Days Of Our Lives
Ron Carlivati Reveals When Days of our Lives Episodes From His Head Writing Regime Resume Streaming
Days of our Lives viewers have not been watching material from head writer Ron Carlivati and his writing team for many months. Well, things are about to change.
Circle this Friday, May 31st when the first new script from Carlivati and company will stream on the Peacock soap opera. If you recall, Carlivati had to step away from the writing gig at DAYS due to the writer’s strike, but because the soap tapes at least seven months ahead of air, it is only now that fans will see how the stories shift or finish out that were started by Carlivati.
According to Ron’s conversation with TV Insider, when Carlivati and his team resumed writing the show in late October of 2023, the stories were already written well into 2024. Carlivati explained, “For me, as of us talking right now, the (replacement writers’ material) is still airing, so that has been very tough. I’m just very anxious and eager for our stuff to start airing again.”
Photo: JPI
Ron explained before the writer’s strike, he and his scribes had written up through the 2023 Thanksgiving episodes. Speaking on how the replacement writers tried to handle stepping in for the regular team, Ron expressed, “I think what they tried to do was move things slowly in the hopes that the strike would end and respect where my storylines were so that I could play them off when we came back. Unfortunately, the strike dragged on, so I understand that the show needed to make story decisions.”
The award-winning writer made clear that, “from January to May (2024), those were not my stories. I had nothing to do with those.”
Having lived through a writer’s strike before (when he was at One Life to Live in 2008), Carlivati explained how he dealt with coming back and adjusting the stories including that the plan was to, “blow things up, jettison anything that I did not like, and get back to a show that I understand and can enjoy and tell. ”
Photo: JPI
Look for a Carlivati-style ‘wink-wink’ on Friday’s episode. As he puts it, “I did want to make it clear that this was the line of demarcation, that the writers were back and there was a change happening. We have a little nod or two to what was going on in the first day and I think it will be very obvious and clear to the savvy viewer. Luckily, story-wise, certain things were coming to a head already.”
Photo: JPI
Stay tuned for how Ron resolves a Sloan and Nicole showdown, how Eric will find out he is Jude’s true baby daddy, what happens when the new Gabi returns from Salem from out of the slammer, the Maggie/Konstantin wedding, payback time for Theresa and more.
In addition, and as previously reported, when Carlivati returned, he crafted the series 15,000th episode which is set to air in early December, and will also pay tribute to the late Bill Hayes with the passing of his on-screen beloved character, Doug Williams.
So, glad to know Ron and his team’s material will start to reveal itself this Friday and moving forward on DAYS? Comment below.
Never understood taping so far in advance. If a storyline is a bust they can’t do course corrections for almost a year. Maybe they should just take 5 months off and not tape that they can do what others do and tape 6-8 weeks.
Apparently, it has to do with cost-saving measures. But that doesn’t make sense to me either because if that were the case, all soaps would do it.
DAYS needs a complete overhaul, anyway. None of the current stories are interesting to me, many of the characters are insufferable (Konstantin, Theresa, Sloan), and many of the characters I really liked (Ben, Ciara, Shawn, Belle, Abigail, soon to be Nicole) are not on the canvas. Hopefully this change in pace will be a good thing for the show.
If you tape that far in advance, you can do a lot of the OTHER production stuff in batches, as opposed to producing and finalizing each episode, one after the other, in real time.
This is an imperfect analogy, but think of it like making a new lunch every day vs. making them in advance each month. Yes, it means sacrifices (you won’t have as many fresh/perishable things,you can’t change things up if you find you get sick of a specific meal, etc.) BUT it also means you can save by buying things in bulk at Costco rather than going to the store daily/weekly. It means you can spend a hard weekend getting 30 meals ready vs. having to make time each day to do it, etc. (This is especially important in production, where certain roles are paid by the day, whether they work all day or just part of one, and doing things in batches vs. daily can be the difference between having to hire full-time employees to do a job — which is very expensive – vs. hiring people to do the work as a project when you have enough work for them and letting them go off and do other work in the meantime, which is much cheaper.)
It’s not ideal for several reasons, but it is much, much cheaper. DAYS has a far, far lower budget than the other soaps (which is why they reuse sets more often and refresh them less often, and no longer shoot outside). That’s why you don’t see the same issues on other shows. DAYS had to cut and cut just to get renewed and found something that worked for them, striking the balance.
Believe me, every person on DAYS would love to go back to a conventional schedule for many reasons (though I suspect they do enjoy the longer dark periods and time away that I’ve heard comes with this schedule) but most are resigned this is what was needed to save the show. I respect that, as I really do want to see the show stick around.
yeah, but the other soaps have something resembling a budget and they’re not so desperate to save money. Days is. The other shows clearly feel that they’d rather save money somewhere else, given the choice. Days does not have that choice.
The problem with the 5-month off suggestion is that cast and crew have to get paid or released from their contracts (laid off).
DAYS had the easy solution to this in 2020 when all TV production shut down for 4 months. Instead of adjusting the pace of shooting then, they were able to get to a 7-month advance in short time.
GH, can be at a max is 8 weeks ahead (prior to summer and winter breaks) and occasionally airs some scenes 3 weeks after shooting.
Having several months of episodes in the can should have been used to their advantage during the strike, and they should have just used up those episodes and taken a few months off, rather than use scab writers at all. Days, of course, was able to keep new episodes on the air during the 2020 COVID shutdown, and in the end, only had to do about two weeks of reruns before resuming production, though the last few weeks before that had epsiodes that were “padded” heavily with flashbacks, even some scenes that aired more than once in the same episode.
On the other horn, we’re seeing baby swaps and DID stories in Salem right now. Those aren’t ReRon’s writing??
They aren’t. He knows what people are thinking, which is why, I think, he’s making very clear he had scripts written through Thanksgiving and outlines through Christmas, but everything from early January to today, plotwise, was the scab writers.
When he returned he had weeks of scripts that were already in progress in terms of shooting/production. At best, he could make a few tweaks. His and the true writing team’s stuff starts tomorrow.
It’s easy to credit a writer we love or blame a writer we don’t for stuff we like or don’t. But put simply — and legally: union contracts are no joke and people don’t work at all when they are on strike, not even “behind the scenes” — the stuff from January to today was scab plot and dialogue and Friday is when Ron’s plotting resumes (though even that will have to involve him transitioning out of the existing stories, and working with the cast/contracted actors already in place, as when a new writer takes over).
I’d expect pure Ron stories to start in six weeks or so, by then some contract cycles will be up and Zucker and Burton’s non-story dictated exits will be handled (allowing for the characters on the canvas to start shifting) and all the previous stories will be wrapped up (even if they have repercussions), giving him a clear runway.
I love Mr. Carlivati as a writer but to be honest I liked a lot of the replacement writers work. It was less camp, more generational, slower paced and more adult. I loved the EJ Nicole relationship and the Holly Nicole Brady Tate Theresa parenting vibes as well as the Holly Tate story. It was great to see teens on the soap again. Great to see less Kristen. I even like the Maggie Constantine story because we get to see mature actors in a real storyline other than worrying about their adult children and being clueless. So I hope he doesn’t come in and whack all of the replacement writers work just because he can and because he hates the scabs and because it will only alienate the fans.
Doug Marland once said as newly hired soap writer you should take your time before you make a lot of dramatic changes because what you think on first glance may not be working the fans may have different ideas. I know this is a different situation but i cannot lie some of their work was good. The times are grim and we all want a return to more realistic, intergenerational family drama.
I agree with you on a lot, but the show was too slow for me, too repetitive, and weeks went by where nothing of significance happened. The scabs also didn’t use or refer to history as much as they could have (a strength of Ron’s) and missed some big opportunities, such as making the burning and rebuilding of the Horton house a non-event.
Holly and Nicole has been interesting and I agree completely about the value of intergenerational storytelling. But I would like a little more plot and payoff. If Ron can strike a balance, I’d prefer him.
Can’t wait for Ron’s material to start airing again. For the most part, the last several months have been kind of rough to watch. I’m anxious to see Xander finally learn the truth about being Victor’s true son and heir, kick Alex to the curb and make Theresa pay for her conspiracy with Konstantin, including kidnapping his daughter. I also want Shane to find out how she betrayed his trust wnen she tampered with Victor’s will after he left it with her. Nothing against EOB, but this character, IMO, has been completely ruined. I find her unwatchable. It may be an unpopular opinion, but I’d rather see Gwen return. I found her much more interesting.
Rumor down here in Hell is that Xander’s mother will be coming to Salem for his wedding, and obviously she will know the truth about who his father was. I’m thinking she may not be aware that Victor intended to tell the truth about being Xander’s father in his final will & testament, but when she gets to town and finds out that Alex is passing himself off as the heir, things will “click” in her mind and she will realize her son’s being cheated.
They went to the trouble of burning the Horton House in order to buy a new couch? At least they pretended to rebuild the house and not move them into that three wall condo/bedroom set that everyone else lives in.
Days Of Our Lives
Sydney Malekeh Joins the Cast of ‘Days of Our Lives’ in Mystery Role: Who Do You Think She’s Playing?
There’s a new gal coming to Salem, or is she new and a recast? That’s what inquiring minds from Days of Our Lives fans have been trying to figure out since the Peacock soap opera dropped an Instagram video heralding actress‘ Sydney Malekeh’s arrival in Salem.
The soap did confirm that viewers will first see Malekeh on the September 9 episode. In the video, Malekeh is seen going set to set from her dressing room and in to the halls of Days of Our Lives studios.
What we do know id that Sydney has been acting professionally for 6 years and had appeared on Grey’s Anatomy, Apple TV’s Shrinking and the HBO Max’s The Sex Lives of College Girls.
Plenty of Malekeh’s DAYS castmates jumped into the comment thread with positive emojis symbols or written excitement including: Paul Telfer (Xander), Linsey Godfrey (Sarah), Sal Stowers (Lani), Conner Floyd (Chad), Eric Martsolf (Brady) and Christie Clark (Carrie) and more now that fans will finally see her on-air. Since Days of Our Lives tapes 10-11 months in advance, Sydney would have started taping the show sometime back in 2025.
DAYS fans think perhaps because the actress’ name is Sydney that she might be playing the grown-up daughter of Sami and EJ. That character hasn’t bee on the canvas since 2021.
So, who do you think Sydney Malekeh might be playing on Days of Our Lives? Drop your casting director thoughts via the comment section below.
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Days Of Our Lives
Peacock Hikes Subscription Rates for Fourth Time in Four Years; ‘Days of Our Lives’ Fans Sound Off
While recently the streaming service Peacock reported turning a profit for its first time since its infancy, now comes word that the company is raising their prices for all customers, and in some cases it stared today on August 18.
The news of the subscription rate increases marks the fourth time the NBCUniversal streaming platform has done so in four years. So, on August 18, Peacock is increasing the prices for new or returning subscribers and customers, while current subscribers will see the rate increase on or after September 17 depending on their billing cycle when they initially signed up.
Here is the new pricing to follow along: Peacock Premium (which includes ads) will be $12.99/month, up two dollars from $10.99; Peacock Premium Plus will be $19.99/month, up three dollars increase from $16.99; and the Peacock Select tier (which includes current and past seasons of NBC and Bravo shows but excludes movies, live sports and Peacock originals) will increase a dollar from $7.99 to $8.99/month.
Photo: JPI
SUBSCRIBERS CONTINUE TO PAY MORE ACROSS THE STREAMER LANDSCAPE
It was back in June that the streamer reported that aid subscribers were up to 48 million adding a 2 million net gain during Q2 in of 2026. The subscription price hikes are rampant now in the entertainment streaming industry where over the last two years for example, Netflix, HBO Max, Apple TV, Paramount+ have all raised their fees to consumers.
Peacock’s tier-levels feature not only Days of Our Lives, but reality hits such as The Traitors and Love Island USA, Bravo series, and a vault of Saturday Night Live, Law & Order, The Real Housewives franchise, and Below Deck episodes as well. Pecock Premium and Premium Plus subscribers have access to sports and live events, as well.
DAYS OF OUR LIVES SUBSCRIBERS HAD A FEW CHOICE WORDS FOR PEACOCK
As Days of Our Lives fans know, the soap opera moved from NBC to the streamer back in September of 2022 after 57 years on broadcast television. When the news hit X on the price increase, DAYS fans had a lot to say about it. Here are just a few of the comments below:
“I can’t believe Peacock and can’t come to a deal with Cordya to air old episodes of #Days. That alone would bring a ton of subscribers,” to If Peacock actually cared about #Days of Our Lives, gave the show the budget it needs for better sets, cameras, background actors and enough time to tell proper stories, I wouldn’t mind paying more. If the money actually showed on screen, the higher price would be worth it,” to “I will continue to pay for a Peacock subscription as long as #Days is on it, but did we know there was another price increase coming?” and more.
So, what do you think of the new price hike increase to watch Days of Our Lives and your other favorite shows and events on Peacock? Let us know your thoughts in the comment section below.
Days Of Our Lives
‘Veronica & Julian’ Feature Starring ‘Days of Our Lives’ Alums Nadia Bjorlin and Kyler Pettis Releases Key Art and More (Exclusive)
In the upcoming indie feature Veronica & Julian from director Otoja Abit, two former Days of Our Lives stars, Nadia Bjorlin (ex-Chloe Lane) and Kyler Pettis (ex-Theo Carver), headline the drama feature in this story of a May-December romance that faces challenges along the way.
Veronica & Julian centers on a confident and successful marketing executive (Bjorlin) who winds up falling for a younger aspiring architect (Pettis). From there, a journey of desire and self-discovery is set against the backdrop of present-day New York City.
The cast also includes: Blake Jenner (ex-Glee), Erin Cummings, Chrystee Pharris (ex-Simone Russell, Passions and Queens of Drama), Robert Lee Leng, Mark Famiglietti and Jennafer Newberry.
Photo:
LIVE CHAT WITH NADIA AND KYLER PLANNED
Now, Michael Fairman TV can share exclusively: the key poster art below, and that current plans that call for Veronica & Julian to be released and made available late this holiday season.
In addition, Nadia and Kyler will join us for a very special livestream conversation on the Michael Fairman Channel (Monday, Aug 24 – 3PM ET/Noon PT) to chat about their roles in the film, their time on Days of Our Lives, life post-soap opera, and much more. Fans can join the live chat and pose their questions to the actors as well.
Courtesy/Bright Leicht Content LLC
THE THEMES BEHIND VERONICA & JULIAN
Director Otoja Abit shared this statement on the feature film, “Veronica & Julian is about the right people who have a chance meeting at the wrong time. It’s a look at two people who don’t grow apart—they just grow up. This film is an authentic exploration of an imminent ending and how two people deeply in love got there. It aims to be quiet while telling a relatable story about modern-day relationships.”
Abit continued, “As a society, mainstream romantic films are often delivered through fantastical aspirations. I created this film believing that viewers who have experienced a breakup can relate to Veronica and Julian, depending on their perspective. They’re a couple navigating some of the most familiar obstacles in love: miscommunication, timing and pride.”
He concluded, “It’s a story about endings told through the small moments we often don’t recognize until they’re gone. With the support of the Panavision New Filmmaker Program, I approached the story with a deeper sense of visual control while maintaining the naturalism that defines each character.”
Photo: Bright Leicht Content LLC
NADIA AND KYLER GOT THEIR FIRST BIG BREAK IN SOAPS
As Days of Our Lives fans know, Bjorlin is best known for her long-running role as Chloe Lane. Nadia played the part from 1999-2023 with various runs in Salem. She is also known for her role as Lara in the Venice the Series since 2009. Nadia’s other TV and film credits include: A Murder Between Friends, NCIS, Two Broke Girls and more.
Pettis played Theo Carver on Days of Our Lives from 2015-2018 and earned himself a Daytime Emmy for his work in the now defunct Outstanding Younger Actor in a Daytime Drama Series back in 2019. His other TV credits include roles on: The Rookie, All American: Homecoming and Ray Donovan.
Veronica and Julian is written, produced and directed by Abit and produced through his Willful Productions alongside Kory Apton and Ian Phillips. Executive producers include: Nick Leicht, Gregory Sinche, Shelly Sinche, Torsten Sippel, Tim Freydberg, Ryan Schulke and Matthew Conlin.
So, intrigued to see Nadia and Kyler as a romantic couple in the film Veronica & Julian? Miss them on Days of Our Lives? Share your thoughts in the comment section.
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