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Interviews

THE CHRISTIAN LEBLANC INTERVIEW – THE YOUNG AND THE RESTLESS

By Michael Fairman

Listen to the audio:

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TV SOAP:

You have great story coming up! It seems it took awhile for this all to come to fruition, wouldn’t you say?

CHRISTIAN:

I have great story, with Lowell being my father. It was yes, no, then yes, no, then yes. When you look at it, it’s kind of interesting how the writers did it

TV SOAP:

So, you are glad that the show picked this point in time to unravel the story?

CHRISTIAN:

I did not want the story to go right away. We had the whole Tom Fisher thing, and a lot of men in Gloria’s life at the time. I liked the timing of this to clear the decks and you then have the right moment. I know they were going to go with it. They kept me busy, and I was lighter in story than I am usually, but I used that to my advantage.


TV SOAP:

There was this recent tease where Michael visited the jail where the “supposed” Lowell was being housed, but it turned out he was an imposter.

CHRISTIAN:

They changed identities, and Lauren, Paul and I have been piecing this together, and it was a red herring moment. I rarely harass the writers, but I called Maria Arena Bell (co-head writer, “Y&R”) and told her that this really pushed me to the edge of my skill level! These were some interesting scenes and the degree of difficulty was high.

TV SOAP:

Like getting an 8.3 from the judges?

CHRISTIAN:

Yeah, and you kill for that kind of thing! But, they are scary and intimating all at the same time. You want to be better, so you find a better tennis player.

TV SOAP:

The caliber of your performances is always top notch. Do you rehearse as much as you would like?

CHRISTIAN:

I actually would like to do many more takes then we are allowed to, because I find new stuff to play. You get used to the system. You have to make a choice and commit to it with very little prep time.

TV SOAP:

To recap for Australian fans, why is Michael so into searching for his real father?

CHRISTIAN:

I think it all started when he had Fen. It keys it off for a lot of fathers. This is a man who went to prison. He went to therapy to change his dark ways. He was a violent man and he claimed he never had a family. Then his family shows up and then you find out why he denied his family for so long. Michael is somebody who denied his brother’s pain, but he feels responsible for it. When you have a child, you are responsible for that child. Michael has Lauren to help him discover these things.

TV SOAP

What does Michael hope to achieve when finding his father?

CHRISTIAN:

I think he wanted to be a whole person and have a point of reference. You have a whole picture, and even if it’s a bad father you get it. It’s thinking this guy will come save us one day. This goes all the way back to when I would write letters to this man thinking Gloria was mailing them, and realizing she never mailed them. She kept them just to keep this fantasy. That’s where the push-pull comes, and as long as you don’t know its fantasy, but it’s very specific things happening. I find it with adopted people. It’s an interesting dynamic. I need to know, genetically. I am a huge genealogy freak in real life. That’s what I love about Michael. He is so complex, and it isn’t any push over to be him. The easy part is just to be myself, and the writers have stayed true to his character. You want to stay true to his dark side and his humanness, and it’s good and evil. You can reform yourself, but you cannot deny your history.


TV SOAPS:

Will the revelation of meeting the real Lowell Baldwin, played by Michael Gross do you think Michael will flip back to his dark side?

CHRISTIAN:

I don’t know if it will be his downfall or not, because Lowell is such an unexpected character, and it certainly pushes all those buttons again….

TV SOAP:

….Will we have sympathy for Lowell? I think so.

CHRISTIAN:

I think so too, and a good actor does that and Michael Gross was wonderful.

TV SOAP:

Do you think they will keep the story going and play this out, and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think so. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, which I am very happy about and he could not have been a nicer man, it’s so easy and that’s his professionalism. It’s a cast of thousands, one take… fast, fast, fast. It can scare anybody, but he was right there with it.

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

So, is Kevin and Jana’s wedding a huge disaster?

CHRISTIAN:

It is an amazing, amazing. It’s an amazing series of shows.

TV SOAP:

Were you in the audition process when they were casting Michael Gross as your on-screen dad, Lowell?

CHRISTIAN:
No. That poor man just got thrown into the Baldwin’s and this huge cast! We talked a little the first day of taping, but we were thrown into these really intimate scenes, and it kind of worked. He is the consummate professional.

TV SOAP:

Will there be a big showdown between the two characters once they meet?

CHRISTIAN:

Not quite a showdown, just a discovery, and going through the myriad of emotions of when the fantasy dies and the truth stands before you.

TV SOAP:

How does Michael feel then?

CHRISTIAN:

I think he is disappointed. This would be something that was not his expectation. It’s been chipping away at his fantasy, and at the end of the day it’s the worst-case scenario.

TV SOAP:

When is all this going to play out on the air?

CHRISTIAN:

It all happens at Kevin and Jana’s wedding. I think all of Michael’s fears come together in his one meeting on this one amazing day, which is so riveting. Everyone was on that day. It kicks off on Friday, August 15, here in the States.

TV SOAP:

So, does everyone at the wedding see him at the same time Michael does? Isn’t he the priest?

CHRISTIAN:

Just think, everybody sees him at the same time, and I talk to him!

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

What about working with Tracey E. Bregman (Lauren)?

CHRISTIAN:

We are like an old married couple. There is a physical comfortness, and she makes me look good. Wait till you see her in these scenes!

TV SOAP:

But don’t you think there has got to be some major troubles coming up for Lauren and Michael? I mean, on the soaps wedded bliss can only happen so long.

CHRISTIAN:

I don’t know. I hope we have complications. I want it to be like a real marriage. I mean, we don’t have to be broken up, but certainly, there are things that a married couple disagrees about. I would like to see us have conflict.

TV SOAP:

Do you think Michael might have an affair?

CHRISTIAN:

It’s soaps and in real life, given the right circumstances for my character, anything is possible. Nobody likes ‘happily- ever- after’ forever.


TV SOAP:

How was your night at the recent Daytime Emmys? It was so hot outside! You did not walk away with the prize for Lead Actor, unfortunately. Tony Geary, Luke from “GH” won that night.

CHRISTIAN:

It was so hot! I had a ball, and I was there with Nia Peeples (Karen). It’s always a fun night out. It was so exciting. Tony Geary hugged me before the show and said, “It’s going to be you this time! I got all sorts of compliments. It’s Tony Geary, a legend, saying this! That was such an honor coming from him.

TV SOAP:

Where are your two Emmys?

CHRISTIAN:

I have got two on my piano, to instill the need in me to practice. (He laughs) I am hoping for cross-discipline. I had myself my own Emmy for everything. (He laughs).

TV SOAP:

What’s left to do and accomplish with your acting career?

CHRISTIAN:

I want to do it all. I would like to do a feature. You want to be tested. I think I have something here and I have been given a gift. It’s my job to develop it to its utmost. It has never bored me here at “Y&R”. I just worked scenes with Chris Engen (Victor Jr.) today. When it’s somebody new, I get flop sweat!

TV SOAP:

How is working with Chris?

CHRISTIAN:

He is lovely and amazing, and so is Elizabeth Hendrickson (Chloe). They keep bringing new ones in! We have a great core group here, and Chris is intelligent. It’s a plumb part and he is just getting up to speed.

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TV SOAP;

Many fans think you ad lib a lot of Michael’s material on screen. Is that true?

CHRISTIAN:

I never ad-lib… never in my life! (He laughs) And that being said, so many of those are written more than people think. I actually think it’s a great compliment. I get a lot of humor and a lot of great lines. They give me the freedom to tweak a line. But I don’t do it as frequently as people think I do. It’s just me and my timing and delivery, or even better, it’s the other actor’s reactions.

TV SOAP:

So, what do you think we can tell the fans to look forward to in the coming months for Michael?

CHRISTIAN:

I have NO idea. With the writer’s building the momentum for this storyline for quite awhile, I can’t see them not taking advantage of this front and center stage. Especially, with Michael Gross being on the show.

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TV SOAP:

There has been such turnaround with the writing teams recently at “Y&R”. Are you noticing any difference in the scripts?

CHRISTIAN:

I think you do see changes slowly, but surely. All the writers have been good to me, and I have a scene to get nominated on every year, and that’s hard to find. I like working and they keep me in the picture. I do see it evolving in the scripts. I see a mixing of all the characters again. I like to see the integration of that. I think being given the amount of time when you are new to the show that’s the hardest thing in the world. It was the late Bill Bell’s gift, and a singular gift (creator and ex-head writer, “Y&R”). He never called me by my character name. He knew who I was. But in the end, he always had these stories and they were intermixing, and there was a spider-web that existed in his head, and that does not happen easily. Not everyone is gifted that way. But still you need to have time to get your people in place. I think we are still recovering from missing Bill Bell; it was never going to be easy. It’s nice to be hopeful, but you had a singular show with a single vision and it will take time. We need people to have patience. We had a lot of passionate people contributing to the process, and its takes a lot of siphoning through till you get the formula that you want.

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Interviews

Knots Landing’s Joan Van Ark, Michele Lee & Donna Mills Share Backstage Memories, Watch Back Classic Scenes & Remember the Cul-De-Sac On Its 40th Anniversary

The primetime soap that lasted longer than them all was not Dallas, Dynasty or Falcon Crest, but Knots Landing! The series about the lives of the people of the cul-de-sac at Seaview Circle in Southern California ran on CBS from December 27th, 1979 till May 13, 1993.

Throughout Knots’ run, the show centered on the lives of female characters; most notably Joan Van Ark as Valene Ewing, Michele Lee as Karen Fairgate MacKenzie and Donna Mills as Abby Cunningham Ewing (yes, there were several other married names too!).

What made Knots Landing so special was its more ‘grounded in reality’ storylines (than over-the-top on the other primetime soaps), while also delivering the soapy goodness and those riveting cliffhangers and those gut-wrenching performances that had millions of fans tuning in every week on Thursday nights.

Who can ever forger the 3-year story arc of Val having her twins taken from her at birth, or Sid’s death that left Karen a grieving widow, or the moment we saw Abby’s other side as mother lioness with her children, trying to deal with her daughter Olivia’s drug problem.  These were only some of the unforgettable moments and portrayals by these three women.

To commemorate Knots Landing’s 40th anniversary. Michael Fairman sat down with Joan, Michele and Donna at Donna Mills’ home for this very special deep-dive conversation for his You Tube channel, The Michael Fairman Channel. 

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During their conversation the ladies share: what they thought of it each other the first time they met … if there was any competition between them, their thoughts on the leading men on the show that included: Ted Shackelford, Don Murray, Kevin Dobson, William Devane and more.   In addition, they dish on the wealth of talent that came through the show including: Alec Baldwin, Julie Harris, Howard Duff, Halle Berry and so many more.  Plus, if there were a reboot of Knots’ just where would Val, Karen and Abby be now!

In some of the most heartfelt and touching moments contained within the interview. Michael had chosen several clips from ‘Knots’ to play back to the women to get their reactions and thoughts to those fan favorite moments.   A must-see for all die-hard and longtime  “Knots” fans.

We won’t spoil anymore, but suffice to say, we hope you check out the full interview below featuring Joan, Michele, and Donna.

Then, let us know what were your favorite moments contained within the interview … and share your favorite ‘Knots’ memories during its run via the comment section.

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General Hospital

Sean Kanan, Tristan Rogers & Timothy Woodward Jr. Talk On The Making Of New Digital Drama ‘Studio City’ & Respect For Soaps

Just as we closed out 2019, the world of digital dramas saw the debut of a riveting new show, Studio City.  The series initial season can be binged watched in its entirety on Amazon Prime, which follows the life of Hollywood actor Sam Stevens and the cast of “Hearts on Fire“, America’s number two daytime drama, as they navigate the chaotic world of soap operas and their own messy personal lives.

Studio City was co-created, executive produced, and stars longtime daytime favorite, Sean Kanan (Ex-AJ, General Hospital, Ex-Deacon, B&B).  In it, Kanan plays Sam, who plays a doctor on the soap-within-the show, and whose life off the set provides the back-drop for much of the drama and heart and soul of the series.

Kanan has surrounded himself with quite the acting company which includes: Carolyn Hennesy (Diane, GH), Sarah Brown (Ex-Carly and Claudia, GH, Julia, ATWT, Madison, DAYS and Agnes, B&B), Patrika Darbo (Ex-Nancy, DAYS and Ex-Shirley, B&B), Scott Turner Schofield (Ex-Nick, B&B) and the one and only, Tristan Rogers (Robert, GH, Colin, Y&R).   In addition, feature film director, Timothy Woodward Jr. (who turns out to be a soap fan and appreciates the genre), is the man behind the camera directing the story and the cast through the ups, downs, laughs and tears of the story in Studio City,

Michael Fairman TV chatted with Kanan, Tristan Rogers, and Woodward to find out: how Studio City all came together, what their hopes are for it in the future, and about the tears (those who have watched the series have shed in episode 6) and pivotal moments portrayed by Sean, Tristan, and Patrika Darbo that have helped create a buzz for the show.  Check out what these gents had to share below.

Photo: Studio City

Sean, in the stellar cast are many daytime notables including: Carolyn Hennesy, Sarah Brown, Patrika Darbo and Tristan. Did you reach out to them individually… and tell them what you had cooking with Studio City?

SEAN:  (Laughs) Did I reach out to them?  I had to beg them.  When you do a project like this, nobody is getting rich yet.  This really was a favor and a labor of love.  Patrika and I have really worked on more projects together than I can count.  Carolyn was on my radio show.  There was nobody else I wanted for their parts then Carolyn, Patrika, and Sarah. The idea of Tristan came a little bit later because I had written the character, but the character was actually very different.  He was actually a homeless guy.  He was a guy who had been a doctor and had been strung out on Vicodin, and had had a mishap in the operating room, and lost his license and then became homeless, but he was sort of this homeless sage poet who was giving Sam these bits of wisdom.  Ultimately, through meetings and compromises, it evolved into what it is now, and then, once that happened, I was like, “There’s no reason Tristan can’t play that,” and everyone signed on after a lot of coaxing, but they all did it for me.  I’m so grateful for that because it wouldn’t be what it is without those wonderful people in the series.

TRISTAN:  What happened was he said, “Will you do this part?”  I said, “Yeah.”  Sight unseen.  I figured Sean is an actor with relatively good taste (laughs) so he’s not going to give me a piece of s**t to do.  (Laughs)   Then, he sends me over some copy, and the copy is really good.   So, we set the week up, and that week turned out to be three weeks from hell for me because of my schedule!  I was doing General Hospital.  Then, I had Young and the Restless come in on top of that.  Then, I was doing The Bay, and somewhere in all of this I was doing Studio City.  So, I’m trying to figure out how I am going to do all of this.  In the meantime, Studio City said, “No, we’ve got to do it at a particular time because of the location.  We can’t get it at any other time, but these times…”  I said, “Okay,” and I’m thinking to myself, “God, how the hell am I going to make this work,” because I wanted to do everything, and I didn’t want to have to cancel anything.  I wanted to do it all because all of the projects were so good.  The Young and the Restless project was just an absolute joy to do working with Jess Walton (Jill).  We got Y&R all done in one day   So, I liked that.  After I finished that, was the day I started Studio City, and we were shooting  in a high rise where Sean and his wife Michele were living at the time.  They shot in a vacant apartment next door.  Right away, I was totally impressed with what was going on.  The level of production was really high.  I got the dialogue as I walked on set, and I had to sit down quietly because it was about a page and a half monologue, and I had to think, “Okay, what am I going to do with this guy?  How am I going to play him?”  Timothy Woodward is just fantastic.  He came along, we had a chat together, and he sort of said, “What are you going to do?” and I told him how I was going to play it, and he said, “Okay, go.”  We got it all in one take.  Bang.  I love that.

Photo: Studio City

SEAN:  There was a lot to do obviously, but we shot Studio City over five days.  We literally shot this at almost a soap opera pace.   I don’t think too many other actors; except for daytime actors could have pulled this off.  So, we were really blessed to have a bunch of pros.

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TIMOTHY: Every one of them were extremely talented in their roles.  Patrika blew my socks off.  Tristan did what he did, I mean, he’s amazing.  Sarah was great.  Carolyn Hennesy was great   I do a lot of feature stuff, and you know, we are shooting only 4 or 5 pages a day.  Sometimes 6.  So, it’s not often that I am handing someone a 7-page scene and saying, “Hey, go,” especially the day before, and they’re nailing it every single time and being able to deliver every single time, and hitting their marks, which makes the editing process so good.  They’re able to do it, especially when you keep the writing grounded on the side of it that’s about behind the show, but it still has dramatic moments.  You’re giving the actors a lot to chew on, but they all performed the material so well.

Tristan, in story, you play Sean and Sarah Brown’s step-father. There is a major scene in episode 6 between Patrika and Sean where Sam learns about his biological father, and then there is a scene with you and Sean in the aftermath of that.

TRISTAN:  Yes, they are my adopted kids.   Sam is going through a low part in his life, and my character has to kind of sit him down and go, “Listen, kid.  You’re a good guy.  Don’t ever be told that you’re not a good guy.  You’re my son, and I love you, and there’s not a day that goes past that I don’t love you.”  When you’re on the set at the time, it was an extremely emotional scene.  Very, very emotional, and the fact that we got it right the first time, made the intensity better.  If I had had to go back and do that again, it would have been slightly different. That’s the way I work.”

Photo: Studio City

Had you worked with Sarah Brown before; given you both have worked on General Hospital in your careers?

TRISTAN:  Never.  That was a great thing.  I had two scenes with her, and I loved them both, and I thought she was terrific,  What Sean and Timothy have done is  put together a really interesting bunch of people to totally dig and are part of the daytime scene, who are totally familiar with it, and know what it is all about, and make it different.  The only other show I can compare this to is GH: Night Shift.   We were never allowed to develop it, but that was where we were at.  I think we are making the same kind of broad steps here that we were doing back then.  Hopefully, we are given more of a chance to develop the concept of it. 

What can you say about working with Timothy? He obviously loves the soaps too!

TRISTAN:  He’s a good guy.  I mean, they couldn’t have gotten a better person to do the directing and put that side of it together.  He was the perfect choice: having an understanding of the background of daytime and basically liking it for what it is.  He was ideal!

Photo: Studio City

Timothy, you were a fan of The Bold and the Beautiful, correct? How did you come into Sean’s orbit?

TIMOTHY:  Yes … when Brooke (Katherine Kelly Lang) was with dad, Eric (John McCook), or something right before that. (Laughs)  That’s how long ago that was.  I started telling Sean all that stuff, and he sent this cookbook to my mom, and then, he called me.  We stayed in contact and started talking about a few things, and then he contacted me about being in the book he was doing, Success Factor X, and he wanted me to be in the book, so I said okay.  So, we just stayed in contact, and then, I called him about another project. Later, Sean said he had an idea for a show and he’s been working on it for a while, and said, “Here’s the idea.  What do you think?”  I said, “I think it’s something that I could be interested in,” (because I’d always watched soaps back in the day, and it’s something that my mom is a huge fan of) and you know, I could get down with doing it.”  So, we kind of met, shook hands, and said, “Let’s make it happen.”

Did you tell your mom you were working with Sean Kanan?

TIMOTHY:  I did!  She loved it.  Sean actually sent her a video to her phone wishing her a merry Christmas last year.

SEAN:  This guy is a feature-film director. Tim was like, “I think that would be a really interesting challenge.  I’d like to do a digital series,” and then it comes to pass that this sort of tough-guy film director from North Carolina, is a total closet soap freak! (Laughs)

Photo: Studio City

Timothy, in Studio City, when Patrika Darbo has this very emotional monologue about what happened to her and about Sam’s father.  Sean also delivered a powerful performance in the scenes, just through his reactions to her heartbreaking story. I just thought the way he played it was so moving.  You obviously did a great job directing that scene.

TIMOTHY: I said, “Sean, I’m seeing behind the camera.  I’m telling you man, you’re telling so much with your eyes.  You don’t have to say anything.  Don’t tell her it’s okay during the scene,” because his initial reaction was, “It’s my mom.  I want to tell her it’s alright.”  I was like, “No.  Don’t.  I don’t want you to do anything.  You need to absorb this; you need to be in that moment of where you just don’t even know what to say.   You feel for her, but you also have this self-inflicted pain yourself, and you just need to listen.  Just listen to her.  Zone out of everything else and listen to her.”  That’s what he did, and he did it really well.

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SEAN:  I remember that Patrika was incredibly generous because once we got her take; she was willing to go through all of that pain again so that my reactions would be as informed as it was.  Honestly I would like to tell you that it was me reaching into my big bag of actor tricks, but all I had to do was shut up and listen.  How can you not be moved by hearing that?  So, I just sort of shut up, didn’t have to hit my mark because I was sitting, and listened, and she did all of the driving on that, and she was just terrific and Timothy captured it beautifully.

Sean, when you envisioned the part of Sam for yourself; were you pleased about how it came across on screen?

SEAN:  Listen, the character is very close to who I am.  This guy is sort of a heightened version of me, but I am very much playing myself in this.  I’m playing myself in some situations that I have never had to deal with.  I was like, “If this is going to succeed or fail, it’s going to happen with me being my most authentic self, and it’s not someone else’s idea of who I am.  I’m going to show you who I am in this.”

Photo: Studio City

Trans actor, Scott Turner Schofield also appears in Studio City.  In part of his story, you are tackling a timely social issue of the plight of African-American trans individuals who are being murdered.  How did you come to the decision to include this arc in the series?

SEAN:  I felt it was important that we told a story that was LGBTQ and trans-centric.  I wanted Scott to be a character on the show that everybody knew was trans.  I don’t want to get too far ahead of myself, but maybe the character Scott plays is going to have a conflict with production and say, “Listen, I’ve got to be a trans character on the show because I need to sort of be a beacon to all of those people out there.  I’m living that life off-camera. ”  When you see him in his group and everything, and I think he is going to kind of stand up for himself, and that’s going to probably alter his story.  I thought it was important to be like, “My character knows he’s trans.  He’s my buddy who happens to be trans,” you know what I mean…. rather than it being this huge big thing.”

Was the goal to get Studio City released right at the end of 2019 to quality for Daytime Emmy consideration in the Digital Drama categories? 

TIMOTHY:  It was definitely something we think could get more eyeballs on the show, more attention to it if you will, in order to get it to the next level.  So, I think that’s important. Do this and get it even bigger … make more episodes and make them longer.  Sean keeps saying this series, is a love letter to soaps, and that’s what he told me he wanted to do.  You know what Sean is talking about.  There is somewhat of a disrespect level in our industry of, “Well, he’s on a soap,” and these people are so talented.  I mean, some of these daytime soaps have better ratings than a lot of the primetime shows.  You just read mainstream media or something about soaps, and you may think, “What?  There’s nobody watching it,” and then, you start looking at ratings and two and a half million viewers during an episode?  This is every day.  That’s a fan base.  There are dedicated people watching it.

SEAN:  It always bothers me when I see that; treating soaps like that because we work really hard, and there’s a lot of talented people involved with it.  It doesn’t always need to always be that whenever you see soap operas represented in “main series” projects, that they’re kind of the butt of a joke.  I was like, “That’s not going to happen because that’s not what they’re about.”

Photo: Studio City

Sean, you make things happen for yourself doing various projects whether it be: stand-up comedy, acting, books, etc and are one of the hardest working guys I know. Why do you think you have continually come back around, and in front of the daytime soap community all of these years?

SEAN:  I envy guys who have been on daytime consistently for 10, 15, 20 years, and there are times that I wish I were there and doing that, but I don’t necessarily know that if I were that guy that I would have had the wherewithal to write the books I have written.  I think I may have gotten comfortable, and you know, God bless.  I am in no way disparaging that because there is a lot to be said for that longevity on a series. I feel like on daytime I have always been kind of a hired guy.  I get brought in, I get let go, I get brought in, I get let go.  I never sort of maintained a sense of terra firma.  I always felt that it was probably going to be temporary, and I’d better figure out what else I’m going to do, which has given me opportunities that I have created to do projects that I am really passionate about like this one.

For more on Studio City, visit their website here.

Have you checked out Studio City on Amazon Prime yet?  If so, what do you think of it and the performances? Excited to see Sean and Tristan in different roles? Comment below.

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Interviews

‘The Bachelor’ Peter Weber Opens Up About Hannah Brown, Hannah Ann & Being Emotional In Front Of The Camera

While viewers watched how the emotional conversation that they “had to have” came to its conclusion (or did it, even?) on Monday’s episode of The Bachelor between Peter Weber and the women he fell for in her season of The Bachelorette, Hannah Brown, several other new “storylines”kicked off” such as”champagne-gate” between contestants Kelsey and Hannah Ann, and then the social media ‘Bachelor Natio’n frenzy over a shot included in the episode featuring a bottle of maple syrup popping up out of nowhere (later explained to be a supply that contestant Mykenna was going to use when having some alone time with Peter, presumably).

But while it looks for now that Peter is going to try to move past his lingering feelings for Hannah B. and be all-in to find love with one of the women in the running on his season of “The Bachelor”, Michael Fairman TV along with several members of the media spoke with Weber at the ABC Television Critics Association Winter Press Tour on some subjects we wall wanted to know his answers to.  Check them out below.

Photo: ABC

When asked if he watched back the premiere episode and what went down with his chat with Hannah Brown, Peter told us: “The Hannah stuff wasn’t easy for me to watch.  It wasn’t easy as a viewer.  You go on hiatus, like a lull, and then you relive it as it airs back.  So, that wasn’t easy, but you’ll see what that all means. I think you kind of see that there were true, genuine feelings that were still there in that episode, and it left me really confused.”

As to if he was prepared to be seen as so open and vulnerable in the process of finding love while having cameras on him all the time, Weber expressed: Yeah, that was one thing I took from Hannah.  I remember the beginning of her season, that first night, that first speech, it was all about being vulnerable, raw, and open with us, and I made that a big theme of mine, and I wanted to set that theme early on with the women.  You’re going to see me be that the entire time.”

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Knowing the intensity and spotlight it puts on him, Weber says he was all-in for being The Bachelor this season: “I was so excited.  What an amazing opportunity, and I knew it worked.  So, why would I say no.”

There is obviously a major stunning moment that the series is pushing that happens in the finale that appears to potentially change the course of Peter’s quest for love, or confuses it. Weber would only tease that:  “I tell everyone that is was the most beautiful experience (being on  “The Bachelor”) but the hardest of my entire life.  That last week, was the hardest week of my entire life.  It literally doesn’t stop until the last second … just a lot of unexpected stuff that I couldn’t predict, but I took it, and I feel like I’m stronger coming out at the end, but it was hard.  If I told you, then I’d give it away! I didn’t expect what happened to happen.”

Weber also weighed-in on if he feels his love life coming out of the series is set, sharing: “You guys will definitely enjoy this journey and feel it.  I can’t comment on that right now.”

Pilot Peter revealed that he has also apparently gone back to work at Delta: “I went back to work like a week after I finished filming (The Bachelor). I never actually took a leave.  It’s really nice being a pilot because the schedule is really flexible.  So, I just ended up dropping my trips and having friends pick up trips.  So, I’m really lucky that it all worked out.”

Photo: HutchinsPhoto.com

Over the course of filming, Peter was involved in a freak accident that will be shown that leaves him with a scar on his forehead: “I think it’s badass.  (Laughs) Listen, it was a freak accident, and it is what it is.  I wasn’t going to let it keep me down or bum me out too much.  I was in the middle of this whole journey, and you know, it’ll fade.  I didn’t lose my eye, so that’s like the biggest thing.”

Photo: ABC

Many are comparing Peter’s like of two women named Hannah! Both from the south and both had competed in beauty pageants, Hannah Brown and this season’s Hannah Ann, to which Weber played up the irony: ” I know!  Lots of Hannahs!   A lot of girls from Alabama.  That was a big theme, too.  I feel like I don’t have type now, but maybe I do.”

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So, what did you think of the conclusion of the chat between Hannah Brown and Peter on last night’s episode of The Bachelor? Do you think Hannah Ann is a frontrunner for that final rose of Peter’s “champagne-gate” and all?  What do you think will happen come the ending of the season as teased by Weber and what you have seen thus far in the first couple of episodes of the new season of the reality-competition series? Comment below.

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DAYS Eric Martsolf and Stacy Haiduk chat with Michael Fairman at Day of Days 2019; during their conversation the on-screen dup talk about the latest developments of Brady and Kristen within the series time-jump and more. Leave A Comment

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