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Angelica McDaniel Chats On CBS Daytime After Dark, Revealing Secrets On THE TALK, Y&R's New Head Writing Duo & The Future!
Photo Credit: HutchinsPhoto.com
Last evening, the CBS Daytime team put on a one of a kind event, CBS Daytime After Dark that featured an evening of stand-up comedy from some of CBS Daytime’s biggest stars to benefit the charity Stand Up To Cancer, a program of the Entertainment Industry Foundation, which funds groundbreaking cancer research.
The event was hosted by actor/comedian Billy Gardell (Mike & Molly) and featured CBS Daytime stars: Drew Carey (The Price is Right) Wayne Brady with Jonathan Mangum and keyboardist Cat Gray (Let’s Make A Deal) and Aisha Tyler and Sheryl Underwood (The Talk).
On-Air On-Soaps was on the red carpet and inside the world famous Comedy Store on the Sunset Strip in Tinseltown to watch the incredible comedic performances and to talk with the movers and shakers, and the stars that comprise the family of talent of CBS Daytime. First up, we had the opportunity to talk to the woman who is really making a difference with her energy, fresh perspective, use of social media, and creating continual synergy for her entire daytime line-up which includes: The Young and the Restless and The Bold and the Beautiful. Of course, we are talking about CBS Entertainment, Senior Vice President Daytime, Angelica McDaniel.
Just as Angelica was about to go in and take her seat to watch the stand-up routines that would provide plenty of laughs and enable these comedic talents to strut their stuff, she took a moment to chat about the creation of this event, The Talk’s exciting season four premiere week that had the ladies revealing some of their inner most never-before-known secrets, and what is to come on The Young and the Restless as it begins to embark on its new journey with new co-head writers, Shelly Altman and Jean Passanante! Here’s what Angelica shared with us …
Angelica, did you come up with the concept for this event to bring all the incredible talent from the CBS Daytime line-up in great synergy to support Cancer Awareness?
Courtesy/CBS
ANGELICA: Yes, this is a CBS Daytime exclusive! A lot of women watch CBS Daytime and that is our key demo, and during all of our shows in the month of October we always support Breast Cancer Awareness. So we thought, “Let’s do something that is related to cancer,” and then we partnered with Stand Up To Cancer. The one thing I learned that was really eye-opening was that more than one person passes every minute from cancer. So this is such an important event to draw attention to it. We have got CBS Daytime talent, CBS Primetime talent here, and it’s a great night. I am so excited that for the first time everyone gets to see these great daytime comics, but they don’t have the daytime television restrictions in this live show, so they can just let loose and have fun.
You have such an amazing talent pool in your arsenal with Wayne Brady, Drew Carey, Sheryl Underwood, and Aisha Tyler! Not only are they some of America’s favorite game show or talk show hosts, but they are amazing live comics! So it’s great to be able to see them tonight in their true realm. Such a treat, right?
ANGELICA: Wayne Brady, Drew Carey, Sheryl Underwood, and Aisha Tyler, these are touring comics and this is what they do. We are so lucky having them hosting our shows and that is a big part of why we are the number one rated line-up in daytime television! So we thought, “You know what? Let’s draw attention to that! Let’s let the fans come” We are going to have a hundred fans crammed into The Comedy Store tonight and it’s great! They got their tickets online, through social media and through the shows, and it’s a great way to see everyone come together and truly be a great big family.
Courtesy/CBS
The Talk is having its most successful season and ratings yet! I must say, I have never seen anything like season four premiere week where Aisha, Sheryl, Sara Gilbert, Sharon Osbourne, and Julie Chen shared some very deep, and often times harrowing secrets for the first time with the public and each other. Who came up with that idea for a season kick-off?
ANGELICA: They are doing a great job in the ratings. We kicked off season four with a great week of the hosts revealing secrets. That was our executive producer, John Redmond’s idea. But one of the things that people were thinking was that the women were going to say something like, “Oh, I dye my hair blonde,” or these kinds of secrets that weren’t really a big deal. And then they were just blown away when they saw how revealing and vulnerable these women allowed themselves to be. I am so proud of them for taking that leap of faith. But it really just goes to show with the support of everything from the network, the studios, the executive producers, and the producers on staff, that the women really feel that they are safe to be that vulnerable. That is really a testament to the behind the scenes people of that show.
Let’s talk about what is happening with The Young and the Restless! Are changes coming in front of the camera that fans will notice as far as storytelling, plot, and seeing the characters they want to see continuing at the forefront? This week there is some major drama about to go down in Genoa City, too!
Photo Credit: HutchinsPhoto.com
ANGELICA: I can say I am really excited about the stuff that is happening on Y&R. This is a big week story wise, and there are a lot of things happening behind the scenes. I am just really excited for us in the coming months as we begin shifting story to really start having more well-rounded balance of family, relationship, humor, and shock and sadness. For awhile, I think we were just kind of telling the same level of a story. Now you’re going to see a lot more happening, and a lot of characters from other generations crossing with other characters, and really opening that show up.
Shelly Altman and Jean Passanante are the new co-head writer of The Young and the Restless. What can you tell me about having these two ladies penning the future of Genoa City?
ANGELICA: Jean Passanante has not actually started yet. She starts next week. So it’s really exciting for her to come in and be part of the family and the nest with us. Despite what people want to say, Jean and Jill Farren Phelps have not worked together. They worked together once years ago where they sort of overlapped with each other while one was coming in and one was going out on a soap, so it really wasn’t working together. But people are wanting to say, “Jean is a friend of Jill Farren Phelps!” And I want to say, even if Jean was a FOJ, because Shelly Altman was and is, the reason people are “friends of …” is because these people are really good at their jobs. I love to hire people I know sometimes. I have a couple of them who are working with CBS Daytime that I worked with before because they deliver, their excellent, and their team players, and so they are part of the team.
So CBS Daytime fans, what do you think of Angelica’s comments on the future of Y&R and the new head writing team of Shelly Altman and Jean Passanante? What did you think about the concept of CBS Daytime After Dark to benefit and raise awareness for the organization Stand Up To Cancer? Did you enjoy the shocking secrets from the ladies of The Talk during its season four premiere week? Share your thoughts below!
Y&R suffered in a huge way. It hasn’t had a stable regime in eight years. Now you have someone in charge that made huge mistakes on other shows before. But somehow Jill Farren Phelps still managed to get employed.
This is Bill Bell’s legacy we are talking about here. And while I was a fan of Angelica McDaniel in the beginning, it’s not the time to go completely silence while fans are concerned only to come out on protect Phelps in such an idiotic matter. Very disappointing and a sad day for all Y&R fans who thought that McDaniel was Y&R’s last hope.
Last but not least, while Passanante and Phelps haven’t worked together on GH, they share a past. Jean was an associate head writer from 1997 to 1998 on OLTL, while Phelps held the EP position. Just sayin’.
I like how she completely avoided answering that last question. What was asked and what was answered were not 2 sides of the same coin.
I like her. I think she’s a great visionary and leader, and representative of our genre. But I just get no enjoyment from her daytime lineup. Some days, yes. But generally speaking if I am home, my index finger does not click on her channel.
Could not agree more! We are doomed! The things JP did while penning ATWT lead to it’s demise and now the hack is coming to Y&R. I still want Kay Alden back she knows the show and it’s history. Especially now that Jeanne Cooper has passed on!
Y&R has Cynthia Watros and she is not playing Phyluss?? Yup this soap has gone mad
I hope that these new writers bring some balance to the storytelling on YR but I’m doubtful. The show seems all about one certain FOJ and that’s Steve Burton and his Dylan. I’d like to see tptb take an interest in telling the stories of all in GC. I think they should take a cur from the new GH about how to tell stories that include all characters.
I don’t know– it just seems sad to me that they are taking the lazy route to creating drama by killing off a child. Of course it will be heart wrenching how cannot not be— but that’s my point, in lapse of any real creativity– they go for some so base, so primal to our souls– that it almost smacks of manipulation as if daring the viewer not to cry over this one. It was a bad idea when they killed Cassie, and then Colleen– and I think in the long run this newest tragedy will be in the league as them. It is just so unimaginative — so unnecessary. And then using to that death to “cure” Connor blindness– even less inspired– I am sure many visually impaired viewers would have love a long term story on coping and living with blindness– that drama could have lasted years to come, but again pulling the same stunt they did with Colleen, using her death to save Victor– it’s been done— so I am not impressed or as optimistic as the head of Daytime on the team she’s got in place. Yet, I do applaud them using their time to worthy cause in real life—kudos for that.
I dont take much stock in what she says. I dont care who they bring in as long as they do stories as long as they dont have to rewrite history for a story to work. Or even just to make sense. And if anybody can make sharon better I’m for it. And stop dumbing down characters.
I must admit that the past two months on Y&R have vastly improved, especially in pacing and storytelling. I’m glad to hear that the writing regime will continue to focus on real relationships and family rather than making everybody miserable.
Honestly, and with all due respect for her highly-touted passion for daytime, she seems like part of the problem where Y&R is concerned. She appears to love publicity from ALL the red carpets she’s on (with the same handful of actors) to the recent prominence of all CBS Daytime in social media, including her personal twitter account where I’ve seen her applaud the ratings when they’re good, admonish Canadien viewers for “spoiling” predictable storylines when actors and others often provide more than enough clues for smart viewers to figure it out weeks ahead of air date, and explain that “they” like to save the budget for cast rather than a special song for Nikki & Victor’s wedding or to even occasionally see the characters’ pets (never mind a new pet was just added ).
But how much do all the new sets cost? Or all the new cast members? Was it necessary to replace the music and wardrobe people(guess “one big family” doesn’t apply to all). How about some real answers for once? Is she really proud of a show where rape is glossed over nearly once a week? Or one where women are minimized in their roles , both at home and in their careers? She’s the President of CBS Daytime, yet the show once known for its businesswomen is all about the boys. That isn’t ironic; it’s disgraceful, especially for someone who acknowledges that women make up their key demo.
And as far as her defense of Jill Farren Phelps. Exactly what was her last success as an EP? I won’t comment on the new writers until I’ve seen their work, but Ms. Phelps? Oh, I’m familiar with her. Too bad she doesn’t seem too familiar with Y&R. Yes, I may be harsh on both women, but I hold them to no higher standard than I hold myself. I think neither has an easy job, but good things are never easy, and great things are a hell of a lot harder, as I’m sure Bill Bell could attest to.
This is just spin and b.s., as far as I am concerned. The fact is these people AREN’T that good. If they were, generally speaking, they wouldn’t be going from one failure to the next. Folks, that is corporate and government America: a revolving door of people who know each other rewarding each other and protecting each other from the fallout of failure. Y&R is a rich legacy that was built from the ground up by Bill Bell but has been systematically destroyed by the last three show runners with three names each, coincidentally. The destruction of daytime’s crowning jewel is unforgivable. We’re almost to the point of no return with this show, but it’s not too late to let someone who understands Bill Bell’s legacy soap, its history, its characters, and can navigate this show out of these dark years, rebuild that legacy.
I think Angelica is good in many ways for CBS and certainly has done a lot on social media to promote her line up. However, in regards to Y&R, my concern with her is that she doesn’t seem to see why JFP is polarizing with the soap fan base. JFP has more than earned her reputation and her commitment to repeating past mistakes on each show she helms reeks of arrogance and ego. It didn’t work before so why do it again? I agree with the poster who said Delia’s upcoming death is manipulative. They currently have little going on with the show that has me riveted and this story ploy is exactly the kind of gimmicky crap JFP does to propel her stagnant shows. We just lost a 40 year veteran whose real life death should have propelled the show into a creative zenith. Instead in the weeks following this loss we’re saddled with a crappy murder mystery and child dying. Forgive my bluntness here but JFP knows crap about producing long term compelling character driven drama. Then implying Passanante and Altman were hired because they are “really good”, in spite of the fact that they both were head writers who saw their shows to cancellation, is absurd. I found her last answer dismissive to the fan base. In case she’s wondering, yes, we’re tired of mediocre talent ruining our soaps and killing them off. There are only 4 soaps left and seeing the same garage sale talent hired and promoted is baffling. We have our legitimate reasons for disliking those people who’ve had a hand in destroying the once mighty soap opera dynasty.
Elephant in the room? Angelica McDaniel should not be helming YR. She & JFP let Josh Griffith be the fall guy for their mess. The content, of the show, has suffered horribly under her care. I seem to remember her making similar statements about Josh not so long ago. So, who is lying here? CBS needs to leave her overseeing The Talk, & TPIR, these shows are her forté, but she is NOT a storyteller, & she needs to be relieved of her duties at YR.
When this story was first done on daytime in 1994 with Maxie and BJ, it worked on evey level for many reasons. First…it was written by the magnificent supremely talented Claire Labine. Second, it was something daring, shocking and new. Third..it involved beloved characters in whom the audience was deeply emotionally invested. Fourth it was written with heart and humanity. Since then, every soap has told some variation on this story. All My Children did it twice with Gillian/Laura and Kendall/Josh. Guiding Light did it twice as well. GH tried to replicate it only a few years ago withawful results. Every show has been so desperate to recapture the brilliance and he magic of that story and it cannot be done. It was lightning in a bottle. Now every subsequent child who gets killed just seems more gratuitous, violent, and unnecessary. These characters are not beloved long time good guys like Bobbie, Tony, Felicia, etc were on GH. Chelsea has not even ben on for 2 years and she has been shown as a liar and a con artist. Chloe is an impulsive ninny who gives horrible advice in the name of friendship and parenting. Billy and Victoria are the emotional anchor here…and this storyline darn well better have her get pregnant and let them have their own child. The show is featuring an awful lot of death all at once…Mrs. C, Carmine, Delia. I am sure this story will result in stellar acting, a boatload of Emmys, and get a lot of people talking. But I question the wisdom of this. Delia is a legacy character. They already needlessly killed an Abbott daughter in Colleen. When will soaps learn that viewers do NOT want constant misery and angst all the time? We have enough of that in our own lives.
It stinks! Jean has worked on CBS for years so I can see that, knowing what CBS’s soaps are about, but Shelly & Tracy is from ABC and YR is looking more like an ABC soap not the opulent CBS stunner it once carried. I’m sorry and no disrespect but Ms. McDaniel hasn’t a clue what YR viewers want to see having no background prior with YR, but I guess viewers need to just shut up because evidently they could care less about us. They had recycled stories from GH, Delia dying, Bill didn’t kill off children for sweeps. His was natural & organic with beats being played for sweeps, is why our eyes from the viewers was glued to the TV. JFP, Tracy, Shelly, Josh have been more plot driven the last 4 months. My heart aches.
“…the reason people are “friends of …” is because these people are really good at their jobs.”
Hogwash. What a load of self-serving crap. It’s exactly this kind of attitude that has brought ruin to corporations, governments, and yes, television shows as a whole and soaps in particular.
I have praised her in the past. But to hear the manner in which she defends Phelps and the writing makes me question if she really knows anything about the legacy of the show and what’s best for it.
The new writers, even if they do have good intentions, will be thwarted by Phelps and what her incorrect vision of the show should be.
Phelps needs to go six months ago.
Could not agree more.
It amazes me how many people defend JFP. Never liked her when she was EP on GH. Then when I recently found out that she fired Anna Lee (Lila, GH) a week before she died. If I had any respect for her, I certainly lost it after finding that out. YR needs to do something and fast. Because if they keep her, well, things are going to get worse. She should never be an EP of soaps because all she does is destroy them.
This summer beginning on July 21, Netflix streams the return of WWE: Unreal for its third season. The behind the scenes docudrama series gives fans a glimpse of life in WWE and inside the writers room, as injuries, last-minute pivots, and career-defining decisions reshape WWE’s biggest event of the year, WrestleMania 42.
WWE Unreal is taking fans deeper than ever inside World Wrestling Entertainment’s creative process, The hit docuseries will once again pull back the curtain on some of the biggest moments, boldest decisions, and unforgettable storytelling with some of the WWE’s greatest legends who’ve shaped the industry and new stars who are emerging as prominent parts of the future.
In the new season of ‘Unreal’ which consists of 5 episodes at 50 minutes each: John Cena says goodbye, a fan favorite returns, and the next generation of Superstars rise to the occasion.
Photo: WWE
The cast and WWE superstars featured include: the aforementioned Cena, plus Cody Rhodes, Liv Morgan, CM Punk, AJ Lee, Trick Williams, Lash Legend, Stephanie Vaquer, Oba Femi, Bron Breakker, Chelsea Green, Matt Cardona, Seth Rollins and Becky Lynch.
As previously reported AJ Lee revealed on General Hospital star Maurice Benard’s (Sonny Corinthos) mental health series, State of Mind, that she was part of the cast of WWE: Unreal.
WWE: Unreal production credits include: Directors/Showrunners: Chris Weaver and Erik Powers Executive Producers: Peyton Manning, Jamie Horowitz, Ross Ketover, Keith Cossrow, Ken Rodgers, Jessica Boddy, Lee Fitting, Ben Houser, Marc Pomarico Sr. Producers: Harley Glantz, Brian Decker, Michael Flynn Producers: John Galiani, Dan Gati, Jeremy Lundblad Production Companies: Omaha Productions, NFL Films, Skydance Sports, WWE.
So, what do you think of the loglines for the new season of WWE: Unreal? Who are you most excited to see featured in the behind the scenes drama from the list of WWE superstars and the twists and turns leading into this past April’s WrestleMania 42? Let us know via the comment section below.
If you have ever tuned-in to the soap opera genre over the last 50 years, and witnessed some of the greatest romances, drama, classic and outlandish storylines of all-time, you would have seen Deidre Hall smack dab in the middle of it as longtime Salem heroine, Dr. Marlena Evans.
It was 50 years on this date, June 21, 1976 that Hall first appeared on DAYS on NBC which was its home for 57 years before it moved to its current streaming platform on Peacock in September of 2022.
In Hall’s first episode she was introduced as a psychiatrist treating Mickey Horton (John Clarke) at Bayview Sanitarium after he suffered a complete mental breakdown. Mickey learned that his brother Bill Horton (Edward Mallory) was the biological son of Mike Horton (Wesley Eure) with his wife Laura (Susan Flannery) and that he had been lied to for years and years. From that moment on, the rest is television and soap opera history. Days of Our Lives put Hall front and center.
Photo: NBC
There were so many heartbreaking and shocking story twists involving the beloved Marlena. One of the first was the historic crib death of baby DJ (Don Jr.) in 1980, Marlena’s infant son with Don Craig (Jed Allan). The story had never been told on daytime television and Hall’s performances received accolades from TV critics to fans when Deidre received thousands of letters from grieving mothers who had gone through the same thing in their own lives.
DAYS also brought Deidre’s twin sister, Andrea Hall Lovell to the show as her on-screen sister Samantha, who had a grudge and even locked Marlena up in a sanitarium and took her place! Fast-forward and in 1982, DAYS launched the Salem Strangler story where everyone believed Marlena was his next victim, only it turned out to be Samatha. Jake Kositchek (played by Jack Coleman) was revealed to be the actual serial killer.
Later, Deidre would assume the role of Marlena’s look-alike, Hattie Adams in 2004, once played by her sister, Andrea. Over the years, Hattie has come back to Salem and caused trouble giving Hall a chance to play a different type of character, then the always upstanding Marlena.
Photo: JPI
THE LOVES OF MARLENA
Deidre Hall struck gold with all her leading men: from the late Jed Allan, to Wayne Northrop as Roman Brady, and of course, her enduring love story with the late John Black played by the iconic Drake Hogestyn. In fact, Marlena’s 1986 wedding to John (who was believed to be Roman at the time) remains a favorite of fans to this day.
TOP MARLENA STORYLINES OF ALL-TIME
While the list is long, here are several that were some of the memorable during Deidre’s five decades in Salem!
The Possession (1994- 1995)
Considered one of the most ambiguous, outlandish and unforgettable story arcs in soap opera history, then Days of Our Lives head writer, James Reilly went there! Marlena was possessed by the devil! That included; the demonic eyes, hissing at father John (Black) the priest, morphing into creatures, and the classic levitating in her bed! It became a cultural phenomenon and cemented Deidre Hall’s status as a daytime television legend. Just ask Ryan Gosling!
Photo:JPI
The Affair with John Black (1993)
John and Marlena’s forbidden love could not be denied and they had passionate affair, while she was still married to the real Roman. Problem was her daughter, Sami (Alison Sweeney) caught her mother having sex with John on a desk that changed Sami forever.
The Salem Stalker Mystery (2003-2004)
In a shocker, Marlena was revealed to be a serial killer who bumped off several Salem favorites residents who were all alive on the island of Melaswen (spelled “New Salem” backward). Turns out, she was manipulated and gaslighted by Andre DiMera (Thaao Penghlis) to do the “killings” and had no memory of her actions.
The Pier Scene (1991)
This remains Michael Fairman TV’s all-time favorite Deidre Hall moment, which featured some of the best acting in the storied careers of both Hall and Drake Hogestyn.
In the story, a presumed-dead Marlena returns after four years. One foggy night on the pier, John is alone, and Marlena steps out of the fog to reveal herself, and is reunited with the love of her life. You can watch it any year, any decade, and in any moment, and it will have you reaching for the hankies again and again. (best music score fo a soap scene of all-time too!)
Photo: NBC
Kristen’s Secret Room Reveal (1997)
Marlena was caught in Kristen Blake’s (Eileen Davidson) elaborate web of lies, when she was held hostage in a secret wine cellar/room until John managed to track her down, leading to an iconic on-screen reunion. The classic catfight between Hall and Eileen Davidson was one for the ages.
It should be noted that Maison Blanche, Queen of the Night, Possession, Aremid and Lady in a Cage were all a part of classic DAYS storyline and all featured Hall at the epicenter of it from 1993-1996.
THE RECENT YEARS OF MARLENA
In recent years, DAYS brought back the possession 2.0 storyline under then head writer Ron Carlivati in 2021 where the devil leapt back in Marlena after taking advantage of a frail Doug Williams (the late Bill Hayes)
In 2025, viewers watched the end of the love story of John and Marlena, as John succumbed to injuries sustained in an explosion saving a vial of medication needed to bring Bo (Peter Reckell) back to life. Marlena has been a widow on-screen since June of 2025 as Hall as portrayed the good doctor struggling with her grief and to move on with her life since his death.
Photo: JPI
One story that never goes away is Stefano DiMera’s (the late Joe Mascolo) obsession with Marlena, his “Queen of the Night.” Even in death, Stefano is toying with her from the great beyond with the mysterious chess set and the missing “pawn,” that he had gifted John and Marlena in his will. The mystery is currently unfolding on all-new episodes of Days of Our Lives.
Tune-in to Days of our Lives on the Monday, June 22 episode as Marlena looks back at her 50 years in Salem.
Share your congratulations to Deidre Hall for this incredible 50-year milestone as Dr. Marlena Evans on Days of Our Lives in the comment section. Then let us know, what is your all-time favorite storyline or moment in the life of Marlena over the past 5 decades? And, just for kicks, and to celebrate this amazing milestone, here is Marlena levitating below circa Christmas Eve 1994.
General Hospital
Maurice Benard Gives High Praise to ‘General Hospital’ Writers; Teases Upcoming Sonny Scenes with Anna, Jason, Justine and Ric
With the highly-anticipated returns of Finola Hughes (Anna Devane) on this week’s June 24 episode of General Hospital, Steve Burton’s (Jason Morgan) upcoming return on July 13, which also serves as the ABC daytime drama’s 16,000 episode, things are about to fire on all cylinders in the story, as noted today by series star, Maurice Benard (Sonny Corinthos).
On Father’s Day, the three-time Daytime Emmy-winning actor and mental health activist took to his Instagram and expressed in a video that he has some unbelievable upcoming senes with the aforementioned Burton and Hughes. Add to that Nazneen Contractor (Justine Turner) and Rick Hearst (Ric Lansing), where Benard gave credit where credit is due to the GH writing team, which is led by co-head writers, Elizabeth Korte and Chris Van Etten..
In this video, Benard said, “I just want to get on here and say that I did some work with Steve Burton, Finola Hughes, Rick Hearst, Nazneen Contractor, and they’re all just fantastic. Truly fantastic. But, I want to say the writing was just exceptional. It truly was. It was exceptional. So, thankful for that kind of writing. I know writers don’t get the credit a lot, but I just want to say to the General Hospital writing team, keep rolling!”
GENERAL HOSPITAL PREVIEW
So now the question becomes, with a major tease like that, what is about to go down between Sonny, Anna, Jason, Justine and Ric? Will we finally get to the end of the line for Sidwell (Carlo Rota), as previously teased by the GH co-head writers? Will we learn what happened to Jason and Anna, fully? Will Justine and Sonny becomes closer or stop their liaisons? And what of Ric? Will he be true blue to his brother or double-cross him? There is a lot at stake as we move further into the summer and one that looks like it could be one of the more exciting ones in years!
FINOLA HUGHES CONFIRMED AMAZING SCENES WITH MAURICE BENARD
As a punctuation point to his video, Benard also shared this written message in the post: “I just did some wonderful scenes with Steve Burton, Rick Hearst, Finola Hughes and Nazneen Contractor and and unbelievable writing, freaking amazing scenes that you will see in the near future on General Hospital.” In fact, Finola Hughes jumped in the post comment thread and responded, “I loved our scenes so much xxx”
Fans will most likely see all the scenes Benard referred to later in July, since GH tapes approximately six weeks ahead of air.
So, are you excited to see what Maurice is talking about? Are you hyped for what’s to come on GH? Any clue on what you think will go down between the main characters on the soap with the returns of Anna Devane and Jason Morgan to the mix? Weigh-in via the comment section below.
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DAYS OF OUR LIVES: Marlena Looks Back at 50 Years in Salem
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Maurice Benard Gives High Praise to ‘General Hospital’ Writers; Teases Upcoming Sonny Scenes with Anna, Jason, Justine and Ric
Maurice Benard Gives High Praise to ‘General Hospital’ Writers; Teases Upcoming Sonny Scenes with Anna, Jason, Justine and Ric
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