Interviews
THE ALLEY MILLS INTERVIEW – THE BOLD AND THE BEAUTIFUL
By Michael FairmanListen to the audio:
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TV SOAP:
Were you surprised to find out that Pam was returning to “B&B” this time as a whack-job?ALLEY:
I was somewhat surprised. I did not know at first, it started with Stephanie being shot. I was just coming back and thought maybe I was just still in love with Eric. I did not realize I was quite nuts until I read the scripts. Nobody really told me.TV SOAP:
So, you figured out that Pam must have been on some sort of medication for a mental illness?ALLEY:
Of course, not many people sit by somebody’s bedside and squeeze it like a pillow like an Alfred Hitchcock movie, with foam practically dripping from their mouth. Then I went, “Oh, she is taking a turn!” Then I read ahead. Ann, Betty White’s character says, “Have you taken your medication?” Then I went, “Oh, I love it.” So, that is when I realized I was on medication the whole time and somewhat normal.TV SOAP:
So the meds are the great Pam “neutralizer”?ALLEY:
It’s so much more fun to be off your medication and in life.
(She laughs)TV SOAP:
The last time we saw you and your alter ego, Pam, was during the shooting of Stephanie storyline.ALLEY:
After the shooting of Stephanie, I stayed on the show quite awhile as a suspect. Then my mom, Ann, says, “You better come home darling. What have you been doing?” I was sitting there with my dog, which was eating my sandwich.TV SOAP:
Pam has quite a dog as her sidekick. How is working with the dog?ALLEY:
“Tiny”, is the dog. I love working with the dogs. There are actually two dogs. There is one that growls and grits its teeth, but he is the sweetest thing and his name is Hudson. Then, there is another dog playing Tiny, who leaps at the suspect. Jennifer Gareis, who plays Donna, is actually terrified of dogs! And in recent episodes that aired in the States, this time Stephanie and Eric are on the outs and Eric is with Donna. Theoretically, I think I am helping Stephanie by saving Eric from Donna. But of course, in Pam’s deranged mind she likes Eric too, and she hates Donna. In the scenes I shot with Jennifer I had to use this wonderful man named OJ, who is this 60-year-old African American wrangler, because the dog would leap and Jenn could not be in the scenes.TV SOAP:
What kind of dog is “Tiny”?ALLEY:
He is a Doberman Pincher. I am not afraid of dogs, but at the end of the scenes where I leap at Donna and leap at her again, I’m holding the dog by the leash, and OJ goes, “Good boy!” Then, he takes this fake arm that “Tiny” has been holding onto the whole scene. The dogs have really huge jaws, so it was quite scary.TV SOAP:
So, how on earth, did you tape the scenes between Donna and Pam and “Tiny”?ALLEY:
During the entire dialog, it’s a close-up of me. OJ would be in Jenn’s spot, and I would be talking and the dog would leap at OJ. Then, what we did was tape the whole thing without the dog. I pretended to lurch forward with an empty leash going backwards and forward. It is really hard though, because you have to remember what people did and where they were positioned.TV SOAP:
How crazy is Pam going to get?ALLEY:
It’s pretty deranged, but I put a tea bag in my mouth. My husband, Orson Bean, who is a comic said, “Make sure to make the string hang in your mouth as long as possible.” My husband helps me with the comic side of being crazy. The crazy part I have already explained to Donna, is how I get obsessed and how I am borderline psyzophrenic. I have told this to her to freak her out. I am mostly keeping normal around other characters. It’s mostly around Donna that I am freaking out.TV SOAP:
Does Stephanie know what is wrong with Pam?ALLEY:
Stephanie does not know what I am doing, and she does not know about the fact that I am off my meds.TV SOAP:
How far will her insanity go?ALLEY:
I don’t know. Who knows? Brad Bell (creator and head writer, “B&B”) knows. Everyday you pick up a script and go, “Oh thank you Brad.” You just don’t know. I know I am just going to mess with Donna with her exterior. Pam is trying to get Eric uninterested in her. Pam basically thinks all that Donna has going for her is her sex appeal, and wants Eric to just notice that. Her main motivation is to get Eric turned off.TV SOAP:
Is Pam adversarial with Sister Stephanie, at this point?ALLEY:
No. Stephanie and I are having fun. I tell her that I am responsible for everything that I do to Donna. So this is what I do: I turn her hair green, I keep her in a tanning booth for 15 minutes or so… so she turns black, and her teeth gets stained. So she loses her confidence. Stephanie thinks it’s really fun, but she does not know I am mentally unbalanced, but I think she might know. She knows that Pam has had a really rough childhood. So, my excuse for me being mean and crazy is what happened to Pam as a child.TV SOAP:
For those who don’t know, please recap the childhood abuse that caused the problem for the Douglas sisters.ALLEY:
Even though Stephanie was the one that got abused by our father, Ann, our mother, would make me play piano in the next room while Stephanie’s beatings were going on. Even though it’s just soap, the show got so many calls from South American countries from people who had been abused. They had an abuse hot line, which was used a lot. I think Brad was freaked out by it, and it turned into a very serious thing. I don’t think people talk about that in their lives, especially in other countries. So, when I first came on the show, the whole thing was very serious. The childhood was very bad. As bad as it was for Stephanie that our father was creepy and hit her, it was left vague what he really did to her. But Pam heard her screaming and saw the blood on her back. I am six years younger than her and was always left out of what really happened. Pam has lived with her mother her whole life, which is pathetic. I think Pam has probably been on medication her whole life, and Ann has repressed everything. She let her little girl get hurt in the next room.TV SOAP:
My theory is obvious, that Ann has been medicating and drugging Pam her whole life! What are your thoughts on that?ALLEY:
It has not been said that Ann was drugging Pam to keep her in check. She just said, “Pammy have you been taking your pills? You know what happens when you don’t take your pills!” You get the feeling that Ann is the regulator.TV SOAP:
But, you have made the whole crazy scenario a little like Lucille Ball from “I Love Lucy.” Is that on the money?ALLEY:
Yes. It’s really interesting, because Brad had kind of made it comic like a Lucille Ball, trying to get Donna. I love that! It’s really fun and it’s fun to be funny. If it were too cruel and too mean, it would not be the same thing with Donna. Everyone likes to get the bimbo! It’s fun! The truth is, in real life I have a friend who is a lot like my character. But the truth is, the manic factor of this disease is actually quite fun. When you are around people who are really manic, it’s fun. The other side of it is not fun. It’s really, really dark. Brad has it in the writing that, “If Pammy does not take her pills; she goes to a really dark place, Donna. I am going to take you with me, if you don’t back off!” My threatening to murder her was pretty nasty. You just never know where this is going to go.TV SOAP:
How long will you be back on the show this time?ALLEY:
It’s been six weeks since I have been doing this story with Donna. Then, you never really know till Brad wakes up in the middle of the night! He gets these ideas and then the next thing you know… Pam is off her medication! Last time, I was after Eric, so he changed that.TV SOAP:
How is working with John McCook (Eric)?ALLEY:
John is a doll, great to work with, and hysterically funny!TV SOAP:
How is it working with Susan Flannery (Stephanie)?ALLEY:
When I started working on the show, she was so powerful in the child abuse storyline.
Susan is an amazing actress. I like her as a person and to hang out with her in her dressing room, running lines.TV SOAP:
Do you run lines with her and go through a certain rehearsal process?ALLEY:
She does that everyday, which is fantastic. When you arrive at the studio, the first thing you do is blocking, even before make-up and hair. Susan wants every one of the actors in her scenes to get together, whether it’s one or four people. In this case, Susan had the four of us, John, Betty, her and me, and we would run every scene three times. Then we would talk to each other about anything that we didn’t think felt real. Then, Susan will change lines to make it real if she has too. She says, “Be free.” You know if you run the scenes three times, then it’s not a free-for-all in front of the camera.To hear this audio snippet, click back to The Global sections,
“New This Month” area.TV SOAP:
How do you feel about working with you new on-screen rival, Jennifer Gareis (Donna)?ALLEY:
I think she is great! She will let me make fun of her without hurting her feelings. That is the thing that gets kind of tricky, when you get into something. I, as Pam, don’t like Donna, and Jenn is a very vulnerable girl. She is young. I keep forgetting at times that she is. But, I want to make sure she doesn’t think I hate her. I want to be free to feel it when we are taping. So, I try to have lunch with Jenn and stuff so she knows that I like her as a person, and then I can be really nasty to her on stage. Jenn is getting her MBA at Pepperdine, so she is not an airhead.ALLEY:
Most actors I know would not be able to go and learn lines this fast. “B&B” tapes four days a week now. So, we tape one and half episodes per day right now. There is a luxury in that you get a long weekend. If you are in a heavy storyline, it’s a lot of lines, and if it’s emotional scenes where you want to be there, then you have to get them under your belt before then. I am doing a play by J.M. Barrie who wrote “Peter Pan.” It is called “Alice Sit By the Fire”, and every Thursday through Sunday I am in that, too. So, it’s been a challenge to do both things, but I am alive! (She laughs)TV SOAP:
Have you been to Australia yet?ALLEY:
I have never been to Australia. My husband lived there and the kids went to school in Melbourne. I want to go really badly, and he has promised me he would take me. We have really good friends that live there in an Arts Colony where a lot of people from the television business live. It’s called Daylesford and it’s in Victoria.TV SOAP:
In closing, by your best guestimate, what do you think is coming down the pike for Pam?ALLEY:
My guess is maybe we are going to get another facet of Pam; the inside of her… of what this whack job is really going through. I never know till I pick up a script. It all depends upon the pill jar. Do you know what I mean? (She laughs)TV SOAP:
Now that you have spent time on a daytime soap, how is it stacking up against your other primetime work, such as “The Wonder Years”?
Love the dress you wore to Ridge’s and Taylor’s wedding (July, 2011). Wondered if you can reveal the label? Enjoy your part very much.
Interviews
‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!
Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.
Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI
Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis).
This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.
During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI
HEATHER TOM’S DAYTIME EMMY SUBMISSION
In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).
“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”
Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”
In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI
DYLAN BROKE THE ‘GIRLFRIEND CODE’
There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.
“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”
Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”
KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND
Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.
She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird. She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”
In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”
You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.
Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.
Interviews
‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).
In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.
Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI
As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”
THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN
However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”
Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.
Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”
From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI
SHARING SCENES WITH HEATHER TOM
Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.
Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”
There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.
“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI
DARCY DYLAN AND WYATT SPENCER PAIRING?
As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a comedic sensibility, comedic chops as they said it.”
Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun. You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”
Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.
So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.
General Hospital
GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.
However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.
Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC
FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG
Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!
Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”
MAKING MUSIC FOR GENERAL HOSPITAL
Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).
Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI
PATRICK’S ONE LIFE TO LIVE FAMILY
Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”
It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”
A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons
IT’S ALL IN THE NUMBERS
As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”
He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”
Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.”
So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.
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