Good ridden’s -she was awful!

Glad she is gone, hope JFP comes in humble with the veterans. She can be a monster when it comes to the vets. Time will tell!!!!!!

You can tell this woman is very full of herself.

I see Maria going to Y&R’s sister show the Bold 3 Show JFP was the beginning of the end of Guiding Light

Hammer is gone, they haven’t said about Sheffer, but I doubt Griffith will want him around.

THis will kill the show Jill will f it up bad!

This is all devastating news that Sony/CBS appear hell-bent on closing the door once and for all on the brilliant art from that is the dramatic serial. Bill Sr. must be turning over in his grave. The magical, mythical place that is Genoa City, WI, a lush, wonderful, unique escape for 42 minutes every day has been on a tumultuous decline since the control of the ship was handed over in the 2000’s to LML (disastrous) and then MAB (initially promising but ultimately disappointing) right down to the loss of brilliant casting director Marni Saita who never cast anyone for their looks but rather chose appealing, complex and skilled actors for every role. The shift in focus off of such things as core families and veterans, family unity, a good mix between young and old, happy times and sad, stability/dependability and lunacy/uncertainty, and the killing off or writing out of such beloved, complex and compelling legacy characters as John Abbott, Drucilla Winters, Brad Carlton and now Ashley Abbott (the spectacular, under-used Eileen Davidson) in favor of the psycho of the week (Patty, Sarah, Daisy, Ricky), plastic surgery look-a-likes (Sheila/Phyllis, Patty/Emily, Lauren/Sarah), rampant wasted and poorly-timed SORASing (Kyle, Fen, Summer), reverse aging of character re-casts (Diane Jenkins), character destruction and inconsistency (Sharon, Neil), incestuous inter-generational and age – parental – role model inappropriate pairings (Victor/Sharon, Jack/Sharon, Phyllis/Ronan), wasteful stunt castings, and annoying shrill side-show diversions (Angelo/Angelina) have all combined to be more than any loyal viewer can bear, severly watering down the experience that is Y&R, and making it difficult to continue caring and watching regularly as much as one might want to. A rising tide lifts all boats, and the only way to save this show (and therefore the few others that also survive) is to hand the reigns back over to Bill Sr.’s brilliant protege, Kay Alden, as head writer or someone else like her with her unique skills, values and vision. Shift the focus back onto core, legacy families and characters, character-driven story with consistency and character growth and evolution, slightly slower pacing and build with long term pay-off and more. The emotionally compelling and rock-solid heart and soul of Y&R today: Michael and Lauren as played by the incomparably magical and appealing duo Christian J. LeBlanc and Tracey E. Bregman. One positive being left behind by MAB: the redemptive love story and character evolution of Adam and Chelsea which is a gold nugget in the canvas right now (Melissa Claire Egan is a star). Other reasons to watch: Jeanne Cooper, Jess Walton, Eric Braeden, Peter Bergman, Melody Thomas Scott, Michelle Stafford, Doug Davidson, Lauralee Bell, Tricia Cast, Greg Rikaart, Joshua Morrow, Billy Miller, Christel Khalil, Elizabeth Hendrickson, Marcy Rylan, Beth Maitland, Judith Chapman, Ted Shackelford, Kevin Schmidt and others I know I’m forgetting. I’ve no idea of the corporate and Bell family politics involved behind the scenes of this emipre and of course this is a business that must ultimately turn a profit, but hopefully between CBS, Sony, and the superstar Bells there is still someone who truly understands why Y&R has been #1 all of these years and has stood far and above all of the rest as the gold standard of the genre. We can only hope.