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THE BILLY MILLER INTERVIEW – THE YOUNG AND THE RESTLESS

billymain.jpgMICHAEL:

Did you know that you were originally reading for the pivotal role of Billy Abbott on “Y&R” when you auditioned? How do you feel about this new guy you are inhabiting?

BILLY:

It was not quite clear what I was reading for. The jist of the role was definitely someone I know, and definitely a lot of fun. It’s obviously a little less devious than the character I played on “AMC”, Richie. But this guy definitely has got an edge, and he is a bit of a bad boy. It’s fun, but he is a bad boy you might want to take home, but he is not the kind that will slit your throat before you get there. (He laughs)

MICHAEL:

Billy did show some signs of humanity when his grandmother Katherine had died. He seemed genuinely upset.

BILLY:

It was more than that. It was his grandmother and the one person he can’t BS. Even though he had spent years away from his grandmother, you know he really doesn’t know who he is. He is stuck between two powerful families, and she was really a rock to him and a best friend to his father, and known what he is all about. So it was tough loss for Billy. It was awkward to be in that family home with the family he is about to double cross, and he is conflicted. Which side does he really belong on? With tragedies like ‘Katherine’s’ death, that wakes you up to where you are supposed to be.

MICHAEL:

How has it been working with your new on-screen mom, Jess Walton (Jill)?

jesswalton.jpgBILLY:

She is great. I had researched who I would be working with before I came on the show. Jess is a lot of fun and very helpful. We joke a lot, and Jerry Douglas, who plays my father John, has different sides and different back-stories of who actually was a better parent…Jill or John. He would say in jest, “She did not know anything about you. She is a schemer. I raised you. I loved you,” and it’s a real broken marriage. I love it. It’s great.

MICHAEL:

Elizabeth Hendrickson plays Chloe, and you had both worked on “AMC”. Did you know each other at all from back east?

BILLY:

She had left New York before I got there, and we have become good friends. All my friends that are still there are friends of hers. She is great. Elizabeth is a wonderful actress and she can turn it on and off. She is a lot of fun to hang out with here. Daniel Goddard (Cane) had a quote and I will steal it: “It’s easier to be jerks to each other than acting like that in real life,” otherwise, you don’t know how far you are going to take it. It’s fun, and also, Christel Khalil as Lily, is gorgeous and fun to work with.

MICHAEL:

So, is Billy trying to woo Lily?

elizabeth.jpgBILLY:

Billy not only came back for this Jabot deal, but he is one of those guys when he sees something he is a go-getter. He decides to go chasing and he does. His brother is the object of Billy’s spite. Billy’s last relationship was with his cousin Mackenzie did not work. So he had fun with Chloe, and she is a hot girl! Chloe was a little nutty and Billy is a little nutty, too. He is not a callous guy; he does not kick girls out of bed. He is like, “I am what I am and you are what you are. We pleasantly collided once in awhile with no strings.” But as you get older, those aren’t the rules you can live by.

MICHAEL:

Do you think Billy will soon have a revelation that Chloe is pregnant with his child?

BILLY:

Oh, he will have a revelation and I am not sure which way it will go. There are a lot of problems here. Billy is being pulled in a lot of different directions. He might always not make the best choices. He is in the dark about being the father. It could throw a wrench in all his plans. It certainly would throw a wrench in mine in real life. (He laughs)

MICHAEL:

Peter Bergman (Jack) and you certainly have some smug scenes together as the conniving Abbott men. How is working with Peter?

bergman.jpgBILLY:

Peter was a big reason I got this job. I tested with him. He called me in New York to make sure I was being taken care of, because he moved from New York and “AMC” to LA. I also screen-tested with Elizabeth Hendrickson. Peter is like an older brother, and it’s interesting because Jack is more of a father figure to Billy than a brother. And since John is gone, and Jack is so much older, and the two of them are so much alike it’s difficult. Billy could be scummy where he could go down the road, but Jack can be really scummy. However, Jack would never do anything to intentionally hurt his family. Billy knows Jack is holding stuff over his head, and he has to help justify it for himself and carry on.

MICHAEL:

Did you know in advance from “AMC” that they were killing off your character, Richie; therefore, you could go after other roles?

BILLY:

Executive Producer Julie Carruthers at “AMC” explained to me in advance that they were killing off the character, but they wanted to keep him around for awhile and weren’t sure for how long. So I went on about auditioning, and put myself on tape when the “Y&R” role came about. I flew out to LA to test and I was still working on “AMC”. Then I found out I got it, and everyone at the set in New York was happy for the good news! So I went back to “AMC” to finish the role. I think I finished work five days before I had to start work out here. So, I had to move everything back to LA, and I got off the plane and came straight to the studio. I am getting used to these quick moves.

MICHAEL:

How was working with Melissa Claire Egan, who is now doing a fabulous job as your former whacked-out sister, Annie, on “AMC”?

melissa.jpgBILLY:

Melissa was great, and that was my freshman year, you know what I mean. We would tease the hell out of each other, as would Alicia Minshew (Kendall), Rebecca Budig

(Greenlee), Thorsten Kaye (Zach), and Cameron Mathison (Ryan).

MICHAEL:

Do you have any favorite “Richie” moments?

BILLY:

There are days when you go to work, and I take everything personally, not only in my work but in everyday life. There are days I am very competitive and more competitive with myself than anybody else. And there are days when I beat myself because that is not what I wanted to do. And there are days when I feel slightly satisfied, and those are the good days. I am not at the caliber that I am trying to get to. I am very lucky to have a job, but it’s also like a scholarship to learn to hang out with Jess Walton, Jeanne Cooper (Kay) and Peter Bergman (Jack). You should bring your notes and put your study hat on to be a better actor. That’s what I did in New York, and that’s what I am doing here. There are some good moments when I am believable, and there are times when I am bad and it’s not worth watching.

MICHAEL:

Looking back on “AMC”, was Richie a tough role-playing that evil?

BILLY:

People who are bad don’t believe they are bad. There is a lot of vulnerability to Richie, too. Richie was messed up. He was locked up for seven years as a kid.

MICHAEL:

Richie also fell for Babe Chandler, originally played by Alexa Havins. How was working with Alexa?

billyblack.jpgBILLY:

She was great! As soon as I got on the scene, she and her husband Justin Bruening (Ex-Jamie) showed me around, and I screen-tested with her, too. I have yet to see them since I have been out here in LA. Justin is so busy working right now, and he is such a nice guy.

MICHAEL:

How would you compare working at “Y&R” to “AMC”? Are they completely different?

BILLY:

I think there is just an overall difference in energy in New York. LA is a more laid back town, and so much traffic, too. In New York, its go, go, go. I don’t know how that translates. Maybe because I was at “AMC” it was kind of rushed. I thrive on that. I like that. When they give me a call time that was suppose to be an hour earlier, that is the fun stuff. I hate sitting around. The storylines and the pace have more of a rhythm here at “Y&R”, and the storylines are simpler here, more family oriented. You don’t have an outlet here with a character like Richie, although, it was fun to play that. I look at it as; I wish I were less worried about how long I was going to be there. I loved playing Richie’s ghost, and then there was the writer’s strike and how that affected things. When it came to a definitive end, and you knew who the guy was, it takes about a year for all that to materialize. It became fun! Richie, the ghost, was more entertaining then Richie. He was scary, and downright evil, and did not try to hide it. Ritchie’s ghost was actually the alter ego of his sister’s character, Annie, because there was no ghost.

MICHAEL:

Now at “Y&R”, what would you love to see happen to Billy?

BILLY:

I don’t know yet. I am enjoying what they are doing. I would like to play more with Chloe, because the actress is great, and it’s a great character. She is good, and it’s an interesting character. I like this Billy with an edge.

jeanne.jpgMICHAEL:

How has it been to work with Jeanne Cooper (Katherine), who just celebrated her 80th birthday?

BILLY:

She is brilliant, man! Jeanne comes from an era where she had to be really theatrically trained. You see a lot of actors who cut corners in their training. She is so funny and she has earned the right to say whatever comes out of her mouth. Whenever there is a cracked joke, it breaks the ice. She is brilliant, and she knows what she is doing. Jeanne knows what she wants from somebody else. It’s good to have support, not that fluff, going, “That’s great kid.” Jeanne will say much more than that, which is so wonderful.

MICHAEL:

Would you venture off to do primetime, or is daytime a comfortable home for you right now?

BILLY:

The money is always better in primetime. Sometimes you want to build a career, because you never know when it’s going to end. But, there is something about daytime work that is immediate. You get to work everyday. You have a lot of dialog to say, and sometimes in a way other people wouldn’t say it. There is a rhythm and a challenge in soaps, and you don’t get that anywhere else. On primetime sets, you sit around for a few weeks and say a couple of pages. I like daytime because you work all the time. I am a workaholic, and I need to be doing something. If “Y&R” wants to work me everyday, I am here. I have nothing else I would be doing. I am learning everyday.

MICHAEL:

You are taking on the role as a recast of a once popular character on “Y&R”. At least now, enough time has past since David Tom made his mark in the role of Billy Abbott. Does this type of situation cause any hurdles for you as an actor?

BILLY:

This role is a big role. It’s not something to sneeze at! It’s tied into major families and major characters and it’s difficult. I am filling the shoes of several people, including David Tom, who was a fan favorite as Billy. At times, fans can be difficult, but you can understand why. They don’t want to let go of something they had back in the old days. I saw it with Sabine Singh as Greenlee on “AMC”, trying to replace Rebecca Budig. I have been lucky with the feedback. The fans have been nice, so we will see. They are entitled to their opinion. They have watched the show for thirty some years and over 9,000 episodes. So come on, they get to pick what they like, and it’s your job to try and deliver.

billyhand.jpgMICHAEL:

Did you study or watch the other Billy’s work?

BILLY:

I watched it on You Tube because I needed to research the role for the job. I saw David Tom, who did a great job and is a great actor. I just thought being cast off out of your home and being exiled, does put an edge to a person. I wanted Billy’s return to be a more formidable guy, not somebody who would be afraid of Cane.

MICHAEL:

What are your holiday plans?

BILLY:

I am going back to Texas for a bit to see my family. I am staying in LA for Christmas, and get reacquainted with the city, and finish unpacking. I have a dog, Jones, who I will spend time with. My dog is a mix of English American Bulldog and Bull Mastiff… my type of dog. I love big dogs, being from Texas.

MICHAEL:

What do your parents say about your soap opera success?

BILLY:

They are very happy, and it’s paying off, and it’s fun. I am very lucky, and persistence can pay off. My dad is a huge 260 lbs Texas guy. He has “Soap Opera Digest” in his briefcase for work and he goes, “Looky here! This is my son. He is on TV, kissing all those pretty girls!”

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natalie

does billy have a girlfriend!!?? LOL

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I think he said before that he was dating somebody, but I could be wrong. He is so hot.

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Oh man Billy you are HOT HOT HOT and SEXY SEXY SEXY

Days Of Our Lives

NATAS President, Adam Sharp Talks On Daytime Emmy Review Findings & Plans For Change To Competition Process

In the aftermath of the letter that was sent to NATAS from daytime drama executives and producers demanding immediate change to the Daytime Emmys contest procedures, guidelines, or they would boycott participating in the upcoming 46th Annual competition, earlier today NATAS and its new president, Adam Sharp, released the findings of an independent investigation into the allegations levied against the academy and its annual competition.

After the full findings came to light , seemed to address most of the concerns raised by the four network soaps, Michael Fairman TV spoke with Adam Sharp to dive into what the reports means for change and evolution of the Daytime Emmys, and if it can resolve the issues so that General Hospital, The Young and the Restless, The Bold and the Beautiful, and Days of our Lives will come to the table and participate in the only kudofest honoring excellence in front of the camera and behind-the-scenes for daytime programming,

Here’s what Adam had to say about the key points addressed in our conversation below.

Transparency was a key issue noted by the soap producers in their concerns levied against NATAS.   One of the points centered around if NATAS had prior knowledge of the winners before the opening of the envelopes at the ceremony and the integrity of the contest.  What can you detail what the investigation found?

ADAM:  On the matter of whether anyone had prior knowledge to the winners, the reports clearly state that there is no evidence to support that. To the concern raised on the arm’s length distance necessary between us and the accountants we use to tally the votes, again there is no evidence to suggest that there was anything short of what you would expect of the standards of the competition. What it did find was that there were processes that either by virtue of generosity and us trying to be helpful when they asked, or by a lack of documentation to make people aware of policies and procedures, that created the appearance of unfairness, or unbalance in the process that may have been completely unintentional.  For example, the report noted that we did not have a published procedure for appealing decisions or filing any concerns or complains.  Some of this started because of one entrant in a digital category that raised concerns, and it was certainly elevated when the four soaps sent their letter, but without a published procedure, you’re really putting the onus on the entrants to know who to call and how to bring their concern.  So, that creates a system where there’s an imbalance because someone who doesn’t know who to call, doesn’t get the same hearing.  Likewise, if someone has made a mistake or technical error in their entry, and they happen to have entered the process early, and we catch it, we, in the past, have gone back to people and said, “Hey, I don’t think you intended to do this.  Would you like to resubmit?”  But if someone is entering at 11:59:59 on deadline night, they won’t necessarily have that.  Again, completely unintentional, but it could be argued that it created an imbalance or bias in the process, and the report made that clear.  For those types of things, we are going to crack down and be more consistent about our policies.  I told Brent and David that it’s going to mean saying no a lot more often in terms of giving waivers and extensions, and the types of things that we have done in the past to help people along. It is going to mean being more transparent and public about what our policies and procedures are so that every entrant has the equal set of knowledge to work from.

Courtesy/NATAS

Does this mean a demotion for David Michaels, Senior VP Daytime Emmy Awards?

ADAM:  Absolutely not.  That’s something that I want to put a very strong pin in right here.  David led the 2018 Daytime Emmys to record participation and a growing audience.  This new resourcing of the team allows him to be more singularly focused on doubling down on that success for 2019.  The Daytime Emmys are the only entertainment award show to have posted year-over-year audience growth from 2017 to 2018, and more than 30% increase in the number of entries.  The report rightly noticed that we did not do enough administratively to scale to that growth and to bring the resources to manage that added audience, and that added interest from competitors.  So, now we are going to make sure that David and Brent Stanton (Executive Director, Daytime Emmy Awards) each have the support and focus they need to be successful.

When the letter from various soap producers pointed out a “conflict of interest” for having the executive producer of the Daytime Emmys ceremony also be the awards administrator, many were wondering how that would shake out, or how NATAS planned to deal with this complaint.

ADAM:  Obviously, “conflict of interest” is a legal term of course, but I think that what the reports found was that it was not a conflict of interest.  It was a conflict of time, and many of the more specific errors that were raised in the report, as I said to David, occurred in the 25th hour of the day.  So, that is where it was really a resourcing problem, and a lack of procedure and policy problem.  The lack of resourcing created the environment for something to go wrong, and the lack of policy and procedure created an ad hoc nature for how we address those problems and made that ad hoc response open to questions because there was no prior documentation that this was how these things should be handled.  So, hopefully we have addressed each of these areas going into 2019, and that gives us a chance at a fresh start with the community.

 

Courtesy/NATAS

In response to the internal investigation findings, you mentioned you would bring additional resources to the Daytime Emmys, additional help in the operations, and you would add a “second pair of eyes”.  Would you potentially let people know who is in those positions that would be working with David Michaels and Brent Stanton?

ADAM:  Yes, so we are absolutely at a minimum committed to adding one full time position, and a handful of part time positions for that initial vetting process of the competition; that review of entries to make sure they meet the technical requirements, rules, and guidelines of their categories.  Now, in the past, there would be one individual, one set of eyes conducting that review, but now, we are modifying our policies such that before any adverse decision is made, such as disqualifying an entry, a second pair of eyes review it and give their independent assessment of the technical criteria and qualifications of the entry, so that there can be more confidence that multiple perspectives were employed before making any decision that could have an adverse effect on an entry.

Could a daytime drama actor participate and submit their work on n their own without the show being a part of it, if let’s say, the soaps won’t participate as a whole? And on that note, what would be the plans moving forward for the Daytime Emmys if the soaps decide not to participate in the competition?

ADAM:  If an actor or actress wishes to enter on their own with their soap still not participating: our rules permit anyone to enter independent of their program.  So, there is not a requirement that a show participate for an individual performer on that show to participate.  That said, they need to have the actual material to submit, and certainly a performer on that show is not necessarily the owner of that show and the owner of that content.  So, the question of whether they would have the necessary access to and rights to the video material to submit, that would be a question to the show producers as to what they would allow of that. In terms of the Daytime Emmy ceremonies moving forward without the soaps, the old saying goes, ‘the show must go on,’ and hopefully, it won’t come to that.  We have had constructive conversations with each of the broadcast soaps and believe our response and support goes a long way to addressing their concerns.  So, we are looking forward to having them.  Of course, they have a number of colleagues in digital drama, children’s programming, gameshows, and the rest of daytime television that we still expect to have a robust program at the 46th Annual Daytime Emmys in May of 2019.

You had mentioned that when you saw the results of the report that you felt it was very thorough, and you felt it pointed out things that needed to be fixed.

ADAM:  Yes, the report was exceedingly thorough and fair.  It delivered criticism where criticism was due, and there were a number of areas where we should have and must do better in the management of the Daytime Emmys and our other awards competitions.  I think the report certainly examined every issue that had been raised by members of the Daytime community and then some.  It allowed us to think about what actions we can take as a team to address each of those points.  I don’t think any awards show in our space has ever undertaken such an in-depth introspection of their procedures, yet alone made it public.  So, hopefully we are a trend-setter here.

The report indicates that NATAS will work more closely with the Television Academy (ATAS).  That seems to always be a point of contention.  How do you see yourself improving participation with them to engage that academy in more of the process?

ADAM:  So, the relationship between the two academies has strengthened incredibly in the past year, largely through the leadership of our respective chairman, Terry O’Reilly, the chairman of NATAS, who was elected earlier this summer and Hayma Washington at the Television Academy.  Obviously, they are going to have a new election soon as Hayma is retiring from the role.  So, we can continue that momentum into 2019.  What we note in our response to the report, was that one element of concern raised in the letter from the four soap producers was the mix of Television Academy members on our judging panels, and we want to be responsive to that.  We are prepared to make Television Academy membership a much higher priority in our consideration of judges for these panels, but obviously accessing that membership and engaging that membership requires a deeper partnership with the Television Academy, and we will see to that.

You are starting the call for entries on Monday, November 12th.  If the daytime dramas don’t participate within the timeframe you’ve given, do you see yourself adjusting the timeframe for the soaps if they were to say, “We want to work somethings out before we commit,” or are you just going to move forward if they are not participating in the deadlines you’ve set?

ADAM:  Our deadlines are going to be rather firm for all entrants.  We have a show date set for May and a process that moves backward from there in terms of the time that is needed.  Certainly, the fact that we have added additional review steps and procedures makes that timeline even more critical.  So, we are not going to be in a position to be extending extensions really to anyone.  In fact, the report specifically discourages granting extensions to anyone because that could create the appearance of unfairness that some types of entries get more time than other types of entries.  We welcome everyone, and if by the entry deadline there are particular genres, programs, or individuals that choose not to participate, we will miss them, hope they attend the show in May, and hope we can reengage them for 2020.

If the soaps did not participate in the 46th annual Daytime Emmys, but decided to come back later, it is my understanding that there would just be one drama category whereby web series and daytime soaps would be competing together in that.  Is that potentially what could happen?

ADAM:  I don’t want to go too many branches down off a tree of ‘what if’s,’ but our policies and guidelines do allow that if a category does not have a sufficient number of participants to be competitive, then that category can be eliminated or merged with another category or have its entries moved into another category for the competition.  So, we will look at all of the categories once we have the entries to see which ones remain viable and which ones do not.  Certainly, the fact that we do have digital drama categories gives us a place to contribute to have a drama competition regardless of what mix of entries we have.  I suspect that once you combine those, it becomes very difficult to uncombine them in the future, but obviously the call to entries is revisited every year, so, I can’t think of any long-term prognostications beyond 2019.

Since you are relatively new to your position with NATAS, you probably weren’t expecting that the producers that signed the letter demanding that change and issues be addressed in regard to the Daytime Emmys or they would boycott, would be something you would be dealing with off the bat.  How did you feel about it?

ADAM:  Well, I’m obviously rather new to the role.  My first day as interim president was the day after the Daytime Emmy show this year.  I was only named the permanent president last week.  It was certainly a trial by fire.  I would not say that I had enough history with the daytime drama community to have any expectation one way or another, and I think that is also true of our chairman, Terry O’Reilly, who came into office on July 1st.  That said, in a world of looking for silver linings, I think it gave us an opportunity for a blank slate and a fresh start.  By the community raising these concerns to our attention, and allowing us to conduct this deep review and make it public and be responsive to the issues they raised, it gives us a lot more opportunity to strengthen that relationship in 2019 than if a lot of these concerns had just continued to deteriorate and be whispered about at various cocktail parties, but never really spoken up and therefore, never really addressed.  So, while it was a painful process and there were parts of this report that were difficult to read, I think it gave us the opportunity to start from scratch and to put some of that history behind us.

So, do you think NATAS has addressed the concerns of the daytime dramas? What did you think of the points raised by Adam Sharp in this interview? Do you hope the Emmys will continue as usual with all four network soaps participating? Share your thoughts in the comment section below.

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Interviews

Eileen Davidson Farewell Y&R Interview: From Her Exit Storyline, To Her Co-Stars, And Her Decision To Leave

In a candid and heartfelt conversation, The Young and the Restless exiting Daytime Emmy-winning star, Eileen Davidson sat down with Michael Fairman to discuss her decision to exit the series after playing Ashley Abbott on and off since 1982.

Eileen’s final episodes are now airing on the CBS daytime drama series.  Just how will it end for Ashley?  How will she leave the canvas?  How sad will be her goodbyes?  Y&R fans are counting down now to just a few more airshows that feature Eileen.

During this interview for the Michael Fairman Channel, Eileen clarified many points that the audience has wanted to know about or come to understand, in particular, what led to her making the decision to call it quits, and would she ever return and how would she feel if the series recast her role.

Photo Credit: JPI Studios

In regard to what went into her decision to depart Genoa City, Eileen expressed: “It’s something I gave a lot of thought to.  Not something you can just go, ‘Gee, this week I want to leave!’  I was really thinking about it for over a year ago.  I talked it over with my husband and he was very supported of me.  My son is in high school and my stepson had left the nest and it had gone by so quickly.  I was like, ‘Wait! What happened?’  I was spending a lot of time in my car commuting; like two hours a day, and a lot of time in my dressing room, because our days are longer here than they used to be, and a myriad of reasons went into it.  It was not just one simple thing.  It was actually a whole bunch of reasons.  Even though I won the Emmy (Eileen won Lead Actress back in April of this year) I had pretty much decided long before then.  (Winning the Emmy) That was like “Oh, my God!”  That actually made me feel my timing was really right … I get this incredible nod right before I’m leaving.”

The emotional part of leaving the place she has called her home away from home for Davidson is saying goodbye to her beloved co-stars including; her on-screen big brother, Peter Bergman (Jack Abbott).  As Y&R viewers know, over the years Jack and Ashley’s relationship, and Bergman and Davidson, have shared plenty of screen-time together.  Eileen also gives a very special thanks to the fans who have supported her through the years and who have followed Ashley’s journey.

Photo Credit: JPI Studios

Davidson expressed on her final storyline revolving the “Blood Abbott” clause and how it all ties up, “It’s such a great way to go.  It’s so awesome how this whole thing comes up, and you realize how being an Abbott has affected her to her core.”

Now below watch Eileen’s farewell interview filled with clips from her performances and time on Y&R, and more heartfelt topics of conversation.

Then in the comment section below; tell us what you have thought of Ashley’s exit storyline?  What do you hope happens for Ashley? What was your favorite part of this interview and the sentiments shared by Eileen?  

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General Hospital

Genie Francis Talks On Her Return To GH, Fans Outcry Of Support & Her All-Time Favorite Storylines

On Tuesday, Genie Francis participated in a Satellite Media Tour with television stations and press outlets around the U.S. chatting it up on her return to her iconic role of Laura on ABC’s General Hospital.

Francis, who quickly wrapped-up her run after she was taken off-contract with the show back in January of this year, saw her and Laura exit Port Charles swiftly in a story-move that felt stilted to the audience.

Courtesy/ABC

After a huge outpouring of support on social media, GH fans cried foul on the play and wanted one of the series mainstays of all-time back where she belonged.

Francis elaborate it on that in our interview on seeing the show of support: “I couldn’t believe how long it went on and how big it was.  I think part of that was it looked like they were finally giving me a story with the major storyline, and then they yanked it so quickly, and I think people felt cheated.”

GH listened and brought Genie back to the canvas with a new storyline that puts her front and center on the series, as Laura is unaware that her husband Kevin (Jon Lindstrom) is locked up in Ferncliff, while his evil twin Ryan (Jon Lindstrom) has taken his place. Now Laura is reeling from the strange behaviors being exhibited by her “husband”. Will she figure it out in time? Will she run for mayor again?

Photo Credit: ABC

During her conversation with Michael Fairman TV and the Michael Fairman Channel, Genie touched on what she knew was going to be happening for Laura when she came to the show: “I knew we were going to start with the Ryan beat, which I thought was great. Everyone loves a good sociopath (laughs) and Jon (Lindstrom) is a wonderful actor.  It makes for an exciting story!”

Genie goes on to say that she is: “Just happy to have story, because it’s awfully boring to just be hanging around. I don’t want to be window-dressing. If it came to that, I think I might just leave.”

As to if Laura has a vendetta against Valentin (James Patrick Stuart) who for all intent and purposes murdered her son, Nikolas, Genie weighed-in: “She absolutely has a vendetta. I think right now, Laura who has the biggest heart and is kind of like the heroine of the show in many ways –  but this is the one person on the planet who she truly hates, and it would be interesting if she had to go through the exercise of forgiving him, but I also like that there is that one place where we can see all of that negativity and evil come out. I like that Laura has a dark side.  I really like that.”

Courtesy/ABC

To find out some of Genie’s all-time favorite storylines and least favorite storylines and more on her return watch the video below and make sure to subscribe to The Michael Fairman Channel for more upcoming interviews.

What do you think about Genie’s return to GH thus far and the sentiments shared in this interview? Comment below.

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GH icon Genie Francis chats with Michael Fairman about her return to the soap as Laura after being taken off-contract earlier this year. Leave A Comment

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Power Performance

Beth Maitland as Traci

The Young and the Restless

Airdates: 10-24-26-2018

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