General Hospital
John Stamos Was Told by Iconic General Hospital EP, Gloria Monty: “If You Leave, Dear, You’ll Never Work in This Town Again,” New Memoir Reveals
The new memoir by John Stamos , If You Would Have Told Me, has already made many headlines in mainstream media leading up to its release today on October 24th. The book is now available everywhere books are sold.
While the memoir of John’s life on-screen and off has plenty of bombshell moments and details, he does talk about the beginnings of his career as General Hospital’s Blackie Parrish – a role he played from 1982-1984.
In story, Blackie came on to the canvas as a troubled teen who became the foster child of Rick and Lesley Webber. Stamos was just 18-years-old at the time, but on GH, John was playing a street-wise kid who was used to surviving on his own and had just lost his mother.

Photo: ABC
Throughout, If You Would Have Told Me, there are several stories and references to John’s years in daytime including his relationship with Lori Loughlin (ex-EON), whom he first met when she introduced the category he was nominated in at the 1983 Daytime Emmys. He also addresses if he and Demi Moore (ex-Jackie Templeton, GH) were an item while on the ABC soap.
John landed the role of GH’s Blackie on his first audition and was paid $400 an episode. Stamos shared, “and if I happen to stay on longer, $450.”
However, a critical point in his soap career changed his trajectory, when he told then GH executive producer, Gloria Monty, that he wanted to leave the soap. She took him to lunch to discuss, after a run-in with Dean Martin, who told Stamos to ‘get out while you can’. John told the tough-as-nails EP who had turned GH around from certain cancellation, that he wanted to go to a sitcom. Monty responded, “You know, if you leave, dear, you’ll never work in this town again.” Clearly, Gloria was proven wrong, as John went on to multi-decades long and successful career in television.

Photo: ABC
In addition, Stamos also shared how he lost it in front of Elizabeth Taylor (ex-Helena Cassadine, GH), who was visiting the GH set to see her friend Tony Geary (ex-Luke Spencer). “There she is, in all her lavender-eyed glory, poised in a director’s chair, sipping champagne,” Stamos recalled. However, he yelled at the Oscar-winning actress and legend unknowingly when he got irked by the fact that someone was moving around a director’s chair while he was in the middle of the scene and that person was her!

Photo: JPI
So, what do you think about John Stamos proving Gloria Monty wrong? Are you going to pick up your copy of ‘If You Would Have Told Me’? Let us know in the comment section below.
Didn’t GloMo also tell Jane Elliott that her work wasn’t good enough to submit for an Emmy?
She may have known how to resurrect a dying show, but some of her viewpoints were highly questionable.
Look, I don’t want to speak ill of the dead, and I do realize how Monty “saved” GH. I am one of those fans who was happiest with the show in the years preceding Monty’s tenure. And I do recall an infamous anecdote about how apparently cruel Monty was to a particular actress, Mary O’Brien who played the second Heather. Maybe it was “tough love.” I don’t like sports coaches who yell or even get physical with their athletes. Same goes for executive producers. Stamos made the right decision for him (to leave GH) at the time, and things certainly worked out well…
She deserves great credit, certainly–but the soap world generally acts like she saved GH by herself, when two very talented headwriters (Douglas Marland, and then Pat Falken Smith) had as much to with it, and arguably more, and she had one of the most gifted casts in soaps’ history for a good bit of her tenure (many of whom were not people she herself had hired) who certainly played a huge role as well.
She also did more than any other single person I can think of to wreck the soap genre, because she’s the one who introduced the idea that the executive producer, and not the headwriter, should be the driving creative force behind a soap–unleashing the whole culture of micromanaging (because once Monty got her way with that, every other soap executive up and down the chain decided they should have the same authority to impose their “creative vision”) that has brought things to the current point.
(Don’t even get me started on the “Rape is seduction” fiasco.)
As for Monty bullying her actors, MOB apparently wasn’t the only one. I know that some actors truly adored her, but judging from stories that crept out in the years after she retired, she could be just awful, and like you, James, I just don’t see any reason for that. Nothing justifies treating people that way. . . .
Hey Michael:
So glad to see your reply. Thanks for the backup and for providing further detailed commentary and analysis. I’m with you on all counts: “‘rape is seduction’ fiasco,” great writers, great inherited cast, etc. Maybe GH didn’t have an HR department in those days. 🙂 We know that DOOL certainly has one in 2023!
PS: I always enjoy your insights here. Take care, Friend!
He proved Monty wrong. Would love for him to make a brief visit back to GH.
Jeanette, John Stamos did return, not as Blackie, but as himself in 1992. I want to say it was a storyline involving characters (for some reason I remember Scotty, Dominique, and Julia?) in Hollywood. And here’s the thing, Gloria Monty wrapped up her second stint as executive producer in January of ’92, and Wendy Riche came on, and it’s a bit poetic if you ask me.
General Hospital
‘General Hospital’s’ Finn Carr and Dominic Zamprogna Deliver the ‘Power Performances of the Week’
The on-screen father/son combo of General Hospital’s Dante and Rocco Falconeri as portrayed by Dominic Zamprogna and Finn Carr were part of high emotional stakes scenes on episodes airing May 11-15.
First, Finn Carr’s Rocco is so guilt-ridden and burdened with the secret that he shot WSB director, Ross Cullum that it’s eating him alive. So much so, that he gets into a heated argument with Charlotte (Bluesy Burke) and Danny (Asher Antonyzyn). Rocco feels so badly that Danny’s father was taken from him for parts unknown by the WSB, all because Jason refused to implicate Rocco as the shooter.
In a heartbreaking scene, Rocco shows up at Britt’s door and lets her know he can’t take it anymore and that the secret he is keeping is tearing him apart. The fear is palpable in Rocco’s eyes. Britt calls Rocco a hero for saving her life and Jason’s and he has to remember that. Britt hugs him and promises that he can come talk to her anytime. In that moment, Rocco felt seen and felt safe.

Courtesy/ABC
ROCCO ON THE EDGE
All of the beats mentioned above were played with depth and acting maturity by Finn Carr; that it is so very clear why the writers and the producers are so comfortable giving him the ball in this umbrella story. He steps up to the plate every time and hits it out of the park.
Rocco also overheard his parents fighting over him after Dante figured out that Rocco was responsible for the shooting, and confronted Lulu (Alexa Havins) for withholding the truth from him. As their argument escalated and their relationship was further threatened by the lies, Rocco listened to the whole thing from the outside porch.
Eventually Dante, who had learned the truth by having Elizabeth (Rebecca Herbst) help him piece together what happened the night Cullum was shot, has a heart to heart with his son. He asks Rocco to tell him in his own words the events that transpired, and promises Rocco, that even though he is the police commissioner, he is going to help him. Rocco goes step by step over how Cullum was about to strike Jason with a weighted-baton and how the gun was loose on the ground and he shot him. Dante says his actions saved Jason and Britt’s life, and that he is going to help his son from here on out. He just wished everyone had come to him sooner, because as the father it’s his job to protect his son, not the other way around.
DANTE COMES TO TERMS
Still later in the week, Dante is visited by Elizabeth, and they discuss how they are going to cover-up any evidence that Rocco was at the hospital the night of the shooting with a hand injury, and that Dante is going to make sure the evidence against Rocco disappears. Something that is a huge disconnect for anyone that knows what a fine and upstanding cop Dante has been through the years, but he is determined to help his son stay safe and to keep him close.
However, Cullum is on the hunt for said evidence, and thinks Danny may have shot him in the back (or does he … and he knows Rocco shot him?). He visits Dante’s office and wants the evidence in the shooting. Meanwhile, bets are we are a few story beats away from Danny learning Rocco shot Cullum.
Throughout all the material given to Finn Carr and Dominic Zamprogna they rose to the occasion. Finn, getting the opportunity to play the often uptight Rocco on the edge, and Dominic, showing us how he can make us feel what Dante is feeling just by watching the emotion and hurt in his eyes. Therefore, Michael Fairman TV names Finn Carr and Dominic Zamprogna our picks for the Power Performances of the Week.
Now below, let us know if you agree with our picks of Finn and Dominic as the standout performances of the week, and if so, what moment really tugged on your heartstrings featuring Rocco and/or Dante via the comment section.
General Hospital
‘General Hospital’s’ Steve Burton Reflects on His Time with TV Parents Stuart Damon and Leslie Charleson
Steve Burton (Jason Morgan) took some moments to share stories and remembrances of two of the all-time greats of General Hospital, who also happen to have played his television parents, the late Stuart Damon (ex-Alan Quartermaine) and Leslie Charleson (ex-Monica Quartermaine).
The moment came during the release of Sunday’s all-new episode of the That’s Awesome podcast with Steve and Bradford Anderson. The episode featured questions from fans of the actors; one of which was for Steve that asked, “What it was like working with Stuart and Leslie as your parents?”
The two-time Daytime Emmy winner, who is currently in the last part of his extended hiatus from the ABC soap, always talks fondly of Stuart and Leslie and often gets choked up doing so. Stuart Damon passed away back in June of 2021, while Leslie Charleson passed away more recently in January of 2025. Burton debut as a young teenaged Jason Quartermaine back in 1991, and as he tells it, without the influence and help of Stuart Damon, his GH career may not be where it is today.

Photo: JPI
STUART DAMON’S WORK ETHIC
“Stuart was super consistent in how he worked. Super structured. I learned a lot from Stuart about his work ethic, his discipline, showing up, treating people kindly, being grateful,” recalled Burton. “If that’s what you can learn from somebody … that’s amazing. It was just something special about being in the Quartermaines. We had something. It was a special family put together.”
As viewers know, just by watching the death of Monica Quartermaine episodes earlier this year, just how close in real-life Steve was to the late Leslie Charleson. “Leslie was a firecracker. You didn’t know what was going to happen or when it was going to happen,” shared Burton. “I always tell the story about how I would come in chewing gum. I was this little cocky teenager and she’d be like, ‘spit it out now!’ Leslie was such a nurturing person. She loved to help, and had amazing sense of humor. I couldn’t have had two better onscreen parents ever.”
GH did a complete about face with the character of Jason Quartermaine after his motorcycle crash on New Year’s Eve in 1995, and he became Jason Morgan, who is now one of the all-time most beloved characters in the history of the show. But as Burton explains it, it may not have happened if it wasn’t for Stuart Damon.
YOU GOT TO GIVE THIS KID A SHOT
“Stuart was the biggest cheerleader of mine. Not often does this happen where somebody would go up to the fifth floor to whoever’s the executive producer and he says, ‘You gotta give this kid a shot. Give him more, see what he can do.’ That was really nice of him,” acknowledged Steve. “So, if it wasn’t for Stewart … I always speak very highly of him because he was amazing, In real-life, Stuart was just a beautiful soul would give anything to anybody. I always give him credit and Maurice Benard (Sonny Corinthos), because without the two of them there, I wouldn’t be where I am for sure.”
You can check out the entire episode of the latest edition of Steve and Bradford’s podcast below.
Now, let us know, do you think that Stuart Damon and Leslie Charleson as Alan and Monica were two of the greatest TV parents in the history of soap operas? What did you think of Steve’s remembrances? Drop your thoughts in the comment section.
General Hospital
RATINGS: ‘The Young and the Restless,’ ‘The Bold and the Beautiful’ Remain No #1 and # 2, ‘General Hospital’ Only Soap to Lose Viewers
The latest Nielsen ratings data is out for the week of April 27-May 1, and three out of the four network daytime dramas posted gains in total viewers, while one showed a loss in audience numbers, which may come as a surprise.
Let’s take a look at the ratings period with data from Soap Opera Network and then provide some context. The Young and the Restless remained as per usual in the top spot coming in at 3,14,000 on average total viewers slightly up +20,000 more eyeballs for the week.
In story, Y&R served up Matt’s plot to blow up the Newmans inside the abandoned gas station on the outskirts of Vegas, Sienna believing she killed Matt, only for him to be revealed alive with a severe contusion on his head by week’s end, Nick going on a bad drug trip thanks to the fentanyl laced with something else via Matt, and Cane and the Winters family learning that he is a donor match to save Malcolm’s life, while Sally got engaged to Billy.

Photo: JPI
FASHION HOUSE PROBLEMS
Y&R’s sister soap, The Bold and the Beautiful clocked in with 2,795,000 viewers for the week up +38,000 from the previous ratings period. In story, The Bold and the Beautiful gave viewers; the fallout from Katie’s successful fashion show for her new fashion house, Logan. Dylan continuing to be freaked out. This time when doing her work at Forrester Creations, out from the clothing rack comes somebody that scares her enough to have her let out a blood-curdling scream. In addition, Liam suggested to Hope that she consider coming to work for Logan where she will be appreciated, after Steffy tells her that ‘Hope for the Future’ is back-burnered for now.
General Hospital, which many have considered being the most entertaining on a consistent basis with their storylines, most likely lost some viewers for the week because on Monday April 27, the show was preempted for a special report on the attempted shooting at the White House Correspondence dinner. If viewers did not catch it on Hulu, it aired on the network after Nightline on Tuesday at 1am. In total, GH was the only soap to lose viewers for the ratings week. GH tallied -1,809,000 which is down from the previous week by -168,000.

Photo: ABC
PAYBACK AND A SHOCKING REVEAL
In story that week, Carly’s double life with Brennan and Valentin caught up with her, Michael initiated a strategic plot against Willow, and Josslyn found herself in immediate danger after a run-in with Cassius.
Beyond the Gates, while having two days of the week fully preempted for UEFA Champions League soccer games, actually increased its viewership. BTG tallied 1,655,00 total viewers which also boasted the highest audience gains across any soap adding +42,000. In story, the soap opera spotlighted: Ashley stealing antibiotics to keep Grayson alive, Smitty zeroing in on a possible suspect in the plasma ring, Vernon taking over Martin’s debt to Joey Armstrong, while Kate recognized a name tied to Lynette’s finances.
It should also be noted for the ratings week; The Bold and the Beautiful once again topped Y&R for the top spot in the key Womens 18-49 demo and in the Womens 25-54 demo, Beyond the Gates once again bested General Hospital for the 3rd spot.
*Nielsen ratings are based on the Live+Same Day Big Data+Panel model.
So, let us know your thoughts on the current ratings picture? Then weigh-in; what soap opera is serving up the best drama right now that is keeping you engaged to catch it every day? Which soap has you the least interested? Drop a comment below.
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