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Interviews

THE CHRISTIAN LEBLANC INTERVIEW – THE YOUNG AND THE RESTLESS

By Michael Fairman

Listen to the audio:

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TV SOAP:

You have great story coming up! It seems it took awhile for this all to come to fruition, wouldn’t you say?

CHRISTIAN:

I have great story, with Lowell being my father. It was yes, no, then yes, no, then yes. When you look at it, it’s kind of interesting how the writers did it

TV SOAP:

So, you are glad that the show picked this point in time to unravel the story?

CHRISTIAN:

I did not want the story to go right away. We had the whole Tom Fisher thing, and a lot of men in Gloria’s life at the time. I liked the timing of this to clear the decks and you then have the right moment. I know they were going to go with it. They kept me busy, and I was lighter in story than I am usually, but I used that to my advantage.


TV SOAP:

There was this recent tease where Michael visited the jail where the “supposed” Lowell was being housed, but it turned out he was an imposter.

CHRISTIAN:

They changed identities, and Lauren, Paul and I have been piecing this together, and it was a red herring moment. I rarely harass the writers, but I called Maria Arena Bell (co-head writer, “Y&R”) and told her that this really pushed me to the edge of my skill level! These were some interesting scenes and the degree of difficulty was high.

TV SOAP:

Like getting an 8.3 from the judges?

CHRISTIAN:

Yeah, and you kill for that kind of thing! But, they are scary and intimating all at the same time. You want to be better, so you find a better tennis player.

TV SOAP:

The caliber of your performances is always top notch. Do you rehearse as much as you would like?

CHRISTIAN:

I actually would like to do many more takes then we are allowed to, because I find new stuff to play. You get used to the system. You have to make a choice and commit to it with very little prep time.

TV SOAP:

To recap for Australian fans, why is Michael so into searching for his real father?

CHRISTIAN:

I think it all started when he had Fen. It keys it off for a lot of fathers. This is a man who went to prison. He went to therapy to change his dark ways. He was a violent man and he claimed he never had a family. Then his family shows up and then you find out why he denied his family for so long. Michael is somebody who denied his brother’s pain, but he feels responsible for it. When you have a child, you are responsible for that child. Michael has Lauren to help him discover these things.

TV SOAP

What does Michael hope to achieve when finding his father?

CHRISTIAN:

I think he wanted to be a whole person and have a point of reference. You have a whole picture, and even if it’s a bad father you get it. It’s thinking this guy will come save us one day. This goes all the way back to when I would write letters to this man thinking Gloria was mailing them, and realizing she never mailed them. She kept them just to keep this fantasy. That’s where the push-pull comes, and as long as you don’t know its fantasy, but it’s very specific things happening. I find it with adopted people. It’s an interesting dynamic. I need to know, genetically. I am a huge genealogy freak in real life. That’s what I love about Michael. He is so complex, and it isn’t any push over to be him. The easy part is just to be myself, and the writers have stayed true to his character. You want to stay true to his dark side and his humanness, and it’s good and evil. You can reform yourself, but you cannot deny your history.


TV SOAPS:

Will the revelation of meeting the real Lowell Baldwin, played by Michael Gross do you think Michael will flip back to his dark side?

CHRISTIAN:

I don’t know if it will be his downfall or not, because Lowell is such an unexpected character, and it certainly pushes all those buttons again….

TV SOAP:

….Will we have sympathy for Lowell? I think so.

CHRISTIAN:

I think so too, and a good actor does that and Michael Gross was wonderful.

TV SOAP:

Do you think they will keep the story going and play this out, and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think so. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, which I am very happy about and he could not have been a nicer man, it’s so easy and that’s his professionalism. It’s a cast of thousands, one take… fast, fast, fast. It can scare anybody, but he was right there with it.

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

So, is Kevin and Jana’s wedding a huge disaster?

CHRISTIAN:

It is an amazing, amazing. It’s an amazing series of shows.

TV SOAP:

Were you in the audition process when they were casting Michael Gross as your on-screen dad, Lowell?

CHRISTIAN:
No. That poor man just got thrown into the Baldwin’s and this huge cast! We talked a little the first day of taping, but we were thrown into these really intimate scenes, and it kind of worked. He is the consummate professional.

TV SOAP:

Will there be a big showdown between the two characters once they meet?

CHRISTIAN:

Not quite a showdown, just a discovery, and going through the myriad of emotions of when the fantasy dies and the truth stands before you.

TV SOAP:

How does Michael feel then?

CHRISTIAN:

I think he is disappointed. This would be something that was not his expectation. It’s been chipping away at his fantasy, and at the end of the day it’s the worst-case scenario.

TV SOAP:

When is all this going to play out on the air?

CHRISTIAN:

It all happens at Kevin and Jana’s wedding. I think all of Michael’s fears come together in his one meeting on this one amazing day, which is so riveting. Everyone was on that day. It kicks off on Friday, August 15, here in the States.

TV SOAP:

So, does everyone at the wedding see him at the same time Michael does? Isn’t he the priest?

CHRISTIAN:

Just think, everybody sees him at the same time, and I talk to him!

TV SOAP:

Do you think they will keep the story going and keep Lowell on as part of the Genoa City canvas, after this initial shocker?

CHRISTIAN:

I think they will. You don’t get Michael Gross just to toss him out for a day. It’s not worth his time. They will have a lot of work for him, and he could not have been a nicer man.

TV SOAP:

What about working with Tracey E. Bregman (Lauren)?

CHRISTIAN:

We are like an old married couple. There is a physical comfortness, and she makes me look good. Wait till you see her in these scenes!

TV SOAP:

But don’t you think there has got to be some major troubles coming up for Lauren and Michael? I mean, on the soaps wedded bliss can only happen so long.

CHRISTIAN:

I don’t know. I hope we have complications. I want it to be like a real marriage. I mean, we don’t have to be broken up, but certainly, there are things that a married couple disagrees about. I would like to see us have conflict.

TV SOAP:

Do you think Michael might have an affair?

CHRISTIAN:

It’s soaps and in real life, given the right circumstances for my character, anything is possible. Nobody likes ‘happily- ever- after’ forever.


TV SOAP:

How was your night at the recent Daytime Emmys? It was so hot outside! You did not walk away with the prize for Lead Actor, unfortunately. Tony Geary, Luke from “GH” won that night.

CHRISTIAN:

It was so hot! I had a ball, and I was there with Nia Peeples (Karen). It’s always a fun night out. It was so exciting. Tony Geary hugged me before the show and said, “It’s going to be you this time! I got all sorts of compliments. It’s Tony Geary, a legend, saying this! That was such an honor coming from him.

TV SOAP:

Where are your two Emmys?

CHRISTIAN:

I have got two on my piano, to instill the need in me to practice. (He laughs) I am hoping for cross-discipline. I had myself my own Emmy for everything. (He laughs).

TV SOAP:

What’s left to do and accomplish with your acting career?

CHRISTIAN:

I want to do it all. I would like to do a feature. You want to be tested. I think I have something here and I have been given a gift. It’s my job to develop it to its utmost. It has never bored me here at “Y&R”. I just worked scenes with Chris Engen (Victor Jr.) today. When it’s somebody new, I get flop sweat!

TV SOAP:

How is working with Chris?

CHRISTIAN:

He is lovely and amazing, and so is Elizabeth Hendrickson (Chloe). They keep bringing new ones in! We have a great core group here, and Chris is intelligent. It’s a plumb part and he is just getting up to speed.

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TV SOAP;

Many fans think you ad lib a lot of Michael’s material on screen. Is that true?

CHRISTIAN:

I never ad-lib… never in my life! (He laughs) And that being said, so many of those are written more than people think. I actually think it’s a great compliment. I get a lot of humor and a lot of great lines. They give me the freedom to tweak a line. But I don’t do it as frequently as people think I do. It’s just me and my timing and delivery, or even better, it’s the other actor’s reactions.

TV SOAP:

So, what do you think we can tell the fans to look forward to in the coming months for Michael?

CHRISTIAN:

I have NO idea. With the writer’s building the momentum for this storyline for quite awhile, I can’t see them not taking advantage of this front and center stage. Especially, with Michael Gross being on the show.

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TV SOAP:

There has been such turnaround with the writing teams recently at “Y&R”. Are you noticing any difference in the scripts?

CHRISTIAN:

I think you do see changes slowly, but surely. All the writers have been good to me, and I have a scene to get nominated on every year, and that’s hard to find. I like working and they keep me in the picture. I do see it evolving in the scripts. I see a mixing of all the characters again. I like to see the integration of that. I think being given the amount of time when you are new to the show that’s the hardest thing in the world. It was the late Bill Bell’s gift, and a singular gift (creator and ex-head writer, “Y&R”). He never called me by my character name. He knew who I was. But in the end, he always had these stories and they were intermixing, and there was a spider-web that existed in his head, and that does not happen easily. Not everyone is gifted that way. But still you need to have time to get your people in place. I think we are still recovering from missing Bill Bell; it was never going to be easy. It’s nice to be hopeful, but you had a singular show with a single vision and it will take time. We need people to have patience. We had a lot of passionate people contributing to the process, and its takes a lot of siphoning through till you get the formula that you want.

Interviews

B&B’s Scott Clifton and Don Diamont Talk on the Plight of Liam & Bill and Their Cover-Up of Vinny’s Death

If you are watching current episodes of The Bold and the Beautiful then you know that Scott Clifton (Liam) and his on-screen father, Don Diamont (Bill Spencer) have been spending plenty of time together in scenes in very dramatic and intense fashion.

In story, Liam is guilt-ridden over running down Vinny Carter (Joe LoCicero) by accident when he was driving Bill’s car.  Since the moment that Vinny was killed, Bill leapt into action, destroying any evidence tying the two to the scene of the crime and continually demanding that Liam let this go and move on with his life, or the implications for the both of them could certainly be a long jail sentence, or worse.

Photo: JPI

Now as Liam is finally making headway in a reconciliation with Hope (remember his last secret – sleeping with Steffy – was quite the doozy), this new secret of what he has done, and hiding, could up the stakes even more and take him away from his family for good … or would Hope (Annika Noelle) after finding out what Liam did be the nail in his coffin that ends their relationship once and for all and kicks him to the curb?

Courtesy/CBS

Both, Scott Clifton and Don Diamont chatted virtually with Michael Fairman exclusively for You Tube’s Michael Fairman Channel to offer up for viewers and fans of The Bold and the Beautiful: an inside look at what goes on when they tape their scenes, how they see their characters motivations, and they serve up a preview of what may lie ahead in this tangled web that Bill and Liam have unfortunately weaved.

Photo: JPI

Check out the humorous, candid, and enlightening conversation with two of the leads and mainstays of this CBS Daytime drama series below.

Then let us know; how do you think Liam and Bill can get out of the mess they find themselves in? Will Liam crumble and spill the beans? Will everyone in town get on to them and figure out the secret they have been keeping? Share your thoughts and theories via the comment section after taking a look at the virtual conversation.

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Days Of Our Lives

Kevin Spirtas Talks ‘After Forever’s’ Digital Special ‘Riley’s Unforgettable School Project’, The Loss of Michael Slade, and a Chance to Reprise DAYS Craig Wesley

The coronavirus pandemic has put to the test many content creators on just how they would keep their projects moving forward in ways they never dreamed of. However, out of that situation has come some of the most compelling, unique series, specials, and features currently streaming for viewers. One of which is Riley’s Unforgettable School Project, brought to you by the team from the six-time Daytime Emmy Award-winning series, After Forever.

Former Days of our Lives star, Kevin Spirtas (Ex-Craig Wesley) has starred in and created the first two seasons of what has become the most honored Emmy-awarded LGBTQ-themed drama series on any platform.  Along with his ‘After Forever’ writing/producing partner, the late Michael Slade (DAYS, OLTL, Passions, Another World), the two also conceptualized and delivered this latest documentary-style offering now on Amazon Prime Video.

What makes Riley’s Unforgettable School Project so noteworthy is not just how they were able to execute the series based on fictional 11-year-old Riley’s virtual school project and utilize its cast, which includes: Spirtas, Cady Huffman, Jamison Stern, Lenny Wolpe, Erin Cherry, Anita Gillette, Christopher J. Hanke, and Finn Douglas, but that it was made while Slade was succumbing to his battle with cancer, and that this special marks the final script from this talented writer.

 

Michael Fairman TV spoke with Spirtas about making the special during Covid-19, how the death of Michael Slade has made a lasting impact on his life, what After Forever has personally meant to him, and how an official third season is still in the works, and … if he would consider a return to Salem and Days of our Lives, should they come a-calling.  Here’s what Kevin had to say about it all.

Photo: AfterForever

I think the entire story of this digital special has become even more meaningful with Michael Slade’s passing. What was the genesis of the concept? You wanted to continue the telling of the story of After Forever … but we are all in the middle of a pandemic?

KEVIN:  Yes and… when we filmed season 2, we had the scripts for season 3 already completed. It was our hope and desire to film them at the same time, back-to-back, so that we would have had all of our cast and crew together, and we could have gotten through it because we’ve always imagined this story being told in a trilogy so to speak – a beginning, middle, and end to Brian (Spirtas) and Jason, (Mitchell Anderson) and Brian’s healing or his steps towards healing through grief.  Schedules turned out that they couldn’t really work out for us to hold all the people and hold all of the sets for that amount of time.  So, we thought, “We’ve got the scripts for season 3 ready.  We’ll come back to it in the following year,” and that was always the intention, and then the pandemic hit.  So, it was shut down immediately that we weren’t going to do anything, but we wanted to stay current, and instead of going back in and telling the third installment of After Forever as a Covid-19 story as well, Michael and I sat down and looked at a way of staying relevant and current with a story within COVID, and there was born the idea to do this documentary style story/special about the characters of After Forever told through the lens of the character of Riley, the 11-year-old boy, who is now being homeschooled during the pandemic. He gets an assignment to do a project about the most unforgettable person he has ever met, and he, of course, chooses his best friend, the late Jason Adams, and he enlists all of Jason’s friends and family to join in.  Michael actually said, “What if we tell a story about Riley being homeschooled?” And, not only is Riley a technical genius at 11-years-old in the story, but Finn Douglas, who plays Riley, is a technical genius.

And didn’t Finn perform and write the song “Forever There” contained within the special?

KEVIN. Yes. He is this incredible musician.  Michael thought, “What would it be like if we asked to have the character of Finn sing a song for Jason?”  I said, “Well, what kind of song would we have him sing?”  Finn could play anything, I’m sure, because he’s self-taught, he plays by ear – guitar, piano, and drums.  Michael said, “What if we ask him to see if he could write a song?” and when we heard this song, we all called each other and we all got on Zoom and went, “Can you believe this song?  Can you believe this came out of this 11-year-old?”  It’s pretty incredible.  Michael did a gorgeous job of weaving the stories in and out and how they just sort of dove-tailed into each other, and then it was framed by Riley opening the project and ending the project.  During the Zoom reading we wanted to hear the song out loud.  We said to Finn, “Would you want to sing the song?”  We all just watched everybody on that Zoom call just fall apart.  It was just so beautiful. He’s an amazing talent.

Where is your character within this?

KEVIN:  I still stand in the center of the story of Jason because my character, Brian, was married to Jason, and it sort of connects us all, and through Riley’s understanding of how we all connect to Jason, is how we are all sort of spread out throughout the story.  Michael jokingly said, “You know, you’re not going to be the star of this special,” and I said, “I don’t think it’s about being the star.  It’s really about the storytelling.”  The beauty of Riley’s Unforgettable School Project is that we get to see moments of each person’s relationship with Jason, which Riley sets out to say, “Answer these three questions: What did you like most about Jason?  What did you like least about Jason? And what’s your favorite memory?”  Those three things, cut back and forth is where we all kind of fit in.  Nobody has more of a story than the next person, and it’s all telling honest portrayals of how they’re dealing with their loss of their good friend, or their child, or partner.

It’s a very inventive idea during Covid-19 to continue it in a way where you weren’t having to go shoot a full season of episodes.

KEVIN:  Well, we couldn’t. I have to say, Allison Vanore, who not only produced this special, but she also stepped up saying, “I’d love to direct this,” and I said, “Yes, please!”  She knows the characters.  She understands the story because she’s been a part of it for the last two seasons.  Allison also has this extraordinary amount of knowledge and expertise with the camera and what was needed for a remote shoot, and to also be able to organize filming 13 people in 2 different countries and 5 different cities… that’s just the technical side of it, but having that in our back pocket, knowing that it was a remote shoot, we had to send the camera, the computer, the ring light, and the microphone to each person’s house.  We had to location scout over Zoom.  We had to do wardrobe over Zoom.  It was all this big puzzle putting it together, and once you look at that board of storytelling and how we were going to do it, it kind of fell into place.  I feel blessed that a) we still had Michael with us, at that point, and b) Allison had the know-how to do this.  We all feel that at least this pandemic didn’t keep us from doing what we love.

Photo: AfterForever

In terms of the contribution of Michael Slade in this special, was it the construction of the story, and how was he able to work and write this during his illness?

KEVIN:  Michael’s contribution to the special was no less than the contribution to season 1 and season 2, and the future of season 3, because the scripts are written.  We did everything on Zoom, and we worked around his schedule of treatment.  We scheduled 2 people per day, and we spread them out over two weeks.  He was very present, and when there would be a day where he would say, “I’m going to be an hour late, let’s just push that call time,” I would ask, “Is this too much right now?  We can shelve it; we can stop it.” He’d then say, “Absolutely not, otherwise cancer will win.”  He was determined to stay focused and to stay active because it took his mind off of what was happening to him.

Photo: AfterForever

It would be lovely moment if you both were to win a Daytime Emmy for this project. 

KEVIN:  It’s our last collaboration together as a team, as I said, season 3 has been scripted, and it is on the calendar to get made.  We are just waiting for the COVID restrictions to lift a little bit and everyone to get vaccinated.  Michael was really hit hard with cancer – to stay healthy was so challenging for him.  Sadly, he didn’t make it to see the final edit of the special, and he died four days before we launched, but he had seen the cuts before that and was very approving of it, and had made some decisions, and offered some suggestions, and if God gives him an Emmy for this, it’s not because he died.  It’s because it’s great work.  It just happens to be that the work that was involved in this particular special was very tricky.  It brought up everything, like life itself to have to deal with.  Here we are dealing with the loss of a colleague, the loss of a friend, someone’s brother, someone’s son, this is life imitating art, imitating art imitating life. I can’t tell you the darkness that I went through just experiencing the need to stay focused on getting everything edited, and everything ready, and everything aligned for a release of this project that we had put into motion.  On top of it, our editor lost his mother just before Michael passed, and Allison’s mom was sick at the time, as well.  It took a lot of heavy deep breaths with Michael’s death, and the pandemic, and the loss has, for me, on a personal level, sent me back to really questioning my spiritual muscle and to help remind me that we have to come out of this better than we went into this.  I had many dark nights of the soul this last year, and December was probably the darkest.  I feel like I’m just kind of coming out of it now with the spring revealing itself.

Photo: AfterForever

It must have been extraordinarily difficult for you to also go to New York during a pandemic and also knowing Michael did not have much time left.

KEVIN:  I will say this: I am grateful that I was able to stay in touch with my heart and my instinct and go out to New York to let that be my remote location.  Yes, maybe there was some risk involved.  I wore my mask; I was Covid-19 negative, and I was determined to be fine.  Once I got to New York, I would visit him very protectively with our masks and our gloves, and I’d sit across the room, and then I’d go back to the house I was at.  It was a gift that I was able to see him at that time.  We had some good talks then about how he was feeling, and I think he was still being optimistic, and then once we got the project in the can there was maybe this psychic letting go. That’s when everything really started to reveal itself as this could be the end.  I did go back to see him when he was in hospice.  I think I was there the last two days that he really was able to really stay coherent.  He would close his eyes and be at peace and quiet for a minute, and he would finish a conversation and sort of close his eyes, not to sleep and not to go away, but I remember watching him going, “Look how peaceful he is,” and then he’d open his eyes and he’d remember that he is in this body that has been given a time limit of life, and he’s on his way out.  I’d watch the fear go back in his eyes.  At one point, he did say, “I’m so scared,” and I just held his hand, and I said, “I’m scared too.  Let’s be scared through this together.”  I don’t know how to navigate grief like that.  We are all going to be in a position at some point where we are going to be on the other side of the hand holding.  The wonderful thing is that we were able to have honest communication about our feelings.  I thanked him for everything that he has done for me and how he believed in my talent and creativity and our partnership.  I will always take that with me.  I waved my finger at him, and I said, “Listen.  Now, we wrote a series about a man talking to his deceased husband.  You’d better talk to me!”  So, we laughed about that.

Photo: AfterForever

You’ve done a lot of things in your career from Broadway to television, and of course, daytime fans know you best as Dr. Craig Wesley on DAYS.  How does the entire After Forever project stack up to you within all that you have done?

KEVIN:  Former DAYS casting director Fran Bascom, sought me out and offered me this 2-day role on Days of Our Lives, and those 2 days turned into 8 years, and unbeknownst to me at the time, the final 3 months of that contract of those 8 years, Michael Slade was brought in to write.  We didn’t cross paths at that point, but years later, when we did cross paths in New York, and then After Forever was born, that was that universal crossing point.  I am most proud of the fact that we were able create something fresh, and real, and personal to ourselves that we didn’t have to cater to any “powers that be” that had their vision and their tinkering, that they thought that it could be better in this way or that way.  Then for After Forever to gain such recognition, within the film festivals, and the Emmys, and then, just after Michael died, we won the GLAAD award for Special Recognition this year.  We don’t even fit into one of their categories!  They found a way to acknowledge this project.  If another Emmy happens again, that might be another one to put up on the shelf for After Forever that would be beautiful, and I couldn’t have done it without Michael.

For the Daytime Emmys this year, what category have you entered Riley’s Unforgettable School Project?

KEVIN:  We are not a series this year, we are a daytime fiction special, and the “Daytime Fiction Special” category is a special class.  It’s anything that’s digital in the construct of less than 40 minutes.  NATAS (National Academy of Television Arts and Sciences) is being bombarded with so much content, they’re trying to find ways to put categories together.

Photo: JPI

So, now, when we last saw Days of Lives’ Dr. Craig Wesley, where was he? (Laughs)

KEVIN: (Laughs) He was in a flash from the past or something in the DOOL app’s Last Blast Reunion series. I had a fun time working with Patrika Darbo (Nancy) and Nadia Bjorlin (Chloe), once again.

So, if they were to want Craig to come back to DAYS, would you be all for it?

KEVIN:  Hell yes!

Photo: JPI

Now, what story would you want to be told involving Craig? 

KEVIN:  When Craig was first on the canvas in Salem, there was a lot of mustache twirling and a lot of hand wringing.  He was always plotting; most of the time with Nancy.  It was kind of this high drama, evil villain storyline being told, but when the writers created an opportunity for us to be on after those first three months by bringing on Chloe without a father, there was something real about it.  It may have been told under the construct of soap opera storytelling, but there was a reality-based story about, “You have a daughter, and we are just now finding out about it?”  Then, finding a cure to her health was another realistic story, and finding out that Craig was her real father.  Anything that’s reality based is what I’m getting to.  I would welcome any job that brings me back and gives me an opportunity to dive into something real.

Photo: JPI

Would you welcome the opportunity to play a gay character on daytime; in a medium where there are very few represented in storylines?

KEVIN:  I’d have no problem with that.  Do you know anybody who is starting that?  Let’s do it!  (Laughs) First of all, there’s nothing to hide anymore.  There’s nothing to pretend you’re not anymore.  I would think that bringing in a storyline that deals with anything outside the norm that we are used to seeing would be interesting.  How many times can you retell a story?  How many times can you set the same story up with another couple?  So, why not be diverse and have a stylized story being told through the lens of a gay person.

Photo: AfterForever

In closing, so many go through life without acknowledging people who had an impact them.  We don’t give pats on the back, often enough, and especially in Hollywood, where people can be very self-involved.  You have already paid tribute to Michael Slade in our discussion, but what gift from him is your personal takeaway?

KEVIN:  The gift that Michael really gave to me is to remember to be kind to myself and to others, and to acknowledge and salute the person who is in front of us, because we don’t know when we will have, or if we will have, another moment to do that.

Now below, check out the trailer for Riley’s Unforgettable School Project.  Then let us know, what do you think of its concept? Kevin’s thoughts on the passing of his collaborator on the project, Michael Slade? And, do you hope DAYS brings back Dr. Craig Wesley? Share your thoughts via the comment section.

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General Hospital

GH’s Kin Shriner Talks on Franco’s Demise, Scott’s Budding Romance with Obrecht, and His Enduring On-Screen Partnership with Genie Francis

One of the most beloved actors in the history of General Hospital, Kin Shriner, currently finds his alter-ego, Scott Baldwin, in a new budding on-screen romance with none other than Liesl Obrecht (Kathleen Gati).

This comes on the heels of Scott learning the devastating news that his son, Franco Baldwin was shot and killed, thus writing-off the ABC daytime drama series, for now, popular actor, Roger Howarth.

Photo: JPI

Throughout his now almost 44-year-run on the ABC daytime drama series, Kin Shriner has brought his unique acting chops that helped mold the character of legal eagle Scott Baldwin into the humorous, at times cutthroat, endearing and many times heartbreaking character we have all come to love.’

 

In a brand new exclusive virtual sit-down interview with Michael Fairman on You Tube’s The Michael Fairman Channel, Shriner opens up about his history with GH and the times he stepped away to take on roles on Texas and As the World Turns, and then back again to the town of Port Charles and GH.

Photo: ABC

As well, Kin reveals his reaction to learning the news that Roger Howarth would be exiting the show as his TV son and how he shot the key emotional scene where Laura (Genie Francis) tells Scott that Franco had died.  Shriner shares that he does not see how when Howarth returns to the show in as a yet-to-be-revealed character, that it would be a stretch if the two were some how related, but that he will miss working with the talented Howarth as a scene-partner.

Photo: JPI

As to the women in Scott’s life, Kin addresses each of them from: Lucy (Lynn Herring), Bobbie (Jackie Zeman), Dominque (Shell Danielson), Laura (Francis), Ava (Maura West) – to which the character could never get that close to – and now Liesl (Gati), and working opposite all the powerhouse actresses who portray them.

Photo: ABC

For fans of General Hospital who have watched the series for decades, Kin also shares memories of working with his late TV parents, Peter Hansen (Lee), Susan Brown (Gail) and his friend and former GH castmate John Reilly (Sean), plus backstage stories with his longtime scene partner, Genie Francis.

Watch the entire conversation with Kin below.

Now let us know, are you all for the Scott and Liesl romance? Will you miss scenes between Scott and Franco?  Would you ever want to see Scott and Laura reunite romantically? Share your thoughts in the comment section.

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