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THE CHRISTIAN LEBLANC INTERVIEW – THE YOUNG AND THE RESTLESS

By Michael Fairman

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By Michael Fairman

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TV SOAP:

You have great story coming up! It seems it took awhile for this all to come to fruition, wouldn’t you say?

CHRISTIAN:

I have great story, with Lowell being my father. It was yes, no, then yes, no, then yes. When you look at it, it’s kind of interesting how the writers did it

TV SOAP:

So, you are glad that the show picked this point in time to unravel the story?

CHRISTIAN:

I did not want the story to go right away. We had the whole Tom Fisher thing, and a lot of men in Gloria’s life at the time. I liked the timing of this to clear the decks and you then have the right moment. I know they were going to go with it. They kept me busy, and I was lighter in story than I am usually, but I used that to my advantage.


TV SOAP:

There was this recent tease where Michael visited the jail where the “supposed” Lowell was being housed, but it turned out he was an imposter.

CHRISTIAN:

They changed identities, and Lauren, Paul and I have been piecing this together, and it was a red herring moment. I rarely harass the writers, but I called Maria Arena Bell (co-head writer, “Y&R”) and told her that this really pushed me to the edge of my skill level! These were some interesting scenes and the degree of difficulty was high.

TV SOAP:

Like getting an 8.3 from the judges?

CHRISTIAN:

Yeah, and you kill for that kind of thing! But, they are scary and intimating all at the same time. You want to be better, so you find a better tennis player.

TV SOAP:

The caliber of your performances is always top notch. Do you rehearse as much as you would like?

CHRISTIAN:

I actually would like to do many more takes then we are allowed to, because I find new stuff to play. You get used to the system. You have to make a choice and commit to it with very little prep time.

TV SOAP:

To recap for Australian fans, why is Michael so into searching for his real father?

CHRISTIAN:

I think it all started when he had Fen. It keys it off for a lot of fathers. This is a man who went to prison. He went to therapy to change his dark ways. He was a violent man and he claimed he never had a family. Then his family shows up and then you find out why he denied his family for so long. Michael is somebody who denied his brother’s pain, but he feels responsible for it. When you have a child, you are responsible for that child. Michael has Lauren to help him discover these things.

TV SOAP

What does Michael hope to achieve when finding his father?

CHRISTIAN:

I think he wanted to be a whole person and have a point of reference. You have a whole picture, and even if it’s a bad father you get it. It’s thinking this guy will come save us one day. This goes all the way back to when I would write letters to this man thinking Gloria was mailing them, and realizing she never mailed them. She kept them just to keep this fantasy. That’s where the push-pull comes, and as long as you don’t know its fantasy, but it’s very specific things happening. I find it with adopted people. It’s an interesting dynamic. I need to know, genetically. I am a huge genealogy freak in real life. That’s what I love about Michael. He is so complex, and it isn’t any push over to be him. The easy part is just to be myself, and the writers have stayed true to his character. You want to stay true to his dark side and his humanness, and it’s good and evil. You can reform yourself, but you cannot deny your history.


TV SOAPS:

Will the revelation of meeting the real Lowell Baldwin, played by Michael Gross do you think Michael will flip back to his dark side?

CHRISTIAN:

I don’t know if it will be his downfall or not, because Lowell is such an unexpected character, and it certainly pushes all those buttons again….

TV SOAP:

….Will we have sympathy for Lowell? I think so.

CHRISTIAN:

I think so too, and a good actor does that and Michael Gross was wonderful.

TV SOAP:

Do you think they will keep the story going and play this out, and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think so. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, which I am very happy about and he could not have been a nicer man, it’s so easy and that’s his professionalism. It’s a cast of thousands, one take… fast, fast, fast. It can scare anybody, but he was right there with it.

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

So, is Kevin and Jana’s wedding a huge disaster?

CHRISTIAN:

It is an amazing, amazing. It’s an amazing series of shows.

TV SOAP:

Were you in the audition process when they were casting Michael Gross as your on-screen dad, Lowell?

CHRISTIAN:
No. That poor man just got thrown into the Baldwin’s and this huge cast! We talked a little the first day of taping, but we were thrown into these really intimate scenes, and it kind of worked. He is the consummate professional.

TV SOAP:

Will there be a big showdown between the two characters once they meet?

CHRISTIAN:

Not quite a showdown, just a discovery, and going through the myriad of emotions of when the fantasy dies and the truth stands before you.

TV SOAP:

How does Michael feel then?

CHRISTIAN:

I think he is disappointed. This would be something that was not his expectation. It’s been chipping away at his fantasy, and at the end of the day it’s the worst-case scenario.

TV SOAP:

When is all this going to play out on the air?

CHRISTIAN:

It all happens at Kevin and Jana’s wedding. I think all of Michael’s fears come together in his one meeting on this one amazing day, which is so riveting. Everyone was on that day. It kicks off on Friday, August 15, here in the States.

TV SOAP:

So, does everyone at the wedding see him at the same time Michael does? Isn’t he the priest?

CHRISTIAN:

Just think, everybody sees him at the same time, and I talk to him!

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

What about working with Tracey E. Bregman (Lauren)?

CHRISTIAN:

We are like an old married couple. There is a physical comfortness, and she makes me look good. Wait till you see her in these scenes!

TV SOAP:

But don’t you think there has got to be some major troubles coming up for Lauren and Michael? I mean, on the soaps wedded bliss can only happen so long.

CHRISTIAN:

I don’t know. I hope we have complications. I want it to be like a real marriage. I mean, we don’t have to be broken up, but certainly, there are things that a married couple disagrees about. I would like to see us have conflict.

TV SOAP:

Do you think Michael might have an affair?

CHRISTIAN:

It’s soaps and in real life, given the right circumstances for my character, anything is possible. Nobody likes ‘happily- ever- after’ forever.


TV SOAP:

How was your night at the recent Daytime Emmys? It was so hot outside! You did not walk away with the prize for Lead Actor, unfortunately. Tony Geary, Luke from “GH” won that night.

CHRISTIAN:

It was so hot! I had a ball, and I was there with Nia Peeples (Karen). It’s always a fun night out. It was so exciting. Tony Geary hugged me before the show and said, “It’s going to be you this time! I got all sorts of compliments. It’s Tony Geary, a legend, saying this! That was such an honor coming from him.

TV SOAP:

Where are your two Emmys?

CHRISTIAN:

I have got two on my piano, to instill the need in me to practice. (He laughs) I am hoping for cross-discipline. I had myself my own Emmy for everything. (He laughs).

TV SOAP:

What’s left to do and accomplish with your acting career?

CHRISTIAN:

I want to do it all. I would like to do a feature. You want to be tested. I think I have something here and I have been given a gift. It’s my job to develop it to its utmost. It has never bored me here at “Y&R”. I just worked scenes with Chris Engen (Victor Jr.) today. When it’s somebody new, I get flop sweat!

TV SOAP:

How is working with Chris?

CHRISTIAN:

He is lovely and amazing, and so is Elizabeth Hendrickson (Chloe). They keep bringing new ones in! We have a great core group here, and Chris is intelligent. It’s a plumb part and he is just getting up to speed.

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TV SOAP;

Many fans think you ad lib a lot of Michael’s material on screen. Is that true?

CHRISTIAN:

I never ad-lib… never in my life! (He laughs) And that being said, so many of those are written more than people think. I actually think it’s a great compliment. I get a lot of humor and a lot of great lines. They give me the freedom to tweak a line. But I don’t do it as frequently as people think I do. It’s just me and my timing and delivery, or even better, it’s the other actor’s reactions.

TV SOAP:

So, what do you think we can tell the fans to look forward to in the coming months for Michael?

CHRISTIAN:

I have NO idea. With the writer’s building the momentum for this storyline for quite awhile, I can’t see them not taking advantage of this front and center stage. Especially, with Michael Gross being on the show.

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TV SOAP:

There has been such turnaround with the writing teams recently at “Y&R”. Are you noticing any difference in the scripts?

CHRISTIAN:

I think you do see changes slowly, but surely. All the writers have been good to me, and I have a scene to get nominated on every year, and that’s hard to find. I like working and they keep me in the picture. I do see it evolving in the scripts. I see a mixing of all the characters again. I like to see the integration of that. I think being given the amount of time when you are new to the show that’s the hardest thing in the world. It was the late Bill Bell’s gift, and a singular gift (creator and ex-head writer, “Y&R”). He never called me by my character name. He knew who I was. But in the end, he always had these stories and they were intermixing, and there was a spider-web that existed in his head, and that does not happen easily. Not everyone is gifted that way. But still you need to have time to get your people in place. I think we are still recovering from missing Bill Bell; it was never going to be easy. It’s nice to be hopeful, but you had a singular show with a single vision and it will take time. We need people to have patience. We had a lot of passionate people contributing to the process, and its takes a lot of siphoning through till you get the formula that you want.

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Interviews

‘The Bold and the Beautiful’s’ Heather Tom Talks Daytime Emmy-Nominated Scenes and What’s Behind Katie’s Deep-Seated Issues with Dylan (Exclusive)

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Heather Tom

The Bold and the Beautiful’s Heather Tom (Katie Logan) is heading into the 53rd annual Daytime Emmys next month with a chance to win not one, but two gold statuettes to add to her collection of six!

Heather is once again a nominee for the Outstanding Lead Actress in a Daytime Drama Series, and for the first time a nominee as part of B&B’s writing team in the Outstanding Writing for a Daytime Drama Series category.

Currently, Heather is tied with One Life to Live icon, Erika Slezak (Ex-Viki) as the actresses with the most wins in Daytime Emmy history. An acting victory by Tom would break the tie, although Slezak’s wins have all been for Lead Actress, while Tom literally grew up before our eyes over 35 years in daytime, and has won in all three actress categories: Younger, Supporting and Lead.

Photo: JPI

Whether Tom wins the gold this year, next year is looking even like stronger lock with Heather delivering some of the best work of her career, over the last several months. Who can forget Katie’s showdown with her sister Brooke (Katherine Kelly Lang) over the creation of her own fashion house named Logan, that slap from Brooke, and eventually being disowned from the Logan family by Brooke and their sister, Donna (Jennifer Gareis). 

This fall, Katie is in full momma bear-mode and being overprotective of her son Will Spencer’s (Crew Morrow) heart and pocketbook. In story, Katie has a massive distrust of Melissa Dylan, who has made her move on her son, while Will is still trying to deal with the break-up with the love of his life Electra Forrester.

During a live chat this week on the Michael Fairman Channel, Heather opened up on a myriad of subjects, including why Dylan gets under Katie’s skin in such a major way, and what scenes earned her a shot at Lead Actress gold at the October 30th Daytime Emmy ceremony.

Photo: JPI

HEATHER TOM’S DAYTIME EMMY SUBMISSION

In daytime, Heather Tom does it all, she acts, directs and writes for The Bold and the Beautiful. When deciding what material to submit for Emmy competition with its eligibility rules of episodes from 2025, it relayed heavily on scenes with her longtime B&B scene partner, Don Diamont (Bill Spencer).

“I submitted material having to do with the Luna (Lisa Yamada) storyline and having to do with Katie and Bill. I love that Katie and Bill have been really trying to find their way back to each other for, honestly, five years. He’s been trying to woo her back. Katie’s been like, ‘No.’ However, they come together, especially over their son, Will (Crew Morrow) and they have a very real relationship-type of discussion. It wasn’t an argument. It was more about, ‘I know you. Don’t do this.’ That’s always kind of been Katie’s relationship with Bill. The scenes with Don Diamont were about Katie and Bill’s history, the pain, and the drama, and especially about their son, seemed very familiar to me.”

Heather added, “There’s also a couple scenes with Will and Luna, when Katie finds out that Luna is pregnant. Katie was like, ‘Nope! Our son is having a baby with somebody, and we’re going to figure this out. We’ve got means and the ability to do this. I don’t care if we have to take this baby away from Luna because she’s crazy, we’ll figure it out.’ They were some really good scenes that I felt very proud of. I thought to myself, “OK, this is Katie really taking a stand for her son, and having these conversations with Bill where I just felt they were real and honest.”

In conclusion to standing by her choices of scenes, Heather explained, “It was nice to see Bill and Katie operating as a parental unit and have her be like, “Yep, we’re not doing this. You know, you can’t force Luna to do anything, so let’s just figure out how we’re dealing with this.” Katie was kind of the adult in the room. Then, the scenes where Bill says to Katie, “You have to come back to me and I need you,” while Katie shed a few tears, she still didn’t take him back, not yet.”

Photo: JPI

DYLAN BROKE THE ‘GIRLFRIEND CODE’

There are specific reasons why Katie has it out for Melissa Dylan. In fact, Dylan went so far as to get her mother Darcy Dylan to town to shut down Katie’s suspicions of her, but it still isn’t swaying Katie away from her stance on the matter. Heather revealed how she is playing the scenes.

“So, here’s the deal. It’s multifaceted,” began Tom. “This girl pushes Katie’s buttons. She reminds her of her sister, Brooke (Katherine Kelly Lang), and what Katie’s going through with her sister right now is very unpleasant. I think she looks at this girl and says, “This girl is going to crawl over anyone to get what she wants. And right now, she wants my son, and she’s willing to throw her best friend (Electra) under the bus.”

Heather also said, “Honestly, there’s something known as the ‘girlfriend code.’ Would you like to know what the girlfriend code is? ‘The girlfriend code’ is if your girlfriend, who is also your best friend, dates a guy and is especially in love with him, it doesn’t matter if you break up, that guy is off limits. You need to find yourself another guy.”

KATIE’S TROUBLES WITH BROOKE AND DYLAN MAKE HER TAKE A STAND

Katie clearly draws a similarity to her sister Brooke and Melissa Dylan which is also driving her attitude, which Heather confirmed. “So to Katie, it’s like Dylan broke that code. She is someone who follows her heart just like Brooke and leaves carnage in her wake,” said Tom.

She continued, “I think Katie looks at her and goes ‘Okay, one, you were living in your car. You didn’t call your mother who clearly loves you and ask her for help, but you were more than willing to take help from this, lovely rich guy.’ I think Katie feels like the fact that Dylan has been so expressive of how in love she is with Will, I think she finds that a little weird.  She’s telling him that she’s e in love with him, and he doesn’t say it back to you. So, clearly he’s in not in love with you.”

In story, Katie can’t trust a young woman, who knows her son doesn’t feel the same way about her and yet is still hanging around. Heather shared Katie’s viewpoint to Dylan: “He’s clearly in love with your best friend. So, isn’t it a little unsettling that she kind of keeps saying she’s in love with him? So that’s my multifaceted reason why Katie doesn’t like her. It really has nothing to do with the fact that she came from humble beginnings because Katie did too. That being said, the Spencers are billionaires, so she would have to also look out for that. However, I don’t think that’s the main reason why she doesn’t like this girl or doesn’t trust her. I really don’t.”

You can check out the full conversation from our livestream conversation on the Michael Fairman Channel below.

Now let us know, are you rooting for Heather Tom to win the Lead Actress Daytime Emmy? What did you think of the scenes she submitted? Will Katie be proven right about Melissa Dylan, or will her distrust blow up in her face and she will wind up respecting Dylan when all is said and done? Weigh-in via the comment section.

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Interviews

‘The Bold and the Beautiful’s’ Kelly Sullivan Talks Becoming Darcy Dylan, Who’s Melissa’s Dad, and Future Love Interest (Exclusive)

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Kelly Sullivan

Kelly Sullivan made her triumphant return to daytime on recent episodes of The Bold and the Beautiful in her new role as Darcy Dylan, the mother of Melissa Dylan (Sydney Bullock).

In story, Melissa, better known as just “Dylan,” phoned home to her mother to come to Los Angeles, in an effort to calm the waters with Will Spencer’s (Crew Morrow) nosy mother, Katie Logan (Heather Tom), who doesn’t trust Dylan one iota.

Soap fans remember Sullivan from her previous Daytime Emmy-nominated role sas Kate Howard/Connie Falconeri on General Hospital and as Sage Warner on The Young and the Restless. During a livestream conversation exclusively on the Michael Fairman Channel, Kelly spoke about her time on GH and Y&R, and the wonderful co-stars she shared the screen with, and her excitement on her brand new role on B&B.

Photo: JPI

As to her thoughts on if Darcy will ultimately prove to be a gold-digger, opportunist, but still has a heart of gold (as we saw in recent scenes with her daughter, seemingly), Sullivan explained, “Characters like Darcy can be dangerous. I think Darcy is a survivor and she can charm. She’s a flirt. She knows what she wants. Darcy is self-made, according to her, and she made it.”

THE DYNAMIC BETWEEN DARCY AND HER DAUGHTER, MELISSA DYLAN

However, Melissa plays a big role in what’s next for Darcy! Kelly explained, “She’s got this beautiful daughter and that was her entire life who is now making her way. Let me tell you, I don’t know what Darcy’s retirement plan is, but one would assume she doesn’t have much savings. This is a great opportunity for her to connect with her daughter and get the lay of the land.”

Finding out that Melissa has been dating Will Spencer from the rich and powerful Spencer family in Los Angeles, while initially a shock, could prove interesting if the mother/daughter were to work together for a common cause, their survival.

Sullivan explained, “Darcy’s all about the tabloids and all about this life of illusion and the haves and have-nots, essentially. She would never shy away from an opportunity to see what’s around the corner. I think the interesting thing for me, that I’m excited about is to explore the dynamic between Darcy and Melissa and what is that going to become?”

From all accounts, Darcy is here to stay in Los Angeles, and fans will see much more of Sullivan on their-screens. “Darcy’s not going anywhere”, confirmed Kelly. “I always said to Sydney Bullock, Darcy didn’t buy a round trip ticket. If you think about it, Melissa could be her ticket. She might be Darcy’s only hope. There are serious stakes here if Darcy has been waiting for this moment.”

Photo: JPI

SHARING SCENES WITH HEATHER TOM

Last week, Sullivan had her first on-screen confrontation with Heather Tom. In the scenes, Katie was disapproving of Dylan and let Darcy know it. Eventually, Darcy takes Dylan with her to leave Will’s beach house apartment, but Will stops Dylan.

Recalling the taping of the scenes, Kelly said, “Heather Tom is a real special artist. In the story between Katie and Darcy, you’ve got momma bear and you’ve got momma bear. You can’t fault either of these women for how they feel, and how protective they are of their children.”

There are many things viewers and perhaps the writers have not totally fleshed out about the Dylans. Are their Dylan sisters coming, or to be revealed to rival the Logan sisters? Who is Melissa’s biological father? Plus, some more nuggets as Kelly revealed.

“I think there is a juicy, juicy story there of the Dylans,” previewed Sullivan. “It would also be interesting if they decide who Melissa’s dad is. Who is that? I mean, that’s interesting. You know, when I auditioned for this role, it said on the page that the character was charming, from the Midwest, and dance skills a plus. and I was a Broadway dancer. So, I hope this means there might be an opportunity to dance on the show at some point.”

Photo: JPI

DARCY DYLAN AND WYATT SPENCER PAIRING?

As for the men on the canvas, Kelly was asked what she thought of a potential Darcy and Wyatt Spencer (Darin Brooks) pairing? To which she responded, “That would be so much fun. I’m such a fan of Darin’s work. Oh, I would have a ball working with him. One of the things that really excited me about Darcy when I was coming into audition for her was that they said that they wanted her to have a  comedic sensibility, comedic chops as they said it.”

Sullivan concluded, “To work with Darin, I would be so lucky. He’s such a great actor and he’s got great comedic timing and he’s just really present and phenomenally talented. He’s a great actor, so I would love that. I mean, anyone on the show would be really fun.  You throw it at the wall (in daytime) and say, ‘Is there a thing? Is there something here?’ Chemistry is chemistry.”

Now below, and in case you missed it, you can check out our full video livestream chat with Kelly Sullivan below.

So, what have you thought of Kelly’s performances thus far as Darcy? Do you think Darcy will turn out to be an opportunistic woman, but who deeply cares and loves her daughter, or will it turn out to be a ruse? Would you like to see Kelly paired with Darin Brooks on-screen as a love interest, and who do you think truly is Melissa Dylan’s biological father? Weigh-in via the comment section.

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General Hospital

GH and OLTL Alum Patrick J. Gibbons Reveals the Story Behind Writing Trina’s Song on ‘General Hospital’ (Exclusive)

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Patrick J. Gibbons

At the conclusion of today’s August 21 episode of General Hospital, Trina Robinson (Tabyana Ali) sings a lullaby to baby Dez, that went into a montage to close out the episode as her father Curtis Ashford (Donnell Turner) reports to Pentonville and winds up in his jail cell.

However, in a fun fact, the song entitled, “A Lonely Heart To Give” was actually written by none other than former One Life to Live and General Hospital actor, Patrick J. Gibbons.

Daytime fans first met Gibbons as Sam Manning on One Life to Live. At the time, when he started on the soap, he was just 5-years-old. Gibbons played the part from 2010-2013 on ABC and Prospect Park’s editions of the show. Fast-forward to 2018, Gibbons shows up on General Hospital as Wyatt Hoover, the scout who seemed always be injured, but in the thick of the drama. Patrick had appeared on GH multiple times as Wyatt including: 2018, 2019, 2021, 2022, 2023.

Photo: ABC

FROM HIS GRANDMOTHER’S DEATH CAME THE INSPIRATION FOR HIS SONG

Now in 2026, General Hospital fans are getting to learn about another side of Gibbons’ talent as a songwriter and guitar player after “A Lonely Heart to Give” debuted today! Michael Fairman TV caught up with Patrick, who is now a senior at Penn State entering his final year as a finance major, to get the back-story of how his song wound up on GH!

Gibbons explained he wrote the song in honor of his grandmother who passed away a few years ago with whom he was, very, very close with. “Randomly, my grandmother had a downfall and passed away during the second semester of my sophomore year. I was in my dorm a lot and I was just playing with my guitar. And at the time, I was really into finger-style playing. I wrote the lyric and music to it (with a little help from my guitar teacher Lou), and my mom showed the rough demo to Frank Valentini (EP, General Hospital). He’s like an uncle to me. Frank loved it so much he said, “Finish that up. I want to hear the whole thing, and I want it on the show.”

MAKING MUSIC FOR GENERAL HOSPITAL

Gibbons and his parents took the next steps! “So now, all we needed was a female voice, because I thought that would fit the song well,” Patrick shared. “At the golf club we go to my parents were at a dinner. They liked the singer that was performing and spoke to her about the song, and she says she would like to bring it to her ‘boss’ who ended up being Eric Bazilian of the Hooters fame!” (Bazilian also wrote the smash hit song “One of Us” for Joan Osborne).

Next, “We went in the studio and recorded it and the song came together and it was beautiful. We loved it. They loved it at General Hospital and now they’re putting it the show and they are coming in with a piano, instead of a guitar. Paul Glass, the GH musical director, has been keeping us updated over the last six months of how it was coming along, and when it would air, and how GH put their own arrangement to it. I can’t wait to see and hear what they did with it.”

Photo: JPI

PATRICK’S ONE LIFE TO LIVE FAMILY

Everyone knows that the One Life to Live extended family share a very tight bond, and Patrick said he does stay in touch with a few of his former One Life to Live co-stars, especially those from the Manning family! “I stayed in touch with Kassie DePaiva (ex-Blair) and sent her little videos here and there. She was like my second mom for five years. We keep in contact with Kristen Alderson (ex-Starr) over X the most, and she can’t believe how big I’ve gotten. Like, none of them can! (laughs). I also loved working with Roger Howarth (ex-Todd) and Trevor St. John (ex-Todd and Victor Jr.), and to me since I was so young, they were just my friends, ‘Roger and Trevor,’ not Todd Manning or Victor Jr.”

It was a trip to California and a visit to Port Charles that ultimately led to Gibbons second soap role of Wyatt Hoover. Patrick explains, “In 2016, Frank Valentini invited us out to Los Angeles to visit the set of General Hospital. I think he heard me say, ‘This is so much fun. I miss being on the set.’ He goes, ‘You should come out. I’ll bring you on the show. We can make you a character.'”

A few years later, Patrick’s dream became a reality! “Then, by the summer of 2018, I was playing Wyatt, the scout, and shared scenes with Wes Ramsey (Peter August), and the best was when I shared a scene with Roger Howarth and Michael Easton (ex-John, OLTL and ex-Silas, Finn et al, GH), it was like chemistry from the old days.”

Photo: PGibbons

IT’S ALL IN THE NUMBERS

As to his future aspirations, it’s a career in the finance game that has piqued Gibbons’ real-life interest. But never say never to a return to acting. Patrick explained, “I’ve always enjoyed numbers. And on top of that, one of the biggest parts of finance is being personable and outgoing.”

He continued, “That’s one of the greatest skills I developed growing up. I really love the markets. I’m super interested. I’m never going to close the door to acting. I’m always open to that because I just love it so much. It’s such a great art.”

Take note! If there are any investment bankers or private equity folks among the GH faithful looking for a young analyst next year, Patrick’s DMs are open. You can find him on X at @PatrickJGibbons.

So, what did you think of the song sung by Trina on today’s GH that was written by Patrick J. Gibbons? Did you enjoy Patrick’s performances as One Life’s Sam and GH’s Wyatt? Would you like to see him back on GH at some point? Let us know via the comment section.

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Jonathan Bennett joins the cast of GH as Joe Fitzpatrick. Catch the latest promo! Leave a comment.Leave A Comment

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