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The Brad Bell Interview – The Bold and the Beautiful – Soapmaker Of The Year 2015

Photo Credit: Gilles Toucas

Inspiring bold choices, adding in long overdue diversity, garnering critical acclaim and mainstream coverage for being on the forefront of the national conversation of the plight of the transgender community, while continuing in the daytime tradition of classic soap opera storytelling, and sprinkling in a few shock and awe moments and major surprises, these were all major factors in deciding On-Air On-Soaps highest honor of Soapmaker of the Year 2015.  Without question this year that achievement and accolade goes to the executive producer and head writer of The Bold and the Beautiful, Brad Bell.

It’s been quite some time that a daytime drama has broken ground in such a comprehensive and compelling way with the story of Maya Avant (Karla Mosley), who viewers learned earlier in the year was born as “Myron”.   Maya’s story became one of the most compassionate tales told in soap opera history with new wrinkles and twists, while expanding the Avant family by bringing in Maya’s parents and sister to the canvas.  The soap was right on target with its story choices, as this was the year that also saw everyone in America and across the world watching the real-life story of Caitlyn Jenner unfold.  But Brad Bell and his fearless team continued to push the envelope in 2015, with the sudden death of Aly Forrester (Ashlyn Pearce) in virtually the same place her mother met her maker years before.  Then there was the inspirational story of actress Linsey Godfrey (Caroline) who returned to the show after a harrowing real-life accident, and Bell was able to utilize her and give her story through the classic, “Who’s the daddy?” tale with a twist.  Caroline’s pregnancy is fraught with drama for potentially years to come.

On-Air On-Soaps spoke with Brad about his honor, and took him through the year of storylines on the screen to get his comments, during a 2015 that was also somewhat transitional for him.  No longer did he spend all of his time in Los Angeles at the B&B offices at CBS.  Brad found himself writing in Hungary, while accompanying his wife, the ambassador to that nation, Colleen Bell.  And, why not?  B&B continues to be the number one show worldwide, while firmly remaining in the #2 position of the daytime dramas in the U.S.  It was a good year to be bold and beautiful in so many ways for our culture, and that goes for this soap, too.  Here’s our Soapmaker of the Year, Brad Bell!


2015 in the world of soaps will be remembered as a very impressive year for The Bold and the Beautiful.   As you have seen, I am not alone in my thought-process, as other critics/pundits have been extolling year-end accolades for your show.



It’s a year I will look back on and be very proud of, and one that was very unique in the history of B&B.


Let’s touch on the year on B&B, and discuss what you have done with the show that has you as our choice for Soapmaker of the Year.   Obviously, first and foremost, the transgender storyline involving the character of Maya has been front and center, and told so beautifully.  You touched upon several of the issues facing the transgender community.  What can you say about what you’ve told within that story as you reflect on 2015?


I think we really tried to analyze progressive thinking vs. traditional thinking.  Creating the character of Maya as this transgender character has opened our minds up as writers.  It hopefully had the same effect around the country and around the world, as we see what a beautiful person she is, and how she is being treated by the Forrester family.  But also, there were many obstacles and many ahead.  It’s not just a fairy tale for her, but something that hopefully mirrors reality in the good, the bad, and the ugly.



The writing of the wedding of Maya and Rick (Jacob Young) was such a poignant episode, and the showdown scenes between Maya and her father Julius (Obba Babatundé) were riveting.  It was also a great decision to bring Maya’s parents on to the canvas: Julius and Vivienne (Anna Maria Horsford).  Take me through how you and your writing team made the decision to craft the scenes, and the confrontation during the nuptials?


I thought that things were going so well for Maya that we needed to bring someone in who didn’t agree with her choices, and who had issues with who she has become.  The father was that character.  We created a character that was traditional, stubborn, stuck in his ways, close-minded, and charming all at the same time.  As soon as I saw Obba Babatundé’s tape, I knew he was the man for this role.  He is just an incredible actor. What he has found together with Karla Mosley has just been gold for us.  Patrick Mulcahey wrote the dialog for that episode, and he just killed it as he always does.  Those scenes really came together, beautifully.



Through this journey of telling Maya’s story, was there anything as the executive producer and head writer of the show that you were surprised to learn about the transgender community, or what they are facing?


Yes.  I definitely have a greater understanding of what they are facing.  Getting to know more transgender people and to be able to be part of the community now, you find out we are all much more similar than we are different.  We have the same basic needs, wants and desires.  Everyone should have the right to express themselves, and to reach their goals, and to be who they want to be.  The people in the trans community are brave, and they are original.  It is great to live in a country where this is possible.  I think there are many challenges, but yet there are many successes to be where we are far, and ahead of most countries in the world.



You took the transgender story one step further with the surrogate arc, where Rick and Maya want to have a child, but enlist Maya’s sister Nicole (Reign Edwards) to assist them in the most major way.  Was the decision to tell that story, basically about a “where do we go from here” with their relationship, because now Rick and Maya were a happy couple, or was it about exploring what would happen to a couple in this situation?


I just thought getting to know these characters, and what Karla and Jacob put into them also, and the natural outgrowth of who they are would be the desire to have a family.  So, how do we get that done?   It did line up beautifully for Nicole to come to talk to them, and for them to make this request.  You can see how on one side it makes complete sense – it’s a younger daughter’s gift to her sister – but you also see how other people might find it to be outrageous.  It’s a great arena for drama.  This story is not going to be a bed of roses for any of them; it’s going to be difficult.  Everybody’s going to weigh-in.  Now to have Rome Flynn with us playing Zende, and Felisha Cooper playing Sasha in the story mix, plus there is much more we will hear from the Avant parents that will make the next chapter, I think, as exciting as the first.



You continued to integrate the transgender community into your stories.  You had transgender models in a fashion show, and you had Scott Turner Schofield (Nick), the first trans male actor in a role on a soap making daytime history.  It was commendable that you did not take a sensationalistic approach to Maya’s story, but carried this initiative and weaved it within the show.  What has been the response from the trans community?  Have people reached out to you with emails, letters, or in person?


Yes, it’s been great.  The letters of gratitude has been very special.  People are actually using some of our episodes in classrooms.  To hear stories like that where they are looking at scenes and discussing them is so exciting for me.



Soap operas always used to tackle, and were ahead of the curve and on top of it, on telling social issues.  I don’t feel the genre has been on top of it for a while now.  I feel you and your team brought that back with the transgender storyline.  As it turned out, it was kind of the perfect storm with Caitlyn Jenner’s real-life story happening at the same time.


That is what I am most proud about for 2015 in story.  This is something we need to be doing.  It is something that historically when soaps are good, that is why they are good, because they are mirroring and analyzing the sociology of our time, and what we are confronting within communities.  It’s great to be on the forefront of this, and to be writing this story and to be well into it.  And then, to have Caitlyn Jenner (formerly Bruce Jenner) making her announcement of transitioning, the timing could not have been better on this one.


You recently received a WGA nomination from the Writers Guild, and are up against General Hospital for the Daytime Drama series writing award that will be announced and handed out in February.  What episodes did you submit for contention?  Additionally, can you share with the fans of the show the collaborative process of your writing team?



We submitted episodes involving Maya’s story.   As the head writer I come up with the plots, and work very closely with Michael Minnis.  Then Patrick Mulcahey joins us on story conversations frequently.  Then I have a great team of dialog writers including; Michele Val Jean and Tracey Kelly, but we are all in it together.  This team has been together a long time now.  We have had very little changes.  One year you are on to something, and the next year you take a turn.  People drop out of the show, which allows you to highlight other people.  Looking at Jacob Young and Karla Mosley, who were a bit back-burnered, to have them come up and embrace these roles the way they have has been outstanding.  Karla has been such a great spokesperson for the story.  I have the same writing team, but the transgender story has totally reinvigorated us.  We are looking for the next socially relevant story.  We are not done with this story by a long shot.  We are going to follow these people in the next stage of their lives, which will be very exciting.


There were other major storylines on B&B, and performances as well.  Chief among them is Linsey Godfrey (Caroline), who after being in a terrible accident early in 2015, returned to the series and delivered dramatic performances in the Caroline/Thomas/Ridge story.  What can you say about the decision to create this story, where a kind of ‘out of it Caroline’ would have sex with Thomas (Pierson Fode) and we would find out Ridge (Thorsten Kaye) can’t father a child?   And oh-oh, voila’ she is pregnant?



First, Linsey is a very raw, and authentic actress.  This story falls into the category of classic storytelling, not just for soap opera, but from the beginning of time.  It involves a powerful man in Ridge Forrester, and the secret he is keeping from his wife, and from his son!  The architecture of this one is strong, and the actors are committed to the material, and this will roll out beautifully in 2016.  I am so happy to be working with Thorsten Kaye (Ridge), Pierson (Thomas), and Linsey.  This will be a tight one, but the drama that will unfold should be pretty potent.


So, were you sitting there one day and you went, “Ah!  I’m going to have her pregnant by her husband’s young son!”  How does Brad Bell’s mind work to come with these classic soap stories?



The thing is before the “Ah-ha” moment, there are usually months of grinding your teeth and pulling your hair out with me going, “What do I do?”  (Laughs)   I always say it’s like being in a dark room feeling around and trying to find a way out.  It’s been a very different for me this year.  I have been in Budapest for most of it.  So that has been a new dynamic.  I have had a lot of alone time, and a lot of quiet time.  I go to my apartment there in the fifth district. Colleen says to me, “Don’t complain.  I have heard you for 25 years complaining that you wanted this solitude.”  So, now I have it and it’s a bit painful! (Laughs)  However on the flipside, it’s also really great for a writer to be alone with their characters for hours at a time.


Did any of your stories exceed your expectations in 2015?  Were you shocked to see a certain story come out so well?


Yes.  There is always disappointment, and great, great surprises.  This story with Caroline, Thomas and Ridge, far exceeded my expectations.  The performances, the writing, and the production all fell together so well here.



Now you have “accidental serial killer” Steffy (Jacqueline MacInnes Wood) running around on the loose causing “accidental” havoc.  (Laughs)  She knocked Aly (Ashlyn Pearce) to her death, and then pushed Ivy into electrical wires on her way to being electrocuted!  Aly’s death was a surprise twist that was kept under wraps so well, that nobody saw coming.  It made for one of the most surprising moments in soaps in 2015.


It’s interesting when the pieces fit.  It’s wonderful, and when they don’t fit you have to kind of shock yourself, and shock your characters into making them fit.  Ashleigh Brewer (Ivy) has taken all of these tumbles, and been “electrocuted”, and been through so much from day one since she joined the show.  From the beginning she was falling into the Seine River in France (Laughs).  But, it is evolving into a new chapter of the story which is very exciting for Scott Clifton (Liam) and Steffy, and for the Spencer brothers, and also Quinn.  Rena Sofer (Quinn) has been awesome on the show, and she has been patient.  Now the spotlight will turn to Rena in 2016.


What can you say about having Jacqueline MacInnes Wood back in 2015 as a major component of B&B?  Steffy is such a polarizing, and popular character around the world.



Jacqui is a beautiful spirit on camera and off, really high energy, but a super sharp actress.  I am so glad to be working with her.


It must have been hard for you as well to have Ashlyn Pearce leave the show, who was finally getting a chance to shine in the material you were giving her, and then to have to sacrifice her in terms of story.  We understand that these are decisions that head writers and executive producers have to make along the way.  What can you share about killing Aly?


Ashlyn is a great actress, and she has a great career ahead of her.  I think the actors understand this going in that this is something we have to do as writers.  We have to surprise people.  We have to kill people, and do the unexpected.  They are players on the show until they can’t be.  Ashlyn just killed the material, especially at the end of her run.  She is phenomenal!



At the beginning of 2015, lest we forget, “Drunk Brooke”!  Katherine Kelly Lang (Brooke) got to deliver some memorable performances, especially when she was getting sloshed at Bill (Don Diamont) and Katie’s (Heather Tom) wedding!


I think Katherine did such a great job, and it’s great to see her character unhinged.  I mean, Brooke without a man, she would have to turn to something! (Laughs)  Brooke is one of two remaining run-of-show characters, and at an interesting point in her life.  She is empty nesting, which comes with a whole array of issues and challenges.  We are starting a whole new chapter with Brooke, and Bill and Katie in 2016.


Earlier in the year, you had a soundstage at CBS dedicated to you in honor of B&B’s milestone of producing an incredible 7,000 episodes.  Your plaque is right across the hall from the soundstage dedicated to your father, the legendary Bill Bell Sr. (Co-Creator, Y&R and B&B).  This has truly been special for you.  What do you think now when you sit back and take in what that dedication ceremony meant?


Photo Credit:

It is an incredible honor, and we have had such a great working relationship with CBS. They are great network to be on.  They are very helpful, and they really care. They care about their fans, and their viewers, and their employees.  I am thankful to CBS for the honor. It’s an honor for everyone who works on that stage every day, and around the world dubbing us into different languages, and everyone in the office.  It was a great moment.


When you are at CBS, do you ever walk by the plague with your name on it, and smile?


Yes! (Laughs)  My son Oliver was here visiting with a friend from Budapest, and he showed him the plaque, and then his friend said, “Where’s the commissary?” (Laughs)  But yes, it’s very special that it is up there.  I am grateful to everyone who spoke at the dedication, especially my wife.  Now that I am the spouse of the Ambassador to Hungary, I am realizing, and fully appreciating, perhaps for the first time, what that role is about, and how challenging it could be. Colleen has been so wonderful as my partner all of these years.


Photo Credit:

The production, marketing, and publicity team at B&B, under your guidance also needs to be commended for their accomplishments this year: you had the first Pop-Up fan event in New York in the series history, and launched a B&B You Tube channel in the UK.  No other daytime drama has done this type of creative outreach in so many different aspects, as well as consistently planning taking the show on remotes worldwide, and integrating story within it.  Tell me about the BOLD team.


These producers including: Rhonda Friedman, who has been with us from the beginning but left us just before Christmas; and the consistency and the enthusiasm of Casey Kasprzyk and Mark Pinciotti who are the creative younger producers; and veterans such as Cynthia Popp and Ed Scott, we have the perfect blend of creativity, and continuity.  We love being with each other.  So, if we say let’s go to Australia, or let’s go to Israel to do a location shoot, we are thinking first and foremost: “That’s going to be fun time and a party!” (Laughs)  And then we think that we have to get the work done, which we know we will do. (Laughs)  But honestly, we all just like to hang out together.  I think our enthusiasm comes through, and it shows in our events with the fans in the U.S and around the world.



Now that we walked down memory lane, let’s look to the future!  In a broad stroke, what can you tease fans of B&B to look forward to in 2016?


I think we are going to have a great balance of issues, of villains, and some new villains appearing, and some romance.  I mean balanced in the most unbalanced way possible. (Laughs)   It will be an incredibly dramatic year.  The characters are all in a great spot.  It’s not a year of building or transitioning, but it’s a year of payoffs.  The New Year is going to explode.  I fully expect 2016 to be the best, if not the best ever, certainly over recent years, and the one to watch.  

Leave a comment | 25 Comments


  1. Callie

    December 29, 2015 at 10:41 am

    Great interview, Michael!

    I’ve been glued to my screen watching Ridge and Caroline’s romance this year. I’m really hoping it continues for a long, long time and the baby turns out to be his.

  2. Scoma60

    December 29, 2015 at 11:29 am

    B&B was so good a few months ago but it’s now awful. The storyline of Liam/Steffy/Wyatt/Ivy is vapid and the ping ponging of emotions makes no sense. B&B needs to ship Thomas back to Europe. No matter how they gloss it over he violated Caroline. He’s creepy as hell. He doesn’t respect women at all. He’s pushy with Ivy, making a bet to bed her, screwing underlings,etc…
    Ridge/Caroline have disappeared. An 18 yr old being pushed to be a surrogate.

  3. Aj

    December 29, 2015 at 11:50 am

    Time for the Return of Phoebe Forrester!!

  4. Lynn

    December 29, 2015 at 12:55 pm

    The Maya story, and family are the utmost in poor storytelling, poor acting, and read the boards, UNLOPULAR. Maya is a bully, a liar and a greedy deceitful skank. The tranny story was offensive I every way possible. The show basically wrote it , that it’s all ok that Maya is a creep…a bigot…cause it’s a tranny. So it’s ok. And Nick?? That blow hard ass. He actually came across as another intolerant, judgemental bigot. Showed how hypocritical and pathetic the ten my community is. Who can forget that ass thinking that Brooke should be more concerned for the lying Maya then her own son? Couple this crap with the Bruce Jenner bomb of a show…and it’s ridiculus Bell wouldn’t back off fast. The trannies on Bruce’s show were awful, bigoted, entitled jerks. Treated Her like crap cause she dared speak her own mind and have her own thoughts. Completely bullying her.

    Typical close minded bigotry of liberals. Bell sounds like a fruitloop. Hypocritical. He writes Maya as a hatefull, greedy, bigot, who is unliked by the fans enmasse. One needs only to read the boards to see the disdain..BEFORE he made her a transgender. Bringing her family on ticked off the audience who is literally FF This story. The actors playing Avants are all awful. Nicole and Sasha are two if the worse actors possible. The parents are unlikeable. Greedy.

    Where he thinks this was a positive story for transgenders is confusing. He wrote them as selfish intolerant bigots.

    • Maryann V.

      December 30, 2015 at 4:28 am

      I couldn’t agree more.

    • denisefan

      December 30, 2015 at 9:03 am


      • Gigi

        December 31, 2015 at 11:32 am

        Could not agree more. The worst story yet on B&B. Nobody was thrilled or liked it. The boards are overrun with disgruntled fans. Maya and Rick have never paid for the horrible things they did to others. Can’t stand Nicole and the parents. They are not good actors, boring and add zilch to the show. And now the Steffy show. Sorry, she does zilch for me as well. The mop of overkill extendions is pathetic.

        I certainly do not see this show as an award show.

        What planet is Fairman on that he thinks Bradley Bell is such a terrific writer.

      • Marc Lormand

        December 31, 2015 at 7:14 pm

        I’d recommend you take out a mirror and look at it. Starting back at you will be the definition of a ‘bigot’.

        The transgender story is outstanding! Very well written, acted, and produced. Kudos to Brad and his entire ensemble.

  5. Shrly pab

    December 29, 2015 at 1:17 pm

    Bring Taylor back ,do not break up Liam and Steffy I read Ivy and Steffy will be at the top of the stairs and some one will fall just as Liam open the door and walked in the house it better be Steffy falling down those stairs and not Ivy so Liam can realize how much he Love Steffy and don’t ever want to lose her you better not let Ivy fall that is a bit too much we don’t want to see any thing happen to Ivy any more for Liam to feel sorry for her we are sick of her leave Liam and Steffy alone.

  6. wendy

    December 29, 2015 at 1:31 pm

    This crap of making Steffy the bad guy really stinks!! And now Ivy crawling back to Liam and begging him to come back is also stinkareo!!!!!! Brad Bell! COME UP WITH SOMETHING BETTER!! KEEP LIAM AND STEFFY TOGATHER!!!!!!

  7. Mary

    December 29, 2015 at 3:23 pm

    Keep Katie and Bill together. I really love them

  8. Beth

    December 29, 2015 at 4:08 pm

    Thanks for the interview. Giving credit where it’s due, the transgender story was not only groundbreaking, but the best kept secret in Daytime, second only to Aly’s death, which was the second best kept secret in Daytime. The ability to stun the audience, mostly in a good way, is as rare today as the telling of a groundbreaking storyline like Maya’s. For those reasons, kudos to Brad Bell for a job well done in 2015. However, so many of the other stories on B&B this year were repetitive, dull and often infuriating, and I’d include the Thomas/Caroline/Ridge storyline in those categories, good acting or not. Having Ivy recently, or Brooke recently, or Katie from earlier this year, suddenly realize she never stopped loving Liam/Bill/Bill, is not good storytelling. It’s plot-driven and we’ve seen it 200x before on B&B.

    However, I’m a fan of Daytime and I want it to succeed, so I’ll have some hope that when Mr. Bell says that the fallout from the Thomas/Caroline/Ridge story will be “pretty potent”, he means it, and I hope it involves Ridge getting a solid dose of his past Romeo behavior slapping him hard in the face. I hope that there’s some twist to the new Brooke/Bill storyline that doesn’t end in Bill tanking his marriage to Katie, since we’ve all seen that before. I would like something different to happen in the Ivy/Liam/Steffy storyline, something we haven’t seen before, and I hope that the creative minds at B&B will surprise us all as they did with other characters in other stories in 2015. I would like to ask for B&B to find a way to juggle more than one storyline at a time, which has been very frustrating. Lastly, if Rena Sofer is going to be on more in 2016, I’ll be a very happy viewer. She’s been sadly overlooked for members of the younger crowd this past year, and she’s too talented and has too big a fanbase to sit on the sidelines.

  9. Geena

    December 29, 2015 at 5:58 pm

    With the Ridge/Thomas storyline, we need Taylor!! If HT cannot come back, I am open to recasting. Taylor doesn’t have to be on permanently but I definitely think she is needed for this particular storyline.

  10. Monica.

    December 30, 2015 at 1:32 am

    The best of B&B? I Think not. Maya and Rick bullying everyone and getting a slap on the wrist for it because Maya is a transgender don´t fly with fans. So transgendrs can´t do anything wrong due to fact that they switched their gender? I agree on the crap pulled on Ridge, Steffy and Thomas. Why all the hate on the real Forresters of the show? Yes, real Forresters. Eric is Ridges father in the Eyes of the law. He should be with a woman his own age, not running around with a Little girl . Steffy Forrester is the best and most intresting females on the show, followed by Katie and Quinn. Why? Because unlike the others, they don´t need a man to function. They take the reains and do it themselves. I see that the B/B/K tripe fest is to make a return: Why? No one liked it the fist time. Bill and Brooke are one of the worst Couples in show history. Keep Bill and Katie as Power houses on Spencer and send Brooke to Paris. She is an over the hill sex addict, nothing more, nothing less! And can she please take Ivy with her? Speking of Ridge. Hire a Power house actess for Thorsten Kaye. Lisa Peluso, Alicia Minshew or Cady Mcclain are names that would work. And I whole hearted agree on Taylor. Where is she? We need more Taylor!

  11. Sharon

    December 30, 2015 at 5:48 am

    What? The transgender story was popular and well-received? If you read the soap boards and polls, it was one of the worse story. And now it’s supposedly being shown at schools? That’s pathetic. So you’re telling students you can be a bully, feel entitled to everything, lie about having a child and signing those rights away when the child isn’t even your’s and once you become transgender, all is forgiven and no one can say anything because they’ll be called prejudice. Brad has never written a good social issue. They were all a joke, and I certainly would question the schools that are forcing their students to watch something that’s not even believable.

  12. kevin

    December 30, 2015 at 7:40 pm

    I wrote and asked Brad Bell to hire Jaime Lyn Bauer and have her play opposite of John McCook, wouldn’t that be wonderful to have John and Jaime together again. Do you all remember them as Lance and Laurie on Y&R? I never did get a reply back…Brad, please offer Jaime Lyn Bauer a job and bring her to the B&B.

  13. Patty

    December 31, 2015 at 11:01 am

    Here is hoping that Liam and Ivy will be left in 2015 !!! They couldn’t find a more BORING pair. Send them both back to Australia !!!! This whole accident routine with Steffy is beyond ridiculous !!!!!!! Bring a man with some back bone onto the canvas for Steffy — no more boys — please !!!!

  14. Ramona

    January 2, 2016 at 12:14 pm

    I’m loving the new storylines…love the way finally Steffy is feeling the hurt and pain from all her plots, scheme’s, and undermined, bully ways, its time for Steffy be hold responsible for her out of control bully ways…Y&R, GH,DOOL, has defective and police stations, hospital, rescues squares, along with love compassion storyline’s, which has brought them as #1, I think B&B Bradley Bell and writers need to reviews the storyline’s that draw attention and boost the rates up…..reviewing a lot soap websites and polls is requesting the re-cast of Hope Logan or bring back Kim Katual for Liam …his characters hasnt been right sense Hope left…its time these two finally come together with family and careers, Hope, need to come back with the power and control of shown Steffy how these turn for worst with double pay for wrong doing in other romantic relationships… So, happy thstvfinally the old Liam has return of the compassion, honestly and less drama with the ethics as an young business man should have as Hope Logan have also…they are also the soulmate Princes&Princess of B&B..young ppl this age need some positive respectful on how to deal with these obstacle’s in an relationships and be able to conquers it many views from ALL AGE wants Liam and Hope together here in the USA…they are very upset, wants to stop watching, wants to see Steffy Monroe to stuffer behinded bars and Lt.Baker is awesome, its also time for the detective from mexico come back and take Quinn down for the death of the owner of that blue diamond necklaces!!! B&B could be #1 Soap Opera and take Y&at place for along time, if changing be made in these areas!!!

    • Linda

      January 3, 2016 at 9:40 am

      I agree on recasting Hope, we the fans has been asking for over a year for them to bring Hope back, I think it will bring a nice twist bringing her back, I’d like to see Hope and Liam back together, married and have a family with no interference from anyone else, Bil or Steffy. I don’t like Maya, I don’ t like what Maya and Rick did to Caroline and others and then everyone looks the other way. Now Maya is the wonderful model? Really. And all the crap Rick pulled is all forgiven. I think bring Mr. Avant’s secret daughter into the picture is a good twist, like to see where that goes. As far as the love triangles, get rid of them!!!! Leave Katie and Bill alone, they make good couple, let Brooke be with Eric I think that would be a good match, And Ivy, I’m sorry I like her I didn’t like Wyatt when he was after Hope but he is good with Ivy and I don’t like what Ivy has done to him. I honestly think he would be good with Steffy, but there you go with the triangles, let some beautiful women come on the show and sweep Wyatt up. Let Steffy be alone. And Liam pine after Hope. And why cant Carter have better lines? Let him find a love. I hate that Nicole his carring Maya’s baby, I like Nicole, she needs to be a model not having the line of carring Maya’s baby. Ridge and Caroline has grown on me, but they can’t keep the secret to long, Thomas will figure it out. Thomas is trouble, right along with his sister. One more thing PLEASE PLEASE RECAST HOPE LOGAN.

  15. Lisa Ann Nesbitt

    January 3, 2016 at 6:16 am

    Bradley Bells could you put in the show is because they need my help and also bring Hope Logan back so she can go back to liam and give something that know body can and also can you fine a man for Brooke and Sasha because theyonly go after other people man like Katie own and also Nicole make sure sash and Brooke fine they own man and leave them married men alone please Bradley Bells .

  16. Mary

    January 6, 2016 at 2:16 pm

    Love Katie and bill. Please brad have them stay together . Brooke should be with ridge

  17. Keriannb

    January 25, 2016 at 8:27 pm

    Brooke made me laugh today saying Bill the love for her life!!!! WTH!! Yes her and Bill sizzle but Brooke sole mate and destiny as she said 5 million times is Ridge. Obviously not Tk version of Ridge but Come on those words rang hollow! Get Carter a SL stat and please don’t let Nicole keep this up I find it bizarre! Maya and Caroline personlalties been rewritten some many times I can’t keep up!!! Wyatt and Stepahie are fabulous. lIam turned into a border my dufus!! he way better as computer geek! Wake up Liam can’t possibly be so admired when you have Wyatt! Please don’t ruin Quinn too much with this nonsense with Liam in a cabin! Quinn is the best helicopter mom on TV! That’s all for now I give BB a B+ but minor adjustments need to be made! Carolyn and Ridge perfection! Thomas give him something to do like go after single women that aren’t drugged or dating Spencer’s girlfriends and non blood cousins with me last name! Eww!

    • Laura

      January 27, 2016 at 5:06 am

      Really why Katie and Bill again… can’t we have ONE Stable couple on the show??? Quinn is a big waste of time … Steffy belongs with Liam and Wyatt belongs with ???? The new Avant daughter has Biotch written all over her face ugh!

  18. Dianna

    January 29, 2016 at 8:24 pm

    Watch the show today been watching for 20 +years 2016 has got to be more not so predictable Wiatt & steffy come on Wiatt has to quit getting sloppy seconds or 3rds hope the writer has better story lines this year for Katie , Bill, & Logan -brook were is Caroline& ridge?

  19. Peggy

    February 16, 2016 at 1:16 am

    I think it would be extremely interesting to see Hope return to Liam while Steffy is with Wyatt and see all four of them all in love with each other and start acting like interchangeable couples. I also think the Quinn and Liam “Adam and Eve” thing is hilarious. However, Quinn having sex with Liam is shocking; almost seems like incest and I can’t see this ending any other way than Quinn getting fired by Steffy and disowned by Wyatt.

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Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Days Of Our Lives

DAYS Thaao Penghlis Chats on His Daytime Emmy Nomination & How He Makes Tony DiMera One of a Kind

He has been one of the longstanding cast members of Days of our Lives and certainly of Salem’s notorious DiMera Clan; and while Thaao Penghlis may be off our screens for a time and then comes back again; though the years one thing has been true, he delivers top-notch performances in a way that is uniquely ‘Thaao’.

This year at the 47th annual Daytime Emmy Awards to be broadcast on Friday night, June 26th at 8 p. m. EST, Thaao is vying for the Outstanding Lead Actor prize amongst a formidable group of other daytime favorites.  And this makes it two years in a row that Penghlis has received an Emmy nomination although this time in a different category.

As fans know, Penghlis takes the art of acting seriously, and expects other he works with to bring their A-game, just as he does time and time again; whether it be playing DAYS dashing Tony or the evil Andre or when he portrayed Victor Cassadine on General Hospital.

Michael Fairman TV spoke to Thaao to get his thoughts on: receiving the Emmy recognition and what it means to him what he thought about his nominated scenes, plus what he might be doing at home during the ceremony, and where he hopes Tony DiMera’s future is headed.   Here’s what Thaao shared.

Photo: JPI

Tell me about what scenes you submitted that landed you a Lead Actor Emmy nod!

THAAO:  Well, the week I came back to DAYS, I had 11 shows, and this material was from one show of three I did one day!  When you think of other actors doing 150 shows, and I did less than 50 this past year, my choice is kind of limited.  So, when I came across these particular scenes, which were with Eric Martsolf (Brady) and with Arianne Zucker (Nicole), what I liked about it is that usually when you see other peoples’ work, its histrionic, it’s great tears, it’s drama – and what I was able to put together had a through line and an arc from beginning to end.  It makes it very logical when somebody is following your story, and you can show a whole ebb that makes sense.  I had some lines that were really difficult to say, like, “Coming back from the dead is not easy.”  When I get lines like that, I throw it away, and because of that, it becomes humorous.  I have to say I work well with Arianne.  She was great.  I found in the past, when I have worked with some actors, they step on your lines.  I found the best way to stop that is I put my hand up, and I say, “Hey!” and everything goes silent.  They go into shock mode, and I say, “I haven’t finished,” and then I go on.  (Laughs)  So, when Kristen as Nicole starts to talk to Tony the way she does, and she says, “You’d better behave…” I thought, “This is a DiMera you are talking to,” so, I just snapped back at her.  I gave her a, “Hey!”  So, she shut up, froze, and I went on.

Photo: JPI

Would you say your reel was more comedic … or both funny and serious?

THAAO:  It is both.  There are subtleties to it.  There is a teacher I know in Australia, and she is very critical.  She said, “I want to see your work.”  I showed it to her, and she wrote back, “Oh my, God.  How did you make those transitions so readily?”  I went, “Oh.  How did I do it?”  I didn’t think of that.  I think it’s an old technique.  It’s called having to do 3 shows in one day, and you had better get your stuff right, and it’s about how do you make a scene work?  There is one director who I did a miniseries with who said to me, “Where did you get your training from?”  I said, “Daytime.”  He said, “My God.  You certainly know how to have a camera follow you,”   Well, the camera has to follow your movement.  So, when I finished a transition, I’d move to another spot, and the camera had to follow me.  So, what happened in the arc of this Emmy-nominated piece is that I took charge and controlled the scene so that it became a scene of lots of transitions. And of course, charm, I did all of what I thought Tony would be.  He is a DiMera.  I have one of those looks. I don’t know where it comes from, maybe it’s as I get older, but I’ve learned how to work the camera where I may slam something first to get your attention, and then the camera comes onto your face, and you’re going, “Oh, what the hell is he thinking?”  So, I can play the dark side quite readily, and yet in my real life, I’m not so bad. (Laughs)


You have Thorsten Kaye (Ridge, B&B) and Steve Burton (Jason, GH) also in your category, and these guys who are obviously been soap veterans like yourself.  What do you think about the group you have been nominated with? 

THAAO:  I never worked with Steve Burton, but hear good things.  I know Jon Lindstrom (Kevin/Ryan, GH).  He’s a lovely actor.  I have worked with Jason Thompson (Billy, Y&R).  He’s a lovely actor.  He is well-trained.  So, it is nice to see that the nominees are all vets.

Right, they are all vets.  It seems like a good group to be with. 

THAAO:  I agree, and I love that the Daytime Emmys are coming back to television.  I think it is an upswing when they think of daytime dying.  I think whoever made this happen is taking on the responsibility of taking daytime back.  It is why people love novellas.  People love the story, they love to follow the characters, and we’ve got fantastic fans.  I mean, what would we do without them?  You can’t sustain the show without them, and you pay a price, you have to know how to entertain them because once they know who you are and what you’re about, they get bored.  So, you have to be ahead of your audience all of the time.  That’s what I have always tried to do with both characters that I’ve played on DAYS

Photo: JPI

They’re doing a virtual ceremony this year.  How do you think you would dress while watching the ceremony?

THAAO:  You don’t wear a tux in your house, do you? So, I’ve invited some people for a celebratory time.  Lauren Koslow (Kate, DAYS) and her husband Nick Schillace (head of make-up, DAYS) and Leann Hunley (Anna, DAYS) are some of my great friends who have been very supportive of me through some tough times this year, and I’ve got a friend who has got  a wonderful restaurant, and he is going to cater it.  Probably it will be a group of 10.  You know, could you imagine being here on your own, in a tuxedo, with a glass of champagne? (Laughs)

I know, kind of awkward! (Laughs)  You’ll put something nice on for the big night, right?

THAAO:  Yes, you know me.  I’m always dressed.  What would you suggest?  Sweatpants on the bottom and a tuxedo jacket!  How about that? (Laughs)

Photo: JPI

Now, you have been previously nominated for Daytime Emmys, too!

THAAO:  Yes, and last year I was nominated as well for Outstanding Guest Performer.  So, it’s kind of nice to be back-to-back, and in 2008, I was nominated for Lead Actor when I played the clown in the Tony and Andre storyline.  Thank God, DAYS recently DAYS had James Reynolds (Abe) wining in the Lead Actor category.  I thought, “Wow.”  That was for years and years of good work that he’s done, and also, Greg Vaughan (Eric) wining for Supporting Actor was very nice, but we haven’t had that many wins in the acting categories over the years.

Photo: JPI

DAYS tapes so far ahead of air; that what was once a seemingly major concern has paid off swimmingly during the coronavirus pandemic.  The soap is the only show to have enough episodes in the bank for months ahead when production shut down and enough even when other shows go back into production.  Who would have thought?

THAAO:  We used to think it was ridiculous that DAYS taped eight months ahead, but look at us now! Who would have thought is right?

What would you love to see happen with Tony when DAYS does resume filming new episodes again? 

THAAO:  I’d like to go back and play the head of the DiMera family.  I’ve never been granted that, and I think, at this stage, with the way I worked with Joe Mascolo (Ex-Stefano) it would be nice to see the transition just like Michael Corleone did in Godfather.

So will you be rooting for Thaao to take home the gold as Lead Actor in a Drama Series come Emmy night?  Do you hope DAYS writes Tony into upcoming story, and if so, how would you like to see him on the canvas? Comment below.

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Video du Jour

B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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