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GL Alums Tom Pelphrey & Murray Bartlett Receive 74th Annual Primetime Emmy Award Nominations; ‘This Is Us’ Snubbed

Photo: Netflix/HBO

Tuesday morning, former One Life to Live star, Melissa Fumero (Brooklyn Nine-Nine) along with JB Smooth (Curb Your Enthusiasm) kicked-off the announcements of the 74th Annual Primetime Emmy Award Nominations via livestream, sharing the reveal in some of the major show and acting categories.

When the dust settled, two former daytime stars from Guiding Light scored nominations. Tom Pelphrey (Ex-Mick, ATWT and Jonathan, GL) landed in the Guest Performer in a Drama Series for his work in Ozark.  Meanwhile, Murray Bartlett (Ex-Cyrus, GL) received a nod for Supporting Actor in a Limited or Anthology Series or Movie for The White Lotus.

In addition, Amanda Seyfried (Ex-Lucy, AMC and Joni, AMC) was nominated for Lead Actress in a Limited Series or Movie for her performance in The Dropout, as well as Alexandra Daddario (Ex-Laurie, AMC) for her work in The White Lotus in the Supporting Actress in a Limited or Anthology Series or Movie category.

HBO’s drama, Succession led all show nominations with 25, followed by Apple TV+’s Ted Lasso and HBO’s The White Lotus which scored 20 each.

Photo: NBC

In a shocking snub, in its sixth and final, and most-acclaimed season, NBC’s This Is Us failed to land any nominations for its acting ensemble or for Drama Series.  So many of us, in particular, were rooting for Mandy Moore to appear on the list in the Lead Actress Drama Series category.

However, also scoring a nomination was Netflix, Selling Sunset which features former soap star, Chrishell Stause (Ex-AMC, DAYS, Y&R).  The show landed in the Outstanding Unstructured Reality Program category.

The 74th Primetime Emmy Awards will air live on NBC on Monday, September 12th (8 pm ET/5 pm PT) as well as streaming live on Peacock.

Meanwhile, the 2022 Creative Arts Emmy Awards will be held over two consecutive nights, September 3rd and 4th, with an edited-down version of the presentation to air Saturday, September 10th on FXX.

To view the entire list of nominations click here.

So, what do you think about Tom and Murray being recognized for their performances? The snub of This Is Us? Comment below.

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No need for me to watch them! This is Us atleast deserved a nomination!

While I personally was more than ready for the show to end, I have to admit the complete lack of nomination(s) is a shocker.

I knew they would snub this is us. Just a joke count me out from watching. The business is a joke that loves to always shoot itself in the foot. Award shows have been a joke for years but both the daytime and prime time Emmy awards are a lost cause close the book

Was it really a “shocking snub?” This is Us was schlocky, not especially well-acted and pretty lacklustre compared to the cutting edge stuff out there these days. It was very watchable, but certainly not high quality tv. Some of the main actors got better over the years, but Justin Hartley’s acting remained as cringe-worthy in season 6 as it was at the beginning. Dude was literally playing himself, and he doesn’t even do that very well. The writers were expert at the cheap emotional setups that would make anyone cry, but that is not Emmy-worthy. I was kind of shocked how nominated they were in the first 5 years.

Congrats to Tom Pelphrey.

Congrats to 2 of my faves from Guiding Light! Tom deserved all of the daytime Emmys with his performances as Jonathan. And Murray was great as Cyrus. Hope you both win. GL actors still reign!

@michaelfairman, Alexandra Daddario also was nominated for The White Lotus. Remember that she was on AMC with Amanda Seyfried way back when!

I think two things are going on here. One is a message to the major networks that, by and large, their programming is pitiable. And I agree. But that shouldn’t mean the continual snubbing of quality dramas like A MILLION LITTLE THINGS, THIS IS US, LAW & ORDER SVU. The average episode of these shows showcases acting as good or better than the glut of trendy cable series. And why are the nominated Guest performers on drama series already famous? The “unknown” guest stars on SVU are spectacular. They get a role and make it memorable in just one episode; they should be acknowledged. Second, I’m so tired of hearing how great all these “edgy, boundary pushing” cable shows are. I’ve watched INVENTING ANNA, MARE OF EASTTOWN, OZARK, THE UNDOING. Yes, they have good actors but the majority are overlong, repetitive, mean-spirited, violent, perverse, and — worst of all — forgettable. Yes, CBS, NBC, ABC need to up their game in a big way. But Emmy voters don’t have to throw out the baby with the bath water.

I am totally with you, Soaphound, on “edgy” etc. programming. I am completely on board with the general opinion that over the last couple of decades, network programming has gotten weaker and weaker, but I find that the “edgy,” “groundbreaking,” “original” etc. cable programming tends to rely heavily on its “edginess” (“groundbreakingness,” “originality,” etc.) to establish its “quality”–which I think is taking the easy way out. I’m hungry for good storytelling about believable people in compelling situations–what we used to get from some of the nighttime dramas and some of the daytime soaps. And I’m generally not finding it–not even on cable. What’s wrong with a little warmth, and humanness, and decency, and such? They don’t have to be done in a saccharine way , and if that’s what I wanted, there’s already the Hallmark Channel (my partner’s been watching a lot of Waltons reruns lately, which, as oooey-gooey as they are, are at least about recognizable people in relatable situations, but I certainly don’t want a steady diet of shows like that, either). I’d gladly trade a few of the “edgy” etc. cable shows for something more emotionally sustaining. I’m not saying all of them need to go–obviously people are watching them, and I can be happy for those viewers, even if I can’t match their enthusiasm–but I don’t understand why we seem to be stuck in a cycle in which “edgy” etc. programming is all anybody in charge can come up with. Is it really too much to wish for a wider variety of “quality” programming?

Well said, Michael (not Fairman)! I really like your analysis here, and I wholeheartedly agree. “What’s wrong with a little warmth, and humanness, and decency, and such?” — insightful and priceless!

Well said, Soaphound! You know I am on board with your analysis targeted to L&O: SVU. It continues to excel in acting (regular cast as well as guest actors), writing, etc., but now gets overlooked by the Emmys; it’s just as good, if not better, than all these “edgy,” heralded cable shows are.

Hey James
After 20+ years, I wonder if Mariska or the show still submits “for your consideration” reels for Emmy consideration?

One reason for the quality of SVU guest stars is the NYC filming locale. They’re able to grab New York based actors (many with Broadway experience) to spend a few days on set while not leaving home. Betty Buckley being the prime example.

I will say that SVU needs to keep focus on the cases and not relationships with Rollins & Carisi or (please no) Benson & Stabler. The quality of the production overall is much better than a lot on network tv, with “Organized Crime” rising to the level of streaming.

Hello Steve: It’s refreshing to read your thoughts on SVU, including your explanation of the NYC-based guest stars. I’ve watched this show since it began and have thoroughly enjoyed it all along. I like that we get glimpses into the characters’ personal lives, too, but I get your point about focusing on the cases.

I like Benson and Stabler. She is the personification of empathy and strength, and he’s the personification of intensity. If you haven’t seen it, Google Meloni’s new Peloton commercial! But I would prefer any coupling take place in a series finale, rather than muck things up beforehand. Lessons should be learned from what happened with Cybill Shepherd and Bruce Willis’ characters on Moonlighting.

This Is Us was mediocre at best this past season so I was not surprised at all.

Guiding Light

GL Alum Nia Long Set to Play Michael Jackson’s Mother, Katherine Jackson, in Upcoming Biopic

Since her early days on Guiding Light, actress Nia Long (ex-Kat Speakes from 1991-1994), has made quite a name for herself with a list of credits that are very impressive. Now, Long can yet another when she has signed on to portray Katherine Jackson, the matriarch of the Jackson clan and mother to superstar Michael Jackson.

Michael, the title of the upcoming biopic from Lionsgate and Universal Pictures is said to be working towards an April 18, 2025 release date. Director Antoine Fuqua is set behind the camera.

In a statement on the casting of Long, Michael producer Graham King expressed: “Beyond Nia’s incredible talent, I was deeply moved by her connection to the material and her commitment to honoring Katherine and the love she had for her son. Nia has delivered iconic performances throughout her career. I’ve been a fan for a long time because her characters stay with you. I’m excited to now work alongside her as she pours all of that into Katherine Jackson: a woman who was the glue, the rock, and the heart of the Jackson family during its best and its most turbulent times.”

Photo: JPI

Long echoed the sentiments of King, sharing: “Katherine Jackson is an incredible pillar of strength and grace for the entire Jackson family. As a mother, she was selfless and endured forces beyond her control yet still managed to help build a legacy beyond measure. I am honored to bring her voice to the screen and share Michael Jackson’s story with audiences everywhere.”

Nia will be in great acting company for the film that includes Best Actor Oscar nominee Coleman Domingo who will play Katherine’s husband and Michael’s father, Joe Jackson.

Looking forward to seeing Nia taking on the role of Katherine Jackson in the Michael biopic? Remember her early days on Guiding Light? Comment below.

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All My Children

2023 Daytime Emmys Red Carpet Fashion: Women In Glam: Who’s Got the Look? (Photos)

The 50th annual Daytime Emmys Awards brought out the women of daytime in sequined gowns, classic black, looks with an edge, and more as the stars gathered together for daytime’s biggest night of the year.

Prior to the two-hour ceremony airing on CBS and streaming on Paramount+ on Friday, many previous Emmy winners, nominees, and fan favorites walked the red carpet showing off their fashion sense to the numerous paparazzi in attendance.

The following morning on Saturday, more nominees and presenters took to the red carpet for the 50th annual Daytime Creative Arts & Lifestyle Awards. Scroll below and take a look at some of the pics of the ladies as they made their way down the red carpet.

Photo: JPI

2022 Lead Actress Daytime Emmy winner, Mishael Morgan (Amanda, Y&R), who was a presenter on this year’s telecast in yellow.

Photo: JPI

General Hospital’s Rebecca Herbst (Elizabeth Webber) intro’d the GH 60 retrospective package during the telecast, but a blue-sequined dress was the order of the day on the red carpet.

Photo: JPI

Y&R Lead Actress nominee, Melissa Claire Egan (Chelsea) wows the carpet.

Photo: JPI

Y&R’s Melissa Ordway (Abby) sleek in black.

Photo: JPI

GH’s Katelyn McMullen (Willow) gives us old Hollywood with a modern twist in red.

Photo: JPI

GH’s Tabyana Ali (Trina) in dark red sequined gown.

Photo: JPI

The Talk co-host, Amanda Kloots, in silver and white.

Photo: JPI

Six-time Daytime Emmy-winning star, Heather Tom (Katie) of The Bold and the Beautiful, truly in old Hollywood glam.

Photo: JPI

Daytime Emmy winner from Guiding Light and current star of General Hospital Cynthia Watros (Nina), in teal dress.

Photo: JPI

Eventual Daytime Emmy winner for Outstanding Younger Performer, GH’s Eden McCoy (Josslyn) in creme colored slip dress.

Photo: JPI

Susan Lucci (ex-Erica Kane, All My Children) should also win a Lifetime Achievement Award for all the red carpets she dazzled over the years, and this year was no exception.

Photo: JPI

Grammy Award-winner, Jennifer Nettles. took to the morning Creative Arts & Lifestyle Emmys in yellow. During the Emmy telecast, she performed during the In Memoriam Segment.

Photo: JPI

General Hospital nominee for Supporting Actress, Brook Kerr (Portia).

Photo: JPI

The fabulous Melody Thomas Scott (Nikki Newman) who represented Y&R for their tribute during the ceremony, took to the carpet in this sequined print pantsuit.

Photo: JPI

A Daytime Emmy winner from General Hospital, now with Y&R, Hayley Erin (Claire), took to the red carpet in alternative modern fashion.

Photo: JPI

GH’s Jophielle Love (Violet) was ready for the carpet with patterned-bowed dress and matching black shoes.

Photo: JPI

Another nod to old Hollywood, B&B’s Jennifer Gareis (Donna) in white and silver with matching silver earrings.

Photo: JPI

Paige Mobley, a Daytime Emmy nominee at the Creative Arts & Lifestyle ceremony for co-hosting Instant Dream Home, took to the carpet.

Photo: JPI

Talk show host, Sherri Shepherd making a ‘statement’ at the Creative Arts & Lifestyle Emmy Awards with this modern number.

Photo: JPI

B&B’s Jacqueline MacInnes Wood (Steffy) took home the gold for Lead Actress in a Drama Series for the third time in her career. Here, Jacqui walks the red carpet prior to the start of the telecast glammed in black.

Photo: JPI

Also dressed in black, but in velvet, GH’s Tanisha Harper (Jordan).

Photo: JPI

Talk show host and EGOT winner, Jennifer Hudson, was the final performer to arrive at the 50th annual Daytime Emmy Awards and turned it out in sequins.

So, who do you think wore it best on the red carpet at the 50th annual Daytime Emmy Awards weekend? Let us know your pick via the comment section below.

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Guiding Light

Tom Pelphrey Set to Star Opposite Mark Ruffalo in HBO Crime Drama Series

Two-time Daytime Emmy winning star, Tom Pelphey (ex-Jonathan Randall, Guiding Light, ex-Mick Dante, As the World Turns), has landed another primo role in his primetime and motion picture acting career.

Pelphrey is set to star opposite Mark Ruffalo in the yet untitled Brad Inglesby Task Force Project currently in pre-production for HBO.

According to Deadline, Pelphrey will take on the role of Robbie, a sanitation worker and dreamer who has been knocked around by life, but has always gotten back up again.

Photo: JPI

The series loglines shares that it takes place in the working-class suburbs outside of Philadelphia and follows an FBI agent who heads a Task Force. His goal is to put an end to a string of drug-house robberies led by an unsuspecting family man.

Ruffalo is also one of the executive producers on the series. The Untitled Task Force project is based on an original idea by the creator of Mare of Easttown, Brad Ingelsby.

Photo: JPI

As for Tom Pelphrey, he is one in-demand actor. After receiving critical acclaimed in Ozark, he now finds himself in production on season 2 of Amazon Prime’s Outer Range. Next, he will play the lead in A Man In Full, a limited series from Netflix. The actor most recently starred in Max’s Love and Death.

Back in April, Tom became a father to a baby girl, Matilda Carmine Richie Pelphrey with his love, actress Kaley Cuoco.

So, what do you think about Tom’s upcoming role opposite Mark Ruffalo in the new untitled HBO crime drama? Did you always know, like we did when we saw him on Guiding Light, that Tom would become a major star in Hollywood? Comment below.

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