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THE MEGAN WARD INTERVIEW – GENERAL HOSPITAL

megan-main.jpg“On-Air On-Soaps” sat down with the phenomenal Megan Ward, who plays Port Charles most fashionable citizen, Kate Howard AKA Connie Falconari from Bensonhurst for an in-depth look into the actress and the character she plays. Megan reveals what’s ahead in this pivotal week for Kate, as Carly threatens to ruin Kate’s comeback in more ways then one! Hear the audio, and read the transcript below for all the scoop.

Listen to the audio:

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MICHAEL

So Megan Ward and I are sitting at Café Mauro at Fred Segal’s because where else would I be with Kate Howard?

MEGAN:

That’s right… that’s because we’re ‘fabulous’!

MICHAEL:

Now, where would you go shopping for yourself since Kate is so all knowing with regards to fashion? Are you like Kate anyway, fashion-wise?

MEGAN:

I am, but I described Kate this way, as very ‘uptown.’ She is very ‘business mogul.’ She has learned and appreciates the culture of fashion, and made a career in the business of fashion which is different than the funky fashion of the street. I am much more downtown and more eclectic as a dresser, and more bohemian. Actually, Fred Segal is one of my favorite places to shop. Kate is a little more glossy because she’s walking into board rooms, making multi-million dollar deals and snagging advertisers. She needs to wear their clothes. So she very much appreciates the avant garde nature of fashion, but as a dresser, she is more conservative. She is a grown up, unlike Megan, who is still a child. (She laughs.)
megan-glamor1.jpgMICHAEL:

Do you have any say in what Kate wears on air?

MEGAN:

I am a team player. I really believe in collaboration, and it has evolved greatly since I first started. Originally, Kate’s fashion was dictated to me, in regards to the more conservative look of her clothing. Since I have been there, there has been a change. Now, Kate is dressing a bit more youthful, but it’s still a very elegant, clean line and not flamboyant fashion. If it was my choice exclusively, it would be ‘tune-in to see what Kate’s wearing day’ because I would wear the craziest things. I see it as an expression of pure fashion. Maybe Kate could get hit on the head and think she is Maxie for a day. That would just make my day. (She laughs.)

MICHAEL:

What about how Kate treats her ‘fashionistas’ in training, Lulu and Maxie? She is kind of mean to them, don’t you think?

MEGAN:

I struggle with it. I am generally not a confrontational person, but Kate is. Kate is really trying to teach the girls, how to do a good job. There are deadlines. Those girls are mess ups and, to some degree, they deserve it, but you like them. So, you really don’t want them to get yelled at. You never really see the back end as to why Kate is bossing them around. You don’t see what it takes to run a magazine. You don’t see the cutthroat nature of the business and the demands of issues being turned around on deadlines that someone needs to perform.

audio_icon_small.jpg

kate-maxie.jpgMICHAEL:

The film, “The Devil Wears Prada” starring Meryl Streep, is this what the character of Kate Howard on “GH” was inspired by?

MEGAN

I think so, but “The Devil Wears Prada” was inspired by a real person, Anna Wintour. Now, I don’t know if she was an Italian girl from the Burroughs, but I think what’s interesting, for me, playing the part is, Connie wanting to be Anna Wintour, like I want to be Anna Wintour. It’s life imitating art. I am actually trying to take on this posturing and attitude that comes with the job description. On my first day of work on “GH,” I had to march in there and demand to use the phone from Sonny Corinthos. I was a little nervous doing it with no rehearsal.

MICHAEL:

Did you know Maurice Benard (Sonny) before acting with him?

MEGAN:

I had read with him. I knew he was a big deal, but I did not know. I really did not know the degree of the expectation, and that was good, because it is very intimidating. If I had known how fast production went on soaps, I don’t know if I would have taken the job. It’s just so foreign to me. Now I am accustomed to it, and I actually thrive on it.

maurice.jpgMICHAEL

Did Maurice ever throw you in a scene?

MEGAN:

Sure, he does. You never know what he’s going to do. What’s great about Maurice is he is active and present. He really knows who he is and what he wants in a scene, meaning, what the character wants in a scene. So, as an actor you can’t say, “I am going to say my line this way, and that line that way.” You have to know what you want in the scene as your character. And, if you know that, you thrive together and do a dance. It’s almost improvisational. You have to be on your toes because Maurice does not always say the lines the way they are written.

MICHAEL:

To get the part of Kate, you read with Maurice in the audition process. What did you come away with from the audition?

MEGAN:

Well, my experience was like my first day on the set. Maurice sat back. He was the king. I did not see the invisible crown around his head (She laughs.), but I knew he would have a part in the casting. I knew he would be the man I would be playing opposite of, and was the lead on the show. So, I went in like a normal audition. We started to read and, after a few lines, he took a pause, and stood up and then he said another line to me, and I said, “I guess I got your attention, huh?” I just went with it. It didn’t throw me, so the more he threw at me, the more I threw it back at him. His face transformed from being very stoic, serious, and judgmental to engaged, interested, and wanting to do the scene again.

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s-k-wedding.jpgMICHAEL:

The wedding dress Kate wore recently in her nuptial debacle was beautiful, of course, that is, before she got shot in it! I really liked how both you and Maurice looked at the wedding.

MEGAN:

“GH” costume designer, Mary Anelli, picked up some stunning and appropriate wedding dresses. I liked them, but I wanted something very Grace Kelly. I wanted something very classic and timeless and fashionable and something couture, and I saw it, and I fell in love with it. I said to Mary, “What do you think of this one?” It’s Italian, and it’s fashion forward, and it just would have been her pick, if she thought we could go a bit more provocative. So we took the more classic, and the more couture one, and we presented them to executive producer,
Jill Farren Phelps. She approved it.

MICHAEL:

The confrontation scene between Kate and Olivia as Kate was just about to walk down the aisle, before she was shot, was some of your best work. How did you feel about those scenes? Did you watch them back?

MEGAN:

I did. Those scenes made me really nervous. Kate is a very complicated character. If you are paying attention as an audience, you value those complications, but if you just look at her on surface value, you have a tendency to judge her. I feel the writers have done a good job by showing the life and the identity she had created for herself, the one she is obligated to inhabit. Leading up to the wedding, she could have made different choices. That’s all part of her story with Sonny. One of the bigger things is that she made this choice to leave her home. She did not have the family support, and she is honest about it. Olivia represented the version of Connie that she felt she wasn’t and that was a person who would stay home. But Olivia does not see it this way.

audio_icon_small.jpg

olivia-kalce.jpgMICHAEL:

The fight between Olivia and Kate was centered on a piece of jewelry that Kate would not put around her neck.

MEGAN:

The whole thing was, Kate wanted the necklace, but it didn’t go with her dress. The problem was not that it didn’t match, or was ugly. The problem was Olivia never respected her choices and for accomplishing something
great.
That was a family fight
about Kate not feeling Olivia
respected her and Olivia feeling
that Kate disrespected her family.

MICHAEL:

How has it been working with Ingo Rademacher as Jax and Maurice as Sonny?

MEGAN:

Ingo is a doll. Maurice is great too. They are very different. Mo is dark and brooding and he is a bad boy, who you want to make good. This is every girl’s fantasy and he puts that into Sonny. Ingo is fun-loving and carefree and does not take anything too seriously. He rolls with the punches, and he has a very positive attitude. They are both little boys by the way! (She laughs.)

kate-jax.jpgMICHAEL:

I really like Kate with Jax. Now this week, she and Jax seem to take their friendship to a new level, but things are not what they appear. What happens?

MEGAN:

On paper, they look right together, right? They are a perfect couple. They are successful, social and cosmopolitan, and lead this certain kind of life. But what’s interesting in this circumstance and their relationship is that it had been easy and comfortable. They get on each other about their choices and their mates. Here, they found themselves where they are saying, “I told you so,” to each other. They are a bit drunk. In their wisdom, they think, “This means we’re single,” because of Sonny and Carly, and they end up commiserating. They are at Kate’s fabulous house where she has lots and lots of champagne. Then Sonny comes over and they have a big fight. Jax keeps Kate from running after Sonny, and another bottle of champagne gets consumed. They say, “Let’s not think about what’s wrong,” and then one thing leads to another. Do I really need to fill in the blank for you? It’s sexy. They think they are alone and they are not. Carly is there and she is not happy.

MICHAEL:

How did Carly get into Kate’s house?

audio_icon_small.jpg

MEGAN:

No one apparently locks their doors in Port Charles! Carly discovers them and she has a gun, but doesn’t use it. Instead she dumps a bucket of water on them. The scenes then become about Jax and Carly, and about, “Why did you do this?” Kate keeps interjecting, “This is my house,” and it basically ends with Carly swearing revenge on Kate.

MICHAEL:

But this is just the tip of the iceberg! Later in the week, Kate throws sort of a comeback party for herself for her peers, to let them know she is still a vital fashion ‘mover and shaker’. However, then all hell breaks loose, thanks to a vengeful Carly.

MEGAN:

Jax leaves Kate after their evening together, and then tells Kate, “We need to worry about Carly.” Kate says, “What am I going to do about Carly?” Then Jax sees Kate at the office, and says, “You know, we need to worry about Carly,” and Kate says, “What I am going to do?” Kate is planning a party for herself. Poor Kate, right? She put everything on the line. She lost her job at Couture for Sonny. She has started a new magazine. She got shot twice because of Sonny. Her wedding was a disaster, and it was a public humiliation in a business that is very competitive. So, she decides, “Look at me. I am out of the hospital, and the magazine is fabulous,” thanks to Maxie. Whether she wants to admit it or not, she knows that Maxie has helped her greatly. So, Kate has this big party and flies in her peers to Port Charles. Carly thinks it’s more important that she humiliate Kate. She tries to hit Kate where it hurts the most, and gets a dress just like hers. She then gets Kate stuck in an elevator so she is late to her own party so Carly can “wow” all the guests before Kate arrives. Carly steals her thunder, thus, ruining Kate’s chance to remind her peers that she is still an important woman in fashion.

MICHAEL:

What do you think about the dynamics of the powerhouse opposing forces that are Kate and Carly?

kate-carly.jpgMEGAN:

When I first came on the show, I thought Carly and Kate would become friends. Little did I know that would never be possible. I think it’s an interesting relationship if they choose to explore it, because in some ways they are similar. They both made something of themselves. They both stand up for what they want.

MICHAEL:

But Kate is very much about being in control as opposed to Carly.

MEGAN:

The thing I like about Kate is that she pretty much is an upstanding person. She is very much in control and not messy. Of course, that is Carly’s nature, which is great. Kate is really a grown up.

audio_icon_small.jpg

MICHAEL:

I hope they don’t change Kate into the villain.

MEGAN:

I think there is a point where Kate can only take so much. I think we are at that point right now. She may not always do the right thing. She is so up against the wall and she may need to lash out to get out of the corner. I would not be surprised if we see more circumstances with her making controversy just to rebuild who she is.

MICHAEL:

When Sonny proposed to Kate on one knee in Bensonhurst, she turned him down. Both you and Maurice were fabulous in those scenes, by the way. What was the rationalization for her walking away and leaving him destitute on the street?

MEGAN:

Those were really hard scenes for me to do, because I did not want that to happen that way. I believe in romantic love. I believe wholeheartedly that Kate wanted to say, “Yes.” At the time, there was story being generated that there was a big reason why she could not say, “yes” to him. Things had changed over at “GH” during the writer’s strike and since then, a lot of things have happened. A secret had come out, that her cousin had a baby with Sonny. That was not the secret at that time. So, I had to play something else, that was, she was holding a truth from him.

MICHAEL:

How did you feel about the shooting of Michael Corinthos?

dylan.jpgMEGAN:

I hated it. I thought it was awful, because I am a mother in real-life. I have two children. My son looks very much like Dylan Cash (ex-Michael). So, it was tough for me. But it’s soap opera and I understand why we do have these tragedies.

audio_icon_small.jpg

MICHAEL:

You watched soaps before you were on one, correct?

MEGAN:

I did. I watched “ATWT” since I was nine years old.

MICHAEL:

Who is your favorite actress on that?

MEGAN:

Well, it was Martha Byrne. I wanted to be Lily Snyder like nobody’s business. Now, I watch the show once a week and I miss her. At the same time, I want to encourage her to do something else. The political surrounding of daytime has gotten very complicated. The actors have less and less control over their own jobs and careers, and Drake Hogestyn (John) and Deidre Hall (Marlena) over at “DAYS” being let go, blows my mind.

MICHAEL:

I hear you also like Elizabeth Hubbard (Lucinda). She is a legend, you know.

MEGAN:

Elizabeth Hubbard, Lucinda, isn’t that fabulous that ‘divas’ still exist? Please interview her. I want to hear and read it! To me, the most interesting interviews and actors on soaps are the ones that have been around forever. The stories they have! I mean Leslie Charleson who plays Monica Quartermaine on “GH” was working one day, and I just ‘hanged’ in the make-up room. I was ready to go on set, yet, I wanted to hear the stories. That’s the fun stuff. I hear stories about Tony Geary (Luke), and how much he has been through in life and as an actor. They are the best stories!

MICHAEL:

Have you worked with Tony?

MEGAN:

I have had one scene with him, and one line. He’s awesome. And in the one moment, I was like, “Yes. I am yours. What do you want from me? Yes.” Tony’s got it! He’s the man. But Tracy Quartermaine is truly my hero on the show. Jane Eliot, what an actress! If, Kate could be one ounce of that…. Oh my God! Kate could be the junior Tracy Quartermaine, were Kate given the right circumstances.

megan-nancy.jpgMICHAEL

I always got the biggest laugh when it first aired, Kate’s catch-phrase of her alter ego, “Connie Falconari from Bensonhurst.” I laughed about it for so long. Did you think it was funny?

MEGAN:

Yeah, I did not think much about it till my first day on the set, with everybody pronouncing incorrectly, and then pronouncing it in a way that could not be on broadcast television. In fact, we had to redo some takes because it was not pronounced within the guidelines of decency. (She laughs.) I don’t know whether it’s Constance or Constanza. (She laughs.)

MICHAEL:

Megan, you have such ardent fans. We hear you are doing a “Kate takes Manhattan” fan event in the New Year!

MEGAN

Yes. On Sunday, January 18th, 2009, I am having a fan event in downtown Manhattan called, “dim sum and then sum” at the Chinatown Brasserie in the Koi Lounge. It’s a brunch, and you can find info on it at www.Meganward.tv. I had to have a fabulous event, at a fabulous restaurant, at a fabulous location, just to suit Kate. So it will be fun. I was going to go for a week to the Big Apple, but I can only go for the weekend, because I have a big story taping in January.

audio_icon_small.jpg

MICHAEL:

What can we look forward to from Kate in 2009?

MEGAN:

What I hope for Kate in 2009 is that someone loves her back. She makes some friends. She puts Carly in her place, and she finally gets married.

MICHAEL:

Do you think Kate’s ultimate guy is Sonny?

MEGAN:

I do, and in my subjective personal opinion, I think they are fabulous together because they make each other better people. sonny-kate.jpg

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hi why did megan exit gh

General Hospital

GH Preview – Week of June 25, 2018

This week on General Hospital, after a rather unsettling sound is heard from another cell at Ferncliff, who could be in there? That is the question Jason (Steve Burton) asks Kevin (Jon Lindstrom) from last Friday’s cliffhanger. Will the mystery person be revealed?  Meanwhile, Jason’s janitorial gig may be up thanks to Mary Pat (Patricia Bethune).  Looks like Carly (Laura Wright) may have to go it alone.

Then, look for Michael (Chad Duell) to try to entrap Nelle (Chloe Lanier) at her own game as he finally comes to terms with that he must be the one to save his mother.

Elsewhere, will Valentin (James Patrick Stuart) be hot on Nina’s (Michelle Stafford) trail and find out that she has been complicit in Peter’s (Wes Ramsey) kidnapping?

Check out these teasers below, and then let us know what you are looking forward to most this week on GH via the comment section below.

MONDAY JUNE 25

Jason is unnerved.

TUESDAY JUNE 26

Michael gets a stern warning.

WEDNESDAY JUNE 27

Sonny is interrupted.

THURSDAY JUNE 28

Jordan learns the truth.

FRIDAY JUNE 29

Sam helps Jason.

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General Hospital

GENERAL HOSPITAL: Julexis Goes To Therapy

On General Hospital, Alexis (Nancy Lee Grahn) was able to convince Julian (William deVry) to attend therapy with her to help her better understand her issues with men and relationships, which all of have been tainted by the destructive relationship between her father Mikkos Cassadine and her mother.

When Julexis sits down for the session with Dr. Kevin Collins (Jon Lindstrom), things take a bad turn when Alexis starts explaining to Julian why he is there, while Julian feels it’s just an attack on him, and their past, especially when it comes up how he held a knife at her throat on the pier and tried to kill her. Julian tells Kevin that everything he did was to protect his family from his crazy sister, Olivia.

Courtesy/ABC

Julian is ready to storm out, but Kevin suggest they implement more structure to the session to make this work for everyone.  It’s clear Julian does want to help Alexis, and/or also come to understand something about himself and their relationship, and why it splintered.  When asked by Kevin why Julian felt encouraged to pursue Alexis when he first came to town; knowing he was a criminal and she was on the right-side-of-the-law, Julian with tears in his eyes says, “Redemption.”  Julian says he fell in love with Alexis, but also liked the idea of proving and becominga better man.  He then says that both of them were trying to break the cycle of violence from their pasts, and he wished they had both been able to do so – in a heavy-dose-of-reality moment for Julexis.

The session ends, and Julian and Alexis walk to the hospital elevator, and he agrees to go to more sessions with her, saying that they both have issues to address so they can move on with their lives.  Alexis thanks Julian and offers one day to repay this favor.

In these scenes, William deVry and Nancy Lee Grahn brought the heartfelt emotions and the internal conflict that has made Julexis a dynamic duo on GH.   Now with Julian seemingly moving on with Kim (Tamara Braun), and Alexis wanting a fresh start, will these joint therapy sessions enable them to do that  … or perhaps can they resolve the issues that have plagued them, and move on with each other, and grow from it?

So, do you think this is the true end of the road for Julexis?  What did you think of the performances of Will and Nancy?  Comment below.

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General Hospital

GENERAL HOSPITAL: Chase and ‘Janelle’ Two Sides To Every Story?

On Tuesday’s episode of General Hospital, viewers were given more of the back-story between Chase (Josh Swickard) and Nelle (Chloe Lanier) told through a series of flashback from their disparate recollections.

At the PCPD, over the phone, Chase thanks his former police partner, Abby for sending the files he had on one … Janelle Benson.  As he peruses through the files and sees the image of Nelle contained within it, and a postcard from Florida, Chase flashes back to his interrogation room and meeting suspect ‘Janelle’, when he was working as an officer in Maine.  Nelle was being questioned in the drowning of her fiance’ Zack..  Chase asks why the upset ‘Janelle’ chose to vacation in Maine instead of Florida.  She says it was so Zack could put space between him and his disapproving family.  However, ‘Janelle’ does admit going kayaking was her idea.

Next, she cries that she had to make the decision to try to save Zack from drowning, but thought maybe she might die too, so she decided to save herself, and not go in after him, in what was an impossible situation to be in.  Abby questions ‘Janelle’ about Zack changing his will right before they headed off for their vacation.  ‘Janelle’ lets it firmly be known that it was all Zack’s idea to change his will.

Chase believes ‘Janelle’ is innocent, but Abby thinks Janelle is played the helpless victim card.  Chase decides to release Nelle.  Later, Chase remembers traveling to Florida, because Nelle was reportedly being harassed by Zack’s family.  When he got to Florida, he recalls staying in a motel, and was set to meet up with her at a diner.  However, ‘Janell’e surprised him while he was half-naked in a towel and the door of his room.  Next thing you know, things get hot and heavy as she seduces him.  Chase flashes to them hitting the sheets and being in the throes of passion, and promising to take care of everything for her.

Meanwhile, Nelle and Michael (Chad Duell) are talking at The Floating Rib.  Nelle admits to Michael that she has a past with Chase, and her fear of him trying to bring her down now that he is in Pot Charles.  She says that Chase would do anything to get ahead in his career.  Michael asks if Maine was truly the last time she saw Chase.  She says it wasn’t, and says he followed her to Florida.

Now, as there are two sides to every story, Nelle flashes to coming to visit Chase at his motel room; where he is only wearing a towel . In her version, she portrays Chase as the instigator.  She start to cry and tells Michael that in her gut she knew that something was off about Chase, but she felt like she was drowning inside and he was her lifeline. Nelle says Chase became obsessed with her.

Then while alone, Nelle remembers how she was able to get Chase to go out to the store and get her some water after their hot sexcapade.. Once she is all by herself, Nelle calles the police to report misconduct by an officer at the motel.  Meanwhile, Michael has headed over to the PCPD to confront Chase.

So, which version of the story of  Chase and ‘Janelle’ do you believe? It appears Nelle has done a number on Chase. What did you think of Chloe Lanier’s performance where she can go from portraying the victim in a situation, to an evil bitch, with ease?  What do you think of Josh Swickard as the PCPD’s main cop, now that Dominic Zamprogna (Dante) is on his way out of GH?  Share your thoughts in the comment section below.

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Video du Jour

This week, Nick lost temporary custody of Christian leading to a defiant and emotional turn by Joshua Morrow (Nick) as he has to say farewell to the little boy he has come to love as his own son, and give him to his father, Victor, who wanted and was granted custody of the child. Watch the hankie-inducing moment! Leave A Comment

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