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GH’s Laura Wright and Max Gail Along with Maria Shriver Talk The Importance Of The Alzheimer’s Storyline

Courtesy/KTLA

Courtesy/KTLA

On Monday’s edition of the KTLA Morning News, General Hospital’s Laura Wright (Carly) and Max Gail (Mike) joined Maria Shriver as they chatted about Alzheimer’s disease and the Women’s Alzheimer’s Movement.

As General Hospital viewers know, currently Max Gail is delivering a brilliant performance as Sonny’s (Maurice Benard) dad, who has been diagnosed with Alzheimer’s for which there is no cure.In story, as in life, it is also the caregivers who suffer watching the deterioration of the person they love afflicted with this horrific disease.

Maria Shriver, who has been an activist for Alzheimer’s, notes how women are most affected by Alzheimer’s.  During the interview with KTLA, Shriver gives important things to look for, and how to potentially slow the on-set of progression of the disease, while giving kudos to GH for telling this important storyline of our time.

Watch the interview with Laura, Ma, and Maria after the jump.  Let us know, if you have lost a loved one, or are dealing with someone in your family who has this disease.  What have you thought about the way GH is unraveling Mike’s storyline? Comment below!

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dmr
dmr

Mail Gail is doing an incredible job with this storyline-it certainly tears at your heartstrings. I was not familiar with him or his previous work. I watched the clip last night, and Laura Wright could really use some tips on public speaking. Perhaps she was nervous. She reminds me of a teenager when she speaks..

Timmm
Timmm

This was a great interview for the cause and for GH!

shelly
shelly

Lost my mom in December to vascular disease, which included dementia, in December. These story lines hit close to home (Y & R too). The difference is, the fictional families can afford the care thats required for their loved ones. There must be some sort of lobbying for medicare funding for care for alzheimers and dementia patients. Thanks to Max Gail and Marla Adams (and the actors portraying their children) for their incredible performances. The way Dena has spoken to Ashley had me in tears.

Priscilla
Priscilla

I’m really happy that GH is addressing a problem that affects so many of us in so many ways. The writers are doing a great job showing both the patient’s and caretaker’s point of view. It’s a devastating disease.

Steve B
Steve B

Bravo, Max Gail, Maurice Benard and Laura Wright. A brilliant tour de force. Entertainment as vital social and medical information, told with deep and compelling humanity. And great for this longtime “Barney Miller” fan to see Max Gail. Wojo was one of the great sitcom creations.

Jimh
Jimh

This could had been a Laura and Leslie storyline…enough said!!!!

Shay
Shay

Or a highly-emotional storyline with any number of legacy characters of whom we’ve become attached through the decades, Jimh! Lesley would have been an excellent choice, but so would have Monica or even one of the popular cast members from the ‘80’s since this affliction is hitting a younger demographic these days. No matter how moving Max Gail’s talented portrayal of Mike, the mere fact that he is a recast character from a family that engenders very little goodwill or sympathy from most of the viewers makes this scenario ring a bit hollow for me. At the end of the day, I simply don’t care, at least not in the way I would have if the patient had been someone I had grown up with during GH’s glory years!

Ric
Ric

I agree it should have been a Laura and Leslie story, I am not a fan of the Sonny show and since Mike has been off the canvas for so long it doesn’t make sense to me why they would bring his character back? But I get it The Nathan & Ron company want to make the Sonny show you more of a focal point on GH! But for me personally it would have had a bigger impact if it had been a character that’s been on the canvas all along.

rebecca1
rebecca1

I absolutely couldn’t love (and hate…just because it’s so sad) this story more, jimh, than I do. I would feel this depth of emotion if I met a family I didn’t even know and witnessed the devastation and heartbreak.

As for Sonny’s dad? Unfortunately actors do get replaced. As much as I loved Ron Hale, enough time has passed for me to totally embrace Max in this role. He eased into it so seamlessly it was as if he was part of the family all along. This story could be a standalone vignette; either way, it is just so completely moving and well acted that I have no regret that they didn’t use other characters/family to tell this emotionally-packed tale.

I certainly wouldn’t want the disease to afflict characters that are currently on the canvas, like, Monica, that was mentioned. We finally have her back and I love that she’s still vibrant and a strong presence in the Q family! I tune in to GH to see characters I love that are “always” there. I have no desire to kill them off or watch them deteriorate with something not curable. It’s difficult enough, now that I’m “attached” to “Mike” to think of what’s coming…

Jamesj75
Jamesj75

What a brilliant idea, Jimh! A missed opportunity…

su0000
su0000

Alz, is on two soaps and both are doing a phanomal job.
So, what’s next–
Guns ?
AK15- AK17 (Payday 2) weapons..
I can imagine Anna attempting to handle an AK ..
Anyways, soaps do keep up with the present situations of what’s news hot ..
Yet, no one smokes weed, medical or otherwise or have a military weapon, not even Jason a hitman/killer..

Well, perhaps they are next up.

And– Max is a treasure, he deserves an award, His portrayal of an Alz person/the writing is excellent.(and depressing)

Shay
Shay

@su0000….Please tell me you haven’t already forgotten the preposterous scenario when Sonny ordered a scared-stiff Spinelli to deliver a bag of ganja to the chemo-stricken Alexis and her subsequent stoner experience with the screaming munchies! That ridiculous example more than sufficed for me when it comes to the so-called notion of “medical marijuana!” I really don’t know what more can be said about it….you’re either for it or against it, and I don’t suppose I need tell you where my views fall on that specific issue! (Hint….I am inveterately anti-drug!) Having said that, I also don’t care to introduce a debate on Second Amendment rights to Port Charles…as far as I’m concerned, the less politically-charged the storylines, the better! GH should be an escape from the daily grind of the deeply divisive state of this country…not a device to fuel more unnecessary dissention amongst our citizenry! On the other hand, kudos to your previous comments regarding “political correctness!” I wasn’t able to respond to them at the time, but I heartily agreed with your sentiments on the subject! See? Miracles do happen! P.S. I have no doubt that the “Divine Devane” would be able to handle an AK with great aplomb….ditto for Ava or Sam! Port Charles has no shortage of bad-@$$ babes who can take care of themselves!!!!

rebecca1
rebecca1

Interesting, su. As for “medical” marijuana, not sure if you were watching GH back when Alexis was battling lung cancer; so glad they haven’t revisited that. I thought it was great that Sonny cared and I love that Alexis found relief in “weed.” In the midst of sorrow, fear and the unknown, with an uncertain future and devoid of hope, if a plant can get you through the nite (and day) more power to it! So glad that a natural option is being made available vs all the synthetic damaging pharmaceuticals out there with their myriad of side effects.

rebecca1
rebecca1

hit send too soon. As I recall it eased Alexis’ pain and nausea; who could ask for more when suffering?

Jules
Jules

Funny how Y&R didn’t get an invite or shout out. But then, their Alzheimer’s story is just that – funny. No truth, no realness, no foundation or desire to tell an honest portrayal. Just absurd wacky plot points to further already absurd stories. I’ve never in all my years working with the elderly seen a senior with Alzheimer’s recall minute details of their past better than a person with a healthy brain! Long term memory is stronger and dies out later, but Dina’s is photographic!

I digress.

Very impressive to see Maria Shriver, a woman with so much clout and respectability, alongside regular old soap peeps. It gives the story the seal of approval an important topic like this needs as that extra oomph to tell the audience that this is a story and portrayal people can trust and believe (in a made up world).

Patrick
Patrick

it’s just as Laura Wright said: Max Gail – IS – the STAR of the show . Bam ! ’nuff said

he; on his OWN … is leading the pack and leading the Corinthos . ALL without Maurice Benard. there is no father/son connect

why wasn’t he their ? doing this show. because he doesn’t know how to emote any more

the mouthpiece of @GH . has to do all the reaching… AND she’s so overkill.

Maca
Maca

Love .max Gail

Mo
Mo

Why didn’t they talk to Y&R? They’re actually doing a story on Women’s Alzheimers.

rebecca1
rebecca1

Love Max Gail. He’s as adorable in this interview (though he barely spoke!) as he is in character.

Maria Shriver had some interesting information/statistics though she emphasized that women are much more likely to get alzheimers yet here GH is doing a story on a man getting it. Although it’s stating the obvious that men, too, are afflicted, I think she should have perhaps incorporated that into her facts and added some info as to whether it hits the different sexes at different ages, different symptoms or why it’s more common in women.

On a GH note, Laura also stated the obvious: they wanted to give Sonny a family story so he can be seen outside of his mob persona. I’m thinking that was purposely done to win more fan approval for him. If other sites are as anti-Sonny as this one they needed to do some damage control. Now if he can undo murdering AJ I’d reconsider…

Debra m
Debra m

Love Max too! He has those eyes that show such emotion. I just feel like giving him a big hug when he tears up and gets confused. It makes sense they wanted to give Sonny a family story. It is a breath of fresh air seeing him away from the same old mob story. And, his acting has been better, he doesn’t look bored and stumbling over his lines like he would do sometimes. You can see his eyes tearing up in some scenes with Max and they look like real tears.

rebecca1
rebecca1

I know, Debra. So huggable… makes you wish the TV screen allowed us to “reach out.”

General Hospital

GENERAL HOSPITAL: Nelle Is A Free Woman … And Shiloh’s Widow

Wednesday’s episode of General Hospital brought with it the pick-up of the oh-so-soapy and delicious moment when Shiloh’s widow reveals herself at the memorial in his honor.  Taking off her HUGE black veil/hat, all the attendees are stunned to see it none other than Nelle Benson (Chloe Lanier).  And it was the perfect set-up for naughty Nelle when she had so many of her enemies all in one place as her captive audience. Clearly, she wants revenge on all of them.

At the ceremony, Nelle explains that she and Shiloh while in prison had a small ceremony and “Dawn of Day” devotee Daisy was their witness, which Daisy confirms.  Nelle goes on to say that she shares Shiloh’s wishes to be part of little Wiley’s life, and since he is no longer among us, she will makes sure she is a part of it!

Of course, throughout her statements, Michael (Chad Duell) is looking less than amused and cuts to the chase and asks her what she really wants.  And with something that all viewers of the ABC daytime drama series, let out a collective, “uh-oh”, Nelle replied “What belongs to me.”   As we know, Wiley is Michael and Nelle’s biological son, and with Lucas (Ryan Carnes) in the hospital, it would seem the perfect time for her to make her move to get closer to the child she gave to Brad (Parry Shen).

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Next, Chase (Josh Swickard) arrives on the scene and says to all that what Nelle is saying is true. She is not only Shiloh’s widow, but she is no longer behind bars! Nelle explains how after being “stabbed” by Ryan Chamberlain (Jon Lindstrom) and the ensuing circumstances she was able to be granted a get-out-of-jail card!

To take the set-up of this story to even another level, Willow (Katelyn MacMullen) admits to Chase that she took the job as Wiley’s nanny!  Chase does not think it’s a good idea for her to care for Wiley’ and then eventually have to leave him with Brad and Lucas, once Lucas is recovered.  Willow assures Chase she can handle it.  As for Nelle, she has it out for Willow now, and be rest assured, she is not just going to stand by and let Willow move in on her bio-son.

Jason (Steve Burton), who was present at the memorial, heads to Carly (Laura Wright) to tell the bad news; that her enemy Nelle is out of jail, and running around free and is Shiloh’s widow.  Carly as expected is very distraught and unhappy to hear the news.

turns out, Nelle is not done with her day yet! Next, while the Quartermaines conduct an ELQ shareholders meeting in their living room; Ned (Wally Kurth) says the first order of business is the late Oscar Nero’s ELQ shares.  As the Q’s begin discussions which dissolve into bickering, in walks Nelle! Yup, since Oscar left his shares to Shiloh and she is his widow, well, she is now going to have her say … probably in everything!  Fade to black.

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What a fun return for Chloe Lanier who played Nelle’s shocker to the hilt!  Got to love a good bad girl on daytime who stirs the pot!

So, what did you think of Nelle being Shiloh’s widow? What do you think Nelle’s next power play will be? Comment below.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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General Hospital

GH’s Genie Francis Delivers The ‘Power Performance of the Week’

This past Monday’s episode of General Hospital was one of the series best installmnets in recent months filled with long awaited confrontations and reveals.

The cast at the epicenter of it which included the talents of: James Patrick Stuart (Valentin), Cynthia Watros (Nina), Marcus Coloma (Nikolas), Maura West (Ava) all had stellar moments.

Courtesy/ABC

However, there is nothing like getting to see the icon herself, Genie Francis (Laura), do what she does best; the momma bear who is at once shocked and overjoyed that the son she grieved for over three years was very much alive, and the flip side of the anger over the fact that he let her, his sister, and most importantly his son, Spencer, continue to believe that he was dead, all for his vendetta and quest for revenge against Valentin Cassadine.

For it was Valentin who was the man who shot him and now is no longer the heir apparent to the Cassadine throne, now that the codicil said that it all belongs to Nikolas and Valentin was Helena’s son, not Mikkos’.

The thing of it is, everyone is great when Francis does her performances, and you could see that in the work of soap newcomer, Coloma, who you could just see through his eyes the disappointment and despair he caused his mother all these years, by Francis’ mesmerizing delivery.

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Soap Stars At Hollywood Christmas Parade 2019 (Photos)

Beat after beat in that episode, Genie brought the fire, the sorrow, and the wisdom, as Laura to every moment.  It was also well-written that Laura did not just have a happy reunion with her son, but a complex one fraught with issues to be ironed out.

Then, in the punctuation of that episode, was there anything better than watching Laura’s jaw-drop when Ava struts in telling Nikolas it’s time to tie-the-knot?

That is why Michael Fairman TV names Genie Francis “The Power Performance of the Week”.

Let us know in the comment section below, if you enjoyed Genie’s performances as much as we did.

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Video du Jour

DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

The Michael Channel

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Power Performance

Genie Francis as Laura

General Hospital

Airdate: 1-6-2020 –

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