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THE MICHAEL FAIRMAN INTERVIEW – THE YOUNG AND THE RESTLESS

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Many “On-Air On-Soaps” fans have emailed me and written to me, asking, “When I am going to do an interview with Michael Fairman, who plays Katherine’s new beau Murphy, on “The Young and the Restless”? Also, many fans have asked me, “Are you related to “Y&R’s” Michael Fairman?” Well, in an interview that has been almost 40 years in the making, the two ‘soap opera’ Michael Fairman’s finally meet up face to face in this very profound interview. There is more to this story and our connection than meets the eye. Read the transcript below for all the details and what’s coming up on “Y&R” and more! Without further adieu, Fairman interviews Fairman!

Listen to the audio:

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MICHAEL:

So you and I share a very interesting past and connection. You changed your last name to Fairman, and actually called my parents when I was growing up to ask permission.
Tell me in your own words what happened?

Y&R FAIRMAN:

I became Michael Fairman officially in Milwaukee, Wisconsin around 1967. I looked through the phone book and wanted to find a “Fairman” to see if it was alright to use the name. I happened to call Michael Fairman’s dad. I said, “Mr. Fairman you are not going to believe this conversation, but my name is ‘so and so’, and I would like to change my name to Michael Fairman, and I would like your permission to be a Fairman.” Well, I guess it turned out he had a son named Michael Fairman.

MICHAEL:

It was interesting. I was 9-years-old at the time. I was sitting at the dinner table with my parents and the phone rang. I knew this man called and asked my dad if he could change his name to Fairman. My dad goes, “Sure!” Little did he realize I was going to go into show business on my own, let alone end up in soap operas! And now, every time people would see your name on a soap or episodic shows, they would ask me if I was on that particular show, and I would say, “No.”

fairman-fairman.jpgY&R FAIRMAN:

…And the real Michael Fairman went into show business, and he can’t use his name now after all these years! I feel bad. How am I going to make retribution?

MICHAEL:

You have done soaps such as “Ryan’s Hope” and “General Hospital” and now “Y&R”. Let’s start with “Ryan’s Hope”. How did that come about?

Y&R FAIRMAN:

I was on a soap opera called “Love of Life” where I played the power behind the Mayor. He was a nefarious guy. Paul Mayer and Claire Labine wrote that soap opera. When they were doing that soap opera they were creating a new soap called “Ryan’s Hope”. One day Claire called me in her office and said, “How would you like to be on a new soap with a new character called, “Nick Szabo”? He was Hungarian Mafioso, and Julie Barr (Ex- Brooke, “AMC” and Ex- Reenie, “RH”) was my daughter. The whole concept of my character was that he would be in continual conflict with the Ryan’s, especially Frank Ryan. I would be his nemesis, and then Julia Barr, as my daughter, would have my character, Nick, wrapped around her finger.

MICHAEL:

How was working with Daytime Emmy winner Julia Barr?

Y&R FAIRMAN:

Julia was wonderful. It was a very interesting concept for soaps at the time. The Ryan’s were working-class people and they had a bar in Manhattan. Then, they had the Mafioso story, which was me, and then there were the doctors, and the newspaperman, Jack Fenelli. So it was real people, not the pretty boys and girls that they have usually on soaps.

NickSzabo.jpgMICHAEL:

What happened to Nick?

Y&R FAIRMAN:

He went away to Las Vegas, never to return after the first year. I was going to be a staple on the show, but an executive took over ABC Daytime and decided he did not want a Mafioso storyline, so I was let go.

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MICHAEL:

Interesting, since now there is Mafioso galore over at “GH”! Now onto “Y&R,” and your audition with thee Jeanne Cooper (Katherine): How did it come about?

Y&R FAIRMAN:

I was asked, “Do you want to audition for a soap?” I said, “Why not?” And I looked Jeannie up on IMDB on the website. I had never seen her on “Y&R”, sorry to say, and she had just won an Emmy! I knew she was Corbin Bernsen’s mom. I had worked with him several times on LA LAW, so I decided to audition. When I got there Jeanne was so warm and accommodating, and so accessible. This was beyond. We were at the edge of the table, and on the three other sides of the table were the executives and the casting directors, and we just had a ball. My agent had said, “There has to be chemistry.” So we made chemistry. I did not hear anything for a couple days, and I got a call saying the chemistry was great, and that they liked me. When I came into work the first day, they all said kind things, and it worked out. As I work with Jeanne, she continually tells me how good we get along. It’s like a match made in heaven.

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MICHAEL:

You knew Michelle Stafford (Phyllis), though, and got the low down on Jeanne from her, right?

Y&R FAIRMAN:

I talked to Michelle Stafford and she said, “Oh, you are going to love working with Jeanne Cooper.” Michelle Stafford and I go back to before she got “Y&R”. We were in acting class together. Michelle is a dynamite actress. We all thought she would do really well in feature films, but she has done very well in soaps, which she loves. She told me everyone loves working with Jeanne.

MICHAEL:

So, what do you think is at the core of Murphy, on “Y&R”?

Y&R FAIRMAN:

What was in the script is: he was married and his wife died, and he was kind of lonely. So he would go down to the diner and visit Marge, Pearl, and Joe Jr. He is a low maintenance guy who eeks out a living by running a bait and tackle shop. He lives in his trailer. He lets life go by day-by-day, enjoying it and enjoying fishing, and he’s not really very ambitious. Murphy is enjoying his golden years, and once he meets Marge, or who he thinks is Marge, he becomes very protective, and his purpose becomes more active. Life takes on another dimension for him with Marge. Then when Marge turns into Katherine, he finds qualities in Katherine that are attractive to him in a different way. There is a scene where he says, “You could shoot the breeze with Marge, but you could really talk to Katherine.” Katherine is a much more dimensional person than Marge. He liked Marge to pal around with, but I think he could have a real relationship with Katherine.

another-michael.jpgMICHAEL:

Does Murphy feel she is unattainable or does she intimidate him, since Katherine is, after all, “The Duchess”?

Y&R FAIRMAN:

Murphy is not intimated by it. But he doesn’t really feel he can fit in. I am a little reluctant to think that I could fit in, although I still care about her. But, as far as taken into her life, I don’t think realistically, he could fit in, and I think it would be awkward for him.

MICHAEL:

Are we finally going to have some DNA testing?!

Y&R FAIRMAN:

She is going to have the DNA. Her  memory has been coming back in bits and pieces, and I believe she is Katherine. Now we have the ring that she pawned, and the pawnbroker has figured out it was Katherine who turned over the ring, and that’s a big plus.

MICHAEL:

How did Murphy feel about Marge?

Y&R FAIRMAN:

He already determined Marge was dead, and it was sad for him. The fact that here is Katherine, sort of mitigates that.

MICHAEL:

Will we soon find out about the DNA results?

Y&R FAIRMAN:

The DNA test results will come soon and she will know she is Katherine. We are already playing a scene where I know she has to go back to Genoa City. It’s kind of bittersweet. She says I can fit in, and I say, “Probably not.” Things will happen that will put things off for a while, in terms of their separation.

MICHAEL:

They will be separated?

Y&R FAIRMAN:

They will and they won’t.

cooperjoes.jpgMICHAEL:

Tell me about working with Jeanne?

Y&R FAIRMAN:

She is very improvisational. In fact, she will be talking to me and I don’t know she is doing the script. It’s such a reality in terms of the character, and we are able to improvise. It’s just that circumstance where two actors are so comfortable with each other and their characters can say or do most anything and it works. In a short time we have reached a level of comfortableness. And she has said, and I have said to her a number of times, “God, I really love working with you.” (and she goes) “And I really love working with you,” and we do. We enjoy it, and we high five each other after every scene. We are the fastest in our scenes of anyone on the set, and we get through our scenes in record time.

MICHAEL:

What about your idea to do a play with Jeanne?

Y&R FAIRMAN:

There is a possibility of doing a play. I had an idea since we play cards on the show, why don’t we look at the play, “The Gin Game”. It won the Pulitzer Prize in the late 70’s. Mary Tyler Moore and Dick Van Dyke, Jessica Tandy and Hume Cronyn, and Charles Durning and Julie Harris performed it. So I approached the idea to Jeanne and she wanted to read it. So this week I am bringing the play for her to read, and if she can make the time, maybe we could do it ourselves.

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MICHAEL:

If you were writing the show, what would you love to see happen in the Murphy/Katherine storyline?

Y&R FAIRMAN:

Since I am her protector and care about her, and probably even in love with her, it would be great if she then says, “Why don’t you come to Genoa City and take part in my business? I will give you a job or I will give you a position.” Murphy could then be her eyes and ears, and he agrees to do that. Everyone else thinks he is after her money. They all get kind of nasty with him and they try to prove she is insane for trying to do that. So now he has to protect her.

MICHAEL:

So he would kill for her?

Y&R FAIRMAN:

Well, he’s already said that.

MICHAEL:

He knows he is in love with her?

Y&R FAIRMAN:

I have a line where he says, “I am really going to miss you.” He knows. He is not easily open with his emotions, but you know it’s there. I think if push came to shove, he would tell her in a certain circumstance.

MICHAEL:

What do you think Katherine feels for Murphy?

Y&R FAIRMAN:

I think she cares about him very much. I think she is almost there on that. I don’t think a man has treated her the way Murphy has, or given her the kind of care that he has. From the first time when he thought she was Marge, and now as Katherine, it has just intensified. He does not care she is a billionaire; it has no affect on him. It’s about the person for him, and I hope it stays that way.

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MICHAEL:

What are some scenes or moments you have loved thus far, that you did on “Y&R”?

Y&R FAIRMAN:

There was one time when Katherine went to the mansion, and she recognized the picture of (Victor) Newman and her daughter, and at that moment Murphy realized she was Katherine and that Marge was dead. That was kind of a rich scene for both of us. Because I was equally affected by Marge’s death, and now here is someone I was assuming was Marge is now someone totally different. Another one was on Christmas Eve. The carolers came and they gave me a sprig of mistletoe. She said, “Are you going to stand there or are you going to hang it up?” I go, “Ok. I will hang it up.” Then she went under it and I kissed her. That was the first kiss. I have kissed her subsequently.

MICHAEL:

Is she a good kisser?

Y&R FAIRMAN:

Well, it’s not intense yet. (He laughs)

MICHAEL:

Do you watch your performances back after you have taped them?

Y&R FAIRMAN:

I prefer not to for this reason: I have in my mind what I have done, and how it actually played out. If I need critique, I have people who will critique for me. But for myself, I don’t like to watch it in order to correct it. I feel so good about doing this, that I don’t want to see things that destroy that. I don’t want that. I have such a great time that doing that would affect me. The feedback I am getting on the show from executive producer, Paul Rauch, and supervising producer, Anthony Morina, and from Jeanne Cooper, is all complimentary. Since it’s an ongoing role, I don’t like that to interfere with my process for the role.

MICHAEL:

Now on “GH” you played another bad guy! Who did you work with the most over in Port Charles?

Y&R FAIRMAN

I worked mostly with Maurice Benard (Sonny) and Vanessa Marcil (Ex-Brenda). They are both great and terrific actors. I was Sonny’s mentor and a bad guy, and he killed me. I was Jewish mafia this time. I was named Harry Singer.

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WithSlezak-2.jpgMICHAEL:

I was with Erika Slezak at ABC Super Soap weekend this past November, and she asked me if I was related to the Michael Fairman that was in the Milwaukee Repertory Theatre with her. I of course, said, “No, that’s the other Michael Fairman”. How was working with Erika?

Y&R FAIRMAN:

Erika and I met in Milwaukee in 1965, and we were part of that company for four seasons. She and I were leading actors of the Milwaukee Repertory. Erika was wonderful! We did plays like, “Hedda Gabbler” and “Skin of our Teeth”. She left and went back to New York and eventually, “One Life to Live”.

MICHAEL:

OK, now let’s do a few comparisons. Born?

Y&R FAIRMAN:

Bronx, 1934

MICHAEL:

Milwaukee 1961… Favorite color?

Y&R FAIRMAN:

Blue…

MICHAEL:

…Blue… Zodiac sign?

Y&R FAIRMAN:

Pisces

MICHAEL:

Capricorn… Hobbies?

Y&R FAIRMAN:

Photography, working out…

MICHAEL:

…. Working out and music. Married?

Y&R FAIRMAN:

Married and have a child from this marriage who is 14, and a son who is in New York who is 42.

MICHAEL:

I am single, single and single with no children, maybe a dog soon…Favorite actor?

Y&R FAIRMAN:

Marlon Brandon, and I love Spencer Tracy!

MICHAEL:

Robert DeNiro… Favorite Actress?

Y&R FAIRMAN:

Cate Blanchett..

MICHAEL:

Current crop of actors: who do you enjoy?

Y&R FAIRMAN:

I loved Johnny Depp in “Finding Neverland”. It was amazing, as are many things he has done…”Edward Scissorhands” and “Gilbert Grape”. I like European actors, too, like Christian Bale and Clive Owen, who is also just super.

HillStreetb.jpgMICHAEL:

When you were on the nighttime hit series, “Hill Street Blues”, that’s when I got a lot of phone calls asking me if I was on the show!

Y&R FAIRMAN:

I had a run on there. I played an interesting character: this smarmy councilman who was this nasty guy who put the screws to Captain Furillo. He abused his power, and one night when he was drunk he killed someone, and that was the end of him. Throughout my career, I have played hard, tough, no-nonsense guys. On, “Cagney and Lacey”, I was inspector of police and they used to call me, “The pig”!

MICHAEL:

Does that come easy?

Y&R FAIRMAN:

Yeah. (He laughs) Nasty is fun… the nastier the better. A character who is bad does not think he is bad. The less you play bad, the less you are. But I like Murphy on “Y&R”. He is tough, compassionate, and not a pushover. He was tough on Marge.

MICHAEL:

Did you always know you wanted to go into acting?

Y&R FAIRMAN:

No. Entertainment was the furthest thing from my mind. It was not until I was in the Air Force that I was interested in acting. I was over in Japan, and someone talked me into being in a theater group, but not as an actor. I wanted to get involved because I had a lot of time on my hands. I liked carpentry and I would build scenery for them on the Air Force base just outside of Tokyo. They talked me into being in a play. I was in three or four plays. I loved being on the stage, and loved what happened after getting all the accolades, and the work was fun for me. I got out of the Air Force, and at that point I went back to NYU. I did not find that was very helpful for me. So I studied with Lee Strasburg, and I did not find that helpful. Then, I studied with Uta Hagen, which was helpful. Then, I went to do Shakespeare in Oregon. I did Shakespeare for four seasons, and became adept at classical plays. Then in 1961, I continued to study with Uta Hagen and then worked professionally. I was not finding a whole lot of work in New York, so my wife, who was an actress at that time, and I both got accepted at the Milwaukee Rep.

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MICHAEL:

So, is that when you decided to change your name?

Y&R FAIRMAN:

It was a little bit before that, because my name was being misspelled in a derogatory way, and it was an ethnic sounding name. So I thought it would be limiting for me. I wanted to keep the MF initials so I found Michael Fairman and I thought it sounded nice. My name was ‘Fuchs’ and my first name was Milton. I used to get kidded as a child because Milton Berle was big at the time and he was known as “Uncle Milty”, and I was called that and I did not like either name. So I changed it to Michael Fuchs. When I started working in Oregon, they would misspell my name in the programs. So I said, “Enough of this”. So when I got to Milwaukee, I legally changed it to Michael Fairman. Milton Fuchs no longer exists.

fairman-headshot.jpgMICHAEL:

Well, I think Michael Fairman sounds ethnic, and I have lived it with since I was born! (He laughs)…In closing Mr. Fairman, if we were to tease fans of “Y&R”, what can we say is on the horizon for Murphy and Katherine?

Y&R FAIRMAN:

A complication of the plot! Here is what I can say: all may seem well with Katherine, and she may be going on the path towards Genoa City and her life. All may seem light and happy, and she is going back to renew her relationships with her old life… but that might not be… and look for Murphy on a white horse.

Interviews

Y&R’s Amelia Heinle Talks What’s Next For Victoria & Returning To Work With The Newman Clan

Fiftteen years, and two Daytime Emmys later, Amelia Heinle has become a mainstay of CBS’ The Young and the Restless as Victoria Newman; the on-screen daughter of the iconic Victor (Eric Braeden) and Nikki (Melody Thomas Scott).

In Genoa City, Victoria has certainly had her share of issues in the love department, and has battled back time and time again for respect as a formidable power player and businesswoman.

Now with Y&R being back this Monday with all-new episodes; following the production shutdown caused by COVID-19, viewers can expect to see a tougher-stance from Victoria as she fights for what she rightfully believes is hers … and she may just to it by any means possible.

Michael Fairman TV caught with Amelia to get the lowdown on: what’s ahead for Victoria, working with her co-stars, Victoria’s future in business and in affairs of the heart, and much more.  All we can say is “Better watch out Adam (Mark Grossman) and Victor!”  Here’s what Amelia shared.

Photo: JPI

How has it been going back to work at Y&R during the coronavirus pandemic?

AMELIA:  The first week was an adjustment.  There were a lot of different protocols to follow, but now I think we are in week five or so, and things are kind of normalizing a little bit with all of the precautions that we have to take and trying to get used to them.  So, it’s not much different than what’s going on in real life and how all of us are taking precautions to stay safe.  We are kind of coming back a little slower because they aren’t having a bunch of people at the studio at one time.  It’s nice.  It’s been a lot of two-person scenes, and it’s good.  I think it is going to be well-received by the fans when we start airing new episodes Monday.

Did you feel any hesitation going back into production? 

AMELIA:  No, I was glad to go back.  I was really missing everyone and missing the show and working and just the whole thing.  So, I was very anxious to get back.  It feels good.

Are the actors far apart in the scenes … as in six feet apart?

AMELIA:  Yes, I even think the first day we were back; we were like ten feet apart!  (Laughs)  They were very careful, and I respect that.  It’s not easy to do what they’re doing, and they’re pulling it off beautifully.  I’m proud of them, and I’m proud of all of us, because I think everybody wants to be back so badly and to make it work, so they’re just doing what they have to do.

Photo: JPI

So where we pick back up in story; Victoria is pretty upset with Victor and Adam.  How is she feeling about Adam after we learned he supposedly killed a guy when he was a child?

AMELIA:  It was so funny when we came back, I forgot where we were.  I couldn’t remember.  I just was like, “Wait… what happened?” because it was so long ago!

You were like “Who is AJ Montalvo?” (Laughs)

AMELIA:  Yeah!  I totally forgot about that.  I was like, “Was that where we left off?”  (Laughs) We all just kind of just jumped back into the story … and Victoria was pissed off with her father because he, again, gave Adam her position at Newman Enterprises, and made an excuse for why he did it.  So, she is mad again.   I think they thought about my character over the break and made her a little tougher.

Photo: JPI

Do you think Victoria will want payback and be a little more vindictive than we’ve seen her?

AMELIA:  Oh yeah, for sure.  She seems to be channeling Victor more and I am more than happy to play that.  Since I’ve been back, it’s been a lot of fun because they’ve given me a lot of material.

Glad to hear that Victoria will have more of an edge.  At times through the years, the various writers have waffled with her.  Isn’t Victoria supposed to be the most like Victor of all his children?

AMELIA: Yes, she’s supposed to be, and I really like it when they write her to be strong with her father, which sometimes I find that they don’t.  Sometimes, I find she is not as strong with him, and it just depends on the writers we have, or the executive producer at the time, but now they’ve written her holding her own with Victor and passionate about Newman Enterprises.  I’m hoping that they keep going in this direction.  I like playing her A-type personality.  It just makes me laugh.  I get a kick out of the character being so tightly wound and just all about business because it’s fun to play.

Photo: JPI

What does Victoria think about Adam?  Doesn’t she want to strangle him?  What is her modus operandi where he is involved?

AMELIA:  I find her to have this daddy issue, and she is highly jealous of Adam, because he’s always getting a second chance.  What Victor has done to Victoria is really cold-blooded.  He does really keep dissing her business-wise.  She’ll have an opportunity, and we had this great scene a long time ago where he finally gives makes Victoria the CEO at Newman, and it was really nice, and six months later, or whenever, he gives it back to Adam.  So she gets stabbed and then he just gives the position to Adam.  Victoria is always just getting the short end of the stick when it comes to the company.  I think that in several of the new episodes that are coming out soon, Victoria is going to fight for what she wants … finally.  She’s getting a lot wiser to her father and what he does, so I think that’s what you are going to see.

As we come back into the story, Victoria is the CEO, correct?

AMELIA:  Yes.  She is the CEO, and Victor is actually retired.  Before the break, I couldn’t remember who the CEO was when I got back then I realized… it’s me!

Will Victoria use the ammo that Adam supposedly killed somebody as a child, to get rid of him once and for all?

AMELIA:  I don’t know if she ever wants Adam to go to prison.  I don’t think she hates him that much.  I know they write that, but it’s her brother, and I think she is just super jealous of the relationship that her father has with him. Victoria wants to get Adam into trouble, and I think she wants to demoralize him a little bit, but I don’t think she wants him to go to prison or to leave town.  I think there has to be an element of love.  There’s got to be a little bit of love there because they’ve had moments; that is her brother.

How do you think Mark Grossman has been as Adam?  It’s been over a year now since he’s taken over the pivotal role.

AMELIA:  I think Mark’s done such a wonderful job, and he came in like most characters like that, with all of the dialogue, and all of that workload.  I really like him.  He’s a nice man.

Photo: JPI

Where do you think Victoria’s relationship is with her other brother Nick (Joshua Morrow)?  Are they on good terms at this point?

AMELIA:  They;re still in love!  Come on! (Laughs)  I’m just kidding.  We always joke and say, “Nick and Victoria … they’re in love.”  It’s very Game of Thrones.  I haven’t had a scene with Joshua in a while, but they’ve been on good terms for many, many years.  I don’t think they’ve had them be at odds in a while.

So, you don’t think Victoria might get into cahoots with Nick to bring down Adam?

AMELIA:  I don’t know.  That’s a good question.  I haven’t seen any scenes with them together.  I’m sure the show will find a way to loop in everyone when they tie together this story with AJ Montalvo.  But there are some very interesting family dynamics coming up.  There is something Victoria does with her mom, Nikki (Melody Thomas Scott), that I’m not going to say, but something happens with her, and I like what they’ve written so far!

What about a man for Victoria?  Can she be okay without a guy? 

AMELIA:  She’s going to have to be; because I’m going to be six feet apart from whoever! (Laughs)  I don’t know how they’re going to do it.  I can’t wait to see.  They’re going to probably try some new loves, but not with a new character.  There might be some interaction with somebody coming up that I only know about, because I shot it last week. I think it is going to be cool. There’s some romance in Victoria’s future.

Photo: JPI

Okay, so it won’t be a loveless next six months for Victoria?

AMELIA:  No, I don’t think so.  I don’t think they’re going to do that to me.  I thought that too, but they’re teasing something right now, and I find it interesting.

What did you think of Jason Thompson (Billy) winning the Daytime Emmy for Outstanding Lead Actor in a Drama Series back at the end of June?  I know you were in some of the scenes with him that won him the gold.

AMELIA:  It’s about time!  He’s such a great actor.  I can’t believe Jason hasn’t won one till now. It was long overdue; in my opinion.

Do you enjoy the Billy/Victoria dynamic? It can get very messy between them when either they come together or grow apart in story?

AMELIA:  I like it a lot.  Jason is great whenever we have scenes together.  He’s super easy to act with.  He is so natural.  Right now, we are not romantically entangled on the show, so we had scenes a couple of weeks ago that were really nice.  Victoria involved Billy in her business with Newman, which you’ll see later, but now they have a new dynamic, and they have a kid.  I like playing us co-parenting.

Photo: JPI

But they could end up back together at some point, I would think.

AMELIA:  Oh, for sure, 100%.  You know we’re going to go there … forever and ever.  It’s an endless loop.

Y&R just aired a classic episode of J.T. and Victoria’s wedding.  Did you happen to see it?

AMELIA: People were sending me GIFS, and I was like, “Holy crap!  I was so young!” and so was Thad.  He looked like a baby!

Photo: JPI

Do you remember taping those scenes? 

AMELIA:  Yes, I remember wearing Melody’s old dress on the show, which was supposed to be Nikki’s old dress.  I remember that I had just had my son, Rowe, so he’s twleve now, so that was almost thirteen years ago, and I remember back then I was trying to lose a little baby weight.  I also remember laughing because my hair looked like I was going to a quinceañera, and I had bows in my hair.  It was so cool to see that.  It felt like it wasn’t that long ago, but it was.  Looking back, it was fun, but I still just can’t get over how young we looked.  Twelve years really ages you!  Maybe it’s the kids, I don’t know!

It’s so interesting, and I was saying this the other day to someone, that in daytime, we’ve all grown up with each other – the people who have worked in the medium, and the fans.  In no other medium can you truly follow an evolution of a person the way you can on daytime.

AMELIA:  It’s so true.  There’s nothing else like it in the whole world.  It’s so cool.

Speaking of Thad as J.T., they ultimately resolved the story of J.T.’s abusive behavior towards Victoria in that a brain tumor was the culprit. How did you feel about that?

AMELIA:  I liked that they did resolve it.  Actually, looking back, Thad did such great work he should have submitted himself for the Daytime Emmys in the Guest Performer category.  I know the wrap-up of the story was a little silly, but the way that it turned out was good because with the brain tumor, he can still come back.  J.T. went to prison for a little bit which is a hell of a lot better than him being buried in Chancellor Park!

When Thad was off the show, did he know that Victoria, Sharon, Nikki and Phyllis buried J.T. in Chancellor Park? (Laughs)

AMELIA:  Yeah, he knew that he was buried there.  We laughed about it.  When he came back, it had to be resolved somehow, and sometimes on daytime you have to suspend disbelief a little bit.

Do you know what was really good about it?  There was still great Victoria/J.T. chemistry.  It was still there through all of the craziness.

AMELIA:  I don’t know if they’d ever have him Thad back, but it would certainly be cool.  It would be nice to just have regular J.T. because he is such a good character.

Photo: JPI

The fans are very much looking forward to all new episodes of Y&R this week.  They’ve been so patient.  I think Y&R did such a great job of coming up with these classic episodes, many of them that people hadn’t seen in such a long time, instead of defaulting to more recent episodes and just re-airing those.  I’m sure you’re hearing that from the fans that they can’t wait to see you guys.

AMELIA:  I thought people would be super excited to have the classic episodes, and I think they were to a certain point.  However, it was also nice to hear that they wanted us to come back because my thinking was, “If they see the classic stuff, I wonder if they’re going to want us back,” and they do, and it’s nice.  They want to see the development of the storylines continue.  They had their fun with the reruns.  They were well-received.

Let’s talk about being part of the iconic Newman clan of Y&R.  Do you enjoy working with Eric Braeden (Victor)?

AMELIA:  If I see that I am working with him (I just thought about this the other day because we hadn’t seen each other), I know that it is always going to be good even if it isn’t the way I want it to be written.  It’s always good.  Eric is just fun to work with, and he usually brings his A-game.  Sometimes we laugh and make fun of the material if it’s silly, but he’s just always on point with being there for you, and being in the moment with you, and supportive of you, and offering ideas respectfully; because he still really cares after all these years.  You can see how much Eric cares about the show, and his character, and making it good.  It’s just always nice to work with him.

Photo: JPI

Has Eric given you advice while on set with him throughout your time together on Y&R?

AMELIA:  We’ve talked about things every now and then.  Sometimes, I’ll just go talk about what’s going on in the show, and sit in his dressing room, and shoot the breeze about stuff.  He’s a really insightful guy, and he’s done a lot in his life, and it’s always interesting to hear his stories.  There’s just no one like him.  Eric is just such a unique man, and I respect him a lot.

And… your on-screen mom, Melody Thomas Scott has got her memoir, Always Young and Restless coming out in less than two weeks!

AMELIA:  I know!  I’m so excited.

Are you discussed in the book?

AMELIA:  I think so, because Melody said she needed a picture of me.  I can’t wait to read it!

Photo: JPI

Is this true that the Newman acting troupe knows their lines like nobody’s business and gets their scenes done quickly?

AMELIA:  It depends on the day.  Sometimes we are.  If people want to get done and get the show going and keep the ball rolling, everybody is on their A-game, and some days, we just come back from lunch and nobody can find their script or their lipstick, but it’s fun either way.  I love it.

Would you say that the Newmans can be an intimidating group on set; especially for newcomers to the show who have their first scenes with them?

AMELIA:  I would say that we are.  I’m not going to lie.  When we are all there, and it’s Eric, Melody, Josh, and me, and then there is somebody new it can be hard for them.  We’ve all been together for so long now that we have our inside jokes and everything.  When someone new comes in, and they’re just thinking they can kind of ease right into it with us, it can work or not work.  Mark Grossman was one that it worked with.  He held his own, but we are always kind, and we always make people feel comfortable and are always complimentary of new actors.  We really are.

Photo: CBS

So, a tough nut to crack those Newmans, but if you crack it, you’re good to go?

AMELIA:  Oh, once you crack it, it’s cracked. You’re “in like Flynn”.

So, excited to see what happens for Victoria in the coming months on Y&R? Who so you hope she is linked with romanitcally? Share your thoughts on our interview with Amelia via the comment section below.

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Interviews

Digital Drama Daytime Emmy Preview: Patrika Darbo Talks On Her Nominated Performance in ‘Studio City’

In Sunday night’s Digital Drama Daytime Emmys (9 p.m. EST/6 p.m. PST) former Days of our Lives and The Bold and the Beautiful star, Patrika Darbo (Ex-Nancy, Ex-Shirley, respectively) is one of the notable nominees of the night for her powerhouse performance as Violet in Studio City.

Darbo is always working on projects in Hollywood, and her resume is long … whether it is in sitcoms like Seinfeld, series like Desperate Housewives, daytime dramas, the hottest digital drama, commercials, and more.

Having a complicated history with the Emmys; Patrika has won a Primetime Emmy for her work in Acting Dead, had her previous Daytime Emmy for The Bay rescinded, and now has a shot at another one when the winner is revealed in the Outstanding Supporting Actress in a Digital Drama Series category in which she is nominated.

Studio City was nominated for 8 Daytime Emmys this year including for Darbo, and series creator and star, Sean Kanan (Ex-GH, B&B, Y&R).  The show tells the tale of the cast of a fictional daytime drama as they navigate through the chaotic world of soap operas and their own very messy personal lives.  In it, Darbo delivers a tour de force monologue which just might have sealed the deal for Emmy voters.  She has already won, along with Studio City castmate, Carolyn Hennesy (Diane, GH), an Indie Series Award for her work, when the two actresses tied in their category.  They are both nominated together again for the Daytime Emmy.

Michael Fairman TV caught up with Patrika to talk playing those heavy emotional moments in Studio City, longevity in Hollywood, and Emmy night.  To watch the first season of Studio City via Amazon Prime Video click here, and to watch the Digital Drama Daytime Emmys click here.  Now here’s what Patrika shared with us.

Photo; JPI

We all knew that your memorable scene in Studio City was so strong.  Your performance is really such a standout that I just thought, “Of course she is going to get nominated for this,” and you did!  How did you feel about this nomination?

PATRIKA:  I have been through the many ways that Sean Kanan has put this show together.  I mean, he has worked on it for a long time.  I read for it with him, as his mom, being a comedy, and now we’ve gone all the way to the dramatic. I think Sean did some pretty good rewrites and gave me some great, meaty material. I so appreciate the fact that he recognized the fact that I am not just a comedic actress, that there is a dramatic part of me.  

Photo: StudioCity

The big moment in Studio City for your character was just so heartbreaking.  Did you deliver that performance in one take?

PATRIKA:  Yes, and then of course I had to do it a couple of times because we had to see it from Sean’s side for his reaction shots to what I was doing.  I come from the school that even though the camera is on my back, it is now on my partner’s front.  So, I tried to give Sean as much to react to when the camera was on him as when it was on me, and I got the same from him, so it was a very nice collaboration.

I watched Sean in that scene.  He was so good in it.  So, whatever you were doing, it triggered such honest reactions from him.

PATRIKA:  I think just as far as actors go; it is not that we always have to remember that it is not about us as an individual.  It is about the end product, and the end product is about who you are working with.  I got from Sean things to work with that made Violet’s emotion’s there, and then I wanted me to be able to take my emotions and give them back to him.

 

Photo: StudioCity

Was it hard to go there for you, to that deep emotional place; that Violent had been traumatized in her not so humble beginnings in Hollywood?

PATRIKA:  You know, I have great admiration for all of these women who have come forward in the whole #MeToo movement.  I have always been a short, round, fat, little character woman, who was never approached in those ways.  So, there were things I couldn’t relate to.  I had to go to my own personal darkness, which is mine to use when I need it, but to try to be sure that I made sure that women who had faced what I was talking about could appreciate that I was showing tribute to them, because that is a horrible thing, and any kind of situation when you are bullied into something that you don’t want to do or taken advantage of, those kind of situations.

For Violet, all of this stemmed from her desire to be in show business; that at an early age she found herself in a horrible situation with a scuzzy show biz type.

PATRIKA:  Yes, she got into town and it was like a dream come true. She got invited to parties, and everything was wonderful, and “Oh, he’s going to put me in the movies,” you know.  I think that’s what happens: Hollywood is so glorious, and kids come in and get off the bus to be a star, and the first thing you have to do is wait tables … and the second thing is sometimes when you are very pretty, and thin, and attractive, and bad things happen, and I’m not just saying it happens just to women.  It happens to young men as well, and it can happen to some older people.  It’s just a thing that we have now identified, and I think people are being made aware of it.

Photo: JPI

It almost seems like you get nominated for all sorts of things in you career: primetime, daytime, stage etc.  Have you ever figured out in your own mind, why you think you get the recognition? 

PATRIKA:  I think because people know me, and I try to give out what I want back.  You know, I treat people the way I want to be treated, which means that if there are a thousand things you’ve got to watch, and you go, “Oh, there’s Patrika, let’s see what she is doing now!  She’s always so nice to me,” they take a look at my work.  Do you know what I am saying?  It’s a numbers game.  We think about how many are in primetime at this moment, and even though there are only four soaps left on the major daytime calendar, there are still the new digital shows that are coming up.  I think I am very fortunate that people know my name, they know me, and they want to take a look and see what I am up to again, and the young actors and actresses that I mentor, and kids who I’ve work with, the most important thing, I always say, is to be nice.  No one should have to tell you that, but sometimes you have to reinforce it and say, “You know what?  The casting assistant today is the casting director tomorrow, the assistant director today is the director tomorrow.  The kid over here is the writer today, and tomorrow he is the show runner.”  I don’t think you should approach your life like “What’s in it for me?”

Photo: wireimage

What did you think of the whole of Studio City?  I think it’s a little gem.  I loved its look and feel, as well.

PATRIKA:  As we go along in this digital world, it is becoming more film-like, more real life looking.  We’ve kind of gotten away from the flat, three-camera take.  It’s bringing more things to life, and people are just enthralled with it. This is the new genre of the hour-long soap.  I think with the attention span of people these days; digital drama they may wind up enjoying more and because it looks more real, they will enjoy it more.

You were in a middle of a firestorm, in 2018, when your Daytime Emmy win for your wok in The Bay was revoked.  Did you at all think about that when you found out you got nominated For Studio City?

PATRIKA:  At first, you kind of go, “Are they giving me this nomination for this reason?” but then you kind of go, “You know what?  It really has nothing to do with NATAS.  It has to do with my peers appreciating my work.  So, I know even though I had some problems in the past, NATAS was so apologetic and they’ve made a lot of changes to try to make sure that things like that don’t happen to anyone else, which I am so appreciative of, but this nomination came from my peers.  So I feel I earned it, and I don’t think it has anything to do with what happened in the past except for the fact that there are changes that are for the good.

Photo: Studio City

Now, you are nominated in the Outstanding Supporting Actress in a Digital Drama Series category along with your Studio City co-star, GH’s Carolyn Hennesy.  You both tied in this category at the recent 11th annual Indie Series Awards as well.

PATRIKA:  Carolyn is wonderful in anything that she does.  I wish Sarah Brown had been nominated for her work in Studio City, too.  She is a wonderful actress. You kind of go, “Oh, they didn’t acknowledge her this time,”  but it’s like she is still in the show, the show is going to keep going, so she will have another opportunity for people to recognize her work.  Listen, Carolyn and I could cancel each other out this time, because people know us and like us and appreciate our work.

Photo: JPI

As a working actress in Hollywood, how to you feel about production starting back now for several shows, and concerns amidst the coronavirus pandemic that has crippled the show business community with the loss of so many jobs over the last several months?

PATRIKA:  I think there are still going to be concerns.  Listen, my husband has a heart problem.  He’s had a couple of stints, so he is going to be a high-risk.  So, if I am asked to go to work, I want it to be very safe where I am going, so when I come home, I don’t bring something to him, or I don’t get anything.  I think we are all going to be a lot more careful, but I think what people have to realize in general is that it is not just the actors who did not have work.  There are the camera people, there’s the director, there’s props, there are the electricians, there are a lot of people involved to make a show, whether it’s a daytime show or it’s a film.  So, things will be a little different.  There are going to be a lot of changes, but I’m hoping that we will at least get back, and are safe, and that we take care of each other.

On virtual Emmy night this Sunday, will you be participating and watching from home?

PATRIKA:  I’ll be at home, absolutely.  I’ll be trying to figure out how to push the Zoom button or the what button, and trying to figure out the computers. I’m a dinosaur in a digital world, but I’ll be doing my best!

So, will you be rooting for Patrika in the Outstanding Supporting Actress in a Digital Drama Series category on tomorrow night’s Digital Drama Emmys? Did you see Studio City and if so, what did you think of it?  Do you hope Patrika comes back to daytime soon? Comment below.

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Digital Drama Daytime Emmys Preview: Graham Sibley Talks On His Nominated Performance In ‘Dark/Web’

In one of the hotly contested contests on Sunday night’s Digital Drama Daytime Emmys, Graham Sibley is going for gold for his riveting and tense performance in the 7-time nominated series, Dark/Web. Sibley’s work had been recognized in the Outstanding Guest Performer in a Digital Drama Series category.

In Dark/Web, Sibley plays Leland, a ride share driver who’s just trying to make it through the night when the app on his phone takes on a frightening intelligence and tells him he has to make the world a better place, even if it means he has to kill to do it.

Michael Fairman TV caught up with Mr. Sibley to get his thoughts on: playing a ride share driver, being given this tour de force role in such a unique series which landed him an Emmy nod, and much more.

And, don’t miss the Digital Drama Daytime Emmys beginning at 9 pm EST/6 pm PST here, and you can watch the entire Emmy-nominated season of Dark/Web via Amazon Prime Video here.

Now here’s what Graham had to share with us below.

Photo: Dark/Web

In Dark/Web, you were in the first installment of the season, correct?

GRAHAM:  Yep, so it’s an anthology show, and there is a narrative through in that goes through it as well. I’m in the first episode.  It’s called, “Rideshare,” and it sort of explores this ride share driver named Leland Adler.

What can you share about your interpretation of what happens in your Emmy-nominated performance?

GRAHAM:  First, I have to say, Boman Modine, Matthew Modine’s son, is a real talent.  He’s just a really adept storyteller, and he wrote a fantastic script for “Rideshare”.  In Dark/Web, each one of these anthology episodes are written and directed by different people. There is an overarching narrative that goes through that, and there are these individual episodes which are directed by other artists, guest writers, and directors.  So, Boman wrote and directed our episode.  He wrote a really complex character who is a new husband and father, who loses his job and is forced to get into the ride share business, and he is kind of desperate, and he needs to provide for his family, and there is sort of dark web that starts to infiltrate this app.  Leland starts hearing a voice through his earbuds, and you don’t know if he is going crazy … or if he is really hearing these things.  You’re assuming he is really hearing these things.  This character is sort of victimized by this presence.  Over the episode, he starts to give into this because the messages he is getting through his earbuds, through this voice, through the dark web, is information about who these people are who are his passengers, and the terrible things that they have done.  He starts to get messages that he should maybe start to get rid of some of these people, and so he takes the leap and does, and that causes this reaction in him.

Photo: IMDB

Dark/Web in its totality is about a genius programmer whose disappearance leads to these strange stories that are interconnected.  When you speak of the ride share theme and episode, it harkens me back to the character of Travis Bickle played by Robert DeNiro in the classic, Scorsese film,Taxi Driver.

GRAHAM:  Oh yeah, of course.  I think as you go through the journey of “Rideshare,” at the beginning of it, you don’t think Leland is troubled.  He is okay, and then by the end of it, you’re like, “This guy is okay, but something is happening, and now he is on this mission, and now he has done these things that he can’t ever go back on.”  It’s interesting, and it’s interesting that you’re making a parallel with Taxi Driver because Travis was convinced what he was doing was right.  I don’t know if my character at first is.

Photo: Dark/Web

You have not been a ride share driver in real life at some point … or have you?

GRAHAM:  You know… I haven’t.  But, I did sign up when I booked this job.  I went through the process of it just so I would know what it was going to be like.

When you submitted your reel for the Daytime Emmys, did you submit a few scenes, or how did you put your submission together for the competition?

GRAHAM:  I had so much material to choose from.  I was so fortunate to be the lead in this episode, and the episode I think is 25 minutes. It was really hard to pare it down, but I got it down to about 9 or 10 minutes that I felt told the arc of his story.

It’s always important to tell an arc because it does feel like, for the most part, the winning reels are the ones where somebody who doesn’t know the show or your character, could literally follow from point A to point B, if they’re a judge.  You have some solid competition in your category as well! 

GRAHAM:  There are some really amazing performances and some really great actors in the guest performer category, so I’m just honored to be in with their names. Rene Hagler had a couple of different episodes in Dark/Web, so we did not share any scenes together, but he is great.  Lin Shaye and I did a movie together a couple of years ago called Grow House, and then I’ve seen Scott Turner Schofield’s work in Studio City, who is amazing, and Mary Beth Pell, … she’s a legend!

Photo: GSibleyInstagram

Of course, you end up nominated the year that it’s the virtual Emmys. So, what will you wear to the virtual Digital Drama Emmys?

GRAHAM:  I don’t know!  I’ll send you a picture! (Laughs)  If you look on my Instagram, my wife. Marilyn and I staged a picture, because we were like, “Well, we are never going to be able to go to the Emmys,” so we staged a picture with our boys in our backyard with a kiddie pool and us lounging with drinks, and I was in a tuxedo, and she was in this beautiful yellow dress.

What are the names of your boys?

GRAHAM:  They are twins, Lyon and KP, and they just had their first birthday on July 2nd.

Photo: GettyImages

Now, let me ask you this. If they say, “The Emmy goes to Graham Sibley,” what would it mean to you if you were awarded a Daytime Emmy? 

GRAHAM:  I think what it would mean to me is that it would sort of be a pat on the back to say, “You did something that made someone else feel something.”  I hope that’s what we are all aspiring to is to either, be in our own lives trying to make someone feel something, or in cinema or in television or the web.  I’d just be like, “I was honored for being truthful, and that’s cool!”

So, intrigued to see Graham’s performance in Dark/Web?  Who do you think will take home the gold in the Outstanding Guest Performer in a Digital Drama Series on Sunday night? Comment below.

But first check out this promo for the Dark/Web series featuring Graham which has been nominated in multiple Digital Drama categories for the Daytime Emmys.

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B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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