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THE A MARTINEZ INTERVIEW – ONE LIFE TO LIVE

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Listen to the audio:

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MICHAEL:

This week A Martinez returns to daytime! What prompted your decision to come back to daytime and to “OLTL”?

A:

It’s really an interesting show, and so many of the actors on there are actors that I have loved. When I was doing “GH”, I had met most of those actors around ABC functions and the Daytime Emmys. I got to go to a party once for Erika Slezak (Viki), who I think is the most remarkable actress. I have had such a high regard for her and the show. I had met Frank Valentini (executive producer, “OLTL) back in the day, and when you are in daytime, it’s really a small community. Even the people I worked with going way back to, “Santa Barbara” they are still working, and you feel like a connection to them even though months and often years go by, without any real conversations. It’s an interesting feeling to walk back into it. Going back to the set of a daytime soap felt so immediately comfortable. It was actually quite surprising.

MICHAEL:

How long can fans expect your stay in Llanview to be?

A:

I signed a five-week deal and I just finished my last tape day. I think the stories and the scenes will play out over 8 weeks.

MICHAEL:

Was the shows intention with your character, Ray Montez always supposed to be for a short stint?

A:

The character had various incarnations; I think he was originally thought of as someone who would be around for awhile, and then someone who was somewhat disposable quickly. I think, but you never know, but he may survive. I won’t say more than that. I think there is possibly a future for him. I hope so, because he is a lot of fun to play.

MICHAEL:

Is there a down side to only being able to explore this new character for such a short time?

A:

There is no down side. It’s a really fun character and the actors are wonderful to work with. At this point in time, it’s greatly pleasurable to spend time in New York City. We would have to think long and hard as a family if we make a decision to move here.

MICHAEL:

Vince Irizarry (ex-David) who recently left “Y&R” told me he was flying back and forth every week from his home on the east coast to continue taping his role on the west coast. Would you consider a set-up like that?

A:

The thing is, you can’t quite tell how you are going to respond to it until you try it. So far what has happened is, I came and when back to LA once, and did that again, and then my family came and visited me and we had our wonderful little August summer vacation. It’s been a great five weeks, I have to say.

MICHAEL:

What were the circumstances that led you to Llanview?

A:

My agent called me and said, “There is this thing, and would you consider doing it?”, and it was a little much to consider. It was sign on the dotted line and move to New York for two years, and that was a little too much to imagine. But then the showed changed the way they thought about it, and I looked at what was on the table and thought it would be great.

MICHAEL:

You are one of the most beloved and cherished actors the soap genre had ever had. Why do you think you work so well in this medium?

A:

I have always loved working in daytime, it’s certainly where I feel the most free of anything. Once you establish that in your mind, it’s hard to let go of it. Even though I am getting better,  and ‘god knows’ I should after all these years, I think I am getting better in film than I used to be. There is just nothing like it, the soaps….the freedom of being and performing live with live cameras. I love to play with good actors and it literally is fun.

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MICHAEL:

Why do you think some actors and characters transcend in this genre, while some do not?

A:

When I did, “Santa Barbara” I played Cruz for more than 1600 times. He took on weight in my emotional life that was shocking when he was gone. I had no idea for what it would feel like to say, “Goodbye” to that guy.

MICHAEL:

The fans weren’t either.  It was so hard to say goodbye to “Santa Barbara” and to Cruz Castillo. It’s such a testament to you and the character, and how you portrayed him. It is legendary!

A:

He is a great guy, and at the end of the day, it’s about the writing, and he was the best guy I got. There is just no getting around it. He was my teacher and he was my brother, and when he went away, he demanded he be mourned in my own personal architecture. All that being said, it was a nice day when I could finally let go of it.

MICHAEL:

From Cruz on “SB”, we next saw you return to daytime on “GH” as Roy Deluca. This week you come back to daytime as Ray Montez. What can you tell us about him?

A-look.jpgA:

He’s tortured and misunderstood. He’s not well-mannered, but he is capable of being charming. He defaults more often to certain rudeness. He is real different.

MICHAEL:

Is he a criminal?

A:

He is perceived to be a criminal, and legally he has been imprisoned, but it remains to be seen what goes on with his heart. The thing that is so great about him is he is really tortured. He is not a guy that has got the world on a string. He is struggling, and it’s so much fun to play. It’s hard not to root for somebody, if you have empathy for anyone who is struggling unless they are utterly irredeemable!

MICHAEL:

So he is not irredeemable and not a villain?

A:

No. I would not say he is a villain, but people do talk a lot of trash about him.

MICHAEL:

Who have you worked with at “OLTL”?

A:

First, I got to work with Jerry ver Dorn (Clint) immediately. Clint brought Ray to Llanview and Jared went and did the deed. So, then I met Brittany Underwood’s character Langston, and then that turned into the Clint/ Dorian feud. Then I got to do some fairly operatic stuff with Robin Strasser (Dorian).

A-jared.jpgMICHAEL:

Tell me about working with the amazing Robin Strasser?

A:

She is amazing, fearless, and brilliant and that is the heart of it. You go, “OK, this is a person who inserts her fangs and goes to work and attacks the work and has such high standards and a willingness
to take risks.”

MICHAEL:

She knew you were thee A Martinez? Right?

A:

We were aware of each other. We met, although briefly, at this party that ABC threw a few years back. We met across this big white table, and we saw each other, and acknowledged each other and expressed our mutual admiration for the work. I always thought she was fabulous. When you get to do a scene with someone who raises your goose bumps that to me is the thing I most feel and crave as an actor, and as a person watching the theatre.


MICHAEL:

The rumors are that Ray will be adversarial with Dorian, but that he could be a potential love interest for Dorian.

A:

Hmm. From the get-go and the way we worked with each other, it was really cool.

MICHAEL:

So there could be some sparks between them ?

A:

Yeah.

MICHAEL:

Many fans and insiders were swirling around in their soap fantasies, that perhaps when you were going to be brought on to “OLTL”, Marcy Walker (Ex-Eden, “SB”, Ex-Liza, “AMC”) would soon follow?

A:

It’s among my dreams. I work love to work with Marcy again, but I have not heard that rumor personally.

MICHAEL:

Have you stayed in touch with Marcy?

A:

I have not talked to her for several years.

MICHAEL:

Why was that such an unbelievable pairing, Eden and Cruz?

A:

A lot of it was dumb luck of having such a similar approach. We are cut from the same clothes as how we see the task. She is really committed and detailed oriented, and the thing I would always say, right? The one thing that stood out over time, depending if one of us had a bad day, is it would never happen two days in a row, it would never recur. And sometimes that’s hard to do after a time. After awhile it’s real, real tempting to mail this one in… and that was not going to happen with us. And that is what set us apart. We were ferocious about how we protected the quality of the work. I say this to my kids all the time, and I am so grateful about this in my life, and that is, “We knew how good it was, and how special the work was while we were doing it. “ It was utterly clear to us that we had something very special, and we ran with it as long as it was there to run.

MICHAEL:

How was working with Ray’s Llanview relative Langston, played by Brittany Underwood?

A:

She is great, and it’s a sweet group of young actors they have on the show. They have a sense of doing the work, and they seem to know how lucky they are to have the gigs and are committed to the work. Brittany is a strong worker.

MICHAEL:

Langston did not know she had an Uncle Ray.

A:

She did not know of Ray. Langston was looking for relatives when her parents perished.

jachendy.jpgMICHAEL:

Ray has wife, Vanessa!

A:

Yeah, Jacqueline Hendy is the actress that
I have done one scene with. She is very nice. Jacqueline plays my wife and somebody is a trouble maker in this group and that’s the big debate. Who is the most trouble in the marriage? We don’t really know.

MICHAEL:

Any other famous “One Lifers” we should look forward to seeing you on-screen with?

A:

I got to do nice stuff with Kamar de los Reyes (Antonio), and briefly got to work with Hillary B. Smith (Nora).

MICHAEL:

Well, I thought perhaps they would put Hillary and A together? The two Daytime Emmy winning dynamos, and that would really screw Clint for bringing Ray to stir up trouble in the first place.

A:

Hillary’s character, Nora just treated Ray terribly. He is apparently an easy guy not to like. I just knew Hillary from back in the day.


MICHAEL:

So how do we get you in a scene with Erika Slezak?

A:

She walked in the door today! Erika was on vacation the whole time I was there. I just got to say, “Hello” to her, and she’s Erika Slezak. I saw her in the hallway!

MICHAEL:

If you were to explain who Ray is, what would you say?

A:

He’s a tortured guy who is trying to crawl out from under a rock.

Double2.jpgMICHAEL:

So, you have completed everything with “OLTL” at this point?

A:

I filled my contract.

MICHAEL:

What do you think needs to happen for everyone at the show and ABC to commit to telling Ray’s story long term?

A:

I am sure that they have to reconvene and figure what they want to do next. It’s like so many aspects of this game. You don’t really know until you put it on its feet, and see how it stands up. They have to look at it on how it plays within the flow of the show, and then see how the viewers respond to it. I think as you mentioned and intimated, it’s sometimes difficult to separate me from Cruz. He is probably one of 150 people I have played and still he is that guy. I think it’s always questionable how people will respond to any actor, when they are expecting a certain thing and what they are getting is something else.

MICHAEL:

My thought was “OLTL” would be stupid if they did not try to keep you on the show, first of all, for your value?

A:

I think a lot depends on how people respond to it. I am very hopeful.

MICHAEL:

Was their one scene that you felt you got to “dig” into?

A:

There was one scene were Dorian got Ray to loose his cool and he become undone. She got him so mad that he started breathing heavy, and then he tried to get out of the room, and before he could get to the door, she jumped him from behind, and tore him up! It filled my eyes and gave me goose bumps.

MICHAEL:

There was a wonderful new Lifetime Television movie you just appeared in, “Little Girl Lost: The Delimar Vera Story”. Tell us about it?

pow-wow.jpgA:

It’s a true story and it was a wonderful experience to get it. I was approached by a woman from the Native American Cultural Studies class at Cal State Dominquez Hills. They had used one of my earlier movies called, “Pow Wow Highway” on their syllabus. She called me and asked me, “If I would come meet her class?”, and I had not seen it in a long time, so I thought I would love to go, and I would watch it again. She let me come and see the movie. It was a joy to see it. I had an audition that same day. I am on this wonderful high from seeing the movie, and I am driving to Hollywood. At that point, my manager calls and says: “Well, there is good news and bad news. And bad news first… the interview you are currently driving to, they have decided to go in another direction. So you don’t need to keep driving.” I go, “Well, what is the good news?” He then says, “The good news is that Lifetime called and offered you this movie, “Little Girl Lost: The Delimar Vera Story”. It was one of those great days.

MICHAEL:

The story is so moving. Did you know when you got your part in the film that this was going to be an incredible and powerful experience?

A:

Judy Reyes (Nurse Carla, “Scrubs) played this woman, Luz Cuevas. She busted us down at the table read, and when I saw that, I knew this was going to be something special. Usually, at the table read hopefully there will be hope for optimism on a project. She just killed. She turned to me at one point in time, and this woman thinks she has lost her baby, and thinks her baby is alive, and everyone including her father, and husband and the police are telling her she’s crazy, and she need to get a grip and get on with her life. Well, she finally comes to my character, who in the real-life true story, is the person she turned to, and in the table read she turned to me and said, “Do you believe me?” When Judy said that line to me… her face was pale, her eyes were wet, her lip was moving, and I was thinking, “Holy Moly! This is going to kill, and it did.” We went to the premiere in Hollywood at the Director’s Guild, and it tore the room up. Then the executive at Lifetime addressed the room and said, “I want you to know the real Delimar Vera is here with her momma. Here they are!” We all stood up and turned to her. The baby and she are now together. That is the baby that was supposedly dead in the film, and the entire room gave her in a standing ovation. They just bathed her with respect and it melted her.

little-girl.jpgMICHAEL:

Tell us about your role in the film?

A:

I play this guy named Angel Cruz, who is a representative in the Pennsylvania House of Representatives who is out of Philadelphia’s 180th district. I think he may be the first Hispanic legislator to come out of Philly. I think he is in his fourth term now and made it possible for this woman to have her life turned back around, because when she came to him, he promoted himself as the friend of the common persona. When she came to him, he did not brush her off. He went out of is way to get her access to DNA tests which she could not afford under her own auspices and functioned as an angel in her life. So it’s really cool to say the least.

To read a write up and review from the Philadelphia Daily News about the background of this horrific yet triumphant story on Delimar Vera, click here!

MICHAEL:

Have you stayed in touch with Jill Farren Phelps (executive producer, “GH”)? I know she is one of your closest friends from way back to your collaboration with her, when she was executive producer of “Santa Barbara”.

A:

Yeah I have. She is as good of friend as anyone, and helps me with so many things in terms of a career. As a person, she is one of the wisest people I have ever known. Our family owes so much to her family, and the things they do instinctually is just wonderful.

MICHAEL:

When Roy Deluca wondered out of Port Charles and you left “GH”, did you and Jill feel the character had it’s closure?

A:

Basically, they sent him to Miami.

MICHAEL:

I got confused. I think he kind of felt shuffled off the canvas.

A:

There was a thing where he was trying to undo Sonny and then Alcazar came in. Then Roy went into ca-hoots with Sonny and went to Miami to cover some of Sonny’s operations. At that time, I got offered this Lifetime Series, “For the People”. That was a real sweet gig. I was hoping it would turn into something, and then in true show biz fashion, you walk away with another gig.


MICHAEL:

How was it working with heavy hitters… Maurice Benard (Sonny) Steve Burton (Jason)?

A:

They are wonderful, and the best thing for me is that I got to work with Tony Geary (Luke), because Roy and Luke were thick as thieves. It goes back to the very beginning of the show that relationship, and obviously it’s Tony Geary! It’s a wonderful group of actors. I got to do things with lots of people on the show, but most of the stuff, I got to do with the men was with Tony. There really is no one quite like him. You don’t know how much I respect him.

MICHAEL:

What is it about him that makes him so unique and special as a performer?

A:

Tony steps up on a daily basis. He explores these colors, and the palette he is using is just so huge. It’s so hard to pin that character of Luke down. There are things we have come to understand about him. The day by day exploration and wanting to try new things made it such a joy to work with that guy.

MICHAEL:

How was it getting to work with Nancy Lee Grahn (Alexis) when you were back in the fold with her? So many loved her, as Julia Capwell on “Santa Barbara”.

A:

We’re down. She’s awesome!

MICHAEL:

Also, I know there was a moment in time you thought was very special for Maurice Benard.

A:

When Maurice won his Emmy… it was long overdue. What a night that was!

MICHAEL:

We thought your Daytime Emmy was long overdue by the way!

A:

Oh bless your heart….

MICHAEL:

….I remember. I was there.

A:

The thing I will never forget about it was that afterwards, my wife, Leslie and I stood off one of those big ballrooms, because the show was inside the main Marriot Marquis ballroom in New York City. We stood there together shoulder to shoulder for three hours or so. We fielded a river of people coming to express their best wishes and their pleasure that I had been recognized. That’s a moment where you feel your whole sense of the world tilt a little bit. I mean… it was beyond. It was so genuinely generous from so many directions and gave us certain value to the work.

A-tux.jpgMICHAEL:

Where is the Emmy?

A:

It’s my living room. I will tell you what though, whenever we evacuate because of the latest fires or what not in LA, you grab your Emmy! At the end of the day one thing you can say about it is, “that they are very pretty items.”

MICHAEL:

I wanted to just go back to your “Santa Barbara” days with you. Give me a few words about some of your former female co-stars…Kim Zimmer (Ex-Jodie, “SB”, now Reva, “GL”)?

A:

She was profoundly energetic and fun.

MICHAEL:

Sydney Penny (Ex-BJ, “SB”)?

A:

Soulful.

MICHAEL:

Eileen Davidson (Ex-Kelly, “SB”, now Ashley, “Y&R”)?

A:

Beautiful and passionate.


A-Chains.jpgMICHAEL:

In closing, as you premiere on “OLTL” this week, what can we tell fans to look forward to?

A:

The fans can look forward to that he is a real interesting guy. He got to do a bunch of real interesting things with a bunch of the characters. If people enjoy watching it half as much as I enjoyed doing it, then they will remember him fondly.

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Hi, am Nelly,
from Africa (Kenya) I have read this whole interview but with only one interest, Cruz and Eden..how is it possible that A has not talked to Marcy for several years? this is simply heartbeaking… I think. Their incredible perfomance on SB left many of us all over the world marvel at what real love should be, it was sort of a yardstich for which all love should be measured. The least they could have done for their fans, especially hopeless romantics like me, is to stay friends.. atleast… what happened? so heartbeaking. Yes we respect that they have separate lives now, but aleast remain in touch…. ooh! will always love these two forever!

Interviews

(WATCH) B&B’s Katherine Kelly Lang and Annika Noelle Talk Lead Actress Emmy Nominations and Brooke and Hope’s Mother/Daughter Relationship

Two of The Bold and the Beautiful’s leading ladies, Katherine Kelly Lang (Brooke) and Annika Noelle (Hope), are in the running for the Outstanding Lead Actress in a Daytime Drama Series at the upcoming 51st annual Daytime Emmy Awards.

Original series star Lang, along with Noelle, play mother and daughter on the series, which makes for an interesting dynamic on-screen and off. For Katherine, this marks her fourth Daytime Emmy Acting nomination. She previously won a producer Emmy for Venice the Series, and for Annika, this is her first Lead Actress nomination after previously scoring a nod in the Supporting Actress category.

On B&B, Brooke and Hope have had a rocky road this past year, with Brooke disapproving of Hope giving into her feelings and desires for Thomas (Matthew Atkinson), and the dissolution of her marriage to Liam (Scott Clifton). Meanwhile, Hope watched Brooke have marital troubles with Ridge (Thorsten Kaye), in part to Taylor (Krista Allen), only for her to win him back.

Photo: HutchinsPhoto

The two actresses chatted with Michael Fairman for an exclusive livestream interview this week on You Tube’s Michael Fairman Channel where they shared their thoughts, reactions and scenes from their nominated reels, how they see the current climate between Brooke and Hope, and much more. Below are some excerpts from the conversation.

Katherine, what are your thoughts on getting a Lead Actress nomination as this point in your career?

KATHERINE: I think it’s great. I was so happy to be nominated. It was unexpected, but I was really happy about it.  Of course, I think everybody wants to be nominated, or get an Emmy at some point in their life, especially if they’ve been on a show for a very long time and you put a lot of work in. You do many, many scenes and hopefully, good enough scenes to be able to be nominated, and get in into the running. But yes, it’s hard to me. It’s hard every time when it comes around. I get anxiety whenever Emmy-time comes around.

Photo: JPI

What scenes were on both of your nominated reels?

KATHERINE: I just submitted the two back to back shows that I had between Brooke and Taylor (Krista Allen). It was when their relationship came to an end because they became friends, which was really nice. They swore off Ridge, which was great, and they had a nice relationship for a little while. But then, Brooke finally realized Taylor still had her sights on Ridge and this wasn’t going to work. So, she ended the relationship with Taylor. At that point, she really had it with Taylor, because she really trusted her and she really liked their friendship. She was shocked to find out what Taylor was still doing and how she still wanted Ridge in the end. And so for Brooke, there was no going back after that.

Photo: JPI

ANNIKA: My reel launched into Hope’s denial of “I’m nothing like you, mom. I have a solid marriage.” Cut to Liam confronting her about what happened in Rome and the choices that were made there. And then Brooke walking in on her and Thomas together and mother/daughter going toe to toe, and then finally kind of wrapping it up with Hope just coming into her own and just not being so swayed by other people’s choices.

Is it difficult for you to chose to enter into the Daytime Emmy race?

KATHERINE: I don’t want to do a competition, because we do this for a living, because we love it. I think if you don’t love it, you won’t be here for very long. So, it just feels weird in a way that it has to be a judging where everybody’s judged against each other.  I don’t like that feeling because I like it all to be about family, which it is. Sometimes in a competition it can get kind of of strange. So to me, the prize is just coming to work every single day, getting to work with wonderful people like Annika, everybody in the office, the producers, the writers, the directors, the crew, and just working with everybody. It’s wonderful how we all work so well together and just being able to do something that I love to do every single day and play this character of Brooke on a TV show on CBS.

ANNIKA: I would have never thought in a million years you would get anxious from it. For me, it’s very obvious that I get very anxious.

Photo: JPI

Katherine, what do you recall about Annika when you first met her and then shared scenes with her, after having Kim Matula as her predecessor in the part?

KATHERINE: Honestly, it was super easy to work with Annika. She just fell right into the character. I loved her immediately and her energy. Actually, I got to read with her. I loved her, even then in the reading. I was kind of mesmerized with her, like her eyes. She’s very innocent, open face, and you can feel her. I loved Kim Matula, too, who played Hope before Annika, and there was a little time between them. It was nice that they didn’t recast somebody right away, because that’s always kind of shocking. You want to give it a little time, and for the audience to accept it and to find somebody new and bring them on. People come and go andyou have to kind of go with the flow.

Annika, what was your first impression upon meeting Katherine?

ANNIKA: Oh, I understood that this was the legend who had been on the show since the beginning. I think you were my second callback. I think the first one I read with Scott Clifton (Liam). When they called me back again and they had me read with you, I remember I just opened the doors and she was just  standing there. I was like, “Oh, Gosh. Okay. I’m reading with Katherine Kelly Lang.” She was very professional, knew her lines like back and forth, and she was saying the lines as if she was really the character. It wasn’t even like acting. That’s how good she is.

Photo: JPI

Where do you think Brooke and Hope’s relationship is at now?

ANNIKA: Brooke and Hope have maybe ironed out some misunderstandings. I think there’s still that little bit of Hope’s baggage or just unresolved trauma, or she needs to go see a psychiatrist about not wanting to become like her mother. I think she acted out in a lot of ways within the Thomas storyline.

KATHERINE: Brooke wasn’t happy with Hope and Thomas. She didn’t approve. Brooke’s a little bit more relieved and doesn’t have to deal with that pressure and can get back to the relationship with her daughter. I think they’re really good friends and I think they have a good understanding of each other and their positions within this relationship. I think it’s only going to get stronger and better, when they realize that they are two powerhouses together.

Photo: JPI

Remember when Brooke and Thomas had their psychedelic berry trip and we didn’t know if they slept together?

ANNIKA: I try not to think about it. (Laughs)

KATHERINE: Well, I loved it! I almost have to say that was my favorite fun story. In it, our plane crashed in the ocean and this was a huge production. They had made a pool inside a hangar, and then the pool was full with broken plane pieces, and we are sputtering up out of the water. It was dark and misty, they had the smoke, everything. It looked like a movie. So, we got to do that which was so much fun. When we were stranded on the island, we actually shot those scenes in Malibu. But, they also made a huge deserted island on set. It was humongous. It almost took up the whole stage, and that’s when Brooke and Thomas were high on berries, and the flowers would come out of the the cave. There were a lot of CGI effects. It was crazy and incredible. Adam Gregory was playing Thomas then, and we had a lot of fun. We never knew if Thomas and Brooke actually did it or not, but then it turned out they didn’t, because they realized it was like something in a dream.

ANNIKA: We like to keep things vague.

Photo: JPI

The show, at times, likes to pull out the classic line, “Slut from the Valley.” How do you feel about your character being called that when it was originated by Stephanie Forrester, who used to dig at Brooke?

KATHERINE: Do I mind, “Slut from the Valley?” I didn’t mind it when Stephanie (Susan Flannery) would say it, but I kind of mind it when other people say it.  I thought that was Stephanie’s line, and that should just come from her.

Photo: JPI

Annika, one of the hottest topics on B&B’s fans mind in our live chat, is when Thomas returns from Paris, will he and Hope rekindle their relationship or is it truly over?

ANNIKA: I’m just as in the dark as everyone else about what is to come with that. So, I’m kind of waiting on pins and needles to see if we revisit it, or if Thomas has moved on. I’m just so curious to see what is to come. I think we’re going to find out very soon.

Check out the full video interview with Katherine and Annika below. Now let us know, do you enjoy the mother/daughter scenes between Brooke and Hope as played by Katherine and Annika? Are you rooting for one of them to win the Daytime Emmy for Lead Actress? What do you think will happen in the future for Brooke and for Hope? Weigh-in below.

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Interviews

(INTERVIEW) Y&R’s Eric Braeden Chats on His First Lead Actor Daytime Emmy Nomination in 20 Years, Why He Entered the Race After Voting Reform, and His Enduring Legacy as Victor Newman

The Young and the Restless’ iconic Eric Braeden (Victor Newman) received his first Lead Actor Daytime Emmy nomination in 20 years, when NATAS and the 51st annual Daytime Emmy Awards revealed who would be going for gold at the upcoming ceremony on June 7th live on CBS and streaming on Paramount+.

The iconic Braeden is a past Lead Actor recipient having won back in 1998. However, the last time Eric was nominated in the category was 2004. Throughout his enduring run on the top-rated CBS soap opera, he has now received a total of 9 Lead Actor nominations and a 10th, when back in 2002, along with Melody Thomas Scott (Nikki), they were nominated in the now defunct and then special fan voted category for “America’s Favorite Couple.”

This year, Eric’s nominated reel features scenes between Victor and Adam (Mark Grossman) where they discuss their fractured relationship as father and son, and the struggles and conflicts they have had personally and in business. In addition, Braeden also shares scenes with Melody Thomas Scott’s Nikki, where Victor voices his disappointment that the Newman children seemingly can’t get along and work together within the Newman dynasty. In Eric’s reel, the only characters who make appearances are the aforementioned Adam and Nikki.

Photo: JPI

Michael Fairman visited the set of The Young and the Restless for a special video sit-down with the legendary star exclusively for the Michael Fairman Channel. 

During the conversation, Eric touched upon why he will participate in the Daytime Emmys at this point in his career due to changes in the voting procedures, his most embarrassing Emmy moment, how he feels about his fellow nominees, and that he wilattending this year’s ceremony.

Here are a few excerpts from the interview below, followed by the full video interview in its entirety.

How does it feel to get your first Lead Actor nomination in 20 years?

ERIC: You can’t help but feel very good about it. I had not submitted any stuff for more than 10 years, because I didn’t believe in the voting process. Finally, the academy had the sense to invite outsiders to widen the circle of those who vote for this. You cannot ask for objectivity when you vote from within only your company. That’s nonsense. Then, personalities play a role in who likes who. I’m very happy about the nomination, though.

You had some scenes between father and son on your nominated reel, as Victor and Adam (Mark Grossman) discuss their complex relationship and history. How was working with Mark?

ERIC: Mark Grossman is a wonderful actor. He’s a good actor.

You would up this year in a Lead Actor category that also features: John McCook (Eric, B&B), Thorsten Kaye (Ridge, B&B), Scott Clifton (Liam, B&B), and Eric Martsolf (Brady, DAYS). I think you know some of these gentlemen?

ERIC: Thorsten Kaye is a very good actor. I’ve known John McCook for 150 years, I think 140 years, maybe. And the other gentlemen, I don’t know, but I’m sure they’re all worthy of receiving the same award.

Photos: CBS and JPI

I talked to Eric Martsolf after he received his Daytime Emmy nomination, and he said he’s so honored to be in the category with you, and that his late mother would be so thrilled that he’s in the category with Victor Newman. My late mom felt the same way when she came to the set and met you years ago. For so many people, you are the guy they all want to meet.

ERIC: That’s nice. That’s really very touching to know. This medium in that sense has been wonderful. As I’ve told you before, I joined this reluctantly and signed on for three months, and here I am 44 years later. That’s very nice to know about Eric’s mother, and your mother.

What was your reaction to finding out you were nominated?

ERIC: To be very frank with you, I was very happy. I said “Oh, that’s nice.” Someone had listened because I’d complained for years about the voting system, and it was based on pure laziness as far as I’m concerned. There are 150,000 registered actors in Hollywood. You can’t tell me that you can vote only from within your company. It’s nonsense. It’s not right. You know, let other actors from the outside be judges of what they see.

Photo: Courtesy/NATAS

I believe when you won in 1998, you didn’t go to the Emmy’s, right?

ERIC: I was doing a Shakespeare play that evening, if I recall. However, I’ve got to tell you about the most embarrassing moment. Aretha Franklin was a big fan of the show and of mine. She had asked me if I would present with her at Radio City Music Hall in New York. These producers when you accept an award, be it the Oscars or whatever it is, they will sit in the booth, and they say, “Move on, move on, move on.” They want you to get on and off stage very quickly. That should not be allowed. When you receive an award, then it should last a little. So, there’s a ticker thing in front of me, and you look at it and kept on saying, “Eric Braeden move on.” I’d hardly been there with Aretha Franklin and I wanted to thank Bill Bell (co-creator and former head writer, Y&R). We owe everything to him. We owe everything to that man’s foundation and his genius. So, I stood there with Aretha and I saw again “Eric Braeden.” So I said, “And I would like to thank Eric Braeden.” The moment I said it, I wanted to sink in to the ground. Fortunately, it was a long time ago, but I had to bring it up again because I’ll never forget it.

Photo: CBS

You’ve done so much for this industry, so much for Y&R, and the soaps. You’re an icon in it. It must be nice to get recognized by your peers, at this point in your career.

ERIC: It felt wonderful, no question. I even sent the nominating announcement to my brothers in German. I’m very happy about it, very proud of it, you know.

So, will you be rooting for Eric come Emmy night to take home his first Lead Actor Emmy in 20 years? Share your thoughts via the comment section below.

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Interviews

(INTERVIEW) B&B’s Scott Clifton Chats On His Lead Actor Emmy-Nominated Scenes, Reluctance to Submit for Several Years, and the Honor to be Named with His Co-Stars

The Bold and the Beautiful received 12 Daytime Emmy nominations for the upcoming 51st annual Daytime Emmy Awards tied with The Young and the Restless for the most of any show. Of those 12 nods, 7 were acting nominations for its cast. One of the names who made the Lead Actor race was a very familiar face to Emmy voters, and a three-time winner, Scott Clifton (Liam).

For the first-time in the shows 37-year history, three leading actors from the soap made the grade and find themselves up against each other on Emmy night: Clifton, Thorsten Kaye (Ridge) and John McCook (Eric). While Kaye won the 2023 gold statuette in the category and McCook won in 2022, the last time Clifton won in this category was 2017.

Scott also holds the Daytime Emmy record for the only actor to win in all three acting categories: ‘Younger’ in 2011, ‘Supporting’ in 2013 and then the aforementioned ‘Lead’ category. This year, also marks Clifton’s 10th Daytime Emmy nomination, having also picked up nods early in his career for his work as Dillon Quartermaine on General Hospital and as Schuyler Joplin on One Life to Live.

Photo: MFTV Inc

On Friday, April 26th, The Bold and the Beautiful held an on set celebration to honor this year’s nominated cast, crew and creatives. When B&B executive producer and head writer, Brad Bell introduced Scott Clifton, as one of the three actors from the series being recognized at Emmy time, Clifton addressed those in attendance.

Scott expressed, “I’m grateful to you, Brad Bell, and this family you created. I know at the end of my life, I’m not going to remember winning Emmys. I’m going to remember that I was nominated alongside John McCook and Thorsten Kaye. That’s what I’m going to remember, and that’s still blowing my mind, on the shoulders of giants doesn’t do it justice. So thank you, for that one.”

Photo: JPI

Following the acknowledgements, Michael Fairman TV caught up with Scott to gain some insight into what scenes he submitted on his Emmy reel, how he feels being back in the Emmy competition an, and more. Here’s what he shared below.

What scenes did you submit that landed you this Lead Actor nomination?

SCOTT: When Hope (Annika Noelle) and Liam come back home from Rome. It’s just two episodes in a row. That’s all it was, which was new for me. I’ve never really submitted a reel like that. But, it’s where Liam confronts Hope about kissing Thomas (Matthew Atkinson). It’s a side of Liam I don’t think, at least any Emmy voters have seen before where he’s just an asshole. Of course, he’s hurt and he is angry and he feels betrayed. But, he is sort of toying with Hope, almost. And then it turns into this somewhat cruel interrogation scene. Annika was incredible. It wouldn’t have worked without her performance.

Photo: JPI

It was the scene where Liam is pushing Hope to admit she kissed Thomas, going “C’mon, say it, Hope! Say it with me?”

SCOTT: Correct. Liam’s going, “I want you to say it. You say it.” That’s somewhat in the middle of the reel, and there was just sort of this lead up to that. It ends with Hope kind of pleading and begging to Liam, saying, “I’m sorry. I don’t know what came over me. I still love you.” Liam’s still emotional, but he is saying, “I don’t know how that could be true.” That’s just kind of where it ends. I hadn’t planned on submitting anything. It wasn’t like I was submitting because I thought I had a good year going,”Now, which scenes do I find?” I had multiple people here that I trust, Eva Basler (VP Communications and Talent Relations, B&B) and Rachel Herman (Associate Producer, B&B), come up to me and say, “Just submit those scenes, please.”, I said, “okay.” And I did, and then this happened, which blew me away.

Did you think that, perhaps, would never receive a nomination again in your role as Liam?

SCOTT: I kind of thought the whole ‘Emmy nominations’ were over for me. They gave me three already.

Photo: NATAS

And, you hold the record for the only actor win in the Younger, Supporting and Lead categories.

SCOTT: I know, and now one of those categories doesn’t exist anymore, and that’s a bummer. And then, after that third one, I didn’t get nominated for like five years or something like that.

But in those five years, did you still submit yourself, though?

SCOTT: I fought hard not to because I wanted to give everybody a break and disappear for a while. And that comes from a place of like support and encouragement, but the show really wanted me to submit every year, even when I didn’t feel like I had anything. My argument was, this is a mistake. Emmy voter time is valuable and they don’t want to see something that you’re not totally proud of, and I don’t want to create resentment about me or the show. I would wager to say I was right. Then finally, the last two years, the show said, “OK, fine, you don’t want to submit, you don’t have to submit”. And then this year, the Emmy voters gave me the nomination. I feel good about that.

In the scenes you submitted, Liam wasn’t a doofus. He stood up for himself in it, which was good. He wasn’t going to lay down and let Hope just run over him with her betrayal.

SCOTT: We’ve seen kind of the vulnerable Liam, we’ve seen Liam scrambling to be heard, but he was in control throughout all these scenes. That’s a side that I had not played much before, and that the Emmy voters certainly haven’t seen me do.

Photo: JPI

Now, who do you root for yourself, John McCook or Thorsten Kaye since B&B holds three of the five slots in the Lead Actor in a Daytime Drama Series this year?

SCOTT: Oh, God. If any one of us gets it, that would be fantastic. Think about it. In terms of game theory, the value in getting an Emmy nomination is that you have a chance of winning an award for the show, right? The more we can get nominations, the more awards we can win. Those are awards for the show. That helps with ratings, it helps with the contract with the network. It’s all good. It inspires Brad to write more. So, I don’t care, honestly, but we have a three out of five chance of getting the show another Lead Actor Emmy which is huge. So, I’m rooting for any one of us.

Who did you first tell that you were Emmy-nominated?

SCOTT:  I was with my girlfriend, Elle. I was getting out of the shower and I’ve got like a towel barely around me and I got a phone call from Eva Basler. Then, Elle, she just saw the look on my face, and she could only hear my side of it, but she was trying to figure out what was going on. Then, I got off the phone and she went, “Did you just get nominated for Emmy?” And I said, “Yeah, I think I did.”

Make sure to tune-in to the 51st annual Daytime Emmy Awards live on CBS and streaming on Paramount+ beginning at 8pm ET/ delayed on the west coast.

Now below, check out some of the moments from the scenes that Scott included in his Emmy-nominated where Liam confronts Hope about her betrayal of kissing Thomas in Rome. Then, let us know, will you be rooting for Scott to take home the Lead Actor Emmy this year? What did you think about his nominated performance? Share your thoughts in the comment section.

 

 

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