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DAYS OF OUR LIVES: Alex, Chanel and Allie Have a Three-Way

Photo: JPI

On Monday’s Days of our Lives, the long-running soap opera included in story, its first ever threesome. DAYS, which has been streaming on Peacock since the middle of September, teased the ménage à trois a bit ago when Rob Scott Wilson’s new character of Alex Kiriakis hit Salem and was a bit of a ‘player’.  At one point during a conversation, Alex hit on Chanel (Raven Bowens) and Allie (Lindsay Arnold) and put into their minds the notion of having a threesome with him.

Meanwhile, Allie and Chanel have had their own past complicated relationships with men, and now with each other.  Feeling that their relationship has hit a bump in the road, the young women decide a three-way might be just the spark needed to ignite their love and passion for one another.

Courtesy/Peacock

Eventually, the two invite Alex over for a drink, making small-talk and trying to get to the reason they invited him over in the first place. After fumbling around to get to the true reason, Allie reveals they want to take him up on his offer. Alex is confused, until Chanel uses the word “threesome” to which Alex spits out his drink.

Allie then admits the three-way was her idea, and Chanel agreed to it, as it’s an adventure they could share together. They go on to say they chose Alex because they wanted someone who would have no emotional ties to them afterward.  Alex, also has a bit of truth of his own to share. He says, in reality, he has only experienced a three-way, twice before.

After trying to figure out how to start the sexual encounter, Alex kisses Chanel, then Allie and the three adjourn to the bedroom,  DAYS then delivers a montage of shots representing the sex between the three.

In the end, Alex is winded and dehydrated and goes to get some water, while Chanel and Allie check in with each other and say that the experience was more than alright and recommit to each other.

Fans of the series have been commenting on social media since yesterday. Also, to note, DAYS tapes month ahead, so this story point was already completed before the move to Peacock.  It should also be noted that Rob Scott Wilson also appeared in another soap first, when on Prospect Park’s All My Children, his character of Pete Cortlandt (Wilson) received oral sex from Colby (Brooke Newton).

So, what did you think about how the Salem threesome between Alex, Chanel and Allie was portrayed? Comment below.

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“Days” wants attention–and needs it on the new Peacock platform. But with this–are they trying to be hip? Or is it just tasteless?

Since this episode was taped 6 months ago, it really has nothing to do with Peacock. Though it might very well have something to do with ReRon promoting his latest creation, “Alex Who Is Definitely Not Ben The Necktie Killer”.

The threesome would have seemed a lot less contrived it they would have done it with Tripp Johnson, who both of the girls were “into” to one extent or another, though admittedly a lot of alcohol was involved when he almost got busy with Chanel.

Yes, Satan, it seems contrived especially since I would never share that man with anyone. It’d be all or nothing. Hopefully all.

They knew when they were filming it 6 months ago it would be on peacock when it aired. A deal like that doesn’t happen over night.

That threesome was smoking hot. Next time I want just three women involved.

I did not think Days would actually show it. I thought they could have shown us the three going into the bedroom and then them lying in bed after or in the living room. I was surprised it was shown.

I’m more than okay with this breakthrough storyline, largely because it is a part of the human experience. Threesomes may not be for everyone, but they are common enough that it is almost surprising the topic has not been featured in soaps previously. I also think that there is much drama to be mined from such encounters: whether it’s a one-time versus ongoing relationship, whether one or more members experience misgivings, whether one member feels left out, resultant pregnancies, and so on. Let the games begin…

James…as always, you are SO RIGHT ON!!! Also, I found the episode (in general) to be VERY WONDERFULLY GROUNDBREAKING!!! Most of all, the Allie/Alex/Chanel scenario held my interest because (to me) it was so comical…lol. And yep…let the games begin…PERIOD!!!!!

Catch ya’ later, Brother.

Thank you for the backup, jaybird369! As we see, it’s not everyone’s cup of tea. But, as you say, it is “GROUNDBREAKING.” And you added a dimension I neglected: the humor. Humor comes in handy, doesn’t it? Take care, Friend!

Stop spreading misinformation. You have no idea how “common” it is unless you have statistics to support your claim (other than your trick knee). There’s nothing “groundbreaking” about Days being boring.

Thank you for your reply, whynot. As with other commenters here, it’s also refreshing to read a different point of view. My posts here are merely anecdotal. I am no expert on the topic. And I am certainly not “spreading misinformation” here, as some anti-vaccers do. I’m not sure of your intent with the “trick knee” comment. I will assume this is an attempt at humor and not a vicious putdown. I’m happy to have a respectful discussion with others capable of doing so.

This is just one of the reasons I have not watched DAYS since March.

If I wanted to watch p0rn I would. I’ve been watching this show for over 40 years, they have totally ruined it. Most people who watch this show are an older generation and not interested in this crap. It’s obvious they are jumping on the woke bandwagon, as is most of NBC shows. To appeases a minute part of the population DOOL just destroyed themselves.

I have no idea how a threesome would be considered “Woke.” And the whole point of stories like this is to reflect current contemporary life. It’s wonderful that there are viewers who have watched for more than 40 years. But to survive, Days needs to attract new and young viewers by offering content that appeals to them. Not sure why that would be considered a “minute part of the population.” Literally, it’s the generation of the future.

The threescore didn’t make it “woke” but there have been other things happening too that show they are moving in that direction.
I have heard the phrase “middle age white male” a few times now. To me, that is as racist as it comes. Making an assumption of a entire group of people.
Moving forward more as the world changes, sure, I appreciate that but they are crossing lines that is going to leave long time viewer’s considering to no longer watch.
The three some was a close call for me, hot, yeah sure, but it’s not what I want to see when I get home from work while making dinner. It’s daytime TV, bottom line. Move it to 8pm time slot.

Porn does not belong on public day time tv, I have watched this show for 47 years. Terribly disappointed. Will no longer watch this show.

This is:
1. Not porn (trust me that’s a lot more graphic)
2. Not on “public daytime tv” as Peacock is a subscription service not subject to network standards & practices.
3. Just an example of things that do occur in real life (not everyone’s but far from a few).

Going back to the early days, soaps have always gone where many primetime shows weren’t ready to go. Adultery and divorce in the 50s/60s, abortion and race relations in the 70s, and coming out in the 90s.

In order to grow, soaps need to continue to evolve with the times and push boundaries.

OG Steve
All you are saying may be true, but, have you ever seen two dogs mating? Things that happen in real life, yes but I sure as hell don’t care to see it on my daytime TV. There’s a time and place for everything.

Violet, your comment reminds me of a great line of dialogue from the 1972 movie BUTTERFLIES ARE FREE. Oscar-winner Eileen Heckart’s character responds to a wacky, avant-garde theatre director who claims that audiences are dying to see MORE nudity and degradation on stage. “It’s part of life”, he claims. Eileen’s character responds: “I realize that. So is diarrhea. But I wouldn’t classify it as entertainment.” Whatever your thoughts, it’s a classic comeback!

I’ve seen my dog Cerberus going at it with another hellhound. Since he has three heads, does that count as a “4 way”??

It was actually uneventful. I had to laugh that they were talking about how hot it was and Chanel still had her barrettes perfectly in place in the morning.
Lots of hype and very little payoff.

For years I watched Dean Martin and Frank Sinatra walk off with two women in tow and didn’t give it a second thought as to what was going on. But its two women and a male and everyone is freaking out!!! Talk about stereotypes. I think Allie’s threesome suggestion by the way is malicious and she plans to accidentally tell her brother so that it turns him off to Chanel. Other than that as I wrote before if Days succeeds on Peacock they might want to consider breaking up the show and putting the older folks in one soap and the youngsters in their own spinoff.

It was fine, but the timing was clumsy and insensitive. Allie’s two grandmothers and great aunt are at death’s door and she’s doing this?

Days Of Our Lives

Days of our Lives wins WGA Award for Daytime Drama Series

Sunday night, April 14th in concurrent ceremonies in Los Angeles and New York City, the Writers Guild of America is handing out their 76th annual WGA Awards in the fields of motion picture, television, news media, and radio/audio.

In the Daytime Drama category, Peacock’s Days of our Lives was the winner, taking home its fourth WGA Award in this category in a row.

The DAYS winning writing team consisted of Head Writer Ron Carlivati Creative Consultant Ryan Quan and Writers Sonja Alar, Jazmen Darnell Brown, Joanna Cohen, Carolyn Culliton, Richard Culliton, Cheryl Davis, Kirk Doering, Christopher Dunn, Jamey Giddens, David Kreizman, Henry Newman, Dave Ryan, and Katherine D. Schock.

Photo: JPI

The team from Days of our Lives bested the only other team in the category from General Hospital, which consisted of former GH head writers: Dan O’Connor, Chris Van Etten Writers Ashley Cook, Emily Culliton, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Shannon Peace, Stacey Pulwer, Dave Rupel, Lisa Seidman, and Scott Sickles.

Courtesy/Peacock

As previously reported, a show spokesperson for Days of our Lives shared that the episodes submitted for the competition were #14663, #14678 & #14679, and mostly centered around the death, and the funeral of Victor Kiriakis played by the late John Aniston.

This week, DAYS head scribe, Ron Carlivati, confirmed that, and told Michael Fairman TV on the decision of the scripts the team submitted: “I like to have some humor, but it was also the funeral, and then there was Sarah (Linsey Godfrey) giving birth, and then Vivian’s (Louise Sorel) crashing the reading of the will.”

You can follow along with the live updated list of all the winners from tonight’s WGA ceremonies here.

Michael Fairman TV will have more on DAYS WGA Award win as it becomes available.

So, what do you think of Days of our Lives winning the WGA Award writing award for a Daytime Drama series for the fourth year in a row? Comment below.

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Days Of Our Lives

Matthew Ashford and Melissa Reeves Talk Return to DAYS for Doug’s Funeral, Susan Seaforth Hayes, and Their Enduring Friendship

Last week, Days of our Lives celebrated the taping of their 15,000th episode which is tentatively scheduled to air on December 3rd. The story will feature emotional and heart-tugging scenes of Doug Williams funeral and honor his portrayer, the beloved Bill Hayes, who passed away on January 12th at the age of 98.

While the actors, producers, and crew took a lunch time break to pose for some pictures and speak with the press, they knew they would have to get back to taping the funeral, which was going to make it a tough day, but also cathartic for all who loved Bill Hayes.

Several returns have thus far been announced including; Melissa Reeves reprising her signature role of Jennifer Horton (a part she first played in 1985), and Matthew Ashford as Jack Deveraux. Reeves had last appeared on the show back in 2021, and she was replaced by Emmy-winner Cady McClain in her absence when Jennifer was in storylines. In real-life, Melissa had moved full-time to Tennessee along with her husband, Scott Reeves (ex-DAYS, GH, Y&R). Now, and as previously reported, Reeves will first appear back on DAYS for the Thanksgiving episodes with the Hortons.

Photo: JPI

Michael Fairman TV caught up with Matt and Melissa during the 15,000th episode celebration to get their take on: being back for these special episodes, how it has been working with and watching Susan Seaforth Hayes portray Julie’s grief over losing Doug, and how they have supported each other through the years. Check out what they shared below.

Melissa, you are back on the set of Days of our Lives for this very emotional and special moment in the series history. How does it feel?

MELISSA: Oh, my goodness. I am honored. I wouldn’t want to be anywhere else but to be here for Bill. He was like my real-life dance partner. He taught me how to ballroom dance. And to be here for Susan, of course, who’s just been our sweet hero this whole week. We’re just following her lead. She’s just been this incredibly strong example for us in the midst of this trial and season of her life. She is like just lifting us all up with her. It’s been incredible.

I was at Bill Hayes memorial service which was truly incredible and I know at the time you were in Tennessee. It was moving and celebratory of his life, all at the same time.

MELISSA: That’s all I have heard. I have to watch it on You Tube. They said it was just a real celebration of his life and I love that.

Photo: JPI

This must be difficult for Susan Seaforth Hayes depicting the death of Doug, when she is still grieving the loss of her beloved husband. (Susan pictured above with the returning Stephen Schnetzer who plays her on-screen brother, Steve Olson).

MELISSA: I’m sure Susan has those moments at home by herself, but she’s so good at being a leader and leading all of us. We’re following her, you know, and she’s like, “This is how I want to feel today.” And we’re just going along with her, you know? It’s so sweet.

Photo: JPI

How is it to see Matt Ashford again live and in-person?

MELISSA: You know, Matt and I can go years without talking, or seeing each other, and then the minute we see each other we’re chatting away.

MATT: Melissa was out on set doing a scene yesterday on the phone talking to a stage manager; as she was telling some really tough news on the phone. I’m like crying in the background, literally, I’m off-stage crying.

MELISSA: And then we get like back into normal life, and we’re like, okay, “What’s happening? What’s happening with this … or what’s happening with that?”

I had read, Melissa, that you were in touch with Matt about if there night be a possibility for you to reprise your role as Jennifer for these special episodes?

MELISSA: Yes. Well, Matt was like, “Hey! Would you want to come back? “And I was like, “Matt, you know, I would always come back. ”

MATT:  Every time I come here to Days of our Lives, they ask, “Where’s Missy? How’s Missy?” Everybody backstage says, “I miss her.” All of the crew is asking about her and saying, “It would be nice to see Missy. Nothing wrong with you Matt, but …”  They said, “Where is she?” I said, “She wants to come!”

Photo: JPI

There are some beautiful photos of Missy and Bill and Susan thorough the years that I found. It just reminded me of just the deep and entrenched history we all have had with the show, personally and professionally.

MATT: Missy is roughly the age where Francis Reid (ex-Alice Horton) was when she started the show, which is just crazy.

Photo: JPI

I’ve always said Missy was going to be the next generation Alice. Do you feel that Jennifer is the heir apparent matriarch of the Horton family?

MELISSA: Yes. I mean, this has been greatest blessing of my life, and that would be great. I told Ken Corday (executive producer, Days of our Lives) when I was 17 that this show would be my life. Ken always told me, “This is your home,” and I’ve always felt like that.

How have gotten through the scenes watching Susan Seaforth Hayes as Julie go through the loss of Doug?

MATT: Susan is bringing her best performance life for her and Bill. I mean, she’s a showbiz baby. She always has been one hundred percent, and she’s doing it for him, and this is who they’ve always been. So, you’re seeing this amazing performance colored by her life. She has her private life as Susan, but she has enough plugged into Julie that she’s done amazing work. The director, producers and writers are giving her room to live in these moments and it’s quite wonderful.

Photo: JPI

Have you already broken down in tears during the taping?

MELISSA: Yesterday, but today’s taping of the actual funeral I think they want us to try and be just more celebratory.

MATT: I mean, it is a beautiful long life for Bill Hayes and his character of Doug Williams, and so it will be about that. Then, you get a bunch of us together in the church pews, and there’s going to be hijinks.

MELISSA: We all have been through the waves of grief. You have that awful cry and then all of a sudden you feel okay.  There are those family situations we are portraying where you’re like, “What do we do? What do we do now? You know, no one knows what to do. But, it’s so sweet. I’m looking forward to seeing how the scenes all turn out.

So, are you glad that Matt and Melissa are back for the 15K episode and Doug’s funeral? From what we can tell, it’s going to be quite an emotional journey for Days of our Lives fans, and especially the performance of Susan Seaforth Hayes, 

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Days Of Our Lives

Ron Carlivati Talks on Decision to Make Days of our Lives 15000th Episode About Doug’s Funeral, and Previews Chances for WGA Award

This week, Days of our Lives celebrated the taping of their 15,000th episode. In of it itself, that is an incredible accomplishment for the long-running soap opera currently streaming on Peacock.

However, this on set gathering was a bit different. Though the show is celebrating their achievement, they are also in the middle of taping scenes surrounding the death and the funeral of Doug Williams, played by the late Bill Hayes, who passed away on January 12th of this year at the age of 98.

As previously revealed many longtime favorites are back to honor Bill and the character of Doug including: Gloria Loring (Liz), Melissa Reeves (Jennifer), Matthew Ashford (Jack), Maree Cheatham (Marie), Victoria Konefal (Ciara) and Stephen Schnetzer (Steve) to name but a few.

Photo: JPI

Michael Fairman TV was in attendance and spoke with Days of our Lives head writer, Ron Carlivati to gain some insight into how the 15,000 episode was crafted and the decision to honor the character of Doug Williams and Bill Hayes as its epicenter. In addition, Ron weighed-in on this Sunday’s April 14th WGA (Writers Guild of America) Awards, where he and his writing team are facing off with General Hospital for the daytime drama prize. Here’s what Ron shared below.

Was this your idea to make the 15,000th episode centered around Doug’s funeral and passing?

RON: It was. When you’re looking at it, and laying out the calendar for the whole year and you see 15,000 is coming up, we’re like, “What are we going to do?” And then, we got the news that Bill had passed away and something kind of clicked. I was like, “We should honor Doug on that show.” So then, we started to kind of build around that … when does he pass away? How does he pass away? Who could come back? You know, it’s a lot.  I’m very pleased with the returns that we got as there’s so much that you could do. We wanted everybody we could get. So, we put together a wish list and Janet Drucker (co-executive producer, Days of our Lives) made it happen.

Photo: JPI

You have Melissa Reeves back as Jennifer, when the role was last played by Cady McClain. What has it meant to have Missy back for these shows?

RON: It was so nice to see Missy Reeves. I think Cady has done such a good job, but on the 15,000th episode to see Missy as Jennifer, it’s a big deal. So having her was great, and overall, the milestone was a big undertaking, because you want to live up to it. You want the 15,000th episode to be good. Now, it has a lot of real emotion that you’re playing. because for the cast and the crew they’re honoring Bill Hayes just as much as we’re honoring Doug Williams.

Photo: JPI

Was it hard for you and the team to write this episode?

RON: Yes. I’ll tell you why it was hard to write.  When I wrote, for example, Asa’s (Phillip Carey) death on One Life to Live or Victor’s (John Aniston) on DAYS, Asa is a different type of character. Like, you could have characters going, “Oh! I’m glad he is dead.” You could have different points of view, but with Doug, you’re not having that. Every person loves this man. No one had a bad relationship with him. So, you’re challenge as a writer is how do you make it that not everybody’s saying the same thing and doing the same thing. And so, we tried to find ways to make the episode about all the familial relationships and yet, how do you make it about Doug and yet broaden the scope.

Photo: JPI

I had spoken to Susan Seaforth Hayes (Julie), a week after Bill’s memorial, for an interview. She said that she felt very fortunate that you did include her on discussions of how you would tackle Doug’s passing. How did that conversation go?

RON: First, I attended Bill’s funeral, which was incredible. I said to so many people it was an emotional service, but it was hard to be sad at this. The guy had an incredible life and it was an incredible celebration. And so, you’re sitting there watching this knowing that you now have to write something similar. And how do you write something that lives up to what you just witnessed? I wanted to talk to Susan to get her thoughts about, you know, how much do you want this to be about keeping Bill separate from Doug. How comfortable are you sharing your grief. She was incredible to talk to. It was a great chat.

You’re in the middle of taping these major scenes for the 15,000 episode to air in December. How do you think it’s going? Have you seen any of the scenes?

RON:  I haven’t seeing anything. I mean, we were still making changes to the script up till this morning!

Photo: JPI

The Writers Guild Awards are this Sunday, April 14th and once again this year there are two daytime drama nominees, General Hospital and Days of our Lives. How are you feeling about your chances this year?

RON: It is often just GH and us in the category. I’ve won three years in a row, so I’m kind of feeling like it’s their turn.

Photo: JPI

What episodes did you submit for contention? If I recall, they had to do with Victor’s memorial.

RON: The episodes we submitted were centered around Victor’s funeral. I think one has story with Vivian (Louise Sorel). We had some fun stuff, we had some emotional stuff at Victor’s death, and I am pretty sure that our submission was three episodes right around that time.

Did you make the decision to go with those episodes because there was a mix of humor and drama?

RON: I like to have some humor, but it was also the funeral, then there’s Sarah (Linsey Godfrey) giving birth, and then Vivian’s crashing the reading of the will. So, we had a lot of fun and it’s hard sometimes to pick three that tell a story, as opposed to submitting for the Daytime Emmys, where the writing team only submits two shows. So, we shall see how it goes on Sunday.

Courtesy/Peacock

So, are you looking forward to the emotional 15,000th episode of Days of our Lives? Do you think DAYS will take home the WGA writing award for daytime dramas for the 4th year in a row? Comment below.

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