Connect with us

News

5

Should Soap Operas Have a Docuseries Taking Viewers Behind the Scenes of the Writers’ Room and How Creative Decisions are Made?

By Michael Fairman

Published

on

Photo: JPI

Many of the often questionable or shocking decisions in storylines that fans witness on their favorite soap operas often leave them ready to sound-off on social media. But what if the world of daytime drama peeled back the curtain just a little, and let you see some of what goes down in the writers’ room; where you follow a particular storyline from how it was developed to how it resolved, or how it was left open-ended for more context?

To be clear: we’re not talking about a storyline currently still playing out, either. We’re talking about a story that wrapped up (for now) and how the creatives; from the executive producers to the writers, crafted the arc and why?

Take for instance the culmination of The Bold and the Beautiful’s Luna Nozawa’s (Lisa Yamada) great escape from prison in a laundry hamper, making it all the way to Will Spencer (Crew Morrow), only to tell him she lost their baby, then only to later be run down by a car (off-screen), to then later, Dylan (Sydney Bullock), the friendly school teacher copping to being the person behind the wheel.

Courtesy/CBS

As comparison, Netflix is set to release its second season of WWE Unreal (premiering Jan 20) which gives audiences a second glimpse at an unprecedented behind-the-scenes look at WWE creative, as it pulls back the curtain from what goes down inside the writers’ room, where the team crafts the storylines that take them through to a major premium live event such as SummerSlam, and television programming such as Monday Night Raw.

In it, fans also get a glimpse of how the WWE superstars stage their matches: from their moves, to the camera angles and more to tell their stories in the match and inside the ring; plus scenes featuring their real-life personas. The second season takes place leading up to, and at WWE SummerSlam which was held this past August. So, in WWE UnReal, they are not giving away any results, as the stories and matches have already happened.

During The Bold and the Beautiful’s Lawrence Saint Victor (Carter Walton), recent guest visit to the Michael Fairman Channel’s pro wrestling talk show, “What’s Up? Wrestling,” Saint-Victor, who is not only an actor on the CBS daytime drama, but also a writer on the B&B writing staff and a fan of the WWE, weighed-in on if soaps could be successful in using a similar formula to WWE UnReal to give fans more of an up close and personal look at what goes on behind the scenes.

“With WWE Unreal, it’s a controlled picking and choosing of what fans will see,” explains Lawrence. “But like how WWE UnReal season one showed how John Cena’s heel turn was decided, we got to see the pivot and we got to see them have to make decisions, which happens on our show. It happens on every show, especially shows that don’t have off seasons where you’re constantly twisting and turning the whole time.”

Photo: Netflix

“Sometime inspiration hits, or an actor does something and you go, ‘What was that? Let’s unpack that.’ There’s a multitude of reasons and some above my pay grade of why a decision changes,” shared the actor and writer. “Sometimes it can just be logistical. As writers, we don’t ask why, we just pivot. I think that’s the nature of soap operas. It’s the nature of WWE. You don’t have that ‘We finished season one, now we’re going to go away for five months and write season two.’ No, you’re in it all the time. It’s a fluid situation. So the pivot is just part of the nature of it.”

You can check out Lawrence Saint-Victor’s conversation discussing John Cena’s final match and tap out, soaps and the WWE writers rooms, and much more below.

Now let us know, would you want to see a never-before-seen look into the writers’ room of a soap opera – from taking a storyline from inception to the changes and evolution of it along the way – to its conclusion? If so, would you want to see 5 episodes – one each featuring all the current soaps: Beyond the Gates, Days of our Lives, General Hospital, The Bold and the Beautiful and The Young and the Restless featured; focusing on one or two major storylines from each soap? Or, would you like to see a series featuring just one? Share your thoughts via the comment section below.

5 Comments

5 Comments
oldest
newest
Inline Feedbacks
View all comments

If American soaps leaned into a synergy with the WWE, that must be why a crop of them were canceled roughly 15 years ago. Those shows need nuance and sophistication so that they don’t look like an over the top circus, not a batch of heel turns. If the writers can tell us anything, it’s why they reject realism outright, when it can actually provide relatable boundaries in storytelling and encourage more creativity. Immortal super villains lost their appeal long ago.

Amen to everything you said, Soapster, and the only thing I would add is: “Immortal super villains lost their appeal long ago, and so did allegedly lovable mobsters and their codependent enablers.”

It’s been refreshing to see how well Beyond the Gates has been able to stick (mostly) to good old emotionally grounded storytelling so far. I just wonder how long it will be allowed to go on. I plan to enjoy it while I can.

B&B missed a perfect opportunity to extend the Luna story even with her demise. Writers sent everyone looking for her in the dark in a wooded field. Think of the drama and mystery if Luna(tic) had been found dead from blunt force trauma..? A great whodunit with a cast of suspects. In the end, Remy did it from the twisted notion of helping Electra hoping for her forgiveness, in turn, garnering a second chance with Deke. Traumatizing the teacher again was anticlimactic for such an intriguing character as Luna

I would probably watch it but I seriously doubt it would tell anything close to the truth about how the shows make creative and writing decisions. The network suits would never agree to show how they micromanage and kill most creativity.

You’d also need to have some truth-tellers to interview, but people like Harding Lemay and Bridget Dobson, who knew how the soaps used to be put together before all the interference started and would have the balls to talk about it, are long gone.

This would be more interesting than watching a bunch of the real housewives constantly kvetching.

Days Of Our Lives

‘Days of Our Lives’ Eric Martsolf Recalls Moment He Learned He Was Cast as Brady Black, and Last Scenes with Drake Hogestyn (SOAPY Exclusive Preview)

Published

on

By

Daytime Emmy winner, Eric Martsolf talks about how he learned he was cast as Brady Black on Days of Our Lives on an all-new episode of Soapy Hosted by Rebecca Budig and Greg Rikaart dropping Tuesday, June 16. Martsolf, who is the special guest, related how he was out of a job following the end of his run as Passions’ Ethan Crane when the NBC soap was canceled in 2008.

In addition, Eric shares a heartbreaking and memorable conversation with the late Drake Hogestyn (John Black), who at the time was in the throes of chemotherapy following his pancreatic cancer diagnosis. Ahead of the premiere of this heartfelt conversation, Michael Fairman TV is giving you an exclusive preview with two clips from Martsolf’s visit to the CBS podcast.

First, Eric recounted how he and his wife Lisa had recently welcomed twin boys, bought a house, and he did not know if he would find a way quick enough to support the family. Eric had already learned the part he read for at Days of Our Lives, he didn’t get. However, little did he know, that he was about to instead become the recast Brady Black, previously played by Kyle Lowder.

Photo: JPI

THE CALL THAT CHANGED EVERYTHING

“I had my kids in their double-stroller in Porter Ranch, wondering how I’m going to pay for this house? Marnie Saitta (casting director, Days of Our Lives) calls me up, ‘Eric, can you get your butt to the studio right now?’ I’m like, ‘Why? I didn’t get the job.’ She’s like, ‘Well, maybe you got a job. They want you for Brady Black. They want to bring back this character. He’s been off the canvas for about three years.’ I said, ‘Marnie, Oh, my God! That is such great news. I have my kids, and my wife’s out of town.’ She’s like, ‘Bring your kids. Drop ’em off at my office!’ I dropped the boys off at her office, went and met with Gary Tomlin (former co-executive producer, DAYS), and he said, ‘You’re Brady now. Here’s your backstory. Welcome to the show.'”

Eric continued, “I went back to Marnie’s and I knocked on the door and they’re my kids. One has the Apple remote in his hand or whatever hitting it against the desk, the other one’s playing with the keyboard. Marnie says, ‘Congratulations, get your kids out of my office now.” I was like, ‘I’m so sorry. I love you. Just send me the bill for the damage.’ Eventually, my wife Lisa came home. I said, ‘I’m on DAYS now.’ We cried and we hugged, and I’ve been with DAYS ever since.”

THE HEARTBREAKING MOMENT WITH DRAKE HOGESTYN

The Days of Our Lives family lost one of its most beloved members when Drake Hogestyn who played John Black for 38 years passed away from pancreatic cancer on September 28, 2024. It wasn’t until June of 2025, that DAYS viewers saw the story play out where John succumbed to internal injuries sustained in an explosion saving the experimental serum to bring Bo Brady back to life. It was John’s final mission.

During his visit to Soapy, Eric Martsolf was asked to share one of his greatest memories of working with Drake as his TV son. In an emotional moment, Martsolf recalled trying to tape a scene with Drake when he clearly was feeling the effects of the chemotherapy he was undergoing at the time, while he tried to soldier on as Drake was known to do.

Photo: JPI

“Not to get too sentimental, but I think it was one of the last scenes we did together. We were in the interrogation room at the Salem PD. John is talking to Brady about something and he had to stop tape because he was on chemo and he would have to excuse himself from the set, come back, gather himself, and just go right back into the scene. You could tell he was really struggling. He didn’t talk to me much about what was going on. I heard through the grapevine what was wrong with him. I just looked at him and I went, ‘How you doing?’ We had a five minute break, and he said, ‘I’m just on a journey. It’s going to be good. It’s going to be fine.’ That just broke my heart. He still wanted to keep telling the story even though his body wasn’t letting him. Drake never complained, never bitched.”

Martsolf added, “My memory of Drake is just a man of fortitude, and a man that was a storyteller until the end that just wanted to keep doing his job. He gave Ken Corday (executive producer, Days of Our Lives) his blessing to film John Black’s funeral while he was still on this planet. Ken said to him, ‘Are you sure?’ Drake was like, ‘Tell the story.’ That’s a man. That’s a guy who is dedicated to what he had been doing for the last 40, 50 years.”

Soapy Hosted by Rebecca Budig and Greg Rikaart features weekly lively and often nostalgic conversations with beloved past and present stars and creatives from across the entire soap opera community and all networks and platforms, including daytime and primetime. Whether a lifelong fan or discovering the genre for the first time, the series shares that it, “offers a fresh, fun behind-the-scenes look at the stories – and storytellers – that define daytime drama.”

Episodes from the audio/video podcast series are available for free via Audacy and the CBS brand You Tube Channel. The podcast is produced by the Paramount Multiplatform Production Group, with Mike Benson serving as executive producer.

Take a look at these exclusive previews below with Eric Martsolf.

Now let us know, were you touched by Eric’s memories of Drake struggling to work as he battled cancer? What did you think of Eric’s casting story of how he became the new Brady Black? Have you enjoyed Eric’s performance over the last 18 years in the role? Weigh-in via the comment section.

Continue Reading

General Hospital

‘General Hospital’s’ Controversial Luke and Laura Rape Episode: Writer Sheri Anderson Reveals Behind the Scenes Decisions and Admits ‘I Was Wrong’ to Defend It (Exclusive)

Published

on

By

It’s one of the most controversial storylines in soap opera history, when Luke (the late Anthony Geary) raped Laura (Genie Francis) back in an episode that aired in 1979. In the story, one fateful night while believing his latest assignment for the mob would get him killed, Luke drank heavily, and confessed his love to Laura. She had been working at the disco at the time and tried to comfort him.

Luke said, “I’m not going to die without holding you in my arms just one time. Dance with me.” As Herb Alpert’s “Rise,” played in the background, Laura tried to leave as she was getting fearful of Luke. The camera panned away as Luke forced himself on her and Laura screamed, “No!” The aftermath also became a huge problem for the series years later. GH tried to pass it off as a seduction, while viewer outcry, and as the world evolved over the decades called it then and now what it was, “rape.”

The script writer for that episode was prolific soap opera writer and three-time Emmy winner, Sheri Anderson. The popular scribe is best-known for her work on Days of Our Lives and also her tenure as its co-head writer, but she also spent a few years at General Hospital smack dab in the late 70s and early 80s, under then legendary executive producer, Gloria Monty.

Photo: JPI

During her visit last week to the Michael Fairman Channel, where Anderson opened up about a specific moments throughout her storied writing career, as well as the state of the soaps now in our culture, she recalled the events that transpired before and after that led to her scripting the infamous rape episode on GH.

ABC NETWORK EXEC DECIDES LUKE SHOULD RAPE LAURA

Sheri began, “What happened was Pat Falken Smith (then head writer, GH) came in from a meeting and she was stoned-faced, and we said, ‘What’s going on?’ She said Jackie Smith, who was head of the network, wants Luke to rape Laura and we were like, ‘What? We can’t do that!” She said that’s what we were going to so, because we were exploring ‘date rape’ at the time.”

“So, on General Hospital, or any show that I’ve been involved with, we would get as much research as we could on the subject, especially when I was writing,” explained Anderson. “I would always send the script to a therapist and say, ‘is this accurate? Is this emotionally correct?'”

Anderson shared from the writers viewpoint what the story was about at that time: “Luke was from the wrong side of the tracks. He was trying to prove himself to the mob and they said to prove it, you have to go kill a senator Mitch Williams. Luke couldn’t go through with it, which meant he was a dead man. He went back to the Campus Disco which he owned and Laura was there. She was waiting for her husband (Scotty Baldwin). So, when Laura was trying to comfort Luke, things started to get out of control.”

THE COINED “SEDUCTION”

“The script which I wrote was 110 pages, which was typical at the time. Gloria Monty, who was a brilliant executive producer and director who changed daytime, was the director of that episode,” explained Anderson on the writing for the soap back in the late 70s. “They probably cut 30 pages of material, because she was so intent on the rape and making it as brutal as she could. So, we were just going forward and thinking, ‘Oh, my God! That was really awful.'”

Over decades, the moment was called as aforementioned, “a seduction,” a “date rape,” and then as GH viewers recalled, it was in 1998 that Luke admitted to his son Lucky (Jonathan Jackson) that he actually raped his mother, Laura.

Photo: ABC

ANDERSON COULD NO LONGER DEFEND THE STORY POINT

It is not lost on Anderson, how GH at the time, tried to pass off the on-screen incident, “In retrospect, and I believe Michelle Val Jean (creator, head-writer, executive producer of Beyond the Gates) once said that it upset her, that we would say it was really a ‘seduction’ and all of those things, because it was not. It was rape, and (back then) I would try to, in a sense, defend it, and frankly, I was wrong,” revealed Sheri.

“I wrote the rape episode and I actually wrote the episode after it and we had Emily McLaughlin who played nurse Jessie Brewer who came to me later and said, ‘thank you.’ Because she said, ‘I wrote the aftermath of it so poignantly for her and Genie,’ recalled Sheri. “Then, we had Irene Kassorla, the real-life therapist come in, and on the show do group therapy sessions. So, it was really fascinating for me  I thought that we were doing it extremely well, and I still think we did it extremely well. But, yes, it was rape, and it was wrong.”

Photo: ABC

GLORIA MONTY SWORE SHE WOULD NEVER MARRY LUKE AND LAURA

In an ironic twist, when Pat Falken Smith and Sheri left General Hospital to return to Days of Our Lives, suddenly Luke and Laura were getting married, after Gloria Monty swore she would never let them tie the knot. As soap fans know, the wedding remains the most-watched episode in soap opera in history with over 30 million people tuning-in on November 16 and 17 of 1981.

“People talk about that story thinking Luke raped Laura, and then they got married. No! Luke raped Laura, but it destroyed their lives with the secrets that they carried. Laura would not tell anybody that Luke was the one who raped her, and their lives were altered in so many ways. It took a long time to bring them back as a couple because they had such chemistry personally, so it was just the obvious way to go,” explained Anderson of the writers mindset at the time. “Gloria Monty said to us, ‘We’ll never marry them.’ Then, when as a writing team we left and went to Days of Our Lives, she married them two months later.”

You can catch our full informative chat with Sheri Anderson below.

So, what did you think about what really went on behind the scenes at General Hospital when the decision came down to have Luke rape Laura in the controversial scenes? Did you appreciate the insight provided by Sheri? Is it still one of the more troubling plot points in the storied history of Luke and Laura to you? Weigh-in via the comment section below.

 

Continue Reading

News

‘The Bold and the Beautiful’s’ Brad Bell and Oliver Bell Already Prepping ‘Hollywood Starlet’ Season 2 With Goal to Elevate Verticals from Trope of Degrading Women

Published

on

By

News out of Monaco and the 65th annual Monte-Carlo Television Festival. The Bold and the Beautiful’s Brad Bell (executive producer and head writer) and his son, Oliver Bell, who have formed the microdrama company, Red Flair Entertainment, revealed on Sunday that they are already gearing up for season two of their just announced first foray into verticals, Hollywood Starlet.

As previously reported, the first season will be filmed at Sunset Las Palmas Studios in Hollywood where the CBS soap opera has called home since late summer of 2025,  and will star microdrama favorites, Eric Guilmette, Molly Anderson, and Bella Mraz.  Most of the talent is expect to be back for season 2.

Hollywood Startlet will bow in mid-August on aTwist, the new microdrama studio and platform founded by former studio execs: Jana Winograde, Susan Rovner and Lloyd Braun. According to Deadline, season 1 will be comprised of 44 episodes of 90-to-120 seconds apiece.

Photo: CBS

‘HOLLYWOOD STARLET’ WILL TELL STORY OF POWERFUL WOMEN AND FAMILY STORIES

While at the Monte-Carlo TV Festival, the Bells spoke on their new venture, with Oliver making it clear that what they didn’t like about the current state of most verticals are that they often tells stories which demean women, which harkens back to to China, were the microdrama was born.

Oliver explained, “I was watching ReelShort and a lot of these Chinese dramas, which I thought were very captivating. But then you’d see some parts that were degrading to women. For me, that was a little offensive. I thought we could do an American one where we have powerful women and lovely family stories. I felt like that wasn’t being seen.”

Photos: CBS

THE BOLD AND THE BEAUTIFUL IN MONTE CARLO

While viewer should not expect any crossovers at this time with The Young and the Restless and The Bold and the Beautiful, Brad and Olive plan are to have their vertical series capture the spirit of those shows, in turn, swerving some less savory elements in the microdrama genre.

In addition, it was revealed as expected that stars of The Bold and the Beautiful who are making a public appearance at the festival: Katherine Kelly Lang (Brooke), Thorsten Kaye (Ridge), Jacqueline MacInnes Wood (Steffy), Tanner Novlan (Finn) and Kimberlin Brown (Sheila) are also in town for a remote shoot that will air most likely later this summer on the CBS soap opera.

So, looks like Brad and Oliver Bell have put a fast track on Hollywood Startlet seasons 1 and 2, and another B&B remote is on the way. Intrigued by the microdrama? Looking forward to seeing what befalls Brooke, Ridge, Steffy, Finn and Sheila in story while in Monte Carlo? Weigh-in via the comment section below.

Continue Reading

Video Du Jour

Jonathan Bennett joins the cast of GH as Joe Fitzpatrick. Catch the latest promo! Leave a comment.Leave A Comment

Recent Comments

Power Performance

Finn Carr & Dominic Zamprogna as Rocco & Dante

General Hospital

Airdate: 5-14-2026

Popular

5
0
Would love your thoughts, please comment.x
()
x