’ve always felt like that.

How have gotten through the scenes watching Susan Seaforth Hayes as Julie go through the loss of Doug?

MATT: Susan is bringing her best performance life for her and Bill. I mean, she’s a showbiz baby. She always has been one hundred percent, and she’s doing it for him, and this is who they’ve always been. So, you’re seeing this amazing performance colored by her life. She has her private life as Susan, but she has enough plugged into Julie that she’s done amazing work. The director, producers and writers are giving her room to live in these moments and it’s quite wonderful.

Photo: JPI

Have you already broken down in tears during the taping?

MELISSA: Yesterday, but today’s taping of the actual funeral I think they want us to try and be just more celebratory.

MATT: I mean, it is a beautiful long life for Bill Hayes and his character of Doug Williams, and so it will be about that. Then, you get a bunch of us together in the church pews, and there’s going to be hijinks.

MELISSA: We all have been through the waves of grief. You have that awful cry and then all of a sudden you feel okay.  There are those family situations we are portraying where you’re like, “What do we do? What do we do now? You know, no one knows what to do. But, it’s so sweet. I’m looking forward to seeing how the scenes all turn out.

So, are you glad that Matt and Melissa are back for the 15K episode and Doug’s funeral? From what we can tell, it’s going to be quite an emotional journey for Days of our Lives fans, and especially the performance of Susan Seaforth Hayes, 

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Days Of Our Lives

Ron Carlivati Talks on Decision to Make Days of our Lives 15000th Episode About Doug’s Funeral, and Previews Chances for WGA Award

This week, Days of our Lives celebrated the taping of their 15,000th episode. In of it itself, that is an incredible accomplishment for the long-running soap opera currently streaming on Peacock.

However, this on set gathering was a bit different. Though the show is celebrating their achievement, they are also in the middle of taping scenes surrounding the death and the funeral of Doug Williams, played by the late Bill Hayes, who passed away on January 12th of this year at the age of 98.

As previously revealed many longtime favorites are back to honor Bill and the character of Doug including: Gloria Loring (Liz), Melissa Reeves (Jennifer), Matthew Ashford (Jack), Maree Cheatham (Marie), Victoria Konefal (Ciara) and Stephen Schnetzer (Steve) to name but a few.

Photo: JPI

Michael Fairman TV was in attendance and spoke with Days of our Lives head writer, Ron Carlivati to gain some insight into how the 15,000 episode was crafted and the decision to honor the character of Doug Williams and Bill Hayes as its epicenter. In addition, Ron weighed-in on this Sunday’s April 14th WGA (Writers Guild of America) Awards, where he and his writing team are facing off with General Hospital for the daytime drama prize. Here’s what Ron shared below.

Was this your idea to make the 15,000th episode centered around Doug’s funeral and passing?

RON: It was. When you’re looking at it, and laying out the calendar for the whole year and you see 15,000 is coming up, we’re like, “What are we going to do?” And then, we got the news that Bill had passed away and something kind of clicked. I was like, “We should honor Doug on that show.” So then, we started to kind of build around that … when does he pass away? How does he pass away? Who could come back? You know, it’s a lot.  I’m very pleased with the returns that we got as there’s so much that you could do. We wanted everybody we could get. So, we put together a wish list and Janet Drucker (co-executive producer, Days of our Lives) made it happen.

Photo: JPI

You have Melissa Reeves back as Jennifer, when the role was last played by Cady McClain. What has it meant to have Missy back for these shows?

RON: It was so nice to see Missy Reeves. I think Cady has done such a good job, but on the 15,000th episode to see Missy as Jennifer, it’s a big deal. So having her was great, and overall, the milestone was a big undertaking, because you want to live up to it. You want the 15,000th episode to be good. Now, it has a lot of real emotion that you’re playing. because for the cast and the crew they’re honoring Bill Hayes just as much as we’re honoring Doug Williams.

Photo: JPI

Was it hard for you and the team to write this episode?

RON: Yes. I’ll tell you why it was hard to write.  When I wrote, for example, Asa’s (Phillip Carey) death on One Life to Live or Victor’s (John Aniston) on DAYS, Asa is a different type of character. Like, you could have characters going, “Oh! I’m glad he is dead.” You could have different points of view, but with Doug, you’re not having that. Every person loves this man. No one had a bad relationship with him. So, you’re challenge as a writer is how do you make it that not everybody’s saying the same thing and doing the same thing. And so, we tried to find ways to make the episode about all the familial relationships and yet, how do you make it about Doug and yet broaden the scope.

Photo: JPI

I had spoken to Susan Seaforth Hayes (Julie), a week after Bill’s memorial, for an interview. She said that she felt very fortunate that you did include her on discussions of how you would tackle Doug’s passing. How did that conversation go?

RON: First, I attended Bill’s funeral, which was incredible. I said to so many people it was an emotional service, but it was hard to be sad at this. The guy had an incredible life and it was an incredible celebration. And so, you’re sitting there watching this knowing that you now have to write something similar. And how do you write something that lives up to what you just witnessed? I wanted to talk to Susan to get her thoughts about, you know, how much do you want this to be about keeping Bill separate from Doug. How comfortable are you sharing your grief. She was incredible to talk to. It was a great chat.

You’re in the middle of taping these major scenes for the 15,000 episode to air in December. How do you think it’s going? Have you seen any of the scenes?

RON:  I haven’t seeing anything. I mean, we were still making changes to the script up till this morning!

Photo: JPI

The Writers Guild Awards are this Sunday, April 14th and once again this year there are two daytime drama nominees, General Hospital and Days of our Lives. How are you feeling about your chances this year?

RON: It is often just GH and us in the category. I’ve won three years in a row, so I’m kind of feeling like it’s their turn.

Photo: JPI

What episodes did you submit for contention? If I recall, they had to do with Victor’s memorial.

RON: The episodes we submitted were centered around Victor’s funeral. I think one has story with Vivian (Louise Sorel). We had some fun stuff, we had some emotional stuff at Victor’s death, and I am pretty sure that our submission was three episodes right around that time.

Did you make the decision to go with those episodes because there was a mix of humor and drama?

RON: I like to have some humor, but it was also the funeral, then there’s Sarah (Linsey Godfrey) giving birth, and then Vivian’s crashing the reading of the will. So, we had a lot of fun and it’s hard sometimes to pick three that tell a story, as opposed to submitting for the Daytime Emmys, where the writing team only submits two shows. So, we shall see how it goes on Sunday.

Courtesy/Peacock

So, are you looking forward to the emotional 15,000th episode of Days of our Lives? Do you think DAYS will take home the WGA writing award for daytime dramas for the 4th year in a row? Comment below.

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Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

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