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THE ARIANNE ZUKER INTERVIEW – DAYS OF OUR LIVES

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She is in a front burner storyline that is getting rave reviews from soap fans and critics alike, as Nicole on “DAYS”. This week her storyline heats up as Nicole finally comes across a very pregnant Sami, which sets a whole chain of events in motion. Actress, Arianne Zuker, sat down with me to discuss Nicole’s machinations, and the final goodbyes to Deidre Hall and Drake Hogestyn. She also spoke about her winning performance in the online soap, “Life in General”, in which she has been recently nominated for a TV Guide Canada, “Soap Opera Spirit Award”.

However, this Saturday January 24th, Arianne is taking on yet another challenge. She is performing for the first time live on stage with the famed ACME Comedy Theatre Group. Sitting backstage with Ari on her first day of rehearsal, we chatted about working in “Sketch comedy” and all the latest developments in Nicole’s
baby drama.

If you are in the Los Angeles area, and would like to see Arianne live, go to http://www.acmecomedy.com for ticket and show information. It should be a hilarious and fun show.

Listen to the audio:

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MICHAEL:

This Saturday, you have decided to perform in the live sketch comedy show at the very famous ACME theatre here in Los Angeles. Why the decision?

ARIANNE:

By force, and my arm being twisted behind my back! Pain made me do it. Just kidding! I saw Bryan Dattilo (Lucas) do the show and it’s the equivalent of Saturday Night Live, which is hysterical. I was asked if I would consider doing it and I said, “Absolutely,” because I don’t get to do enough comedy on “DAYS”, and certainly not lately. Prior to me leaving the show the first time, I got a chance to do it.

MICHAEL:

So I am doing this interview with you backstage before you find out what the sketches will be for the performance. Can you veto anything and do a soap “Diva” trip on the cast?

ACME.jpgARIANNE:

I have to tell you, I have never been to a sketch meeting before, but I am looking forward to what they throw in front of me.

MICHAEL:

So, you will play many roles in the show that evening?

ARIANNE:

Yes, it could be anything. It will all be one big surprise.

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MICHAEL:

Are you a nervous wreck about the improv aspect of this kind of live comedy?

ARIANNE:

Not when it comes to humiliating myself. I don’t wear contacts, so I can’t read the Teleprompters. Of course, it will all come from memorization unless I wear my glasses. It should be really exciting, because I won’t be able to see that. Oh, well, whatever! It will be fun. (She laughs)

MICHAEL:

Who would you like to be in the audience to witness this?

ARIANNE:

I made sure that our “DAYS” PR office invited everyone from the show. I would love everyone to come out and see me and the theatre itself. It’s so much fun to see it live. I had done a workshop improv class for two years, the two years I was off “DAYS.” I did that, which may be why I feel comfortable doing this. Here at least, I get scripts as opposed to pure improv.

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MICHAEL:

Who would you want to be with in a sketch comedy show, if it was an all-star “DAYS” cast?

eric.jpgARIANNE:

I would have Eric Martsolf (Brady), because we have a great relationship outside the show. He is very funny and hysterical. I tell you; whenever we run our lines I have to get all the laughter out before we do our scenes. He’s got this quirky, dry sense of humor with this smirk on his face, all the time.

MICHAEL:

You are so heavy in story on “DAYS” right now, and currently the most compelling actress and, in the most compelling story on the show. Are you enjoying carrying the main storyline?

ARIANNE:

Yeah. I love my job and love the storyline right now. It’s definitely meaty. I am always usually the sidekick, but now I have hearty storyline, and I appreciate it very much.

MICHAEL:

So much has been written about you from all of us covering the soap genre, that you have really been amazing and risen to the top of the soap actors on TV.

ARIANNE:

It’s a team effort. When I came back to the show, I came back a bit of a different actress. I would like to give the writers credit, that they allowed me to take the storyline to a different place, as well. I could not do it by myself.

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MICHAEL:

This week in major desperation and determination, Nicole comes face-to-face with Sami!

sami.jpgARIANNE:

Chloe tells me where Sami is. You know, it’s funny knowing that Sami is involved in anything to do with her. First, she is going to lose it and get pissed off, and then come up with something or some plan. Interestingly enough, the whole story is not about finding out Sami’s pregnant. It’s an idea that Nicole gets concerning Sami’s baby. Maybe when we are in the storyline together, you will see that old relationship
come back.

MICHAEL:

We all see a ‘baby switch’ coming. Do you like the idea?

ARIANNE:

It’s written differently than your typical ‘baby switches’ that have happened in the past, at least on our show. I like how they are writing the character; very carefully.

MICHAEL:

You almost feel bad for Nicole, in a way. She is so desperate to hold on to EJ. Why?

ARIANNE:

He represents the child that she had. He represents that she fell in love again. I think Eric Brady was her first love, and she messed that up, again. The baby is half the reason EJ and Nicole fell in love in the first place. In Nicole’s eyes, she probably feels she could not have had EJ unless she was pregnant. I feel that is the whole reason she is doing this; to have a real family, and trying to escape her past that she can’t get out of. Even though everything she is doing is somehow related to her past, she is not trying to hurt anyone this time.

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MICHAEL:

Coming up in February, what can we say to “DAYS” fans about the on-going baby saga?

ari-james.jpgARIANNE:

Let’s just say, Nicole is not in the clear. I think with all the baby stuff happening, and the baby being born, let’s just say, I will get one. I think you will see more twists and surprises that I am happy about. There will be a little Melanie action, because she is working with EJ.

MICHAEL:

Now let’s discuss the pregnancy ‘padding’ you have been wearing. Ah, how dumb is EJ?

ARIANNE:

The great thing was, they kept EJ busy so he could never really touch me. There’s dedication for a guy. For someone so smart, he sure was stupid. (She laughs)

MICHAEL:

Couples and pairings have been changing on “DAYS” in recent months so quickly at times, it is jolting the fans. Do you think that is a good thing for the show, or a bad thing?

ARIANNE:

You know, I think that soaps the way they use to be, and the way they need to be now, are different. They need to move a little faster with the age of the Internet; even the promos are so fast now. People who watch the soaps are used to it one way. I think you have to test things, and if you don’t test, you don’t know what’s going to work. I love working with a variety of people, and our ratings have gone up. It is a good story with the constant cattiness between Sami and Nicole. Now with Alison coming back, it will get really interesting!

MICHAEL:

Alison Sweeney, (Sami) just gave birth last week to a baby girl. When can we expect her back on the canvas to ‘duke it out’ with Nicole?

Sweeny.jpgARIANNE:

Alison had her baby last Monday, and she will soon be coming back to the grind. I think she only took two weeks off, so it will be exciting.

MICHAEL:

What do you hope to feel when you come off the stage on Saturday night?

ARIANNE:

Laughter! Making people laugh, and coming on the heels of Tuesday’s presidential inauguration, there is a lot of positivity right now. I think laughter is the best medicine for everything. If I get my lines out right, it will be a success!

MICHAEL:

Speaking of lines, you have so much to memorize on “DAYS”. Do you ever check
out and say, “Enough,
I can’t anymore?”

ARIANNE:

By the end of the week, your brain gets a little mushy. I find that I have to work and prepare either right after I get off work, or stay at work and learn my lines, or at least the majority of them, or I have to get up at five in the morning. After dinner time, I am useless when it comes to memorization. It works out well, and boy are we working fast! Between getting my hair and make-up done at 6:15AM, and getting ready before we get on stage, I barely run my lines with my co-stars. That’s why I feel doing stuff like the ACME theatre will be really fun. I have a week or at least four days to rehearse my lines!

MICHAEL:

How is working with devious Dr. Baker, played by soap vet, John Callahan? Don’t you guys break up in laughter sometimes?

john.jpgARIANNE:

He cracks me up. We try to get the laughter out beforehand. Some of the lines coming up with the whole Sami situation are so funny coming from him. We get a kick out of the story. He is enjoying himself.

MICHAEL:

This is the week of the final performances of Deidre Hall and Drake Hogestyn. (Marlena and John) Were you on the set for their
goodbyes?

ARIANNE:

I was at the studio, and they did not want a big final ‘ta-do’. I watched them on the show as a ‘tween’ in summers with my cousin, and its nuts, but they have their reasons. I am sad to see them go. I don’t know if they are gone for good or who knows, but stranger things have happened on the soaps.

MICHAEL:

Did you set any New Year’s resolutions for 2009?

ARIANNE:

I set goals, like my grocery list, and they happen when they happen. I try to manifest everything I want in my life. New Year’s resolutions to me are like Valentine’s Day, and Valentines Day should be all the time.

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MICHAEL:

Now, I have to talk to you about my other favorite performance of the year. That is of you as the head writer on the online soap, “Life in General”. What if you win the Soap Opera Spirit Award on Wednesday? How do you feel about the project?

Ariane11.jpgARIANNE:

That would be so exciting to win! I really hope “Life in General” goes. I love Karen Harris. She is wonderful! Basically, I played Karen Harris, I think. I came across this role through my old producer on “DAYS”, Roy Steinberg, who was working on it. The heart behind the show is: no one is making any money and it’s a really great project, and a great idea. I am sure many people thought of the idea, but Karen pushed it through. It’s two shows in one. It’s clever and obviously has great actors (She laughs referring to herself) I mean, Jobeth Williams from “Poltergeist”, which was my favorite movie, was in it. I had to hold my self back and not say, “I am your biggest fan!”

MICHAEL:

During my “Life in General” interviews, I spoke with Brynn Thayer, and she also told me how much she loved working with you.

ARIANNE:

I tried to get Brynn as my mother on “DAYS”, so we will see if that happens. I would love to see the show move. It’s gotten great reviews. It’s just a matter of time before this whole internet thing is huge. I would love to see it go, and I would play that and do Nicole.

Ari-outside.jpgMICHAEL:

Then you must be a workaholic, right?

ARIANNE:

I love working, and when you are an actor you just eat it up. I would rather be exhausted from doing what I love to do, than anything else.

Days Of Our Lives

DAYS Blake Berris to Chat Live on the Michael Fairman Channel as Everett & Bobby’s Story Heats Up

The tale of Everett Lynch and Bobby Stein is starting to reveal itself on Peacock’s Days of our Lives, which puts returning cast member, Blake Berris front and center in story.

On Monday’s, February 26th episode of DAYS, the results of Everett’s CAT scan indicate he suffered a traumatic brain injury which jives with his story that he was in a car accident and spent in a year in a coma, or does it?

Stephanie (Abigail Klein) and Everett are reeling that Everett as Bobby Stein was married to Jada Hunter (Elia Cantu) and treated her badly. While Everett claims he doesn’t remember anything about his time as Bobby, despite his fingerprints matching those of Robert Stein’s, Marlena (Deidre Hall) ponders if he could be suffering from PTSD, which might explain his memory loss.

Courtesy/Peacock

Everett wonders if he has a brain tumor, but Marlena points out that they would have found it on the CAT scan. While there is no obvious reason for his memory loss, Kayla wonders if he is faking his amnesia? Marlena tells Everett that she is a psychiatrist and they should set up sessions immediately. Will it be revealed that Everett and Bobby are split personalities living inside one man?

Blake Berris is set to chat about the latest storyline developments and more, when he visits the Michael Fairman Channel on Wednesday, February 28th beginning at 3 pm ET/Noon PT.  Make sure to join Michael and Blake in the live chat for your turn to share your questions and thoughts on the story.

Photo: JPI

Days of our Lives fans first met Blake when he played the character of Nick Fallon who was eventually murdered in 2014. Later, Nick made a few return appearances from ‘the grave’, in 2021 and 2023. Recently, Blake returned to the show in his newly-minted role of Everett Lynch at the end of October of last year.

Blake will talk about portraying Everett/Bobby, plus working his co-stars, and being a dad to his three boys, and more.  You can catch the livestream below.

Now, let us know, what is your theory about Everett Lynch and Bobby Stein? Looking forward to hearing what Blake has to say? Share your thoughts in the comment section.

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Days Of Our Lives

Days of our Lives Legendary Susan Seaforth Hayes Talks on the Horton House Fire Storyline, Mourning the Loss of Husband Bill Hayes & His Near-to-Final Performances

It has been an emotional time for longtime fans of Days of our Lives and beloved veteran, Susan Seaforth Hayes (Julie Williams). On-screen, the iconic Horton home was burned to the ground in what appears to be a storyline-dictated decision that shocked many. In real life, Susan is mourning the loss of her husband and DAYS enduring favorite, Bill Hayes (Doug Williams), who passed away at 98 in January. Over the weekend, during the 2024 SAG Awards In Memoriam tribute, Hayes was remembered along with other motion pictures and television stars whom we lost over the past year.

Since the Peacock streaming soap opera tapes months ahead of air, the Horton home fire and its aftermath are currently playing out in all-new episodes with more on this story featuring Susan to come. Bill Hayes also appeared in several of these episodes making it all the more touching and heartfelt.

When Julie came back to the Horton home to see what remained of it after the fire, Days of our Lives fans were treated to a heart-tugging episode that streamed last Wednesday, February 21st. In it, newly-taped scenes of a young Tom (Zach Chyz) and Alice (Sydney Kathrann Smith) Horton telling the story of how they came to live in the house to raise their children, juxtaposed with Julie and Doug (and members of their family and friends), surveying what’s left of the beloved house, brought many a tear.

Michael Fairman TV talked with Susan Seaforth Hayes for this very candid and heartfelt conversation to get her feelings on the Horton house fire, and being given the opportunity to have a storyline at this point in her storied career. In addition, Susan provides some insight on what it was like for her ailing late husband to tape scenes at DAYS shortly before his death, what the series plans to do about writing off the character of Doug while honoring the legacy of Bill Hayes, and how she knew she had the greatest love affair that anyone could hope for in their lifetime, which in turn, has inspired all of us.

Photo: JPI

I was shocked when they decided to burn down the Horton house. Were you at first devastated … and did you know that there would be a big story surrounding it?

SUSAN: I did not know how big a story was with it. I knew that many years ago, another regime had planned on trashing the set and getting rid of the set because nobody cared about the Hortons anymore. It was stopped by one person, and I was eternally grateful for that. This time I thought, “Oh, my goodness! I guess I’ll be meeting people for a cup of coffee at the Horton Square. No home, no roots, no reason to be called in,” and thinking that’s the end of Julie. That’s the end of Doug and Julie. Then, when they began to structure a story around it, I think all of this came up during the writer’s strike. So of course, I was curious to see how this was going to turn out. I enjoyed the aftermath, because in the aftermath, and a little bit before the fire, if you saw the show, I get to talk a bit about the history of the household and the people in it.

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In the special episode that aired last Wednesday, Julie gave Leo (Greg Rikaart) the family tree history of the Hortons for his story in the Spectactor.

SUSAN:  I’ve had a couple of good long soliloquies about the past. I’m fated to be the character that does that because I’m the one still standing. I must say, I do enjoy doing them. Emotionally, all I have to do is rerun some of the actors and my own family in my mind and the emotion starts to come, you know, the emotion starts to flow.

Julie talks to Maggie (Suzanne Rogers) immediately after the fire. She is upset that the Horton family Christmas ornaments are gone. Fans were not happy that they could possibly have burned up. Thank God! There was a happy ending when they were located and unscathed, or there would have been hell to pay! 

SUSAN: I knew that they were in the prop room and that they still existed. But how much they were going to put a story around their loss, I did not know. We don’t get to ponder the plot. We just get to show up and start doing it. I think on this particular matter, something as important as a structure of the original set of the show, there’s been quite a bit of interest. So, I can appreciate that.

Photo: JPI

I was thinking, ‘Did they decide to burn the house down, because they were finally retiring the old Horton home set?’ What was the purpose of it?

SUSAN: They’ve done everything to make quicker set changes, which is remarkable and very efficient right now. The set designer said, “I’ll be interested in your input,” which was nice. The one thing that I loved that had been done, didn’t work. You couldn’t shoot into it. It was a federal mirror over the mantle. I loved it. The size was perfect. I was just delighted. And then, we tried to shoot it, and because of the roundness of the mirror, you got a perfect view of camera one and camera three. So, it came down.

This is Julie’s project to renovate the home. She’s determined to bring back all the memories and redo it?

SUSAN: Absolutely, which is another nice note to play for my character. She’s determined to make the house something that her grandparents would recognize and still feel comfortable in.

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What did you think of the episode that just aired where the show incorporated flashbacks of a young Tom and Alice Horton?

SUSAN: Well, I set it up. They had their own their own lovely scenes. I read them, and I’m sure the audience was charmed.

What do you remember when you first came to DAYS, and you were in that house, in that set?

SUSAN: What did I notice about the set? I noticed that it was a strange shade of green. (Laughs) It was explained to me that that dull color meant that your face would pop on color TV. I understood that. I loved the little window up the staircase. I’ve always loved that. And at one time, there was a model of the house that sat on the set on its own little pedestal, a little playhouse of the exterior of the house. Whenever the house was on (and remember this is when we were a half-hour and practically live, but not live, because there was no editing), there would also be the sound of a barking dog whenever we reached the Horton house neighborhood. We never saw the dog, but I’m sure his name was “Spot”, and I’m sure he belonged to someone.

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You shared so many scenes with Frances Reid (Alice) and MacDonald Carey (Tom) in the Horton living room set and up till they passed. Did they get along well with Bill? Looking back, how was your relationship with them?

SUSAN: They loved him. Well, Mac and Billy had worked together before in theater. Mac was very kind to me at the beginning and helpful. Frances was as well. As Frances got older, she got a bit testy. When someone says, “You’re not going to read the line like that … are you?” It catches your attention. (Laughs). I got peeved at Frances from time to time, but her intent was always to make everything as good as it possibly could be. I saw her come back from her stroke. learn to talk again, learn to do it all again. Not do it easily, but to do it at all was wonderful, and the same with Mac. In his last shows, he was very frail, but we’re actors. We liked being there.

Photo: JPI

During the taping of the episodes surrounding the Horton house fire, Bill was mostly in them with you. How was Bill doing at the time you taped these scenes?

SUSAN: He was okay. He was up for it. He had difficulty moving at that point. So, they restricted his movement a lot. Bill always enjoyed coming to work a lot, and it was extremely difficult for him because he was blind, and didn’t move very well. And now, to do a scene with people who may or may not, have rehearsed with you, who may or may not, give you the exact cue, and when they are attempting to have you look each other in the eye, you can’t see who’s eyes they are, that was the hard part. The easy part was working with him, which was lovely and was a gift. It was a gift from Corday Productions that he was able to work within three weeks of his death, which I thought was super and extraordinary.

Photo: JPI

That is amazing. Did Bill understand everything that was going on at the time of the tapings?

SUSAN: Absolutely. He understood what was going on. He just couldn’t see it or touch it.

The timing couldn’t have been easy for you with Bill’s declining health, and that the show was going to burn down the Horton home where you shared so many scenes and memories.

SUSAN: Well, it hasn’t been my greatest stretch. But I knew that life would be like this. I’ve had five decades of an absolutely wonderful, blessed marriage and a chance to work and a chance to live in my own home and travel, all good. And now, we’re going to have the epilogue. And the epilogue is the hard part, seeing rapid change around you and losing the people that were the center of your life. I’ve just been very fortunate to have cultivated some wonderful friendships, and to have a wonderful large family of Hayeses.

Photo: JPI

You do realize that you and Bill were the gold-standard of what we all should be lucky enough to have in our lives. What an incredible, beautiful, passionate, loving marriage that the two of you had. You don’t see marriages like that anymore. We were all just in awe of the two of you. To us, it was the greatest love affair. You got to have that which is so extraordinary.

SUSAN: I know, and it was all Bill. I mean, any idiot could have been married to Bill Hayes and been deliriously happy. The guy was so perfect in every way that you really would have to pick something and blow it out of proportion to ever complain about any of his traits of character. He was just all good character, goodwill, and good humor. I just followed along and tried to live my life for him, with him, and follow his style, which I hope to carry on. I hope to be as good to people as he was to people, and, not be selfish.

Photo: JPI

I always remembered how the two of you would come to the studio with your suitcases, ready to work no matter what material, large or small, they gave you. You showed up. You just had such great work ethic and you don’t see that as much anymore.

SUSAN: At the moment, it’s hard to find it everywhere. I think it’s probably generational. You cannot get too angry at people that are still holding up their phones in the one rehearsal that we have. I think it’s more convenient to receive your work electronically, but somehow it doesn’t seem quite as real. You don’t have a script in your hand anymore unless you print one up yourself.  Sometimes you haven’t met the person you’re working with. Well, that’s not unusual, but no rehearsal at all, that’s kind of marvelously new.

Photo: JPI

Does Julie lean on anybody for emotional support as she tries to rebuild the Horton home. Who’s there for her?

SUSAN: As far as I can tell, nobody. I’m supposed to be the wise woman, and Marlena (Deidre Hall) is supposed to be the other wise woman. I haven’t had any scenes with Marlena for help. I would think Marlena would be the person I would be going to for grief counseling, for friendship, for all of that. I haven’t seen it in the scripts, yet. I’m still deeply entwined with Chad’s (Billy Flynn) storyline.

How is Billy Flynn to work with?

SUSAN: A pleasure. Billy Flynn has grown a lot as a human being and as an actor since I’ve known him. I’m really enjoying his company and really enjoying doing scenes with him. We rehearse and then we get on other subjects and laugh and talk and inform each other. We’re interested in a lot of the same things. He’s a new parent. He’s really devoting himself to that, to that experience in the best possible way. So, I’m lucky.

Do Julie and Chad try to figure out who set the fire?

SUSAN: Oh yeah.

Photo: JPI

I kept thinking about how Julie got burned in the kitchen fire years ago and her face was scarred, At the time, your mother Elizabeth Harrower was writing DAYS and wrote that for Julie. Did you hate that story?

SUSAN: Well, I know where the story came from. It came up from something in mother’s own life. I knew the people involved, and I wasn’t crazy in love with the idea. Then, when it was supposed to go for six weeks and went on for months and months, I was concerned. Mainly, I was concerned that my face was going to be affected because of the appliance, the scars, that I was wearing. I was told by a dermatologist, “You’re going to have a little beard after this. Ripping your face every single day to get this off is going to be hard on you.” But, I seem to have survived.

Has the show even addressed with you how they plan to handle writing-off the character of Doug Williams, and how they want to honor Bill?

SUSAN: Only in the smallest way. I had a conference call with the producers and our head writer last Friday. I was informed about the immediate, immediate future. I’ve also been promised that they’re going to keep me busy. It’s a cast of over 40 people. I’ll be happy to show up and to be included.

Photo: JPI

I was just hoping that whatever they decide to do with the character of Doug that they were going to run it by you, first.

SUSAN: They have, and they have been very sweet about it.  I’ve got to tell you, this regime, they have a sign up on the wall now, that says, Things we expect on this stage.”  The first one at the top of the list is “kindness.”

Have you watched your work back all these years? I know some actor’s never like to watch the scenes they taped.

SUSAN: I think you learn by watching yourself, if you have an open mind, and if you are not hypercritical, or dismissive. I cannot be dismissive of a character that has given me such a wonderful life. I’m still interested in Julie, perhaps I wouldn’t have been if I’d been on the show for three years and never returned to it. But I’m quite interested in her now, and what she has to offer as a member of this ensemble.

Photo: JPI

Julie’s ties to the whole history of Days of our Lives from this point on are very important. How do you feel about that?

SUSAN:  There are those that don’t care about the history of the show. I know that. I know there are those that only care about continuing with something snappy to keep eyes on the screen through action, adventure, drama, death, kidnapping, missed opportunities, all that, which I suppose that’s what the audience craves. But, that’s not just what the show can do. What the show can do so well is character. There’s a lot of people over 70 who are still on the show now. I’m the oldest one, but I’m not the only one. We’re coming up on the 60th anniversary. I don’t think the show is worn out. And if it is, it’s had a remarkably successful six decades.

Lamon Archey (Eli) is back on DAYS for a stint. What has it been like to work with Lamon as his on-screen grandmother?

SUSAN: I think he’s terrific and visually he is so beautiful, so appealing. I think both Eli and Lani (Sal Stowers) are very appealing as characters. I’m delighted to be connected to Eli as a family member. That was a lucky break for me.

Photo: JPI

Do you think DAYS fans are going to continue to be emotional in the aftermath of this fire and all the story that comes out of it? Do you think we’ll be touched by what Julie goes through to get the remains all cleaned up for a new house?

SUSAN: I think anybody in America who’s gone through a disaster, and have unfortunately had the disruption of their home, will be sympathetic and interested in how it all turns out. It’s a nice note to play. We haven’t had to do that very often. We just go from one lovely apartment to another without much discussion. I think this is the one set that meant a lot to people. I was very sorry to lose “Julie’s Place,” as it turned into kind of a sandwich shop. I still loved having a business, a tangible place to be, and an alternate place for people to meet.

Photo: NBC

Upon reflection, what was your favorite scene with Bill? Was it when Julie and Doug got married on-screen, or was it something else that was much more intimate?

SUSAN: I think our last scene is going to be more important, emotionally. I think the first wedding was beautiful, but the material around the time of our second wedding, when Brenda Benet (ex-Lee) came back on the show and Doug stood up to her and says, “I’m not going to be manipulated anymore,” was also strong. There has been a lot of very important times – when Doug was killed-off by James Reilly, and we met in the tunnel of light. That was a day. That was a difficult day, which I certainly can’t revisit right now emotionally. When Julie found out Doug had run off and married her mother, Addie, that was a day. It was a day because, I went to the producer at the time, Jack Herzberg, and said, “Is this it? Am I not going to work with him anymore?”And he said, “Right! That’s it. You’re not working with Bill Hayes anymore.” We were not married at the time, and I thought I was going to go through the floor! That wasn’t a happy day.

Photo: JPI

In terms of Bill’s final day on the set with you, did you know that it was his last, and what would turn out to be his last scene?

SUSAN: Well, they didn’t know. But I knew. I had been allowed to rewrite it. So, I can’t tell you Bill’s last line now, of course, but I will in time.

What do you think about the sentiments shared by Susan on her late husband, and this storyline? How do hope the show properly honors Bill and Doug Williams when the series writes-off the character? Are you enjoying the Horton house fire story arc or does it upset you too much? Share your thoughts via the comment section below.

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Daytime Stars We Lost Remembered in 2024 SAG Awards In-Memoriam Tribute

On Saturday night at the 30th annual SAG Awards streaming on Netflix, several stars from the world of soap opera were remembered in a very moving In-Memoriam segment.

Honoring those actors we lost this past year, and set to the song “How do I Say Goodbye” by Dean Lewis, the screen was filled with so many heartbreaking losses.

Those who were remembered in the tribute included: Bill Hayes (Doug, Days of our Lives), Ellen Holly (Carla, One Life to Live), Nicolas Coster (Lionel, Santa Barbara et al), Tyler Christopher (Nikolas, GH, Stefan DAYS), Billy Miller (Billy, Y&R and Drew, GH), Sharon Farrell (Flo, Y&R), Arlene Sorkin (Calliope, DAYS), Kamar de los Reyes (Antonio, OLTL), Jeffrey Carlson (Zoe/Zarf, AMC) and Mark Goddard (Ted, OLTL).

Photo: ABC

Other notable stars who passed away and were included in the tribute were: Chita Rivera, Andre Braugher, Suzanne Somers, and Matthew Perry.

Before the video package was played, actress Naomi Watts took to the stage and shared, “We have lost so many extraordinary actors in the past year, but because they touched the world with their talent, we all share their loss. To those of us who worked with them, alongside them, we feel their loss and their absence deeply.”

Photo: Netflix

She added, “Of course their memory will live on in our recollections of the precious time we shared together — and through their work, their performances captured in countless frames of images, ever ready to dance across the screen and come to life again, if only for a while.”

What did you think of the In-Memoriam Tribute at the 2024 SAG Awards and seeing a lot of familiar faces being included who represent the soaps? Comment. below.

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