General Hospital
John Stamos Was Told by Iconic General Hospital EP, Gloria Monty: “If You Leave, Dear, You’ll Never Work in This Town Again,” New Memoir Reveals
The new memoir by John Stamos , If You Would Have Told Me, has already made many headlines in mainstream media leading up to its release today on October 24th. The book is now available everywhere books are sold.
While the memoir of John’s life on-screen and off has plenty of bombshell moments and details, he does talk about the beginnings of his career as General Hospital’s Blackie Parrish – a role he played from 1982-1984.
In story, Blackie came on to the canvas as a troubled teen who became the foster child of Rick and Lesley Webber. Stamos was just 18-years-old at the time, but on GH, John was playing a street-wise kid who was used to surviving on his own and had just lost his mother.

Photo: ABC
Throughout, If You Would Have Told Me, there are several stories and references to John’s years in daytime including his relationship with Lori Loughlin (ex-EON), whom he first met when she introduced the category he was nominated in at the 1983 Daytime Emmys. He also addresses if he and Demi Moore (ex-Jackie Templeton, GH) were an item while on the ABC soap.
John landed the role of GH’s Blackie on his first audition and was paid $400 an episode. Stamos shared, “and if I happen to stay on longer, $450.”
However, a critical point in his soap career changed his trajectory, when he told then GH executive producer, Gloria Monty, that he wanted to leave the soap. She took him to lunch to discuss, after a run-in with Dean Martin, who told Stamos to ‘get out while you can’. John told the tough-as-nails EP who had turned GH around from certain cancellation, that he wanted to go to a sitcom. Monty responded, “You know, if you leave, dear, you’ll never work in this town again.” Clearly, Gloria was proven wrong, as John went on to multi-decades long and successful career in television.

Photo: ABC
In addition, Stamos also shared how he lost it in front of Elizabeth Taylor (ex-Helena Cassadine, GH), who was visiting the GH set to see her friend Tony Geary (ex-Luke Spencer). “There she is, in all her lavender-eyed glory, poised in a director’s chair, sipping champagne,” Stamos recalled. However, he yelled at the Oscar-winning actress and legend unknowingly when he got irked by the fact that someone was moving around a director’s chair while he was in the middle of the scene and that person was her!

Photo: JPI
So, what do you think about John Stamos proving Gloria Monty wrong? Are you going to pick up your copy of ‘If You Would Have Told Me’? Let us know in the comment section below.
Didn’t GloMo also tell Jane Elliott that her work wasn’t good enough to submit for an Emmy?
She may have known how to resurrect a dying show, but some of her viewpoints were highly questionable.
Look, I don’t want to speak ill of the dead, and I do realize how Monty “saved” GH. I am one of those fans who was happiest with the show in the years preceding Monty’s tenure. And I do recall an infamous anecdote about how apparently cruel Monty was to a particular actress, Mary O’Brien who played the second Heather. Maybe it was “tough love.” I don’t like sports coaches who yell or even get physical with their athletes. Same goes for executive producers. Stamos made the right decision for him (to leave GH) at the time, and things certainly worked out well…
She deserves great credit, certainly–but the soap world generally acts like she saved GH by herself, when two very talented headwriters (Douglas Marland, and then Pat Falken Smith) had as much to with it, and arguably more, and she had one of the most gifted casts in soaps’ history for a good bit of her tenure (many of whom were not people she herself had hired) who certainly played a huge role as well.
She also did more than any other single person I can think of to wreck the soap genre, because she’s the one who introduced the idea that the executive producer, and not the headwriter, should be the driving creative force behind a soap–unleashing the whole culture of micromanaging (because once Monty got her way with that, every other soap executive up and down the chain decided they should have the same authority to impose their “creative vision”) that has brought things to the current point.
(Don’t even get me started on the “Rape is seduction” fiasco.)
As for Monty bullying her actors, MOB apparently wasn’t the only one. I know that some actors truly adored her, but judging from stories that crept out in the years after she retired, she could be just awful, and like you, James, I just don’t see any reason for that. Nothing justifies treating people that way. . . .
Hey Michael:
So glad to see your reply. Thanks for the backup and for providing further detailed commentary and analysis. I’m with you on all counts: “‘rape is seduction’ fiasco,” great writers, great inherited cast, etc. Maybe GH didn’t have an HR department in those days. 🙂 We know that DOOL certainly has one in 2023!
PS: I always enjoy your insights here. Take care, Friend!
He proved Monty wrong. Would love for him to make a brief visit back to GH.
Jeanette, John Stamos did return, not as Blackie, but as himself in 1992. I want to say it was a storyline involving characters (for some reason I remember Scotty, Dominique, and Julia?) in Hollywood. And here’s the thing, Gloria Monty wrapped up her second stint as executive producer in January of ’92, and Wendy Riche came on, and it’s a bit poetic if you ask me.
General Hospital
GENERAL HOSPITAL: Sidwell and Curtis Attacked in Prison Fight With Ominous Message, “Sonny Corinthos Owes You This”; Charlotte to Boarding School?

The Friday, September 25, episode of General Hospital brought with it major developments! Sonny (Maurice Benard) told Justine (Nazneen Contractor) he is all-in on her romance, but major trouble awaits the couple. Charlotte (Bluesy Burke) may be sent packing because of her stunt to frame Drew (Cameron Mathison), Monet (Blythe Howard) had terse words for her sister, Jordan (Tanisha Harper), while Curtis (Donnell Turner) and Sidwell (Carlo Rota) were targeted in a brutal prison attack.
Here’s more on what went down: Charlotte is upset with Rocco (Finn Carr) for ratting her out. He tries to explain, Danny (Asher Antonyzyn) wanted his help so she didn’t make the biggest mistake of her life trying to frame Drew (Cameron Mathison) by making it look like he was inappropriate with a teenager.
It all came full circle for Charlotte’s parents, Valentin Cassadine (James Patrick Stuart) and Lulu Spencer (Alexa Havins). Next thing you know, Valentin informed Lulu that he thinks it’s best that Charlotte goes back to boarding school to steer clear of Drew and Danny. Once Charlotte comes back to Lulu’s, her parents tell her their plans for her. Charlotte’s jaw drops.

Courtesy/ABC
PUT YOUR MONET WHERE YOUR MOUTH IS
After being blindsided that her estranged sister Monet had settled down in Port Charles, and at the Miller & Davis law firm, no less, Jordan finds it hard to believe in all of the places in the country for Monet to choose she came to Jordan’s city. The two have a very icy conversation from there, where Monet gets a few more jabs at Jordan, leaving her upset, which did not go unnoticed by Michael (Rory Gibson).
Sonny and Justine get cozy and discussed their relationship, and how the two are going to handle their burgeoning feelings for one another now that Jordan was the first and probably not the last to see them publicly. He tells Justin that he feels more comfortable than ever just being around her.
PRISON BLUES
Cut to: Pentonville, and something bad is about to go down. First, Curtis gave Sidwell a heads-up that an attack was coming shortly. Curtis suggested that Sidwell go into protective custody with the warden, but Sidwell just flatly refused.
Later, alone in his cell, three men (including the one who warned Curtis) enter and begin a beatdown of Sidwell. Curtis returned to the cell, as one of the men was about to knife Sidwell. Now with Sidwell a bloody mess on the floor, Curtis takes a beating. As the three men leave, the leader uttered to Sidwell, “Sonny Corinthos owes you this and more.”
Now below, watch the confrontational scenes between Monet and Jordan.
Then weigh-in: Do you think Sonny had anything to do with the beatdown of Curtis and Sidwell? Or is he being set-up? How would you feel about a Jordan and Michael romance? Will Charlotte be sent to boarding school triggering the exit of Bluesy Burke? Share your thoughts via the comment section.
Beyond the Gates
Federal Film and TV Tax Credit Bill Hits Congress; Daytime Dramas Not Eligible

In an effort to bring back productions to the United States and offering incentives to keep them from going abroad, a bipartisan group of lawmakers in Congress has introduced proposed legislation to establish a federal film and television tax credit. It is being touted as a landmark moment for Hollywood Workers and small businesses.
The Motion Picture, Television, and Entertainment Revitalization Act, led by Rep. Laura Friedman (D-Calif.), Rep. Nathaniel Moran (R-Texas), Rep. Sanchez (D-Calif.) and Rep. Brian Jack (R-Ga.) in the House of Representatives, would establish a 20 percent base tax credit on labor expenses and a potential rebate of 30% if signed into law. Sen. Adam Schiff (D-Calif.) and Sen. Tim Scott (R-S.C.) are spearheading an identical bill in the Senate.
To be eligible, productions must have a minimum spend of $1 million (per film or per TV season), and at least 75% of production days must be in the U.S. For animation, 75% of the production cost must be in the U.S.

Photo: CBS
SOAP OPERAS AND OTHER FORMS OF PROGRAMMING WILL NOT BE PART OF THE BILL
The federal incentive would be eligible to be stacked on top of individual state tax incentives, much like the current system in Canada and Australia. In the new bill, postproduction and special visual effects labor costs can be counted as eligible expenses.
However, the lawmakers proposed bill does not include the following type of shows: Daytime dramas, porn, commercials, talk shows, interview shows, game shows, award shows, news programming, live sports, corporate/industrial videos, and social media videos,
TV AND FILM PROJECTS THAT ARE ELIGIBLE HOPE TO BRING BUSINESS AND JOBS BACK TO THE U.S.
The federal film and television tax credit will be available for: films, TV shows – scripted and unscripted (4-episode minimum), TV pilots, animation, above-the-line wages (producers, writers, directors, actors, etc.) and below-the-line wages (crew), and standalone post-production and visual effects.
If passed, the legislation could offer much needed help for workers who have been rocked by recent unsteady times in show business. In all, runaway productions, strikes and a contraction in the business have dashed many job opportunities in recent years, with the U.S. Bureau of Labor Statistics finding that jobs in the motion picture and video industries have declined by more than 100,000 since 2022.
Click here to review the entire proposed bill from congress.
So, what do you think of the new bill on the table in the U.S. congress? Glad to know that it could, if passed, help some types of projects? What do you think about how the soaps are excluded and deemed not eligible? Does it continue to seem to you, that no matter what, those that work within the continuous tightened budget of daytime dramas can never catch a break? Weigh-in via the comment section below.
General Hospital
GENERAL HOSPITAL: Monet is Jordan’s Younger Sister

At the end of the September 24 episode of General Hospital, Jordan (Tanisha Harper) had a run-in with Monet Mitchell (Blythe Howard), the latest attorney to join Miller & Davis. However, when the two women laid eyes on each other it seemed from a happy moment for Jordan.
As it turns out, Monet is Jordan’s younger sister and in fact, the lawyer was quite rude to Jordan even making a comment about the scars on her sister’s face. The cliffhanger ending put an end to the speculation of just who Monet had a connection to in Port Charles as had been teased, although we have to say most viewers predicted this from the start.
Earlier in the episode, Monet paid a visit to Tracy Quartermaine (Jane Elliot) and was quite threatening and unrelenting about Tracy making sure her client, Harrison Chase (Josh Swickard), has no issue moving back into the Q’s with his daughter Phoebe and wife, Brook Lynn (Amanda Setton). That’s something Tracy doesn’t want. In the end, Tracy was taken a little off-guard by Monet’s terse demeanor.
This marks the first time in over 12 1/2 years on the show, that the character of Jordan actually has a family member on the canvas, and within that span, four actresses have played Jordan: Vinessa Antoine, Briana Nicole Henry, Tiffany Daniels (a short fill-in for Henry) and Tanisha Harper.

Photo: ABC
JORDAN AND MONET HAD A SISTERLY FALLING OUT
Blythe Howard told TV Insider, about wanting the part of Monet Mitchell, “I saw it come through and I was like, ‘Oh, my gosh, this is giving Glenn Close in Fatal Attraction, and I don’t get those auditions ever,’” she says. “It was just a really fun, spicy role and I couldn’t pass it up.”
The actress also gave a bit of the back-story that will fuel the sisters dysfunctional relationship,“You’ll find out that we’re estranged.” In speaking about her new Port Charles alter-ego, Howard added, “I think Monet is just here to keep everybody on their toes. I love that she’s strong and doesn’t take no for an answer. She goes after what she wants, and she’s not afraid to maybe step on some toes to get what she wants.”
Viewers may get a clue soon that Monet knows exactly what she is doing and why. “We never know what her angle is going to be or what she’s up to,” confirms Howard. “I think she knows exactly what she’s up to, but everybody else doesn’t.”
FAMILY MATTERS
As the counterpoint, Tanisha Harper weighed-in and teased this new sisterly on-screen relationship viewers are about to see to Soap Opera Digest. Harper expressed, ‘Having Monet on the show is going to allow viewers to see another side of Jordan.”
Tanisha continued, “We had Jordan as this strong businesswoman, and then we started to see a little bit more of a vulnerable side to her when she went through the car accident, and now, having her sister come onto the landscape, I think that getting to see what their dynamic is will be interesting for the viewers and add just another layer to the show in general.”
Harper says of the ending of Thursday’s GH, “I think Jordan is in shock, and she’s a little leery, as well, about what her sister’s motives are for coming to Port Charles. Out of all the cities she could have come to, why pick this particular one, knowing that her sister lives there and they haven’t spoken in many years?” Hmmm.
So, were you glad or disappointed that Monet turned out to be Jordan’s sister? What do you think happen between the sisters that caused their estrangement for years? Share your thoughts and theories via the comment section.
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