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GL Alums Tom Pelphrey & Murray Bartlett Receive 74th Annual Primetime Emmy Award Nominations; ‘This Is Us’ Snubbed

By Michael Fairman

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Photo: Netflix/HBO

Tuesday morning, former One Life to Live star, Melissa Fumero (Brooklyn Nine-Nine) along with JB Smooth (Curb Your Enthusiasm) kicked-off the announcements of the 74th Annual Primetime Emmy Award Nominations via livestream, sharing the reveal in some of the major show and acting categories.

When the dust settled, two former daytime stars from Guiding Light scored nominations. Tom Pelphrey (Ex-Mick, ATWT and Jonathan, GL) landed in the Guest Performer in a Drama Series for his work in Ozark.  Meanwhile, Murray Bartlett (Ex-Cyrus, GL) received a nod for Supporting Actor in a Limited or Anthology Series or Movie for The White Lotus.

In addition, Amanda Seyfried (Ex-Lucy, AMC and Joni, AMC) was nominated for Lead Actress in a Limited Series or Movie for her performance in The Dropout, as well as Alexandra Daddario (Ex-Laurie, AMC) for her work in The White Lotus in the Supporting Actress in a Limited or Anthology Series or Movie category.

HBO’s drama, Succession led all show nominations with 25, followed by Apple TV+’s Ted Lasso and HBO’s The White Lotus which scored 20 each.

Photo: NBC

In a shocking snub, in its sixth and final, and most-acclaimed season, NBC’s This Is Us failed to land any nominations for its acting ensemble or for Drama Series.  So many of us, in particular, were rooting for Mandy Moore to appear on the list in the Lead Actress Drama Series category.

However, also scoring a nomination was Netflix, Selling Sunset which features former soap star, Chrishell Stause (Ex-AMC, DAYS, Y&R).  The show landed in the Outstanding Unstructured Reality Program category.

The 74th Primetime Emmy Awards will air live on NBC on Monday, September 12th (8 pm ET/5 pm PT) as well as streaming live on Peacock.

Meanwhile, the 2022 Creative Arts Emmy Awards will be held over two consecutive nights, September 3rd and 4th, with an edited-down version of the presentation to air Saturday, September 10th on FXX.

To view the entire list of nominations click here.

So, what do you think about Tom and Murray being recognized for their performances? The snub of This Is Us? Comment below.

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No need for me to watch them! This is Us atleast deserved a nomination!

While I personally was more than ready for the show to end, I have to admit the complete lack of nomination(s) is a shocker.

I knew they would snub this is us. Just a joke count me out from watching. The business is a joke that loves to always shoot itself in the foot. Award shows have been a joke for years but both the daytime and prime time Emmy awards are a lost cause close the book

Was it really a “shocking snub?” This is Us was schlocky, not especially well-acted and pretty lacklustre compared to the cutting edge stuff out there these days. It was very watchable, but certainly not high quality tv. Some of the main actors got better over the years, but Justin Hartley’s acting remained as cringe-worthy in season 6 as it was at the beginning. Dude was literally playing himself, and he doesn’t even do that very well. The writers were expert at the cheap emotional setups that would make anyone cry, but that is not Emmy-worthy. I was kind of shocked how nominated they were in the first 5 years.

Congrats to Tom Pelphrey.

Congrats to 2 of my faves from Guiding Light! Tom deserved all of the daytime Emmys with his performances as Jonathan. And Murray was great as Cyrus. Hope you both win. GL actors still reign!

@michaelfairman, Alexandra Daddario also was nominated for The White Lotus. Remember that she was on AMC with Amanda Seyfried way back when!

I think two things are going on here. One is a message to the major networks that, by and large, their programming is pitiable. And I agree. But that shouldn’t mean the continual snubbing of quality dramas like A MILLION LITTLE THINGS, THIS IS US, LAW & ORDER SVU. The average episode of these shows showcases acting as good or better than the glut of trendy cable series. And why are the nominated Guest performers on drama series already famous? The “unknown” guest stars on SVU are spectacular. They get a role and make it memorable in just one episode; they should be acknowledged. Second, I’m so tired of hearing how great all these “edgy, boundary pushing” cable shows are. I’ve watched INVENTING ANNA, MARE OF EASTTOWN, OZARK, THE UNDOING. Yes, they have good actors but the majority are overlong, repetitive, mean-spirited, violent, perverse, and — worst of all — forgettable. Yes, CBS, NBC, ABC need to up their game in a big way. But Emmy voters don’t have to throw out the baby with the bath water.

I am totally with you, Soaphound, on “edgy” etc. programming. I am completely on board with the general opinion that over the last couple of decades, network programming has gotten weaker and weaker, but I find that the “edgy,” “groundbreaking,” “original” etc. cable programming tends to rely heavily on its “edginess” (“groundbreakingness,” “originality,” etc.) to establish its “quality”–which I think is taking the easy way out. I’m hungry for good storytelling about believable people in compelling situations–what we used to get from some of the nighttime dramas and some of the daytime soaps. And I’m generally not finding it–not even on cable. What’s wrong with a little warmth, and humanness, and decency, and such? They don’t have to be done in a saccharine way , and if that’s what I wanted, there’s already the Hallmark Channel (my partner’s been watching a lot of Waltons reruns lately, which, as oooey-gooey as they are, are at least about recognizable people in relatable situations, but I certainly don’t want a steady diet of shows like that, either). I’d gladly trade a few of the “edgy” etc. cable shows for something more emotionally sustaining. I’m not saying all of them need to go–obviously people are watching them, and I can be happy for those viewers, even if I can’t match their enthusiasm–but I don’t understand why we seem to be stuck in a cycle in which “edgy” etc. programming is all anybody in charge can come up with. Is it really too much to wish for a wider variety of “quality” programming?

Well said, Michael (not Fairman)! I really like your analysis here, and I wholeheartedly agree. “What’s wrong with a little warmth, and humanness, and decency, and such?” — insightful and priceless!

Well said, Soaphound! You know I am on board with your analysis targeted to L&O: SVU. It continues to excel in acting (regular cast as well as guest actors), writing, etc., but now gets overlooked by the Emmys; it’s just as good, if not better, than all these “edgy,” heralded cable shows are.

Hey James
After 20+ years, I wonder if Mariska or the show still submits “for your consideration” reels for Emmy consideration?

One reason for the quality of SVU guest stars is the NYC filming locale. They’re able to grab New York based actors (many with Broadway experience) to spend a few days on set while not leaving home. Betty Buckley being the prime example.

I will say that SVU needs to keep focus on the cases and not relationships with Rollins & Carisi or (please no) Benson & Stabler. The quality of the production overall is much better than a lot on network tv, with “Organized Crime” rising to the level of streaming.

Hello Steve: It’s refreshing to read your thoughts on SVU, including your explanation of the NYC-based guest stars. I’ve watched this show since it began and have thoroughly enjoyed it all along. I like that we get glimpses into the characters’ personal lives, too, but I get your point about focusing on the cases.

I like Benson and Stabler. She is the personification of empathy and strength, and he’s the personification of intensity. If you haven’t seen it, Google Meloni’s new Peloton commercial! But I would prefer any coupling take place in a series finale, rather than muck things up beforehand. Lessons should be learned from what happened with Cybill Shepherd and Bruce Willis’ characters on Moonlighting.

This Is Us was mediocre at best this past season so I was not surprised at all.

Guiding Light

Matt Bomer Sums Up His ‘Guiding Light’ Run as Ben Reade in 1 Minute as He Reflects On Time in Springfield

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Guiding Light alum, Matt Bomer (ex-Be Reade) was honored with the Vanguard Award at the 43rd Miami Film Festival just a few weeks ago. The award recognized his body of work, his significant impact on film and television and his current roles including on Apple TV+’s movie, Outcome, which also features All My Children legend, Susan Lucci (ex-Erica Kane).

While at the festival, Bomer participated in a live sit-down conversation with Josh Horowitz of the Happy Sad Confused Podcast where he was asked about his early days in television and soap operas, all leading to Horowitz asking Matt to give a 1 minute recap of the life and times of Guiding Light’s Ben Reade!

Bomer played the role of the scheming Ben from 2001-2003, and as discussed, it was never Matt’s intent to land on a soap or stay for any significant length of time, as he has other aspirations as an actor after graduating from the acclaimed Carnegie-Mellon University in Drama.

Photo: AppleTV+

THE ROAD TO GUIDING LIGHT

Speaking with Horowitz, he explained how he came to Guiding Light, “I’d done two episodes on All My Children with Susan Lucci, who’s in Outcome, who I got to just come full circle with. Susan had spoken at Carnegie Mellon and three months later I was on set with her. (On All My Children) I was playing her daughter’s ex lesbian lover’s, new fiancé.”

After that, Bomer was asked to audition for a role on Guiding light, and the rest is soap history. When Horowitz asked Matt to give the lowdown of everything that happened to Ben Reade in story in one minute, here’s what Matt shared!

Bomer began, “He’s a trust fund baby who bet his fraternity brothers that he could be the first to deflower the town virgin, who is like the young female heroine on the show. Then, of course, he falls in love with her, but then she finds out about his attempt to deflower her, so she dumps him. Then, he falls in love with this other girl, but then he loses his trust fund. So, he turns to the only life that one can, which is to become a male sex worker. All of my clients were like women in their forties. I was like 22. I would meet them (on set) at 6:00 AM and do intimacy scenes by 9:00 am. Then, he goes crazy because his girlfriend finds out that he was being a sex worker, and so she dumps him. He goes crazy, kills four people, then kidnaps her to a remote cabin in the woods where he holds her hostage with a syringe full of insulin. Then, when he gets busted, he injects himself with it, but then hangs on one extra day in the hospital to apologize for all his sins.”

Photo: CBS

On his way out Bomer shared, “I told the (GL) writers that when I got there, ‘Look, I’m not not going be here that long. So give me the craziest thing you’ve ever given anybody,’ and they obliged. But my favorite thing was after all that, I remember I was like in my dying makeup, walking off the soundstage and a writer comes up to me and goes, ‘If you ever want to come back, we’ve got it figured out.'”

SUPERMAN

After Guiding Light, Bomer found himself not only in the running for the next Superman movie but to play the lead role, and landing the part. But, as Matt revealed, the movie was scrapped and he never got the chance to play the man of steel.

“I was such an unknown at the time,” recounted Bomer. “I went in on a cattle call, then I got a phone call from the casting people. Then, I went and met with a director and read with an actress. Then, I went back in and screen tested in the Superman suit and signed the contract. I know that I was the director’s choice for the role and then. … it happens, (the movie got canned). It was a great script. It was called Fly By and it was more about Clark Kent when he was younger. He was like a college student trying to figure what it is to have all these powers and how to try to be a normal person and Superman at the same time.  It was all so surreal to be going from a total cattle call to that.”

You can check out the full conversation with Bomer below.

Do you remember Matt’s time as Ben Reade on Guiding Light? How do you think he did when in 1 minute he told the life and times of Ben? Let us know via the comment section below.

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Guiding Light

Tom Pelphrey Takes on The Role of ‘Jesus Christ’ with Y&R’s Courtney Hope as ‘Mary’ in New Podcast Series

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Since first making a name for himself as Reva’s (Kim Zimmer) son, Jonathan Randall on Guiding Light, Tom Pelphrey’s (ex-ATWT and GL) post-soap career has featured many complex and dark roles in television and motion pictures. Now comes perhaps, Pelphrey’s most stunning role when he will play Jesus Christ in a new four–part audio series podcast, called The Christ.

The series is from the Faith Podcast Network who will be releasing the series for Easter. It is being billed as “an audio epic and the first ever full-scale audio dramatization of Jesus’ life across four immersive episodes using cinematic-quality sound, music and performances.” The podcast series will feature more than 100 different characters and can be heard at TheChristPodcast.com

Joining The Ozark and Task star in the cast are some other high-profile Hollywood names including: David Ovelowo as Pontius Pilot, Paul Walter Hauser as John the Baptist, Patricia Heaton as the host and John Rhys-Davies as the narrator. In addition, none other than The Young and the Restless, Courtney Hope (Sally Spectra) also is featured as Mary, the mother of Jesus.

Photo: FaithPodcastNetwork

According to The Hollywood Reporter, “The Christ comes from a creative team that includes writer and director Paul Cuschieri, co-director and producer Mark Ramsey and producer Jim Young.” The series drops during Holy Week, with the first episode debuting on March 30. A new episode will be released each day through April 2, scheduled accordingly so that the entire series will be available by Good Friday on April 3.

The official logline says The Christ will cover “the life, death and legacy of Jesus of Nazareth. Through betrayal, courage, suffering and hope, the series explores how one man’s story reshaped history — and redefined love, authority and sacrifice.”

Pelphrey who announced he has 12-years of sobriety back in 2025, shared why this project was of importance to him, “Sharing about sobriety and faith are so personal to me, and it means so much to me. The other thing you notice is when people are sharing things, you could say a word to a thousand people, and a thousand people hear a different version of that word. In all humility, to share something that matters to you, you first have to come to an understanding and acceptance that you’re surrendering how it’s going to be heard or what it means to anyone listening. You have no control over it. That’s been an amazing process to go through.”

So, what do you think of Tom Pelphrey playing the audio version of Jesus Christ and Courtney Hope playing Mary, Mother of Jesus? Excited to hear the story of Christ via this podcast series? Share your thoughts via the comment section below.

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Guiding Light

‘Guiding Light’s’ Kim Zimmer Reflects on Brilliant Scenes with Tom Pelphrey After Initially Telling Producers, ‘Hire Any of Them But the Last Guy’

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Throughout its 57-year run on daytime, Guiding Light introduced television audiences to many actor who would go on to have major careers in motion pictures, primetime television and the stage. One such is the incredible Tom Pelphrey (Task, Mank, Ozark, Outer Range, et al.), who from the minute he debuted on the CBS soap took soap viewers by storm for his raw, relatable and emotional turn as Reva (Kim Zimmer) and Prince Richard Winslow’s (Bradley Cole) son, Jonathan Randall.

In the complicated storyline, Jonathan was conceived and born while Reva was suffering from amnesia and believing herself to be Princess Catherine while living in San Cristobel. As Jonathan grew up his life was torn apart making him a vengeful, menacing young man, who under it all was deeply wounded and who felt abandoned and forgot about.

Kim Zimmer won four Daytime Emmys for Outstanding Lead Actress in a Drama Series for her role as Reva Shayne, while Tom Pelphrey took home two Daytime Emmys for the Outstanding Younger Actor in a Daytime Drama Series for his performance. On-screen, together, they were a riveting pairing which included many a tense scene including when Jonathan choked out Reva.

Photo: JPI

During last week’s Guiding Light reunion livestream with Zimmer, Bradley Cole (ex-Richard and Jeffrey, GL) and Laura Wright (ex-Cassie, GL, now Carly, GH) on the You Tube’s Michael Fairman Channel, the three actors reminisced about their time together as romantic pairings: Reva/Richard, Cassie/Richard, Reva/Jeffrey etc, but also talked about many of their co-stars and their deeply personal feelings of what Guiding Light meant to all of them.

REVA AND JONATHAN WERE SOAP OPERA GOLD

Though the years, it’s been no secret that Zimmer, did not initially want Tom Pelphrey cast as her son, because as she admitted, in the audition process with her, she was scared of him based on the power of his performance in the scene.

Kim recalled, “I went in (to the producers) right after I auditioned like seven guys, and I said, ‘Hire any of them, but the last guy.’ And they all looked at me like I had six heads, because they had already decided they were going to cast him. And then when I said that, they were like, ‘we’re definitely going to cast him now! That’s the feeling they wanted. They knew he scared me.”

The beloved GL heroine said that once she began working in a scene with Pelphrey, all was A-OK! “It was almost immediate once we started really working together, and I could trust the story,” shared Kim. “It was such a bizarre story that I was being given, again (also referencing Reva’s Clone story as the other), that I was hesitant about that. But once we started really working together, there was no question that they had made the right decision.”

In fact, fans loved Reva and Jonathan so much, they would vote them top couple as Kim remembers, “And, you know, in the soap magazines, we got voted, ‘Best couple,’ and we weren’t a love couple. We were a mother and son. That was like the biggest compliment to me –  we’d get nominated as ‘Outstanding Couple.’

ONE OF THE FINEST ACTORS IN THE HISTORY OF GUIDING LIGHT

Kim’s real-life son, Jake Weary has also made quite the name for himself in TV and motion pictures and Pelphrey also bonded many years ago: “When my son was living in LA, he and Jake would hang out together. They had mutual friends and they got to know each other pretty well, which I love. Jake actually asked me recently if I had any favorite Guiding Light scenes that I could remember. And I said, ‘Anything with HB (Larry Gates), Billy Lewis (Jordan Clarke) and Tom Pelphrey.

During the livestream, Laura Wright, who worked in many scenes with Pelphrey, added, “In my opinion, Tom took the bar and he raised it. Not just in talent because he had that, but Tom inspired you. He made you want to do like that, and he wanted you to be as great. He just was all around a great guy to work with.”

In case you missed it,  you can check out the Guiding Light live reunion with Kim, Bradley and Laura, followed by some incredible scenes between Tom and Kim as Jonathan and Reva.

Then, let us know, do you think Reva and Jonathan as played by Kim Zimmer and Tom Pelphrey, were the most dynamic mother/son duo all-time on the soaps? Weigh-in via the comment section below.

 

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