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The Cady McClain Interview – The Young and the Restless

Photo Credit: Courtney Lindberg

Photo Credit: Courtney Lindberg

Over the last few months, Daytime Emmy winner Cady McClain has taken over the role of Kelly Andrews on The Young and the Restless from Daytime Emmy winner Cynthia Watros, and released her very personal memoir Murdering My Youth.  This should come as no surprise to anyone who knows the talents of this hard working actress, who is also an author and a filmmaker that always immerses herself in creative projects and different ways of self-expression.

McClain, who has been a prominent name in daytime soaps for decades, first with All My Children as Dixie, and then on As the World Turns as Rosanna, joined the cast of the CBS soap opera in 2014 and was immediately paired romantically on-screen with her former Pine Valley friend, Peter Bergman (Jack Abbott).  As the two characters draw closer … what will happen when Phyllis (the incoming Gina Tognoni) comes back to Genoa City and finds these two are intertwined?  And just what is Kelly’s relationship with Ben, err, Stitch (Sean Carrigan)?  In this interview with On-Air On-Soaps, Cady in her own inimitable style – with grace, humor, and intelligence – weighs-in on what might happen next to her latest on-screen incarnation … Kelly!

But before we get to what’s going down in Genoa City, we took the opportunity after being riveted and heartbroken reading Cady’s memoir, to talk to her about the tumultuous events that shaped her early life including; the sexual abuse suffered at the hands of her father, growing up in an alcoholic environment, her mother’s emotional and damaging outbursts, and how as a young child actress and even later into her early years on All My Children, she was footing the bill for the family and being used, for all intent and purposes, as their meal ticket!  The story is haunting, but true.  And at the conclusion of our chat, we came away with how Cady triumphed over her own tragedy.  Here’s what she shared …


When did you actually come to the decision to write the book, Murdering My Youth?   Was there any hesitation to bare your soul to the world in this way?


Courtesy/Cady McClain

It was about five years ago that I started to write the story, and I originally started writing it as a fictional tale.  I wrote the entire book in the perspective of a third person, and then in the last year people kept pushing me to make it my story.  That was really terrifying.  I kept feeling like I had to warn everybody in the first few pages.  I would be saying, “Don’t worry if this upsets you!”  I put all these codicils in the front of the book to sort of make it OK for everyone, and that was a real process.  Probably the last year of writing the book was the hardest.  I wrote it because I had to, because I lived with this story inside me for so long, and for some reason writing it was not just cathartic in the way it released it, because I have been dealing with it and releasing it for my entire life.  For me it was about putting the personal into an artistic form, especially when putting it into words.  It becomes a story that no longer belongs to me; it belongs to the world.


You talk about the horrors and difficulties you suffered at the hands of your parents.  As a child actress, and throughout your early career, your mother would live off the money you made.  Did you feel at some point you were carrying mother around as a baggage, since you were in essence financially supporting her?  Were you still able to still find inside your heart love for your mother?


Well, I absolutely loved her, and I felt she was my responsibility.  She was like a crazy child, and sweet and adorable in a lot of ways.  I remember doing a drawing when I was a little girl of a giant elephant on the back of a young girl, and that’s how it felt.  The elephant was just terrified.  I felt incredibly grateful that I could be strong and take care of her, but at the same time the things she did that were wounding were very hard to understand.  Also, the reason I wrote the book was to come to some compassion for her since she was wounded very deeply as a little girl.  I wanted to think of her as a person, and not as a mother who had to be fully responsible to a child … that was me.  By doing that, I felt more powerful, and more at peace.  I had to do the same thing with my dad. They were adults … but they were children.



The sexual abuse early on in your life from your father you carried with you into your professional soap career, because you would have to play, as any leading actress would, love scenes!   How did you conquer the fear that would come with that given the traumatic event in your life?


My very first love scene on TV was with Michael Knight (Tad, AMC).  I was stiff as a board and I was terrified, and this is one of the reasons I will be so grateful to Michael ‘till the day I die.  He was always incredibly intuitive and sensitive to me as a young girl.   He was incredibly kind.  He understood, and that helped me a great deal.  What was harder was when the production couldn’t make any adjustments for me!  Even when my mom died, I was working five days a week, and kicking holes in the wall from the stress and the difficulties of everything.  They wrote scenes where men would grab me and drag me across the room, and they had a stunt coordinator, and thank God for him!  He got me, and he saw me freaking out!  The funny thing is being here at Y&R and starting to have some love scenes again … I have to admit I was nervous.  I hadn’t done love scenes in a while.  I had just gotten married, and so thank God for Peter Bergman (Jack)!  Peter is a total gentleman, and we had these conversations.  And this is the thing … I sought out the help of good men.  Good men will help you get through this crap.  So thank God for the good men here, and at home, who allowed me to have my fear and work through my fear.  The whole point is… you’ve got to get to the other side!  I don’t want to stay stuck in hell.  I like sex!  I don’t want to live as a victim of one experience.


… And in the book you detail that while at AMC was when you were having the hardest time emotionally.


Photo Credit:

Yes.  It was prior to my mother’s death, and leading up to that.  I was cutting my hair all the time!  I don’t know if anyone remembers the “Many Looks of Dixie”. (Laughs)  I almost had my hair shaved off!   It’s a funny thing.  A woman’s hair is her mane … her sense of power.  You can always tell how a woman is doing by her hair! (Laughs) Like, “Oh! She’s a bit Cruella de Vil today!”  (Laughs)


It’s interesting that in your book, and when you read other performers stories, they always seem to get the acting, or performing bug, early on when they are children; when they receive an instant form of gratification when they perhaps sing, dance, or impersonate someone in front of the family, and see that they can entertain.


There is a sentence in the book: “This is how performers are made. It’s when you can affect the happiness of another person by your entertaining.”  It’s how I became an actor.  I would tap dance and people would be happy.  It was like, “Hey, I will dance and sing.  I am making money.  Are you happy now?  Here, take the money!”  I always think, though, that I have been a creative person my whole life in terms of the outlets of writing, filmmaking, and songwriting…


 … And Suzie F*cking Homemaker!



(Laughs) And Suzie!  And even my short film Flip Fantasia was inspired by me walking through Central Park going, “I have so much baggage!”  I was thinking that I am literally dragging a dead body, my mother, around!  And that is where the idea for the film came from.  I thought I will turn this into a comedy, because it’s so bad that if I don’t laugh, what am I going to do?   I am going to jump off the Brooklyn bridge.  And that’s not cool; we don’t want to do that!  (Laughs)


What has been the reaction you have received from people that have read Murdering My Youth?  Have others shared their personal stories with you?


People with mothers who beat them, or people that were raped as children, all kinds of people have written me very, very personal stories; and how they have lived with this sense of fear as adults, and feeling alone, and unconnected to other people.  I think for me, one of the greatest gifts of this book was my way to not have anybody feel as alone as I did.  What makes us happy is to feel connected to one another and understood, and that sense of connection and understanding that makes life worth living.  You can move forward from things.  For me, to have that response from others was great.


Your sister is mentioned throughout this book, and in your story.  It seemed at times you were the one to take the brunt of the abuse from your parents.



My sister gave me permission to write this book, but she was by no means unscathed from the horrors.  I just did not tell her story; this is my story to tell.  My sister deserves her privacy.  She is not a public person, and she is not on television, but we did go through this very much together.


You mention well-known former Hollywood children’s agent, the late Iris Burton. What a potty mouth on her!


She was a children’s agent and my first agent for close to six years.  I remember she would say crazy things like, “Let me see your feet, honey!” or “Never wear that T-shirt again.”  She kind of was the beginnings of Suzy Homemaker! (Laughs)  Iris was kind of a monster.


Has your husband Jon Lindstrom (Kevin, GH) read Murdering My Youth?  Was he aware of much of your personal stories before you revealed them publicly?


He knew some of it.  Most of the times he would want to hold me for a long time.  He is a great guy and a great hugger, too.  The love of a good person can really make things alright, and maybe that’s why in soap operas we tell stories about love.  We are all looking for that!


Everyone knows from your past work that you often have very high stakes and emotional scenes!  Do you think your work on the soaps has been, in a way, cathartic for you?



It is not therapeutic; it’s an art form.  I love when a scene is well-structured and  well written, and I have a good scene partner and a good director.  It’s like a dance.  It’s dancing and everyone knows their steps.  It’s like Dancing with the Stars!  There are steps you must follow, and if you screw it up, you can screw up the whole dance.  There are times it can drain you.  I remember there was a time on As the World Turns where I was crying every day for five weeks straight about this baby.  I was ready to throw the baby out the window!  (Laughs)


In a recent interview with On-Air On-Soaps, Y&R head writers Jean Passanante and Shelly Altman discussed your work as Rosanna on As the World Turns as one of the reasons they knew you could play the part of Kelly Andrews.   Rosanna had an edge.  Does knowing that Jean, who was at one time the head writer of As the World Turns is writing for your character, give you hope that Kelly will be written to your strengths?


Kelly is very different than Rosanna, or Dixie.  She is a fully adult woman with a really screwed up childhood … surprise! (Laughs)  Kelly has a lot of secrets.  I don’t see her as necessarily manipulative, but she is genuine.  She give her “male friend” Stitch a really hard time.  I was able to see in Kelly a strength inside all of that brokenness.  Depending on what they write, and Jean knows that I can do, which is awesome, this character can be terrific!  It’s nice to have people writing the show who know what I can do.


Photo Credit: Getty Images

Were you surprised you got cast in the part of Kelly?


Shocked!  Cynthia Watros (Ex-Kelly) is a powerhouse.  She was a real presence in this role, and she has a real strength about her.  So when they called me and said, “You’re in the running for the part,” I was like “Oooh!”  Then I thought: “How can I convince them that I would be right for this role?”  So, I put together this reel.  I had to prove what I can do, and I had to have people go to bat for me.  Then I had to prove myself once I got the job.  To get the opportunity is fantastic, but to keep the opportunity is very nerve-wracking! (Laughs)


Coming to Y&R can be nerve-wracking because there are some heavy hitters in the cast!  Did you want to make sure it did not become the “Cady McClain Show”? Sometimes it’s important in soaps, when people take over from another actress or are added into the canvas, that they are not shoved down the audiences’ throat too quickly.


I think one of the most important things to me was to make sure that everyone here knew I respected them, and was happy to be a part of the show, and that I am not here to step on anyone’s toes, but to be an ensemble player.  This is not about me… it’s about being a member of the ensemble.  That’s how I am happiest, and that’s how I work best.  It also shows consideration for all the people who are working here for so many years.  I think everyone knows by now that I feel grateful to be here, and that I care about the show.  I want to do the work, and get out on time, and go home, and be with my husband and my dogs, and have a life.


Photo Credit:

What is going on between Stich and Kelly?  Do you know what their “true” relationship is to one another?


Kelly knows who Stitch is to her.  Their relationship is incredibly complex!   When their relationship is revealed, and you find out more of their history, it’s a devastating revelation for all involved.  I love working with Sean Carrigan (Stitch).  He is hilarious and really fun, and works really hard on all of his scenes.  We even text each other about how to develop our relationship more as actors working on characters.  He’s super cool.


So here you come to Y&R, and lo and behold, you are paired with your former AMC cast mate, Peter Bergman (Jack)!  What did you think about that, initially?


The most beautiful thing is just looking at him in the glory days of All My Children, and the soaps, and being in New York when AMC was the top-rated show, and the world was young and we were all innocent.  The Internet did not exist, and we did not have cell phones!  We might as well be braiding our hair and singing love songs like hippies!  (Laughs) It was sort of post-70’s magic.  It was a magical time. When we moved down the street to the new studios, suddenly we became a corporate entity, and the show lost some of its sparkle.


How is Peter Bergman to act with?  Is he any good?  (Laughs)



(Laughs) The most amazing thing about Peter is he has been here for 25 years, and you would think he just got the job yesterday.  He treats every scene with a passion and conviction, and he loves what he does.  Peter was so excited to work with me, which was so heartwarming.  We have had the same tales working with former AMC director Henry Kaplan, who was in my book.  Henry would say, “Do you love her?  Well show me!”  We would say those silly sayings to each other before a love scene to break the ice with one another.


So Kelly is truly, truly into Jack?


She really likes him.  He is a nice guy, and sexy, and a turn-on for her.  I don’t think she knows why.  She is just drawn to him.  He is smart, and sophisticated.  Kelly is well-read and fought her way out of a tough upbringing to make herself into somebody, and to her Jack has become all of those wonderful things – confident in himself – and he has a rich history!  Apparently, Jack has been a bit of a playboy! (Laughs) Girls tend to find that very appealing … men who have experience.  It just means they know what they are doing when they get under the sheets, and that is good to know.  I prefer a little expertise, if you know what I mean! (Laughs)


And Kelly had now slept with Jack!  How was that? (Laughs)


Peter and I sat around the dressing room and I said to him, and I love doing stuff like this. I said, “What do you think Kelly and Jack’s sex life is like?”  And we go, “Multiple Orgasms!” (Laughs)  Peter Bergman said that!  Why do you think Jack has had so many women!  (Laughs)



Phyllis is coming back in the form of two-time Daytime Emmy Winner Gina Tognoni!  What do you think of Gina being cast in the pivotal role?


I am thrilled that Gina has been cast.  I am a fan of her work, and am in awe of her talent. I can’t wait!


You know when Phyllis wakes up out of her coma she is going to come back for Jack!  And who should have her claws into her man?  Kelly!  I see fireworks!


That seems like it’s ripe for that!  I do love a good catfight!  I remember I did one with Maura West on As the World Turns, where it was so much fun.  So we shall see what happens when Phyllis returns.


Where is Kelly at with her relationship with Billy Abbott?


Billy has moved on, and they have made it very clear to each other that it was one time, and he made a mistake.  There is still a connection.  When you sleep with somebody you kind of know them a little bit better, and you have been intimate.  I think it’s odd now that she is with his brother, but everybody seems to have done that on Y&R! (Laughs)  These things do happen in real life, and we are trying to be adult about it.  But these stories are great because they turn into really tangled vines.



When you joined Y&R, David Tom was playing the role of Billy Abbott, and soon Burgess Jenkins will be taking it over.  What are your thoughts on the acting switch?  Have you met Burgess yet? 


I met Burgess yesterday and he was lovely.  As a recast myself, I know how overwhelming the whole new world of Y&R can be!   I am looking forward to working with him and exploring more of the dynamic between these characters!  I hope I get to have a lot more with “Billy” soon!


Who in the cast made you feel the most comfortable from the minute you landed at Y&R?


I am so grateful that Melody Thomas Scott (Nikki) is who she is.  She does set the tone. She is just the loveliest star of the show.  We did a scene where she said, “I was just so mean to you, I have to hug you now!”  When I first got here she screamed to me: “Welcome to the loony bin” while wearing her slippers with her script in hand!  I just adore her.


Some fans online at first seemed to want to reject the notion of you as Kelly, and then they seemed to come around.  You are very active on social media, so what is your take on the fan’s reaction?


Photo Credit: Sue Coflin/Max Photos

The fans online have been so supportive.  I love when people have watched All My Children, or As the World Turns, and say, “Well now I am going to watch Y&R because we love those characters, etc!”  And I am very interactive and accessible on Twitter, and Facebook, and stuff.  So I definitely read everything.  Even people at the beginning were like: “I don’t know if Cady is going to work as Kelly!”  However, they seem to be coming around, and I am so grateful for that.   I am doing a different take on the character and I am happy that they are supporting me, and their verbalization, if you will, of that support.  But I will say; message boards are not for the weak of heart.  It’s tough though, sometimes comments do hurt.  I want to say, “Please don’t hashtag me if you want to say something mean!” (Laughs)  Enjoy your meanness, but please don’t hashtag me … or my boss!


Recently, one of my favorite things you wrote on your website blog at was the piece on your nose!  What prompted you to do that?


So one day I was looking up most popular searches for my website blog.  So I put in “Most Popular Searches”.  It said, “Cady McClain” and then “Cady McClain’s nose”!  I thought that was so bizarre. (Laughs)  I guess it’s not a secret anymore that I have a prominent nose.  So, I thought I would address it, laugh at it, and so I wrote a blog about it.  The nose is out of the bag! (Laughs)


So here you are the number one rated soap, The Young and the Restless.  Who else would you love to get the chance to work with that you haven’t had the opportunity to have scenes with yet?

Photo Credit: Courtney Lindberg


I have not had the chance to work with Christian LeBlanc (Michael) and Greg Rikaart (Kevin). I think those guys are amazing, and Steve Burton (Dylan) is amazing!  I have not worked with him either.  There are so many good actors and actresses on this show.  It’s great to work with people who have been in the business as long as I have.  You can sort of talk to each other in short-hand, if you know I mean.  It’s like being a professional tennis player. You want to play against the best, and hit the ball back to you, and let me tell you, some of the best are right here in Genoa City.

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  1. Harry

    June 5, 2014 at 10:09 pm

    I had no idea Cady had such a hellacious childhood. The book sounds compelling and I will read it. And yes, I do remember she (Dixie) went through a period of changing her hair almost every month it seemed. Love, love, love reading about her experience with two of my favorite actors from daytime–Michael Knight and Peter Bergman–it always came through that both actors are very gracious and lovely.
    I hope the writers can write decent stories for Kelly–she deserves it.
    Thank you for the very interesting interview, Mr. Fairman.

  2. A Baptiste

    June 5, 2014 at 10:14 pm

    Love and respect for this true star who keeps daytime alive with other greats. She had much responsibility while so young on AMC and delivered and still delivers. She is a strong, positive team player. And her book, it is brave and it has helped me, as a survivor of very similar abuse…and I am a man, these things do happen to men, too. I am so glad she is happy and I do think Cady may be part of daytime’s resurgance “in new ways” after all, bless her.

  3. Ginger Willett

    June 5, 2014 at 10:15 pm

    I love you and Jack together and I am thrilled you are on Y&R…hope we find out the Stitch connection soon!!!

  4. Kim Huck

    June 5, 2014 at 10:22 pm

    This was a mistake to recast. i liked the other kelly. I really hope Phyllis never comes back

    • Harry

      June 6, 2014 at 2:27 pm

      We have got to give our actors time to settle into their characters (for example–David Tom really deserved a fair chance). Cady is finding her stride and I really enjoy her scenes with Peter Bergman.

    • Megan

      June 7, 2014 at 12:30 pm

      Well sorry Phyllis is coming back. So you better get ready.

  5. Carole

    June 5, 2014 at 10:31 pm

    I love her!

    • mollie

      June 9, 2014 at 9:02 pm

      Love Cady, too! I was thrilled she was cast as Kelly. She works well with Peter/Jack, too.

      My hope is that the audience gives her a minute to settle into the Kelly character and make it her own. Please, dear God, give Cady good script !

      PS Susie F*cking Homemaker is a riot. Hope Cady does more 🙂

  6. Conny

    June 6, 2014 at 1:03 am

    Thank you Mr. Fairman for this interview with Cady McClain. It is always nice to be ever so enlightened as to what make actors tick they way they do. You covered some sensitive material with Cady. But , also delivered it in a way that allowed to be professionally presented. Some of the the tools of Cady ‘ s personal life that was afore mentioned., I did not know. Through your interview, I’ve learned how much of an overcome Cady is and where she draws her strength from. I used to watch her as Dixie on AMC. Kelly seems like a much different character than Dixie.
    I look forward to seeing how Cady will pull off the layers of Kelly and expose her us viewer in full character. I think her placement in Genoa City is a great asset to the show. So thanks again for bringing this interview to devoted fans like me.

  7. Scott (ATWT Fan)

    June 6, 2014 at 5:50 am

    Cady is a class act, always has and always will be. I knew she would be perfect for the role of Kelly Andrews when they announced their decision to recast, and I was right! I paired her and Peter in my own webseries in 2012, and it’s almost as if I saw this coming from a mile away!

    She is a strong woman to share her back story, and I applaud her through everything for doing it. It takes a strong and confident person to admit the things she’s admitted, while still holding strong in her own life. I applaud her for that!

    Suzy F*cking Homemaker is hysterical; I love the comedic side that Cady has, and hope that Y&R will be able to play off of that in the future. Cady’s connection with the Y&R is strong and sustainable, and I cannot wait to see her inter-mingle with the rest of the heavy-hitters. She was the absolute perfect choice for Kelly Andrews, and I hope we have decades worth of material from her! Cady and Maura’s catfights on As the World Turns were always strong and fierce, and it makes me wish Maura was still Diane. But she’s doing fabulous work over at General Hospital as Ava Jerome.

    I look forward to seeing Kelly interact with more of Genoa City’s elite cast; I hope she does get those scenes with Christian, Greg and Steve like she would like. Would love a friendship between Nikki and Kelly, too. I feel like Nikki could use a real girlfriend now that Katherine is gone.

    • Carole

      June 10, 2014 at 9:57 am

      Stranger things have happened like Nikki and Ashley being cordial, and Lauren and Christine having lunch together!

  8. Izabel

    June 6, 2014 at 12:50 pm

    Loved reading this. Never really read too much on actors but its good to know a little about where they came from and how they translate that into roles.. Having said tthat, its hard not to judge character since all we see is their tv role. I liked cynthia watros’ version of kelly but now I tthink cady has a good chance to make the character more her own. Cozy for her and jack! Always liked her friendship with Lilly! And can’t wait to see the connection with stitch, hope its intense.

  9. Mary SF

    June 6, 2014 at 7:29 pm

    Admire her as a person and respect her as an actress, but sorry I don’t like her interpretation of Kelly. CW’s Kelly was dark, and you could tell the character was beaten down by life, but Cady’s Kelly is too light and almost bubbly that the transition is hard to adjust to.

    I get the character is moving on, and has a new outlook, but I just feel something of the character’s personality was lost in the recast and I think it would have been more interesting to see CW take on Kelly learning to be vulnerable as Jack worked to bring down her walls.

    Don’t get me wrong, I think Cady is doing what she can coming in at such important time in the character’s development— and perhaps it is was the writing that changed Kelly more than Cady did– yet IMHO I believe Kelly was more interesting complex character when CW played her– now I could take her or leave her.

  10. Sherie

    June 7, 2014 at 10:21 am

    Sorry, I don’t like her very much. I never liked the character of Kelly so it is hard to appreciate any one in that role. But I did prefer the original lady.

  11. Megan

    June 7, 2014 at 12:29 pm

    Cady is truly an inspiration to me and many others. Her book is a fantastic read that I encourage everyone to read. She’s one of a kind.

  12. Timmm

    June 8, 2014 at 3:22 pm

    Cady is a huge upgrade from Cynthia. I can now believe that this Kelly and Jack would actually be together and I see Cady and Gina blowing their scenes out of the water! Cady, great job on Y&R and a greater job of overcoming your horrific childhood.

  13. jaybird369

    June 11, 2014 at 1:12 pm

    AWESOME INTERVIEW!!!!! And, as an actress, Cady McClain TRULY ROCKS!!!!!

  14. Nikki

    June 11, 2014 at 7:31 pm

    Wow… Heartbreaking. Thank you for the very interesting questions.
    I am not a fan of the recastt. The character has taken a very sharp turn which I don’t think is bad. The old Kelly was always angry. I think there is such a drastic change in character that you forget how Kelly first came to be. My problem is that I feel Cady is wY over the top n every scene. Not a fan f the acting.

  15. Rapids

    June 19, 2014 at 8:16 am

    How do we know if her story of abuse is true? It is easy to say bad things about the deceased.

    • Nita

      June 23, 2014 at 6:05 am

      Not so easy to think someone would make up such a horrific lie stemming from the unfortunate acts of the adults that were responsible for the care and well-being of a child. Not to speak ill of the dead, but what were the parents thinking? Just goes to show how God takes care of children and how strong it made her. I was a victim in some of the same ways, so it is not so hard to believe. What happened in your life that made you so cynical?

      • Rapids

        June 25, 2014 at 11:43 pm

        What happened in your life that you automatically believe every accusation made is true? I don’t know these people and either do you.

    • Lindy

      July 9, 2014 at 8:23 pm

      One does not normally question something like this without a good reason. What makes you think her story of abuse is not true?

  16. Patrick

    June 22, 2014 at 10:34 pm

    this is my most favorite response of Ms McLain :

    The most beautiful thing is just looking at him in the glory days of All My Children, and the soaps, and being in New York when AMC was the top-rated show, and the world was young and we were all innocent. The Internet did not exist, and we did not have cell phones! We might as well be braiding our hair and singing love songs like hippies! (Laughs) It was sort of post-70’s magic. It was a magical time. When we moved down the street to the new studios, suddenly we became a corporate entity, and the show lost some of its sparkle.

    I love knowing and sharing with people… that I grew up in the 60s, 70s, & 80s…. before internet… before cable… before cell phones…

    every thing went to heck and handbasket there after.

    I cherish the memories that folks like… can recall and dream… we had the best of times.. and magical instilled

    imagination, festive, endorphin, electrolytes, testosterone… whatever makes us trigger

    is ours

    Ms. Cady McClain : congrats on your new position @Y&R
    Ms. Cady McClain : congrats on your nuptials with Jon Lindstrom
    Ms. Cady McClain : you are not alone in your childhood trauma

    Ms. Cady McClain : Thank you

    Ms. Cady McClain : you are an invaluable presence in our genre

    my best to you always


  17. Tracey

    October 14, 2014 at 3:43 pm

    Ms. McClain has always been a class act. <3 her.

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Y&R’s Executive Producer Anthony Morina Talks On Daytime Emmy Drama Series Win For Neil’s Memorial & Honoring Kristoff St. John

Last Friday night, The Young and the Restless was named the Outstanding Drama Series at the 47th annual Daytime Emmy Awards broadcast on CBS. The show won on the strength of their submissions, which centered on the death of Neil Winters; including when the residents of Genoa City find out of his passing, and the subsequent heartbreaking memorial service in his honor.

However, what made those hours of television unlike anything seldom seen; were not only was Genoa City saying goodbye to Neil, but the cast was saying their goodbyes to their beloved friend and colleague, Kristoff St. John (Neil) who had passed away suddenly back in February of 2019.

Y&R’s executive producer, Anthony (Tony) Morina accepted the award for the top-rated CBS Daytime drama during the Emmy telecast, which now makes Morina a five-time Daytime Emmy winner himself!

Michael Fairman TV chatted with Tony on the series emotional Emmy win, and what it meant for him to win the gold for these incredibly moving and special episodes that were at its epicenter paying tribute to Kristoff in the best way the soap opera could. Here’s what Tony shared on the Y&R Drama Series victory and more.

Photo: JPI

Congratulations on your Outstanding Drama Series win. The episodes that you submitted were at every level, so gut-wrenching, sincere, and beautiful.  What did you think about the process that you went through to make these right for Kristoff and the character of Neil?

TONY:  Occasionally, when you are in this business, as you know, you work so hard to achieve certain things, sometimes you think you’re achieving something, and you’re not, and sometimes something shows up that surprises the heck out of you, and this was kind of it for me.  But what didn’t surprise me, of course, were the actors’ ability, the director’s ability, and the crews’ ability, and for these episodes it was at such a high level.  Sometimes there is an emotional element, or an otherworldliness thing that takes over.

Photo: CBS

Yes, because it was all so real and raw; in that we were watching the characters who loved Neil Winters mourn him, but we were also watching all the actors who loved their co-star.

TONY: When everybody was in that church set and were giving their eulogies, it felt like everybody was so behind each other, and everybody just cared for each other so much because they cared so much for Kristoff.  All the eulogies that people were doing were a page and a half to two pages.  They were really long, but you could feel the emotional tension, and you could feel how people just felt.  Kristoff was a very unique special person, who ended up going through some rough times, but he really was beloved.  Sometimes you love people, and sometimes you say somebody is beloved.  Whenever you saw him, he put a smile on your face.  He made you feel like he really cared about you.  Those shows came together really out of this feeling of love.  We did two whole shows that day.  We did that whole show and the show that came after it.  I don’t know how many hours of a day it was, but people had so much emotion attached to it that those shows really kind of took over themselves with everybody just trusting and letting go and supporting each other.  I got a text from Peter Bergman (Jack, Y&R) saying how it was one of the greatest experiences he’d ever had in terms of how it all came together.  Those shows just meant a lot to us, and I really felt that if we didn’t win, I’d be perfectly fine with that, because I was just so glad that we were able to do these episodes, and people got to see it.

Photo: JPI

At what point did you decide, “We are going with this to submit for the Emmy!”

TONY:  I actually knew that day.  I think, I actually said to Josh Griffith (head writer and Co-EP Y&R), “This is going to be our Emmy show … or one of our Emmy shows.”  The other show when everybody finds out Neil died was an incredibly powerful show to me too, but I knew that day when we shot the funeral that you rarely see that kind of rawness.  When you get into this business, and you want to become an actor, it’s tough, but you know that in the end what you want is to get into a position where you can share who you are as a person in an artistic way.  I think the Neil memorial gave people a way to say, “This is why I do this because I get to really share myself, and I get to express how passionate I am and how much I care about other people.”

Photo: JPI

Shemar Moore (Ex-Malcolm) came back to honor his dear friend and on-screen Y&R brother.  How was it having him on set with you to share this experience?

TONY:  Shemar was amazing.  He was there until the bitter end of our tape day.  He could not have been kinder and more supportive of everybody, and really laid out his emotions, and it was like that with everybody.  I would say this was the the most amazing experience I have ever had.

What do you think Kristoff would say?  I think he would be very proud that you gave Neil a real proper sendoff.

TONY:  Absolutely.  I also think Kristoff, would have thought that Neil deserved it, and would have loved it, a, it’s an interesting question because you have got to say to yourself, “Does Kristoff feel he deserves it?” As a character, he’d definitely feel he deserved it.  He was a part of that community.  He was a part of Genoa City.  Those were his friends and his family.  Would Kristoff feel he deserves that?  I don’t know if he would have felt he deserved it, but I know he would have loved knowing how much people cared for him.  I think that would have meant the world to him.  I really do.

Photo: CBS

I loved your acceptance speech.  I thought it was one of the better ones of Emmy night. 

TONY:  Thanks so much.  Matt Kane (publicist, Y&R) has been amazing.   He gave me a lot of guidance on where to go, and my wife, Sally (Sussman Morina) really helped write the speech because the rules were you’ve got 30 seconds.  I really believe in the notion that when you have an opportunity to speak in front of people about something, it has some meaning to you and to other people.  I think you have to put thought into it because how many opportunities do you get in life to share about yourself and how you feel about people?  So, I really appreciate you saying that.

Photo: CBS

What did you think of your Y&R actors: Bryton James’ (Devon) and Jason Thompson’s (Billy) major Emmy victories?

TONY:  Well, personally, I am enormous fans of both people.  I like when nice, good people have nice things happen to them, and you know them.  First off, I was so happy for Bryton because I know he and Kristoff were close, and I know he was deeply affected, as Christel Khalil (Lily, Y&R) was, as everybody was, but they were like family.  I love Bryton personally, and he laid his heart out there.  As for Jason Thompson, people think the world of him, and I think he is an unbelievable actor.  I taught for years, and I have worked with a lot of actors, and I think Jason has such control of his work.  I’m impressed by him.  I’m just as impressed by who Jason is.  I think he’s deserved it other times too, and this was his first win; which must be very special for him.

Photo: deCazotteFacebookPage

During the In-Memoriam tribute on the Emmy broadcast, former producer, Lisa de Cazotte was also featured.  What can you say about your time working with her at Y&R and over your career?

TONY: I’ve known Lisa De Cazotte since Santa Barbara when Paul Rauch (former executive producer) brought her there, and that’s where we first met. Lisa was probably my favorite producer to ever be in the booth with because she let you be yourself, and she let you do your job, and yet, she still had control over the room and the studio.  She was a great touchstone for me, because when you are in this position, you need someone to bounce stuff off of or just say, “Am I really being an idiot here?” because we were old friends, she could say, “Tony, you’re being an idiot.”  (Laughs)  We miss her terribly.  She was really a loved person, and she was just fantastic at what she did.  I just miss her as a friend.

Photo: JPI

And of course, the In-Memoriam featured the late Y&R co-creator, Lee Philip Bell who also passed recently. 

TONY:  Yes, and that’s what was interesting about that speech I gave, because you had to mention those three people: Lee, of course, Kristoff, and Lisa – three truly linchpin important people in daytime drama for many years. Losing all three made it a particularly rough year for The Young and the Restless family.

I also wanted to talk about Eve LaRue (Ex-Celeste Rosales), who had never won a Daytime Emmy but she did for her work on Y&R! She was very emotional and moved by her win as Outstanding Guest Performer in a Drama Series.  What can you say about Eva?

TONY:  She is such a lovely person and she did a great job for us.  I’m just glad for her because I know she had ever won before.

Photo: JPI

One of the clips shown on the Emmy broadcast that Y&R chose for air from Neil’s memorial was Victor’s emotional eulogy; which Eric Braeden delivered so beautifully.   I know how found he was of Kristoff; so it made that on-screen moment all the more heartbreaking. What can you say about Eric?

TONY:  Eric feels as deeply as anybody who I have ever known.  Really, he can come across sometimes as a certain kind of image for people on-screen, but he cares deeply, and is the most supportive actor of every other actor.  Eric has a depth and is a fantastic actor, and he knows how to use his talent.  He actually called me last night and left a message.  He just said, “Hey, I saw you on TV,” and then he just laughed for 5 minutes.  It was really very funny.  He’s not used to seeing me on TV, and so he just laughed.  It was hilarious.

What did you think of Y&R’s win for Outstanding Drama Series knowing they submitted the episodes of Genoa City finding out Neil had passed, and his funeral? Share your thoughts on Tony’s remarks via the comment section below.

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Daytime Emmy Winners: Jacqueline MacInnes Wood, Scott Clifton & Heather Tom Talk Winning the Gold & Returning to Work at B&B

This week, The Bold and the Beautiful has been airing encore presentation of Daytime Emmy-winning performances from some of the cast over the years as a prelude to tomorrow night’s 47th annual Daytime Emmy Awards on CBS.

The weeklong Emmy celebration concludes tomorrow with Jacqueline MacInnes Wood’s (Steffy) Emmy-winning performance from last year which won the Outstanding Lead Actress in a Drama Series prize for the first-time in her daytime career.

Michael Fairman chatted with Jacqui, along with five-time Daytime Emmy-winner and a nominee for Lead Actress again this year, Heather Tom (Katie) and three-time Daytime Emmy winner, Scott Clifton (Liam).  As daytime soap fans know, Heather and Scott hold the distinction of being the only actors to win in all three acting categories: Younger, Supporting and Lead.

In this candid and fun conversation on the Michael Fairman Channel on You Tube, Jacqui, Scott and Heather remember the nights the won Emmy gold, their acceptance speeches, things they wish they would have said, and what it was like waiting for their names to be called, plus taking a stroll down memory lane and remembering when they taped their Emmy-winning performances.

Scott reveals why he chose not to submit himself in Lead Actor this year, even though he has some of the finest performances throughout the Baby Beth baby switch storyline,.

Later the trio talk about The Bold and the Beautiful being the first U.S. soap opera and first U.S. broadcast show back in production following the shutdown during the coronavirus pandemic and how B&B is looking to shoot episodes during the times we live.

Watch the full video interview below.

Then let us know, what was your favorite part of the moments shared by Jacqui, Scott, and Heather in the Emmy conversation?  Do you think Heather might tie Erika Slezak (Ex-Viki, OLTL) tomorrow night with her sixth win in the Lead Actress category?  What do you think of B&B’s return to production following the sentiments shared.

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Days Of Our Lives

DAYS Thaao Penghlis Chats on His Daytime Emmy Nomination & How He Makes Tony DiMera One of a Kind

He has been one of the longstanding cast members of Days of our Lives and certainly of Salem’s notorious DiMera Clan; and while Thaao Penghlis may be off our screens for a time and then comes back again; though the years one thing has been true, he delivers top-notch performances in a way that is uniquely ‘Thaao’.

This year at the 47th annual Daytime Emmy Awards to be broadcast on Friday night, June 26th at 8 p. m. EST, Thaao is vying for the Outstanding Lead Actor prize amongst a formidable group of other daytime favorites.  And this makes it two years in a row that Penghlis has received an Emmy nomination although this time in a different category.

As fans know, Penghlis takes the art of acting seriously, and expects other he works with to bring their A-game, just as he does time and time again; whether it be playing DAYS dashing Tony or the evil Andre or when he portrayed Victor Cassadine on General Hospital.

Michael Fairman TV spoke to Thaao to get his thoughts on: receiving the Emmy recognition and what it means to him what he thought about his nominated scenes, plus what he might be doing at home during the ceremony, and where he hopes Tony DiMera’s future is headed.   Here’s what Thaao shared.

Photo: JPI

Tell me about what scenes you submitted that landed you a Lead Actor Emmy nod!

THAAO:  Well, the week I came back to DAYS, I had 11 shows, and this material was from one show of three I did one day!  When you think of other actors doing 150 shows, and I did less than 50 this past year, my choice is kind of limited.  So, when I came across these particular scenes, which were with Eric Martsolf (Brady) and with Arianne Zucker (Nicole), what I liked about it is that usually when you see other peoples’ work, its histrionic, it’s great tears, it’s drama – and what I was able to put together had a through line and an arc from beginning to end.  It makes it very logical when somebody is following your story, and you can show a whole ebb that makes sense.  I had some lines that were really difficult to say, like, “Coming back from the dead is not easy.”  When I get lines like that, I throw it away, and because of that, it becomes humorous.  I have to say I work well with Arianne.  She was great.  I found in the past, when I have worked with some actors, they step on your lines.  I found the best way to stop that is I put my hand up, and I say, “Hey!” and everything goes silent.  They go into shock mode, and I say, “I haven’t finished,” and then I go on.  (Laughs)  So, when Kristen as Nicole starts to talk to Tony the way she does, and she says, “You’d better behave…” I thought, “This is a DiMera you are talking to,” so, I just snapped back at her.  I gave her a, “Hey!”  So, she shut up, froze, and I went on.

Photo: JPI

Would you say your reel was more comedic … or both funny and serious?

THAAO:  It is both.  There are subtleties to it.  There is a teacher I know in Australia, and she is very critical.  She said, “I want to see your work.”  I showed it to her, and she wrote back, “Oh my, God.  How did you make those transitions so readily?”  I went, “Oh.  How did I do it?”  I didn’t think of that.  I think it’s an old technique.  It’s called having to do 3 shows in one day, and you had better get your stuff right, and it’s about how do you make a scene work?  There is one director who I did a miniseries with who said to me, “Where did you get your training from?”  I said, “Daytime.”  He said, “My God.  You certainly know how to have a camera follow you,”   Well, the camera has to follow your movement.  So, when I finished a transition, I’d move to another spot, and the camera had to follow me.  So, what happened in the arc of this Emmy-nominated piece is that I took charge and controlled the scene so that it became a scene of lots of transitions. And of course, charm, I did all of what I thought Tony would be.  He is a DiMera.  I have one of those looks. I don’t know where it comes from, maybe it’s as I get older, but I’ve learned how to work the camera where I may slam something first to get your attention, and then the camera comes onto your face, and you’re going, “Oh, what the hell is he thinking?”  So, I can play the dark side quite readily, and yet in my real life, I’m not so bad. (Laughs)


You have Thorsten Kaye (Ridge, B&B) and Steve Burton (Jason, GH) also in your category, and these guys who are obviously been soap veterans like yourself.  What do you think about the group you have been nominated with? 

THAAO:  I never worked with Steve Burton, but hear good things.  I know Jon Lindstrom (Kevin/Ryan, GH).  He’s a lovely actor.  I have worked with Jason Thompson (Billy, Y&R).  He’s a lovely actor.  He is well-trained.  So, it is nice to see that the nominees are all vets.

Right, they are all vets.  It seems like a good group to be with. 

THAAO:  I agree, and I love that the Daytime Emmys are coming back to television.  I think it is an upswing when they think of daytime dying.  I think whoever made this happen is taking on the responsibility of taking daytime back.  It is why people love novellas.  People love the story, they love to follow the characters, and we’ve got fantastic fans.  I mean, what would we do without them?  You can’t sustain the show without them, and you pay a price, you have to know how to entertain them because once they know who you are and what you’re about, they get bored.  So, you have to be ahead of your audience all of the time.  That’s what I have always tried to do with both characters that I’ve played on DAYS

Photo: JPI

They’re doing a virtual ceremony this year.  How do you think you would dress while watching the ceremony?

THAAO:  You don’t wear a tux in your house, do you? So, I’ve invited some people for a celebratory time.  Lauren Koslow (Kate, DAYS) and her husband Nick Schillace (head of make-up, DAYS) and Leann Hunley (Anna, DAYS) are some of my great friends who have been very supportive of me through some tough times this year, and I’ve got a friend who has got  a wonderful restaurant, and he is going to cater it.  Probably it will be a group of 10.  You know, could you imagine being here on your own, in a tuxedo, with a glass of champagne? (Laughs)

I know, kind of awkward! (Laughs)  You’ll put something nice on for the big night, right?

THAAO:  Yes, you know me.  I’m always dressed.  What would you suggest?  Sweatpants on the bottom and a tuxedo jacket!  How about that? (Laughs)

Photo: JPI

Now, you have been previously nominated for Daytime Emmys, too!

THAAO:  Yes, and last year I was nominated as well for Outstanding Guest Performer.  So, it’s kind of nice to be back-to-back, and in 2008, I was nominated for Lead Actor when I played the clown in the Tony and Andre storyline.  Thank God, DAYS recently DAYS had James Reynolds (Abe) wining in the Lead Actor category.  I thought, “Wow.”  That was for years and years of good work that he’s done, and also, Greg Vaughan (Eric) wining for Supporting Actor was very nice, but we haven’t had that many wins in the acting categories over the years.

Photo: JPI

DAYS tapes so far ahead of air; that what was once a seemingly major concern has paid off swimmingly during the coronavirus pandemic.  The soap is the only show to have enough episodes in the bank for months ahead when production shut down and enough even when other shows go back into production.  Who would have thought?

THAAO:  We used to think it was ridiculous that DAYS taped eight months ahead, but look at us now! Who would have thought is right?

What would you love to see happen with Tony when DAYS does resume filming new episodes again? 

THAAO:  I’d like to go back and play the head of the DiMera family.  I’ve never been granted that, and I think, at this stage, with the way I worked with Joe Mascolo (Ex-Stefano) it would be nice to see the transition just like Michael Corleone did in Godfather.

So will you be rooting for Thaao to take home the gold as Lead Actor in a Drama Series come Emmy night?  Do you hope DAYS writes Tony into upcoming story, and if so, how would you like to see him on the canvas? Comment below.

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Video du Jour

B&B’s Heather Tom talks with Michael Fairman immediately following her record-tying win in the Lead Actress category during the 47th annual Daytime Emmy Awards.  Heather and Erika now hold the most wins for an actress with 6! Leave A Comment

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