Connect with us

Interviews

33

B&B’s Scott Clifton & Annika Noelle Chat On Liam and Hope’s Long and Winding Road To Their Reunion With Baby Beth

Photo: JPI

“The wait is over” were four of the happiest words for fans of CBS’ The Bold and the Beautiful when they learned, and then watched, after agonizing months, how beleaguered parents, Liam (Scott Clifton) and Hope (Annika Noelle) finally were reunited with the baby girl they believed had died at birth, when they were victims of a heinous baby switch plot.  To make their journey all the more agonizing, Steffy (Jacqueline MacInnes Wood) had ‘adopted’ baby Beth along the way and was also duped in the process.

In this story arc, several characters learned of the secret, but for one reason or the other chose to keep mum about it, thus not letting long-suffering Hope and Liam know the truth! Chief among them was now bad boy, Thomas (Matthew Atkinson), who is still legally-married to Hope and in wanting her all to himself, blackmailed others along the way to keep quiet, and even ran poor Emma (Nia Sioux) off the road because of what she might spill!

However, Liam, with a major assist from little Douglas, was able to figure out how he and Hope had been lied to and manipulated this whole time.  To think, this string of events all started on that fateful night in Catalina when Hope delivered Beth into the corrupt hands of Dr. Buckingham (Wayne Brady), who needed cash to pay off a gambling debt.

Fast-forward to just a few weeks ago, and viewers witnessed the emotional reunion between Liam and Beth, and then Hope and Beth, in a sweeping epic soap opera tale that delivered in so many ways.  But is there more trouble ahead?  From the looks of it, and with Thomas going over a cliff, we would say so! For now, B&B set a ratings record for the show during the big reveal, while Scott Clifton and Annika Noelle delivered gut-wrenching performances that will be remembered for some time to come.

Michael Fairman TV chatted with Scott and Annika, who were at the epicenter of this exhausting, twisted, frustrating tale to get their thoughts on: playing out the key scenes, how they got through it month after month, what they think might happen next, and some behind- the-scenes insight on how several of those major moments came to life on-screen.

Photo: JPI

When you both went into play the scenes where Liam puts two and two together and is reunited with his daughter, and then Hope finding out that Beth was alive, did you feel added pressure that you had to get the performance, and the payoff just right, because the audience had been waiting so long for this?

SCOTT:  Annika had a bigger job to do there than I did.  I have been doing this long enough to know that to get in my head about it having to be just right, it’s not going to be, and so, I was pretty good about that.  It turned out pretty well, but I think Annika had a lot of pressure on her as well.

ANNIKA: I think the payoff was even bigger with Scott, because Liam was the one who figured it out and had that revelation.  It unfolds a little more slowly in regard to Hope finding out the news.  When she initially finds out she is not with the baby.  I was more nervous about the baby in the key scenes. They are not actors, and they’re teething right now, and they’ve been working so much lately, that sometimes by the end of it, they are kind of cranky.  The main thing I was concerned about in my head was, “I hope the baby really likes me today, so we can have that magical moment.”

Photo: JPI

The Bold and the Beautiful  is known for delivering the culmination of an emotional storyline on a large scale, but not before having plot point after plot point where none of the characters are quite figuring out what transpired, and thus the story drags out for a time, and thus can frustrate the audience.  For you as actors where you like, “When will this end?” or “Please end this! Now!” (Laughs)

SCOTT:  Oh, pretty early on. (Laughs)  It takes about a week of crying before any actor is like, “Let’s move on,” and I think Annika was crying for – what was it?  7 months?  8 months?

ANNIKA:  I think it might have been 8 total.  (Laughs)

SCOTT:  That is a sort of interesting kind of philosophical question you posed that I have been asking myself lately.  We have gotten so much pain and grief from fans on the story – not personally at us.  They understand and are very complimentary of our acting, but I get people coming up to me in grocery stores going, “When is this going to end?  My God, I can’t take it.  It’s just been months of this.  It’s the same thing over and over again.”  For a long time, we had no answer for them, and it was just, “Yeah, I know.  I hear you, but it’s going to pay off.  Trust me.  Brad Bell (EP and head writer, B&B) knows what he is doing,” and he did know what he was doing, and he did pay it off.  It makes me wonder if we hadn’t made our fans suffer right along with the character for 8 months, would the exact same payoff that we got had been as profound?  I don’t know.  I wonder if… it needed to be that long.  It needed to drag, I think, for this moment, and here we are with the highest ratings we’ve had in forever!

Photo: JPI

Yes, and that is a fantastic news!  In fact, looking at the ratings on the strength of the ‘Phoebe is Beth’ reveal, B&B finished #1 of all daytime shows (that includes soaps, talk and game shows) in the 25-49 womens demo for the week of August 5-9, which was a first in the 32-year history of the series.  In addition, B&B finished #1 in the key womens 18-49 demo (ahead of all the other network soaps) for the weeks of July 29-August 2nd, and August 12-16th.  A big “congrats” to everybody at B&B, and of course, the two of you, who were instrumental in playing out the story on-air. That’s pretty amazing. 

ANNIKA: It is wonderful and amazing.   When fans would ask me, “When will the truth come out?”  I’d answer, “Trust me!  Nobody wants that more than me.”  They would tell me, “Oh, my God!  I’m going crazy, and I’m just so depressed watching this happen,” and I’m like, “I’ve had to live it.”  (Laughs)  I agree with Scott, though.  I do wonder, as well, if the reaction would have been as strong if it the reveal had been sooner.

I don’t think so, because I remember watching it, and I wrote about this.  It was such a heart-tugging moment when Liam realizes that Phoebe is Beth, and they have that first moment together as biological father and daughter. The payoff was so big with the slow motion of the scene, accompanied by the music underscore.  I think, you had to have the story drag out to get to that moment where it was so emotional and touching.

SCOTT:  I think that is probably true.

Photo: JPI

When you saw the scripts that contained within them that the truth was going to come out … did you call each other up, and go, “OMG! I think this is finally coming to a conclusion!?”

SCOTT:  It was kind of a slow burn.  There wasn’t any particular announcement or memo to the cast or anything like that, and it is not like it all comes out in one script, either.  At first, there were kind of whispers.  There were kind of rumors like:  “Sounds like Brad might be wrapping it up soon.”, “Really?  You think Brad might be wrapping it up?  Is this the light at the end of the tunnel?”  “I don’t know.  Maybe it is.  Maybe, it isn’t.”  Then at the wedding, when Liam overhears Flo and Thomas kind of arguing about it, to me, that was when I started to think, “This might actually be close to the end now.”  It still could have easily not been the end, but that was a qualitative change in tone and pace for the story that kind of tipped me off, but even then, it was still another month before the actual truth came out.  It just had to start somewhere.

Photo Credit: JPI

Annika, were you just done crying? (Laughs) I can’t recall such a long stretch for a character, or an actress, having to cry month after month, scene after scene!  And to top it off, you have this epic moment on the rooftop where Hope and Liam connect, and in a way, celebrate that Beth is alive against all odds.

ANNIKA: The cinematography of that episode on the roof was beautiful, and I was so happy we got a drone up there to capture it, and the timing of when we got up to the roof … the sun was setting … and it was just a beautiful moment.  To get all of those shots, Scott and I had to do that scene – I don’t even know how many times, and there was lots of crying there!

SCOTT:  It was probably like twenty times that we had to do that wide shot with the drone, and we are used to doing one.  So, it took a lot out of us, but it was so worth it!

Photo: JPI

It was worth it, because it was that kind of spectacular, sweeping moment that The Bold and the Beautiful executes so well when they get to a climactic point their storytelling.  So, let’s talk about Matthew Atkinson who comes in and plays Thomas, and his character becomes unglued, and obsessed.  What has it been like working with Matthew in this story, and how Thomas’ character flipped from when the character was previously on the canvas?

ANNIKA: I was saying that we needed it, because he was a catalyst for all of the actions to unfold and all of these domino pieces to start toppling.  It’s been nice having a bad guy on the show again.  I’m just kind of curious now about what is going to happen to Thomas.  I’m also curious, and we will have to wait and see how this is going to unfold with Thomas, because Hope is still married to him, technically.

Scott, you had to have that fight scene with Matthew, as Liam was trying to tell Hope that Beth was alive!  How was that to pull off?

SCOTT:  That was really, really fun.  I think Matthew and I both really enjoyed that.  The show was really nice in giving us a lot of creative input in that.  I went into it having this idea that I really, really didn’t want it to be glamorous.  I really wanted it to be raw, and kind of dirty, and asymmetrical.  I wanted them to be on the ground, and tired, and sluggish; I didn’t want them to be Kungfu fighters.  I didn’t want it to look like a beautiful dance, like a lot of fight choreography does look.  We are not martial artists.  We are two guys, who don’t really know how to fight, just beating the shit out of each other, and that was my pitch.  I got a little bit of pushback on that.  They were like, “Well, it’s still a soap opera, Scott.  It has to look kind of sexy, you know.”  I was like, “Aw, man,” but Matthew and I got to kind of choreograph it along with our stunt doubles, who helped us and were amazing!

Photo: JPI

Scott, weren’t you glad that they didn’t make Liam a doofus and that he was the one that did put everything together and figure out the baby switch?  Sometimes, the guys on soaps are made to be not-the-brightest-bulbs in order to facilitate story for the female characters. 

SCOTT:  Well, (laughs)… I think a person in real life would have figured that out sooner.  I’m really glad Liam figured it out.  There were a couple of episodes where Liam was doing detective work and shining flashlights on old documents, and making phone calls, and asking questions.  All of that was really, really fun.  There was a period before that happened where, just the way the pieces were falling together, when I thought, “What if Wyatt (Darin Brooks) figures it out?  Wouldn’t that be cool?  Oh, my God! Maybe Wyatt is going to figure it out.”  I thought this because Wyatt and Thomas really hate each other.  Wyatt stole Ivy from Thomas.  So, I just thought that would have been kind of interesting.  Kind of the analogue to that is Arya killing the Night King instead of Jon Snow in Game of Thrones.  You’re like of like, “Woah, I didn’t think she’d be the one.”   But I get it though, it had to be Liam.

ANNIKA:  In a way though, it was Douglas (Henry Joseph Simiri), which I love that they did from the mouth of the baby.

SCOTT:  Well one of our writers, Michael Minnis, said he really wanted it to be out of the mouth of the babes.

Photo: JPI

I got blasted on Twitter because I said, “Liam figured it out! He is the hero!” Fans pushed back and said, “No, he didn’t!  It was Douglas who figured it out!  You are wrong!”  I get it.  Douglas was key.  I was just trying to publicly give props to Scott for his outstanding work in those scenes.  (Laughs)

ANNIKA: Henry has been doing such a good job.  I loved the scenes, Scott, with you and him together when Liam was figuring it out.

SCOTT:  You know, I still haven’t watched those scenes. There is no self-consciousness or anything like that.  That’s never been an issue for me.  When we lost the baby, or when we thought we lost the baby in the delivery room, I never watched those scenes, and then I realized, I didn’t want to.  I don’t know if this is that situation where I will just never go back and watch it.  I don’t know what it is.

Courtesy: CBS

You should watch it, and I would certainly suggest that if you do submit yourself for the Daytime Emmys next year, that this is a great scene for you to choose for your reel.

SCOTT:  Thank you!

ANNIKA:  It’s hard.  I did watch it, though.  I remember watching the baby episode, I had to mentally prepare myself for it, and watching it, I was almost reliving it again.  I was crying right along with the episode because I had forgotten.  That episode came together beautifully as well.  There was something cinematic about it.  It almost felt like film, the way that they shot it.  I have to give credit to Cindy Popp, who directed that episode.  I get it.  It’s the same thing, watching yourself.  I’m my biggest critic.  It’s a blessing and a curse.  I learn from it, but at the same time, I can’t stand watching myself.

Photo: JPI

What’s interesting now is that we are seeing Hope taking control of the situation after learning of everyone’s part in the cover-up of baby Beth.  Last week, she even bitch-slapped Flo (Katrina Bowden).  Is Hope going to want payback and retribution on everyone who wronged her?  What is she thinking at this point? 

ANNIKA: I think the main thing was that she had to be so lost in her grief that she was making these decisions that were completely illogical and had to be in a place, where she felt so out of control in her life that this is now the moment where she is seizing that control back.  Hope has the strength to do that, and she has the renewed confidence to make the choices she needs to make.  So, it’s kind of like the phoenix rising from the ashes.  I really do hope this is a true moment of growth for her and she isn’t as naïve anymore; that she isn’t as prone to being gas lighted in a way.

SCOTT:  Now, she will just be completely distrustful of everybody.

ANNIKA:  No babysitters.  Nobody is babysitting my kid!

SCOTT:  Never again.  “Can I hold your baby?”  “Nope.  No, you can’t.  Nope.  Sorry.” (Laughs)

Photo: JPI

What can you say about working with your ‘Best Supporting Actresses’, who play baby Beth?  They are pretty cute, and the timing and the facial expressions they make works in the scenes so well!  

ANNIKA: I was saying that we have set baby goals.  We have set child actor goals.  What we have been getting, and the fact that we have captured them (because there are two of them, there is Madeline Valdez, and then, there is River Davidson) saying “Mama”, saying “Dada”, or clapping, and crawling over to my wedding dress, or pulling on my wedding dress, what we have gotten is so lucky for us.  I know for me, the scene where I was watching Scott as Liam finding out for the first time it really hit home, because Scott was crying, and she says “Dada” when he comes into the room.  Then, Scott is like bawling holding her, and she just reached up and touched his face at one point.  I have to give the parents credit, and the babies, who don’t even know that they are acting.

SCOTT:  Those kids are amazing.  The one you see the most is Madeline.  She was the one in the scene with me and in the scene where Hope is reunited with her as well, but we also have River, who is a little sweetheart too.  She also does some very interesting things.  They both just do something interesting in every single scene, and it’s an actor’s dream because it forces us to be present.  You know, we have to react in real time to whatever it is they are doing, and we were just very, very lucky to find them.

Photo: JPI

What do you think all of these revelations means for the future of Liam and Hope, and Liam and Steffy? 

SCOTT:  I don’t know.  I think we have got to be back-burnered at some point.  People have got to be getting sick of us (laughs) because it’s been Hope and Liam, and baby Beth all the time.    Brad knows that, so I’m guessing that there has got to be some break for Liam and Hope.  After that, there is no way they are going to live happily ever after.  We don’t want that.  We want more drama.  We want something to go wrong.  I don’t know what it could be, but if I value my soap career, I want something else to go wrong for Liam.

Annika, how were those scenes to tape with Jacqueline MacInnes Wood where Hope has to tell Steffy that Phoebe is Beth … and that she is taking her biological child and leaving with her, knowing how that would affect Steffy?

ANNIKA: Getting to play scenes with Jacqui is always such fun.  There is a beautiful give and take that happens, and in that moment, Hope is still very empathetic.  She understands what it is like to lose a child, but at the same time, there is no way that she is walking out of there without her daughter.  Also, it’s just a moment where you have to step back and go, “Aww,” and just watch Jacqui do some amazing work, and to let her have her moment to shine, because she did such a beautiful job.  Those were pretty stressful days because the babies were in every single scene, which means we have a certain amount of time to get those takes.  So, those were actually really difficult scene to shoot.  We had a lot of pressure to get them done, and also, having to hold a baby who is now, I think almost 20 pounds.  My arms just started going and I am thinking, “Wow! I need to go to the gym to work on my upper arm strength.”  At one point, I literally was like, “I can’t hold this baby right now.”  They wanted me holding her so that Steffy sees another woman holding “her” child.  You’re about to see Steffy go on a bit of a vengeance with all of this soon.  I hope they tie-up the loose ends before they move on with everyone’s story.

Photo: JPI

Hope is this long-suffering heroine, and last Friday, Thomas came to try to talk to her to explain why he did the things he did, and then he went over a cliff!  Is there any happiness ahead for Hope, really?

ANNIKA:  Hopefully, if she gets that annulment!

SCOTT:  When Hope is standing over Dr. Buckingham’s (Wayne Brady) dead body, then she will find her happiness.

ANNIKA: If we could just bring Wayne Brady back just for a scene, please! (Laughs) We can only hope for Hope. (Laughs)  I know Thomas certainly isn’t going to make it easy to get an annulment, and I hope that we solidify that Beth is legally Hope’s, and that the marriage is annulled and never happened.  Maybe she and the baby can get a few moments of happiness and joy, but I’m sure that a wrench will be thrown in.

Photo: JPI

What would you want to say to the viewers who were put through the wringer with this storyline, and yet stayed glued to the story?  What could you tease is yet to come?

SCOTT:  We put our viewers through hell.  We tortured them.  We tortured them for 8 months, and the fact that the ratings are what they are shows that our viewers are the exact gluttons for punishment they we hoped they would be. (Laughs)  They’ve stuck with us, and I hope they feel rewarded.  They certainly tuned in for their reward, but the payoff is not over yet, and we hope to keep making it up to them.

Photo Credit: JPI

Annika, you get the final word.  What would you like to say to the B&B audience?

ANNIKA: Thank you for joining on this emotional rollercoaster ride with me, and thank you for all of the support.  I’ve gotten a lot of very positive feedback, and I think a few new fans from it along the way.  I’m just very grateful that they stuck with us and the story, and echoing what Scott said, hopefully now there will be a lot of beautiful, fun, juicy, awesome moments for the fans to enjoy after the fallout.  With a soap opera, the ride never stops.  Now there is a corkscrew instead of a loop de loop.

SCOTT:  That’s a good metaphor.

ANNIKA:  We’ll see what happens with crazy Thomas, and Flo, and now that Sally is back in town, what is Wyatt going to do, etc,  So there’s lots of fun stuff coming the audiences way, for sure.

So, what were your thoughts on the climatic episodes where Liam and Hope are finally reunited with their daughter, Beth? What did you think of the performances of Annika and Scott?  What do you think will happen next with Thomas, and with Steffy?  Can Hope, Liam and Beth have a respite from all the drama? Share your thoughts via the comment section below.

Leave a comment | 33 Comments
Advertisement

33

avatar
21 Comment threads
12 Thread replies
31 Followers
 
Most reacted comment
Hottest comment thread
27 Comment authors
KaySLO48Antincia fosterMomoViolet Lemm2 Recent comment authors
newest oldest
Iakovos
Guest
Iakovos

Anyone up for a game of tennis? Let’s watch Liam bounce back and forth between Hope and Steffy. Just as Ridge endlessly bounced between Brooke and Taylor. I dolt mind a triangle but the emotional stakes are minimized for viewers when there is no resolution in place long enough to raise the tension or suspense or longing. Look how quickly the outsider in the triangle runs into the arms of another. Hope loved Liam but within weeks was married to Thomas. How long before Steffy goes back to her brother-in-law Wyatt or father-in-law Bill? Sigh.

Lolly
Guest
Lolly

Believe Steffy will move on with a new man.

Iakavos
Guest
Iakavos

I hope to God so. Am tired of everyone in their mopey stupor. Steffy should be strong, vivacious, and confident.

Sam
Guest
Sam

I think it would be a good storyline if Steffy is pregnant with Liam’s baby from the one night stand…. thus getting her a new sibling (prob another girl) for Kelly. Who would Liam pick?

Robin Pinto
Guest
Robin Pinto

I believe Steffy will be
pregnant from her one more with liam.

Rettie
Guest
Rettie

I thought Steffy was heading to the looney hospital after beth went home with Hope and so did Liam!!!

Lisa Holst
Guest
Lisa Holst

Love these actors! My entire family watches this soap every evening after school and work. My husband, my teens and so enjoy it so much!! The family that watches Bold together, stays together!

Ann
Guest
Ann

No Thomas can never be redeemed. He drugged some one,killed, blackmailed and last child abuse. He is sick!!!!

Del
Guest
Del

It’s obvious that there’s something wrong with him an illness. I hope their marriage last this ordeal.

Violet Lemm2
Guest
Violet Lemm2

Del
You are kidding, right? You really think Hope should stay married to Thomas, after everything he’s done to her, Liam, actually the whole family, including his little boy? Just because he’s mentally ill, doesn’t give him the right to have everything he tried to take away from everyone.

Evelyn Jabbia
Guest
Evelyn Jabbia

This story touched my heart in so many ways. The day she was holding her deceased baby I cried and I do mean cried my eyes out. I’ve been there and her acting was superb. Like some viewers I got tired of the truth not coming out but it was so worth the wait. When Liam was holding Beth when he knew for sure it was her was amazing. When Hope finally finds out I was screaming “yes, yes, yes” so loud I know the neighbors were wondering what the hell was going on. Then Steffy, I felt so sorry… Read more »

soapqueenforever
Guest
soapqueenforever

I agree with you about the hospital scene. I was crying right along with her. When she first stated as Hope, it took me awhile to get used to her and I finally did. But between the hospital scene, the fight with Flo, and standing up for herself with Steffie, I thought to myself this women is no slouch. She played those scenes to the hilt. Not to mention when Steffie collapsed in her fathers arms, I actually felt her pain. Now I am wondering if mama Taylor is going rush back to her baby cub. I am maybe thinking… Read more »

Kay
Guest
Kay

To say people are sick of Liam Hope and Steffy understatement of the year ugh!

brendapower1970@gmail.com
Guest
brendapower1970@gmail.com

Please leave hope alone and Liam let them together with out steff and Thomas i really hate Thomas and Steff but Bradley Bell is in love with Steff and Thomas hope and Liam should been together with there daughter Beth like it should been a long time ago thats my opinion i hate that steff and Thomas that’s my opinion period

Margreet
Guest
Margreet

PLEASE PLEASE PLEASE, let Hope and Liam stay toghether with Beth. Don’t ever seperate them anymore! And Steffy a man of her own! And PLEASE PLEASE PLEASE let Brooke and Ridge stay toghether. Don’t ever seperate them too!!

Antincia foster
Guest
Antincia foster

Amen

Jen
Guest
Jen

Beyond bored with Lope and hoping something, anything gives us a long break from them. Where in the world is Steffy? So sick of the whole show revolving around Hope all year long. I think Thomas and Hope have way better chemistry than Lope do so I’d much rather see them have a real romance once Thomas is “cured.” And Liam is a million times better with Steffy. I hope (no pun intended) we’re getting anything but months and months more of Lope…

Pat
Guest
Pat

has everyone forgotten that
hope slept with Steffy’s husband Liam?? Hope always wanted him and did’nt care how she got him…as for Brooke encouraging her daughter to fight for Liam, she is hardly a role model. Is there anyone she hasn’t slept with or married regardless of who got got hurt. I’m waiting for her to go back to Bill Spencer unless he goes after Steffy. I think Liam should leave town for a time of reflection…and maybe to hook up with Sally

Lolly
Guest
Lolly

The show revolved not only around Hope, but Steffy and Liam, before it was Steffy, Liam, Hope, and Wyatt. Steffy had equal amount of blame. She is not a saint.But, yes, they need to desperately end the Saga of the Forester, Logans, and Spencers. It has ran it COURSE

Kathy
Guest
Kathy

Great article and of course i am loving the payoff whew

Diane
Guest
Diane

Just please let them be happy. We have waited years and years for this.

Antincia foster
Guest
Antincia foster

Amen

Nora
Guest
Nora

I am so damn sick of Liam and Hope that I stopped watching.

Need I say more?

Sharon Williams
Guest
Sharon Williams

Im tired of Liam bouncing between Steffy and Hope, just let him be with boring Hope. I would like for you to find a man that’s exciting and only has eyes for Steffy. Dont like when they bring the same storyline back from the past.

McKane
Guest
McKane

Get rid of Thomas!

McKane
Guest
McKane

Dump Thomas!

Lolly
Guest
Lolly

Ridge have double standards, Thomas is his son, but he and Bill have tried to kill one another, Ridge blackmail a judge, and now he is accusing Brook of intentionally trying to kill Thomas. She saved him from jail twice. This show is Bold and the Beautiful aka Saints and Sinners. Nearly all the adults have committed some type of crime. The story will lose it ratings again, because they are going to drag it another year. This time it will be Liam, Hope, Thomas Saga. Thomas either will pretend to be paralyze so Hope can have pitty and stay,… Read more »

Juanita M. Jaramillo
Guest
Juanita M. Jaramillo

It’s about time that we had the big reveal! It was dragging on too long. What happened to Steffys mom? There should be something on the show about her and the Dr. Shes suppose to be so smart and she bought a baby from this man.

Dianne
Guest
Dianne

I will stop watching for good if something drags out like that again.Tired of the split ups

Marge
Guest
Marge

The baby should be with steffy. Hope is annoying. She should be written out of the story.

Momo
Guest
Momo

I didn’t mind the length of time it took for the reveal. It could have gone on for longer. The scene where Hope confronted Flo-Annika was amazing. That was a great scene.

Kay
Guest
Kay

The fact that Brad Bell did not involve Hunter Tylo in the end of this crap fest is exactly why I am disgusted ! Taylor sacrificed her life to have the twins then Brooke kept Ridge from knowing Thomas was his son ! He has crapped all over his dads soap he makes me vomit I read about it and I just shake my head then we have the Logan girls and Bill and Liam and everybody on the canvas that have done horrible things also to recast Thomas with that awful wormy actor ! Disgusting

SLO48
Guest
SLO48

Liam will leave Hope for Steff again.

General Hospital

GH’s Laura Wright Talks on Mob Boss Carly and Her 30-Year Evolution in Daytime

She’s a fierce, force to be reckoned with, one who delivers raw and emotional performances time and time again, while never forgetting from where she came, and always willing to pass on to her newer co-stars’ the wisdom she gained from the grind of performing in front of the camera in the toughest acting genre there is … daytime drama.

General Hospital’s Laura Wright’s (Carly) real-life soap journey actually has a very humble beginning when in 1991 – fresh off a job at a gas station – she landed in Corinth and the role of Ally Rescott on ABC’s Loving.  Up next, a jaunt to its re-imagined version, The City, until the series ultimate demise in 1997. But that was just an appetizer for soap fans of Wright’s burgeoning talent, when next she ventured to Springfield and CBS’ Guiding Light to take on the role of a stripper with a heart-of-gold who ultimately would be crowned a princess, Cassie Layne. Then, after a popular 8-year-run, she would head to General Hospital, and one of the most coveted roles in soaps, that of Port Charles’ Carly Corinthos following in the footsteps of powerhouse actresses, Sarah Brown and Tamara Braun. In her 20th year in daytime, Laura took home the gold for Outstanding Lead Actress in a Drama Series back in 2011, and that brings us to now.  Next week on June 7th, marks Laura’s 30th year in daytime filled with memorable on and off-screen moments that she has cherished.

Meanwhile, currently on GH, Laura is getting to play Carly in a whole new set of circumstances as she enters her three-decade soap anniversary. In story, we find Carly stepping up to run the mob, now that she and everyone else believes her husband, Sonny Corinthos (Maurice Benard) is dead, and while her best friend and mob enforcer, Jason (Steve Burton) had to go on the run. And from the looks of it, Carly is adjusting to the mob boss role quite well … but is she really?

 

Michael Fairman TV spoke with Laura to get the lowdown on Carly’s life without Sonny, which has pushed her front and center into managing crimes and misdemeanors, mafia-style, all to protect the ones she loves, and to reflect on her amazing ride in daytime; which has made her one of the all-time leading ladies of the soaps.  Here’s what Laura shared about it all.

Photo: ABC

When you first found out what the structure of this storyline was going to be, where Sonny was going to “die” along with Julian (William deVry), and then he turns up alive and has amnesia, what was your initial thought?  Did you know how far they were going to take this for Carly, as far as her now running  the mob in Sonny’s place?

LAURA:  I had no idea about the mob part of it until about two months ago. As far as Sonny having amnesia and having another life now, I love those kinds of stories.  It also gives you as an actor something to play, and what else are you going to do with Sonny and Carly?  You can’t really break them up.  You’re talking to the person who is game for almost anything, so I loved it.  What does Carly’s life look like now as everybody believes that Sonny has died? How does she even take care of herself?  For me, it gave me great material to play because of how it all started to crumble.  Ava (Maura West) takes Avery, Cyrus (Jeff Kober) starts taking over the territory and the town, and Carly starts losing all of this security in her life as she knew it in trying to protect her family, and it was scary for her.

Photo: ABC

Of course, viewers could see where this storyline was heading once Carly lit in to Nina (Cynthia Watros), when Nina was in Nixon Falls and saw that Sonny was very much alive! You could see that Nina was going to seek revenge on Carly and not tell her about Sonny, aka “Mike”, all the while getting closer to him.  What do you think Carly would do if she found out that Nina was with Sonny and kept it from her?

LAURA:  You know, Carly before taking over the mob would have been awful, but now… and I was thinking about this the other day …  I’m like, “Carly would go after her with a gun!”

For years, I’ve always loved this idea of, “What if Carly became a mob boss?”

LAURA:  If they did have Carly go after Nina, then Jason and Sonny would be like, “You cannot do this.”  I think there is this blind rage, at least for a moment.  It can’t just be standing there and yelling at her, do you know what I mean?  Carly would probably take action and then Nina would disappear, or it’s like ‘get me away from her because I am going to kill her’ for what this woman did.  So, you have to have at least an episode of that before you come to your senses and realize that you have children and responsibilities, and you’re going to have to do this the right way, but you have to have the moment of losing it.  It’s stealing their life.  It’s great stuff.  My other thoughts are, “Poor Cynthia,” (laughs) because she’s got to be the nicest human being on the planet, and she is so fun to work with, and so great and committed, so we are going to have some interesting times getting through whatever they write.  I have no idea what they’re writing by the way, and I have no idea when it’s going to happen, but I am sure it will be great.

Photo: ABC

With the way GH shoots their taping schedule, I am assuming now you barely see Maurice, because you are basically in two different parts of this interconnecting story?

LAURA:  We shoot by set.  So, if Maurice is working in the morning, and I am scheduled at let’s say at noon, by the time I get there, he’ll be gone.  So, it’s fascinating. It’s kind of running parallel of what is happening on and off screen because I don’t see him at work, either.

Photo: ABC

Carly seems that she is becoming pretty comfortable in this mob role.  There was a scene that recently aired between Diane (Carolyn Hennesy) and Carly, where Carly was discussing her options of what to do with Gladys (Bonnie Burroughs).  Does Carly like the power this brings her?

LAURA:  I think so, but it’s not like she’s sitting around going, “Oh, this is amazing.”  It’s seriously what she has to do.  What she is seeing is that there are so many moving parts that she didn’t realize how difficult it was.  Sonny made it look easy.  There’s not a time to even take a breath.  You’ve got to always be on your toes.  You know, she is doing it in ‘Carly fashion,’ so it’s always entertaining, and trying as a woman to put out all the fires, but there’s 20 fires behind it, because there is just someone constantly trying to take your seat, trying to hurt your family.  There’s just always something to look out for whether it be from the other families or law enforcement.  I think that Carly is surprised that she is good at it and surprised at how making these decisions is becoming easier and easier for her, but I don’t know if she sits back and enjoys it.  At this point, from air to what we are taping, the decisions don’t stop, and the danger doesn’t stop, and more decisions have to be made, and there is no one else to do it.  This is a world that is life or death.  This isn’t like, “Well, if they don’t like me, I’ll just find someone else to do the job.”  There’s nobody else to do that job.  It’s not that world.  You don’t get to walk away, and she is learning that more and more, as she plays in the big world.

Photo: ABC

So, Jason went on the run with Britt (Kelly Thiebaud).  How does Carly feel about that?

LAURA:  Britt saved his life.  She said that on camera.  “She saved your life; she can take you wherever.  I trust her.”  Carly saw how Britt stepped up and helped him.  I don’t think there is anything else that Carly is thinking right now.  Carly doesn’t have the luxury of being old Carly and being snippy, catty, wanting to vet every person in Jason’s life.  It’s just not her reality right now.  That would be a luxury if she could go back and be that person, but that’s not it.  Right now, it’s assessing the situation.  “Is he safe?  Is she taking care of him?  Great.  I don’t care about anything else right now.”  This is the difference between old Carly and mob-boss Carly.  Those days are gone.  She would give anything to go back to those days because she didn’t have to have the world on her shoulders because Jason was safe, and Sonny was alive.  It’s not where she is now.  It’s a different dynamic that she was forced into.

Photo: ABC

When you and Steve Burton are in scenes together, whether it’s just in your eyes, or expressions or emotions, there is so much going on, or at least that’s how it plays to the audience.  Is the relationship between Carly and Jason one of your favorites to play, because it’s so unique and deep rooted into their history? 

LAURA:  Oh, I love the Carly/Jason relationship. It’s the loyalty and that their dedication to each other is unbendable, unbreakable.  It’s so unwavering.  It’s great to play because it’s like being in a really good relationship, even though he’s not her ‘person’, but he kind of is.  It’s being in a great relationship that means that you get to be 100% you and everything that means, and that person loves and accepts you. There’s such incredible love and freedom, and that’s what it’s like to work with Steve because Steve approaches our scenes – and almost every scene when I watch him with other people – that there is no undercutting judgment, only help.  If I’m struggling with a line or I don’t want to do something, he’s either like, “Yeah, I agree. That’s unnecessary; cut it,” or he gives me a really great way of looking at it, where I’m like, “Oh, that is a really interesting thing, thanks!”  So, then you have full freedom to feel and play and do anything, and that’s kind of what you see.  There’s just a confidence, and I think it is also the relationship.  I think it has to be there when I work with Steve because the relationship between Carly and Jason is that way.

Photo: JPI

Carly and Jason accept each other for who they are, all their flaws, and the dangers that come with their lives.  Wouldn’t you say?

LAURA:  She accepts him 100% for who he is.  She wants to manipulate the world around him, so he is safe, and perfect, and always there, but she still accepts him when nobody else does and vice versa.  He knows that Carly is going to destroy things, and mess up, and spiral.  Like, she had that scene where she said, “Even when Jason knows I’m wrong, he supports me.” It’s really that right there that is everything between the two of them, and it’s the hardest thing to find in any relationship, real life, TV, etc.  We always want to change people to make them be who we want them to be so that we feel okay. It’s a great soap opera relationship because it causes conflict in every other relationship that they have, which is great for storytelling in a show because then there is always a challenge, always a hurdle, always a problem built-in if you need drama. It’s because there is so much acceptance and unconditional love and support that they are free to be who they need to be, and I feel that as an actor working Steve as well.  I think that’s what you see when you say there’s ‘a lot going on’.

Carly’s plan for Gladys took quite a turn!

LAURA:  Well, Carly thought the second that Cyrus finds out that Brando (Johnny Wactor) is the father of Sasha’s (Sofia Matteson) baby that Cyrus is going to want to take him out, so she basically said to Gladys, “Look, I’ll set you up.  I’ll give you all the money you want.  Hell, I’ll even buy you a house.  Leave town, but you have to tell everybody that you lied about Jason,” and she doesn’t bite the bait.  So, you then have Carly saying, “Well, we can do this the easy way where I just pay for your life and you go, or we can do it the hard way,” and the hard way is me letting her know that, “You have a grandchild on the way, and your son is going to be murdered if you don’t do this for me,” because it puts Cyrus back in prison because he is on probation, and he has now obstructed justice.  It’s all on Gladys’s testimony.  That was Carly’s plan.  Right now, her biggest threat is Cyrus and obviously as viewers have seen things did not go as planned!

Photo: ABC

June 7th you will be celebrating 30 years on daytime! Do you remember your first day on Loving? What happened?

LAURA:  I do.  Oh, God!  I remember what dress I had on.  I remember how my hair was.

Were you like in “Oz”?

LAURA:  I looked like Oz. (Laughs) I looked like Dorothy… the dress they had me in, the hair, are you kidding?  I didn’t know what a boom was!  I was really loud.  I had one line: “Grandma!” and that was it, and then they had to note that because I kept saying, “Grandmaw,” and they were like, “It’s not ‘Grandmaw.’  It’s ‘Grandma.’”  Then, I did whatever they said at first, but then the longer I was on the show, I was like, “I say ‘Grandmaw.’ I’m not saying ‘Grandmuh.’ I don’t care. (Laughs) Everyone gets their own personalization of how they say what they say.”  That was my big argument, and now I’ve had a thousand arguments over 30 years, but that was my first big pushback because I would be doing, what in my mind was great work.  I got all of the lines out, my God, and that was before we could do pickups, and when we shot the show in order. Those cameras had wheels. So if you were on set, and they shot the scene before us, you had to be ready to go, and they would fly down the studio on those cameras to set up to start shooting the next scene.  If I got through a scene and they had to do it over again because I said, “Grandmaw,” I would be so angry. (Laughs)

Photo: ABC

Who helped you the most on Loving?

LAURA:  Nada Rowand, who played my grandmother, Lisa Peluso, who played my aunt on the show, and Eric Woodall was my best friend and he played Matt Ford.  He and I would get together every Sunday night, and here’s a little bit of trivia for you … Eric lived with Billy Porter! They graduated from Carnegie Mellon together.  So, I would go over to his apartment, and on Sunday night, we would go over all of the scripts together for the whole week because Eric graduated from Carnegie Mellon; I worked at a gas station. (Laughs) We had very different talents that we were bringing to the table for this soap opera job.  Eric helped me a great deal, my gosh, and so did Bernie Barrow (Ex-Louis).

Bernie was an amazing actor and the only Daytime Emmy winner, ever from Loving!

LAURA:  I had scenes with Bernie because he played my grandfather on the show. I had no idea about half the notes that they were giving me. Bernie would pull me aside and explain what they meant and teach it to me in a way where I knew how to incorporate it into my scenes and adjust and take the notes.  He was extremely helpful.  Then, there is the famous Noelle Beck (Ex-Trisha) story, where two weeks after starting the show, Eric and I were invited to go to the Daytime Emmy Awards.  I was dying because I grew up watching daytime television, and I grew up watching the Daytime Emmys.  So, when I was allowed to go, I told my mom to ship me my prom dress from my senior year of high school, which was this poufy, emerald green thing, and it looked like something from Dynasty with jewels all over it.  I got it, and I was so excited, and everyone on the show was like, “Oh, my God, someone has got to tell her … she cannot wear that dress.”  I didn’t know you could go to wardrobe and ask to borrow a dress, because I’d only been on the show for two weeks maybe.  The same day, they came to me and said, “So, if Susan Lucci (Ex-Erica, AMC) doesn’t win, you’re going to be interviewed on Good Morning America the next morning about how the gas station girl got a job.”  So, it was a big deal. I’m getting ready for the Emmys, and to put this emerald-green dress on, and there is this knock on my door, and it’s Noelle Beck.  She has this beautiful, black, strapless dress. She’s like, “Your dress is beautiful, but I don’t know, I think this is really simple, and I think you might really look beautiful in it if you want to try it on.”

Photo: JPI

Her dress?

LAURA: Her dress! It was a dress that was in Noelle’s closet on the show because she went to wardrobe and was like, “Laura cannot wear that emerald green prom dress.  She will be laughed at.”  I would have been mortified because I did not know what people wore.  I had never been to a red carpet! Noelle went to wardrobe, and they all came up with this dress, and so she came to me and said, “Your dress is so pretty, but I think this might go better with Eric’s suit,” or however she sold it! I tried it on, and I just felt so sophisticated, and I was like, “It’s okay if I wear this!?” and she’s just like, “Oh, my God, yeah!”  When I think back to that story, I’m like, ‘thank God for Noelle Beck’.  It was one of the funniest stories ever, and her dressing room was right across the hall from me, and she was from Maryland; I was from Maryland.  She was like a sister.  Noelle was always looking out for me, personally.

Photo: ABC

Over the years, you have become one of the great leading ladies of daytime.  Was there a moment, when you were like, “I’ve got this down now … I really know what I’m doing.”

LAURA:   There have been different moments.  I remember the first time where I felt like ‘an actor.’  It was when they shot and killed Casey (Paul Anthony Stewart) on Loving, and he had to die in my arms.  I embodied something and felt it in a way that was different.  I didn’t know what it was at the time because I was playing my emotions of Paul leaving the show. I was really confused because I was like, “Do I really like this guy?” like in real life, because I didn’t know.  I didn’t have any tools of acting to know how to separate.  I was so in love with the characters’ love story, which was also my feelings at the time because I didn’t know the difference.  I didn’t know where Ally stopped, and Laura started.  I was just kind of playing myself.  I remember they called Paul to the set for a goodbye, and they were giving him a big cake and everything, and I could barely hold it together.  I couldn’t believe he was leaving.  I was like, “You’re going to say, ‘I changed my mind,’ right?” and I really believed that.  I really was like, “There’s just no way he’s going.”  Then, we had to shoot his scene, and I was very emotional and upset.  But, it was the next day where I had to go and play the scenes where he is dead and talk about it to the family, and that was when I just lost it.  I just changed as an actor in those scenes.  I remember having an opinion.  When the writers were telling me the story that they were going to tell, I remember saying, “Well, I think the interesting moment is she is not going to believe it,” and they were like, “What do you mean?”  I say, “When she comes home from the hospital, I think she needs to be like, ‘We have to go back.  Casey is at the hospital, and he needs us,’ and they were like, “That’s such a great thing to play.”  That’s what shifted for me.  I just remember there was a moment where Ally couldn’t lie anymore. She couldn’t convince herself, and then she had to tell her son that Casey wasn’t coming back.  I really understood what it was to get lost to a scene; what it was to not be Laura going, “I’m going to act now and play this scene.”  I learned how to become the character and transform in the moment.

It’s was on-the-job training.

LAURA:  Oh, for sure on-the-job training, because I went to one acting class thinking that in New York City I need to know what I’m doing, and I was so terrified to get up and speak in a scene that I literally could not talk.  I couldn’t even function outside of the safety of what I knew on a soap opera set.  I had that happen with my meditation teacher training a few years ago.  I almost left the training because it was terrifying for me to get up and not know what I’m going to do and have the script, no cameras in front of me!  It was very bizarre.

Photo: CBS

And later, Guiding Light came your way!

LAURA: When The City got canceled, I shot a pilot that did not get picked up, and my agents were like, “What do you want to do?” and I was like, “I’m really good at daytime… can we just stick with that?  I don’t really want to do this auditioning thing.” So, then all of the sudden within a week of me saying, “I think I’ll do daytime again,” I had a screen-test for All My Children and Guiding Light at the exact same time.  I was like, “What are the parts?” and I wasn’t going to pit them against each other because my agent was like, “It’s bad taste. We don’t represent that kind of negotiation.” You have to pick because before you go into any screen-test, you already have a pre-negotiated contract, and the deal has been placed.  So, you know going in what your situation will be.  So, it was All My Children, playing a doctor, or a stripper with a heart-of-gold on Guiding Light.  It was the role and that Guiding Light just had a better money offer that pushed me towards that screen-test. Then, I had to go in and meet Paul Rauch (Former EP, GL) before I screen-tested, and then Jim Brown and Barbara Esensten who were now the head writers at GL. They wrote for me on The City.  They were the ones who said, “Let’s get Laura Wright in here and see if she wants to do this.”  It’s interesting, because when they were shooting Annie’s (Cynthia Watros) big trial on Guiding Light, and Kim Zimmer (Reva) had these incredible, long days and tons of dialogue in the courtroom scenes. Then, they throw this screen-test at her with me in the middle of the afternoon! I remember when we were doing the scene. Kim had jumped to another part in it, and of course, I knew the script backwards and forwards because I’ve had it for a week and a half.  Kim had probably looked at it that day because she’s got a thousand other lines that she’s learning for that week of shows.  We were in the middle of the scene, and they’re rolling cameras, it’s very emotional, we’re going at each other, and Kim had jumped to the next page of a line, but I knew exactly where she went, so I went right there. We got back on track and ended the scene, and Kim goes, “She just saved my ass in that screen-test!” and we just started laughing.  It was a great moment.

Photo: LWInstagram

The cast of Guiding Light was so amazing!

LAURA:  So amazing, and that’s where I met my man.

Wes Ramsey (Ex-Sam, GL, now Peter, GH) at the time had a crush on you if I recall the story.

LAURA:  Yes, he had a crush.  I don’t know if he wanted to go out with me because when I first came on, I was pregnant, so that would have been weird! (Laughs) We have a funny story that he told me four years ago when we got together. Wes was going through old photos that he had logged into his computer and was trying to put things in different files, and he’s like, “Oh, my God.”  He had come back a few times on Guiding Light after he’d left, and one of the times was after I’d had my son, and this was when Richard had died, and Cassie had chopped all of her hair off.  So, he was going through these photos and he showed me that he had snuck a picture of me.  (Laughs) Then, he’s like, “See, I told you I had a crush!”  I’m like, “Oh my God, that’s so funny!”

Do you and Wes run lines together at home, even though you are in different storylines on GH?

LAURA:  If he needed me too, I would, but Wes has a totally different way of learning his lines than I do.  His prep work is very different than mine.  His is very professional and probably how you should do it. He is a Juilliard graduate.  So, he was taught well, and I’ve just figured it out.  Mine is just pure survival …’the gas station girl’.

Photo: ABC

What was the impact Guiding Light had on the trajectory of your career?

LAURA:  Guiding Light was 100% an actors show. They told a different kind of story, and the actors across the board were serious and wanted you to take it just as seriously. You were either going to sink or swim on that show, and I had to figure out how to swim. I think I spent the first six months in my dressing room crying when I wasn’t on set, trying to figure it out.  I was really taken care of on Loving.  I was 20-years-old when I got that part, 27 when I left. When I went to Guiding Light, it wasn’t like I wasn’t taken care of and protected, but it was a new energy. No one knew me.  No one knew what I was capable of.  I didn’t even know what I was capable of at the time, and you weren’t going to phone it in there.  I started working with Kim Zimmer and Jordan Clarke (Ex-Billy Lewis).  My God, you’re thrown in with people who make you feel things and play things that are uncomfortable, because that’s what we do as actors.  We make it uncomfortable, and we stretch the boundaries, and we play these emotions that are so raw and real.  One day I was freaking out over a scene with the characters of Edmund and Dinah, and I just said I would never do this.  I was just adamant. The director, said, “We have to do this.  So, you have to give me one reason where you could stay in this room.”  I said, “I guess my daughter could walk in the door, and I don’t want to leave her,” and he goes, “Great!  That’s great,” and I go, “Or…” and it just opened this door of there’s a thousand ways I could play a scene.

Photo: CBS

When you came onto General Hospital and embodied Carly, did you feel like this was it now… and that you were in command of your craft?

LAURA:  No, because it took me a long time to get comfortable.  I’m the fourth Carly, so you want to honor what they’re writing, you want to honor the fans and what they love about the character, and there were three women who played her before me and somebody loved something about all of them. So, you want to bring that, as well as make your own mark.  You’re taking over a leading female role of the show with that much passion and dialogue that comes with the character, so it was a lot of pressure at first, but I was excited for it.  I showed up every day ready to kick ass, but as far as feeling like, “Ha ha, it’s mine; I’ve made it!”, I’ve never felt that.

Photo: ABC

I have spoken to many of your co-stars through the years, and they often share how you helped them within a scene, or with something they were struggling with.  That is where experience can be a great asset for a performer in this medium.

LAURA:  As a female lead on the show, I do think it’s important to lift other women up to become their own female leads, and I do mean that.  If I’m working with someone, and I see them get a note that they don’t understand, or it’s a technical note, but gosh, it’s an important scene for them emotionally, anything I can do to help them in that moment, whether it has anything to do with me or not, I am there for.  There was a bathroom scene that I think aired a week or so ago with Carly and Sasha.  In the scene, Sasha (Sofia Mattsson) has all of her makeup in front of her, and the shot they need to get is through the mirror.  Sasha has a full conversation with Carly, who is standing upstage. It’s very difficult to do that when you don’t have rehearsal time to figure it out. They gave her the note that they needed her to say her line into the mirror, or they can’t get her face, right? I’m like, “Hey, do you have any idea how you’re going to do that?” because it’s so hard! I wanted to help. Having 30 years’ experience in something feels great, and it’s shocking because where did those 30 years go? What incredible memories I have, but what it’s gifted me the most is being able to help people through my experience, and through what I have learned along the way.  The whole show shines when we all shine, not just when one person does.

Photo: LWrightInstagram

What do you think your late parents would say about your 30 years in daytime?

LAURA:  Oh, they would be so proud… so happy.  It’s just so crazy that it’s been 30 years, and 2020 being the longest year with what we all experienced with Covid-19.  Looking back on my daytime career, I don’t know why, the shows didn’t let me go. I think it really was work ethic.  I can really say my work ethic is a huge part of me sticking around because I never got lazy.  I was never not going to figure it out.  I was never one to show up not knowing her lines, or being a problem, or not caring. I think that’s what kept me going, and then listening, watching, feeling, and I’m just so grateful.  I’m like, “Wow, what a ride!”

Photo: ABC

… And what can you say about what your time as Carly has meant to you within your now illustrious daytime career?

LAURA:  I love every second of it.  It’s my choice how I show up on that soundstage.  After 30 years, I am not bored.  I have had my moments of trying to find the fun in it and caring about Carly’s storyline at the time. That’s my own choice though, right?  It’s a choice – how I choose to show up every day there – and what I choose to find interesting and challenging, and I do.  No matter what storyline they’ve given me, I can choose for it to be, “Okay, I’m here.  I’ve been doing this for so long, I could do it in my sleep,” or I could choose to show up and go, “Where am I going to kickass today?  Where is the moment?”  Now, I don’t love the amount of time it takes for my hair to get blown out; I’ll be honest (Laughs). I’m an antsy person.  But when I get on set, it’s my choice to find the love and the fun of it, whatever that is for me.  I choose to open up every script I get, the second I get it, and am always excited to see what I’m doing.

Photo: ABC

Finally, what would you say, as a tease of what we should look forward to in the coming weeks involving Carly?

LAURA:  All I can say is there is amazing stuff coming, amazing performances, amazing excitement, amazing heartbreak, amazing surprises.  It’s all coming.

So, are you into Carly running the mob? What do you think will happen when and if Carly finds out Nina has been with Sonny aka Mike for months?  What has been your favorite moment of Laura’s on the soaps throughout her 3 decades in daytime? Share your thoughts and congrats to Laura in the comment section below.

Continue Reading

Interviews

Y&R’s Telma Hopkins and Bryton James Talk on their ‘Family Matters’ Connection, Amanda Sinclair’s Past, and the songs of Tony Orlando and Dawn

This week, kicks-off a very special guest appearance by Telma Hopkins on CBS’ The Young and the Restless.  Hopkins plays Denise Tolliver, a private eye with some very important intel for Amanda Sinclair (Mishael Morgan), about her past, her father, and her biological family drama.

Photo:CBD

Telma’s guest stint on Y&R reunites her with her dear friend and former on-screen son, Bryton James (Devon Hamilton) after they appeared together on the late 80’s and 90’s sitcom Family Matters.  Fans of the comedy series remember a very young Bryton as Richie Crawford and Telma as his mother, Rachel.  Year laters, they now have the opportunity to work together in Genoa City.

Photo: CBS

In a new interview out today on the Michael Fairman Channel, Telma and Bryton chat virtually with Michael, and we learn that Telma is a longtime fan of Y&R, a huge fan of Mishael Morgan’s, and just how Denise Tolliver’s arrival in Genoa City will set the stage for fireworks to come.

And while Telma and Bryton reminisce about first their first impressions of each other on the Family Matters set, we also delve into another key part of Hopkins career as part of the iconic singing trio Tony Orlando and Dawn, whose hit singles included: “Tie a Yellow Ribbon Round the Ole’ Oak Tree”, “Candida”, “She Don’t Love You” and more.

Photo: CBS

So, excited to see Telma and Bryton together again? What were your first impressions of Telma as Denise Tolliver on today’s Y&R? What is your favorite Tony Orlando and Dawn tune? Did you watch “Family Matters” with Telma and Bryton years ago? Share your thoughts in the comment section.  But first check out their full interview below.

Continue Reading

Days Of Our Lives

WATCH: Daytime Emmy Nominations Special 2021 Replay

Last night, during the Daytime Emmy Nominations Special Livestream on the Michael Fairman Channel, 15 nominated performers who will be going for gold on the upcoming 48th annual Daytime Emmy Awards, shared their reactions and their excitement at learning they were in the running in the major Daytime Drama performer categories as chosen by their peers.

Throughout the livestream, the actors also shared what scenes they chose for their reels in the competition that landed them in the top spots in their respective categories.

Photos: ABC, CBS, JPI, NBC

During the broadcast, Michael welcomed: The Bold and the Beautiful’s Darin Brooks and Courtney Hope, General Hospital’s, Maurice Benard, Finola Hughes, Max Gail, Briana Lane and Dominic Zamprogna, The Young and the Restless’ Bryton James, Melissa Claire Egan and Alyvia Alyn Lind, and Days of our Lives nominees: Victoria Konefal, Cady McClain, Wally Kurth, George DelHoyo, and Tamara Braun.

In addition, NATAS President and CEO Adam Sharp shared insight into this year’s nomination process, the year in daytime, and teased what to look for on the upcoming Daytime Emmy Telecast on June 25th on CBS, where the award show recently got a two-year pick-up.

In case you missed it, enjoy this kick-off to Emmy season and watch the Daytime Emmy Nominations Replay below.  Then let us know what moments you enjoyed the most during our show, and who you are rooting for to take home Emmy gold in the comment section.

Continue Reading
Advertisement
Advertisement

Video du Jour

GH’s Kelly Thiebaud (Britt) chats with Michael Fairman about Britt being on the run with Jason, their burgeoning romance, working with Steve Burton and her other co-star and Britt’s diagnosis of Huntington’s Disease. .Leave A Comment

The Michael Channel

Recent Comments

Advertisement

Power Performance

Kirsten Storms as Maxie

General Hospital

Airdates: 6-2/3-2021

Advertisement

Popular