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B&B's Karla Mosley, Obba Babatundé & Anna Maria Horsford Interview: A Family Struggles To Accept Their Transgender Daughter!


Talk about your family drama!  Last week on must-see TV from The Bold and the Beautiful, as the wedding day of transgender woman Maya Avant (Karla Mosley) and the love of her life, Rick Forrester (Jacob Young) began to play out, deep-seated and long buried sentiments, resentments, and denials came to the forefront, as Maya’s parents, particularly her father Julius (Obba Babatundé), revealed in front of the entire wedding party that he has suffered in his own way with his objections, and his struggles to accept Maya’s transition from being his only son, Myron. This included even turning his back on Maya when she was younger, and throwing her out of the Avant home!  Maya’s mom, Vivienne (Anna Maria Horsford), who was racked with guilt over her hand in throwing Maya out the front door, then reveals she was caught in the middle between the man she loves and her child, and begs Maya’s forgiveness.

However, in the showdown of all showdowns, Maya stands up to her father!  After Julius walks out on the wedding, Vivienne stays behind.  Maya and Rick said their “I do’s”, and then began their honeymoon as newlyweds.  But with everyone sharing their “truths”, what’s next for Maya and her parents?  Can they find resolution?

On-Air On-Soaps chatted with the talented trio who have delivered Emmy-worthy power performance after power performance in this storyline: Karla Mosley, Obba Babatundé, and Anna Maria Horsford.  The accomplished threesome weigh-in on their gut-wrenching scenes, including Julius secretly telling his wife that Maya is a “freak show” before her wedding.  In addition, the actors discuss the effort, care and the importance that the CBS Daytime drama series is taking to look at, and tackle all the complexities facing the transgender community … in particular when a family member discloses, or is revealed to be transgender, and the long road a family often finds themselves on to find common ground, and to love one another in-spite of their differences.  Here now are Karla, Obba and Anna Maria!

Last week, viewers of The Bold and the Beautiful watched the massive confrontation scenes between Julius and Maya at her wedding to Rick.  Then add to that Vivienne revealing her guilt for siding with her husband for kicking Maya out of the house years ago, and not doing anything about it.  What did you think of those scenes?  I felt like I was watching an incredible Tony-award winning stage play!


OBBA:  I could not agree with you more.  I think what was amazing about it is that we are watching a family fight, and in a very complex and difficult situation for everyone involved.  I think that’s what came across … that there is no simple answer. How does that get worked out?  It’s not just right or wrong.  I think the unveiling of what Julius was also experiencing, which was unbeknownst by Maya of what had happened with her grandfather, and her father in terms of the disownment, brings an even greater gravitas to the circumstances, because it’s generational.  We were able to identify his viewpoint, attitude, and opinion, where it may not have been understood before, because it may have only been looked upon in its present state.  It actually went back generationally.  I think you saw the angst and the challenge, and one of things that I also loved when watching the episode was I saw the sameness between Maya and her dad.  The same vigor, the same fire, the same obstinance, was there in terms of the way they represent their points.  I thought it was beautiful.  To have an opportunity to work with the kind of actress that Karla Mosley is has been incredible.  I think we fed off of each other and gave to one another.  It was an absolute joy to play.

Karla, what has it been like creating this very deep familial back-story with Obba and Anna Marie?

Photo Credit: Courtesy/CBS

KARLA:  I think it’s really important with all characters, and this is the road I have taken for Maya, Julius, and Vivienne. And that is: people aren’t evil.  People don’t just do things because they are bad people.  They do things because of circumstances, and things that happen, particularly in families.  I think we can all relate to the complexities of our histories, teaching and upbringings.  I think that part of the reason people have children is to challenge themselves to change and grow.  So, this is part of that.  We get to watch the Avant family do that in such a beautifully written, and sensitive and carefully crafted way.

Prior to the wedding ceremony, in hurtful dialog and a touching scene, Maya overhears her father calling her a “freak show” to her mother.   B&B has to be commended for really looking at the plight of people of the transgender community from all aspects.  What has been your reaction to the scripts?

KARLA:  I think it’s really been how our head writer Brad Bell, and writers Patrick Mulcahey and Michael Minnis have been working so closely with GLAAD – thinking very carefully about the scripts.  They have also been very open to our thoughts and input. The writers have the base of the story, and the life of the family to really making sure we are sticking to the bare bones.  There is so much written there already.  You have a transgender child … you have a family that has been estranged for 15 years or more … you have Nicole (Reign Edwards) thrown into the mix … and you have the economics. There is so much there that we don’t really need to put anything else into it.

My mouth was hanging open as I listening to the words of this showdown between the family, and the emotions expressed.  I think anyone who is a minority, under-represented, or misunderstood for who they really are, and striving against adversity and acceptance to be their authentic selves, could appreciate the words and sentiments during those scenes.


ANNA MARIA:  I kept saying, it’s not just about the transgender individual; it’s about the parents’ acceptance of any child that is different.  I am not only talking about those who are gay, but just different.  I do have a philosophy that the parents know that their child is special or different.  They may not say it, but they know.

Karla, what was your reaction when you learned that none other than Obba Babatundé, and Anna Maria Horsford were going to be playing your parents on B&B?

KARLA:  I have not told them this yet, but I am a big fan of both of them!  It was a pinch-myself-moment for sure, and a blessing to be able to work with these amazing teachers in my lifetime.  I consider Obba and Anna Maria two of my teachers, and I am so grateful.  They could not be more generous, and obviously ridiculously talented.


ANNA MARIA:  Let me just say, Karla, that I am so honored to play your mother on TV.  I tell you the passion you bring to daytime and The Bold and the Beautiful, or whatever you have done previously, that is a joy that you really don’t see with young actors.  I will tell CBS, “Whatever you are paying her, it’s not enough!”  This girl works her butt off!  The thing that she has that really makes me want to cry every time I think about it is the integrity of who she is, and what she brings to the screen, and how she really understood what we were saying.  She took a stand of: “Yes. This is the treasure. This is the gold”.  But she has to be raised that way to feel that strongly.  Most people are like, “I just want the part.  Just gimme the part … and give me the check!”  I am really saying this from my heart.  This human being will be remembered for her acting ability, because there is so much truth that you can’t really train somebody to do that.  You almost have to come to show business with it.  You have to have that with you.  Do you agree with me, Obba?


OBBA:  Absolutely!  I can concur with everything that has been said by both ladies, because both ladies are not just actors who happen to be brilliant, but human beings who happen to be about something.  I think one of the reasons you and others sat in tears, or in astonishment while you were experiencing the scenes between Julius, Vivienne, and Maya is because it registered to you on a very human level.  Yes, there are great performances going on, but it resonated with your core.  I am so thrilled that we had the opportunity, and that the Gods brought this union together of us three actors to be able to tell this very important story.  I’ll be honest with you, from what I have read on social media with the tweets, people said, “Oh, my God!  I feel like I am intruding on a family’s personal experience, but I can’t leave!”  And yes, there are people out there going, “This is ‘my’ story, and how did they know to tell ‘my’ story?”  That is how real it seemed for everybody.  I also had the opportunity to play as well with our baby girl, Reign Edwards (Nicole).  Earlier, Karla mentioned the writer’s names, but I also have to mention our directors Michael Stitch and Cyndi Popp’s names, who were right there with us fashioning and helping us shape those big scenes, and they wanted to get it right.  I believe Brad Bell (B&B executive producer and head writer) was really courageous at taking on this story.  They trusted, and they put people in place that they believed in, and they wanted to tell this right.

Ladies, can we just give Obba his Daytime Emmy now?  I mean, he has some great scenes to choose come Emmy voting time.

Photo Credit:

ANNA MARIE:  From your mouth to Emmy’s ear! (Laughs) And let me say this … when I watched it and was viewing it, I thought it’s almost like a sword fight between Maya and her father.  She stood her ground, she understood, and was strong when she heard the things he had to say.  Then he came back in, and it became this sword fight, and I don’t even know who won.  I can’t tell you, because I felt strong for the father’s view, and I felt strong about Maya’s, but what I saw in the acting was that she was really so much like him.  It felt like child and parent saying, “Don’t deny what you got from me!”  What Maya got was the ability to open her mouth and argue with him.  Maya was basically saying, “You might not believe my point of view, but I believe it,” and he did the same.  My poor fans who follow my work said about me, “I have never seen you with your mouth closed!” (Laughs)  This is about a woman trying to keep her husband, and most women, as strange as it is to some, want a family.  They don’t want to just say: “I am rooting for my child or I am rooting for my husband.”  You’re rooting for a family, which is a very interesting dynamic.  I think Vivienne still in all of this pain, confusion and embarrassment, still wanted to see her family intact.

Where do you see the relationship between Maya and her parents heading in the future?  Now while Maya has gone off on her honeymoon with Rick, when she returns things are on shaky ground with many wounded parties in the Avant family.

KARLA: There really was no winner in what the audience saw.  You could see how people love each other, and want to find a way to be in each other’s lives, but yet they are still so far from that.  It feels so far.  I think there is a possibility of reconciliation now that they have ultimately hit rock bottom, and had this very hard conversation with each other in a real way.  It could really open up a possibility for discussion in how to move forward in the future.


JULIUS:  I think there is no way to put a bow on this thing right away.  I think we have to see: What if Julius is right about the situation?  What if this all doesn’t work out necessarily for Maya?  Healing comes in different ways.  It doesn’t just come by someone saying, “OK, I’m sorry.”  Julius and Maya love each other even though they have different views and opinions.  And if you remember, Julius said, “No matter what, I will never not be your father.”  He meant that!  When Julius spoke to Rick he asked him, “Are you going to be there continually?”  One of Julius’ objections was, “Suppose this dude decides he doesn’t want this no more?  What happens then?  And, who does she have to turn to?  Her parents!”  And remember, Vivienne didn’t divorce her husband … she just stayed at the wedding when he walked out! (Laughs)  There’s so much room for continued growth.  I think that the fans are connected enough to this now that they want to know that, and what happens from here. There are so many more roads still left to be traveled.  There is this family there, and that family is still in crisis, and the crisis hasn’t been resolved.

What have you thought of the performances of Karla, Anna Maria and Obba during B&B’s transgender storyline?  When you watched Maya’ wedding and watched the familial drama play-out, did you feel like you were eavesdropping on a private moment between parents and their child?  Do you think Maya and her father will eventually reconcile?  Share your thoughts contained in the interview in the comment section below!

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all i can say is the scenes with those three were just phenomenal – i was on the edge of my seat the entire time…………………….
great interview michael!

While Maya, IMO has not paid her dues for her treatment of Aly and Ivy, I wish fans would look at it from Julius’ side. He lost his only son, that would make any parent lose their mind. The acting has been outstanding, especially from the mom. I have loved her since she was on AMEN!!! I hope they will get back to business at Forrester, bc Aly’s death was senseless and not paid enough attention. I mean, she was a Forrester heiress!!!!

Brad Bell has a tendency to change character personalities on a whim one day they are sweet the next day they are bad. The character of Ally started out as a on the ball go getter then here comes her obsession with Hope then we decide she has a break down with Taylor then she is wimpy and takes Ricky and Maya’s abuse then we go wacko over Steffy and dress like a Amish woman. The character of Maya starts out a struggling woman looking for her baby then she is a gold digger then she was a man. Nuts!

I’m not one for emotional, personal stories, shy away from them in tv, movies, and books, so I didn’t expect to be so moved as I was watching the scenes between Karla, Obba and Anna Marie. And (I apologize), I certainly didn’t expect it in a soap, nor the strength of the acting. I think it unleashed a bit of personal stuff in me…nothing like the B&B storyline…but nonetheless some feelings I’ve kept buried.

Richard mentioned Maya’s (mis)treatment of Aly and Ivy. I must confess, 6 months ago I could not stand Maya or Rick because they were selfish bullies. But their union really transformed both characters, bringing out the best parts of them both. As I learned more about Maya’s backstory and the nuances of her character, played so incredibly by Karla, Maya went from the top of my love-to-hate list to a strong multi-demensional one I am proud to root for. Not only for her own journey as a human being, but for how her presence has changed (for the better) those around her like Rick and notably Brooke, who went from wallowing in the bottle, manipulating her son’s love life and believing no woman could ever deserve him, to not only accepting Maya but embracing her. Exceptional performances by Jacob Young and Katherine Kelly Lang. B&B has raised the bar with this s/l and the quality of work it is putting forth. Thank you all for such incredible story.

I agree, Laura, nothing against the fabulous Karla, but just how they have developed Maya. Ugh, I digress.

Well, I’m rather new to Bold and Beautiful but these scenes were straight-up amazing! The best I’ve seen all year on any soap. I put them up there w/GH’s anniversary show w/the Fluke/Luke reveal.

Obba Babatundé is a MASTER at his craft. He has a successful acting bio too long to list, but I fell in love w/his acting as Principal Green on the fabulous Dawson’s Creek. I may not agree w/Julius’s technique, but I believe him & his pain! In the hands of a lesser actor the audience would not feel his pain over essentially losing a son. He makes us understand his point of view as well. He plays great off of Anna Maria Horsford & Karla Mosley. A dynamic trio there! I won’t forget Reign Edwards who has drawn me in as Maya’s passionate younger sister. This is must-see tv!!

The scenes were awesome. I understand Julius’ point of view and I agree with some of what he said. However, Maya’s transition occurred many years ago. Now Maya has her life and career. She did not ask any of them to come to L.A. She did not ask to see Julius. They showed up on her door step. Julius needs to suck this up and move on and if he can’t let her be.

all the actors were amazing Karla Mosley, Anne Marie Horsford & Obba Babatundé are rockstars & I love Jacob Young & Reign Edwards as well. This has been such an incredible storyline & I have loved every second of it between the love story of Rick & Maya to the Avant Family as a whole its just been amazing & classic soap opera at its finest

Give Anna her Emmy!

All the actors involved were and are phenomenal and the writing at the wedding was HIGH drama and well-executed. I only hope the writers see this as a plot point and not the climax, because, as Mr. Babatunde stated, the family is still in crisis and that hasn’t been resolved. Favorite family on daytime, possibly ever, because the struggle is SO REAL.

The only other family dynamics that made me feel this uncomfortable (and I like that) and enthralled, were the Spencers on GH when Lucky found out that Luke raped Laura, and all the scenes that came out of that. Lucky’s treatment of Laura, Lucky’s rejection of Luke, Laura’s resentment of her child judgment of her, Laura and Luke discussing a subject that they had put in their past years prior… there was all sorts of ugliness and raw emotion that I hadn’t seen before from all angles of the family and that I hadn’t seen since… but this Avant family on B&B is probably even BETTER. But they still need to keep on and still need to dig deeper.

Some of the most important work I think daytime TV has ever done. BRAVA.

So amazing! The writing, the acting, and such a great interview to cap it all off! I was astounded, my eyes were bigger than Maya’s if that’s possible when I saw that seen acted out by Obba of whom I’ve been a fan of his work for some decades. Incredible casting, directing. Everything was just superb. I was crying so much in that scene and I am a straight woman/grandmother! Crying because I could feel the pain, and the family dynamic at work because it was all about love. All of it. Family members who love each other and want to love each but the circumstances can make loving each other so hard. All I can say is kudos, hand over those trophies to all involved and I am glued to B&B for life!

*when I saw that SCENE– please excuse my error I was so excited and typing so fast! LOL

General Hospital

Elizabeth MacRae, ‘General Hospital’s’ Meg Baldwin, Passes Away at 88

Veteran actress, Elizabeth MacRae best-known as the third Meg Baldwin on General Hospital and as Gomer Pyle’s girlfriend, Lou-An Ann Poovie, in Gomer Pyle, U.S.M.C has died at the age of 88. MacRae passed away in Fayetteville, North Carolina, where she grew up.

On General Hospital, Elizabeth played Meg Baldwin who had a young son, Scott (Kin Shriner) from a previous relationship and who married Lee Baldwin (Peter Hansen). The role was originated by Patricia Breslin from 1965-1969. Breslin was temporarily replaced by Jan Shepherd for three weeks in the summer of 1967. MacRae took over the part from Breslin full time from 1969-70 and again from 1972-73.

In story, the character of Meg suffered a nervous breakdown and Lee had her committed to an institution. In 1971, Meg was released and came home, but suffered from severe hypertension. In 1973, Dr Lesley Webber was assigned to her case. Meg became jealous of Lesley and began to think that she was trying to get to have sex with Lee. During an argument with Lee, Meg died of a stroke and soon after Lee adopted Scott.

Photo: ABC

MacRae also appeared on other notable soaps, having roles on Another WorldDays of Our LivesGuiding Light, and Search for Tomorrow.  Elizabeth’s career spanned over two and half decades having also appeared in classic TV shows and countless movies such as: Route 66Surfside 6RendezvousThe FugitiveJudd for the DefenseGunsmokeBonanzaI Dream of Jeannie, and The Andy Griffith Show.

Photo: CBS

She is survived by five stepchildren, Terry Halsey, Peter Halsey, Hugh Halsey, Cate Halsey, and Alex Halsey Topper.

Share your remembrances of GH’s Elizabeth MacRae via the comment section below.

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Days Of Our Lives

Ron Carlivati Reveals When Days of our Lives Episodes From His Head Writing Regime Resume Streaming

Days of our Lives viewers have not been watching material from head writer Ron Carlivati and his writing team for many months. Well, things are about to change.

Circle this Friday, May 31st when the first new script from Carlivati and company will stream on the Peacock soap opera. If you recall, Carlivati had to step away from the writing gig at DAYS due to the writer’s strike, but because the soap tapes at least seven months ahead of air, it is only now that fans will see how the stories shift or finish out that were started by Carlivati.

According to Ron’s conversation with TV Insider, when Carlivati and his team resumed writing the show in late October of 2023, the stories were already written well into 2024. Carlivati explained, “For me, as of us talking right now, the (replacement writers’ material) is still airing, so that has been very tough. I’m just very anxious and eager for our stuff to start airing again.”

Photo: JPI

Ron explained before the writer’s strike, he and his scribes had written up through the 2023 Thanksgiving episodes. Speaking on how the replacement writers tried to handle stepping in for the regular team, Ron expressed, “I think what they tried to do was move things slowly in the hopes that the strike would end and respect where my storylines were so that I could play them off when we came back. Unfortunately, the strike dragged on, so I understand that the show needed to make story decisions.”

The award-winning writer made clear that, “from January to May (2024), those were not my stories. I had nothing to do with those.”

Having lived through a writer’s strike before (when he was at One Life to Live in 2008), Carlivati explained how he dealt with coming back and adjusting the stories including that the plan was to, “blow things up, jettison anything that I did not like, and get back to a show that I understand and can enjoy and tell. ”

Photo: JPI

Look for a Carlivati-style ‘wink-wink’ on Friday’s episode. As he puts it, “I did want to make it clear that this was the line of demarcation, that the writers were back and there was a change happening. We have a little nod or two to what was going on in the first day and I think it will be very obvious and clear to the savvy viewer. Luckily, story-wise, certain things were coming to a head already.”

Photo: JPI

Stay tuned for how Ron resolves a Sloan and Nicole showdown, how Eric will find out he is Jude’s true baby daddy, what happens when the new Gabi returns from Salem from out of the slammer, the Maggie/Konstantin wedding, payback time for Theresa and more.

In addition, and as previously reported, when Carlivati returned, he crafted the series 15,000th episode which is set to air in early December, and will also pay tribute to the late Bill Hayes with the passing of his on-screen beloved character, Doug Williams.

So, glad to know Ron and his team’s material will start to reveal itself this Friday and moving forward on DAYS? Comment below.

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General Hospital

LAPD Continue to Seek Johnny Wactor’s Killers Who Remain At Large; Asks Public for Tips and Leads

The Los Angeles police department is ramping up its search for to the whereabouts of the three thieves, who got away after one fatally shot former General Hospital cast member, Johnny Wactor (ex-Brando Corbin) in the early morning hours of Saturday, May 26th in downtown Los Angeles.

Law enforcement sources told the LA Times that police are trying to pull fingerprints from Wactor’s vehicle and are looking for video from the area. They also are checking to see whether there are any connections to other nearby catalytic converter thefts.

The thieves were attempting to steal the catalytic converter from Wactor’s car at the time of his death. Sadly, the LAPD investigators shared they have seen an uptick in violence when these types of thieves are confronted.

Photo: ABC

Catalytic converters contain precious metals in which thieves can make hundreds of dollars selling them to auto parts suppliers or scrap yards, where they can be melted down and the valuable metals extracted.

In addition, on Tuesday May 28th, the LAPD shared more on the incident that took Wactor’s life, stating, “Without provocation, the victim was shot by one of the individuals. The three suspects involved were wearing all dark clothing and driving a dark-colored sedan. The suspects fled northbound on Hope Street. Central Bureau Homicide is investigating this case and is requesting the public’s help.”

Photo: ABC

If you have tip: y0u are urged to call LAPD Detectives Gonzales or Martinez at Central Bureau Homicide, at (213) 996-4142. During non-business hours or on weekends, calls should be directed to (877) LAPD-24-7 (877-527-3247).

In addition, Anyone wishing to remain anonymous should call the LA Regional Crime Stoppers at (800) 222-TIPS (800-222-8477) or go to

Wactor played General Hospital’s Brando Corbin from 2020 to 2022. According to the LA Times, “Wactor recently had been exploring opportunities in screenwriting while working as a bartender.”

Share your thoughts on this developing story as the LAPD tries to seek justice for the death of Johnny Wactor via the comment section below.

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Peter Reckell returns for a second visit with Michael Fairman following the wrap-up of his recent run as Bo Brady on Days of our Lives.Leave A Comment

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General Hospital

Airdates: 5-20/24-2024