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Wally Kurth Talks on His DAYS Daytime Emmy Nomination, His Emotional Scenes, and Remembering John Aniston

By Michael Fairman

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Photo: JPI

During our 2023 year-end honors at Michael Fairman TV, we named Wally Kurth as our pick for Best Overall Performance by an Actor for his double-turn as both Ned Quartermaine on General Hospital and as Justin Kiriakis on Days of our Lives. So, it was absolutely no surprise to us that Wally landed a Daytime Emmy nomination for his riveting work as a grieving Justin in the Supporting Actor category for the upcoming 51st annual Daytime Emmy Awards.

On DAYS, Justin had been put through the emotional wringer, of first, losing his beloved Uncle Vic, played by the late John Aniston, and then finding out that Victor was the supposed biological father to Justin’s son, Alex (Rob Scott Wilson). If you didn’t reach for the hankies during some of Kurth’s work in these scenes, we don’t know what will make you do so.

Michael Fairman TV caught up with Wally to get his reaction to his fourth Daytime Emmy nomination in the last six years. Kurth was nominated in the Supporting category in 2018, 2020 and now 2024 and Lead Actor in 2021.

In addition, Wally shares what scenes were on his nominated reel, how John Aniston impacted his work, how he has changed as an actor over the years with a new outlook, and being the only actor out there with two long-running roles on two long-running soaps, and much more. Here’s what Wally had to share below.

Congratulations on your well-deserved nomination. You decided to submit yourself this year for Emmy contention in both Lead Actor for GH and Supporting Actor at DAYS, correct?

WALLY: I did. I thought the DAYS reel was a little more dramatic, much more emotional. I had thought with the way the judging goes that it might be a little bit more, winnable, if you will. I enjoyed and was proud of my work at General Hospital, so it’s all good. I’m thrilled. It’s always nice to be nominated.

Photo: JPI

What scenes did you ultimately choose for your Supporting Actor reel?

WALLY: I started chronologically, as always, trying to tell a little bit of a story. I actually started with a scene where Justin has to tell Maggie (Suzanne Rogers) that Victor’s (the late John Aniston) plane went down and it was not found. Then, the scene with Bonnie (Judi Evans) where I sort of have to let it all out, and grieve the loss of this man who was practically Justin’s father, but it was his Uncle Vic. We have a little scene talking about Victor, and then there is a short snippet at the funeral where Justin eulogizes Victor. Next, we jump to scene where Justin discovers the letter where Angelica admits that indeed Victor is Alex’s father (Rob Scott Wilson). So then, Justin has to tell Alex, and then I also sort of grieve the fact that I’m no longer his father. Justin basically lost his son. It was very dramatic and very emotional. I was guessing the judges would be like, “Hey! Enough with the crying! Stop, you big baby!” But, they didn’t. They must have thought that it was convincing enough that it felt really truthful at how Justin was upset about these two unfortunate realizations.

Photo: JPI

You bring up a really good point. I talk to actors all the time about crying on Emmy reels. Sometimes, many feel it might put voters off. But obviously, this time it worked well for you!

WALLY:  What I liked about the crying scenes was that, like in real life, you’re not crying all the time when something bad is happening, right? I think crying happens and it takes you off guard. It happens without you realizing it. These were all moments when Justin was alone, really. Bonnie comes in the room where Justin is just kind of like dealing with it. And then her coming in, opens up Justin and she is there to hold him. I think that often happens in real life. I thought that was correct for the writers to do that, you know, that Justin would break down when he was alone.

Photo: JPI

Did you feel the pressure of wanting to get these scenes when Victor died and at his memorial, just right due to the enormity to it, and to do justice for John Aniston?

WALLY: I allowed myself to use my heartbreak over John Aniston. I loved him. I just sort of allowed his presence for me in the scenes. It was sweet. It was good for me. I’m just thinking about it now and I feel teary-eyed. John was such a sweet man. He led by example, and he really did teach me how to be a professional actor, and he was a mentor. He never told me anything specific, but he was just John, and in the scenes, this was the time for me tell him how I feel.

Photo: JPI

Then, you had the heartbreaking scenes with Rob Scott Wilson where Justin tells Alex he is not his father!

WALLY:  I thought that was just really challenging material. As I get older, I just trust the material, and don’t get ahead of myself. I trust myself with the emotion. Just let it happen if it happens. When I first read it, I kind of imagined what it could look like and then you just let it unfold from there.

You’ve got Robert Gossett (Marshall, GH), A Martinez (Nardo, The Bay), Mike Manning (Caleb, The Bay), and Bryton James (Devon, Y&R) all in your category. Robert has won two Daytime Emmys in a row, last year for Supporting Actor and the year before for Guest Performer.

WALLY:  l love Robert. I worked with the character Marshall on General Hospital, and we had so much fun. He’s a great guy and a really good actor. A Martinez is the best guy ever. I have such admiration for him. Whenever I see him, we always really connect and to be in included with him is great. Bryton James, I don’t know, but I know he beat me in this category in 2020. Mike Manning, I didn’t get the opportunity to know when he was at DAYS as he weren’t in scenes together, but I hear good things about him, too.

Photo: JPI

When you are judging Emmy reels, what do you look for when you’re voting on a performance?

WALLY: That’s a really great question. And because let’s face it, there’s just a lot of terrific talent in daytime. This year, I judged two categories. I don’t just go with, “Okay, who’s crying the most.” I really try to go with the one who’s touches me the most, who surprises me and moves me. And so, if you go with that, you’re probably going in the right direction. I also think that upfront you do need to kind of give them something in the first couple minutes that shows you know what you’re doing and don’t make it too repetitive.

Who did you first tell you were nominated?

WALLY: My manager, Michael Bruno called me. I was in Chicago with my daughters having a late breakfast and I knew the nominations were going to happen around 11 am Chicago time. I didn’t tell my daughters about what was happening, just in case, I didn’t get nominated. So, when Michael called, I went, “Oh, boy!” I told my daughters who were sitting at the table with me. So, they were the first two people that I could tell, and that was really nice.  We had champagne which was really funny because I bought three little glasses of champagne, and as soon as I bought it, we toasted. They said, “We don’t really like champagne.” So, I ended up drinking all three glasses. (Laughs)

Photo: JPI

What do you think of Eric Martsolf (Brady), your Day Players Band member, and DAYS co-star getting a Lead Actor nomination?

WALLY: I remember, I was like talking to him and I was like, “Eric, are you going to submit yourself?” And he is like, “I don’t know. I don’t really have anything …” And the next thing you know, he’s nominated. I’m like, “Wow! I guess he found something!” (Laughs) I love Eric. I have such respect for him and his gift, and he works really hard. So, I was very happy for him. I’m glad we weren’t in the same category, however.

How many years now have you been playing Justin on DAYS?

WALLY: I started here 37 years ago in 1987. I was there for four years and then I left. Then, 18 years later, Ken Corday (EP, DAYS) invited me back in 2009 and I’ve been on the show now for 15 years. So, I guess a total of 20 years on and off over the last 37 years. Everyone remembers 1987-1991 … those were big, big years for Justin and Adrienne who back then were a supercouple.

Photo: JPI

Have you determined who you would thank in your acceptance speech if you win this year’s Supporting Actor Daytime Emmy?

WALLY: I feel like this year I kind of have an idea of what I would say. I think I can remember all of that without writing it down. If I had gotten nominated for both shows, I was definitely going to point out and thank the powers-that-be for giving me dual citizenship and how much I appreciate that. I do think that being on both soaps, I will go to my grave believing that it’s made me a better actor. In fact, since I’ve been doing both shows, I’ve been nominated for Daytime Emmys. I’ve become a better actor. I feel like maybe it’s just that I’ve gotten older and wiser, but I feel as though when I go in there to work, I’m really focused and I’m really prepared. I know I pretty much get one shot to get it. We’re in the business of “one takes” now in the soaps.

Photo: Peacock

People are so lucky to even have one enduring role in their careers, but you’ve been able to have two, and they’re completely separate characters on two legacy shows; one which just turned 61, General Hospital, and the other Days of our Lives which will soon celebrate 60 years, as well.

WALLY: I didn’t plan on it. I must have done something right. Back in 2009, Ken called me up and invited me back to DAYS. I really jumped in. I’d been out of work for four or five years. I went back with a whole new attitude about the work, about the genre.  In 2004, when I left General Hospital, I was kind of burnt out. Looking back on it, I didn’t have a good attitude and I was just done. I was kind of tired. New writers come in and sometimes, when you have new writers that look at your character differently, it can be very difficult, because you just know that their passion is not with your character. However, in this case, I’m like, “I’m going to take whatever the writers give me and do the best I can and do my job. Let the writers do their job.” I think the writers also know that I really respect them and I’m not going to complain. I’m not going to tell them what to do and I’m going to stay out of it. They have enough to work out. They have enough to do. I’m going to be the problem solver, not the problem creator. There are enough problem creators. Believe me when I tell you that every time I leave those sets, I’m like, “Thank you. I love it.  See you the next time I see you.” I know how lucky I am to do both shows and to have this opportunity to act at my age and still be sent scripts. I love the art of acting. I’d do it for free. The fact that they’re paying me and I am able to do this and work with these great, wonderful, talented actors every day, it’s kind of mind-blowing.

So, will you be rooting for Wally to take home the gold in this year’s Outstanding Supporting Actor in Daytime Drama Series at the 51st annual Daytime Emmy Awards on June 7th live on CBS and streaming on Paramount+? Let us know if you remember his nominated scenes from Days of our Lives via the comment section below and how they affected you.

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Don’t get me wrong, I like Ned and all but I prefer him as Justin!

It’s just remarkable to me that this talented actor is able to excel in two daytime roles at the same time. When I watch Ned, he IS Ned. Same goes for Justin. I never confuse the two portrayals. He infuses both roles with heartfelt, real humanity. Wally Kurth — a tremendous talent!!!

Days Of Our Lives

Sheri Anderson, 3-Time Emmy Winner and Former Co-Head Writer of ‘Days of Our Lives’ to Chat Live on the Michael Fairman Channel

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Sheri Anderson, the three-time Emmy-winning soap opera writer is set to be the special guest on Thursday, June 11 beginning at 7pm ET/4pm ET for a livestream chat on You Tube’s Michael Fairman Channel.

The veteran soap opera writer has previously been the co-head writer at Days of Our Lives along with an impressive list of writing credits and tenures at: General Hospital, Santa Barbara, Guiding Light, Another World and primetime’s Falcon Crest.

Throughout her decades long career, Sheri has been involved in every aspect of the writing process including long-term storyline, daily episode breakdowns, dialogue writing and editing and more. She is widely recognized as one of the creative forces behind the high romance era of soap opera super couples in the 1980s.

Photo: JPI

ARE SOAP MORE RELEVANT IN 2026?

With the daytime soaps being mentioned in the mainstream of late, including a recent New York Times essay, Ryan Gosling’s high praise of Days of Our Lives icon Deidre Hall (Marlena), Late night host, John Oliver asking to be cast on a soap after doing a bit on his show, it seems daytime drama may be culturally relevant again, or is it really?

During the chat not only will we get Sheri’s takes on all the series she wrote for, but also ask, “Why soaps? Why now?” Why are audiences rediscovering/missing emotionally-connected storytelling? What did our genre provide viewers emotionally? And what has current programming gained technically but lost emotionally?

Join us with your comments and questions for Sheri in the live chat, as we talk the pros and cons of today’s daytime soap opera and daytime television landscape and delve into Sheri’s soap writing history and the characters she created or had a penchant for and learn about her new endeavors and outside projects.

Photos: JPI

If you are unable to make it to the live chat, but have a question or comment for Sheri that you would like us to ask on the broadcast, please drop it in the comment section below and we just might pose it on-air.

For upcoming celebrity features, livestreams and special event coverage, make sure to subscribe to the Michael Fairman Channel.

So, did you enjoy Sheri’s writing for Days of Our Lives and the other soaps she’s credited for? What do you think of the current state of the soap opera? Healthier than its been in awhile? Costing along? Relevant or not socially relevant in mainstream culture in 2026? Weigh-in and share your thoughts via the comment section below.

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Days Of Our Lives

Elia Cantu Announces Her Exit from ‘Days of Our Lives’

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Elia Cantu, who has played Jada Hunter, the daughter of Marcus Hunter, played by the late Richard Biggs from 1987-1992, has confirmed that she wrapped run her run on Peacock’s Days of Our Lives.

Cantu first arrived back in Salem in 2022 and a few months back was moved to recurring status with the long-running soap opera along with Galen Gering (Rafe Hernandez).

Now, Cantu took to her Instagram on Wednesday, June 10 to share the news of her departure and some heartfelt goodbyes.  As DAYS fans know, because the series tapes ten months ahead of dropping new episodes, Cantu will be seen well into 2027.

Photo: JPI

A BITTERSWEET GOODBYE

Along with the following heartfelt words, Elia also taped a “final bow” to punctuate her time on the beloved soap opera. She wrote, “As I say goodbye to Days of Our Lives, I’m excited and looking forward to the next chapter. Leaving DAYS is bittersweet, but I step away full of gratitude and joy for what’s ahead.”

Speaking on playing the daughter of legacy character, such as Marcus Hunter, Cantu added, “Its been an honor. She is bold, layered, and I’ll forever cherish bringing her to life. She remains a staple in Salem and I’ll carry everything she taught me as I go. Jada, you will always be my girl.”

As she concluded her message, Elia gave a major shoutout to everyone at Days of Our Lives and most importantly the fans. “To the cast and crew — Thank you for your hard work and long hours,” Cantu shared. “What a journey it has been. To the DAYS fans — Thank you. You are incredibly supportive, caring, and dedicated. I’m so grateful for each and every one of you. There’s more to come, and I hope you’ll come along with me for what’s next.”

Recently in story, DAYS had been building the on-again off-again romance between Jada and Shawn Brady (played by Brandon Beemer). No word yet how the series plans to write-off Jada, which we will not see revealed until next year.

You can check out Elia’s touching post below as she wraps her run at Days of Our Lives.

Now let us know, will you miss seeing Jada Hunter on you screens? Did you enjoy the performances of Elia Cantu? Share your thoughts via the comment section below.

 

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A post shared by Elia Cantu (@eliacantu)

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Beyond the Gates

2026 SDSA TV Award Nominations: All Five Daytime Dramas Score in Best Achievement in Set Decoration

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The Set Decorators Society of America has revealed its nominations for 2025-26 SDSA Awards for Television, which recognizes the work of the set decoration and production designers in primetime, streaming and daytime series.

This year, all five soap operas: Beyond the Gates, The Bold and the Beautiful, Days of Our Lives, General Hospital and The Young and the Restless all received nominations in the Best Achievement in Decor/Design of a Daytime Series category.

In its official SDSA rule book, to qualify for the category of a Daytime Series, which includes daytime dramas, daytime talk shows, daytime game shows, and daytime children’s programming, all episodes must air before 6:00pm and must have a credited Set Decorator. For daytime dramas, the content must contain multiple plotlines that are carried over from episode to episode.

Photo: JPI

WHICH EPISODES CAN BE INCLUDED IN THE COMPETITION?

The eligibility year for episodes runs June 1, 2025, and May 31, 2026.  Founded in 1993, the SDSA is an international nonprofit professional association dedicated to promoting excellence and preserving the legacy of the art of set decoration in motion pictures and television.

Several popular primetime and streaming titles that have wrapped their final seasons also received nods including Euphoria, Stranger Things, Hacks, Outlander, and The Boys. Popular titles such as Bridgerton.

Take a look below at the nominated scenic design teams from your favorite soaps:

Best Achievement in Décor/Design of a Daytime Series

Beyond The Gates: Set Decoration by Cynthia Slagter with Production Design by Bruton Jones

The Bold and the Beautiful: Set Decoration by Prim Rosales, Beth Wooke, Prerna Chawla, Charlotte Garnell, Chelsea Mondelli, Michelle Hall, & Linda Louise Sheets with Production Design by Lou A. Trabbie III

Days of Our Lives: Set Decoration by Adele Caine & Sarah Holmes with Production Design by Tom Early & Dan Olexiewicz

General Hospital: Set Decoration by Jennifer Elliot with Production Design by Andrew Evashchen

The Young and the Restless: Set Decoration by Jennifer Haybach, Justine Mercado, Maria Dirolf, & Monica Lowe with Production Design by David Hoffmann

So, which soap opera from the calendar year of basically June of 2025 to a week ago in 2026, do you think has had the best looking sets? Beyond the Gates, The Bold and the Beautiful, Days of Our Lives, General Hospital, or The Young and the Restless? Make you pick and drop it in the comment section below.

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