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THE ALLEY MILLS INTERVIEW – THE BOLD AND THE BEAUTIFUL

AlleyMillis.jpg
By Michael Fairman

Listen to the audio:

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TV SOAP:
Were you surprised to find out that Pam was returning to “B&B” this time as a whack-job?

ALLEY:
I was somewhat surprised.  I did not know at first, it started with Stephanie being shot.  I was just coming back and thought maybe I was just still in love with Eric.  I did not realize I was quite nuts until I read the scripts.  Nobody really told me.

TV SOAP:
So, you figured out that Pam must have been on some sort of medication for a mental illness?

ALLEY:
Of course, not many people sit by somebody’s bedside and squeeze it like a pillow like an Alfred Hitchcock movie, with foam practically dripping from their mouth.  Then I       went, “Oh, she is taking a turn!”  Then I read ahead.  Ann, Betty White’s character says, “Have you taken your medication?”  Then I went, “Oh, I love it.”  So, that is when I realized I was on medication the whole time and somewhat normal.

TV SOAP:
So the meds are the great Pam “neutralizer”?

ALLEY:
It’s so much more fun to be off your medication and in life.
(She laughs)

TV SOAP:
The last time we saw you and your alter ego, Pam, was during the shooting of Stephanie storyline.

ALLEY:
After the shooting of Stephanie, I stayed on the show quite awhile as a suspect.  Then my mom, Ann, says, “You better come home darling.  What have you been doing?”  I was sitting there with my dog, which was eating my sandwich.

TV SOAP:
Pam has quite a dog as her sidekick.  How is working with the dog?

ALLEY:
“Tiny”, is the dog.  I love working with the dogs.  There are actually two dogs.  There is one that growls and grits its teeth, but he is the sweetest thing and his name is Hudson. Then, there is another dog playing Tiny, who leaps at the suspect.  Jennifer Gareis, who plays Donna, is actually terrified of dogs!  And in recent episodes that aired in the States, this time Stephanie and Eric are on the outs and Eric is with Donna.  Theoretically, I think I am helping Stephanie by saving Eric from Donna.  But of course, in Pam’s deranged mind she likes Eric too, and she hates Donna.  In the scenes I shot with Jennifer I had to use this wonderful man named OJ, who is this 60-year-old African American wrangler, because the dog would leap and Jenn could not be in the scenes.

TV SOAP:
What kind of dog is “Tiny”?

ALLEY:
He is a Doberman Pincher.  I am not afraid of dogs, but at the end of the scenes where I leap at Donna and leap at her again, I’m holding the dog by the leash, and OJ goes, “Good boy!”  Then, he takes this fake arm that “Tiny” has been holding onto the whole scene.  The dogs have really huge jaws, so it was quite scary.

TV SOAP:
So, how on earth, did you tape the scenes between Donna and Pam and “Tiny”?

ALLEY:
During the entire dialog, it’s a close-up of me.  OJ would be in Jenn’s spot, and I would be talking and the dog would leap at OJ.  Then, what we did was tape the whole thing without the dog.  I pretended to lurch forward with an empty leash going backwards and forward.  It is really hard though, because you have to remember what people did and where they were positioned.

TV SOAP:
How crazy is Pam going to get?

ALLEY:
It’s pretty deranged, but I put a tea bag in my mouth.  My husband, Orson Bean, who is a comic said, “Make sure to make the string hang in your mouth as long as possible.”  My husband helps me with the comic side of being crazy.  The crazy part I have already explained to Donna, is how I get obsessed and how I am borderline psyzophrenic.  I have told this to her to freak her out.  I am mostly keeping normal around other characters.  It’s mostly around Donna that I am freaking out.

TV SOAP:
Does Stephanie know what is wrong with Pam?

ALLEY:
Stephanie does not know what I am doing, and she does not know about the fact that I am off my meds.

TV SOAP:
How far will her insanity go?

ALLEY:
I don’t know.  Who knows?  Brad Bell (creator and head writer, “B&B”) knows. Everyday you pick up a script and go, “Oh thank you Brad.”  You just don’t know.  I know I am just going to mess with Donna with her exterior.  Pam is trying to get Eric uninterested in her.  Pam basically thinks all that Donna has going for her is her sex appeal, and wants Eric to just notice that. Her main motivation is to get Eric turned off.

TV SOAP:
Is Pam adversarial with Sister Stephanie, at this point?

ALLEY:
No.  Stephanie and I are having fun.  I tell her that I am responsible for everything that I do to Donna.  So this is what I do: I turn her hair green, I keep her in a tanning booth for 15 minutes or so… so she turns black, and her teeth gets stained.  So she loses her confidence.  Stephanie thinks it’s really fun, but she does not know I am mentally unbalanced, but I think she might know.  She knows that Pam has had a really rough childhood.  So, my excuse for me being mean and crazy is what happened to Pam as a child.

TV SOAP:
For those who don’t know, please recap the childhood abuse that caused the problem for the Douglas sisters.

ALLEY:
Even though Stephanie was the one that got abused by our father, Ann, our mother, would make me play piano in the next room while Stephanie’s beatings were going on. Even though it’s just soap, the show got so many calls from South American countries from people who had been abused.  They had an abuse hot line, which was used a lot.  I think Brad was freaked out by it, and it turned into a very serious thing.  I don’t think people talk about that in their lives, especially in other countries.  So, when I first came on the show, the whole thing was very serious.  The childhood was very bad.  As bad as it was for Stephanie that our father was creepy and hit her, it was left vague what he really did to her.  But Pam heard her screaming and saw the blood on her back.  I am six years younger than her and was always left out of what really happened.  Pam has lived with her mother her whole life, which is pathetic.  I think Pam has probably been on medication her whole life, and Ann has repressed everything.  She let her little girl get hurt in the next room.

TV SOAP:
My theory is obvious, that Ann has been medicating and drugging Pam her whole life! What are your thoughts on that?

ALLEY:
It has not been said that Ann was drugging Pam to keep her in check.  She just said, “Pammy have you been taking your pills?  You know what happens when you don’t take your pills!”  You get the feeling that Ann is the regulator.

TV SOAP:
But, you have made the whole crazy scenario a little like Lucille Ball from “I Love Lucy.”  Is that on the money?

ALLEY:
Yes.  It’s really interesting, because Brad had kind of made it comic like a Lucille Ball, trying to get Donna.  I love that!  It’s really fun and it’s fun to be funny.  If it were too cruel and too mean, it would not be the same thing with Donna.  Everyone likes to get the bimbo!  It’s fun!  The truth is, in real life I have a friend who is a lot like my character. But the truth is, the manic factor of this disease is actually quite fun.  When you are around people who are really manic, it’s fun.  The other side of it is not fun.  It’s really, really dark.  Brad has it in the writing that, “If Pammy does not take her pills; she goes to a really dark place, Donna.  I am going to take you with me, if you don’t back off!”  My threatening to murder her was pretty nasty. You just never know where this is going to go.

TV SOAP:
How long will you be back on the show this time?

ALLEY:
It’s been six weeks since I have been doing this story with Donna.  Then, you never really know till Brad wakes up in the middle of the night!  He gets these ideas and then the next thing you know… Pam is off her medication!  Last time, I was after Eric, so he changed that.

TV SOAP:
How is working with John McCook (Eric)?

ALLEY:
John is a doll, great to work with, and hysterically funny!

TV SOAP:
How is it working with Susan Flannery (Stephanie)?

ALLEY:
When I started working on the show, she was so powerful in the child abuse storyline.
Susan is an amazing actress.  I like her as a person and to hang out with her in her dressing room, running lines.

TV SOAP:
Do you run lines with her and go through a certain rehearsal process?

ALLEY:
She does that everyday, which is fantastic.  When you arrive at the studio, the first thing you do is blocking, even before make-up and hair.  Susan wants every one of the actors in her scenes to get together, whether it’s one or four people.  In this case, Susan had the four of us, John, Betty, her and me, and we would run every scene three times.  Then we would talk to each other about anything that we didn’t think felt real. Then, Susan will change lines to make it real if she has too.  She says, “Be free.”  You know if you run the scenes three times, then it’s not a free-for-all in front of the camera.

To hear this audio snippet, click back to The Global sections,
“New This Month” area.

TV SOAP:
How do you feel about working with you new on-screen rival, Jennifer Gareis (Donna)?

ALLEY:
I think she is great!  She will let me make fun of her without hurting her feelings.  That is the thing that gets kind of tricky, when you get into something.  I, as Pam, don’t like Donna, and Jenn is a very vulnerable girl.  She is young.  I keep forgetting at times that she is.  But, I want to make sure she doesn’t think I hate her.  I want to be free to feel it when we are taping.  So, I try to have lunch with Jenn and stuff so she knows that I like her as a person, and then I can be really nasty to her on stage.  Jenn is getting her MBA at Pepperdine, so she is not an airhead.

ALLEY:
Most actors I know would not be able to go and learn lines this fast.  “B&B” tapes four days a week now.  So, we tape one and half episodes per day right now.  There is a luxury in that you get a long weekend.  If you are in a heavy storyline, it’s a lot of lines, and if it’s emotional scenes where you want to be there, then you have to get them under your belt before then.  I am doing a play by J.M. Barrie who wrote “Peter Pan.”  It is called “Alice Sit By the Fire”, and every Thursday through Sunday I am in that, too.  So, it’s been a challenge to do both things, but I am alive! (She laughs)

TV SOAP:
Have you been to Australia yet?

ALLEY:
I have never been to Australia.  My husband lived there and the kids went to school in Melbourne.  I want to go really badly, and he has promised me he would take me.  We have really good friends that live there in an Arts Colony where a lot of people from the television business live.  It’s called Daylesford and it’s in Victoria.

TV SOAP:
In closing, by your best guestimate, what do you think is coming down the pike for Pam?

ALLEY:
My guess is maybe we are going to get another facet of Pam; the inside of her… of what this whack job is really going through.  I never know till I pick up a script.  It all depends upon the pill jar.  Do you know what I mean? (She laughs)

TV SOAP:
Now that you have spent time on a daytime soap, how is it stacking up against your other primetime work, such as “The Wonder Years”?

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Love the dress you wore to Ridge’s and Taylor’s wedding (July, 2011). Wondered if you can reveal the label? Enjoy your part very much.

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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